Biography & Autobiography

”I Am Nobody is an honest, tragic account of child sexual abuse and a powerful resource for individuals struggling with recovery. Gilhooly clearly highlights the shortcomings of the Canadian justice system’s approach; hopefully, one day, the punishment will fit the crime." —Sheldon Kennedy, former NHL player and author of Why I Didn't Say Anything

In this raw, unflinching look at how his dream of playing hockey was stolen from him by charismatic hockey coach and sexual predator Graham James, Greg Gilhooly describes in anguishing detail the mental torment he suffered both during and long after the abuse and the terrible reality behind the sanitized term “sexual assault.” Although James has been convicted of sexually assaulting some of his victims, including Sheldon Kennedy and Theo Fleury, he neither confessed in court nor was convicted of sexually assaulting many of his other victims, including Gilhooly, depriving him of the judicial closure he craved.

Gilhooly also provides a valuable legal perspective—as both a victim and a lawyer—missing from other such memoirs, and he delivers a powerful indictment of a legal system that, he argues, does not adequately deal with serial sexual child abuse or allocate enough resources to the rehabilitation of the victim. Most important, Gilhooly offers hope, affirmation, and inspiration for those who have suffered abuse and for their loved ones.

“In luminous prose that effortlessly portrays the intimate and familiar pangs of growing up, Funk captivates from the get-go, and the ’80s nostalgia will hit the spot for those who came of age amid skyscraper bangs, acid-washed jeans, and the ubiquity of teen heartthrob Kirk Cameron. These small-town stories are big on charm.”
—Publishers Weekly

A funny and whip-smart memoir about a feisty young woman’s quest for independence in an isolated Mennonite community.

Carla Funk is a teenager with her hands on the church piano keys and her feet edging ever closer to the flames. Coming of age in a remote and forested valley—a place rich in Mennonites, loggers, and dutiful wives who submit to their husbands—she knows her destiny is to marry, have babies, and join the church ladies’ sewing circle. But she feels an increasing urge to push the limits of her religion and the small town that cannot contain her desires for much longer.

• Teenage (Mennonite) angst at its finest: Carla questions the patriarchal norms of Mennonite society and yearns to break free. She’ll start by lighting her driveway on fire …. 
• A family story: the perfect gift for mothers, daughters, sisters, and fathers and sons.
• Pitch-perfect 1980s nostalgia: remember Jordache jeans?
• For readers of Miriam Toews: heart wrenching and humorous descriptions of Mennonite life.

At once a coming-of-age story, a contemplation on meaning, morality, and destiny, and a hilarious time capsule of 1980s adolescence, Mennonite Valley Girl offers the best kind of escapist reading for anyone who loves small towns, or who was lucky enough to grow up in one.

A radiant, unforgettable memoir of one woman’s 450 days spent in captivity, and her defiant refusal to have her humanity stripped away. 

When Edith meets Luca in a small Northern town, the two connect instantly. Under the Northern Lights, they develop a deep friendship over their shared passions: travel, living off the land, a bohemian life. In search of wanderlust, they embark on an epic road trip from Italy to Togo, where they will join their friend’s sustainable farming project. Upon arriving on the African continent, they change their itinerary and drive through Africa’s Sahel region, a haven for militant groups, where they are surrounded and captured. Little was known about Edith’s and Luca’s fate until they reappeared in Mali more than one year later, having mysteriously escaped their captors. 

Now, Edith shares her harrowing story with the world for the first time—complete with the poems that became a lifeline for her in captivity, which she wrote in secret with a pen borrowed from another hostage. 

Against the stunning but cruel backdrop of the desert, Edith recounts her months as a hostage: the oppressive heat, violent sandstorms, constant relocations, hunger strikes, and her eventual heart-pounding escape. Separated from Luca early on, she finds solidarity and comfort with a group of other female hostages, who lend her a pen to write poetry, a creative outlet that helps save her life. Edith is steadfast in her will to remain sane: she reveals her dedication to her art, and her striking ability to unsettle her captors and identify their vulnerabilities.

A compelling descent into a strange, brutal universe, The Weight of Sand is ultimately a life-affirming book and a poetic celebration of one woman’s resilience.

A deeply moving memoir of love, resilience, and identity, chronicling one family’s journey through adoption, caregiving, and the profound connections that define us

Twice Blessed is a beautifully written memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.

From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.

Engaging and deeply moving, Twice Blessed speaks to anyone who has ever questioned their place in the world or searched for a deeper understanding of family. This book will resonate with fans of personal memoirs, adoption narratives, and heartfelt stories about love that transcends boundaries.

A beautifully rendered debut memoir of family, legacy, conservation, the natural world—and those who inhabit it.

As a civil engineer, Sangamithra Iyer knows about resilience from studying soils and water. As an animal rights activist, she advocates for a revolution in how we value and relate to other species. And as the child of immigrants from India, she searches for submerged histories.

Animated by a series of questions—How do we disentangle ourselves from systems of harm? Is it possible to grasp the scale of planetary sorrow and emerge with truth and love as our guides, rather than despair? What is the relationship between individual action and systemic change?—this memoir takes the form of three meandering rivers, each written as a letter. Addressing the first of them to her grandfather, Iyer assembles the story of a man who embraced Gandhi’s philosophy and went to work developing wells in Tamil Nadu. In a second letter, addressed to her father, she explores their shared interest in cultivating compassion for all beings. And then in a final letter, addressed to readers, she braids these explorations of her familial past with her own experiences as a woman of color and citizen of the world, always seeking ways to move beyond resignation and restore flow.

A lyrical story of lineages and an urgently needed reckoning with the ways bodies are both controlled and liberated, Governing Bodies is a timeless work with profoundly timely relevance.

