PM Press

Industrial civilization is devouring the planet and the future. The oceans are acidifying, whole mountains have been laid to waste, and the climate is teetering into chaos. Every biome is approaching collapse. And fifty years of environmentalism hasn’t even slowed the rate of destruction. Yet environmentalists are not considering strategies that might actually prevent the looming biocide we are facing.

Until Earth at Risk.

Earth at Risk: Building a Resistance Movement to Save the Planet is an annual conference featuring environmental thinkers and activists who are willing to ask the hardest questions about the seriousness of our situation. The conference is convened by Derrick Jensen, acclaimed author of Endgame, who has argued that we need a resistance movement against civilization itself.

The seven people in this film present an impassioned critique of the dominant culture from every angle: Thomas Linzey gives a fiery call for community sovereignty; Aric McBay discusses historically effective resistance strategies; and Stephanie McMillan takes down capitalism. One by one, they build an unassailable case that we need to deprive the rich of their ability to steal from the poor and the powerful of their ability to destroy the planet. These speakers offer their ideas on what can be done to build a real resistance movement, one that includes all levels of direct action—action that can actually match the scale of the problem. Earth at Risk includes Derrick Jensen, Arundhati Roy, Thomas Linzey, Waziyatawin, Aric McBay, Stephanie McMillan, and Lierre Keith. This collection is sure to inform, engage, and inspire.

Produced by Jai Jai Noire.

From the acclaimed coauthor of A Manual for Direct Action comes Facilitating Group Learning, an essential resource designed to help educators, trainers, workshop leaders, and anyone who assists groups to learn. George Lakey presents the core principles and proven techniques of direct education, an approach he developed for effectively teaching adults in groups. To illustrate how it works in action, Lakey includes a wealth of compelling stories from his vast experience facilitating groups in a variety of situations.

Direct education cuts through the pretense and needless complications that can distance learners from subject matter. It removes false expectations (for example, that kinesthetic learners will strongly benefit from slide presentations) and false assumptions (for example, that a group is simply the sum of the individuals). This approach focuses the encounter between teacher and group; it replaces scattered attention—of a teacher preoccupied with curriculum and participants preoccupied with distractions—with gathered attention.

Unlike in other books on group facilitation, the author emphasizes critical issues related to diversity, as well as authenticity and emotions. Step by step, this groundbreaking book describes how to design effective learning experiences and shows what it takes to facilitate them. Ultimately, it brings all the elements of the author’s direct education approach together.

Facilitating Group Learning also contains material on sustaining the educator, addresses working with social movements, and includes the Training for Change toolkit of group learning techniques.

As the fiftieth anniversary of the Summer of Love floods the media with debates and celebrations of music, political movements, “flower power,” “acid rock,” and “hippies,”The Explosion of Deferred Dreams offers a critical reexamination of the interwoven political and musical happenings in San Francisco in the Sixties. Author, musician, and native San Franciscan Mat Callahan explores the dynamic links between the Black Panthers and Sly and the Family Stone, the United Farm Workers and Santana, the Indian Occupation of Alcatraz and the San Francisco Mime Troupe, and the New Left and the counterculture.

Callahan’s meticulous, impassioned arguments both expose and reframe the political and social context for the San Francisco Sound and the vibrant subcultural uprisings with which it is associated. Using dozens of original interviews, primary sources, and personal experiences, the author shows how the intense interplay of artistic and political movements put San Francisco, briefly, in the forefront of a worldwide revolutionary upsurge.

A must-read for any musician, historian, or person who “was there” (or longed to have been), The Explosion of Deferred Dreams is substantive and provocative, inviting us to reinvigorate our historical sense-making of an era that assumes a mythic role in the contemporary American zeitgeist.

Facebooking the Anthropocene in Raja Ampat is a deeply intimate look at the cataclysmic shifts between humans, technology, and the so-called natural world. Amid the breakneck pace of both technological advance and environmental collapse, Robert Ostertag explores how we ourselves are changing as fast as the world around us—from how we make music, to how we have sex, to what we do to survive, and who we imagine ourselves to be. And though the environmental crisis terrifies and technology overwhelms, Ostertag finds enough creativity, compassion, and humor in our evolving behavior to keep us laughing and inspired as the world we are building overtakes the world we found.

A true polymath who covered the wars in Central America during the 1980s, recorded dozens of music projects, and published books on startlingly eclectic subjects, Ostertag fuses his travels as a touring musician with his journalist’s eye for detail and the long view of a historian. Wander both the physical and the intellectual world with him. Watch Buddhist monks take selfies while meditating and DJs who make millions of dollars pretend to turn knobs in front of crowds of thousands. Shiver with families huddling through the stinging Detroit winter without heat or electricity. Meet Spice Islanders who have never seen flushing toilets yet have gay hookup apps on their phones.

Our best writers have struggled with how to address the catastrophes of our time without looking away. Ostertag succeeds where others have failed, with the moral acuity of Susan Sontag, the technological savvy of Lewis Mumford, and the biting humor of Jonathan Swift.

Don’t Mourn, Balkanize! is the first book written from the radical left perspective on the topic of Yugoslav space after the dismantling of the country. In this collection of essays, commentaries, and interviews, written between 2002 and 2010, Andrej Grubačić speaks about the politics of balkanization—about the trial of Slobodan Milosevic, the assassination of Prime Minister Zoran Djindjic, neoliberal structural adjustment, humanitarian intervention, supervised independence of Kosovo, occupation of Bosnia, and other episodes of Power which he situates in the long historical context of colonialism, conquest, and intervention.

But he also tells the story of the balkanization of politics, of the Balkans seen from below. A space of bogumils—those medieval heretics who fought against Crusades and churches—and a place of anti-Ottoman resistance; a home to hajduks and klefti, pirates and rebels; a refuge of feminists and socialists, of antifascists and partisans; of new social movements of occupied and recovered factories; a place of dreamers of all sorts struggling both against provincial “peninsularity” as well as against occupations, foreign interventions and that process which is now, in a strange inversion of history, often described by that fashionable term, “balkanization.”

For Grubačić, political activist and radical sociologist, Yugoslavia was never just a country—it was an idea. Like the Balkans itself, it was a project of inter-ethnic co-existence, a trans-ethnic and pluricultural space of many diverse worlds. Political ideas of inter-ethnic cooperation and mutual aid as we had known them in Yugoslavia were destroyed by the beginning of the 1990s—disappeared in the combined madness of ethno-nationalist hysteria and humanitarian imperialism. This remarkable collection chronicles political experiences of the author who is himself a Yugoslav, a man without a country; but also, as an anarchist, a man without a state. This book is an important reading for those on the Left who are struggling to understand the intertwined legacy of inter-ethnic conflict and inter-ethnic solidarity in contemporary, post-Yugoslav history.

Acompañada de fotografías y arte político, esta compilación poderosa de testimonios de organizadores, artistas, amas de casa, periodistas, estudiantes, maestros y otros que participaron en la Asamblea Popular de los Pueblos de Oaxaca provee un vistazo abierto y honesto de las protestas oaxaqueñas del 2006 contra la situación política en el estado mexicano--protestas que se convertirían en una de las revueltas sociales más importantes del siglo XX1.

Edge City, from the author of Low Bite, takes place in an every-noir-city (a thinly veiled portrait of San Francisco’s North Beach), and its newest resident is Reno, an angry fledgling just hatched out of prison. Getting out is like a weird dream, and the streets of the City are a muddle of sensations pooling around her.

First there’s the bustle—everybody busy with mysterious businesses—an amplifying racket of choices. Staggering out onto the late night streets of the City, Reno ends up at the infamous Istanbul Club: dim lights, Arabic music and the sensual Su’ad dancing. Music, booze, babes and drugs: what more could a felonious girl want?

She encounters Huntington, the poisonous charmer who lives above the Club—perverse and powerful in the way only the wealthy can be. Eddie, the underage bartender, is happy to chemically enhance every waking moment. Slowmotion, the sound light technician, huge and darkly mysterious, has connections to people and places that Reno didn’t even know existed. Slowmotion’s elegant friend, Poppy, offers mental transport to realms beyond Xanadu; in her little valise there’s everything necessary for any trip, including the hallucinogenic “Teeth of Idi Amin.”

The owner of the club, handsome gambler Sinclair, hires Reno to waitress. Grumbling, drinking, snarling, and swearing, Reno bangs her way through everyone else’s complicated plans, entangling herself in a byzantine labyrinth of betrayal, revenge, general mayhem, and yes, good times.

Don’t Leave Your Friends Behind is a collection of concrete tips, suggestions, and narratives on ways that non-parents can support parents, children, and caregivers in their communities, social movements, and collective processes. Don’t Leave Your Friends Behind focuses on issues affecting children and caregivers within the larger framework of social justice, mutual aid, and collective liberation.

How do we create new, nonhierarchical structures of support and mutual aid, and include all ages in the struggle for social justice? There are many books on parenting, but few on being a good community member and a good ally to parents, caregivers, and children as we collectively build a strong all-ages culture of resistance. Any group of parents will tell you how hard their struggles are and how they are left out, but no book focuses on how allies can address issues of caretakers’ and children’s oppression. Many well-intentioned childless activists don’t interact with young people on a regular basis and don’t know how. Don’t Leave Your Friends Behind provides them with the resources and support to get started.

Contributors include: The Bay Area Childcare Collective, Ramsey Beyer, Rozalinda Borcilă, Mariah Boone, Marianne Bullock, Lindsey Campbell, Briana Cavanaugh, CRAP! Collective, a de la maza pérez tamayo, Ingrid DeLeon, Clayton Dewey, David Gilbert, A.S. Givens, Jason Gonzales, Tiny (aka Lisa Gray-Garcia), Jessica Hoffman, Heather Jackson, Rahula Janowski, Sine Hwang Jensen, Agnes Johnson, Simon Knaphus, Victoria Law, London Pro-Feminist Men’s Group, Amariah Love, Oluko Lumumba, mama raccoon, Mamas of Color Rising/Young Women United, China Martens, Noemi Martinez, Kathleen McIntyre, Stacey Milbern, Jessica Mills, Tomas Moniz, Coleen Murphy, Maegan ‘la Mamita Mala’ Ortiz, Traci Picard, Amanda Rich, Fabiola Sandoval, Cynthia Ann Schemmer, Mikaela Shafer, Mustafa Shakur, Kate Shapiro, Jennifer Silverman, Harriet Moon Smith, Mariahadessa Ekere Tallie, Darran White Tilghman, Jessica Trimbath, Max Ventura, and Mari Villaluna.

END:CIV examines our culture’s addiction to systematic violence and environmental exploitation, and probes the resulting epidemic of poisoned landscapes and shell-shocked nations. Based in part on Endgame, the best-selling book by Derrick Jensen, END:CIV asks: “If your homeland was invaded by aliens who cut down the forests, poisoned the water and air, and contaminated the food supply, would you resist?”

The causes underlying the collapse of civilizations are usually traced to overuse of resources. As we write this, the world is reeling from economic chaos, peak oil, climate change, environmental degradation, and political turmoil. Every day, the headlines re-hash stories of scandal and betrayal of the public trust. We don’t have to make outraged demands for the end of the current global system—it seems to be coming apart already.

But acts of courage, compassion and altruism abound, even in the most damaged places. By documenting the resilience of the people hit hardest by war and repression, and the heroism of those coming forward to confront the crisis head-on, END:CIV illuminates a way out of this all-consuming madness and into a saner future.

Backed by Jensen’s narrative, the film calls on us to act as if we truly love this land. The film trips along at a brisk pace, using music, archival footage, motion graphics, animation, slapstick and satire to deconstruct the global economic system, even as it implodes around us. END:CIV illustrates first-person stories of sacrifice and heroism with intense, emotionally-charged images that match Jensen’s poetic and intuitive approach. Scenes shot in the back country provide interludes of breathtaking natural beauty alongside clearcut evidence of horrific but commonplace destruction.

END:CIV features interviews with Paul Watson, Waziyatawin, Gord Hill, Michael Becker, Peter Gelderloos, Lierre Keith, James Howard Kunstler, Stephanie McMillan, Qwatsinas, Rod Coronado, John Zerzan, Steven Best, Aric McBay, George Poitras, Shusli, Zoe Blunt, Dru Oja Jay, Maya Rolbin-Ghanie, Shannon Walsh, Macdonald Stainsby, and Mike Mercredi.

Deserter is the journey of Ryan and Jen Johnson--a deserting soldier and his young wife—as they flee across the country to seek refugee status over the Canadian border. As they move from safe house to safe house, we get to know Ryan and Jen—two, shy, small-town kids from the Central Valley who joined the military because there were no jobs, and find they must make a heroic stand in order to escape an illegal and immoral war. Deserter is a political road movie with one of the few happy endings that this war has given us.

Special Feature: Discussion with Amy Goodman and US Army Deserter Ryan Johnson at the North American premiere of Deserter.

“In America, four hundred people own the wealth of more than half of the American population. We should not be saying tax the rich, but instead we should be saying take their money and redistribute it, take their property and redistribute it.”
—Arundhati Roy

Industrial civilization is devouring the planet and the future. The oceans are acidifying, whole mountains have been laid to waste, and the climate is teetering into chaos. Every biome is approaching collapse. And fifty years of environmentalism hasn’t even slowed the rate of destruction. Yet environmentalists are not considering strategies that might actually prevent the looming biocide we are facing.

Until Earth at Risk.

Earth at Risk: Building a Resistance Movement to Save the Planet is an annual conference featuring environmental thinkers and activists who are willing to ask the hardest questions about the seriousness of our situation. The conference is convened by Derrick Jensen, acclaimed author of Endgame, who has argued that we need a resistance movement against civilization itself.

The twelve people in this volume present an impassioned critique of the dominant culture from every angle: William Catton Jr. explains ecological overshoot; Thomas Linzey gives a fiery call for community sovereignty; Jane Caputi exposes patriarchy’s mythic dismemberment of the Goddess; Aric McBay discusses historically effective resistance strategies; and Stephanie McMillan takes down capitalism. One by one, they build an unassailable case that we need to deprive the rich of their ability to steal from the poor and the powerful of their ability to destroy the planet. These speakers offer their ideas on what can be done to build a real resistance movement, one that includes all levels of direct action—action that can actually match the scale of the problem.

