Architecture

Root Shock examines 3 different U.S. cities to unmask the crippling results of decades-old disinvestment in communities of color and the urban renewal practices that ultimately destroyed these neighborhoods for the advantage of developers and the elite.

Like a sequel to the prescient warnings of urbanist Jane Jacobs, Dr. Mindy Thompson Fullilove reveals the disturbing effects of decades of insensitive urban renewal projects on communities of color. For those whose homes and neighborhoods were bulldozed, the urban modernization projects that swept America starting in 1949 were nothing short of an assault. Vibrant city blocks - places rich in culture - were torn apart by freeways and other invasive development, devastating the lives of poor residents. Fullilove passionately describes the profound traumatic stress- the "root shock"that results when a neighborhood is demolished. She estimates that federal and state urban renewal programs, spearheaded by business and real estate interests, destroyed 1,600 African American districts in cities across the United States. But urban renewal didn't just disrupt black communities: it ruined their economic health and social cohesion, stripping displaced residents of their sense of place as well. It also left big gashes in the centers of cities that are only now slowly being repaired. Focusing on the Hill District of Pittsburgh, the Central Ward in Newark, and the small Virginia city of Roanoke, Dr. Fullilove argues powerfully against policies of displacement. Understanding the damage caused by root shock is crucial to coping with its human toll and helping cities become whole. Mindy Thompson Fullilove, MD, is a research psychiatrist at New York State Psychiatric Institute and professor of clinical psychiatry and public health at Columbia University. She is the author of five books, including Urban Alchemy.

A Framework for Geodesign: Changing Geography by Design presents the key concepts, history, and methodology of geodesign. As an idea, geodesign has the potential to enable more effective and symbiotic collaboration among the several design professions, geographically-oriented sciences, information technologists, and people impacted by change (“the people of the place”) when all of these groups aim to influence major environmental and social change for the better. According to author Carl Steinitz, this collaboration is essential.

Steinitz’s framework, described here in detail, can contribute to that goal. It is clear that for serious societal and environmental issues, designing for change cannot be a solitary activity. It inevitably is a team endeavor with many participants from the design professions and geographic sciences, linked by technology from several locations for rapid communication and feedback, and reliant on transparent communication with the people affected by change. These demands create opportunities for geodesign and the need for organizing that collaboration.

Part I of the book is about the necessary but sometimes difficult collaboration between designers and scientists, and also focuses on key aspects of study areas, scale, and size which influence how geodesign is organized and carried out. Part II presents Steinitz’s framework and addresses six key questions, and their related types of models, which must be integrated in geodesign. Part III features nine case studies that illustrate different ways of designing for change, while Part IV explores the future of geodesign in research, education, and practice.

A Framework for Geodesign ooks mostly to the future, with a primary intention of helping the collaborating participants to achieve, in the words of the author, “practical benefits from geodesign.”

Reconnecting Cities, People, and Nature is a call to action for urban designers to deeply engage with the living fabric of the city. By working together with humans, non-humans, and allied disciplines, designers can spark a transformation that reshapes cities into thriving, sustainable social and natural ecosystems. Twenty thought-provoking design exercises explore what the city as a complex biotope could be like, inspiring action and creating change.

• Foreword by Rahul Mehrotra
• Twenty exercises based on practice and teaching
• Hand-drawn illustrations

50 years Learning from Las Vegas

From the bustle of Johannesburg to the neon of Las Vegas, Denise Scott Brown’s advocacy for "messy vitality" has transformed the way we look at the urban landscape. Unconventional, eloquent, and with a profound sociopolitical message, Scott Brown is one of our era’s most influential thinkers on architecture and urbanism.

The anthology Denise Scott Brown. In Other Eyes – marking the 50th anniversary of the seminal treatise Learning from Las Vegas – paints a portrait of Scott Brown as seen through the eyes of leading architectural historians and practitioners. It features new scholarship on　her education on three continents, her multidisciplinary teaching, and her use of urban patterns and forces as tools for architectural design – a practice documented in a new comment by Scott Brown, noting that sometimes "1+1>2."

• With contributions by Mary McLeod, Joan Ockman, Sylvia Lavin, Stanislaus von Moos, Jacques Herzog, Robin Middleton, and Denise Scott Brown, among others
• A comprehensive portrait of one of contemporary architecture’s most significant personalities

Mindy Thompson Fullilove presents ways to strengthen neighborhood connectivity and empower marginalized communities through investigation of urban segregation from a social heath perspective. "Fullilove passionately demonstrates how, through an urbanity of inclusion, we can heal our fractured cities to make them whole again.

What if divided neighborhoods were causing public health problems? What if a new approach to planning and design could tackle both the built environment and collective well-being at the same time? What if cities could help each other?
Dr. Mindy Thompson Fullilove, the acclaimed author of Root Shock, uses her unique perspective as a public health psychiatrist to explore and identify ways of healing social and spatial fractures simultaneously. Using the work of French urbanist Michel Cantal-Dupart and the American urban design firm Rothschild Doyno Collaborative as guides as well as urban restoration projects from France and the US as exemplary cases, Fullilove identifies nine tools that can mend our broken cities and reconnect our communities to make them whole.

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world.

In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus.

Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India.

Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra.

Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections.

Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.

Why does live performance continue to engage us? In a world saturated with recorded entertainment, we seek out the intimacy and immediacy of live music and theater. What is the relationship between design and the experiences, perceptions, and memories it engenders? At its best, architecture, a collection of elements - some apparent, some hidden - shapes and intensifies the process and experience of performance. Set Pieces pairs the words of leading artists and critics with details showcasing the design and inner workings from projects by Diamond Schmitt Architects for some of the world’s most remarkable performing-arts buildings. The book provides an immersive study of sixteen design elements that enhance and transform the perception of performance - and evoke experiences that surpass visual understanding.

A pioneer of architectural history

Margarete Schütte-Lihotzky (1897–2000) entered the modernist canon with her “Frankfurt Kitchen.” She is also considered a pioneer of social architecture, a women’s rights activist, and, last but not least, a heroine of the resistance to the Nazi dictatorship.

In this book, available in English for the first time, recent research in the fields of art history, contemporary history, pedagogy, and gender studies provides a nuanced picture of Schütte-Lihotzky, whose estate is archived at the University of Applied Arts Vienna. The volume explores her rich architectural oeuvre, her transnational experiences and professional networks, her political development as a Communist, and her current reception. It breaks through the mythology to present a rounded picture of Schütte-Lihotzky, an icon of architectural history.

Die Europäische Union (EU) stellt ein einzigartiges Experiment gemeinsamen Handelns dar. Diese Publikation befasst sich mit diesem Prozess aus dem Blickwinkel der Architektur, einer Disziplin, die im Laufe der Geschichte stets enge Verbindungen zur Macht hatte. Durch die Untersuchung einiger bedeutender, seit den 1950er-Jahren durch die EU entwickelter Architekturprojekte, geht das Buch einer bislang unerforschten Frage nach: Weshalb fällt es der EU so schwer, sich mit Architektur auseinanderzusetzen? In dieser Publikation wird eine Theorie zu einer Form von Zurückhaltung gegenüber Architektur in der EU aufgestellt und die dafür maßgeblichen Gründe identifiziert, wobei die Spannungen zwischen national und supranational, die historische Verbindung zwischen Architektur und Staat, der Mangel an akzeptablen Vorstellungen von Europa, die funktionalistische Kultur der europäischen Institutionen aber auch die rechtlichen Beschränkungen, die ihr Handeln in der bebauten Umwelt einschränken, thematisiert werden.