It is 1918 in Moscow. The communist revolution is in full swing. Food is scarce, living conditions harsh. Two women meet on the stage of an empty theater. One is the now famous twenty-six-year-old poet Maria Tsvetaeva, the other the twenty-four-year-old actress Sonia Holliday (Sonechka). The Story of Sonechka, written almost twenty years later, is a vivid account, at once comic and tragic, of their love for each other. A previously untranslated masterpiece (Dmitry Bikov calls it “one of the five best books in world literature”), it stands as a testament to the artistry with which Tsvetaeva wrote prose; the vicissitudes of her life, love, and work; and the intense dynamics of Moscow culture in the wake of the Revolution. It also constitutes an exceedingly rare and early example of queer prose literature originally written in Russian.

LONGLISTED FOR THE NATIONAL BOOK AWARD

A PBS NewsHour Summer Reading Recommendation
Featured on NPR’s Fresh Air
An Esquire "Best Books of Summer 2025"
"Revelatory. . . magical. . . Whybrow beautifully explores interconnectedness and disruption in nature."—Maureen Corrigan, The Washington Post 

Set in Vermont's Green Mountains, a profoundly moving meditation on the lessons and wisdom that come from raising a family, tending sheep, and living close to the land.

In the heart of Vermont’s Green Mountains, Helen Whybrow and her partner set out to restore an old two-hundred-acre farm. Knowing that “belonging more than anything requires participation,” they begin to intertwine their lives with the land. But soon after releasing a flock of Icelandic sheep onto the worn-out fields, Whybrow realizes that the art of shepherding extends far beyond the flock and fences of Knoll Farm.

In prose both vivid and lean, The Salt Stones offers an intimate and profoundly moving story of what it means to care for a flock and truly inhabit a piece of land. The shepherd’s life unfolds for Whybrow in the seasons and cycles of farming and family—birthing lambs, fending off coyotes, rescuing lost sheep in a storm, and raising children while witnessing her mother’s decline. Exploring the interdependence of animals, as well as of the earth and ourselves, Whybrow reflects on the ways sheep connect her to place and to the ancient practice of shepherding. 

Evocative, affectionate, and illuminating, The Salt Stones sings of a way of life that is at once ancient and entirely contemporary, inspiring us all to seek greater intimacy and a sense of belonging wherever our home place may be.

A collection of memories chronicling love, grief, and a life lived on and off stage Raised on a farm and educated in a prairie Bible school, Layne Coleman escapes the confines of his stiflingly religious upbringing at an early age to pursue a life in theatre. He migrates to Saskatoon and later Toronto where he immerses himself in the Bohemian lifestyle of the 1980s theatre scene, carving out a career as a successful actor, playwright, and eventual Artistic Director of the Theatre Passe Muraille. While there, his path intersects with that of his future wife, a captivating and glamorous French journalist. Their transformative relationship is ultimately cut short when she tragically loses her life at 48, following a painful battle with cancer.

What follows is a raw and bruised account of Coleman’s struggle to make sense of his new identity as a widower and single father. Unfolding through a series of vignettes, Coleman’s memoir takes us into the heart of loss as he wrestles with mental health and addiction while confronting his own mortality and moral compass.

Shattering yet hopeful, An Open-Ended Run is an exploration of a life spent in the arts and a man’s search for meaning in the face of grief.

“The Way Around is the kind of book my soul perpetually yearns for. It reshaped how I see the world.”—Robert Moor, author of On Trails: An Exploration

Growing up in northern California, in a family of high-achieving athletes, Nicholas Triolo was imbued with a particularly acute form of our intensely goal-oriented culture. “Do the reps,” he internalized. “Commit to the work. Grind for your dreams.” Shortly after graduating from college, he embarked on a solo circumnavigation of the globe. And then after returning to the States, he threw himself into ultrarunning, all to combat a deepening discontent.

While traveling around the world, it was in Kathmandu that Triolo first encountered kora, a form of moving prayer in which pilgrims walk in circles around a sacred site or object—a kind of “ritualized remembering” birthed by place. Unable to shake this initial encounter with circumambulation, he sets out here on three such extended walks. First, he completes the sacred thirty-two-mile revolution around Tibet’s Mount Kailash, in search of a cultural counter to Western linearity. Then, following his mother’s diagnosis with breast cancer, he returns home to California and takes part in an annual circuit of Mount Tamalpais, tracing a route made famous by Beat poets Gary Snyder, Philip Whalen, and Allen Ginsberg. And then finally, he meets up with a quirky hydrogeologist in Butte, Montana, and joins his walk around the Berkeley Pit Complex, the largest Superfund site in the country.

At once uncommonly humble and thrillingly transcendent, blurring the boundaries of inner and outer landscapes, The Way Around models what it means to experience a true revolution of heart and home—for the flourishing of all.

Writers Like Us is a poignant literary memoir by Barnaby Conrad, who had the good fortune to be mentored by Sinclair Lewis, the first American author to win the Nobel Prize for Literature. In the spring of 1947, the 25 year-old Conrad was living in Santa Barbara, California, when he met Lewis. Conrad was struggling with his first novel, while Lewis, then 62, was in the twilight of his career. While they both had studied at Yale and had the same literary agent, they could not have been more different. A charming San Francisco-native, Conrad had been a dashing diplomat in Spain during World War II, an amateur bullfighter, a cocktail pianist, and a gifted portrait artist. Lewis was an awkward but strident genius from the Midwest, a sharp-tongued literary giant whose face had been ravaged by skin cancer. He had been married and divorced twice and was deeply lonely. Conrad was in awe of Lewis’s global stature and charmed by his crusty humor and humanity. This Odd Couple instantly developed a camraderie. For four summer months, Conrad worked as Lewis’s  personal secretary, chauffeur, and chess partner at Thorvale, a 700-acre estate near Williamstown, Massachusetts. In turn, Lewis mentored the young man’s first novel-in-progress. Although Sinclair Lewis has fallen out of fashion, many agree that no one  wrote more clearly about America than he did. Barnaby Conrad’s Writers LIke Us, is a fascinating literary memoir about the intertwined lives of authors and the elusive nature of literary success.

