Architecture

Root Shock examines 3 different U.S. cities to unmask the crippling results of decades-old disinvestment in communities of color and the urban renewal practices that ultimately destroyed these neighborhoods for the advantage of developers and the elite.

Like a sequel to the prescient warnings of urbanist Jane Jacobs, Dr. Mindy Thompson Fullilove reveals the disturbing effects of decades of insensitive urban renewal projects on communities of color. For those whose homes and neighborhoods were bulldozed, the urban modernization projects that swept America starting in 1949 were nothing short of an assault. Vibrant city blocks - places rich in culture - were torn apart by freeways and other invasive development, devastating the lives of poor residents. Fullilove passionately describes the profound traumatic stress- the "root shock"that results when a neighborhood is demolished. She estimates that federal and state urban renewal programs, spearheaded by business and real estate interests, destroyed 1,600 African American districts in cities across the United States. But urban renewal didn't just disrupt black communities: it ruined their economic health and social cohesion, stripping displaced residents of their sense of place as well. It also left big gashes in the centers of cities that are only now slowly being repaired. Focusing on the Hill District of Pittsburgh, the Central Ward in Newark, and the small Virginia city of Roanoke, Dr. Fullilove argues powerfully against policies of displacement. Understanding the damage caused by root shock is crucial to coping with its human toll and helping cities become whole. Mindy Thompson Fullilove, MD, is a research psychiatrist at New York State Psychiatric Institute and professor of clinical psychiatry and public health at Columbia University. She is the author of five books, including Urban Alchemy.

A Framework for Geodesign: Changing Geography by Design presents the key concepts, history, and methodology of geodesign. As an idea, geodesign has the potential to enable more effective and symbiotic collaboration among the several design professions, geographically-oriented sciences, information technologists, and people impacted by change (“the people of the place”) when all of these groups aim to influence major environmental and social change for the better. According to author Carl Steinitz, this collaboration is essential.

Steinitz’s framework, described here in detail, can contribute to that goal. It is clear that for serious societal and environmental issues, designing for change cannot be a solitary activity. It inevitably is a team endeavor with many participants from the design professions and geographic sciences, linked by technology from several locations for rapid communication and feedback, and reliant on transparent communication with the people affected by change. These demands create opportunities for geodesign and the need for organizing that collaboration.

Part I of the book is about the necessary but sometimes difficult collaboration between designers and scientists, and also focuses on key aspects of study areas, scale, and size which influence how geodesign is organized and carried out. Part II presents Steinitz’s framework and addresses six key questions, and their related types of models, which must be integrated in geodesign. Part III features nine case studies that illustrate different ways of designing for change, while Part IV explores the future of geodesign in research, education, and practice.

A Framework for Geodesign ooks mostly to the future, with a primary intention of helping the collaborating participants to achieve, in the words of the author, “practical benefits from geodesign.”

50 years Learning from Las Vegas

From the bustle of Johannesburg to the neon of Las Vegas, Denise Scott Brown’s advocacy for "messy vitality" has transformed the way we look at the urban landscape. Unconventional, eloquent, and with a profound sociopolitical message, Scott Brown is one of our era’s most influential thinkers on architecture and urbanism.

The anthology Denise Scott Brown. In Other Eyes – marking the 50th anniversary of the seminal treatise Learning from Las Vegas – paints a portrait of Scott Brown as seen through the eyes of leading architectural historians and practitioners. It features new scholarship on　her education on three continents, her multidisciplinary teaching, and her use of urban patterns and forces as tools for architectural design – a practice documented in a new comment by Scott Brown, noting that sometimes "1+1>2."

• With contributions by Mary McLeod, Joan Ockman, Sylvia Lavin, Stanislaus von Moos, Jacques Herzog, Robin Middleton, and Denise Scott Brown, among others
• A comprehensive portrait of one of contemporary architecture’s most significant personalities

Mindy Thompson Fullilove presents ways to strengthen neighborhood connectivity and empower marginalized communities through investigation of urban segregation from a social heath perspective. "Fullilove passionately demonstrates how, through an urbanity of inclusion, we can heal our fractured cities to make them whole again.

What if divided neighborhoods were causing public health problems? What if a new approach to planning and design could tackle both the built environment and collective well-being at the same time? What if cities could help each other?
Dr. Mindy Thompson Fullilove, the acclaimed author of Root Shock, uses her unique perspective as a public health psychiatrist to explore and identify ways of healing social and spatial fractures simultaneously. Using the work of French urbanist Michel Cantal-Dupart and the American urban design firm Rothschild Doyno Collaborative as guides as well as urban restoration projects from France and the US as exemplary cases, Fullilove identifies nine tools that can mend our broken cities and reconnect our communities to make them whole.

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world.

In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus.

Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India.

Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra.

Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections.

Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.

Why does live performance continue to engage us? In a world saturated with recorded entertainment, we seek out the intimacy and immediacy of live music and theater. What is the relationship between design and the experiences, perceptions, and memories it engenders? At its best, architecture, a collection of elements - some apparent, some hidden - shapes and intensifies the process and experience of performance. Set Pieces pairs the words of leading artists and critics with details showcasing the design and inner workings from projects by Diamond Schmitt Architects for some of the world’s most remarkable performing-arts buildings. The book provides an immersive study of sixteen design elements that enhance and transform the perception of performance - and evoke experiences that surpass visual understanding.

A pioneer of architectural history

Margarete Schütte-Lihotzky (1897–2000) entered the modernist canon with her “Frankfurt Kitchen.” She is also considered a pioneer of social architecture, a women’s rights activist, and, last but not least, a heroine of the resistance to the Nazi dictatorship.

In this book, available in English for the first time, recent research in the fields of art history, contemporary history, pedagogy, and gender studies provides a nuanced picture of Schütte-Lihotzky, whose estate is archived at the University of Applied Arts Vienna. The volume explores her rich architectural oeuvre, her transnational experiences and professional networks, her political development as a Communist, and her current reception. It breaks through the mythology to present a rounded picture of Schütte-Lihotzky, an icon of architectural history.

Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation.

During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In Of Gardens, we follow Deitz down paths of revelation, viewing "A Bouquet of British Parks: Liverpool, Edinburgh, and London"; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites.

Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."

The gardens of Versailles—along with the name of their chief creator, André Le Nôtre (1613-1700)—have become synonymous with the French style of "formal" garden. This style in its turn would succumb to another "national" mode, the English school of naturalistic and picturesque landscapes. But as Thierry Mariage makes clear, the garden style that Le Nôtre brought to perfection need not be seen in opposition to the later "English" one. Rather, he claims, they represent two points along a continuum that exists between the natural and cultural worlds.

Published originally in Belgium as L'univers de Le Nostre, Mariage's examination of Le Nôtre moves beyond traditional art historical documentation and appreciation into a realm of interpretation. He situates Le Nôtre's garden art in a complex social and cultural world, where the practices of land management, surveying techniques and hydrology, military practice, and both scientific and literary perspectives on land use and experience brought into being a unique form of landscape architecture. His analysis opens up the fashion in which design techniques and garden philosophy are shaped by material culture.

In the wake of the Occupy Wall Street movement, leading planers and social scientists examine public space today and freedom of assembly.

The Occupy Wall Street movement has challenged the physical manifestation of the First Amendment rights to freedom of assembly. Where and how can people congregate today? Forty social scientists, planners, architects, and civil liberties experts explore the definition, use, role, and importance of public space for the exercise of our democratic rights to free expression. The book also discusses whose voice is heard and what factors limit the participation of minorities in Occupy activities. This foundational work puts issues of democracy and civic engagement back into the center of dialogue about the built environment.

Beyond Zuccotti Park is a collaborative effort of Pratt Graduate Center for Planning and the Environment, City College of New York School of Architecture, New Village Press and its parent organization, Architects/Designers/Planners for Social Responsibility. The book is part of an open civic inquiry on the part of these organizations. The project was seeded by a series of free public forums, Freedom of Assembly: Public Space Today, held at the Center for Architecture in response to the forced clearance of Occupy activities from Zuccotti Park and public plazas throughout the country. The first two recorded programs took place on December 17, 2011 and February 4, 2012.

Modern land administration applies geospatial thinking to better understand and plan the proper use, conservation, and equitable use of land and property.

Location intelligence is changing the way land administration works to protect and maintain appropriate land use and achieve better economic, environmental, and social benefits. The real-life stories in Valuing Place and Purpose: GIS for Land Administration show how communities, government agencies, nonprofits, and other organizations implement geographic information systems (GIS) in four key areas:

     · Visualizing parcels and property

     · Managing land use

     · Strengthening climate and conservation efforts

     · Addressing land rights, equity, and social justice

The book also includes a special section to help readers get started using web apps, online maps, dashboards, and other GIS solutions to represent and understand the value of land and property and efficiently manage, edit, and share land parcel data more accurately.

To conserve our natural assets—our green infrastructure—we need to map them, and plan for their protection.

Every day, decisions about land development are made—often without consideration to the natural features and functions already there. The placement of housing on rich soil, paving over aquifer recharge zones, or disconnecting wildlife corridors are mistakes easily avoided if we start to consider our natural elements as part of our infrastructure. 