• Erste Publikation zur Architektur der EU-Institutionen.
• Interdisziplinäre Publikation

What are Marxist architectural history and criticism? What methods do they employ, and what are their objects of critical analysis? These questions have been asked before, but now more than ever, they require reassessment in light of the continuous expansion and revision of Marxism in response to new global crises.　Struggles in the Concrete: Architecture and the Marxist Tradition embarks on this endeavour. The eleven chapters not only reconsider classical Marxist categories and historical conjunctures, but also devise new critical frameworks for analysing architecture and capitalism today. The book reconsiders neglected figures like Marta Lonzi, Sérgio Ferro, and Anthony D. King, as well as re-engaging with major figures like Siegfried Kracauer, Manfredo Tafuri, and Stuart Hall.

• Tool for critical thinking in the current architectural discourse on global crises
• Contributions by renowned architectural historians and theorists: Claire Zimmerman, Katie Lloyd Thomas, Silke Kapp, Nicholas Thoburn, Onyeka Igwe

The remaining corner of an old farm, unclaimed by developers. The brook squeezed between housing plans. Abandoned railroad lines. The stand of woods along an expanded highway. These are the outposts of what was once a larger pattern of forests and farms, the "last landscape." According to William H. Whyte, the place to work out the problems of our metropolitan areas is within those areas, not outside them. The age of unchecked expansion without consequence is over, but where there is waste and neglect there is opportunity. Our cities and suburbs are not jammed; they just look that way. There are in fact plenty of ways to use this existing space to the benefit of the community, and The Last Landscape provides a practical and timeless framework for making informed decisions about its use.

Called "the best study available on the problems of open space" by the New York Times when it first appeared in 1968, The Last Landscape introduced many cornerstone ideas for land conservation, urging all of us to make better use of the land that has survived amid suburban sprawl. Whyte's pioneering work on easements led to the passage of major open space statutes in many states, and his argument for using and linking green spaces, however small the areas may be, is a recommendation that has more currency today than ever before.

Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation.

During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In Of Gardens, we follow Deitz down paths of revelation, viewing "A Bouquet of British Parks: Liverpool, Edinburgh, and London"; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites.

Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."

The gardens of Versailles—along with the name of their chief creator, André Le Nôtre (1613-1700)—have become synonymous with the French style of "formal" garden. This style in its turn would succumb to another "national" mode, the English school of naturalistic and picturesque landscapes. But as Thierry Mariage makes clear, the garden style that Le Nôtre brought to perfection need not be seen in opposition to the later "English" one. Rather, he claims, they represent two points along a continuum that exists between the natural and cultural worlds.

Published originally in Belgium as L'univers de Le Nostre, Mariage's examination of Le Nôtre moves beyond traditional art historical documentation and appreciation into a realm of interpretation. He situates Le Nôtre's garden art in a complex social and cultural world, where the practices of land management, surveying techniques and hydrology, military practice, and both scientific and literary perspectives on land use and experience brought into being a unique form of landscape architecture. His analysis opens up the fashion in which design techniques and garden philosophy are shaped by material culture.

In the wake of the Occupy Wall Street movement, leading planers and social scientists examine public space today and freedom of assembly.

The Occupy Wall Street movement has challenged the physical manifestation of the First Amendment rights to freedom of assembly. Where and how can people congregate today? Forty social scientists, planners, architects, and civil liberties experts explore the definition, use, role, and importance of public space for the exercise of our democratic rights to free expression. The book also discusses whose voice is heard and what factors limit the participation of minorities in Occupy activities. This foundational work puts issues of democracy and civic engagement back into the center of dialogue about the built environment.

Beyond Zuccotti Park is a collaborative effort of Pratt Graduate Center for Planning and the Environment, City College of New York School of Architecture, New Village Press and its parent organization, Architects/Designers/Planners for Social Responsibility. The book is part of an open civic inquiry on the part of these organizations. The project was seeded by a series of free public forums, Freedom of Assembly: Public Space Today, held at the Center for Architecture in response to the forced clearance of Occupy activities from Zuccotti Park and public plazas throughout the country. The first two recorded programs took place on December 17, 2011 and February 4, 2012.

Modern land administration applies geospatial thinking to better understand and plan the proper use, conservation, and equitable use of land and property.

Location intelligence is changing the way land administration works to protect and maintain appropriate land use and achieve better economic, environmental, and social benefits. The real-life stories in Valuing Place and Purpose: GIS for Land Administration show how communities, government agencies, nonprofits, and other organizations implement geographic information systems (GIS) in four key areas:

     · Visualizing parcels and property

     · Managing land use

     · Strengthening climate and conservation efforts

     · Addressing land rights, equity, and social justice

The book also includes a special section to help readers get started using web apps, online maps, dashboards, and other GIS solutions to represent and understand the value of land and property and efficiently manage, edit, and share land parcel data more accurately.

To conserve our natural assets—our green infrastructure—we need to map them, and plan for their protection.

Every day, decisions about land development are made—often without consideration to the natural features and functions already there. The placement of housing on rich soil, paving over aquifer recharge zones, or disconnecting wildlife corridors are mistakes easily avoided if we start to consider our natural elements as part of our infrastructure. 

Green Infrastructure: Map and Plan the Natural World with GIS describes the why and how of green infrastructure (GI) mapping and implementation through text, maps, and online illustrations. It explains how to utilize the national model that Esri has built using Green Infrastructure Center's methodology. This six-step process provides a framework for thinking strategically about GI planning and details how to set goals to inform GI maps in order to meet real needs on the ground. Using actual data to create two case studies, this book shows how the Esri model and data from the Esri Living Atlas can be adapted using local data to create a custom GI plan. 

With a green infrastructure strategy, communities can work to preserve and connect open spaces, watersheds, wildlife habitats, parks, and other critical landscapes. Green Infrastructure: Map and Plan the Natural World with GIS explains how to protect and foster a connected, resilient, and biologically diverse landscape for sustainable growth. 

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch)

No one can really know what will prove sustainable in thirty years—and that is precisely why we need a plurality of building practices and ongoing conversations about them. The large-scale exhibition WEtransFORM in Bonn provides plenty of inspiration for both. As part of its thematic year on ecological transformation, the Bundeskunsthalle is showcasing outstanding projects in sustainable architecture and urban development from across Europe. This companion book to the exhibition conveys key insights, tells personal stories, and encourages readers to get involved in building a more sustainable world. Our shared goal: to reduce resource consumption.

• A richly illustrated companion to the exhibition WEtransFORM in the Bundeskunsthalle, Bonn, June 6, 2025–January 25, 2026
• Featuring works by Anna Heringer, Céline Baumann, Daisy Ginsberg, ecoLogicStudio, Florian Nagler, heri & salli, ITKE, Julia Lohmann, Marjan van Aubel, Martin Rauch, Mischer’Traxler, MVRDV, Office for Political Innovation, OMC°C, Powerhouse, raumlaborberlin, Superflux, 51n4E, and more

Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German)

Niemand kann mit Gewissheit sagen, was sich in dreißig Jahren tatsächlich als nachhaltig erwiesen haben wird. Gerade deshalb braucht es eine Pluralität von baulichen Praktiken und die fortwährende Diskussion darüber. Für beides bietet die große Ausstellung WEtransFORM in Bonn reichlich Inspiration. Im Rahmen ihres Themenjahrs zur ökologischen Transformation versammelt die Bundeskunsthalle vorbildliche Projekte nachhaltiger Architektur und Stadtentwicklung in Europa. Das Begleitbuch vermittelt die Kernbotschaften der Ausstellung, erzählt individuelle Geschichten und ermutigt zu eigenem Engagement. Das gemeinsame Ziel: den Ressourcenverbrauch reduzieren.

• Reich bebilderter Begleitband zur Ausstellung WEtransFORM, Bundeskunsthalle, Bonn, 6. Juni 2025 bis 25. Januar 2026
• Mit Arbeiten von Anna Heringer, Céline Baumann, Daisy Ginsberg, ecoLogicStudio, Florian Nagler, heri & salli, ITKE, Julia Lohmann, Marjan van Aubel, Martin Rauch, Mischer’Traxler, MVRDV, Office for Political Innovation, OMC°C, Powerhouse, raumlaborberlin, Superflux, 51n4E und anderen

A detailed study of early historical preservation efforts between the 1780s and the 1850s

In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued.

Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service.

Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.

(English, German)

Compelled by the global environmental crisis, the building industry is moving toward a paradigm shift that significantly impacts the way we build, design, and interact with the natural environments around us. The built spaces of the future need to disrupt the conventional design practices that have "elevated" the building sector to the largest contributor of manmade CO₂ emissions globally. Achieving net-zero embodied and operational emissions in future construction will require the active participation of design, construction, and building professionals, as well as the prompt implementation of decarbonization solutions. These solutions, which restructure the way humans interact with their ecosystems, entail a reevaluation and reinterpretation of architecture and its role as a transformative agent. GAM 21 collects perspectives and proposals on how to make a radical shift towards environmental transformation successful.

With contributions by Greg Foliente, Guillaume Habert, Monica Lavagna, Alice Moncaster, Chrisna du Plessis, Philippe Rahm, and others

• Explores contemporary approaches to decarbonizing the construction industry, one of the world’s largest emitters of CO₂
• Includes contributions from international authors and experts

Die globale Umweltkrise zwingt die Baubranche zu einem Paradigmenwechsel, der die Art und Weise, wie wir in Zukunft bauen, gestalten und mit unseren natürlichen Umgebungen interagieren wollen, stark beeinflusst. Gebaute Räume der Zukunft müssen konventionelle Planungspraktiken überwinden, die den Bausektor zum größten Verursacher von CO₂-Emissionen weltweit gemacht haben. Das Erreichen von Netto-Null-Emissionen beim Bau und Betrieb künftiger Gebäude erfordert eine aktive Beteiligung von Entwurfs-, Konstruktions-, und Baufachleuten und die rasche Umsetzung der Dekarbonisierung. Diese Ansätze, die die Interaktion zwischen Menschen und ihren Ökosystemen neu strukturieren, haben auch eine Neubewertung und Neuinterpretation der Architektur und ihrer Rolle als Triebkraft der Transformation zur Folge. GAM 21 sammelt Perspektiven und Vorschläge, wie ein radikaler Wandel hin zu einer ökologischen Transformation gelingen kann.

Mit Beiträgen von Greg Foliente, Guillaume Habert, Monica Lavagna, Alice Moncaster, Chrisna du Plessis, Philippe Rahm und anderen

• Aktuelle Ansätze zur Dekarbonisierung der Baubranche als einer der größten Verursacherinnen von CO₂-Emissionen
• Beiträge internationaler Autor*innen und Expert*innen

A profound social change can be observed in the areas of mobility, work and trade, as well as in the practice of faith, especially in cities. As a result, certain building typologies such as petrol stations, offices, shopping centers, cinemas and churches are being used less, thus becoming increasingly obsolete and contributing to the obsolescence of the city.

Three strategies must be considered for the efficient transformation of these structures: the conversion of existing architecture and the preservation of the gray energy they embody; the maximization of land use; and the strengthening of ecological functions to improve the urban microclimate and the quality of living space.

The authors analyze potential solutions, present conversion scenarios, and illustrate these in schematic diagrams.

• Analysis of obsolete architectural typologies in urban centers
• Realistic proposals for the recyclability of existing buildings
• Attractive graphics and presentations of potential solutions

This book considers architectural models not as stable objects but as a question: What is a model, really? And where in the design process does it assume its powers or perform its tasks? Thirty essays respond to nine pointed questions, discovering surprising affinities and interweaving observations from diverse disciplinary, geographical, and scholarly perspectives, all framed by an introductory essay and a dialog between historian Annabel Wharton and artist Thomas Demand. Are You a Model? approaches models as phenomena and architectural tools without seeking to determine conclusive answers. Compiled by a group of architectural and art historians, historians of science, software engineers, architects, and curators, it views models as an epistemologically diverse practice rather than objects sorted by periods, genres, or materials.

With contributions by Giulia Amoresano, Yana Boeva, Giulia Boller, Stefanie Brünenberg, Alberto Calderoni, Daniel Cardoso Llach, Wonseok Chae, Diana Cristobal Olave, Carlotta Darò, Cansu Degirmencioglu, Kai Drewes, Ruth Ezra, Jia Yi Gu, Erik Herrmann, Carolin Höfler, Deniz Avci Hosanli, Christian Janecke, Sebastian Loosen, John McMorrough, Christina Moushoul, Ana Carolina Pellegrini, Eliza Pertigkiozoglou, Andreas Pilot, Stéphanie Quantin-Biancalani, Salome Schepers, Ecaterina Stefanescu, Simona Valeriani, Mara Trübenbach, Annabel Wharton, Matthew Wells, Baris Wenzel, Holger Zaunstöck, Maxime Zaugg, and Tamar Zinguer.

Volume five of the Landscript series examines material culture in the context of landscape architecture theory and design, positing the constructed landscape as a site for the investigation of human-nature relations and the factors that mediate their production, from labor to physical materials.

It has been shown that spatial perception can be improved through practice. Opportunities to offer such practice are offered in this workbook, which was tested by nearly one thousand architecture students before publication, and emerged from an academic study funded by the Swiss National Science Foundation, conducted jointly by the Zurich University of Applied Sciences (ZHAW) and the ETH Zurich.

People involved in architecture need to be familiar with construction methods in order to be in control of their designs. New technical requirements impact on our buildings and call for up-to-date specialist knowledge, which leads to new forms of architecture.

This handbook uses clearly comprehensible 3D isometric diagrams to introduce the world of contemporary construction, from concept through to the detail; photographs are used to illustrate the content.

The three main chapters deal with the structure, the building envelope, and the fit-out, starting with a clear introduction to the construction principles of modern building methods. Using drawings of selected built examples at scales of 1:10 and 1:20, a deeper examination of details is possible.

• Compact design of construction know-how developed at ETH Zurich for the purpose of teaching
• Uses typical examples to convey the basic technical context
• Economical handbook

The contributors of Policy, Planning, and People argue for the promotion of social equity and quality of life by designing and evaluating urban policies and plans. Edited by Naomi Carmon and Susan S. Fainstein, the volume features original essays by leading authorities in the field of urban planning and policy, mainly from the United States, but also from Canada, Hungary, Italy, and Israel. The contributors discuss goal setting and ethics in planning, illuminate paradigm shifts, make policy recommendations, and arrive at best practices for future planning.

Policy, Planning, and People includes theoretical as well as practice-based essays on a wide range of planning issues: housing and neighborhood, transportation, surveillance and safety, the network society, regional development and community development. Several essays are devoted to disadvantaged and excluded groups such as senior citizens, the poor, and migrant workers. The unifying themes of this volume are the values of equity, diversity, and democratic participation. The contributors discuss and draw conclusions related to the planning process and its outcomes. They demonstrate the need to look beyond efficiency to determine who benefits from urban policies and plans.

Contributors: Alberta Andreotti, Tridib Banerjee, Rachel G. Bratt, Naomi Carmon, Karen Chapple, Norman Fainstein, Susan Fainstein, Eran Feitelson, Amnon Frenkel, George Galster, Penny Gurstein, Deborah Howe, Norman Krumholz, Jonathan Levine, Anastasia Loukaitou-Sideris, Enzo Mingione, Kenneth Reardon, Izhak Schnell, Daniel Shefer, Michael Teitz, Iván Tosics, Lawrence Vale, Martin Wachs.