How the Sum of One Man’s Experiences Led to a Life Well Lived
How does one create a happy and fulfilled life? For Marty Holleran, who had an ordinary upbringing in Scranton, Pennsylvania in the 1940s, he had great things planned for his future. Faced with a lifetime of personal trials and tribulations, successes, heartbreaks, and struggles, Marty rose above the hardships to achieve his desired life. Well Lived is filled with valuable lessons from his eclectic business career alongside heartfelt recollections of his family and the life-changing lessons he’s learned along the way. Well Lived will help readers to reflect on how their moral compasses, their unconditional love for their families, and their relentless dedication can get them through amazing obstacles.

“An extraordinary story of resilience. In his moving memoir, Stephen Thompson opens up about how he broke cycles of abuse, poverty, and neglect to build a better life. It’s filled with lessons for anyone who’s ever questioned their resolve.”—Adam Grant, #1 New York Times bestselling author of Hidden Potential and Think Again

Left with a gift, in a motel room in Reno

The Rubik’s cube was left behind, and so were they. It was January 1980, in a motel room in Reno. Stephen Jon Thompson was just nine years old, left behind with his four younger siblings, the youngest just a year old. Their mother had left two days before to go to the laundromat. She never returned. Now the power was out, the Nilla wafers were running low, and the Rubik’s cube that his mother had brought home from her waitressing job could not be solved. Stephen, the oldest, had a bigger problem to solve, what to do with the four young souls he was now in charge of. He finally determined they all needed to get out of that motel room. He dialed the front desk. Thus begins Hotel Goodbyes, Stephen Jon Thompson’s gripping memoir about making it in America against incredible odds.

Few knew of Stephen’s past. Maybe he didn’t know it himself. For his colleagues at companies like Google, Apple, Amazon, or Nike, he was a successful human resource executive, who had an uncanny ability to read people, to find the right person for the job, and to convince them that it was right for them. More than anything, they remember his infectious smile. But that grinning face hid a difficult past, a childhood spent in dingy motel rooms, dreary foster homes, and a cold, concrete juvenile home. It took Stephen years to tell his story, to write his memoir, to come to grips with a childhood he would just as soon forget. But when his young son came home with a school assignment to tell his family history, Stephen knew he needed to come clean. He could no longer bury the past, not to his friends and co-workers, and not to his two sons, to whom this book is dedicated.

Hotel Goodbyes is one man’s journey to come to grips with his past. From Ohio to California to Nevada and back, Stephen takes us on his journey from foster child to wildfire fighter to college graduate to blackjack dealer to state assembly candidate to successful technology executive. Along the way, he reconnects with his younger siblings and tracks down his Aunt Ouida, his mother’s sister, to find the answer to the question he has always had: why did his mother leave that day and never come back? In the end, Stephen determines that his mother abandoned him, but also left him with a gift, a gift of a better life.

A unanimous All-American and member of the College Football Hall of Fame, Bill Glass enjoyed a remarkable twelve-year NFL career and was a four-time Pro Bowl selection. But he’s made his greatest impact as a loving family man and servant of God, establishing and running one of the world’s oldest and largest prison ministries.
In From Hero to Zero, Bill recounts his extremely difficult grieving process after losing his lover and spouse of sixty years. In his words, he “wrassled with the heartache, pain, and suffering, sometimes on top and sometimes on the bottom. Because we find ourselves on the bottom too often and it is healthy to admit to going through the valley of the shadow of death. But shadows can’t hurt you!”
Bill’s message is one of raw and complete honesty. His hope is that his struggles will be therapeutic for your pain and suffering—because sooner or later we all go through it.

A Wall Street Legend Recounts His Fifty Years in the Stock Market, Hedge Funds, and Philanthropy

Wall Street mogul Leon Cooperman provides a brilliant business memoir encompassing a quarter-century with Goldman Sachs and then the management of his own successful hedge fund, Omega Advisors. Cooperman traces his life story from his roots as the son of immigrant parents in the Bronx through his days as an undergraduate at Hunter College, his subsequent graduate studies at the Columbia Business School, and beyond, all the way to his current role as a subscriber to Warren Buffet’s “Giving Pledge” and a committed philanthropist engaged in giving away the entirety of his multi-billion-dollar fortune. Along the way, Cooperman also spells out his philosophies and “best practices” for stock research and investment, rooted in the classic value-investing approach originated by Benjamin Graham and David Dodd. Additionally, Cooperman makes an impassioned defense of capitalism as the best of all possible economic systems. Cooperman’s narrative also includes meditations on taxes in general (and a wealth tax in particular) and challenges the thinking of political progressives who espouse policies which Cooperman believes would unduly restrain the free market.

You Can't Run From Your Past, And You Can't Hide From It.

Author Ray F. Ledon, M.D. didn’t ask to have a seat at the heart of the Cuban revolution—that seat just happened to be at his kitchen table. Ramon Calixto Fernandez-Ledon, Dr. Ledon’s father, a renowned anesthesiologist famous for having created Havana’s first department of anesthesia at the University of Havana at a time when anesthesia was relatively unknown, was more than just a doctor—he was also a renowned Cuban activist and infamous revolutionary, being one of the many thousands to join a political and militaristic offensive against Fulgencio Batista’s increasingly non-democratic and brutal reign.

Exploring themes of sacrifice, dedication, and a sense of belonging, Dr. Ledon presents in his book, A Cold July in Cuba, an image of a terror-stricken Cuba through the eyes of a young boy—his own—whose father is wanted for dead by the very country they both love, and the journey that follows after his father is abducted by a pair of Batista’s men outside of the hospital where he worked in a middle-class Havana suburb of El Vedado.