Green Infrastructure: Map and Plan the Natural World with GIS describes the why and how of green infrastructure (GI) mapping and implementation through text, maps, and online illustrations. It explains how to utilize the national model that Esri has built using Green Infrastructure Center's methodology. This six-step process provides a framework for thinking strategically about GI planning and details how to set goals to inform GI maps in order to meet real needs on the ground. Using actual data to create two case studies, this book shows how the Esri model and data from the Esri Living Atlas can be adapted using local data to create a custom GI plan. 

With a green infrastructure strategy, communities can work to preserve and connect open spaces, watersheds, wildlife habitats, parks, and other critical landscapes. Green Infrastructure: Map and Plan the Natural World with GIS explains how to protect and foster a connected, resilient, and biologically diverse landscape for sustainable growth. 

This book considers architectural models not as stable objects but as a question: What is a model, really? And where in the design process does it assume its powers or perform its tasks? Thirty essays respond to nine pointed questions, discovering surprising affinities and interweaving observations from diverse disciplinary, geographical, and scholarly perspectives, all framed by an introductory essay and a dialog between historian Annabel Wharton and artist Thomas Demand. Are You a Model? approaches models as phenomena and architectural tools without seeking to determine conclusive answers. Compiled by a group of architectural and art historians, historians of science, software engineers, architects, and curators, it views models as an epistemologically diverse practice rather than objects sorted by periods, genres, or materials.

With contributions by Giulia Amoresano, Yana Boeva, Giulia Boller, Stefanie Brünenberg, Alberto Calderoni, Daniel Cardoso Llach, Wonseok Chae, Diana Cristobal Olave, Carlotta Darò, Cansu Degirmencioglu, Kai Drewes, Ruth Ezra, Jia Yi Gu, Erik Herrmann, Carolin Höfler, Deniz Avci Hosanli, Christian Janecke, Sebastian Loosen, John McMorrough, Christina Moushoul, Ana Carolina Pellegrini, Eliza Pertigkiozoglou, Andreas Pilot, Stéphanie Quantin-Biancalani, Salome Schepers, Ecaterina Stefanescu, Simona Valeriani, Mara Trübenbach, Annabel Wharton, Matthew Wells, Baris Wenzel, Holger Zaunstöck, Maxime Zaugg, and Tamar Zinguer.

It has been shown that spatial perception can be improved through practice. Opportunities to offer such practice are offered in this workbook, which was tested by nearly one thousand architecture students before publication, and emerged from an academic study funded by the Swiss National Science Foundation, conducted jointly by the Zurich University of Applied Sciences (ZHAW) and the ETH Zurich.

The contributors of Policy, Planning, and People argue for the promotion of social equity and quality of life by designing and evaluating urban policies and plans. Edited by Naomi Carmon and Susan S. Fainstein, the volume features original essays by leading authorities in the field of urban planning and policy, mainly from the United States, but also from Canada, Hungary, Italy, and Israel. The contributors discuss goal setting and ethics in planning, illuminate paradigm shifts, make policy recommendations, and arrive at best practices for future planning.

Policy, Planning, and People includes theoretical as well as practice-based essays on a wide range of planning issues: housing and neighborhood, transportation, surveillance and safety, the network society, regional development and community development. Several essays are devoted to disadvantaged and excluded groups such as senior citizens, the poor, and migrant workers. The unifying themes of this volume are the values of equity, diversity, and democratic participation. The contributors discuss and draw conclusions related to the planning process and its outcomes. They demonstrate the need to look beyond efficiency to determine who benefits from urban policies and plans.

Contributors: Alberta Andreotti, Tridib Banerjee, Rachel G. Bratt, Naomi Carmon, Karen Chapple, Norman Fainstein, Susan Fainstein, Eran Feitelson, Amnon Frenkel, George Galster, Penny Gurstein, Deborah Howe, Norman Krumholz, Jonathan Levine, Anastasia Loukaitou-Sideris, Enzo Mingione, Kenneth Reardon, Izhak Schnell, Daniel Shefer, Michael Teitz, Iván Tosics, Lawrence Vale, Martin Wachs.

The remaining corner of an old farm, unclaimed by developers. The brook squeezed between housing plans. Abandoned railroad lines. The stand of woods along an expanded highway. These are the outposts of what was once a larger pattern of forests and farms, the "last landscape." According to William H. Whyte, the place to work out the problems of our metropolitan areas is within those areas, not outside them. The age of unchecked expansion without consequence is over, but where there is waste and neglect there is opportunity. Our cities and suburbs are not jammed; they just look that way. There are in fact plenty of ways to use this existing space to the benefit of the community, and The Last Landscape provides a practical and timeless framework for making informed decisions about its use.

Called "the best study available on the problems of open space" by the New York Times when it first appeared in 1968, The Last Landscape introduced many cornerstone ideas for land conservation, urging all of us to make better use of the land that has survived amid suburban sprawl. Whyte's pioneering work on easements led to the passage of major open space statutes in many states, and his argument for using and linking green spaces, however small the areas may be, is a recommendation that has more currency today than ever before.

In this work, Carl Anthony shares his perspectives as an African-American child in post-World War II Philadelphia; a student and civil rights activist in 1960s Harlem; a traveling student of West African architecture; and an architect, planner, and environmental justice advocate in Berkeley. He contextualizes this within American urbanism and human origins, making profoundly personal both African American and American urban histories as well as planetary origins and environmental issues, to not only bring a new worldview to people of color, but to set forth a truly inclusive vision of our shared planetary future.
The Earth, the City, and the Hidden Narrative of Race connects the logics behind slavery, community disinvestment, and environmental exploitation to address the most pressing issues of our time in a cohesive and foundational manner. Most books dealing with these topics and periods silo issues apart from one another, but this book contextualizes the connections between social movements and issues, providing tremendous insight into successful movement building. Anthony's rich narrative describes both being at the mercy of racism, urban disinvestment, and environmental injustice as well as fighting against these forces with a variety of strategies.
Because this work is both a personal memoir and an exposition of ideas, it will appeal to those who appreciate thoughtful and unique writing on issues of race, including individuals exploring their own African American identity, as well as progressive audiences of organizations and community leaders and professionals interested in democratizing power and advancing equitable policies for low-income communities and historically disenfranchised communities.

Liliane Wong's latest volume on adaptive reuse in architecture presents 50 spectacular conversion and reuse projects worldwide, including buildings such as the TWA Hotel at NewYork's John F. Kennedy Airport, the CaixaForum in Madrid, and the New Museum in Berlin. The projects are presented using a new classification system that addresses practitioners as well as academics. The author's introductory essay provides a comprehensive overview and historical context for the enormous evolution and expansion of adaptive reuse over the past 50 years.

• Presentation of 50 seminal and spectacular adaptive reuse projects in architecture
• New classification of a wide variety of remodeling and conversion projects
• Written by a leading expert in the field

Learn how architecture, engineering, and construction (AEC) firms work to improve sustainability objectives and advance new ideas about creating more livable cities, workplaces, and campuses as they create greater operational efficiency.

Location intelligence is changing how land development and large infrastructure projects take shape. From new residential construction to planning a modern urban experience to building a high-speed rail system, a geographic approach helps pave the way to better, more sustainable designs.  

In Designing Our Future: GIS for Architecture, Engineering & Construction, see how the AEC industry is implementing geographic information systems (GIS) to improve workflows, bring context to large undertakings, and increase collaboration between governments, contractors, partners, and the public. With GIS, architects, engineers, and construction professionals are discovering new efficiencies, gaining deeper insights about complex projects, and transforming the way they plan, design, build, and operate in the built and natural environments.

In this collection of case studies and “how to” guidance, gain an overview of how GIS was used to:

• Reduce the carbon footprint and mitigate future climate-related damage from a cross-country, high-speed rail project in the US
• Document all above and below ground assets such as utility services, electric, gas, surface water and sewer drainage for a local transportation agency 
• Plan maintenance for and respond to hazards from aging structures and vulnerable hillsides using drones in Japan 

Designing Our Future: GIS for Architecture, Engineering & Construction also includes a “next steps” section that provides ideas, strategies, tools, and actions to help jump-start your own use of GIS. A collection of online resources, including additional stories, videos, new ideas and concepts, and downloadable tools and content, complements this book.

• construction and design methodology in multistorey timber construction
• new system of timber and timber hybrid construction
• elements, layer structure, tectonics

Botschaftsneubauten sind prestigeträchtig und identitätsstiftend zugleich. Ihre primäre Aufgabe, einen Staat im Ausland zu vertreten und sein gesellschaftliches Selbstverständnis widerzuspiegeln, macht sie zu politischen Symbolen. In den vergangenen 150 Jahren suchte Deutschland in seinen auswärtigen Staatsbauten stets einen individuellen architektonischen Ausdruck. Insbesondere die während der vierzigjährigen deutschen Teilung von der Deutschen Demokratischen Republik und der Bundesrepublik Deutschland errichteten Neubauten für diplomatische Vertretungen dokumentieren die enge Verknüpfung von politischen, kulturellen und personellen Entscheidungen sowie deren Rahmenbedingungen. Die Bauwerke eröffnen aus ihrer exterritorialen Position heraus einen erweiterten Blick auf die Geschichte und das Selbstverständnis. Sie prägen den auswärtigen Repräsentationsbau bis heute.