In this work, Carl Anthony shares his perspectives as an African-American child in post-World War II Philadelphia; a student and civil rights activist in 1960s Harlem; a traveling student of West African architecture; and an architect, planner, and environmental justice advocate in Berkeley. He contextualizes this within American urbanism and human origins, making profoundly personal both African American and American urban histories as well as planetary origins and environmental issues, to not only bring a new worldview to people of color, but to set forth a truly inclusive vision of our shared planetary future.
The Earth, the City, and the Hidden Narrative of Race connects the logics behind slavery, community disinvestment, and environmental exploitation to address the most pressing issues of our time in a cohesive and foundational manner. Most books dealing with these topics and periods silo issues apart from one another, but this book contextualizes the connections between social movements and issues, providing tremendous insight into successful movement building. Anthony's rich narrative describes both being at the mercy of racism, urban disinvestment, and environmental injustice as well as fighting against these forces with a variety of strategies.
Because this work is both a personal memoir and an exposition of ideas, it will appeal to those who appreciate thoughtful and unique writing on issues of race, including individuals exploring their own African American identity, as well as progressive audiences of organizations and community leaders and professionals interested in democratizing power and advancing equitable policies for low-income communities and historically disenfranchised communities.

Liliane Wong's latest volume on adaptive reuse in architecture presents 50 spectacular conversion and reuse projects worldwide, including buildings such as the TWA Hotel at NewYork's John F. Kennedy Airport, the CaixaForum in Madrid, and the New Museum in Berlin. The projects are presented using a new classification system that addresses practitioners as well as academics. The author's introductory essay provides a comprehensive overview and historical context for the enormous evolution and expansion of adaptive reuse over the past 50 years.

• Presentation of 50 seminal and spectacular adaptive reuse projects in architecture
• New classification of a wide variety of remodeling and conversion projects
• Written by a leading expert in the field

Learn how architecture, engineering, and construction (AEC) firms work to improve sustainability objectives and advance new ideas about creating more livable cities, workplaces, and campuses as they create greater operational efficiency.

Location intelligence is changing how land development and large infrastructure projects take shape. From new residential construction to planning a modern urban experience to building a high-speed rail system, a geographic approach helps pave the way to better, more sustainable designs.  

In Designing Our Future: GIS for Architecture, Engineering & Construction, see how the AEC industry is implementing geographic information systems (GIS) to improve workflows, bring context to large undertakings, and increase collaboration between governments, contractors, partners, and the public. With GIS, architects, engineers, and construction professionals are discovering new efficiencies, gaining deeper insights about complex projects, and transforming the way they plan, design, build, and operate in the built and natural environments.

In this collection of case studies and “how to” guidance, gain an overview of how GIS was used to:

• Reduce the carbon footprint and mitigate future climate-related damage from a cross-country, high-speed rail project in the US
• Document all above and below ground assets such as utility services, electric, gas, surface water and sewer drainage for a local transportation agency 
• Plan maintenance for and respond to hazards from aging structures and vulnerable hillsides using drones in Japan 

Designing Our Future: GIS for Architecture, Engineering & Construction also includes a “next steps” section that provides ideas, strategies, tools, and actions to help jump-start your own use of GIS. A collection of online resources, including additional stories, videos, new ideas and concepts, and downloadable tools and content, complements this book.

• Overview of the state of the art and its possibilities
• Models of interactivity in theory and practice

• construction and design methodology in multistorey timber construction
• new system of timber and timber hybrid construction
• elements, layer structure, tectonics

Botschaftsneubauten sind prestigeträchtig und identitätsstiftend zugleich. Ihre primäre Aufgabe, einen Staat im Ausland zu vertreten und sein gesellschaftliches Selbstverständnis widerzuspiegeln, macht sie zu politischen Symbolen. In den vergangenen 150 Jahren suchte Deutschland in seinen auswärtigen Staatsbauten stets einen individuellen architektonischen Ausdruck. Insbesondere die während der vierzigjährigen deutschen Teilung von der Deutschen Demokratischen Republik und der Bundesrepublik Deutschland errichteten Neubauten für diplomatische Vertretungen dokumentieren die enge Verknüpfung von politischen, kulturellen und personellen Entscheidungen sowie deren Rahmenbedingungen. Die Bauwerke eröffnen aus ihrer exterritorialen Position heraus einen erweiterten Blick auf die Geschichte und das Selbstverständnis. Sie prägen den auswärtigen Repräsentationsbau bis heute.

Adaptive reuse is a design practice where changes in the building structure go along with new programs and functions. Many concerns of the day that are the hallmark of current social discourse can equally be communicated through the vocabulary of design and reuse. Six common themes mirroring those of society in the new millennium are discernable in the current adaptive reuse practice: appropriation, ecology, equity, memory & redemption, identity and authenticity.

Selected articles from the IntAR Interventions and Adaptive Reuse Journal of the last ten years speak to the social issues of the recent decade. The introductory essay positions shifting norms of working from home or remote learning in the light of their revision through adaptive reuse, for example the post-pandemic repercussions on office towers and the classroom.

The Neue Nationalgalerie on the Berlin Kulturforum is an architectural icon as well as the crowning conclusion of architect Ludwig Mies van der Rohe’s life work. An outstandingly successful and sensitive refurbishment and modernization project was carried out for the building’s most significant overhaul since its opening in 1968. It complies with the requirements of a contemporary museum exhibition facility, as well as monument-preservation guidelines. David Chipperfield Architects developed the renovation concept under the motto of "As much Mies as possible."

This publication provides deep insight into the planning, execution, monument preservation, and restoration from the perspective of those involved. The exemplary handling of the historical fabric is presented in design documents and numerous large-format photographs that impressively illustrate the design stage, the construction site, and the refurbishment results.

• With articles by David Chipperfield, Bernhard Furrer, Gunny Harboe, Joachim Jäger, Dirk Lohan, Fritz Neumeyer, Alexander Schwarz, Gerrit Wegener, and some 30 project managers 
• Sir David Alan Chipperfield CH, 2023 Laureate of the Pritzker Architecture Prize

Building with trees has a tradition that stretches from the living bridges of India to dancing lime trees. Following on from this, the new discipline of Baubotanik is dedicated to designing with trees. Built projects and visionary concepts point the way to a new green architecture. This introduction explains the basics of constructing with trees and goes into the botanical growth laws that guide the design.

Models are spatial presentations of architectural concepts, miniature representations of the proposed buildings. Better than any drawing or computer simulation, they help to create a better spatial impression of the projected building, because anybody looking at a model can select the angle of view and thereby obtain a personal impression of the space. Designing and presenting a design concept with the help of a model is an important step in creating an awareness of the intended design.

Basics Model Building provides students with concise knowledge of model typologies, materials, tools, and techniques for the professional creation of working and presentation models. The new edition of this successful volume has been updated and supplemented, in particular in the field of digital model building.

Fire safety is an important part of building design. It consists of measures to prevent fires from starting, to facilitate the rescue of individuals in a burning building, and to help firefighters contain a blaze.　

Both statutory provisions and building codes lay down strict fire safety regulations for commercial and residential construction. The main task for architects when it comes to fire safety is to apply the principles and methods of fire prevention at the outset of the design process.

The book explains the general concepts and fundamental issues of fire safety in building design beyond the particulars of local building regulations.

Designing gardens, parks and landscapes requires a holistic approach. It also requires extensive specialist knowledge. In courses and manuals the generalist or in-depth levels are frequently under-represented, or the attempted comprehensive view becomes too complex. "Landscape for Architects" now offers a fundamental reference work which is as comprehensive as it is practical and as holistic as it is detailed.

Created in cooperation with the Architecture Department of Braunschweig Technical University, Landscape for Architects addresses the aspects of landscape architecture: "questions" are raised with abstract schematic drawings, and possible "answers" are illustrated with analytical drawings of case studies from the 20^th and 21^st centuries in order to inspire the reader’s own creativity and to support the design process.

The entire field of landscape design is dealt with in individual thematic volumes. The numbers of pages in the volumes differ, adding up to a total of more than 1,000 pages in five volumes, published with clear color marking as the "green block".

