Peter Lacovara

Jewels of the Nile celebrates the very first time that the Worcester Art Museum’s internationally important collection of Egyptian jewelry – which has undergone conservation and cleaning – has been shown together. This strikingly illustrated book introduces the reader to the collection of an early 20th century Boston couple with a passion for ancient Egypt. The collectors, Laura and Kingsmill Marrs, were guided in their acquisitions by Howard Carter, the archaeologist who would later achieve world-wide recognition for his discovery of the tomb of Tutankhamun (1922). Under his guidance, the Marrs’s purchased an outstanding selection of scarabs, amulets, jewellery and cosmetic-related articles, including rare blue-toned stone vessels. They also acquired a group of Carter’s watercolor renditions of important Egyptian sites and royal figures. These artifacts, as well as objects from Worcester’s stellar collection of Egyptian antiquities, are included in the publication.

The sumptuousness and grandeur of Nubian gold jewelry analyzed and illustrated for the first time

The fabled land of Nubia, whose very name means ‘gold,’ was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler’s art—marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known.

Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them.

The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning. Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.