Adaptive reuse is a design practice where changes in the building structure go along with new programs and functions. Many concerns of the day that are the hallmark of current social discourse can equally be communicated through the vocabulary of design and reuse. Six common themes mirroring those of society in the new millennium are discernable in the current adaptive reuse practice: appropriation, ecology, equity, memory & redemption, identity and authenticity.

Selected articles from the IntAR Interventions and Adaptive Reuse Journal of the last ten years speak to the social issues of the recent decade. The introductory essay positions shifting norms of working from home or remote learning in the light of their revision through adaptive reuse, for example the post-pandemic repercussions on office towers and the classroom.

Art and Architecture united

In this low-priced special edition, the book brings together the work of the Los Angeles-based architectural practice Johnston Marklee since its foundation in 1998. The practice is known for its uniform conceptual approach to each project and is internationally recognized for its engagement with contemporary art practices while being deeply rooted in the history and practice of architecture.

The book provides an insight into Johnston Marklee’s design process and cooperation with experts from related fields. It draws its material from seven conversations and seven artists’ interpretations of Johnston Marklee’s buildings and projects. A comprehensive list of work illustrated with small photographs and diagrams concludes this monograph.

• Lower priced, new paperback edition
• Edited and designed by Reto Geiser
• Sharon Johnston and Mark Lee are Artistic Directors of the 2017 Chicago Architecture Biennial

With an increasing interest in quality of nutrition and health, urban food production has begun to occur inside the growing cities worldwide and risks to compete with other urban needs.

The book introduces typologies, tools, evaluation methods and strategies, and shows the practical applications of the methods. Multiple projects illustrate solutions that augment quality via the insertion of food production entities into the urban realm.

A new paperback edition of the first collected volume from the Cairo School of Urban Studies

Bringing together a distinguished interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt’s future in desert cities while stigmatizing and neglecting Cairo’s popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today’s Middle East.

The original publication of this volume launched the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame.

Contributors: Mona Abaza, Nezar AlSayyad, Paul Amar, Walter Armbrust, Vincent Battesti, Fanny Colonna, Eric Denis, Dalila ElKerdany, Yasser Elsheshtawy, Farha Ghannam, Galila El Kadi, Anouk de Koning, Petra Kuppinger, Anna Madoeuf, Catherine Miller, Nicolas Puig, Said Sadek, Omnia El Shakry, Diane Singerman, Elizabeth A. Smith, Leïla Vignal, Caroline Williams.

Die Forschungsagentur Forensic Architecture untersucht Kriegsverbrechen und ökologische wie politische Krisen und bringt sie mit ihrer "Investigativen Ästhetik" (MACBA 2017) in den Ausstellungs- wie Gerichtssaal. Lisa Stuckey untersucht anhand der Figuration 'Law on Trial' – Gesetz und Recht vor Gericht, auf dem Prüfstand, zur Verhandlung –, weshalb ausgerechnet ästhetischen und poetischen forensischen Verfahren eine radikale Befragung sozialer Gerechtigkeit überantwortet wird.
In punktuellen Exkursen vergleicht die Studie Strategeme von Forensic Architecture mit denen der Medienkünstlerin Constanze Ruhm und der Poetin M. NourbeSe Philip. Nachdem das Recht im 18. Jahrhundert zum "Modellfall für Wissenssysteme" (Vismann/Weitin 2006) geworden ist, steht das heutige buchstäbliche Auf-die-Probe-Stellen von Recht im Zusammenhang mit einer neuen Dimension der Aufdeckung, die an die Institutionskritik der 1990er Jahre anschließt und zu einem Funktionswandel der Künste führt, in denen forensische Verfahren Konjunktur haben.

Veröffentlichung mit Unterstützung des Austrian Science Fund (FWF)

The socially and ecologically conscious transformation of the built environment—whether urban or rural—calls for productive discussions with the community. The sharing of collective experiences gives rise to inspiring ideas and concrete visions for the climate-neutral reconstruction of our lifeworld. Starting from these principles, architects and urbanists present ten strategies for transforming residential and office buildings, urban districts, and traffic infrastructures. They shape processes that rely on discussion and trial and error, taking lived reality seriously, experimenting with temporary utilizations, and encouraging shared responsibility rather than simple acceptance. Together, they are developing a vision of a possible future.

With an interview with John von Düffel and contributions by Frank Adloff, Leona Lynen, Susanne Wartzeck, Andreas Willisch, and others

• Collective approaches to the transformation of existing architecture
• Visions of a climate-neutral future

Dos destacados historiadores clásicos cuentan la historia del mayor anfiteatro de Roma, un monumento visitado por dos millones de personas al año.

La Roma imperial fue un estado guerrero. El Coliseo (inaugurado en el año 80 d.C.) fue el monumento de Roma a la guerra. Como una catedral de la muerte, se alzaba sobre la ciudad e invitaba a sus ciudadanos—50,000 a la vez—a presenciar juegos gladiatorios asesinos. Hoy es visitado por dos millones de personas al año (Hitler estuvo entre ellos).

Cómo se construyó, los juegos gladiatorios y otros eventos que se celebraron allí, el entrenamiento de los gladiadores, los espectadores que disfrutaban de los juegos, los emperadores que los organizaban y los críticos, y su peculiar historia posterior: el Coliseo ha sido fortaleza, almacén, iglesia y fábrica de pegamento.

Two renowned classical historians tell the story of Rome’s greatest amphitheater, a monument visited by two million people every year.

Imperial Rome was a warrior state. The Colosseum (inaugurated in 80 AD) was Rome’s monument to war. Like a cathedral of death, it towered over the city, inviting its citizens—50,000 at a time—to witness deadly gladiatorial games. Today, it is visited by two million people a year (Hitler was among them).

How it was built; the gladiatorial games and other events held there; the training of gladiators; the spectators who enjoyed the games, the emperors who organized them, and the critics; and its strange later history: the Colosseum has served as a fortress, a warehouse, a church, and even a glue factory.

»Dimensions. Journal of Architectural Knowledge« is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures and results of knowledge creation and practice are esteemed coequally, with particular attentiveness to the architectural design and epistemologies of aesthetic practice and research.
»Prototypes as Instruments for Critical Practices«, issue 08/2024, explores and documents prototypes as instruments and mediums that advance modes of collaboration and research methodologies, reaching across the academic and industry domains in architecture and engineering. The contributors uncover and showcase work that demonstrates an acute awareness of the urgency to slow down material and climate breakdown; work that critically engages with the frictions inherent in architectural and engineering practices.

Currently, the two largest Christian communities in Germany find themselves in a far-reaching process of disintegration, one that is not imposed from outside. Instead, the faithful themselves are leaving the churches of their own free will. They are voting with their feet, possibly bringing about the demise of Germany’s largest cultural associations. This erosion is attributable to institutional realities rather than to lived religious experience. It therefore appears imaginable that Christian principles will soon be reconceived and practiced in new ways in the central buildings of our cities and villages.

Offene Enden (Open Ends) investigates the new and to some extent hybrid programs for sacred buildings that were hitherto exclusively devoted to religious functions. Are we witnessing the beginnings of a different type of church, one no longer based solely on membership, but instead on the involvement of a variety of individuals over time?

With contributions by Thomas Erne, Karl-Heinz Hörning, Hans Joas, Kerstin Menzel, Claudia Neu, Detlef Pollack, Martin Sturm, Andrée Volkmann (Comics), and others

• New perspectives regarding the reutilization of churches in Germany
• The potential of church spaces as public places for communities
• Features new and practical forms of parish work

Wie können wir die planetare Urbanisierung vor dem Hintergrund der Klimakrise kartografisch darstellen? In Data-Spheres of Planetary Urbanization widmet sich das Urban Theory Lab dieser Frage, indem es eine Reihe experimenteller Visualisierungen des weltweiten urbanen Gefüges zusammenstellt. Das Buch kehrt die allgemeine, stadtzentrierte Sicht auf die Urbanisierung um und zeigt stattdessen, dass die gegenwärtige Urbanisierung einen Großteil der Erde umfasst, und damit auch scheinbar entlegene Gebiete, Wildnisgebiete und Ozeane. Städte produzieren nicht nur Werte, sondern sind auch entropische schwarze Löcher, die andernorts entstandene Überschüsse aufnehmen und Abfälle in die Biosphäre zurückgeben. Nichtstädtische Räume bilden daher die metabolischen Grundlagen der planetarischen Urbanisierung.