Earth at Risk includes:

• Derrick Jensen, author of Endgame, A Language Older than Words, and many others.
• Lierre Keith, author of The Vegetarian Myth: Food, Justice, and Sustainability; coauthor of Deep Green Resistance: Strategy to Save the Planet.
• Nora Barrows-Friedman, journalist and photographer; correspondent for outlets such as The Electronic Intifada, Al Jazeera, and Truthout.org.
• Jane Caputi, author of The Age of Sex Crime; Gossips, Gorgons, and Crones: The Fates of the Earth; and Goddesses and Monsters: Women, Myth, Power and Popular Culture.
• William Catton Jr., sociologist, author of Overshoot: The Ecological Basis of Revolutionary Change, and Bottleneck: Humanity’s Impending Impasse.
• Gail Dines, a founding member of Stop Porn Culture, author of Pornland: How Porn Has Hijacked Our Sexuality.
• Thomas Linzey, executive director of the Community Environmental Legal Defense Fund.
• Aric Mcbay, coauthor of Deep Green Resistance: Strategy to Save the Planet.
• Stephanie Mcmillan, cartoonist; author of The Beginning of the American Fall; organizer for the anti-capitalist/anti-imperialist collective One Struggle.
• Riki Ott, marine biologist, author of Not One Drop: Betrayal and Courage in the Wake of the Exxon Valdez Oil Spill.
• Arundhati Roy, author of An Ordinary Person’s Guide to Empire; Field Notes on Democracy: Listening to Grasshoppers; and many others.
• Waziyatawin, historian and anti-colonial activist, author of For Indigenous Eyes Only; What Does Justice Look Like? The Struggle for Liberation in Dakota Homeland; and other books.

A declaration of love to Peter Kuper’s adoptive city, where he has lived since 1977, this diary is a vibrant survey of New York City’s history. Kuper’s illustrations depict a climb to the top of the Brooklyn Bridge, the homeless living in Times Square, roller skaters in Central Park, the impact of September 11, the luxury of Wall Street, street musicians, and other scenes unique to the city. With comics, illustrations, and sketches, this work of art portrays everything from the low life to the high energy that has long made people from around the world flock to the Big Apple.

Drawn to New York is a reflection of one artist’s thirty-four years on twelve miles of island with eight million people in a city whose story is ever being written.

Five years after his death in 1972, Paul Goodman was characterized by anarchist historian George Woodcock as “the only truly seminal libertarian thinker in our generation.” In this new PM Press initiative, Goodman’s literary executor Taylor Stoehr has gathered together nine core texts from his anarchist legacy to future generations.

Here will be found the “utopian essays and practical proposals” that inspired the dissident youth of the Sixties, influencing movement theory and practice so profoundly that they have become underlying assumptions of today’s radicalism. Goodman’s analyses of citizenship and civil disobedience, decentralism and the organized system, show him Drawing the Line Once Again, mindful of the long anarchist tradition, and especially of the Jeffersonian democracy that resonated strongly in his own political thought. This is a deeply American book, a potent antidote to US global imperialism and domestic anomie.

Navigating the broad “river of anarchy,” from Taoism to Situationism, from Ranters to Punk rockers, from individualists to communists, from anarcho-syndicalists to anarcha-feminists, Demanding the Impossible is an authoritative and lively study of a widely misunderstood subject. It explores the key anarchist concepts of society and the state, freedom and equality, authority and power, and investigates the successes and failure of the anarchist movements throughout the world. While remaining sympathetic to anarchism, it presents a balanced and critical account. It covers not only the classic anarchist thinkers, such as Godwin, Proudhon, Bakunin, Kropotkin, Reclus and Emma Goldman, but also other libertarian figures, such as Nietzsche, Camus, Gandhi, Foucault and Chomsky. No other book on anarchism covers so much so incisively.

In this updated edition, a new epilogue examines the most recent developments, including “post-anarchism” and “anarcho-primitivism” as well as the anarchist contribution to the peace, green and Global Justice movements.

Demanding the Impossible is essential reading for anyone wishing to understand what anarchists stand for and what they have achieved. It will also appeal to those who want to discover how anarchism offers an inspiring and original body of ideas and practices which is more relevant than ever in the twenty-first century.

The pamphlets reprinted here were first published in the 1910s amid great controversy. Even then, the tactics of direct action and sabotage were often associated with the cartoonists’ image of the disheveled, wild-eyed anarchist armed with stiletto, handgun, or bomb—the clandestine activity of a militant minority or the desperate acts of the unorganized.

The activist authors of the texts in this collection challenged the prevailing stereotypes. As they point out, the practices of direct action and sabotage are as old as class society itself and have been an integral part of the everyday work life of wage-earners in all times and places. To the Industrial Workers of the World (IWW) belongs the distinction of being the first workers’ organization in the U.S. to discuss these common practices openly, and to recognize their place in working-class struggle. Viewing direct action and sabotage in the spirit of creative nonviolence, Wobblies readily integrated these tactics into their struggle to build industrial unions.

Direct action is recognized as a valuable and effective tactic by many movements around the globe and remains a cutting-edge tool for social change. Whenever communities in struggle find more conventional methods of resistance closed to them, direct action and sabotage will be employed.

This new edition from the Charles H. Kerr Library contains “Direct Action and Sabotage” (1912) by William E. Trautmann, “Sabotage: Its History, Philosophy & Function” (1913) by Walker C. Smith, and Elizabeth Gurley Flynn’s “Sabotage: The Conscious Withdrawal of the Workers’ Industrial Efficiency” (1916), edited and with an introduction by Salvatore Salerno.

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege.

When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful 16th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than twenty people dead, including American journalist Brad Will.

This expanded paperback edition includes 32 pages of new material.

The Day the Country Died features author, historian, and musician Ian Glasper (Burning Britain) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties.

If the colorful ’80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately.

With Crass and Poison Girls opening the floodgates, the arrival of bands such as Zounds, Flux of Pink Indians, Conflict, Subhumans, Chumbawamba, Amebix, Rudimentary Peni, Antisect, Omega Tribe, and Icons of Filth heralded a brand new age of honesty and integrity in underground music. With a backdrop of Thatcher’s Britain, punk music became self-sufficient and considerably more aggressive, blending a DIY ethos with activism to create the perfectly bleak soundtrack to the zeitgeist of a discontented British youth.

It was a time when punk stopped being merely a radical fashion statement, and became a force for real social change; a genuine revolutionary movement, driven by some of the most challenging noises ever committed to tape. Anarchy, as regards punk rock, no longer meant “cash from chaos.” It meant “freedom, peace, and unity.“ Anarcho punk took the rebellion inherent in punk from the beginning to a whole new level of personal awareness.

All the scene’s biggest names, and most of the smaller ones, are comprehensively covered with new, exclusive interviews and hundreds of previously unseen photographs.

The battles between Michael Bakunin and Karl Marx in the First International (aka the International Working Men's Association, 1864–1876) began a pattern of polemics and rancor between anarchists and Marxists that still exists today. Outlining the profound similarities between Bakunin and Marx in their early lives and careers as activists, Mark Leier suggests that the differences have often been exaggerated and have prevented activists from learning useful lessons about creating vibrant movements.

Over the last thirty years, as wages have stagnated across the country, average household debt has more than doubled. Increasingly, we are forced to take on debt to meet our needs—from housing, to education, to medical care. The results—wrecked lives, devastated communities, and an increasing reliance on credit to maintain our basic living standards—reveal an economic system that enriches the few at the expense of the many.

The Debt Resisters’ Operations Manual is a handbook for debtors everywhere to understand how this system really works, while providing practical tools for fighting debt in its most exploitative forms. Inside, you’ll find detailed strategies, resources, and insider tips for dealing with some of the most common kinds of debt, including credit card debt, medical debt, student debt, and housing debt. The book also contains tactics for navigating the pitfalls of personal bankruptcy, and information to help protect yourself from credit reporting agencies, debt collectors, payday lenders, check cashing outlets, rent-to-own stores, and more.

Written and edited by a network of activists, writers, and academics from Occupy Wall Street, additional chapters cover tax debt, sovereign debt, the relationship between debt and climate, and an expanded vision for a movement of mass debt resistance.

Perhaps no period has so marked, so deformed, or so defined the anarchist movement as the three years in France from 1892 to 1894, the years known as the Age of Attentats, the years dominated by the Propagandists of the Deed.

Death to Bourgeois Society tells the story of four young anarchists who were guillotined in France in the 1890s. Their courage was motivated by noble ideals whose realization they saw their bombs and assassinations as hastening. In a time of cynicism and political decay for many, they represented a purity lacking in society, and their actions when they were captured, their forthrightness, their defiance up to the guillotine only added to their luster.

The texts collected in Death to Bourgeois Society focus on the main avatars of this movement: the grave robber/murderer/terrorist Ravachol; Auguste Vaillant, who bombed the Chamber of Deputies; Emile Henry, who attacked both the bourgeois in their class function and their very existence; and the Italian immigrant Santo Caserio, who brought down the curtain on the age when he assassinated the French president Sadi Carnot.

The volume contains key first person narratives of the events, from Ravachol’s forbidden speech and his account of his life, to Henry’s questioning at his trial and his programmatic letter to the director of the prison in which he was held, to Vaillant’s confrontation with the investigators immediately after tossing his bomb, and Caserio’s description of the assassination and his defense at his trial.

Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafra’s withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldn’t have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafra’s naked flame.

Dead Kennedys’ continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native country’s foreign policies, effectively serving as anti-ambassadors on their travels.

The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the band’s key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening—and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory—if not uncritical.

Drawn by South African political cartoonists the Trantraal brothers and Ashley Marais, Crossroads: I Live Where I Like is a graphic nonfiction history of women-led movements at the forefront of the struggle for land, housing, water, education, and safety in Cape Town over half a century. Drawing on over sixty life narratives, it tells the story of women who built and defended Crossroads, the only informal settlement that successfully resisted the apartheid bulldozers in Cape Town. The story follows women’s organized resistance from the peak of apartheid in the 1970s to ongoing struggles for decent shelter today. Importantly, this account was workshopped with contemporary housing activists and women’s collectives who chose the most urgent and ongoing themes they felt spoke to and clarified challenges against segregation, racism, violence, and patriarchy standing between the legacy of the colonial and apartheid past and a future of freedom still being fought for.

Presenting dramatic visual representations of many personalities and moments in the daily life of this township, the book presents a thoughtful and thorough chronology, using archival newspapers, posters, photography, pamphlets, and newsletters to further illustrate the significance of the struggles at Crossroads for the rest of the city and beyond. This collaboration has produced a beautiful, captivating, accessible, forgotten, and in many ways uncomfortable history of Cape Town that has yet to be acknowledged.

Crossroads: I Live Where I Like raises questions critical to the reproduction of segregation and to gender and generational dynamics of collective organizing, to ongoing anticolonial struggles and struggles for the commons, and to new approaches to social history and creative approaches to activist archives.

“A declaration of rights is indispensable in order to halt the ravages of despotism.” So wrote the revolutionary Antoine Barnave in support of the Declaration of the Rights of Man and of the Citizen (1789). Over two centuries after the Great French Revolution, Raoul Vaneigem writes that today, “in a situation comparable to the condition of France on the eve of its Revolution,” we cannot limit ourselves to demanding liberties—the so-called bourgeois freedoms—that came into being with free trade, for now the free exchange of capital is the totalitarian form of a system which reduces human beings and the earth itself to merchandise. The time has come to give priority to the real individual rather than to Man in the abstract, the citizen answerable to the State and to the sole dictates of God’s successor, the economy.

Sometimes playful or poetic, always provocative, Vaneigem reviews the history of bills of rights before offering his own call, with commentary, for fifty-eight rights yet to be won in a world where the “freedoms accorded to Man” are no longer merely “the freedoms accorded by man to the economy.”

Every human being has the right, for example: to become human and to be treated as such; to dispose freely of their time; to comfort and luxury; to free modes of transport set up by and for the collectivity; to permanent control over scientific experimentation; to association by affinity; to bend toward life what was turned toward death; to the flux of passions and the freedoms of love; to a natural life and a natural death; to hold nothing sacred; to excess and to moderation; to desire what seems beyond the realm of the possible.

Readers of Vaneigem’s now-classic work The Revolution of Everyday Life will find much to engage with in this unique work of subversive utopianism.

Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela, the Tower of David. In this fictional version, six hundred “damnificados”—vagabonds and misfits—take over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a rag-tag defensive militia. Their always heroic (and often hilarious) struggle for survival and dignity pits them against corrupt police, the brutal military, and the tyrannical “owners.”

Taking place in an unnamed country at an unspecified time, the novel has elements of magical realism: avenging wolves, biblical floods, massacres involving multilingual ghosts, arrow showers falling to the tune of Beethoven’s Ninth, and a trash truck acting as a Trojan horse. The ghosts and miracles woven into the narrative are part of a richly imagined world in which the laws of nature are constantly stretched and the past is always present.

Originally published in 1970, Marge Piercy’s second novel follows the lives of four teenagers, in a near-future society, as they rebel against a military draft and “the system.” The occupation of Franklin High School begins, and with it, the open rebellion of America’s youth against their channeled, unrewarding lives and the self-serving, plastic society that directs them.

From the disillusionment and alienation of the young at the center of the revolt, to their attempts to build a visionary new society, the nationwide following they gain and the brutally complete repression that inevitably follows, this is a future fiction without a drop of fantasy. As driving, violent, and nuanced today as it was 40 years ago, this anniversary edition includes a new introduction by the author reflecting unapologetically on the novel and the times from which it emerged.

Counterpoints: A San Francisco Bay Area Atlas of Displacement and Resistance brings together cartography, essays, illustrations, poetry, and more in order to depict gentrification and resistance struggles from across the San Francisco Bay Area and act as a roadmap to counter-hegemonic knowledge making and activism. Compiled by the Anti-Eviction Mapping Project, each chapter reflects different frameworks for understanding the Bay Area’s ongoing urban upheaval, including: evictions and root shock, indigenous geographies, health and environmental racism, state violence, transportation and infrastructure, migration and relocation, and speculative futures. By weaving these themes together, Counterpoints expands normative urban-studies framings of gentrification to consider more complex, regional, historically grounded, and entangled horizons for understanding the present. Understanding the tech boom and its effects means looking beyond San Francisco’s borders to consider the region as a socially, economically, and politically interconnected whole and reckoning with the area’s deep history of displacement, going back to its first moments of settler colonialism. Counterpoints combines work from within the project with contributions from community partners, from longtime community members who have been fighting multiple waves of racial dispossession to elementary school youth envisioning decolonial futures. In this way, Counterpoints is a collaborative, co-created atlas aimed at expanding knowledge on displacement and resistance in the Bay Area with, rather than for or about, those most impacted.

In 1970 a small group of West German revolutionaries decided to go underground, set up safe houses, and learn the skills of the urban guerilla. They were the Red Army Faction.

Seven years later, almost all of the original combatants were in prison or dead, yet, through their example, they had inspired a militant and illegal support movement, comrades willing to take up arms in defense of the prisoners.

1977 was to be a year of reckoning. Through daring attacks and devastating errors, the West German guerilla brought their society to the brink, mounting one of the most desperate and incredible campaigns of asymmetrical warfare ever waged in postwar Europe. That they failed is no excuse to not learn their story, to see who they were and what they fought for—and, most tragically, to bear witness to the lengths the state would go to silence them. This pamphlet is our very modest introduction to this story.