Each volume fully covers the respective subject and can be used on its own—compact and user-friendly. The illustrations are uniformly structured, with the guiding idea on the left-hand side and the associated drawing on the right-hand side. The drawings demonstrate how design concepts can be illustrated, and the three-language format provides an international vocabulary of design.

Art and Architecture united

In this low-priced special edition, the book brings together the work of the Los Angeles-based architectural practice Johnston Marklee since its foundation in 1998. The practice is known for its uniform conceptual approach to each project and is internationally recognized for its engagement with contemporary art practices while being deeply rooted in the history and practice of architecture.

The book provides an insight into Johnston Marklee’s design process and cooperation with experts from related fields. It draws its material from seven conversations and seven artists’ interpretations of Johnston Marklee’s buildings and projects. A comprehensive list of work illustrated with small photographs and diagrams concludes this monograph.

• Lower priced, new paperback edition
• Edited and designed by Reto Geiser
• Sharon Johnston and Mark Lee are Artistic Directors of the 2017 Chicago Architecture Biennial

The Floor Plan Manual Housing has for decades been a seminal work in the field of architecture. In its 5^th, revised and expanded edition, approximately 160 international housing projects built after 1945 are documented and analyzed.

The focus is on exemplary and transferrable projects, and on innovative and trendsetting concepts. The systematic representation of all projects allows the reader to compare and evaluate various floor plans – and to be inspired by the wealth of ideas and strategies for one’s own design work.

The introductory theoretical and historical essays have been newly written or updated, and offer a structured overview of the residential housing typology and its development.

• Important contribution to the current discourse on urban theory

• Renowned author from the GSD, Harvard University

Constructing Landscape is a systematic introduction to technical and constructional open space planning, with all the relevant topics, from the most common materials and surfaces to the construction of open space elements and the use of plants. For landscape architects and architects it is an indispensable guide to correct and professional execution planning as well as to preparing solid and well-thought-out requests for proposal.

Constructing Landscape is divided into two sections, Materials and Surfaces and Building Construction and Building Elements. The first section provides an overview of the various building materials of landscape architecture and their specific characteristics. It also explains the qualities of surfaces and the different approaches to treating them. The second section begins with an introductory chapter explaining the principles of statics, the connections of load-bearing elements, and the various approaches to anchoring building compo-nents and supporting structures. The subsequent chapters use drawings and text to present the constructional principles and techniques associated with the various building elements. Each chapter concludes with a collection of sample projects, illustrated with photographs and technical drawings.

• An unrivaled handbook to all aspects of landscape architecture, from materials to construction techniques
• Guideline for professional planning and execution
• Over 1200 illustrations, plans, and detail drawings
• Contains a detailed subject index

With an increasing interest in quality of nutrition and health, urban food production has begun to occur inside the growing cities worldwide and risks to compete with other urban needs.

The book introduces typologies, tools, evaluation methods and strategies, and shows the practical applications of the methods. Multiple projects illustrate solutions that augment quality via the insertion of food production entities into the urban realm.

A new paperback edition of the first collected volume from the Cairo School of Urban Studies

Bringing together a distinguished interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt’s future in desert cities while stigmatizing and neglecting Cairo’s popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today’s Middle East.

The original publication of this volume launched the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame.

Contributors: Mona Abaza, Nezar AlSayyad, Paul Amar, Walter Armbrust, Vincent Battesti, Fanny Colonna, Eric Denis, Dalila ElKerdany, Yasser Elsheshtawy, Farha Ghannam, Galila El Kadi, Anouk de Koning, Petra Kuppinger, Anna Madoeuf, Catherine Miller, Nicolas Puig, Said Sadek, Omnia El Shakry, Diane Singerman, Elizabeth A. Smith, Leïla Vignal, Caroline Williams.

This accessible introduction to planning law covers England, Scotland, Wales and Northern Ireland in equal depth. Linking legal principles to real-world planning practice, it shows how planning law shapes our built environment.

Fully updated to reflect the latest legislative changes, this second edition explores key topics such as governance, environmental assessment and major infrastructure projects. It features:

- recommended reading lists;

- illustrative photographs;

- case study text boxes.

Designed for students of planning, law and property-related fields, this textbook provides the essential knowledge of the legal and regulatory framework you’ll need in practice. Whether you're studying planning law for the first time or looking for a concise reference, this is your go-to guide.

»Dimensions. Journal of Architectural Knowledge« is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution, and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures, and results of knowledge creation and practice are esteemed coequally, with particular attention to the architectural design and epistemologies of aesthetic practice and research.

Issue 09/2025 discusses how multidimensional and diverse forms of thinking, designing, and building disrupt and challenge existing paradigms in the field of architecture in times of multiple struggles – characterised by inequality, conflicts and exploitation of space. How do these changes impact architecture as a profession, practice, and discipline? How do spatial practitioners contribute to a more just spatial production including various voices and encouraging resource-saving urban practices? Referring to Audre Lorde we ask: »Are we doing the work?« This issue features contributions reflecting on collaborative practices, research and diverse forms of architectural knowledge in activism, the building of networks and alliances.

In the architecture world, sustainability has evolved from an optional feature into an urgent necessity. Now in paperback, this publication presents 25 building projects from around the world that range from a nursery to an office skyscraper, from a medical centre to an artist’s residence, and even private homes. Sustainability no longer refers just to the economy, resources, recyclable materials, renewable energy and eco-friendliness; its definition now extends to informed design at every turn, leveraging the characteristics of the location, local history and local traditions, fostering short supply chains and assessing the long-term impact that new constructions will have.

Featuring large-scale high-quality photographs and images of construction details plus drawings, sections, sketches and exploded isometrics, this volume is a meticulous selection of contemporary buildings by innovative international architecture firms. In addition, it reveals the different connection points between the planning and construction phases of a project, which reflect the joint efforts of architects, designers and builders to transform an industry that plays a key role in the environmental conservation processes. In doing so, this book illustrates environmentally-friendly construction projects and the current social and economic impact of this industry, considering not only the health of our planet but also the impact of architecture on people and the way we live.

The great mystery of color explaine using the kowledge we have from history to science, from art to psychology. 

 Why does the color catch our attention and fascinate us until seducing us? The answer is easy: because it is mysterious. Speaking of color means taking note of its enigmatic nature, of the inexplicable process of sublimation that through the centuries has made it ritual, memory, symbol, emotion. From a physiological and psychological point of view, our reactions to chromatic stimuli are complex. And if in recent decades colors seemed to have disappeared from our homes, today the interior is pervaded by bright and expressive colors, a powerful use of color on surfaces, accessories and accessories. Because colors arouse emotions, unconscious reactions, assume personal and collective meanings, and a colorful environment can positively or negatively affect our psychophysical well-being.

Color is an extraordinary strategy of nature, a formidable means of information related to the survival of living beings. In the history of humanity, it has been the subject of studies and fascinations, which have given birth to a world of myths, mysteries and curiosities. Yet color is also linked to a technological and scientific universe of great value linked closely to the universe of living. It is no coincidence that the explosion of new opportunities and decorative technologies or new applications has taken over a dizzying rise of color, driven by the desire to change, the need to create an ideal environment.

This book tries to tell both the color as history and mystery, both as a technical application, revealing origins and secrets, providing tools, a few easy rules, practical tips and creative ideas. In order to put the magic of color into practice in a project or just to treasure it and finally understand why in some environments we are just fine and in others we feel uncomfortable.