Mit einem Vorwort von Jason W. Moore, einem Nachwort von Alexander Arroyo sowie Beiträgen von Martín Arboleda, Danika Cooper, Kian Goh, Julie Michelle Klinger, Roi Salgueiro Barrio und Hashim Sarkis

• Zeigt die Auswirkungen der weltweiten Urbanisierung in 500 aufschlussreichen Geodatenvisualisierungen
• Unterstreicht die Bedeutung von dienenden Landschaften außerhalb der Stadt
• Versammelt theoretische und methodologische Texte des Urban Theory Lab sowie kritische Kommentare

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch)

No one can really know what will prove sustainable in thirty years—and that is precisely why we need a plurality of building practices and ongoing conversations about them. The large-scale exhibition WEtransFORM in Bonn provides plenty of inspiration for both. As part of its thematic year on ecological transformation, the Bundeskunsthalle is showcasing outstanding projects in sustainable architecture and urban development from across Europe. This companion book to the exhibition conveys key insights, tells personal stories, and encourages readers to get involved in building a more sustainable world. Our shared goal: to reduce resource consumption.

• A richly illustrated companion to the exhibition WEtransFORM in the Bundeskunsthalle, Bonn, June 6, 2025–January 25, 2026
• Featuring works by Anna Heringer, Céline Baumann, Daisy Ginsberg, ecoLogicStudio, Florian Nagler, heri & salli, ITKE, Julia Lohmann, Marjan van Aubel, Martin Rauch, Mischer’Traxler, MVRDV, Office for Political Innovation, OMC°C, Powerhouse, raumlaborberlin, Superflux, 51n4E, and more

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch)

How can we build in a contemporary and resource-efficient way today? Following Structure in Mind (2009), the new monograph on the work of Burkhard Pahl and Monika Weber-Pahl will be published in 2025. It documents their precise use of forms and materials and their innovative approach to structural systems, drawing on their award-winning buildings and projects: including the spectacular subway station in Bochum, the delicate footbridge of the IBA Emscher Park, the FIS World Cup ski jump in Willingen, and the bold canopy of the bus terminal in Leverkusen. Through their numerous recent research and cultural buildings, Pahl and Weber-Pahl’s architectural practice has made a significant contribution to construction with reduced CO₂ footprints.

With a foreword by Peter Cachola Schmal

• The work of architects Burkhard Pahl and Monika Weber-Pahl
• Projects from 35 years of architectural practice documented in images and plans
• Recent contributions to resource-efficient construction and energy-neutral operation

‟Living here is like life on a permanent holiday,” reads an advertisement, published in 1932, for the newly inaugurated Werkbund housing development Neubühl in Zurich. Even today, with its intelligently conceived outdoor spaces, residential infrastructure, and compact, rational floor plans, it remains a significant living witness to the New Building (Neues Bauen) in Switzerland. It is still so beloved by its residents that many spend most of their lives here. This is made possible by the skillful integration of a variety of housing types—from small studios to six-room townhouses. In their book, the editors assemble contributions on the history, typology, and significance of the housing development, supplemented by portraits of women currently in residence designed to illuminate their lived environment and their experiences.

With a contribution by Nina Hüppi

• Women as users and protagonists of modernist architecture
• Interviews with contemporary witnesses as a research and teaching method
• Shows the discrepancy between male construction and female use

Colors lend rooms a distinctive atmosphere, and a successful color concept makes all the difference. Finding individually pleasing as well as functional color combinations for a wide range of interior and exterior tasks is often a challenge. This library of color combinations is a decision-making aid for interior design work, but also for other design tasks calling for coherent color concepts. It offers designers numerous balanced color combinations covering a wide range of contrast values. A clean white is always the first color. Matching light grays to anthracite, wood and concrete colors represent the second color in each concept. Building on these, designers will find warm and cool, light and shady, barely colorful to more colorful combinations that match every modern style of design.

• 400 color combinations compiled by color expert Katrin Trautwein.
• An essential tool in a handy format for architects, students of architecture and design, and interior designers.
• Move beyond familiar patterns to uncover fresh color combinations.

Disappearing Cities is a collection of over fifty short stories of invented cities, set in the not too distant future, destroyed by varied climate change impacts and linked natural disasters. The stories bring into question the relation between the natural and unnatural forces of change and expose responses to, and lessons learnt, from different disaster crises situations. Stories also focus on how means to adapt are sought. The projected fictions are created from projected current climate facts; trends; and the author’s experience of population displacement, relocation and design-based climate change responsive action. Central to the book is the recognition that to be able to respond and adapt to the scale of coming changes in the climate requires going beyond existing practical action and embracing a new way of imagining futures. Disappearing Cities aims to stimulate ways of meeting this need.
The book opens with a Prologue that establishes the contextual frame of empirical foundation out of which the fictions are created. It recognises that we all live in a world in which the conditions that will result in huge numbers of cities disappearing are underway. From the human perspective, the process appears to be very slow, whereas in historico-geological time, it is happening exceptionally quickly. The number of the loss of cities is going to be huge, yet the recognition that this will occur is not arriving, In part, this is because of a lack of knowledge, but equally, it reflects a lack of imagination. Transposing what is known about climate change by a significant percentage of the societies of many nations to actual environments in which they live is just not arriving. What appears so solid and established fails to be seen and imagined as a risk and vulnerable. From establishing this opening perspective, the first part of the book presents stories of cities already disappearing as a result of the forces of nature changed by anthropogenically created global warming. Part two discusses the impacts of natural disasters being made unnaturally. For example, by the way industrial societies are damaging and changing natural systems, including the climatic. The final part goes to cities destroyed by completely un-natural means, including war.
Disappearing Cities aims to contribute to meeting the need for a better understanding of, and ability to imagine, the risks to which vast numbers of cities are, and will be, exposed to forces of disappearance. To do this, the narratives are a hybrid of fact and fiction. The work was inspired by Italo Calvino’s book Invisible Cities and is intended to be a salient contemporary companion to this text. It mirrors its form but differs in style and content. Invisible Cities attained diverse readership, Disappearing Cities aspires to do likewise.

There is little doubt that urban planning has historically failed women. To liberate the profession from patriarchal influences, it is necessary to revisit the preconceptions that shaped early efforts to design new cities or improve existing ones. This book critiques the work of twenty male planning luminaries who proposed urban models, interventions, and approaches on both sides of the North Atlantic during the Second Industrial Revolution. These early visions, often presented as emancipatory or utopian, set European and North American cities (as well as their colonial counterparts) on an inexorable masculinist path. The grand urban plans and projects of the late 19th and early 20th centuries were largely bankrolled by wealth extracted from colonial enterprises in Africa, Asia, and Latin America.
A reverence for geometry, order, and standardization, alongside a monumental scale, reflected a hegemonic and monolithic vision of the city, with little tolerance for cultural or physical difference. Limitless urban growth and the rapid, effortless movement of people were valorised, and for the first time in history, roads became more important than homes. Many of these same planners, indifferent to cultural and physical differences, readily accepted the continuation of class divisions in cities. Comprehensive plans for both small and large settlements were hierarchical, with the wealthiest or most powerful occupying central positions of power. Functional segregation, later institutionalized as “zoning,” enforced spatial divisions between the public (male) and private (female) spheres. Even as the planning agenda prioritized “men’s issues” related to industry and commerce, domestic ideology was promoted during this period.
The book also highlights the work of several female activists and reformers from the same era. Although these women rarely envisioned full-blown urban utopias or produced extensive writings on planning, they worked to improve built environments for all. Female reformers were more attuned to the lived experiences of city dwellers than male planners, architects, and engineers. While men focused on structures and infrastructure, women were concerned with the human condition. Rather than expanding or clearing out the existing urban fabric, women sought to restore it. Practically, women extended their reproductive duties from the home to the entire city, envisioning it as a collective living space where everyone shared responsibility for one another’s daily welfare. This book calls for a return to that planning philosophy, at a time when numerous techno utopias are being imagined and built, often backed by major private corporations or individual male billionaires.

In his second book exploring the urban vernacular of Queens, New York, Rafael Herrin-Ferri shifts his focus to the green spaces that accompany the houses and small multi-family buildings of the "World’s Borough." As varied and colorful as the façades featured in All the Queens Houses (JOVIS, 2021), these spaces introduce an organic, botanical element to the streetscape. Semi-formal lawns in the French and Italian traditions sit cheek by jowl with the improvised arbors of Chinese vegetable gardens, Caribbean-inspired flower gardens, brightly colored Hindu courtyards, elaborate hand-crafted water features, life-size replicas of fauna, and countless other displays of idiosyncrasy and cultural diversity. Through its photographs and text, this book paints another portrait—softer and greener this time—of the dynamic and multicultural landscape that is Queens.

New Architectureal Impulses Towards a New Culture of Responsibility 

What kind of architecture does Berlin stand for? Architects take a stand. With selected projects that demonstrate the enormous diversity of today's building culture. From a repurposed asphalt square to a stylish penthouse, from a community café to an eco-living quarter, and from a cleverly revitalized listed building to a new research center. If there is one common denominator, it is this: Berlin cultivates a building culture of “we”. 

Obliging was yesterday, now the focus lies on responsibility: towards each other, the environment and our cities. Insightful texts supplement the survey with trends, tasks and background information - from the integration of refugees to the plight of Germany's bridges, and from the use of water to improve the microclimate to the question: How does all that change the way architects work?