The talk was sponsored by the Brecht Forum and cosponsors included the Education Ministry of the Riverside Church, Mission and Social Justice Commission of the Riverside Church, Theatre of the Oppressed at the Riverside Church, the Theater of the Oppressed Laboratory, and Bluestockings Books.

More than 2,000 people attended the lecture captured here, in which Chomsky offered a powerful analysis of the current economic crisis and its structural roots, the continuity in U.S. foreign policy under the Barack Obama administration, and the class interests driving U.S. domestic and foreign policy. He also speaks at length about the tradition of worker self-management as a concrete alternative to the business-as-usual approach of corporations and the government during the current crisis. The DVD also features an introduction by Amy Goodman and an exclusive one-on-one interview with Chomsky.

Nicolas Walter was the son of the neurologist, W. Grey Walter, and both his grandfathers had known Peter Kropotkin and Edward Carpenter. However, it was the twin jolts of Suez and the Hungarian Revolution while still a student, followed by participation in the resulting New Left and nuclear disarmament movement, that led him to anarchism himself. His personal history is recounted in two autobiographical pieces in this collection as well as the editor’s introduction.

During the 1960s he was a militant in the British nuclear disarmament movement—especially its direct-action wing, the Committee of 100—he was one of the Spies for Peace (who revealed the State’s preparations for the governance of Britain after a nuclear war), he was close to the innovative Solidarity Group and was a participant in the homelessness agitation. Concurrently with his impressive activism he was analyzing acutely and lucidly the history, practice and theory of these intertwined movements; and it is such writings—including Non-violent Resistance and The Spies for Peace and After—that form the core of this book. But there are also memorable pieces on various libertarians, including the writers George Orwell, Herbert Read and Alan Sillitoe, the publisher C.W. Daniel and the maverick Guy A. Aldred. The Right to be Wrong is a notable polemic against laws limiting the freedom of expression. Other than anarchism, the passion of Walter’s intellectual life was the dual cause of atheism and rationalism; and the selection concludes appropriately with a fine essay on Anarchism and Religion and his moving reflections, Facing Death.

Nicolas Walter scorned the pomp and frequent ignorance of the powerful and detested the obfuscatory prose and intellectual limitations of academia. He himself wrote straightforwardly and always accessibly, almost exclusively for the anarchist and freethought movements. The items collected in this volume display him at his considerable best.

Bursting into existence in the Pacific Northwest in 1975, the George Jackson Brigade claimed 14 pipe bombings against corporate and state targets, as many bank robberies, and the daring rescue of a jailed member. Combining veterans of the prisoners’ women’s, gay, and black liberation movements, this organization was also ideologically diverse, consisting of both communists and anarchists. Concomitant with the Brigade’s extensive armed work were prolific public communications. In more than a dozen communiqués and a substantial political statement, they sought to explain their intentions to the public while defying the law enforcement agencies that pursued them.

Creating a Movement with Teeth makes available this body of propaganda and mediations on praxis, collecting it in one volume for the first time. In addition, the collection assembles corporate media profiles of the organization’s members and alternative press articles in which partisans thrash out the heated debates sparked in the progressive community by the eruption of an armed group in their midst. Creating a Movement with Teeth illuminates a forgotten chapter of the radical social movements of the 1970s in which diverse interests combined forces in a potent rejection of business as usual in the United States.

On September 15, 2008, the United States fell into the worst financial crisis since the Great Depression. The same day, we set out on a trip around the country to ask the American people what they had to say about it. In 2010, we went back to see how things had changed. The financial forecasters say the recession is over, but the reality is otherwise.

Their stories reveal desperation, indignation, hope, dreams and a disastrous economic breakdown; chaos generated by a system of inequality. But the financial meltdown is just one of several human rights crises now shaking the United States—in housing, education, health care, etc. The solutions to “Crossing the American Crises” are in the hands of the people.

Featuring the Vermont Worker’s Center, LA’s Bus Rider’s Union, Santa Fe’s local business Alliance, Oakland’s Green Jobs Now, Baltimore’s United Workers, New York’s Poverty Initiative, the U.S. Social Forum, and American workers, truck drivers, farmers, homeless, ex-felons, minorities, natural disaster survivors, indigenous, immigrants, and residents from coast to coast—covering nearly 40 states across the nation.

More than just a rousing food manifesto and a nifty set of tools, Cook Food makes preparing tasty, wholesome meals simple and accessible for those hungry for both change and scrumptious fare. If you’re used to getting your meals from a package—or the delivery guy—or if you think you don’t know how to cook, this is the book for you.

If you want to eat healthier but aren’t sure where to start, or if you’ve been reading about food politics but don’t know how to bring sustainable eating practices into your everyday life, Cook Food will give you the scoop on how, while keeping your taste buds satisfied. With a conversational, do-it-yourself vibe, a practical approach to everyday cooking on a budget, and a whole bunch of animal-free recipes, Cook Food will have you cooking up a storm, tasting the difference, thinking globally, and eating locally.

Marge Piercy’s debut collection of short stories, The Cost of Lunch, Etc., brings us glimpses into the lives of everyday women moving through and making sense of their daily internal and external worlds. Keeping to the engaging, accessible language of Piercy’s novels, the collection spans decades of her writing along with a range of locations, ages, and emotional states of her protagonists. From the first-person account of hoarding (“Saving Mother from Herself”) to a girl’s narrative of sexual and spiritual discovery (“Going over Jordan”) to a recount of a past love affair (“The Easy Arrangement”) each story is a tangible, vivid snapshot in a varied and subtly curated gallery of work. Whether grappling with death, familial relationships, friendship, sex, illness, or religion, Piercy’s writing is as passionate, lucid, insightful, and thoughtfully alive as ever.

The paperback edition contains two additional short stories and a new introduction from the author.

Over the past fifteen years, people in the United States—and dissidents in particular—have witnessed a steady escalation of the National Security State, including invasive surveillance and infiltration, indiscriminate police violence, and unlawful arrests. These concerted efforts to spy on Americans and undermine meaningful social change are greatly enhanced by the coordination of numerous local, state, and federal agencies often operating at the behest of private corporations. Normally associated with the realities of a post-9/11 world, Crashing the Party shows how these developments were already being set in motion during the Republican National Convention (RNC) protests in 2000. It also documents how, in response, dissidents confronted new forms of political repression by pushing legal boundaries and establishing new models of collective resistance.

Crashing the Party explains how the events of 2000 acted as a testing ground in which Philadelphia Police Commissioner John Timoney was able to develop repressive methods of policing that have been used extensively across the U.S. ever since. At the same time, these events also provided a laboratory for the radical, innovative, and confrontational forms of legal support carried out by R2K Legal, a defendant-led collective that raised unprecedented amounts of money for legal defense, used a unique form of court solidarity to overcome hundreds of serious charges, and implemented a PR campaign that turned the tide of public opinion in favor of dissidents. While much has been written about the global-justice era of struggle, little attention has been paid to the legal struggles of the period or the renewed use of solidarity tactics in jail and the courtroom that made them possible. By analyzing the successes and failures of these tactics, Crashing the Party offers rare insight into the mechanics and concrete effects of such resistance. In this way, it is an invaluable resource for those seeking to confront today’s renewed counterintelligence tactics.

Marge Piercy’s debut collection of short stories, The Cost of Lunch, Etc., brings us glimpses into the lives of everyday women moving through and making sense of their daily internal and external worlds. Keeping to the engaging, accessible language of Piercy’s novels, the collection spans decades of her writing along with a range of locations, ages, and emotional states of her protagonists. From the first-person account of hoarding (“Saving Mother from Herself”) to a girl’s narrative of sexual and spiritual discovery (“Going over Jordan”) to a recount of a past love affair (“The Easy Arrangement”) each story is a tangible, vivid snapshot in a varied and subtly curated gallery of work. Whether grappling with death, familial relationships, friendship, sex, illness, or religion, Piercy’s writing is as passionate, lucid, insightful, and thoughtfully alive as ever.

Counterpoints: A San Francisco Bay Area Atlas of Displacement and Resistance brings together cartography, essays, illustrations, poetry, and more in order to depict gentrification and resistance struggles from across the San Francisco Bay Area and act as a roadmap to counter-hegemonic knowledge making and activism. Compiled by the Anti-Eviction Mapping Project, each chapter reflects different frameworks for understanding the Bay Area’s ongoing urban upheaval, including: evictions and root shock, indigenous geographies, health and environmental racism, state violence, transportation and infrastructure, migration and relocation, and speculative futures. By weaving these themes together, Counterpoints expands normative urban-studies framings of gentrification to consider more complex, regional, historically grounded, and entangled horizons for understanding the present. Understanding the tech boom and its effects means looking beyond San Francisco’s borders to consider the region as a socially, economically, and politically interconnected whole and reckoning with the area’s deep history of displacement, going back to its first moments of settler colonialism. Counterpoints combines work from within the project with contributions from community partners, from longtime community members who have been fighting multiple waves of racial dispossession to elementary school youth envisioning decolonial futures. In this way, Counterpoints is a collaborative, co-created atlas aimed at expanding knowledge on displacement and resistance in the Bay Area with, rather than for or about, those most impacted.

Inform yourself! Inform on your neighbor!

Follow Special Agent Christian White on a cheerfully creepy tour of declassified government surveillance documents. White probes the redacted (blacked-out) texts of the FBI’s notorious Counterintelligence Programs, searching for the words erased in the name of the Freedom of Information Act.

Learn fun techniques for the infiltration of activist groups, how to earn benefits and a pension as an agent provocateur, and how to, in the words of J. Edgar Hoover, “expose, disrupt, misdirect, discredit or otherwise neutralize” your neighbors!

These are our tax dollars at work, folks; we might as well enjoy it.

This script has been performed by writer/activist L.M. Bogad in theatres, galleries, labor halls, and community centers for the past twelve years. The pamphlet also includes a preface by Guillermo Gómez-Peña, and a companion essay by Bogad about the history of domestic surveillance/harassment, and a “how to” for would-be performers of the script.

Back by popular demand, this new Second Edition adds photos of the original COINTELPRO documents used in the show. There are also many updates to the script: more information, more character development, and more and better jokes, all in the darkly humorous style of the original.

The Communist Road to Capitalism explores how a dynamic of social struggles from below followed by countermeasures of the Chinese Communist Party (CCP) regime has pushed the historical evolution of the People’s Republic of China (PRC) since 1949.

Under socialism until the mid-1970s, during the ensuing transition until the mid-1990s, and in the capitalist period since, the CCP regime responded to the struggles of workers, peasants, migrants, and women* with a mix of repression, concession, cooptation, and reform. Ralf Ruckus shows that this dynamic took the country into a new phase each time—and eventually all the way from socialism to capitalism: in the 1950s, labor struggles and the Hundred Flowers Movement were followed by the regime’s Great Leap Forward; in the 1960s, the Cultural Revolution led to the CCP’s failed attempt to revitalize socialism; in the 1970s, social unrest and movements for a democratic socialism made room for the regime’s Reform and Opening policies; in the late 1980s, the Tian’anmen Square uprising triggered more radical reforms; in the 1990s, peasant and state worker unrest could not stop the capitalist restructuring; and in the 2000s, migrant worker struggles led to concessions, tightened repression, and the regime’s global capitalist expansion strategy in the 2010s.

The Communist Road to Capitalism breaks with established orthodoxies about the PRC’s socialist “successes” and myths on its later rise as an economic power. It combines a historiography of workers’, peasants’, migrants’, and women*’s struggles with a searing critique of exploitation, authoritarian state power and gender discrimination under socialism and capitalism. Drawing lessons from PRC history, Ralf Ruckus finally outlines political aims and methods for the left that avoid past mistakes and allow to fight on for a society free of all forms of exploitation and oppression.

Whether we find ourselves living large or small, everyday or exotic, there are countless opportunities to come to the table. —From the introduction

In Cook, Eat, Thrive, Joy Tienzo encourages you to savor the cooking process while crafting distinctive meals from fresh, flavorful ingredients. Enjoy comfortable favorites. Broaden your culinary horizons with internationally-inspired dishes. Share with friends and family, and create cuisine that allows people, animals, and the environment to fully thrive.

Cook, Eat, Thrive features dishes from both the everyday and the exotic, including:

• Buttermilk Biscuits with Southern Style Gravy
• Earl Grey Carrot Muffins
• Orange Cream Green Smoothie
• Palm Heart Ceviche
• Barbecue Ranch Salad
• Riz et Pois Rouges
• Raspberry Chèvre Salad with Champagne Vinaigrette
• Samosa Soup
• Tarte aux Poireaux et Pommes de Terre
• Mofongo with Cilantro Lime Gremolata
• Ras el Hanout Roasted Beets
• Italian Cornmeal Cake with Roasted Apricots and Coriander Crème Anglaise
• Lavender Rice Pudding Brulee with Blueberries
• Peanut Butter Shortbread with Concord Grape Sorbet

Inside, you’ll also find:

• An extensive equipment and ingredients listing
• Basics like seitan, non-dairy milks, grains, frozen desserts, and salad dressing
• Menus for occasions, from Caribbean-inspired garden parties to vegan weddings
• Practical symbols to let you know if recipes are raw, low fat, soy-free, wheat-free, approachable for non-vegans, and quick fix

The crucible of North American neoliberal transformation is heating up, but its outcome is far from clear. Continental Crucible examines the clash between the corporate offensive and the forces of resistance from both a pan-continental and a class struggle perspective. This book also illustrates the ways in which the capitalist classes in Canada, Mexico, and the United States used free trade agreements to consolidate their agendas and organize themselves continentally.

The failure of traditional labor responses to stop the continental offensive being waged by big business has led workers and unions to explore new strategies of struggle and organization, pointing to the beginnings of a continental labor movement across North America. The battle for the future of North America has begun.

A radical activist, Luba Gold, makes the difficult decision to go underground to support the Puerto Rican independence movement. When Luba’s collective is targeted by an FBI sting, she escapes with her baby but leaves behind a sensitive envelope that is being safeguarded by a friend. When the FBI come looking for Luba, the friend must decide whether to cooperate in the search for the woman she loves. Ten years later, when Luba emerges from clandestinity, she discovers that the FBI sting was orchestrated by another activist friend who had become an FBI informant. In the changed era of the 1990s, Luba must decide whether to forgive the woman who betrayed her.

Told from the points of view of five different women who cross paths with Luba over four decades, Clandestine Occupations explores the difficult decisions that activists confront about the boundaries of legality and speculates about the scope of clandestine action in the future. It is a thought-provoking reflection on the risks and sacrifices of political activism as well as the damaging reverberations of disaffection and cynicism.

As world leaders eschew cooperation to address climate change, nuclear proliferation, economic meltdown, and other threats to our survival, more and more people experience a pervasive sense of dread and despair. Is there anything we can do? What can put us on the course from mutual destruction to common preservation? In the past, social movements have sometimes made rapid and unexpected changes that countered apparently incurable social problems. Jeremy Brecher presents scores of historical examples of people who changed history by adopting strategies of common preservation, showing what we can we learn from past social movements to better confront today’s global threats of climate change, war, and economic chaos.