While personal in nature, A Cold July in Cuba displays familiar images of family, persistence, and humanity that any reader can relate to.

An unflinching memoir about growing up in a country where homosexuality is punishable by death, and yet underground, hidden from Sharia law, is a vibrant gay scene threatening to burst open.

The dawn prayer calls echo through the streets. As many make their way to mosques, for some it signals the end of another illegal gay party. Under the cover of darkness, smiles on lips and sweat on foreheads, the gays of Tehran blend back into daily life. Hidden in plain sight, they plan when and where they will meet again.

In an unparalleled true story, Majid Parsa recounts how a childhood of war, prayer and obedience was upended by a teenage sexual awakening and ultimately, pride. He lifts the heavy veil of persecution to reveal the fabulous and flamboyant gay scene right at the heart of the Islamic Republic of Iran, flourishing under the ever-present shadow of the grand Ayatollah and morality police. Eye-opening and at times laugh-out-loud funny, The Ayatollah’s Gaze is a story of self-discovery in a country where Sharia is the law.

In this genre-bending memoir, Leigh Claire La Berge reflects on her stint at one of the most prestigious management consulting firms in the country and what it teaches us about the absurdity of work—for readers of Bullshit Jobs and fans of Office Space and Sorry to Bother You

The year is 1999, and the world is about to end. The only thing standing between corporate America and certain annihilation is a freshly employed twenty-two year old and her three-ring binders.

While headlines blazed with doomsaying prophecies about the looming Y2K apocalypse, our protagonist Leigh Claire was quickly introduced to the mysterious workings of The Process—a mythical and ever-changing corporate ethos The Anderson People (her fellow consultants) believe holds world saving powers. Her heroic task: printing physical copies of spreadsheets and sending them to a secure storage facility somewhere in the bowels of New Jersey. After a series of equally mundane tasks, and one well timed deployment of an anecdote about a legendary quarterback, she soon found herself jet-setting on the firm's dime to thirty-minute lunch meetings in Johannesburg, giving impromptu lectures to Japanese executives about limiting liability at the end of the world, and leaping from burning vehicles on Mexico City's busiest highway.

As present-day Leigh Claire reflects on the inanity of her former employment, we're introduced to a carousel of characters plucked from a Mike Judge screenplay, and are treated to post-facto theoretical interjections about the nature of financialized capitalism that recall David Graeber at his best.

What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective’s mind work? The answers to these and many other fascinating questions are found in this book. Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis’s life and what it took for a Jew to navigate and survive in the halls of Soviet power. 

Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. The founder of the study of Chinese law in the United States and a tireless advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for more than sixty years. Moving among the United States, China, and Taiwan, he has encouraged legal reforms, promoted economic cooperation, mentored law students—including a future president of Taiwan—and brokered international crises.

In this compelling, conversational memoir, Cohen recounts a dramatic life of striving for a better world from Washington, DC, to Beijing, offering vital first-hand insights from the study and practice of Sino-American relations. In the early 1960s, when Americans were not permitted to enter China, he met with émigrés in Hong Kong and interviewed them on Chinese criminal procedure. After economic reform under Deng Xiaoping, Cohen’s knowledge of Chinese law took on a new importance as foreign companies began to pursue business opportunities. Helping China develop and reconstruct its legal system, he made an influential case for the roles of Western law and lawyers. Cohen helped break political barriers in both China and Taiwan, and he was instrumental in securing the release of political prisoners in several countries. Sharing these experiences and many others, this book tells the full story of an unparalleled career bridging East and West.

As one of the best-selling and most influential rock bands of all time, Pink Floyd has left an indelible mark on the music landscape, selling over 250 million records worldwide. From their groundbreaking albums such as The Dark Side of the Moon, which spent a staggering 937 weeks on the Billboard 200 chart, to the epic narrative of The Wall, which has sold over 23 million copies in the United States alone, Pink Floyd's discography is a testament to their unparalleled creativity and enduring legacy.

Explore the band's evolution, from their humble beginnings in London's underground scene to their status as rock legends. Delve into the genius of Syd Barrett, the innovation of Roger Waters, and the brilliance of David Gilmour and Nick Mason. Whether you're a die-hard fan or a casual listener, this book offers a fascinating journey through the kaleidoscopic universe of Pink Floyd.

From the author of I Hate Men, a personal and political reflection on abortion rights.

Discussion about abortion and associated rights are often limited to either ‘anti-abortion’ or ‘pro-choice’, the latter of which focuses on the importance of having the right to choose, rather than on what that right means for real people.

In this timely essay, Pauline Harmange provides an intimate, detailed account of her abortion. Reminiscent of Annie Ernaux’s Happening, Abortion is nuanced, complex, honest, and precise. Harmange gives voice to the emotions, reflections, and contradictions that someone could experience when they choose to terminate a pregnancy.

At a time in which women’s reproductive rights are being called into question around the world, Abortion is a clarion call, a powerful personal testimony, and a resolutely political vision: to restore power to our experiences, all our experiences, by sharing them, and to transform society for the better.

In 1988, at the age of 26, Pieter Waterdrinker was at home in the Netherlands one day when a man knocked on his door and asked him to smuggle a shipment of bibles into the USSR. The resulting adventure would lead to a lifelong journey into Russia and its history.

Waterdrinker would eventually find himself living in Saint Petersburg, with his Russian wife and three cats, on a street which a hundred years earlier had been the epicentre of the 1917 Russian Revolution. In The Long Song of Tchaikovsky Street he tells its story, from the fall of the Tsar to the collapse of the USSR, blending history with memoir to create an ode to the divided soul of Russia and an unputdownable account of his own struggles with life, literature and love.