Frank Gehry &  Robert Tannen: Art, Architecture & Ideas, is a book documenting the lifelong friendship and collaborative efforts of noted architects and friends Frank Gehry and Robert Tannen. The book features essays, personal notes, and collaborative and individual work in a range of media, including architectural models, sculpture, painting, printmaking, urban planning, and product design. Recognized as the defining architect of our times, Frank Gehry changed the cultural landscape with his designs for Walt Disney Counter Hall in Los Angeles and the Guggenheim Museum in Bilbao, Spain, At ninety-five years old, he continues to evolve his architectural and part practices through the exploration of energy and dynamic movement. Robert Tannen’s career includes sculpture, painting, conceptual art, and urban planning. After coming to Biloxi, Mississippi to create a masterplan for the Gulf Coast post-Hurricane Camille, he relocated to New Orleans where he master planned the second span of the Mississippi River Bridge, and was a founder of the New Orleans Contemporary Art Center, and continues to this day his distinctive practice of urbanism, art, and community activism. 

The essential guide to making, installing and living with beautiful, all-natural earthen floors – now fully revised and updated

This full-color guide includes complete step-by-step instructions for installing your own earthen floors as well as the history, use, and maintenance of this beautiful, durable, non-toxic flooring material. Updated to reflect current best practices, it is the only resource of its kind, widely recognized as an essential tool for anyone wanting to work with this beautiful and environmentally friendly construction method.

From sourcing and processing raw materials to applying the final finish, each stage of this exciting technique is demystified. Topics include:

• The story of earthen floors through the ages and their role in modern green building
• Tips and tools for site preparation, mixing, pouring, burnishing, sanding, oiling, sealing, and more
• Recipes and ratios for the ideal earthen floor mix, subfloor insulation and vapor barrier options, and how to achieve the perfect pour
• Beyond the basics – inlays, color washes, prints, patterns, alternative fibers, and other creative options
• Radiant heat, electric wire heated floors, and other improvements for cooler climates
• Updated resources section with suggestions for tool and material suppliers.

Packed with new in-depth case studies and inspirational photographs, and drawing on the collective knowledge of the most qualified and experienced practitioners, Earthen Floors, Second Edition is a must-read for natural builders, homeowners, architects, contractors, and DIY enthusiasts.

How do you design and build a good school? First published in 2012 and reissued in 2017, this standard work on designing new school buildings will soon be available in an updated handbook format. The question of how pedagogy can be translated into contemporary, high-quality school architecture is central to the guide, as is that of how joint planning can succeed. New typologies and developments in school design are described in detail, with attention paid to the implementation of a pre-planning phase in school design. The volume provides exciting insights into the fundamentals and processes of school design in Germany for all relevant professions and interested stakeholders.

• A foundational work on the subject of innovative school design
• Contains basic information on the relationship between education and architecture
• Provides a practical guide to implementing a pre-planning phase (Phase 0) in school design

What are Marxist architectural history and criticism? What methods do they employ, and what are their objects of critical analysis? These questions have been asked before, but now more than ever, they require reassessment in light of the continuous expansion and revision of Marxism in response to new global crises.　Struggles in the Concrete: Architecture and the Marxist Tradition embarks on this endeavour. The eleven chapters not only reconsider classical Marxist categories and historical conjunctures, but also devise new critical frameworks for analysing architecture and capitalism today. The book reconsiders neglected figures like Marta Lonzi, Sérgio Ferro, and Anthony D. King, as well as re-engaging with major figures like Siegfried Kracauer, Manfredo Tafuri, and Stuart Hall.

• Tool for critical thinking in the current architectural discourse on global crises
• Contributions by renowned architectural historians and theorists: Claire Zimmerman, Katie Lloyd Thomas, Silke Kapp, Nicholas Thoburn, Onyeka Igwe

Do the emerging forces of the political far right have an architectural and urban planning agenda? This question runs through Right Spaces, a collection of essays written between 2015 and 2020 that anticipated many elements of the current debate. Supplemented by a new, detailed foreword that sheds light on recent international developments, these essays, collated in English for the first time, reveal that architecture has become a central medium of the global authoritarian right, from ethno-nationalists and historical revisionists to libertarians. This development has been accompanied by a policy of low interest rates pursued by the world’s main central banks in the wake of the 2008 global financial crisis, which led to a rapid increase in construction and a paradigm shift in architecture from a means of creating useful objects and towards a form of asset creation.

• A highly topical international issue　
• A collection of Stephan Trüby’s widely acclaimed texts on the political dimension of reconstruction, translated into English 　
• Continues the discussion of anti-Semitism and racism in architecture and architectural education

The pilgrimage church Notre-Dame-du-Haut in Ronchamp (1950–54), an icon of modern architecture, represents one of the central buildings of Le Corbusier’s late period. Located on a high plateau in the Vosges above Belfort, this building is an unsurpassed work of art which also fits uniquely into its physical surroundings. The shell-shaped roof, the rounded walls, the towers of stone masonry, and the facade with its rhythmic openings of colored glass are the essential elements of this sculptural construction. The scale and proportions of the chapel at Ronchamp are designed on the basis of the Modulor that Le Corbusier developed, which accounts for its distinctive spatial effect. Like all the guides in this series, this book is indispensable both for a specialist audience and for tourists interested in architecture and modern art.

How can we explore adaptations of old buildings from a fresh, postfunctional perspective? Exploring the concept of transformative potential, this book shows how the repurposing of existing buildings uncovers untapped possibilities that go beyond traditional categories. Analyzing several European examples in depth, it asks how architectural designs change over time and what this means for sustainability and preserving heritage. Drawings illustrate how architectural forms interact with their functions and environmental effects, providing a dynamic exploration of adaptive reuse. The Potential of Form suggests that adapting buildings involves balancing their design interventions, their consistency across time, and the latent energy embedded in their architectural form.

• Explores new methods for repurposing old buildings, using an innovative framework
• Presents detailed case studies of adaptive reuse in European architecture (i.e. Bourse de Commerce, Elbphilharmonie, Duperré Playground, Vitali Sheds, PC Caritas, Alvéoles)
• Richly illustrated with drawings by the author

Die Wallfahrtskirche Notre-Dame-Du-Haut in Ronchamp (1950-1954), Ikone der modernen Architektur, stellt einen der zentralen Bauten in Le Corbusiers Spätwerk dar. Auf einem Hochplateau der Vogesen oberhalb Belforts gelegen, ist dieser Bau ein in Raum- und Formgestaltung einzigartiges Kunstwerk, das sich einmalig in seine Umgebung einpaßt. Das muschelförmige Dach, die gerundeten Mauern, die Türme aus Steinmauerwerk sowie die durch farbige Glasöffnungen rhythmisierte Fassade sind wesentliche Bestandteile dieser skulpturalen Konstruktion. Die Kapelle von Ronchamp ist in ihren Maßstäben und Proportionen nach dem von Le Corbusier entwickelten "Modulor" entworfen und erhält auch von daher ihre besondere räumliche Wirkung. Wie alle Guides dieser Reihe ist das Buch sowohl für das Fachpublikum als auch für an Architektur und moderner Kunst interessierte Laien unentbehrlich.

What does it mean for architecture to be a truly collaborative venture where plants and other species also exercise their agency? This would mean to make architecture receptive—physically, premised on creating spaces for accommodating multispecies; and intellectually, premised on becoming aware of the needs of more-than-humans. Design-based approaches whether technocratic or demonstrating a theoretical standpoint are fragmented today and demand a holistic approach.

Living Together positions itself in that fragmentation. The book is an inquiry into an architecture which allows multispecies alliances to take place. It brings materialist and ecological inquiries to architectural design, practice, and thinking; acknowledging a necessity to go beyond established architectural ideals of progress, monumentality, longevity, and permanence.

• A guide to ecological planning in architecture
• Cohabitation: architecture must take into account the non-human living space
• Inspiring illustrations

Just as information and media are products of design, they themselves leave indelible marks on the environments in which they circulate and help structure. Architecture has irrevocably been altered by the proliferation and advancement of new media technologies and forms of communication, but architecture, too, is capable of mediating these forms of mediation—their materiality, their transmission, and the motivations they carry. From 2006–2016, the Arthur Ross Architecture Gallery under the directorship of Mark Wasiuta at Columbia University's Graduate School of Architecture, Planning, and Preservation was the center of a sustained research practice experimenting with these intersections. As the title suggests, The Archival Exhibition: A Decade of Research at the Arthur Ross Architecture Gallery, 2006–2016 both records the possibilities of the archival exhibition as a mode, method, and problem of architecture, and is itself a record of a decade-long curatorial project that sought to reframe the documents, authors, environments produced by and producing architecture.

This book thus collects thirteen exhibitions that read architecture as a field coordinated by documents with distinct historical, mediatic, and disciplinary registers. The book, and the exhibitions it presents, recognize that architectural documents take shape according to different discursive and institutional exigencies. Yet, in these exhibitions the architectural archive is hardly stable or uniform. Rather, the archive appears as a term, process, mode of organization, underwriting architecture’s media, histories, and effects.

