Rainer Maria Rilke

A new translation of Rilke's great work with close readings of each of the ten elegies elucidating how their poetic attributes constitute their meaning.

Rilke continues to be the most read and discussed German poet of the modern period. The Duino Elegies, together with the Sonnets to Orpheus, remain his greatest achievement. The themes of the ten elegies - and the conceptual world unique to Rilke from which they emerge - can best be understood through their poetic form: their imagery and neologistic formations, their angular syntax, their abrupt changes of tone and linguistic register, their use of multiple personae and speaking voices, and the often-ironic self-presentation of the author. Commentators, however, have often treated these features as mere formal devices that we can somehow see through to get to what really matters, that is, to what Rilke has to say about the human condition or the meaning of life, to his philosophy or worldview. On the contrary, they are constitutive of meaning in the elegies, and understanding them is crucial to our experience of reading Rilke's work. The purpose of this book is to make such features visible and to explain them to the reader as clearly as possible. This is the first full-length book in English devoted to the elegies in over thirty years. It offers an entirely new translation of each elegy, paired with the original German text, and a close reading of each.

A new translation of Rilke's groundbreaking volume, following the formal properties of the original poems, especially meter and rhyme, as closely as English allows.



Rainer Maria Rilke, the most famous (and important) German language poet of the twentieth century - a master to be ranked with Goethe and Heine - wrote the New Poems of 1907 and 1908 in transition from his late-nineteenth-century style. They mark his appearance as a lyrical, metaphysical poet of the modernist sensibility, often using traditional forms like the sonnet to explore the inner essence, the deep heart, of things - often, quite literally, things. Influenced by his time spent as Rodin's secretary, Rilke turned to quotidian life and sought to artistically redeem it in all its possibilities. His exquisite use of meter and rhyme marks him as a "formalist" and yet a contemporary of Eliot and the later Yeats, so this translation follows, as closely as English allows, the formal properties of the original poems, in a line-for-line version, while trying to capture the spare diction and direct idiomsof modernism.

Len Krisak is a recipient of the Richard Wilbur, Robert Penn Warren, and Robert Frost prizes in poetry. He has published more than five hundred poems, including translations from the Latin, Greek, Spanish, Italian, Russian, and German.

A superb new (and complete) translation of Rilke's luminously lyrical early book of poems, with scholarly introduction and commentary.

Rainer Maria Rilke is arguably the most important modern German-language poet. His New Poems, Duino Elegies, and Sonnets to Orpheus are pillars of 20th-century poetry. Yet his earlier verse is less known. The Bookof Hours, written in three bursts between 1899 and 1903, is Rilke's most formative work, covering a crucial period in his rapid ascent from fin-de-siècle epigone to distinctive modern voice. The poems document Rilke'stour of Russia with Lou Andreas-Salomé, his hasty marriage and fathering of a child in Worpswede, and his turn toward the urban modernity of Paris. He assumes the persona of an artist-monk undertaking the Romantics' journey into the self, speaking to God as part transcendent deity, part needy neighbor. The poems can be read simply for their luminous lyricism, captured in Susan Ranson's superb new translation, which reproduces the music of the original German with impressive fluidity. An in-depth introduction explains the context of the work and elucidates its major themes, while the poem-by-poem commentary is helpful to the student and the general reader. A translator's note treating the technical problems of rhythm, meter, and rhyme that the translator of Rilke faces completes the volume.

Susan Ranson is the co-translator, with Marielle Sutherland, of Rainer Maria Rilke, Selected Poems (Oxford World's Classics, 2011). Ben Hutchinson is Reader in Modern German at the University of Kent, UK.

“Rilke's voice from the last tumultuous young century reaches tenderly into ours. But his lush German is a language of its own. Mark Burrows has a rare gift to coax it faithfully into English. I am delighted, and so very grateful for this book.” —Krista Tippett, host of “On Being”

On the centennial of the first appearance (1923) of Rilke’s Sonnets to Orpheus, award-winning translator Mark Burrows reveals their depth and meaning with a brilliant new introduction and translation.

This new translation captures the lyric beauty of Rilke's poems, honoring their syntactic peculiarities and grammatical complexities as few translators have dared to do. Burrows’ versions maintain the essential strangeness of language and abruptness of metaphor by which the sonnets attain their distinctive character in German. Burrows' approach replicates what one reviewer describes as the poems’ “dazzling obscurity,” refusing to resolve the deliberate difficulties Rilke’s formulations present. The effect invites readers to linger with these sonnets, allowing themselves to be shaped in their encounter with them.

“Rilke's voice from the last tumultuous young century reaches tenderly into ours. But his lush German is a language of its own. Mark Burrows has a rare gift to coax it faithfully into English. I am delighted, and so very grateful for this book.” —Krista Tippett, host of “On Being”

On the centennial of the first appearance (1923) of Rilke’s Sonnets to Orpheus, award-winning translator Mark Burrows reveals their depth and meaning with a brilliant new introduction and translation.

This new translation captures the lyric beauty of Rilke's poems, honoring their syntactic peculiarities and grammatical complexities as few translators have dared to do. Burrows’ versions maintain the essential strangeness of language and abruptness of metaphor by which the sonnets attain their distinctive character in German. Burrows' approach replicates what one reviewer describes as the poems’ “dazzling obscurity,” refusing to resolve the deliberate difficulties Rilke’s formulations present. The effect invites readers to linger with these sonnets, allowing themselves to be shaped in their encounter with them.

Rilke's great cycle of ten elegies, perhaps his most profound poetic achievement, had its inception on the morning of January 21, 1912, but was interrupted by the First World War and not completed until a decade later. The Duino Elegies are not only the result of an extraordinary kind of contact with the unseen world; they are an attempt to understand that world in its holistic relationship to the visible, tangible world. This powerful rendering ofthe cycle is a product of the collaboration between a poet, Norris, and a Germanist, Keele.