In Common Preservation, Brecher shares his experiences and what he has learned that can help ward off mutual destruction and provides a unique heuristic—a tool kit for thinkers and activists—to understand and create new forms of common preservation.

The CNT in the Spanish Revolution is the history of one of the most original and audacious, and arguably also the most far-reaching, of all the twentieth-century revolutions. It is the history of the giddy years of political change and hope in 1930s Spain, when the so-called ‘Generation of ’36’, Peirats’ own generation, rose up against the oppressive structures of Spanish society. It is also a history of a revolution that failed, crushed in the jaws of its enemies on both the reformist left and the reactionary right.

José Peirats’ account is effectively the official CNT history of the war, passionate, partisan but, above all, intelligent. Its huge sweeping canvas covers all areas of the anarchist experience – the spontaneous militias, the revolutionary collectives, the moral dilemmas occasioned by the clash of revolutionary ideals and the stark reality of the war effort against Franco and his German Nazi and Italian Fascist allies. Volume 3 tells of the CNT’s last push for the anarchist revolution in Spain, and the crushing defeat of the wide ranging activities of the CNT. An additional chapter surveys “The History of Spanish Anarchism in the English Language.”

COINTELPRO 101 exposes illegal surveillance, disruption, and outright murder committed by the U.S. government in the 1950s, ’60s, and ’70s. “COINTELPRO” refers to the official FBI COunter INTELligence PROgram carried out to surveil, imprison, and eliminate leaders of social justice movements and to disrupt, divide, and destroy the movements as well. Many of the government’s crimes are still unknown. Through interviews with activists who experienced these abuses first-hand and with rare historical footage, the film provides an educational introduction to a period of intense repression and draws relevant lessons for present and future movements.

Interviews in the video include:

• Muhammad Ahmad (Max Stanford), Founder of Revolutionary Action Movement, author of We Will Return In The Whirlwind: Black Radical Organizations 1960–1975.
• Bob Boyle, Attorney representing many activists and political prisoners targeted by COINTELPRO.
• Kathleen Cleaver, former leader of the Black Panther Party, now Professor of Law at Emory and Yale Universities, and co-editor of Liberation, Imagination, and the Black Panther Party: A New Look at the Panthers and Their Legacy.
• Ward Churchill, co-author of The COINTELPRO Papers and Agents of Repression.
• Roxanne Dunbar-Ortiz, Native American activist and author of Outlaw Woman: A Memoir of the War Years 1960–1975.
• Priscilla Falcon, Mexicana activist and professor whose husband was assassinated for his leadership in the Chicano struggle.
• Geronimo Ji-Jaga Pratt, former leader of the Black Panther Party who was falsely imprisoned for 27 years in a COINTELPRO case.
• Jose Lopez, Director of the Puerto Rican Cultural Center in Chicago and long-time advocate of Puerto Rican independence.
• Francisco “Kiko” Martinez, Chicano/Mexicano activist and attorney.
• Lucy Rodriguez, Puerto Rican Independentista and former Political Prisoner
• Ricardo Romero, Chicano/Mexicano activist and Grand Jury resister
• Akinyele Umoja, African American History scholar at Georgia State University.
• Laura Whitehorn, radical activist and former political prisoner who was targeted by the federal government.

Subtitles in Spanish by Tlaxcala, the international network of translators for linguistic diversity.

Revolutionary Spain came about with an explosion of social change so advanced and sweeping that it remains widely studied as one of the foremost experiments in worker self-management in history. At the heart of this vast foray into toppling entrenched forms of domination and centralised control was the flourishing of an array of worker-run collectives in industry, agriculture, public services, and beyond.

Collectives in the Spanish Revolution is a unique account of this transformative process—a work combining impeccable research and analysis with lucid reportage. Its author, Gaston Leval, was not only a participant in the Revolution and a dedicated anarcho-syndicalist but an especially knowledgeable eyewitness to the many industrial and agrarian collectives. In documenting the collectives’ organisation and how they improved working conditions and increased output, Leval also gave voice to the workers who made them, recording their stories and experiences. At the same time, Leval did not shy away from exploring some of the collectives’ failings, often ignored in other accounts of the period, opening space for readers today to critically draw lessons from the Spanish experience with self-managed collectives.

The book opens with an insightful examination of pre-revolutionary economic conditions in Spain that gave rise to the worker and peasant initiatives Leval documents and analyses in the bulk of his study. He begins by surveying agrarian collectives in Aragón, Levante, and Castile. Leval then guides the reader through an incredible variety of urban examples of self-organisation, from factories and workshops to medicine, social services, Barcelona’s tramway system, and beyond. He concludes with a brief but perceptive consideration of the broader political context in which workers carried out such a far-reaching revolution in social organisation—and a rumination on who and what was responsible for its defeat.

This classic translation of the French original by Vernon Richards is presented in this edition for the first time with an index. A new introduction by Pedro García-Guirao and a preface by Stuart Christie offer a précis of Leval’s life and methods, placing his landmark study in the context of more recent writing on the Spanish collectives—eloquently positing that Leval’s account of collectivism and his assessments of their achievements and failings still have a great deal to teach us today.

The CNT in the Spanish Revolution is the history of one of the most original and audacious, and arguably also the most far-reaching, of all the twentieth-century revolutions. It is the history of the giddy years of political change and hope in 1930s Spain, when the so-called ‘Generation of ’36’, Peirats’ own generation, rose up against the oppressive structures of Spanish society. It is also a history of a revolution that failed, crushed in the jaws of its enemies on both the reformist left and the reactionary right.

José Peirats’ account is effectively the official CNT history of the war, passionate, partisan but, above all, intelligent. Its huge sweeping canvas covers all areas of the anarchist experience—the spontaneous militias, the revolutionary collectives, the moral dilemmas occasioned by the clash of revolutionary ideals and the stark reality of the war effort against Franco and his German Nazi and Italian Fascist allies. Volume 2 focuses on the battles raging at both the front and rear guards. Additionally, a biographical chapter, “The Life and Struggles of José Peirats” gives a great deal of insight into this CNT fighter and historian.

Cazzarola! is a gripping, epic, political, historical, and romantic novel spanning 130 years in the life of the Discordias, a fictional family of Italian anarchists. It details the family’s heroic, multigenerational resistance to fascism in Italy and their ongoing involvement in the anarchist movement. From early 20th-century factory strikes and occupations, armed anarchist militias, and attempts on Mussolini’s life, to postwar student and labor protest, and confronting the newest wave of contemporary neofascist violence sweeping Europe, the Discordias navigate the decades of political, economic, and social turmoil. Against this historical backdrop, Antonio falls in love with Cinka, a proud but poverty-stricken Romani refugee from the “unwanted people,” without a country or home, forced to flee again and again searching for peace. Theirs becomes a life-changing and forbidden relationship. Both are forced to reevaluate their lives and contend with cultural taboos, xenophobia, and the violent persecution of Romani refugees in Italy today.

The CNT in the Spanish Revolution is the history of one of the most original and audacious, and arguably also the most far-reaching, of all the twentieth-century revolutions. It is the history of the giddy years of political change and hope in 1930s Spain, when the so-called ‘Generation of ’36’, Peirats’ own generation, rose up against the oppressive structures of Spanish society. It is also a history of a revolution that failed, crushed in the jaws of its enemies on both the reformist left and the reactionary right.

José Peirats’ account is effectively the official CNT history of the war, passionate, partisan but, above all, intelligent. Its huge sweeping canvas covers all areas of the anarchist experience—the spontaneous militias, the revolutionary collectives, the moral dilemmas occasioned by the clash of revolutionary ideals and the stark reality of the war effort against Franco and his German Nazi and Italian Fascist allies.

This new edition is carefully indexed in a way that converts the work into a usable tool for historians and makes it much easier for the general reader to dip in with greater purpose and pleasure.

Paul Park is one of modern fiction’s major innovators. With exotic settings and characters truly alien and disturbingly normal, his novels and stories explore the shifting interface between traditional narrative and luminous dream, all in the service of a deeper humanism.

“Climate Change,” original to this volume, is an intimate and erotic take on a global environmental crisis. “A Resistance to Theory” chronicles the passionate (and bloody) competition between the armed adherents of postmodern literary schools. “A Conversation with the Author” gives readers a harrowing look behind the curtains of an MFA program. In “A Brief History of SF” a fan encounters the ruined man who first glimpsed the ruined cities of Mars. “Creative Nonfiction” showcases a professor’s eager collaboration with a student intent on wrecking his career. The only nonfiction piece, “A Homily for Good Friday,” was delivered to a stunned congregation at a New England church.

Plus: Our candid and colorful Outspoken Interview with one of today’s most accomplished and least conventional authors, in which personal truth is evaded, engaged, and altered, all in one shot.

Squatters and autonomous movements have been in the forefront of radical politics in Europe for nearly a half-century—from struggles against urban renewal and gentrification, to large-scale peace and environmental campaigns, to spearheading the antiausterity protests sweeping the continent.

Through the compilation of the local movement histories of eight different cities—including Amsterdam, Berlin, and other famous centers of autonomous insurgence along with underdocumented cities such as Poznan and Athens—The City Is Ours paints a broad and complex picture of Europe’s squatting and autonomous movements.

Each chapter focuses on one city and provides a clear chronological narrative and analysis accompanied by photographs and illustrations. The chapters focus on the most important events and developments in the history of these movements. Furthermore, they identify the specificities of the local movements and deal with issues such as the relation between politics and subculture, generational shifts, the role of confrontation and violence, and changes in political tactics.

All chapters are written by politically-engaged authors who combine academic scrutiny with accessible writing. Readers with an interest in the history of the newest social movements will find plenty to mull over here. Contributors include Nazima Kadir, Gregor Kritidis, Claudio Cattaneo, Enrique Tudela, Alex Vasudevan, Needle Collective and the Bash Street Kids, René Karpantschof, Flemming Mikkelsen, Lucy Finchett-Maddock, Grzegorz Piotrowski, and Robert Foltin.

The euphoric idealism of grassroots reform and the tragic reality of revolutionary failure are at the center of this speculative novel that opens with a real historical event. On October 2, 1968, 10 days before the Summer Olympics in Mexico, the Mexican government responds to a student demonstration in Tlatelolco by firing into the crowd, killing more than 200 students and civilians and wounding hundreds more. The Tlatelolco massacre was erased from the official record as easily as authorities washing the blood from the streets, and no one was ever held accountable.

It is two years later and Nestor, a journalist and participant in the fateful events, lies recovering in the hospital from a knife wound. His fevered imagination leads him in the collection of facts and memories of the movement and its assassination in the company of figures from his childhood. Nestor calls on the heroes of his youth—Sherlock Holmes, Doc Holliday, Wyatt Earp, and D’Artagnan among them—to join him in launching a new reform movement conceived by his intensely active imagination.

Two documentaries about punk-ska band Citizen Fish who live in South West England and spend large chunks of life playing their one-off brand of music to people who don’t. Bassist Jasper takes his video camera in and out of tour vans and people’s faces along the way—and this is what it looks and sounds like: clips of interviews, scenery, gigs, people, music and ‘things that happen’, meshed together to give a wide-angle picture of a band on (and off) tour.

Underwater Overground is the new film (2008) about the further adventures of the band as they tour in the UK, the USA and Europe. Jasper has been busy again with his video camera as the band toured England and Wales, the USA (four different tours), the Czech Republic and Poland, with other bands including Leftover Crack, Sainte Catherines, Witch Hunt, Intro5pect, Prague Ska Conspiracy, MDC and Subhumans. (63 min)

Gaffer Tape was the original film (2000). Using footage from throughout the band’s history, it includes Poland in 1994, Australia and New Zealand in 1997, America, from New York to San Francisco, in September 1999 and Winchester to France in 1999–2000. (48 min)

Extras Include:

• 10 live songs from 1990–2008 (32 min)
• 2007 Broadcast from BBC Radio 1 Punk Show with Mike Davies (8 min)
• Gaffer Tape trailer (2 min)
• Underwater Overground trailer (2 min)
• Citizen Fish Oddities! (4 min)

We live in catastrophic times. The world is reeling from the deepest economic crisis since the Great Depression, with the threat of further meltdowns ever-looming. Global warming and myriad dire ecological disasters worsen—with little if any action to halt them—their effects rippling across the planet in the shape of almost biblical floods, fires, droughts, and hurricanes. Governments warn that there is no alternative to the bitter medicine they prescribe—or risk devastating financial or social collapse. The right, whether religious or secular, views the present as catastrophic and wants to turn the clock back. The left fears for the worst, but hopes some good will emerge from the rubble. Visions of the apocalypse and predictions of impending doom abound. Across the political spectrum, a culture of fear reigns.?

Catastrophism explores the politics of apocalypse—on the left and right, in the environmental movement—and examines why the lens of catastrophe can distort our understanding of the dynamics at the heart of these numerous disasters—and fatally impede our ability to transform the world. Lilley, McNally, Yuen, and Davis probe the reasons why catastrophic thinking is so prevalent, and challenge the belief that it is only out of the ashes that a better society may be born. The authors argue that those who care about social justice and the environment should jettison doomsaying—even as it relates to indisputably apocalyptic climate change. Far from calling people to arms, they suggest, catastrophic fear often results in passivity and paralysis—and, at worst, reactionary politics.?

It’s 1992 and three people’s lives are about to collide against the flaming backdrop of the Rodney King riots in Los Angeles. Vietnam vet Harry Hudson is a journalist fleeing his past: the war, a failed marriage, and a fear-ridden childhood. Rootless, he stutters, wrestles with depression, and is aware he’s passed the point at which victim becomes victimizer. He explores the city’s lowest dives, the only places where he feels at home. He meets Mama Thuy, a Vietnamese woman struggling to run a Navy bar in a tough Long Beach neighborhood, and Kelly Crenshaw, an African-American prostitute whose husband is in prison. They give Harry insight that maybe he can do something to change his fate in a gripping story that is both a character study and thriller.

Our US empire is in steep decline. In order to wrest complete control over the globe and feed a rapacious thirst for resources and wealth, the American ruling elite is wreaking havoc around the world. Meanwhile, average Americans are suffering, legs trembling under a mountain of debt as they toil at unfulfilling, underpaying jobs. And those with enough time and energy to get angry and fight back are told that the answer is to vote for one of the two pro-war, pro–Wall Street corporate parties claiming to be their savior.

This epic tragedy does not sound like the beginning of a joke. But somehow comedian and TV host Lee Camp makes it both funny and interesting. Whether he is setting his sights on the scandal of $21 trillion worth of unaccounted-for financial adjustments at the Pentagon or the scorching environmental and human tragedy caused by climate chaos, it’s unsurprising that one of our most incisive political commentators is technically a comedian. Camp knifes his way through the jungle of fake news, alternative facts, mainstream media lies, and government blackouts, trailblazing a path between Hunter S. Thompson and Jon Stewart.