With contributions from Martin Beck, Caitlin Blanchfield, Craig Buckley, Glen Cummings, Keller Easterling, Noam M. Elcott, James Graham, Branden W. Joseph, Adrian Lahoud, Leah Meisterlin, Felicity D. Scott, Anthony Vidler, Mark Wasiuta, Ines Weizman, and Mark Wigley.

Globalization, as it is conceptualized in the early twenty-first century, is undergoing significant transformations. While we continue to live in a globalized world where markets, technologies, and cultures remain deeply interconnected, we are also confronted with trade wars, global health crises, technological decoupling, and escalating environmental damage. Traditional theories of globalization are insufficient to fully analyze these shifts. Drawing on empirical research from the Re-Figuration of Spaces Collaborative Research Center, the book tests the interplay between analytical, narrative, and visual thinking, translating theoretical figures of thought into spatial stories. Three-dimensional table configurations by Nikolaus Gansterer allow the reader to think visually while navigating the research topics. Atlas of Spatial Figures proposes new spatial imaginaries to better capture the complex realities of our world.

• Significant contribution to the transformation of spatial thinking
• Comprises sixteen research projects from the fields of sociology, anthropology, geography, communication studies, architecture, planning, and visual arts
• Innovative visualization techniques including sixteen mixed-media table configurations

Between Land and Water reveals topologies within the changing rurban landscape of the Yongning river plain in China. It explores the interwoven relationships between the cultural meanings of places associated with water, the ecological conditions of a water-based landscape, techno-natural water infrastructures, everyday water practices, and rapid urbanization processes in a formerly rural landscape. The authors carefully weave together cartographic narratives about land use and industrialization, water scarcity, housing resettlements, and state administrative redistricting practices. This careful re-reading of the landscape raises questions about the sustainable water-based future development of the rurban landscape of the Yongning river plain. Visually narrative yet analytic in focus, the volume draws on historical cartographic records and extensive empirical field data to trace the dynamic interplay of technical visions, cultural heritage, ecological conditions, and migration in the creation of a water-based rurban landscape.

• Reveals the intrinsic logic of a rurban landscape balanced between land and water
• Extensive empirical field data and historical cartographic records of the Yongning river plain
• Part of the “Urban-Rural Assembly” research project, funded by the German Ministry of Education and Research

(English, German)

Compelled by the global environmental crisis, the building industry is moving toward a paradigm shift that significantly impacts the way we build, design, and interact with the natural environments around us. The built spaces of the future need to disrupt the conventional design practices that have "elevated" the building sector to the largest contributor of manmade CO₂ emissions globally. Achieving net-zero embodied and operational emissions in future construction will require the active participation of design, construction, and building professionals, as well as the prompt implementation of decarbonization solutions. These solutions, which restructure the way humans interact with their ecosystems, entail a reevaluation and reinterpretation of architecture and its role as a transformative agent. GAM 21 collects perspectives and proposals on how to make a radical shift towards environmental transformation successful.

With contributions by Greg Foliente, Guillaume Habert, Monica Lavagna, Alice Moncaster, Chrisna du Plessis, Philippe Rahm, and others

• Explores contemporary approaches to decarbonizing the construction industry, one of the world’s largest emitters of CO₂
• Includes contributions from international authors and experts

Die globale Umweltkrise zwingt die Baubranche zu einem Paradigmenwechsel, der die Art und Weise, wie wir in Zukunft bauen, gestalten und mit unseren natürlichen Umgebungen interagieren wollen, stark beeinflusst. Gebaute Räume der Zukunft müssen konventionelle Planungspraktiken überwinden, die den Bausektor zum größten Verursacher von CO₂-Emissionen weltweit gemacht haben. Das Erreichen von Netto-Null-Emissionen beim Bau und Betrieb künftiger Gebäude erfordert eine aktive Beteiligung von Entwurfs-, Konstruktions-, und Baufachleuten und die rasche Umsetzung der Dekarbonisierung. Diese Ansätze, die die Interaktion zwischen Menschen und ihren Ökosystemen neu strukturieren, haben auch eine Neubewertung und Neuinterpretation der Architektur und ihrer Rolle als Triebkraft der Transformation zur Folge. GAM 21 sammelt Perspektiven und Vorschläge, wie ein radikaler Wandel hin zu einer ökologischen Transformation gelingen kann.

Mit Beiträgen von Greg Foliente, Guillaume Habert, Monica Lavagna, Alice Moncaster, Chrisna du Plessis, Philippe Rahm und anderen

• Aktuelle Ansätze zur Dekarbonisierung der Baubranche als einer der größten Verursacherinnen von CO₂-Emissionen
• Beiträge internationaler Autor*innen und Expert*innen

Der Qualität der gebauten Stadt – ihrer Häuser und ihrer öffentlichen Räume – kommt unter den heutigen Nachhaltigkeitsanforderungen eine besondere Bedeutung zu. Doch viele Kommunen klagen, es sei kaum mehr kompetentes Personal zu finden, das Städte, Stadtviertel und Stadträume entwerfen könne. Aufbauend auf der Kölner Erklärung zur Städtebau-Ausbildung „Die Stadt zuerst“ (2014) fragt die 14. Konferenz zur Schönheit und Lebensfähigkeit der Stadt nach den benötigten Fachkompetenzen: Was müssen Städtebauer*innen können, um nachhaltige und resiliente Städte zu entwerfen und zu realisieren? Es braucht fundiertes Wissen über angemessene Straßennetze, Blockgrößen- und formen, Grundstückszuschnitte und Haustypen. Es braucht Fähigkeiten, die Stadträume und ihre Oberflächen so zu gestalten, dass sie langfristig schön sind und eine ortstypische Atmosphäre entfalten können.

• Kritische Auseinandersetzung mit der Hochschullehre in den Bereichen Städtebau und Stadtplanung
• Impulse zu aktuellen Fragen wie der Aufspaltung von Planungsprozessen
• Beiträge renommierter Expert*innen aus Praxis und Wissenschaft

Die Kritik der gegenwärtigen Abrisspraxis wird angesichts der Klima-, Biodiversitäts- und Energiekrisen lauter. In Deutschland werden wohl über 50.000 Gebäude pro Jahr abgerissen, die Bau- und Abbruchabfälle verursachen gut 55 Prozent des gesamten Abfallaufkommens. Die Abrissfrage macht das Phänomen Abriss im Gebäudesektor aus unterschiedlichen Perspektiven greifbar. Mit Ansätzen aus Architekturgeschichte und -theorie, Denkmalpflege, Feminismus, Aktivismus und Kunst werden die ökologischen, politischen, sozioökonomischen sowie kulturellen Folgen der auf den fossilen Logiken der Moderne beruhenden Praxis von Abriss und Neubau analysiert. Die Beiträge thematisieren die historische Entwicklung, gegenwärtige Akteursnetzwerke, Gentrifizierung und ideologische Einflussnahmen von Abriss, aber auch die sich seit den 1960er Jahren formierenden Anti-Abriss-Bewegungen.

Die Publikation bildet den Auftakt einer neuen Schriftenreihe, die aktuelle Fragestellungen des umwelt- und sozialgerechten Bauens thematisiert. Zudem werden wichtige Pionier*innen des ökologischen Bauens im 20. Jahrhunderts in den Blick genommen. Herausgeber der Reihe sind Philipp Oswalt und Alexander Stumm.

Mit Beiträgen von ANA, Elisabeth Broermann, Laura Calbet, Dina Dorothea Falbe, Maximilian Hartinger, Maria Hudl, Katrine Majlund Jensen, Adrian Nägel, Yulia Ostheimer, Luise Rellensmann, Tim Rieniets, Charlotte Schaeben, Martha Seeger, Lukas Strasser und Alexander Stumm sowie den Architekturkollektiven AbbrechenAbbrechen (München), Abrisskollektiv (Hannover), Europaviertel retten (Freiburg) und ufoufo (Berlin)

• Aktueller Stand, Argumente und Zahlen zur Abrissdebatte
• Umfangreiche Recherche und Dokumentation zu vom Abriss bedrohten oder jüngst abgerissenen Gebäuden
• Geschichte und Netzwerke der deutschen Anti-Abriss-Bewegung seit den 1960er Jahren

Bevölkerungswachstum, Wohnraummangel und Profitinteressen befeuerten im Berlin der 1920er Jahre die Wohnungsmisere. Wie heute, beschäftigten sich auch in der Weimarer Republik Architekt*innen mit Lösungsansätzen für diese Krise, unter ihnen: Alexander Klein. Seine Entwurfsmethodik, die Aspekte der Wirtschaftlichkeit, Hygiene, Nutzung und Behaglichkeit vereint, basierte auf einer Analyse der ökonomischen und gesetzlichen Grundlagen des Wohnungsbaus. Ausgehend von einer intensiven Auseinandersetzung mit Grundrissen entwickelte er eine systematische Herangehensweise, um qualitativ hochwertigen Wohnraum mit begrenzten Ressourcen zu schaffen. Angelika Hinterbrandner beleuchtet die Entwicklung von Kleins Methoden und zieht Parallelen zu den aktuellen Herausforderungen der Wohnungsknappheit. Was lässt sich aus Kleins Ansätzen lernen?