“Words by Waterdrinker are as amazing as a superior circus.”
—Elsevier

“How evocatively Waterdrinker can write! A hundred years after the Russian Revolution, he makes this violent period of history shine once again.”
—Zin

“...An imagined life, with Faulkner’s tragic sensibility and Beckett’s relentless grief.”— Ricardo Baixeras, El Periodico

From one of Mexico’s leading writers—a memoir about three men who are driven to escape the confines of their traditional lives and roles.

In 1958, Carlos Monge McKey sneaks out of his home in the middle of the night to fake his own death. He does not return for four years.

A decade later, his son, Carlos Monge Sánchez, deserts his family too, joining a guerrilla army of Mexican revolutionaries.

Their stories are unspooled by grandson and son Emiliano, a writer, who also chooses to escape reality, by creating fictions to run away from the truth.

What Goes Unsaid is an extraordinary memoir that delves into the fractured relationships between fathers and sons, grandfathers and grandsons; that disinters the ugly notions of masculinity and machismo that all men carry with them — especially in a patriarchal culture like Mexico. It is the story of three men, who — each in his own way — flee their homes and families in an attempt to free themselves.

Praise for Among the Lost

“Among the Lost is masterly. Its rhythm and syntax form an unforgettable, multilayered requiem for our battered region.”
—Valeria Luiselli

“The relentless pace and vivid language… brings home the physical and emotional anxiety of those who have risked everything in the faint hope of a better life across the border… Monge shows how the corruption of the soul afflicts young and old alike when the powerful prey on the vulnerable, yet he also creates nuanced villains grappling with self-doubt and fear. In a remarkable literary feat, this tale of the dire events of one day illuminates the past, the present, and the future. While many questions remain unanswered at the end, this is a comprehensive drama of the human potential for violence and dreams in a fractured land.” STARRED REVIEW
—Shoba Viswanathan, Booklist

“This is a book of unbearable beauty and affliction. It is written with the lucidity of someone who has opened his eyes and refused to shut them again. The book’s power is not only in what it says, but in the silences that it leaves the reader’s conscience to grapple with.”>
—Yuri Herrera

“The language in Among the Lost is both striking and strikingly easy to read…He channels the full spectrum of written expression, and the result hits the trifecta: beautiful, fast-paced, and completely his own.” >
—Lily Meyer, NPR

“[A] timely novel of immigration that is as beautiful as it is horrific. It is a multilayered, emotionally complex artistic triumph.” STARRED REVIEW>
—Foreword Reviews

Life lessons from the ground up.

Sometimes you reap what you sow. Sometimes you reap what other people sowed. Sometimes you haven't got a clue what you are sowing, and sometimes you just get lucky, or unlucky. All these things are true of life, as of gardening.

In this thoughtful and beautifully observed book, journalist and gardening enthusiast Margaret Simons takes readers on a journey through the seasons, through her life, and through the tiny patch of inner-urban earth that is home to her garden.

Over the course of a year, within the garden and without, there are births to celebrate and deaths to mourn; there are periods of great happiness and light, and times of quiet reflection. There is, in other words, all the chaos, joy, sorrow, and splendor of being alive.

A riveting biography that shines a shaft of light on a hidden but captivating life, told with the pace, depth, and psychological richness of a great novel.

Julia Sorell was an original. A colonial belle from Tasmania, vivacious and warm-hearted, Julia’s marriage to Tom Arnold in 1850 propelled her into one of the most renowned families in England and into a circle that included Lewis Carroll and George Eliot. Her eldest daughter became a bestselling novelist, while her grandchildren included the writer Aldous Huxley, author of Brave New World, and the evolutionary biologist Julian Huxley.

With these family connections, Julia is a presence in many documented and famous lives, but she is a mostly silent presence. When extracted from her background of colonial life, extracted from the covers of marriage and family life, her story reveals an extraordinary woman, a paradox who defied convention as much as she embraced it.

What began as a marriage born of desire soon turned into a relationship riven by discord. Tom’s sudden decision to become a Catholic and Julia’s refusal to convert with him plunged their lives into a crisis wherein their great love for each other would be pitted against their profoundly different understandings of marriage and religion. It was a conflict that would play out over three decades in a time when science challenged religion, when industrialization challenged agrarian forms, when democracy challenged aristocracy, when women began to challenge men. It was a conflict that would shape not only their own lives and that of their children, but also touch the lives of all those who came into contact with them.

A brilliantly evocative memoir from the golden age of newspaper publishing, from a man who helped define our modern media.

Les Hinton was 15 when he first worked for Rupert Murdoch, and Murdoch’s “empire” was a single evening newspaper. In the next half century, he travelled the world on the wagon train of his boss’s vast ambition, first as a correspondent, and then as one of his closest aides.

As head of Murdoch companies in newspapers, magazines, and television — including The Wall Street Journal, The Times of London, Fox Television Stations, the New York Post, and TV Guide — Hinton has been present at and directed several key scenes in the media’s revolutionary transformation.

His career has spanned three continents: from Fleet Street to Wall Street; from the bucolic small town of Adelaide in Australia, where young Murdoch first dreamed of his media conquests, to the febrile world of Hollywood.

Here Hinton depicts the demonic drive of his boss, and the upheavals that swept his trade, with the same widescreen perspective and sharp colors he deploys to show us how politicians such as Bill Clinton and Tony Blair dealt with the media. From phone calls from Princess Diana, to living next door to O. J. Simpson, Hinton provides a revelatory new angle on the people who make the news.

And, in a book that comes to comprise one of the defining media memoirs of our age, we get the clearest portrait yet of Rupert Murdoch — the man who followed giants such as Hearst, Pulitzer, and Henry Luce, to build a media superpower that overshadowed them all.

A meditation on writing, reading, first words, and last words.