Perhaps the present-day story of America can only accurately be told by a comedian, otherwise no one would believe it. In a world where con men are heralded as leaders, locking up peace activists is perceived as justice, trumpeting state propaganda is considered journalism, and mocking environmentalists is championed as strength, it’s only appropriate that a comedian is viewed as more reliable than the evening news.

Meet Maxim Arturovitch Pyatnitski, also known as Pyat. Tsarist rebel, Nazi thug, continental conman, and reactionary counterspy: the dark and dangerous anti-hero of Michael Moorcock’s most controversial work

Published in 1981 to great critical acclaim—then condemned to the shadows and unavailable in the U.S. for thirty years—Byzantium Endures, the first of the Pyat Quartet, is not a book for the faint-hearted. It’s the story of a cocaine addict, sexual adventurer, and obsessive anti-Semite whose epic journey from Leningrad to London connects him with scoundrels and heroes from Trotsky to Makhno, and whose career echoes that of the 20th century’s descent into Fascism and total war.

This is Moorcock at his audacious, iconoclastic best: a grand sweeping overview of the events of the last century, as revealed in the secret journals of modern literature’s most proudly unredeemable outlaw. This authoritative U.S. edition presents the author’s final cut, restoring previously forbidden passages and deleted scenes

For years Abdullah Öcalan has unraveled the sources of hierarchical relations, power, and the formation of nation-states that has led to capitalism’s emergence and global domination. Capitalism: The Age of Unmasked Gods and Naked Kings is the second volume of his definitive five-volume work The Manifesto of the Democratic Civilization. He makes the convincing argument that capitalism is not a product of the last four hundred years but a continuation of classical civilization.

Unlike Marx, Öcalan sides with Braudel by giving less importance to the mode of production than to the accumulation of surplus value and power, thus centering his criticisms on the capitalist nation-state as the most powerful monopoly of economic, military, and ideological power. He argues that the fundamental strength of capitalist hegemony, however, is the competition in voluntary servitude that a market economy has given rise to—not a single worker would reject higher wages—resulting in an unprecedented ability to convince people to surrender their individual power and autonomy. Öcalan further contends that the capitalist phase of city-class-state-based civilization is not the last phase of human intelligence; rather, the traditional morals upon which it is based are being exhausted and the intelligence of freedom is rising in all its richness. That is why he prefers to interpret capitalist modernity as the era of hope—but only insofar as we are able to develop a sustainable defense against it.

Capitalism is stumbling, empire is faltering, and the planet is thawing. Yet many people are still grasping to understand these multiple crises and to find a way forward to a just future. Into the breach come the essential insights of Capital and Its Discontents, which cut through the gristle to get to the heart of the matter about the nature of capitalism and imperialism, capitalism’s vulnerabilities at this conjuncture—and what can we do to hasten its demise.

Through a series of incisive conversations with some of the most eminent thinkers and political economists on the Left—including David Harvey, Ellen Meiksins Wood, Mike Davis, Leo Panitch, Tariq Ali, and Noam Chomsky—Capital and Its Discontents illuminates the dynamic contradictions undergirding capitalism and the potential for its dethroning. The book challenges conventional wisdom on the Left about the nature of globalization, neoliberalism, and imperialism, as well as the agrarian question in the Global South. It probes deeply into the roots of the global economic meltdown, the role of debt and privatization in dampening social revolt, and considers capitalism’s dynamic ability to find ever new sources of accumulation—whether through imperial or ecological plunder or the commodification of previously unpaid female labor.

The Left luminaries in Capital and Its Discontents look at potential avenues out of the mess—as well as wrong turns and needless detours—drawing lessons from the history of post-colonial states in the Global South, struggles against imperialism past and present, the eternal pendulum swing of radicalism, the corrosive legacy of postmodernism, and the potentialities of the radical humanist tradition. At a moment when capitalism as a system is more reviled than ever, here is an indispensable toolbox of ideas for action by some of the most brilliant thinkers of our times.

Full list of Interviewees:

• Noam Chomsky is a laureate professor at the University of Arizona and professor emeritus in the MIT Department of Linguistics and Philosophy. His work is widely credited with having revolutionized the field of modern linguistics and Chomsky is one of the foremost critics of U.S. foreign policy. He has published numerous groundbreaking books, articles, and essays on global politics, history, and linguistics. His recent books include Who Rules the World? and Hopes and Prospects.
• Tariq Ali is a historian, novelist, and filmmaker, and the author of many books. He is a member of the editorial committee of the New Left Review and a contributor to the Guardian and the London Review of Books.
• Mike Davis is an urban theorist, historian, and political activist, author of many works including City of Quartz. He is an editor of the New Left Review and received a MacArthur Fellowship Award and the Lannan Literary Award for Nonfiction.
• Ellen Meiksins Wood, for many years professor of political science at York University, Toronto, is the author of a number of books, including The Origin of Capitalism and Citizens to Lords: A Social History of Western Political Thought from Antiquity to the Middle Ages.
• David Harvey is the Distinguished Professor of Anthropology at the Graduate Center of the City University of New York and a pioneering radical geographer. He has written numerous books and is among the 20 most cited authors in the humanities.
• Leo Panitch teaches political economy at York University in Toronto and is coeditor of the Socialist Register. He is the author of numerous books, including In and Out of Crisis: The Global Financial Meltdown and Left Alternatives, published by PM Press.
• Doug Henwood is editor of Left Business Observer, author of After the New Economy and Wall Street: How It Works and for Whom, and a contributing editor to The Nation magazine.
• A South African native, Gillian Hart is professor of geography at UC Berkeley and the author of Disabling Globalization: Places of Power in Post-Apartheid South Africa.
• John Bellamy Foster is the editor of the independent socialist magazine Monthly Review and professor of sociology at the University of Oregon in Eugene. He is the coauthor, among other works, of The Great Financial Crisis: Causes and Consequences.
• Ursula Huws is the editor of the international interdisciplinary journal Work Organisation, Labour and Globalisation, and the author of The Making of a Cybertariat: Virtual Work in a Real World.
• David McNally is professor of political science at York University in Toronto and the author of many books, including Global Slump: The Economics and Politics of Crisis and Resistance, published by PM Press.
• Jason W. Moore is a research fellow at the Department of Human Geography at Lund University, Sweden.
• Vivek Chibber is professor of sociology at New York University and the author of Locked in Place: State-Building and Late Industrialization in India.
• John Sanbonmatsu teaches philosophy at Worcester Polytechnic Institute in Massachusetts. He is the author of The Postmodern Prince: Critical Theory, Left Strategy, and the Making? of a New Political Subject.
• Andrej Grubačić is a dissident from the Balkans. A radical historian and sociologist, he is the coauthor of Wobblies and Zapatistas and author of Don’t Mourn, Balkanize! (both from PM Press).

Burn Collector compiles the first nine issues of Al Burian’s sporadically published and widely acclaimed personal zine. Beginning in the mid-nineties, Burian distributed his work through the tight-knit network of the DIY punk music scene. Burn Collector caught on because of its unusual content—in a scene rife with dogmatic political diatribes and bland record reviews, Burian presented his readers with humorous anecdotes, philosophical musings, and nuanced descriptions of odd locales and curious characters, taken mostly from outside of the punk milieu—and also because of the author’s narrative voice, which reflected the literary influences of Celine, Henry Miller, or even David Sedaris more than the influence of his contemporaries in the zine world. The writing in Burn Collector blueprinted a post-punk persona that was smart, strange, political but not correct, attached to subculture, but striving also for a connection to the world at large, and to the greater themes of human existence.

The book went through six printings, along the way garnering acclaim from readers, inspiring a film (Matt McCormick’s 2009, Some Days are Better than Others) and a major label album (Thrice’s 2003, The Artist in the Ambulance). More importantly, the book inspired readers to write and self-publish: to do it themselves, in the true punk spirit.

Marge Piercy carries her portrait of the American experience back into the Fifties—that closed, repressive time in which forces for the upheavals of the Sixties ticked away underground. Spanning twenty years, and teeming with vivid characters, Braided Lives tells the powerful, unsentimental story of two young women coming of age.

Jill, fiercely independent, dark, Jewish, an intellectual with Detroit street smarts, is a poet, curious, avid of life—a “professional student” and sometime thief. Donna, Jill’s cousin and closest friend, is blond, pretty, and alluring. Together, they grow and change at college in Ann Arbor, where the life of poets and painters contrasts sharply with the working-class neighborhood where Jill’s family lives.

In Michigan, and afterward in New York City, the two women taste love and betrayal, friendship and pain, independence and fear as they reach a deepening understanding that to control their lives they must fight. And though their fates differ as widely as their personalities, both reflect the danger that sex posed at a time when abortions were illegal and an affair could destroy a woman’s life, making the outcome of a chance encounter or a night of love a matter of life and death.

Braided Lives is an enduring portrait of the past that has led to our tenuous present. In her new introduction to this edition, Marge Piercy reflects on both the most autobiographical of her novels, and the ongoing battles to ensure the hard-fought victories of the Sixties and Seventies, particularly around sex and reproductive rights.

Our US empire is in steep decline. In order to wrest complete control over the globe and feed a rapacious thirst for resources and wealth, the American ruling elite is wreaking havoc around the world. Meanwhile, average Americans are suffering, legs trembling under a mountain of debt as they toil at unfulfilling, underpaying jobs. And those with enough time and energy to get angry and fight back are told that the answer is to vote for one of the two pro-war, pro–Wall Street corporate parties claiming to be their savior.

This epic tragedy does not sound like the beginning of a joke. But somehow comedian and TV host Lee Camp makes it both funny and interesting. Whether he is setting his sights on the scandal of $21 trillion worth of unaccounted-for financial adjustments at the Pentagon or the scorching environmental and human tragedy caused by climate chaos, it’s unsurprising that one of our most incisive political commentators is technically a comedian. Camp knifes his way through the jungle of fake news, alternative facts, mainstream media lies, and government blackouts, trailblazing a path between Hunter S. Thompson and Jon Stewart.

Perhaps the present-day story of America can only accurately be told by a comedian, otherwise no one would believe it. In a world where con men are heralded as leaders, locking up peace activists is perceived as justice, trumpeting state propaganda is considered journalism, and mocking environmentalists is championed as strength, it’s only appropriate that a comedian is viewed as more reliable than the evening news.

As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their ’76–’77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential.

Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls.

The grim reality of being a teenage punk rocker in Thatcher’s Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era.

Burglar for Peace is the incredible story of the Catholic Left—also known as the Ultra Resistance—from the late 1960s to the early ‘70s. Led by the Catholic priests Phil and Dan Berrigan, the Catholic Left quickly became one of the most important sectors of the Vietnam War–era peace movement after a nonviolent raid on a draft board in Catonsville, MD, in May 1968.

With an overview of the broader draft resistance movement, Burglar for Peace is an exploration of the sweeping landscape of the American Left during the Vietnam War era as we accompany Ted Glick on a journey through his personal evolution from typical, white, middle-class, American teenager to an antiwar, nonviolent draft resister. Glick vividly recounts the development of the Catholic Left as it organized scores of nonviolently disruptive, effective actions inside draft boards, FBI offices, war corporation offices, and other sites. Burglar for Peace is the first in-depth, inside look at one of the major political trials of Catholic Left activists, in Rochester, NY, in 1970, as well as a second one in 1972 in Harrisburg, PA. With great humility, Glick recalls how his selfless devotion to ending the war in Vietnam resulted in his eleven months of imprisonment, which included a thirty-four-day hunger strike, and he tells the remarkable story of a Catholic Left-organized, forty-day hunger strike against the war. Concluding the story is a reflective account of Glick’s open resignation from the Catholic Left in 1974, his eighteen-year estrangement from Phil and Dan Berrigan, and the eventual healing of that relationship. The final chapter relates timeless lessons learned by the author that will find deep resonance among activists today.

Burglar for Peace will serve as both an inspiration and an invaluable resource for those committed to transformational, revolutionary change.

From Socrates to Antonio Gramsci, imprisoned philosophers have marked the history of thought and changed how we view power and politics. From his solitary jail cell, Abdullah Öcalan has penned daringly innovative works that give profuse evidence of his position as one of the most significant thinkers of our day. His prison writings have mobilized tens of thousands of people and inspired a revolution in the making in Rojava, northern Syria, while also penetrating the insular walls of academia and triggering debate and reflection among countless scholars.

So how do you engage in a meaningful dialogue with Abdullah Öcalan when he has been held in total isolation since April 2015? You compile a book of essays written by a globally diverse cast of the most imaginative luminaries of our time, send it to Öcalan’s jailers, and hope that they deliver it to him.

Featured in this extraordinary volume are over a dozen writers, activists, dreamers, and scholars whose ideas have been investigated in Öcalan’s own writings. Now these same people have the unique opportunity to enter into a dialogue with his ideas. Building Free Life is a rich and wholly original exploration of the most critical issues facing humanity today. In the broad sweep of this one-of-a-kind dialogue, the contributors explore topics ranging from democratic confederalism to women’s revolution, from the philosophy of history to the crisis of the capitalist system, from religion to Marxism and anarchism, all in an effort to better understand the liberatory social forms that are boldly confronting capitalism and the state.

There can be no boundaries or restrictions for the development of thought. Thus, in the midst of different realities—from closed prisons to open-air prisons—the human mind will find a way to seek the truth. Building Free Life stands as a monument of radical thought, a testament of resilience, and a searchlight illuminating the impulse for freedom.

Contributors include: Shannon Brincat, Radha D’Souza, Mechthild Exo, Damian Gerber, Barry K. Gills, Muriel González Athenas, David Graeber, Andrej Grubačić, John Holloway, Patrick Huff, Donald H. Matthews, Thomas Jeffrey Miley, Antonio Negri, Norman Paech, Ekkehard Sauermann, Fabian Scheidler, Nazan Üstündağ, Immanuel Wallerstein, Peter Lamborn Wilson, and Raúl Zibechi.

Victor Serge (1890–1947) played many parts, as he recounted in his indelible Memoirs of a Revolutionary. The son of anti-czarist exiles in Brussels, Serge was a young anarchist in Paris; a syndicalist rebel in Barcelona; a Bolshevik in Petrograd; a Comintern agent in Central Europe; a comrade of Trotsky’s; a friend of writers like Andrei Bely, Boris Pilnyak, and André Breton; a prisoner of Stalin; a dissident Marxist in exile in Mexico...

Like Serge’s extraordinary novels, A Blaze in a Desert: Selected Poems bears witness to decades of revolutionary upheavals in Europe and the advent of totalitarian rule; many of the poems were written during the “immense shipwreck” of Stalin’s ascendancy. In poems datelined Petrograd, Orenburg, Paris, Marseille, the Caribbean, and Mexico, Serge composed elegies for the fallen—as well as prospective elegies for the living who, like him, endured prison, exile, and bitter disappointment in the revolutions of the first half of the twentieth century:

Night falls, the boat pulls in,
stop singing.
Exile relights its captive lamps
on the shore of time.