• Alexander Klein als Pionier des Kleinwohnungsbaus – wiederentdeckt und neu interpretiert
• Umfangreiche Analyse seiner Entwurfsmethodik aus den 1920er Jahren und relevanter Parameter des Wohnungsbaus heute
• Stimmen zur KI-gestützten Grundrissoptimierung, dem Kleinwohnungsbau und der Wohngesetzgebung

Immerse yourself with architects Florian Idenburg and LeeAnn Suen as they journey through a wide-ranging collection of the objects, systems, and buildings that have occupied the American office space since the advent of the internet. Through stories and speculations, Idenburg and Suen expose the relationships between space, work, and people, and explore the intentions that have driven the development of office design for working humans.

In twelve essays, this book examines the spatial typologies and global phenomena that have defined the office in the last half century. Topics include the return of the work club, the rise of the corporate festival, the way of the charismatic guru, the shattering of the time clock, and the design of playgrounds for work. We cycle through Frank O. Gehry’s radical, playful spaces for digital nomads in the advertising world, stagger under the weight of stacks of punch cards, feel the fit of our bodies in the Aeron Chair, answer the phone in Hugh Hefner’s bed, and scroll through Lil Miquela's feed. Photographic essays by Iwan Baan provide a visual post-occupancy report on a range of canonical office projects, such as Marcel Breuer’s IBM campus in Florida and the Ford Foundation’s urban garden in Manhattan. Four intervening catalogs offer collections of experimental workplace products, augural advertisements for office building components, digital office components, and renderings of speculative workplaces; each catalog bridges the reality of the office and how we imagine its alternatives.

This book is a theoretical backdrop for architects as much as it is for businesspeople and employees. With curiosity and skepticism, it looks at the spaces and solutions that have been designed for human work, tracing the transformation from work to occupation, from punch cards to “playbor,” from today’s lived experience to tomorrow’s unpredictable, imagined futures.

“Once there was a nation that went to war, but after they conquered a continent their own country was destroyed by atom bombs... then the victors imposed democracy on the vanquished. For a group of apprentice architects, artists, and designers, led by a visionary, the dire situation of their country was not an obstacle but an inspiration to plan and think... although they were very different characters, the architects worked closely together to realize their dreams, staunchly supported by a super-creative bureaucracy and an activist state... after 15 years of incubation, they surprised the world with a new architecture—Metabolism—that proposed a radical makeover of the entire land... Then newspapers, magazines, and TV turned the architects into heroes: thinkers and doers, thoroughly modern men… Through sheer hard work, discipline, and the integration of all forms of creativity, their country, Japan, became a shining example... when the oil crisis initiated the end of the West, the architects of Japan spread out over the world to define the contours of a post-Western aesthetic....” —Rem Koolhaas / Hans Ulrich Obrist

Between 2005 and 2011, architect Rem Koolhaas and curator Hans Ulrich Obrist interviewed the surviving members of Metabolism—the first non-Western avant-garde, launched in Tokyo in 1960, in the midst of Japan’s postwar miracle. Project Japan features hundreds of never-before-seen images—master plans from Manchuria to Tokyo, intimate snapshots of the Metabolists at work and play, architectural models, magazine excerpts, and astonishing sci-fi urban visions—telling the 20th-century history of Japan through its architecture.

From the tabula rasa of a colonized Manchuria in the 1930s, a devastated Japan after the war, and the establishment of Metabolism at the 1960 World Design Conference in Tokyo to the rise of Kisho Kurokawa as the first celebrity architect, the apotheosis of Metabolism at Expo ’70 in Osaka, and its expansion into the Middle East and Africa in the 1970s: The result is a vivid documentary of the last moment when architecture was a public rather than a private affair.
Oral history by Rem Koolhaas and Hans Ulrich Obrist Extensive interviews with Arata Isozaki, Toshiko Kato, Kiyonori Kikutake, Noboru Kawazoe, Fumihiko Maki, Kisho Kurokawa, Kenji Ekuan, Atsushi Shimokobe, and Takako and Noritaka Tange Hundreds of never-before-seen images, architectural models, and magazine excerpts Layout by award-winning Dutch designer Irma Boom
Further reading

Formgiving. An Architectural Future History by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. The Danish word for “design” is “formgivning,” which literally means to give form to that which has not yet taken shape. In other words, to give form to the future. Using our power to give form, rather than allowing the future to take shape, is more important now than ever, as humankind’s impact on the planet continues to increase and pose ever greater challenges to all life forms. Architecture plays a special role by proposing spaces for our lives that are fragments of the future in the making. William Gibson’s words embody architecture’s role perfectly: “The future is already here—it’s just not evenly distributed.”

With Formgiving, BIG presents the last part of its trilogy, which began with Yes is More, one of the most successful architectural books of its generation, and continued with Hot to Cold. An Odyssey of Architectural Adaptation. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution—“Making,” “Sensing,” “Sustaining,” “Thinking,” “Healing,” and “Moving”—the multimedia-based, interdisciplinary concepts encompassing the building industry.

Culture, climate, and landscape, as well as all the energies derived from the elements—the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind—are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen’s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world.

Bjarke Ingels: “To feel that we have license to imagine a future different from today, all we have to do is look back ten years, a hundred years, a thousand years, to realize how radically different things were then than they are today. The same will be true if we can look ahead with the same clarity of vision. As we tackle the complexities of everyday life, these six evolutionary trajectories allow us to place a firm gaze on the horizon of time to prevent us from being derailed by the random distractions of today. Since we know from our past that our future is bound to be different from our present, rather than waiting for it to take shape on its own, we have the power to give it form.”

More than 65 projects document BIG’s global work through the eyes of their users, from the drawing board to global construction sites and finished projects. Throughout the book are insights into developments that reach five, ten, or fifty years into the future, and evidence of BIG’s intransigence to reach beyond the ordinary, and beyond worlds, to contribute to the future with each project. Each step not only reveals a world that resembles our dreams but also already tries to realize these dreams pragmatically. We have the power to create the world of tomorrow!

The book features: previously unpublished essays by Bjarke Ingels, award-winning photography by Laurian Ghinitoiu, Iwan Baan, and Rasmus Hjortshøj, among others, planetary proposals for habitats on the Moon and research centers on Mars, 20 LEGO master-builder models of BIG’s work, a glimpse of Masterplanet—BIG’s ongoing work on a collective, crowdsourced masterplan guide for sustaining our planet.

Formgiving. An Architectural Future History by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. The Danish word for “design” is “formgivning,” which literally means to give form to that which has not yet taken shape. In other words, to give form to the future. Using our power to give form, rather than allowing the future to take shape, is more important now than ever, as humankind’s impact on the planet continues to increase and pose ever greater challenges to all life forms. Architecture plays a special role by proposing spaces for our lives that are fragments of the future in the making. William Gibson’s words embody architecture’s role perfectly: “The future is already here—it’s just not evenly distributed.”

With Formgiving, BIG presents the last part of its trilogy, which began with Yes is More, one of the most successful architectural books of its generation, and continued with Hot to Cold. An Odyssey of Architectural Adaptation. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution—“Making,” “Sensing,” “Sustaining,” “Thinking,” “Healing,” and “Moving”—the multimedia-based, interdisciplinary concepts encompassing the building industry.

Culture, climate, and landscape, as well as all the energies derived from the elements—the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind—are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen’s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world.

Bjarke Ingels: “To feel that we have license to imagine a future different from today, all we have to do is look back ten years, a hundred years, a thousand years, to realize how radically different things were then than they are today. The same will be true if we can look ahead with the same clarity of vision. As we tackle the complexities of everyday life, these six evolutionary trajectories allow us to place a firm gaze on the horizon of time to prevent us from being derailed by the random distractions of today. Since we know from our past that our future is bound to be different from our present, rather than waiting for it to take shape on its own, we have the power to give it form.”

More than 65 projects document BIG’s global work through the eyes of their users, from the drawing board to global construction sites and finished projects. Throughout the book are insights into developments that reach five, ten, or fifty years into the future, and evidence of BIG’s intransigence to reach beyond the ordinary, and beyond worlds, to contribute to the future with each project. Each step not only reveals a world that resembles our dreams but also already tries to realize these dreams pragmatically. We have the power to create the world of tomorrow!

The book features: previously unpublished essays by Bjarke Ingels, award-winning photography by Laurian Ghinitoiu, Iwan Baan, and Rasmus Hjortshøj, among others, planetary proposals for habitats on the Moon and research centers on Mars, 20 LEGO master-builder models of BIG’s work, a glimpse of Masterplanet—BIG’s ongoing work on a collective, crowdsourced masterplan guide for sustaining our planet.

After the global success of Yes is More, one of the best-selling architecture books of its generation, BIG – Bjarke Ingels Group presents Hot to Cold, an Odyssey of Architectural Adaptation. The book presents sixty case studies in harsh climate conditions in order to examine where and how we live on our planet.