The term ephemeral is faithfully illustrative of our times. However, constructions with a limited lifespan have been a constant in the history of architecture. Research of materials and, above all, the evolution of design; have made this discipline an essential area of study for scholars and authorities alike. Ephemeral Architecture offers a wide and also rigorous selection of the best contemporary projects by some of the most daring and innovative architecture studios. The spectacular projects contained in these pages are profusely illustrated and thoroughly documented with drafts, scale and layout drawings, illustrations, renderings and photographs. The book is divided into content blocks that will allow the reader to enjoy the most innovative interventions, be they pavilions, art installations, interactive constructions, stands and finally, award winning projects within the field of temporary architecture. The projects include Anna Prats, Joan Valls (ES); Anupama Kundoo Architects, Iaac (IN/ES); Atelier Zündel Cristea (FR); Ball-Nogues Studio (USA/CA); Barkow Leibinger Architects (DE); Benedetta Tagiabue + Embt, Àlex Ollé + Institut Del Teatre (ES); Brut Deluxe (ES); Bureau A (CH); Coda-Office (ES); Dondecabentres (ES); Dus Architects (NL); Eth Zurich, Urban-Think Tank, Esarq / Uic (CH/ES); Grafton Architects, Elisava / Upf (UK/ES); Heri&Salli (AT); Hollwich Kushner (US/NY); J. Mayer H. Und Partner Architekten (DE); Jakob + Macfarlane (FR); Jakob + Macfarlane (FR); Likearchitects (PT); Marina Fernández Ramos, Asociación Cultural Y Juvenil La Chorrera (ES); Odile Decq,- Recetas Colectivas (FR/ES); Studio Myerscough (UK); Studio Myerscough (UK); Urbanus, La Salle / Url (CN/ES); Variable Projects (US/CA); Xevi Bayona (ES); Yael Reisner, Peter Cook, Straddle 3 (IS/UK/ES).

Read the definitive, complete guide to shelters—more than 300,000 copies sold!

Shelter is so amazing, so revolutionary, that the best way to describe it is with one word: everything! It’s a history of architecture, a do-it-yourself (DIY) guide, a scrapbook, and a collection of essays and stories. If you’ve ever wondered about any aspect of houses, homes, or other simple structures in which people have lived, this is the book for you.

First published in 1973, Shelter remains a source of inspiration and invention. Including the nuts-and-bolts aspects of building, the book covers such topics as dwellings, from Iron Age huts to Bedouin tents to Togo's tin-and-thatch houses; nomadic shelters, from tipis to “housecars;” and domes; dome cities; sod iglus; and even treehouses.

Authors Lloyd Kahn and Bob Easton recount personal stories about alternative dwellings that demonstrate sensible solutions to problems associated with using materials found in the environment—with fascinating, often surprising results.

Shelter is many things:

• a visually dynamic, oversized compendium of organic architecture, past and present;
• a how-to book that includes more than 1,250 illustrations; and
• a Whole Earth Catalog-type of sourcebook for living in harmony with the earth by using every conceivable material.

• Master builder Louie Frazier's Japanese-style pole house in Northern California, reachable on a 500-foot cable across a river 
• Ian MacLeod's handbuilt stone house in South Africa, where baboons jump on the roof at night 
• Ma Page's bottle house in the Nevada desert 
• Artist Michael Kahn's semi-subterranean sculptural village in Arizona 
• Bill and Athena Steen's strawbale houses 
• Ianto Evans' cob houses in Oregon 
• The Archlibre group of countercultural builders in the French Pyrenees 
• Bill Coperthwaite's spectacular 3-story yurt in the Maine woods 
• Bill Castle's finely-crafted log home and sauna in the NY Appalachians 
• A commune in the Tennessee mountains 
• The "Flying Concrete" brothers in Mexico and their far-out sculptural structures 
• Barns in California, Washington, and Connecticut 
• Photo-essays of Lloyd Kahn's trips to Nevada, the Mississippi Delta, Costa Rica, Nova Scotia, and Baja California 
• Photos of buildings all over the world by photographers Yoshio Komatsu and Kevin Kelly + more, lots more.…

Shelter, it turns out, had a major influence on builders, and included are buildings our 1973 book inspired, so this is truly a sequel.

Take a greener approach to building with this informative, easy-to-follow handbook—more than 200,000 copies sold internationally!

Whether you’re a DIY builder or simply want to understand construction to better communicate with your contractor, Johan van Lengen can help. As a former United Nations worker and prominent architect, Johan has seen, firsthand, the need for a green approach to housing. This comprehensive book clearly explains every aspect of this endeavor, including design, materials, and implementation.

Discover the many options and important decisions you can make—such as siting and climate considerations—that are inexpensive, sustainable, and could save you thousands of dollars while helping the environment. Included are sections about urban planning, small-scale energy production, cleaning and storing drinking water, dealing with septic waste, and more. Plus, all the information is applied to three distinct regions: humid areas, temperate areas, and desert climates. Hundreds of instructional drawings allow even novice builders to get started with ease.

Inside you’ll find:

• Bio-architecture, basic design, and site planning for humid and dry climates
• Material tips about adobe, rammed earth, bamboo, plaster, wood, concrete, and ferro-cement
• Information on foundations, roofs, floors, walls, doors, windows, and eco-techniques
• Introductions to solar heating, water-powered electricity, water purification, composting toilets, and more

The Barefoot Architect is a perfect book for these times of increased worldwide concern for the environment and for those who desire to build eco-conscious dwellings by utilizing natural resources.

Meet the DIY builders of the Pacific Coast, whose homes are practical, imaginative, and environmentally friendly.

If you’re fascinated by homes and architecture or if you’re seeking inspiration for your own DIY building project, then you have something in common with Lloyd Kahn. In 2004, he discovered a group of unique carpenters along the Pacific Coast of North America. Over a two-year period, he made multiple trips up the coast, shooting photographs and interviewing builders. The result of his efforts was Builders of the Pacific Coast, a spotlight on nearly 50 amazing builders and structures between San Francisco, California, and Vancouver Island, British Columbia. Every featured building is rich in culture, innovative design, and artistic creativity.

Three builders in particular are prominently featured: Lloyd House, master craftsman and designer, who created a series of unique homes on a small island; Bruno Atkey, builder of numerous houses and lodges made from hand-split cedar; and SunRay Kelley, barefoot builder tuned into nature, who designed and built wildly imaginative structures. In addition, you’ll see working homesteads, sculptural buildings of driftwood, homes that are beautiful and practical, live-aboard boats, caravans, and examples of stunning architectural design—all in an incomparable full-color book with coffee-table appeal.

Inside you’ll find:

• images of builders and their creations along the Pacific Coast of North America
• Stunning designs and innovative structures
• Fine craftsmanship with local materials
• Form plus function

A continuation of Lloyd’s journeys into the creative processes of owner-built homes, this book explores unique techniques, use of sustainable materials, and essential dedication to natural elements. With more than 1,000 stunning photographs, as well as detailed drawings of the homes, this collection creates a template for a future filled with forward-thinking architecture.

How can mapping capture the dynamic entanglements of space and time in a rapidly changing world? Spacetimes Matter is an invitation to rethink mapping as a critical tool for understanding multiple spacetimes—and how they come to matter. Introducing methodologies of spacetime mapping, the anthology presents a collection of interpretative, qualitative, and reflexive approaches to decoding urban processes, as well as socio-spatial and ecological dynamics. The mapping protocols collected here range from artistic and performative mappings and game development to complex, multimodal diagrams, and immersive virtual environments. Spacetimes Matter enables new perspectives for scholars and practitioners seeking insights into the shifting politics, processes, and imaginaries that make up contemporary more-than-human societies.

• Introduces spacetime mapping as a novel approach for considering multiple spatialities and temporalities
• In-depth methodological reflections, grounded in diverse regional and disciplinary contexts
• Engages with decolonial and more-than-human perspectives

Für Le Corbusier sind die bewegten Bilder des Films ein ebenso beflügelndes wie beunruhigendes Stimulans: Im dunklen Saal des Kinos tritt ihm nicht nur ein inspirierendes neues Sehmodell entgegen, sondern auch eine beneidenswert massenwirksame Gefühlsmaschine, in deren Widerschein die Möglichkeiten und Grenzen der Architektur offenbar werden.