Throughout A Blaze in a Desert, Serge draws on the heritage of late- and post-Symbolist writers like Verhaeren, Rictus, Apollinaire, Blok, and Bely—themselves authors of messages of a more general resistance by the human spirit—to express the anguish of the failure of the Russian Revolution and to search out glimmers of hope in the ruins of the Second World War.

A Blaze in a Desert comprises Victor Serge’s sole published book of poetry, Resistance (1938), his unpublished manuscript Messages (1946), and his last poem, “Hands” (1947).

This is the story of the infamous Bonnot Gang: the most notorious French anarchists ever, and as bank expropriators the inventors of the motorized “getaway.” It is the story of how the anarchist taste for illegality developed into illegalism—the theory that theft is liberating in itself. And how a number of young anarchists met in Paris in the years before the First World War, determined to live their lives to the full, regardless of the consequences.

Paris in 1911 was a city of riots, strikes, and savage repression of the working class. A stronghold of foreign exiles and homegrown revolutionaries, it was also the base of l’anarchie, the outspoken individualist weekly. L’anarchie drew together people for whom crime and revolution went hand in hand. There was Victor Kibalchich (later known as Victor Serge), whose inflammatory articles would put him on trial with the rest. Then there was the gang itself: Victor’s childhood friend Raymond-La-Science, the tuberculous André Soudy, the serious-minded René Valet, Simentoff the southerner, and lastly the prime motivators of the group—the remorseless Octave Garnier and the experienced Jules Bonnot. Their robberies, daring and violent, would give them a lasting notoriety in France. Their deaths, as spectacular as their lives, would make them a legend among revolutionaries the world over.

Extensively researched and fully illustrated with rare period photos, drawings, and maps, this updated edition is the best account of the Bonnot Gang to appear in any language.

Breaking the Spell offers the first full-length study that charts the historical trajectory of anarchist-inflected video activism from the late 1960s to the present. Two predominant trends emerge from this social movement-based video activism: 1) anarchist-inflected processes increasingly structure its production, distribution, and exhibition practices; and 2) video does not simply represent collective actions and events, but also serves as a form of activist practice in and of itself from the moment of recording to its later distribution and exhibition. Video plays an increasingly important role among activists in the growing global resistance against neoliberal capitalism. As various radical theorists have pointed out, subjectivity itself becomes a key terrain of struggle as capitalism increasingly structures and mines it through social media sites, cell phone technology, and new “flexible” work and living patterns. As a result, alternative media production becomes a central location where new collective forms of subjectivity can be created to challenge aspects of neoliberalism.

Chris Robé’s book fills in historical gaps by bringing to light unexplored video activist groups like the Cascadia Forest Defenders, eco-video activists from Eugene, Oregon; Mobile Voices, Latino day laborers harnessing cell phone technology to combat racism and police harassment in Los Angeles; and Outta Your Backpack Media, indigenous youth from the Southwest who use video to celebrate their culture and fight against marginalization. This groundbreaking study also deepens our understanding of more well-researched movements like AIDS video activism, Paper Tiger Television, and Indymedia by situating them within a longer history and wider context of radical video activism.

From Socrates to Antonio Gramsci, imprisoned philosophers have marked the history of thought and changed how we view power and politics. From his solitary jail cell, Abdullah Öcalan has penned daringly innovative works that give profuse evidence of his position as one of the most significant thinkers of our day. His prison writings have mobilized tens of thousands of people and inspired a revolution in the making in Rojava, northern Syria, while also penetrating the insular walls of academia and triggering debate and reflection among countless scholars.

So how do you engage in a meaningful dialogue with Abdullah Öcalan when he has been held in total isolation since April 2015? You compile a book of essays written by a globally diverse cast of the most imaginative luminaries of our time, send it to Öcalan’s jailers, and hope that they deliver it to him.

Featured in this extraordinary volume are over a dozen writers, activists, dreamers, and scholars whose ideas have been investigated in Öcalan’s own writings. Now these same people have the unique opportunity to enter into a dialogue with his ideas. Building Free Life is a rich and wholly original exploration of the most critical issues facing humanity today. In the broad sweep of this one-of-a-kind dialogue, the contributors explore topics ranging from democratic confederalism to women’s revolution, from the philosophy of history to the crisis of the capitalist system, from religion to Marxism and anarchism, all in an effort to better understand the liberatory social forms that are boldly confronting capitalism and the state.

There can be no boundaries or restrictions for the development of thought. Thus, in the midst of different realities—from closed prisons to open-air prisons—the human mind will find a way to seek the truth. Building Free Life stands as a monument of radical thought, a testament of resilience, and a searchlight illuminating the impulse for freedom.

Contributors include: Shannon Brincat, Radha D’Souza, Mechthild Exo, Damian Gerber, Barry K. Gills, Muriel González Athenas, David Graeber, Andrej Grubačić, John Holloway, Patrick Huff, Donald H. Matthews, Thomas Jeffrey Miley, Antonio Negri, Norman Paech, Ekkehard Sauermann, Fabian Scheidler, Nazan Üstündağ, Immanuel Wallerstein, Peter Lamborn Wilson, and Raúl Zibechi.

In 1994, the Latin Kings—the largest and most powerful street gang in New York—became the Latin King and Queen Nation. They claimed to have abandoned their criminal past and to be following in the footsteps of the Black Panthers and the Young Lords.

With over 3,000 members in New York, some saw the Latin King and Queen Nation as the most important political voice to rise from the streets in decades. The NYPD did not agree, calling them a vicious gang with a PR campaign. One thing is certain, the City was never the same after the Nation went downtown.

In 1997 Big Noise films became the only media group ever given unrestricted access to the Nation. For two years they ran with the Kings and Queens in New York City, filming on the front lines of their everyday struggle for survival. Black and Gold explores a reality that is too often reduced to a stereotype or a slogan. Its unblinking lens puts you at the center of a complex and controversial movement.

The Nation was one of the major forces that made police violence and the prison system political issues in New York City. But from the beginning the NYPD has questioned the sincerity of the Nation’s political involvement, and has systematically worked to dismantle what they see as the most dangerous street gang in the City. Their efforts culminated in a spectacular midnight raid on May 15, 1998 when over 1,000 Federal and City agents simultaneously raided homes across the city making over 100 arrests in what was the largest coordinated FBI action since prohibition.

Black and Gold lets you feel the tension inside the movement as it comes under fire from midnight police raids and assassination attempts. In the end it shows us both the black and the gold—both the fear and violence of the street and the fierce love inside the most dangerous movement in the City. Extras include full length interviews with King Tone and Puerto Rican revolutionary Richie Perez.

Founded in New York City in the mid-1960s by self-educated ghetto kid and painter Ben Morea, the Black Mask group melded the ideas and inspiration of Dada and the Surrealists, with the anarchism of the Durruti Column from the Spanish Revolution. With a theory and practice that had much in common with their contemporaries the San Francisco Diggers, Dutch Provos, and the French Situationists—who famously excommunicated 3 of the 4 members of the British section of the Situationist International for associating too closely with Black Mask—the group intervened spectacularly in the art, politics and culture of their times. From shutting down the Museum of Modern Art to protesting Wall Street’s bankrolling of war, from battling with Maoists at SDS conferences to defending the Valerie Solanas shooting of Andy Warhol, Black Mask successfully straddled the counterculture and politics of the ’60s, and remained the Joker in the pack of both sides of “The Movement.”

By 1968 Black Mask dissolved into “The Family” (popularly known as Up Against The Wall Motherf**ker—the name to which they signed their first leaflet), which combined the confrontational theater and tactics of Black Mask with a much more aggressively “street” approach in dealing with the police, and authorities. Dubbed a “street gang with analysis” they were reputedly the only white grouping taken seriously by the Black Panther Party, and influenced everyone from the Weathermen to the “hippy” communal movements.

This volume collects the complete ten issues of the paper Black Mask (produced from 1966–1967 by Ben Morea and Ron Hahne), together with a generous collection of the leaflets, articles, and flyers generated by Black Mask, and UATW/MF, the UATW/MF Magazine, and both the Free Press and Rolling Stone reports on UATW/MF. A lengthy interview with founder Ben Morea provides context and color to this fascinating documentary legacy of NYC’s now legendary provocateurs.

“The Ecuadorian Andes is one of the few places on earth where you can get a sunburn and freeze to death at the same time.“

When New York City PI Filomena Buscarsela takes her teenaged daughter, Antonia, to see their extended family in Ecuador, it’s more than a homecoming. Filomena hasn’t been back in years, and the trip brings back memories of her previous life as a revolutionary.

Before she’s even had time to adjust to her new surroundings, a priest is murdered, a man who, years ago, saved her life and helped her escape to the United States. She owed him her life; now it’s time for the debt to be repaid, and she vows to find his killer. It’s an election year, and the dirty hands of politics seem to be everywhere, perhaps even in this senseless death. Filomena’s investigation promises to lead her back to the very people she escaped, all those years ago.

As the country is wracked by natural and man-made disasters—landslides, floods, food shortages, protests, crackdowns—Filomena becomes a fugitive from the law, racing across the country toward a climactic confrontation in the Amazon jungle. Wishnia provides a novel rich with the sights, sounds—and dangers—of Ecuador, and a compelling look at the provenance of one of mystery fiction’s most dynamic heroines.

LGBT people pervasively experience health disparities, affecting every part of their bodies and lives. Yet many are still grappling to understand the mutually reinforcing health care challenges that lead to worsened health outcomes. Bodies and Barriers informs health care professionals, students in health professions, policymakers, and fellow activists about these challenges, providing insights and a road map for action that could improve queer health.

Through artfully articulated, data-informed essays by twenty-six well-known and emerging queer activists—including Alisa Bowman, Jack Harrison-Quintana, Liz Margolies, Robyn Ochs, Sean Strub, Justin Sabia-Tanis, Ryan Thoreson, Imani Woody, and more—Bodies and Barriers illuminates the health challenges LGBT people experience throughout their lives and challenges conventional wisdom about health care delivery. It probes deeply into the roots of the disparities faced by those in the LGBT community and provides crucial information to fight for health equity and better health outcomes.

The contributors to;Bodies and Barriers look for tangible improvements, drawing from the history of HIV/AIDS in the U.S. and from struggles against health care bias and discrimination. At a galvanizing moment when LGBT people have experienced great strides in lived equality, but our health as a community still lags, here is an indispensable blueprint for change by some of the most passionate and important health activists in the LGBT movement today.

As the serial disasters of capitalism’s current crisis—economic, political, environmental—continue to batter the world, Black Box: A Record of the Catastrophe is a device for recording, analyzing, and transmitting events as they happen. But it offers neither dire predictions nor false hopes. Instead, it embraces the mystery of what might transpire. The word “catastrophe” has not always signified “disaster”; during the sixteenth century, especially in theater, it came to mean “a reversal of what is expected.” Black Box is ultimately a documentary project, a record of the catastrophe, but it’s an open question where the inquiry will take us. It may be a record of the disastrous end. Or it may be a record of the turning.

The first volume contains an eclectic but accessible collection of reportage, interviews, letters, fragments, and theoretical responses from some of the brightest minds in critical theory. Its authors have sent dispatches from American prison yards, the shipping graveyards of India, fatal overseas drone strikes, roads crisscrossing the Mississippi Delta, childhoods in revolutionary Zimbabwe, and kitchens where undocumented workers wash dishes. By taking a broad geographical and aesthetic stance, Black Box will be a constellation of ideas and information that points toward the future—whatever it may hold.

Contributors to Black Box include scholars (Nina Power, Silvia Federici, Sami Khatib, Chris O’Kane, Tanya Erzen), cultural critics (Richard Dyer, Charles Mudede), authors (Ursula K. Le Guin, Miranda Mellis), poets (Emily Abendroth, Cathy Wagner, Alli Warren), and many others.

Wars crush our humanity. Defeats splinter our movements. Corporate media turns a blind eye to our mounting crises and a cynical one to the people who stand up against them. Against a tide of ignorance, isolation and cynicism, Big Noise Dispatches take you around the world to look war and crisis in the face, but also to witness a shared struggle for survival and dignity in this time of violence.

Inside reporting from war zones in Afghanistan and Iraq; and domestic stories on the stepped up military recruitment of Latinos and the FBI’s use of paid informants to entrap Muslims.

• COIN's Last Stand
  The Marjah offensive was supposed to demonstrate that victory is still possible in Afghanistan. Instead it has revealed a counterinsurgency campaign in crisis. (7 min)
• Enduring Presence
  The U.S. celebrates the end of combat in Iraq, but has no plans to withdraw its thousands of Special Operations Forces and mercenaries or its “Enduring Presence Posts.” (5 min)
• Yo Soy El Army
  The U.S. military is stepping up its recruitment of Latinos. Latinos enter into the lowest and most dangerous ranks, and have been disproportionately killed in America's latest wars. (26 min)
• Million Dollar Militia
  Will America’s new tribal strategy in Afghanistan bring stability, or is it building “Million Dollar Tribal Militias” that will further undermine a weak Afghan state? (22 min)
• Entrapped
  A Democracy Now! investigation with Anjali Kamat into the use of paid informants in high profile "homegrown terror" cases. Is the FBI foiling terror plots or targeting and entrapping Muslims in America? (34 min)

Birth Work as Care Work presents a vibrant collection of stories and insights from the front lines of birth activist communities. The personal has once more become political, and birth workers, supporters, and doulas now find themselves at the fore of collective struggles for freedom and dignity.

The author, herself a scholar and birth justice organizer, provides a unique platform to explore the political dynamics of birth work, drawing connections between birth, reproductive labor, and the struggles of caregiving communities today. Articulating a politics of care work in and through the reproductive process, the book brings diverse voices into conversation to explore multiple possibilities and avenues for change.

At a moment when agency over our childbirth experiences is increasingly centralized in the hands of professional elites, Birth Work as Care Work presents creative new ways to reimagine the trajectory of our reproductive processes. Most importantly, the contributors present new ways of thinking about the entire life cycle, providing a unique and creative entry point into the essence of all human struggle—the struggle over the reproduction of life itself.

When both levees and governments failed in New Orleans after Hurricane Katrina, the anarchist-inspired Common Ground Collective was created to fill the void. With the motto of “Solidarity Not Charity,” they worked to create power from below—building autonomous projects, programs, and spaces of self-sufficiency like health clinics and neighborhood assemblies, while also supporting communities defending themselves from white militias and police brutality, illegal home demolitions, and evictions.

Black Flags and Windmills—equal parts memoir, history, and organizing philosophy—vividly intertwines Common Ground cofounder scott crow’s experiences and ideas with Katrina’s reality, illustrating how people can build local grassroots power for collective liberation. It is a story of resisting indifference, rebuilding hope amid collapse, and struggling against the grain to create better worlds.