As we travel from one end of the spectrum to its opposite we will see that the more harsh the climate gets, the more intense its impact on the architecture. The central challenge is to mitigate the climatic extremes for hospitable human life, while finding solutions that can be both economically and environmentally profitable.

Architecture is the art and science of accommodating the lives we want to live. Our cities and buildings aren't givens; they are the way they are because that is as far as we have gotten to date. They are the best efforts of our ancestors and fellow planetizens, and if they have shortcomings, it is up to us to continue that effort, pick up where they left off. Hot to Cold stays true to BIG – Bjarke Ingels Group's grand mission to find a pragmatic utopia, shaping not only a particular structural entity, but the kind of world we wish to inhabit.

The book features:
Design from award-winning artists Sagmeister & Walsh Previously unpublished essays by Bjarke Ingels. A convertible dust jacket-poster.

HIGH-TECH HERITAGE AND DENKMAL POSTMODERNE IN THE SET - CURRENT STATE OF SCIENCE AND MONUMENT PROTECTION IN TWO CONGRESS VOLUMES

Denkmal Postmoderne

The architectural heritage of postmodernism bears witness to an era that was defined by the energy crises of the 1970s, the return to architecture as a means of communication and a conduit of meaning, neoliberalism in the construction sector, the end of grand narratives, and the spirit of optimism in the early 1990s.

Focusing on the German-speaking world, this volume reveals how this heritage can be captured, preserved and further developed. It includes contributions from the conference of the same name, which took place in Weimar in March 2022 in collaboration with ETH Zurich. The authors shed light on the theoretical and practical challenges of dealing with an era that is subject to a wide range of qualitative perceptions and is – as its name suggests – still ongoing.

• Current state of research on postmodern architecture and its preservation
• New findings on the topic of building within existing structures
• Research reports in German with English summaries of each

High-Tech Heritage

The high-tech architecture of the 1970s–1990s is typically characterized by the use and exhibition of advanced technologies. In terms of appearance, these buildings often have innovative façades, supporting structures accentuated in color, and expressively displayed technology systems. Unfortunately, however, the rapid obsolescence of technology has often led to the complete replacement of the very systems that defined the architectural form. In 2023, an international conference at ETH Zurich in collaboration with Bauhaus-Universität Weimar explored the question of how best to deal with the structural legacy of technologically innovative architecture. This book summarizes the results and provides an overview of the current state of research.

• Current state of research on high-tech architecture and its conservation
• Overview of the opportunities and challenges of high-tech buildings
• New findings on the topic of building within existing structures

Human Cities/SMOTIES – Creative works with small and remote places ist ein vierjähriges Projekt, das 2020 gestartet wurde und durch das Creative Europe Programm der Europäischen Union kofinanziert wird. Die SMOTIES Toolbox zielt darauf ab, Projektexperten bei der Mitgestaltung öffentlicher Räume anzuleiten. Sie wurde bereits an abgelegenen Orten in 10 europäischen Ländern als Prototyp eingesetzt und in 4 Hochschulprogrammen getestet.

Dieses Buch kann dazu beitragen, bessere Orte zu schaffen, indem es den Wandel durch kulturgeleitete Regeneration unterstützt und vielfältige kreative Aktivitäten anregt, um die wirtschaftliche und soziale Transformation lokaler Ökosysteme zu fördern.

High-tech Architecture - Preserving the Heritage of Innovative Construction

The high-tech architecture of the 1970s–1990s is typically characterized by the use and exhibition of advanced technologies. In terms of appearance, these buildings often have innovative façades, supporting structures accentuated in color, and expressively displayed technology systems. Unfortunately, however, the rapid obsolescence of technology has often led to the complete replacement of the very systems that defined the architectural form. In 2023, an international conference at ETH Zurich in collaboration with Bauhaus-Universität Weimar explored the question of how best to deal with the structural legacy of technologically innovative architecture. This book summarizes the results and provides an overview of the current state of research.

• Current state of research on high-tech architecture and its conservation
• Overview of the opportunities and challenges of high-tech buildings
• New findings on the topic of building within existing structures
• Also available as a set with the congress volume Denkmal Postmoderne 978-3-0356-2783-1

Climate change is severely impacting cities and their surrounding areas, highlighting the need for new visions of the future in multiple facets of our lives. Building on its previous work in metropolitan planning and design, MetroLab has developed a visionary mapping approach to address the climate crisis on the urban scale. It aims to identify real needs for action and to show new pathways with a particular focus on the Vienna metropolitan area.

The creative mapping approach reveals multilayered spatial phenomena, functional linkages, and spatial relationships between the city and its surroundings, visually communicating key trends and illustrating how climate goals can be achieved through integrated, cross-border development.

• Innovative approach for regional and city planning
• Mapping as a central method for integrated development
• Developed by Vienna’s award-winning urban design think tank MetroLab

Die Entwicklungsgeschichte der Architektur in einer furiosen Gesamtschau, neu erzählt als Geschichte einer großen Transformation: von der Baukunst der Antike bis zur ersten Phase des Neubeginns in der Renaissance, von der Entfaltung der modernen Architektur bis zur Gegenwart und ihrer zukünftigen Entwicklung. Nur so war es möglich, Klarheit auch über den Stand der aktuellen Architektur und deren verwirrendes Erscheinungsbild zu erlangen, den Gesamtzusammenhang von Alter Baukunst und Neuer Architektur zu erfassen und dadurch auch die Moderne in einem neuen Licht zu sehen. Es wurde deutlich, dass beide Erscheinungsformen trotz aller Brüche ein einziges, zusammenhängendes Territorium bilden. Ein neuer Versuch also, zu erklären, wie die Architektur zu dem geworden ist, was sie heute ist.

• 2500 Jahre Baugeschichte in einem Band
• reich illustrierter Text mit über 400 ikonischen Abbildungen
• Die erstaunlichen Metamorphosen der Architektur werden nicht nur beschrieben, sondern erklärt

How can we apply constructive experiments in architecture as an innovative response to the climate crisis? The conference ‘Constructive Disobedience’ was dedicated to addressing this question. This book compiles various projects and positions presented there, drawn from a wide range of practice, teaching and research cases. International projects include a prestressed rammed earth structure, studies on heterogeneous constructions, and the rediscovery of natural materials such as hemp and lime. Together, they form a methodological foundation that highlights the knowledge gained from experimental architecture for the coming era of building transformation.

• International contributions and new approaches in the field of experimental architecture
• Focus on bio-based and regenerative building methods: wood constructions, hemp lime, bacteria, reed, straw, earth
• Variety of construction drawings

Architektur ist ein langwieriges Geschäft – was heute gebaut wird, wurde schon vor Jahren geplant; was heute geplant wird, wird erst viel später gebaut werden. Aber ohne eine Vision, die uns dem Ziel einer lebenswerten Stadt näherbringt, werden Absichtserklärungen nicht zur Wirklichkeit werden. So ist der vorliegende Band der Gestaltungsleitlinien Stadtraum am Beispiel Dresden vor allem als Leitfaden zu sehen, an dem sich Bauherr*innen, Planer*innen und Architekt*innen im Sinne eines gemeinsamen Bildes orientieren können.

„Ja das möchste, nach vorne die Ostsee, nach hinten die Friedrichstraße …‟. Es geht hier nicht um Traumgespinste im Sinne Kurt Tucholskys. Die Städte, in denen wir leben, sind bereits gebaut, und sie mögen Lücken und Brüche aufweisen, in denen sich auch gesellschaftliche Umbrüche widerspiegeln. Wie also gehen wir mit dem Bestand um, damit eine lebenswerte Stadt entsteht oder bestehen bleibt?

• Anschauliche Zeichnungen zu stadträumlichen, städtebaulichen und architektonischen Gestaltungsprinzipien
• Analyse der Stadtstrukturen Dresdens und Vorschläge zur Weiterentwicklung des Bestands
• Neun Thesen zur baukulturellen Entwicklung Dresdens

Urbanism as Civic Art presents essential expertise in the art of building cities. Showcasing 150 examples from over 70 German cities, it illustrates, analyzes, and compares a wide range of urban spaces, courtyards, squares, and streets. The book impressively documents the distinctive qualities of European cities: their beauty, durability, mixed usage, social diversity, density, and the clear separation between public and private space. Editor Christoph Mäckler builds on the foundations laid by early twentieth-century urban design pioneers such as Cornelius Gurlitt, Raymond Unwin, and Josef Stubben, offering a comprehensive framework for city planning.

Featuring contributions by Vittorio Magnago Lampugnani, Christoph Mäckler, Werner Oechslin, Alexander Pellnitz, Jan Pieper, Birgit Roth, Mirjam Schmidt, Wolfgang Sonne, Jürg Sulzer and Anne Pfeil, and Thomas Will

• The definitive guide of the foundations of urban design, now in English
• Comprehensive analysis of 150 case studies from 70 cities
• Outcome of decades of research at the Deutsches Institut für Stadtbaukunst