Den Bogen vom frühen Stummfilmkino bis zu den raumgreifenden Cinemascope-Spektakeln der Sechzigerjahre spannend, bietet dieser Band erstmals eine umfassende biografische Recherche, die den Einfluss der kinematografischen Erfahrung auf das Denken und Schaffen des wohl wirkungsmächtigsten Architekten des 20. Jahrhunderts nachzeichnet.

• Zusammenführung von Architektur- und Filmtheorie sowie Architektur- und Filmgeschichte des 20. Jahrhunderts

• Erste Monografie zu Le Corbusier und Film

For Le Corbusier, the moving pictures of cinema were both stimulating and unsettling. In the darkened movie theater, he encounters not only an inspiring new mode of seeing, but also an enviably effective device for affecting the emotions of the masses, which exposes the possibilities and limitations of architecture.　

Spanning an arc from early theaters for silent movies to the expansive Cinemascope spectacles of the 1960s, this volume presents the first comprehensive biographical research to trace the influence of the cinematographic experience on the thinking and work of arguably the most influential architect of the twentieth century.　

• Synthesis of architecture and film theory as well as the history of 20^th-century architecture and film
• The first monograph on Le Corbusier and film

As ports expand to meet global demands for sustainability and energy transition, European states are reshaping their maritime landscapes through port clusters—new organizational structures that transform both administration and governance. This book critically examines how port clusterization is redefining the relationship between cities and their ports, challenging conventional urban and architectural research on port-city conditions. It explores the spatial impacts of this transformation into landscapes of the cluster and introduces design tools to help port city institutions navigate pressing challenges. From coastal land consumption to sustainable infrastructures and the shifting perception of ports within cities, Landscapes of the Cluster provides fresh insights into the future of port-city dynamics.

• Examines the emerging phenomenon of port clusterization from a spatial perspective
• In-depth research on Italian port clusters, complemented by international guest essays
• Establishes a cooperative dialogue between academia and port institutions

Keine Wohnform ist so populär, so zahlreich vertreten und gleichzeitig so heftig umstritten wie das Einfamilienhaus. Durch die Adenauer-Regierungen für konservative politische Ziele instrumentalisiert, war es ein zentraler Bestandteil städtebaulicher Planungskonzepte, die dem zunehmend technisierten Wohnen Raum boten und stereotype Genderrollen und heteronormativ-patriarchale Familienideale materialisierten. Zugleich wurde das Einfamilienhaus medial als idealer Lebensort inszeniert. Das große Ziel: ein kleines Haus untersucht die Hintergründe dieser Erfolgsgeschichte des Eigenheims anhand nahbarer und farbenprächtiger Homestories in der Zeitschrift Schöner Wohnen und liefert eine kritische Betrachtung des Einfamilienhaus-Booms in den bundesdeutschen Wirtschaftswunderjahren.

• Kritische Analyse des Einfamilienhaus-Booms im Westdeutschland der 1960er und 1970er Jahre
• Mediale Repräsentationen des Eigenheims als „ideale Wohnform"
• Hintergründe zur Geschichte der populären Wohnzeitschrift Schöner Wohnen

How has erasure formed the space around us? How do we come to know it, so that we can design differently? Erasure by Design tracks the methods, terms, and racial protocols that continue to do the work of displacement, demolition, and extraction into the present day.

This book travels back and forth in time through scenes of erasure at three primary locations—Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). Erasure by Design shares first person narratives of growing up in the wake of slum clearance—that is, “urban renewal”—in Southwest, Washington DC, while assembling archival references that narrate racialized erasure and its legal and spatial precedents. It traces a military complex under construction, where St Louis’s cleared grounds and blacked out sites are also defined by satellites, body experiments, explosions, and emptiness. It moves through specific grounds in Los Angeles—dirt walls, hills, oil fields, gas lines, and houses in the forest—to trace how those grounds matter and how their holding intersects with maps that plan erasure, inhabitation, and extraction.

Between these three scenes, Erasure by Design takes on the aesthetics of bad design and good design, as innovated within the intellectual domain of modern architecture at the Museum of Modern Art and Philip Johnson’s Glass House. Through a curated cockroach at MoMA—and even the humor, rumors, and gossip of this roach—Erasure by Design reads the role that the museum invents for exhibiting, curating, and re-shaping policy, worldview, and the built environment, as well as how protocols of erasure, demolition, and design conscript the modern built environment into the policing of human and subhuman. In this nuanced reading, the Glass House and its twin, the Brick House, stage a haunting allegory of total violence.

Die Forschungsagentur Forensic Architecture untersucht Kriegsverbrechen und ökologische wie politische Krisen und bringt sie mit ihrer "Investigativen Ästhetik" (MACBA 2017) in den Ausstellungs- wie Gerichtssaal. Lisa Stuckey untersucht anhand der Figuration 'Law on Trial' – Gesetz und Recht vor Gericht, auf dem Prüfstand, zur Verhandlung –, weshalb ausgerechnet ästhetischen und poetischen forensischen Verfahren eine radikale Befragung sozialer Gerechtigkeit überantwortet wird.
In punktuellen Exkursen vergleicht die Studie Strategeme von Forensic Architecture mit denen der Medienkünstlerin Constanze Ruhm und der Poetin M. NourbeSe Philip. Nachdem das Recht im 18. Jahrhundert zum "Modellfall für Wissenssysteme" (Vismann/Weitin 2006) geworden ist, steht das heutige buchstäbliche Auf-die-Probe-Stellen von Recht im Zusammenhang mit einer neuen Dimension der Aufdeckung, die an die Institutionskritik der 1990er Jahre anschließt und zu einem Funktionswandel der Künste führt, in denen forensische Verfahren Konjunktur haben.

Veröffentlichung mit Unterstützung des Austrian Science Fund (FWF)

The socially and ecologically conscious transformation of the built environment—whether urban or rural—calls for productive discussions with the community. The sharing of collective experiences gives rise to inspiring ideas and concrete visions for the climate-neutral reconstruction of our lifeworld. Starting from these principles, architects and urbanists present ten strategies for transforming residential and office buildings, urban districts, and traffic infrastructures. They shape processes that rely on discussion and trial and error, taking lived reality seriously, experimenting with temporary utilizations, and encouraging shared responsibility rather than simple acceptance. Together, they are developing a vision of a possible future.

With an interview with John von Düffel and contributions by Frank Adloff, Leona Lynen, Susanne Wartzeck, Andreas Willisch, and others

• Collective approaches to the transformation of existing architecture
• Visions of a climate-neutral future

Dos destacados historiadores clásicos cuentan la historia del mayor anfiteatro de Roma, un monumento visitado por dos millones de personas al año.

La Roma imperial fue un estado guerrero. El Coliseo (inaugurado en el año 80 d.C.) fue el monumento de Roma a la guerra. Como una catedral de la muerte, se alzaba sobre la ciudad e invitaba a sus ciudadanos—50,000 a la vez—a presenciar juegos gladiatorios asesinos. Hoy es visitado por dos millones de personas al año (Hitler estuvo entre ellos).

Cómo se construyó, los juegos gladiatorios y otros eventos que se celebraron allí, el entrenamiento de los gladiadores, los espectadores que disfrutaban de los juegos, los emperadores que los organizaban y los críticos, y su peculiar historia posterior: el Coliseo ha sido fortaleza, almacén, iglesia y fábrica de pegamento.

Two renowned classical historians tell the story of Rome’s greatest amphitheater, a monument visited by two million people every year.

Imperial Rome was a warrior state. The Colosseum (inaugurated in 80 AD) was Rome’s monument to war. Like a cathedral of death, it towered over the city, inviting its citizens—50,000 at a time—to witness deadly gladiatorial games. Today, it is visited by two million people a year (Hitler was among them).