The expanded second edition includes up-to-date interviews and discussions between crow and some of today’s most articulate and influential activists and organizers on topics ranging from grassroots disaster relief efforts (both economic and environmental); dealing with infiltration, interrogation, and surveillance from the State; and a new photo section that vividly portrays scott’s experiences as an anarchist, activist, and movement organizer in today’s world.

Black and White is a book of 32 evocative images of political conflict and confrontations in the streets taken by Howard Epstein when he was a photographer for Liberation News Service.

The collection of images is a visceral flashback to the political turmoil of the late 1960s and early 1970s. Epstein’s photographs will resonate both for people who lived through those struggles and those organizing and protesting today.

Birth of Our Power is an epic novel set in Spain, France, and Russia during the heady revolutionary years 1917–1919. Serge’s tale begins in the spring of 1917, the third year of mass slaughter in the blood-and-rain-soaked trenches of World War I. When the flames of revolution suddenly erupt in Russia and Spain, Europe is “burning at both ends.” Although the Spanish uprising eventually fizzles, in Russia the workers, peasants, and common soldiers are able to take power and hold it.

Serge’s “tale of two cities” is constructed from the opposition between Barcelona, the city “we” could not take, and Petrograd, the starving, beleaguered capital of the Russian Revolution besieged by counter-revolutionary Whites. Between the romanticism of radicalized workers awakening to their own power in a sun-drenched Spanish metropolis to the grim reality of workers clinging to power in Russia’s dark, frozen revolutionary outpost. From “victory in defeat” to “defeat in victory.”

The novel was composed a decade after the revolution in Leningrad, where Serge was living in semicaptivity because of his declared opposition to Stalin’s dictatorship over the revolution.

Wars crush our humanity. Defeats splinter our movements. Corporate media turns a blind eye to our mounting crises and a cynical one to the people who stand up against them. Against a tide of ignorance, isolation and cynicism, Big Noise Dispatches take you around the world to look war and crisis in the face, but also to witness a shared struggle for survival and dignity in this time of violence.

Jeremy Scahill investigates Blackwater's role in the Nisur Square massacre, Greg Palast tracks American debt speculators to Liberia, Big Noise goes inside the resurgent white power movement in America, and we visit East St. Louis.

• Blackwater's Youngest Victim
  Jeremy Scahill's exclusive report on the last man standing between Blackwater and impunity for the mercenary company's role in the massacre of Iraqi civilians in Nisur Square, Iraq. (22 min)
• Vulture Funds Attack Liberia
  Greg Palast travels to Liberia to uncover a scam by American debt speculators to take millions from one of the poorest countries on the planet. But when we showed up to ask them about it at their office in New York, it seemed to have. . . disappeared. (7min)
• White Power USA
  From skinheads to border militias to the right wing of the "Tea Party Movement", Big Noise takes a disturbing inside look at the resurgence of white nationalism in America. (22 min)
• East St. Louis
  Can residents of East St. Louis save their town? Or has it become obsolete - a warning to all American cities facing de-industrialization? (26 min)

When House Speaker Paul Ryan urged U.S. women to have more children, and Ross Douthat requested “More babies, please,” in a New York Times column, they openly expressed what policymakers have been discussing for decades with greater discretion. Using technical language like “age structure,” “dependency ratio,” and “entitlement crisis,” establishment think tanks are raising the alarm: if U.S. women don’t get busy having more children, we’ll face an aging workforce, slack consumer demand, and a stagnant economy.

Feminists generally believe that a prudish religious bloc is responsible for the protracted fight over reproductive freedom in the U.S. and that politicians only attack abortion and birth control to appeal to those “values voters.” But hidden behind this conventional explanation is a dramatic fight over women’s reproductive labor. On one side, elite policymakers want an expanding workforce reared with a minimum of employer spending and a maximum of unpaid women’s work. On the other side, women are refusing to produce children at levels desired by economic planners. By some measures our birth rate is the lowest it has ever been. With little access to childcare, family leave, health care, and with insufficient male participation, U.S. women are conducting a spontaneous birth strike.

In other countries, panic over low birth rates has led governments to underwrite childbearing and childrearing with generous universal programs, but in the U.S., women have not yet realized the potential of our bargaining position. When we do, it will lead to new strategies for winning full access to abortion and birth control, and for improving the difficult working conditions U.S. parents now face when raising children.

In 1905, representatives from dozens of radical labor groups came together in Chicago to form One Big Union—the Industrial Workers of the World (IWW), known as the Wobblies. The union was a big presence in the labor movement, leading strikes, walkouts, and rallies across the nation. And everywhere its members went, they sang.

Their songs were sung in mining camps and textile mills, hobo jungles and flop houses, and anywhere workers might be recruited to the Wobblies’ cause. The songs were published in a pocketsize tome called the Little Red Songbook, which was so successful that it’s been published continuously since 1909. In The Big Red Songbook, the editors have gathered songs from over three dozen editions, plus additional songs, rare artwork, personal recollections, discographies, and more into one big all-embracing book.

IWW poets/composers strove to nurture revolutionary consciousness. Each piece, whether topical, hortatory, elegiac, or comic served to educate, agitate, and emancipate workers. A handful of Wobbly numbers have become classics, still sung by labor groups and folk singers. They include Joe Hill’s sardonic “The Preacher and the Slave” (sometimes known by its famous phrase “Pie in the Sky”) and Ralph Chaplin’s “Solidarity Forever.” Songs lost or found, sacred or irreverent, touted or neglected, serious or zany, singable or not, are here. The Wobblies and their friends have been singing for a century. May this comprehensive gathering simultaneously celebrate past battles and chart future goals.

In addition to the 250+ songs, writings are included from Archie Green, Franklin Rosemont, David Roediger, Salvatore Salerno, Judy Branfman, Richard Brazier, James Connell, Carlos Cortez, Bill Friedland, Virginia Martin, Harry McClintock, Fred Thompson, Adam Machado, and many more.

Ground breaking reports from the turmoil in Iraq to convention protests and election fraud in the US.

The reports from Iraq were made with the support of the Pulitzer Center on Crisis Reporting and originally aired on Al Jazeera English.

• Beyond the Wall: Inside the Sadr Movement in Iraq
  After a US and Iraqi military campaign, the armed Shiite resistance melted away from the street. We go behind the wall is Sadr City to discover the fate of the Mehdi Army, and the state of the fight for Iraq’s future. (21 min)
• Re-Awakening Saddam’s Tribal Strategy
  The US is reconstituting the tribal elite Saddam used to run the country. But will it be able to maintain the delicate balance between the Sunni “Awakening” militias and the Shiite government? (21 min)
• The Detention Imperative: An Inside Look at the US Detention System in Iraq
  Few American institutions affect the lives of ordinary Iraqis more directly and profoundly than the US detention system. But once Iraqis are swept up in the system, there is no clear way out. (21 min)
• Breaking with Convention
  Quick, ragged clips produced for Democracy Now!'s daily coverage of the Democratic and Republican Conventions. (65 min)
• Election Suppression
  Big Noise teams up with journalist Greg Palast on this BBC investigation of the suppression of the vote in the 2008 elections. (14min)

From the front lines in Iraq, to the legal lynching in Jena, LA, to the growth of a new poor people's movement in the streets of Philadelphia and Nashville—Dispatches 02 takes you where the mainstream media cannot go.

• The Ghost Of Anbar: The US military is creating and funding Sunni militias in Iraq. Are they “freedom fighters,” or sectarian war criminals arming themselves for a Sunni-Shia civil war? (20 min)
• The Jena 6: Big Noise news report from the legal lynching in Jena LA, where six black students face life in prison for a schoolyard fight. (12 min)
• Homeless Power!: While the economy unravels and the gap widens between rich and poor, we look at the rise of a new poor people's movement in America. (12 min)
• Vulture Battle: Big Noise teams up once again with investigative reporter Greg Palast, following up on their report on debt speculators who are taking millions from the world's poorest countries. (10 min)

Wars crush our humanity. Defeats splinter our movements. Corporate media turns a blind eye to our mounting crises and a cynical one to the people who stand up against them.

Against a tide of ignorance, isolation and cynicism, Big Noise Dispatches take you around the world to look war and crisis in the face, but also to witness a shared struggle for survival and dignity in this time of violence.

• Return of the Warlords
  Afghanistan’s most notorious warlord is back—at the invitation of the president. Karzai hails his warlord allies as national heroes, but what does their return to political prominence mean for Afghan democracy? (21 min)
• Curveball
  Six years into a disastrous war in Iraq, stories have emerged about a staggeringly incompetent pre-war intelligence effort that got nearly everything wrong. . . but the truth is much more troubling. (21 min)
• Broke Down in Motor City
  Detroit was once the epicenter of American industry. Today, it is a city in crisis. Broke Down in Motor City is the story of this crisis, and of the people fighting to save their homes and their city. (21 min)
• The Continuing Occupation
  As the American occupation grinds on, Iraq remains in ruins, with over 1 million dead and 4 to 6 million refugees who have not begun to return home. How did the occupation turn into this, and what went wrong? (10 min)

Against a tide of ignorance, isolation and cynicism, Big Noise Dispatches take you around the world to look war and crisis in the face, but also to witness a shared struggle for survival and dignity.

Dispatches 01 collects 72 minutes of radical investigations, analysis and on the ground video from the Big Noise team working on four continents.

• Reconstructing Jihad: Israel’s July War destroyed 130,000 homes and created 1 million refugees but failed to defeat Hezballah. The next phase of the struggle is Hezballah’s race to rebuild its southern stronghold. (14 min)
• The Other Campaigns: Multibillionaire Carlos Slim and the guerrilla leader Subcomandante Marcos are facing off in the struggle between the Mexico above and the Mexico below. (15 min)
• Goldfinger: Big Noise and investigative reporter Greg Palast unmask “Vulture Funds”—debt speculators who are taking millions from the world’s poorest countries. (12 min)
• World Bank Famine: 800,000 children face starvation in Niger, but activists say the famine is not caused by drought—it was caused by 20 years of structural adjustment programs. (5 min)
• It’s The Oil Stupid: Big Noise and investigative reporter Greg Palast meet with President Chavez in a look at Latin America’s Oil Superpower and the “New Latin America.” (11 min)
• Mexican Election Fraud: Big Noise and investigative reporter Greg Palast uncover blatant fraud in the right wing’s come-from-behind presidential victory. (15 min)

Wars crush our humanity. Defeats splinter our movements. Corporate media turns a blind eye to our mounting crises, and a cynical one to the people who stand up against them.

Against a tide of ignorance, isolation and cynicism, Big Noise Dispatches take you around the world to look war and crisis in the face, but also to witness a shared struggle for survival and dignity.

• The Battle For Basra: An inside look at the battle between Iraq’s three largest Shiite parties over control of the city that taps most of Iraq’s oil wealth. (16 min)
• New Orleans: Man-Made Disaster: The hundreds who died here were not killed by the storm—they were left for days to drown as floodwaters rose around them. And today, the storm isn't what's keeping most of the city's former residents from returning home. (26 min)
• Iran: Elections Under Threat: A unique glimpse into the political dynamics of the struggles for participation and democracy in a nation facing increasing economic and military threats from the United States. (21 min)
• Chevron/Texaco Vs. The Rainforest: Big Noise teams up with investigative journalist Greg Palast, traveling into Ecuador's Amazon rainforest to take a look at the biggest environmental case in history. (13 min)
• Winter Soldier: 5 years into the war in Iraq, there is no end in sight. 200 US soldiers meet outside of Washington DC, sharing first-hand accounts of the war on the ground and the growing GI resistance movement. (30 min)

“Elison offers a troubling yet hopeful vision of the future.”
—Los Angeles Review of Books

“A strikingly powerful story of one woman’s physical and emotional resourcefulness under the most dire of circumstances. An apocalyptic page-turner that picks up where Margaret Atwood’s The Handmaid’s Tale left off.”
—Jackie Hatton, Tor.com

“I could talk about female empowerment, body positivity, and gender flexibility. But those terms are wholly inadequate for Meg Elison’s clear-eyed satire in the guise of fantasy and science fiction. Powered by rage, incandescent with a deep understanding of injustice, angry for all the right reasons, yet still essentially optimistic, these are the stories I need to keep me warm through the long dark night. Compelling and fierce and unstoppable.”
—Pat Murphy, World Fantasy Award winner

“Meg Elison’s stories will raise blisters on your conscience. Her politics are smart, her prose is like a razor, and her characters will break your heart. Read at your own risk.”
—Annalee Newitz, author of Autonomous

“Meg Elison’s work is visceral and compelling. A voice that doesn’t so much demand attention as it 100 percent deserves every ounce of it.”
—Elsa Sjunneson-Henry, Hugo-winning writer and editor

Grab your crayons and your backpack for a fantastical journey through The Big Gay Alphabet Coloring Book, sixty-four pages illustrating twenty-six words that highlight memorable victories and collective moments in LGBTQP (Lesbian, Gay, Bisexual, Transgender, Queer, Questioning, and Pansexual) culture.

The Big Gay Alphabet Coloring Book is Jacinta Bunnell’s fourth book in the Queerbook Committee series of coloring books (including Girls Are Not Chicks and Sometimes the Spoon Runs Away with Another Spoon) and the first with acclaimed illustrator Leela Corman (Unterzakhn). As you add your own extraordinary colors to these pages, we hope you are left asking, “Isn’t everything fabulous in this world just a little bit gay?” This notion is celebrated on every unique page, made up of inked and framed line drawings with beautiful typography, reminiscent of a handsomely designed vintage children’s alphabet book.

Each day, we take another step toward a greater understanding of gender fluidity, gender diversity, and sexual orientation. Change does not come easily or unfold overnight. But together we are an unflappable squad of comrades staring down oppression while stopping to make art and find joy along the way.

After the dissolution of the PKK (Kurdistan Workers’ Party) in 2002, internal discussions ran high, and fear and uncertainty about the future of the Kurdish freedom movement threatened to unravel the gains of decades of organizing and armed struggle. From his prison cell, Abdullah Öcalan intervened by penning his most influential work to date: Beyond State, Power, and Violence. With a stunning vision of a freedom movement centered on women’s liberation, democracy, and ecology, Öcalan helped reinvigorate the Kurdish freedom movement by providing a revolutionary path forward with what is undoubtedly the furthest-reaching definition of democracy the world has ever seen. Here, for the first time, is the highly anticipated English translation of this monumental work.

Beyond State, Power, and Violence is a breathtaking reconnaissance into life without the state, an essential portrait of the PKK and the Kurdish freedom movement, and an open blueprint for leftist organizing in the twenty-first century, written by one of the most vitally important political luminaries of today.