On a bright spring day in 2015, as Georgia Blain was mowing the lawn, she collapsed on a bed of blossoms, blood frothing at her mouth. Waking up to find herself in the back of an ambulance being rushed to hospital, she tries to answer questions, but is unable to speak. After the shock of a bleak prognosis—a tumor sitting right in the language center of her brain and a long, gruelling treatment schedule—she immediately turns to writing to rebuild her language and herself.

At the same time, her mother moves into a nursing home with Alzheimer’s; weeks earlier, her best friend and mentor had been diagnosed with the same brain tumor. All three of them are writers, with language at the core of their being. The Museum of Words is a meditation on writing, reading, first words and last words, picking up thread after thread as it builds on each story to become a much larger narrative. This idiosyncratic and deeply personal memoir is a writer’s take on how language shapes us, and how often we take it for granted—until we are in danger of losing it.

In a manuscript in a Russian archive, an anonymous German eyewitness describes what he saw in Moscow during Napoleon's Russian campaign. Who was this nameless memoirist, and what brought him to Moscow in 1812? The search for answers to those questions uncovers a remarkable story of German and Russian life at the dawn of the modern age.Johannes Ambrosius Rosenstrauch (1768-1835), the manuscript's author, was a man always on the move and reinventing himself. He spent half his life in the Holy Roman Empire, and the other half in Russia. A restless wanderer and seeker, but also the progenitor of an influential merchant family, he was a characteristic figure both of the Age of Revolution and of the bourgeois era that followed.Presenting a broad panorama of life in the German lands and Russia from the Old Regime to modernity, this microhistory explores how individual people shape, and are shaped by, the historical forces of their time.Winner, 2023 Reginald Zelnik Book Prize in History, Association for Slavic, East European, and Eurasian Studies

RUS

В рукописи анонимный немецкий очевидец описывает то, что он видел в Москве во время русской кампании Наполеона. Кем был этот мемуарист и что привело его в Москву в 1812 году? Поиск ответов на эти вопросы открывает неизвестные страницы из жизни Германии и России на заре современной эпохи. Автор рукописи, Иоганн Амброзиус Розенштраух (1768–1835), половину своей жизни провел в Священной Римской империи, а другую половину –в России. Неугомонный странники искатель, а также родоначальник влиятельной купеческой семьи, он был характерной фигурой своей эпохи. Демонстрируя широкую панораму жизни на немецких землях и в России, книга Александра Мартина показывает, как отдельные люди формируют свое время и сами и формируются под его воздействием.

An evocative, candid reveal of the media and design worlds by an award-winning journalist and activist urban planner in search of the soul of cities and himself.

From the stoops of Brooklyn and the streets of East Harlem to the newsrooms of New York and Los Angeles, from the freeways of Southern California to the shores of Malibu, An Urban Odyssey traverses the award-winning author’s seven decades in the media and the public and private sectors, as well as his time teaching and advocating for a more, equitable, livable city. Here, Sam Hall Kaplan regales readers with personal tales of his time at the New York Times, the Los Angeles Times, the Washington Post, and Fox Television, among others, interspersed with anecdotes of a host of the famed and ill-famed. A rollicking reveal of the vainglorious media and design worlds, candid and compelling.

From one of Europe’s most original and brilliant classicists, an inspiring and deeply personal reflection on loss, memory, and what we owe the past and others, inspired by a night spent in Athens’ Acropolis Museum 

One day in late spring, Andrea Marcolongo walks into an outdoor store in Paris to buy a camp bed, a sleeping bag, and a flashlight. Her destination: not a remote forest or mountain peak, but the deserted halls of one of the most famous museums in the world, the Acropolis Museum in Athens, Greece, where she has been invited to spend a night completely alone. 

But it’s hard to be truly alone when you’re surrounded by the scarred beauty of the Parthenon, lit only by the moon and summoning echoes and ghosts from the past. One of the shadows visiting Marcolongo is that of Lord Elgin, the English diplomat who in the early 19th century orchestrated the controversial removal of the Parthenon marbles from Ottoman Greece to London, where they remain today. The other is the memory of Andrea’s father, whose recent death she is still mourning. 

Drawing on a lifetime of engagement with classical culture and its legacy, Marcolongo examines the burning question of the restitution of works of art removed during the age of imperialism, and the broader issue of the role of power and inequality in the history of art. As the night goes by, however, the empty space left by the missing statues—a wound filled with white plaster—starts evoking other, more personal absences. Surrounded and inspired by the ruins and splendor of the classical world, Marcolongo reflects on the ever-changing relationship between present and past, and on the choices and people that make us who we are, even—or perhaps especially—when we have to leave them behind. The result is a powerful and courageous book, one that crosses time and space to remind us that we cannot live in isolation but are continuously connected and indebted to others. 

“Marcolongo is today’s Montaigne…There is wisdom and grace here to last the ages.”—André Aciman, author of Call Me by Your Name 

An unforgettable memoir about the turmoil of antidepressant withdrawal and the work it takes to unravel the stories we tell ourselves to rationalize our suffering. 

Brooke Siem was among the first generation of minors to be prescribed antidepressants. Initially diagnosed and treated in the wake of her father’s sudden death, this psychiatric intervention sent a message that something was pathologically wrong with her and that the only “fix” was medication. As a teenager, she stepped into the hazy world of antidepressants just at the time when she was forming the foundation of her identity. For the following fifteen years, every situation she faced was seen through the lens of brokenness.

 A decade and a half later, still on the same cocktail of drugs, Brooke found herself hanging halfway out her Manhattan high-rise window, calculating the time it would take to hit the ground. As she looked for breaks in the pedestrian traffic patterns, a thought dawned on her: “I’ve spent half my life—and my entire adult life—on antidepressants. Who might I be without them?”