How it was built; the gladiatorial games and other events held there; the training of gladiators; the spectators who enjoyed the games, the emperors who organized them, and the critics; and its strange later history: the Colosseum has served as a fortress, a warehouse, a church, and even a glue factory.

»Dimensions. Journal of Architectural Knowledge« is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures and results of knowledge creation and practice are esteemed coequally, with particular attentiveness to the architectural design and epistemologies of aesthetic practice and research.
»Prototypes as Instruments for Critical Practices«, issue 08/2024, explores and documents prototypes as instruments and mediums that advance modes of collaboration and research methodologies, reaching across the academic and industry domains in architecture and engineering. The contributors uncover and showcase work that demonstrates an acute awareness of the urgency to slow down material and climate breakdown; work that critically engages with the frictions inherent in architectural and engineering practices.

Die beiden großen christlichen Volkskirchen in Deutschland befinden sich in einem massiven Auflösungsprozess. Dieser wird nicht etwa von außen erzwungen; die Gläubigen treten aus freien Stücken aus der Kirche aus. Und so wird über das mögliche Ende des größten kulturellen Flächenverbandes mit den Füßen abgestimmt. Diese Erosion bezieht sich allerdings auf die institutionelle Verfasstheit und weniger auf die gelebte Praxis. So wäre es denkbar, dass in den zentralen Gebäuden der Städte und Dörfer christliche Prinzipien neu gedacht und gelebt werden können.

Offene Enden fragt nach den Gemeinschaftsformen, die sich aus den neuen, zum Teil hybriden Programmen für sakrale Bauten ergeben, die bisher exklusiv religiös genutzt wurden. Ein anderer Typus Kirche, der nicht mehr allein auf Mitgliedschaft baut, sondern von der Beteiligung verschiedener Personen auf Zeit lebt?

Mit Beiträgen von Thomas Erne, Karl-Heinz Hörning, Hans Joas, Kerstin Menzel, Claudia Neu, Detlef Pollack, Martin Sturm, Andrée Volkmann (Comics) und anderen

• Neue Perspektiven für die Umnutzung von Kirchen in Deutschland
• Das Potenzial von Kirchenräumen als öffentliche Orte der Gemeinschaft
• Zeigt neue praktische Formen der Gemeindearbeit

Wie können wir die planetare Urbanisierung vor dem Hintergrund der Klimakrise kartografisch darstellen? In Data-Spheres of Planetary Urbanization widmet sich das Urban Theory Lab dieser Frage, indem es eine Reihe experimenteller Visualisierungen des weltweiten urbanen Gefüges zusammenstellt. Das Buch kehrt die allgemeine, stadtzentrierte Sicht auf die Urbanisierung um und zeigt stattdessen, dass die gegenwärtige Urbanisierung einen Großteil der Erde umfasst, und damit auch scheinbar entlegene Gebiete, Wildnisgebiete und Ozeane. Städte produzieren nicht nur Werte, sondern sind auch entropische schwarze Löcher, die andernorts entstandene Überschüsse aufnehmen und Abfälle in die Biosphäre zurückgeben. Nichtstädtische Räume bilden daher die metabolischen Grundlagen der planetarischen Urbanisierung.

Mit einem Vorwort von Jason W. Moore, einem Nachwort von Alexander Arroyo sowie Beiträgen von Martín Arboleda, Danika Cooper, Kian Goh, Julie Michelle Klinger, Roi Salgueiro Barrio und Hashim Sarkis

• Zeigt die Auswirkungen der weltweiten Urbanisierung in 500 aufschlussreichen Geodatenvisualisierungen
• Unterstreicht die Bedeutung von dienenden Landschaften außerhalb der Stadt
• Versammelt theoretische und methodologische Texte des Urban Theory Lab sowie kritische Kommentare

„Wohnen wie in den Ferien“, so wurde die Werkbundsiedlung Neubühl in Zürich zur Erstvermietung 1932 angepriesen. Noch heute ist sie mit ihren gut geplanten Außenräumen, Erschließungen und ihren kompakten rationalen Grundrissen eine bedeutende Zeitzeugin des Neuen Bauens in der Schweiz. Bei den Bewohner*innen ist sie so beliebt, dass viele von ihnen fast ihr ganzes Leben dort verbringen. Dies ist nur deshalb möglich, weil verschiedene Wohnungstypen – vom kleinen Studio bis zum Sechs-Zimmer-Reihenhaus – geschickt in die Siedlung integriert wurden. In ihrem Buch versammeln die Herausgeberinnen Beiträge zu Geschichte, Typologie und Bedeutung der Siedlung und beleuchten mit Porträts der Bewohnerinnen die zeitgenössischen Lebenswelten von in der Siedlung lebenden Frauen.

Mit einem Beitrag von Nina Hüppi

• Frauen als Nutzerinnen und Akteurinnen in der Architektur der Moderne
• Interviews mit Zeitzeuginnen als Forschungs- und didaktische Methode
• Thematisiert Diskrepanz zwischen male construction und female use

Colors lend rooms a distinctive atmosphere, and a successful color concept makes all the difference. Finding individually pleasing as well as functional color combinations for a wide range of interior and exterior tasks is often a challenge. This library of color combinations is a decision-making aid for interior design work, but also for other design tasks calling for coherent color concepts. It offers designers numerous balanced color combinations covering a wide range of contrast values. A clean white is always the first color. Matching light grays to anthracite, wood and concrete colors represent the second color in each concept. Building on these, designers will find warm and cool, light and shady, barely colorful to more colorful combinations that match every modern style of design.

• 400 color combinations compiled by color expert Katrin Trautwein.
• An essential tool in a handy format for architects, students of architecture and design, and interior designers.
• Move beyond familiar patterns to uncover fresh color combinations.

Disappearing Cities is a collection of over fifty short stories of invented cities, set in the not too distant future, destroyed by varied climate change impacts and linked natural disasters. The stories bring into question the relation between the natural and unnatural forces of change and expose responses to, and lessons learnt, from different disaster crises situations. Stories also focus on how means to adapt are sought. The projected fictions are created from projected current climate facts; trends; and the author’s experience of population displacement, relocation and design-based climate change responsive action. Central to the book is the recognition that to be able to respond and adapt to the scale of coming changes in the climate requires going beyond existing practical action and embracing a new way of imagining futures. Disappearing Cities aims to stimulate ways of meeting this need.
The book opens with a Prologue that establishes the contextual frame of empirical foundation out of which the fictions are created. It recognises that we all live in a world in which the conditions that will result in huge numbers of cities disappearing are underway. From the human perspective, the process appears to be very slow, whereas in historico-geological time, it is happening exceptionally quickly. The number of the loss of cities is going to be huge, yet the recognition that this will occur is not arriving, In part, this is because of a lack of knowledge, but equally, it reflects a lack of imagination. Transposing what is known about climate change by a significant percentage of the societies of many nations to actual environments in which they live is just not arriving. What appears so solid and established fails to be seen and imagined as a risk and vulnerable. From establishing this opening perspective, the first part of the book presents stories of cities already disappearing as a result of the forces of nature changed by anthropogenically created global warming. Part two discusses the impacts of natural disasters being made unnaturally. For example, by the way industrial societies are damaging and changing natural systems, including the climatic. The final part goes to cities destroyed by completely un-natural means, including war.
Disappearing Cities aims to contribute to meeting the need for a better understanding of, and ability to imagine, the risks to which vast numbers of cities are, and will be, exposed to forces of disappearance. To do this, the narratives are a hybrid of fact and fiction. The work was inspired by Italo Calvino’s book Invisible Cities and is intended to be a salient contemporary companion to this text. It mirrors its form but differs in style and content. Invisible Cities attained diverse readership, Disappearing Cities aspires to do likewise.