Poetry

River Road is a collection of narrative poems in the voice of Susan McFalls, writing from her new home in North Carolina’s Blue Ridge Mountains.

Wayne Caldwell, author of Cataloochee, returns to North Carolina’s Blue Ridge Mountains to continue the story of Susan McFalls, who is left on Mount Pisgah after the death of her dear friend and neighbor Posey Green. These poems follow Susan as she moves to and renovates an old house on River Road, vividly bringing to life the wild and beautiful land and culture of the Blue Ridge and the cherished memories and new friends that continue to anchor her to this special place.

River Road is a companion to Caldwell’s first poetry collection, Woodsmoke, and while the two can stand alone, together they paint a fuller picture of friendship, loss, and the ways in which lives are shaped by the North Carolina mountains.

Steven Leyva’s second collection of poetry renders beauty through a Black man’s lens in a post-pandemic world populated with superheroes and characters from ancient mythology.

In The Opposite of Cruelty, Steven Leyva’s poems ask readers to see and remember beauty when the world seems to be in ruins, to notice and praise “the industrious cherry // trees budding despite a summer / full of bullets to come.” For Leyva, beauty can be found in lineage and memory, in the heroes of the comics and TV shows he watched as a boy, in taking his children to the movies to see an Afro-Latino Spider-man on the big screen, and in doing so passing down that beauty, those means of survival. In these sonnets and urban pastorals you’ll find Selena, UGK and Outkast, Storm, Static, and Batman, as well as Sisyphus, Medusa, Perseus, and Grendel. This weaving of modern culture and the ancient world calls attention to our need for stories, how heroes and villains take up residence inside us, how important it is to see one’s self represented in art and film. 

This book does not look away from life's hard and cruel moments, it simply dares to ask “What is the opposite of cruelty?” The answers: The beauty of a Black boy in his school picture, the beauty of one man’s hand touching another man’s face at the barber, the beauty of a family home or a memory of what it once was, "not a season of phantasmal peace, but what’s left / when the world’s terrors retreat.”

The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention.

This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.

A poetry collection by internationally acclaimed poet Lenard D. Moore focusing on jazz music as an experience and an inspiration.

In The Geography of Jazz, Moore celebrates jazz music and jazz musicians. Some of the poems address specific events. Others honor individual artists. Many do both. While the poems may not initially signal the rhythms of jazz in their presentation on the page, they convey jazz rhythms through Moore’s deft handling of the poetic line and his use of formal techniques including but not limited to assonance, onomatopoeia, and repetition. This collection also includes a new poetic form, jazzku, an innovation that recalls Japanese haiku and tanka.

Winner of the 2023 Pacific Northwest Book Award for poetry

Winner of the Wren Poetry Prize selected by Ada Limón, Caitlin Scarano’s collection wrestles with family violence, escaping home, unraveling relationships, and the complexity of sexuality. 

The Necessity of Wildfire begins, “To not harm / each other is not enough. I want to love you / so much that you have no before.” These poems chase a singular, thorny question: how does where and who we came from shape who and how we love? Judge Ada Limón says the resulting collection is “hungry, clear-eyed, tough, and generous.”

Scarano’s imagination is galvanized by the South where she grew up and by the Pacific Northwest where she now resides—floods and wildfires, the Salish Sea and the North Cascades, and the humans and animals whose lives intersect and collide there. In this collection, Scarano reckons with a legacy of violence on both sides of their family, the death of their estranged father, the unraveling of long-term relationships, the complexity of their sexuality, and the decision not to have children. With fierce lyricality, these poems—“stories without monsters, / stories without morals”—resist both redemption and blame, yet call in mercy.