 Unfurled against a global backdrop, May Cause Side Effects is the gripping story of what happened when, after fifteen years and 32,760 pills, Brooke was faced with a profound choice that plunged her into a year of excruciating antidepressant withdrawal and forced her to rebuild her entire life.

 An illuminating memoir for those who take, prescribe, or are considering psychiatric drugs, May Cause Side Effects is an honest reminder that the road to true happiness is not mapped on a prescription pad. Instead, Brooke’s story reveals the messy reality of how healing begins at the bottomless depth of our suffering, in the deep self-work that pushes us to the edges of who we are.  

Oral traditions and creative oratures have been celebrated in African studies over the years, specifically from the 1950s, as the most important and viable correspondence, aside from material artifacts, between social “archeologists” attempting to penetrate the African preliterate past and the social-political and economic productions of that same past.

In the memoirs chosen for this book, oral traditions are braided with personal experiences in the formation of the self, providing the basis of some African literary outputs and championed as having the ability to engineer the African knowledge system in global academe. In this regard, this work stressesthe concept that most memoir writing scholars feel that the production and presentation of the autobiographical self aredependent on the categories of individualism and relationality.

The memoirists depict their own identities in their tales as not simply a part of their society but also one strongly impacted by prominent persons in their many lived settings. The bookdiscusses an approach that enables West African memoirists to review their cultural backgrounds in the light of living in other spaces and acquiring different experiences.

Award-winning author paulo da costa meditates on fatherhood, place, and memory during a trip to his childhood home in Vale de Cambra, Portugal.

During an extended stay in his childhood home in Portugal, author paulo da costa distills the wide-eyed innocence, joy, and curiosity of his four-year-old son as he meets his aging grandparents and explores an unfamiliar country and culture into a beautiful, tender, and poetic portrait of father-son relationships.

Evocative and heartwarming, Trust the Bluer Skies is a literary time capsule—a father’s vivid account of his son’s early years, a sensory-rich journey through rural Portugal, and a poignant exploration of masculinities that is positive, compassionate, and nurturing.

"In his extraordinary book Memoirs of a Minotaur: From Merrill Lynch to Patty Hearst to Poetry, Robin Magowan (grandson of the founder of Merrill Lynch and nephew of one of the greatest poets of the twentieth century, James Merrill) turns his uncompromising vision and diamond-edged language toward the emotional terrain and the kind of privileged life very few of us have known, and against which he rebels. Unlike many memoirs, this one rewards the reader by enabling us to inhabit the rarefied existence the author both holds at arm’s length and admits into the chambers of his personal memory. Life is seen through a Proustian lens so that the narrative tells us as much about the man Magowan and his journey as it does about an entire world, one that encompasses business as well as social and personal upheaval, and ranges geographically from Manhattan and Southampton to Berkeley in the sixties, to Paris and Greece, and to other distant destinations, including the rarefied altitude of Tesi recognition that is both earned and liberating. Whether or not readers are familiar with Magowan’s stunning prose in his travel writings or with the voyages and discoveries finished by each carefully crafted chapter, Magowan’s writing bears an admirable family resemblance to that of his uncle’s work; for readers of James Merrill’s poetry, this memoir will hold an additional interest."—Helen Houghton and Bill Handley

Doon Mackichan is best known for her comedy characters in the hugely popular Brass Eye, Smack the Pony and Toast of London - but throughout her career there are parts she's refused to take and stereotypes she's challenged to find more empowered characters.

The Feisty Feminist. The Hot Lesbian. The Desperate Cougar.

In My Lady Parts, Doon shares her experience on stage, screen and in real life, examining how our culture still expects women to adhere to certain stereotypes - and punishes those who don't. Doon looks at the stories we are telling and asks: what do these roles we give women tell us about their value in the society we live in? How do we hold our heads up without fear and say no to those that objectify us?

The Deranged Mother. The Stupid Tart. The Hag.

This is a courageous, vulnerable and empowering account of being a woman in an industry that has been exposed for its deep-rooted sexism. It is, above all, a call to reflect on - and radically rework - the implications such attitudes have for future generations.

An ultra-vivid, carnivalesque memoir of Jennifer Clement's early life from 60s Mexico to 80s New York City - the prequel to Widow Basquiat

Growing up in '60s Mexico City, Jennifer Clement lived next door to Frida Kahlo's house. It was an unorthodox and bohemian childhood, living alongside artists, communists, revolutionaries and poets, and one that allowed an awakening of creative freedom and curiosity about the world.

Leaving behind the revolutions in Latin America for the burgeoning counter-culture scene in '80s New York, Clement quickly became a fixture on the art scene, inhabiting the world of Jean-Michel Basquiat, Keith Haring, Colette Lumiere and William Burroughs, and frequenting The Mudd Club, Danceteria and Studio 54.

From the author of cult classic Widow Basquiat, this memoir is a tale of two cities and their artists. It recreates the fury, ecstasy and danger that made '70s Mexico City and '80s New York two of the greatest places to be young, free and alive.

Titled, A Mind That Found Itself, the 1908 autobiography told the story of a young man who had suffered a life full of personal tragedy, leading to feelings of intense anxiety, paranoia and depression. Slowly being engulfed by intrusive thoughts and hallucinations, Beers found himself struggling with suicidal ideation and committment by his well-intentioned family to a series of mental health institutions, each one seemingly worse than the last.

Unique in its presentation of both self-awareness and the difficult reality of working towards recovery; the book paved the way for the American mental hygiene movement and removed the stigma of mental illness among the general public.

“My heart was in a cage. My life was a long struggle to find happiness, to overcome fear, and to find love I had lost. I did not give up, and that is what my story is about.” — Dr. Ichak K. Adizes

Seeing every challenge as an opportunity for growth, Dr. Ichak Adizes moved beyond a childhood marked by imprisonment in a Nazi concentration camp and immigration to an unfamiliar country to discover the benefits of opening his heart. 