By carefully analyzing the past and present of the Middle East, Öcalan evaluates concrete prospects for the Kurdish people and arrives with his central proposal: recreate the Kurdish freedom movement along the lines of a new paradigm based on the principles of democratic confederalism and democratic autonomy. In the vast scope of this book, Öcalan examines the emergence of hierarchies and eventually classes in human societies and sketches his alternative, the democratic-ecological society. This vision, with a theoretical foundation of a nonviolent means of taking power, has ushered in a new era for the Kurdish freedom movement while also offering a fresh and indispensable perspective on the global debate about a new socialism. Öcalan’s calls for nonhierarchical forms of democratic social organization deserve the careful attention of anyone interested in constructive social thought or rebuilding society along feminist and ecological lines.

There is nothing sacrosanct about bike repair. Its pursuit only requires the will to learn. At their finest hours bikes exist on a level above mere machines, and there’s no reason why the joy should end when the ride is over.

Bicycle! written by a long-time bicycle mechanic, covers everything you need to know to feed and care for your ride. This book cuts through the obtuse techno-speak and delivers maintenance clarity with a touch of humor and radicalism, while categorically denying mechanistry’s supposed dreariness. Bicycle! is about encouraging society to learn for themselves how to make their bikes work, not because they have to, but because they want to.

With detailed descriptions of all maintenance tasks and repair situations, clearly illustrated with photographs and drawings, this guide will serve the need for a serious rider’s manual. Professional bicycle workers—messengers, mechanics, pedi-cab drivers—as well as bicycle commuters have been waiting for this book. This second edition includes an abundance of helpful photos, an expanded index, and an updated resources section. Moreover, it benefits from insights gained through five years’ worth of additional mechanic experience including low-cost and no-cost repair solutions the author developed while serving as a Peace Corps Volunteer in Mauritania.

Some of the Topics Covered:

• Essential Tools
• Bike Components (Maintaining, Adjusting, Repairing)
• On-the-Road Repairs
• Build Your Own (Scavenging)
• Locks / Thief Deterrents
• Rust, the Elemental Bike Nemesis
• And much, much more!

More than ever, “the body” is today at the center of radical and institutional politics. Feminist, antiracist, trans, ecological movements—all look at the body in its manifold manifestations as a ground of confrontation with the state and a vehicle for transformative social practices. Concurrently, the body has become a signifier for the reproduction crisis the neoliberal turn in capitalist development has generated and for the international surge in institutional repression and public violence. In Beyond the Periphery of the Skin, lifelong activist and best-selling author Silvia Federici examines these complex processes, placing them in the context of the history of the capitalist transformation of the body into a work-machine, expanding on one of the main subjects of her first book, Caliban and the Witch.

Building on three groundbreaking lectures that she delivered in San Francisco in 2015, Federici surveys the new paradigms that today govern how the body is conceived in the collective radical imagination, as well as the new disciplinary regimes state and capital are deploying in response to mounting revolt against the daily attacks on our everyday reproduction. In this process she confronts some of the most important questions for contemporary radical political projects. What does “the body” mean, today, as a category of social/political action? What are the processes by which it is constituted? How do we dismantle the tools by which our bodies have been “enclosed” and collectively reclaim our capacity to govern them?

After the dissolution of the PKK (Kurdistan Workers’ Party) in 2002, internal discussions ran high, and fear and uncertainty about the future of the Kurdish freedom movement threatened to unravel the gains of decades of organizing and armed struggle. From his prison cell, Abdullah Öcalan intervened by penning his most influential work to date: Beyond State, Power, and Violence. With a stunning vision of a freedom movement centered on women’s liberation, democracy, and ecology, Öcalan helped reinvigorate the Kurdish freedom movement by providing a revolutionary path forward with what is undoubtedly the furthest-reaching definition of democracy the world has ever seen. Here, for the first time, is the highly anticipated English translation of this monumental work.

Beyond State, Power, and Violence is a breathtaking reconnaissance into life without the state, an essential portrait of the PKK and the Kurdish freedom movement, and an open blueprint for leftist organizing in the twenty-first century, written by one of the most vitally important political luminaries of today.

By carefully analyzing the past and present of the Middle East, Öcalan evaluates concrete prospects for the Kurdish people and arrives with his central proposal: recreate the Kurdish freedom movement along the lines of a new paradigm based on the principles of democratic confederalism and democratic autonomy. In the vast scope of this book, Öcalan examines the emergence of hierarchies and eventually classes in human societies and sketches his alternative, the democratic-ecological society. This vision, with a theoretical foundation of a nonviolent means of taking power, has ushered in a new era for the Kurdish freedom movement while also offering a fresh and indispensable perspective on the global debate about a new socialism. Öcalan’s calls for nonhierarchical forms of democratic social organization deserve the careful attention of anyone interested in constructive social thought or rebuilding society along feminist and ecological lines.

In the early twentieth century, when many US unions disgracefully excluded black and Asian workers, the Industrial Workers of the World (IWW) warmly welcomed people of color, in keeping with their emphasis on class solidarity and their bold motto: “An Injury to One Is an Injury to All!” Ben Fletcher: The Life and Times of a Black Wobbly tells the story of one of the greatest heroes of the American working class.

A brilliant union organizer and a humorous orator, Benjamin Fletcher (1890–1949) was a tremendously important and well-loved African American member of the IWW during its heyday. Fletcher helped found and lead Local 8 of the IWW’s Marine Transport Workers Industrial Union, unquestionably the most powerful interracial union of its era, taking a principled stand against all forms of xenophobia and exclusion.

For years, acclaimed historian Peter Cole has carefully researched the life of Ben Fletcher, painstakingly uncovering a stunning range of documents related to this extraordinary man. Ben Fletcher: The Life and Times of a Black Wobbly is the most comprehensive look at Fletcher ever to be published. It includes a detailed biographical sketch of his life and history, reminiscences by fellow workers who knew him, a chronicle of the IWW’s impressive decade-long run on the Philadelphia waterfront in which Fletcher played a pivotal role, and nearly all of his known writings and speeches, thus giving Fletcher’s timeless voice another opportunity to inspire a new generation of workers, organizers, and agitators. This revised and expanded second edition includes new materials such as facsimile reprints of two extremely rare pamphlets on racism from the early twentieth century, more information on his prison years and personal life, additional recollections from friends, greater consideration of Fletcher from a global perspective, and much more.

What is democracy? Freedom, equality, participation? Everyone has his or her own definition. Across the world, 120 countries now have at least the minimum trappings of democracy—the freedom to vote for all citizens. But for many, this is just the beginning not the end. Following decades of US-backed dictatorships, civil wars and devastating structural adjustment policies in the South, and corporate control, electoral corruption, and fraud in the North, representative politics in the Americas is in crisis. Citizens are now choosing to redefine democracy under their own terms: local, direct, and participatory.

In 1989, the Brazilian Worker’s Party altered the concept of local government when they installed participatory budgeting in Porto Alegre, allowing residents to participate directly in the allocation of city funds. Ten years later, Venezuelan President Hugo Chavez was swept into power with the promise of granting direct participation to the Venezuelan people; who have now formed tens of thousands of self-organized communal councils. In the Southern Cone, cooperative and recuperated factory numbers have grown, and across the Americas social movements and constitutional assemblies are taking authority away from the ruling elites and putting power into the hands of their members and citizens.

Featuring interviews with: Eduardo Galeano, Amy Goodman, Emir Sader, Martha Harnecker, Ward Churchill, and Leonardo Avritzer as well as cooperative and community members, elected representatives, academics, and activists from Brazil, Canada, Venezuela, Argentina, United States, Uruguay, Chile, Colombia, and more

Beyond Elections is a journey that takes us across the Americas to attempt to answer one of the most important questions of our time: What is democracy?

Extras include video, audio, and resource materials on participatory democracy.

In the early twentieth century, when many US unions disgracefully excluded black and Asian workers, the Industrial Workers of the World (IWW) warmly welcomed people of color, in keeping with their emphasis on class solidarity and their bold motto: “An Injury to One Is an Injury to All!” Ben Fletcher: The Life and Times of a Black Wobbly tells the story of one of the greatest heroes of the American working class.

A brilliant union organizer and a humorous orator, Benjamin Fletcher (1890–1949) was a tremendously important and well-loved African American member of the IWW during its heyday. Fletcher helped found and lead Local 8 of the IWW’s Marine Transport Workers Industrial Union, unquestionably the most powerful interracial union of its era, taking a principled stand against all forms of xenophobia and exclusion.

For years, acclaimed historian Peter Cole has carefully researched the life of Ben Fletcher, painstakingly uncovering a stunning range of documents related to this extraordinary man. Ben Fletcher: The Life and Times of a Black Wobbly is the most comprehensive look at Fletcher ever to be published. It includes a detailed biographical sketch of his life and history, reminiscences by fellow workers who knew him, a chronicle of the IWW’s impressive decade-long run on the Philadelphia waterfront in which Fletcher played a pivotal role, and nearly all of his known writings and speeches, thus giving Fletcher’s timeless voice another opportunity to inspire a new generation of workers, organizers, and agitators. This revised and expanded second edition includes new materials such as facsimile reprints of two extremely rare pamphlets on racism from the early twentieth century, more information on his prison years and personal life, additional recollections from friends, greater consideration of Fletcher from a global perspective, and much more.

The world of the Caucasian Americans comes alive through history lessons, puzzles, and word games for all ages. The history, material culture, mores, and lifeways of the people now collectively known as the “Caucasian Americans” have often been discussed but rarely comprehended. Until now. This revised edition of Basic Skills Caucasian Americans Workbook provides young readers with accurate accounts of the lives of the Caucasian Americans, who long ago roamed our land. Caucasians are as much a part of American life as they were one hundred years ago. Even in times past, Caucasians were not all the same. Not all of them lived in gated communities or drove SUVs. They were not all techie geeks or power-hungry bankers. Some were hostile, but many were friendly.

It is important for young people to study our Caucasian American forebears in order to learn how they enriched the heritage and history of the world. We hope that the youngsters who read these pages will realize the role that Caucasian Americans played in shaping the United States, and in making the world the remarkable place that it is today.

The government led by Syriza in Greece, elected in January 2015, at first seemed to be the most radical European government in recent history. It proclaimed itself the “Government of Hope” and throughout the world symbolized the hope that radical change could be achieved through institutional politics. The referendum of July 2015 rejected the austerity imposed by the banks and the European Union but was followed by a complete reversal of the government’s position and its acceptance of that austerity.

The collapse of hope that accompanied the failure of the institutional Left opened the way to the return of the right-wing New Democracy Party, with a more aggressive program than ever. The essays collected in Beyond Crisis, among other things, form a case study of the “Greek experiment” that points to deeper implications concerning the global upsurge of disillusioned anger that has spurred the rise of far-right populism and support for strong leaders, exclusion of ethnic minorities, and greater “racial purity.”

The Syriza government’s dramatic crash showed the limits of institutional politics, a lesson apparently overlooked by the enthusiastic followers of Jeremy Corbyn and Bernie Sanders. But it also poses profound questions for those who reject state-centered politics. The anarchist or autonomist movement in Greece has been one of the strongest in the world, yet it has failed to have a significant impact in opening up alternative perspectives.

So how do we pick up the pieces? What direction should we follow from now on? How do we understand what happened and learn from it? The essays in this collection do not point to a single conclusion or path forward but rather raise questions that remain open about how to move beyond the current crisis amid a darkening sky of seeming impossibility.

Between Earth and Empire focuses on the crucial position of humanity at the present moment in Earth history. We are now in the midst of the Necrocene, an epoch of death and mass extinction. Nearing the end of the long history of Empire and domination, we are faced with the choice of either continuing the path of social and ecological disintegration or initiating a new era of social and ecological regeneration.

The book shows that conventional approaches to global crisis on both the right and the left have succumbed to processes of denial and disavowal, either rejecting the reality of crisis entirely or substituting ineffectual but comforting gestures and images for deep, systemic social transformation. It is argued that a large-scale social and ecological regeneration must be rooted in communities of liberation and solidarity, fostering personal and group transformation so that a culture of awakening and care can emerge.

Between Earth and Empire explores examples of significant progress in this direction, including the Zapatista movement in Chiapas, the Democratic Autonomy Movement in Rojava, indigenous movements in defense of the commons, the solidarity economy movement, and efforts to create liberated base communities and affinity groups within anarchism and other radical social movements. In the end, the book presents a vision of hope for social and ecological regeneration through the rebirth of a libertarian and communitarian social imaginary, and the flourishing of a free cooperative community globally.

Clamor magazine was a movement publication that existed between 2000 and 2006, covering radical politics, culture, and activism. Clamor published 38 issues and featured over 1,000 different writers and artists. The mission statement was:

Clamor is a quarterly print magazine and online community of radical thought, art, and action. An iconoclast among its peers, Clamor was an unabashed celebration of self-determination, creativity, and shit-stirring. Clamor publishes content of, by, for, and with marginalized communities. From the kitchen table to shop floor, the barrio to the playground, the barbershop to the student center, it’s old school meets new school in a battle for a better tomorrow. Clamor is a do-it-yourself guide to everyday revolution.

This analysis is presented as a case study on how movement projects and organizations deal with vital but rarely discussed issues such as management, sustainability, ownership, structure, finance, decision making, power, diversity, and vision.

“The Bars represent me finding my people. We were like a tribe. Together we are strong whereas before we felt weak and ostracized.”

Barred for Life is a photo documentary cataloging the legacy of Punk Rock pioneers Black Flag, through stories, interviews, and photographs of diehard fans who wear their iconic logo, The Bars, conspicuously tattooed upon their skin. Author Stewart Ebersole provides a personal narrative describing what made the existence of Punk Rock such an important facet of his and many other people’s lives, and the role that Black Flag’s actions and music played in soundtracking the ups and downs of living as cultural outsiders.

“The Bars say ‘I’m not one of them,’ and it also lets the right people know that I am one of them.”

Stark black-and-white portraits provide visual testimony to the thesis that Black Flag’s factual Punk-pioneering role and their hyper-distilled mythology are now more prevalent worldwide then when the band was in service. An extensive tour of North America and Western Europe documents dedicated fans bearing Bars-on-skin and other Black Flag iconography. Nearly four hundred “Barred” fans lined up, smiled/frowned for the camera, and issued their stories for the permanent record.

“It is the black flag of anarchism, and that is the opposite of the white flag of surrender.”

Barred for Life expands its own scope by presenting interviews with former Black Flag members and those close to the band. Interviews with alumni Dez Cadena, Ron Reyes, Kira Roessler, Keith Morris, and Chuck Dukowski, as well as photographers Glen E. Friedman and Ed Colver, and the man responsible for tattooing The Bars on more than a few Black Flag players, Rick Spellman, round out and spotlight aspects of Black Flag’s vicious live performances, forward-thinking work ethic, and indisputable reputation for acting as both champions and iconoclastic destroyers of the Punk Rock culture they helped to create.

“When I see The Bars I think ‘Black Flag the band,’ but they also represent an entire movement of people that are not going to conform. They are part of a culture of people that stand up for themselves.”