Rejecting isolation and fear, he became a renowned thought leader who advises companies and governments worldwide on structuring thriving organizations around a culture of trust and respect.

Dr. Adizes’s personal story is more than a string of external events that propelled him through adversity after adversity to become the insightful, compassionate person he is today. It is also a map of his journey into a heart which, like the accordion that he played to earn a living and put himself through school, ultimately expanded and opened up to the universal truths that connect us all in our humanity.

The Accordion Player is a compelling account of a remarkable life—an unvarnished view of a man whose decision to recognize the value of change and creative conflict allowed him to love. His story reveals the enduring human ability to turn possibility into reality.

In sixteen essays published over the past decade, acclaimed novelist Elisa Albert considers everything from the creative process to reproductive justice, ambition to Ani DiFranco, Judaism to the ethos of punk, all in the midst of making a home in the strange city of Albany, New York.

With wit and wariness, skepticism and surrender, this collection offers a first-of-its-kind window into the life and mind of an author Shalom Auslander once called “Bukowski with a vagina and a motherf*cker of a hangover.”

Whether writing about doula training, struggling to embroider local community, art vs commerce, antisemitism, or growing up in the shadow of Hollywood, Albert is heartfelt, rigorous, and delightfully self-aware.

One of the “10 Best Books of 2024” —Jim Higgins, Milwaukee Journal Sentinel

A memoir for the bookish-inclined, using personal stories to demonstrate how books have a magical way to move a person from one stage of life to the next.

“This is a small gem of a book, tender, humble, loving.” —Mary Gordon

“Sweeney makes a charming companion, telling stories in joyful reflection.” —Jeff Deutsch, author of In Praise of Good Bookstores

Former bookseller, longtime publisher and author Jon M. Sweeney shows—with history and anecdotes centering around books such as Thoreau’s Journal, Tagore’s Gitanjali, Martin Buber’s Hasidic Tales, and Tolstoy’s Twenty-three Tales—what it means to be carried by a book. He explores the discovery that once accompanied finding books, and books finding us. He ponders the smell of an old volume, its heft, and why bibliophiles carry them around even without reading them. He demonstrates how and why there is magic and enchantment that takes place between people and books.

Rife with misadventures, brushes with death, and moments of existential insight, The End of the World Notwithstanding is a hilarious yet reflective look at the emotional experiences that make everyday life exciting—and the physical ones that remind us we’re lucky to be alive.

I’m traveling alone, renting a cabin at a normally tranquil spot—that’s called foreshadowing—on the banks of the Big Laramie River at the edge of the Medicine Bow National Forest.

So begins Janna L. Goodwin’s lighthearted collection of nail-biting stories, all true, and all of which fill the listener with wonder … as in, “I wonder how any of us survives?”

Encounters with wildfire, insects, house pets, weather, gravity, predators, bullies, and the most potent force of all—fear itself—unfold in remote landscapes of the American West (and Midwest); on the neon-splashed sidewalks of Hollywood; at a Catskills summer camp for actors; in the lavish apartment of a famous senator; in a Hawaiian beach condo; on the side of a mountain above the Mediterranean Sea; and far beneath the streets of Paris. Goodwin looks for and ultimately finds meaning (if not security) in a clear-eyed acknowledgment of our shared, human condition—and in laughter.

Winner of the Nan Shepherd Prize, moving between Trinidad and an idyllic English country garden, this lyrical and reflective book is about the search for home

What is home?

It's a question that has troubled Marchelle Farrell for her entire life. A longed-for career in psychiatry saw her leave behind the pristine beaches and emerald hills of Trinidad. Until, disillusioned, she uprooted again, this time for the peaceful English countryside.

The only Black woman in her village, Marchelle hopes to grow a new life. But when a worldwide pandemic and a global racial reckoning collide, the upheaval of colonialism that has led her to this place begins to be unearthed. Is this really home? And can she ever feel truly grounded here?

Drawn to her new garden, Marchelle begins to examine this complex and emotional question through the psychotherapeutic lens of her work. As her relationship with the garden deepens, she discovers that her two conflicting identities are far more intertwined than she had realised.

Full of hope and healing, Uprooting is a book about finding home where we least expect it, and which invites us to reconnect to the land - and ourselves.

A Vulture 2023 Best Book of the Year

John Cotter was thirty years old when he first began to notice a ringing in his ears. Soon the ringing became a roar inside his head. Next came partial deafness, then dizziness and vertigo that rendered him unable to walk, work, sleep, or even communicate. At a stage of life when he expected to be emerging fully into adulthood, teaching and writing books, he found himself “crippled and dependent,” and in search of care. 

 When he is first told that his debilitating condition is likely Ménière’s Disease, but that there is “no reliable test, no reliable treatment, and no consensus on its cause,” Cotter quits teaching, stops writing, and commences upon a series of visits to doctors and treatment centers. What begins as an expedition across the country navigating and battling the limits of the American healthcare system, quickly becomes something else entirely: a journey through hopelessness and adaptation to disability. Along the way, hearing aids become inseparable from his sense of self, as does a growing understanding that the possibilities in his life are narrowing rather than expanding. And with this understanding of his own travails comes reflection on age-old questions around fate, coincidence, and making meaning of inexplicable misfortune. 

 A devastating memoir that sheds urgent, bracingly honest light on both the taboos surrounding disability and the limits of medical science, Losing Music is refreshingly vulnerable and singularly illuminating—a story that will make readers see their own lives anew.

“We are matter and long to be received by an Earth that conceived us, which accepts and reconstitutes us, its children, each of us, without exception, every one. The journey is long, and then we start homeward, fathomless as to what home might make of us.” —from The River You Touch

When Chris Dombrowski burst onto the literary scene with Body of Water, the book was acclaimed as “a classic” (Jim Harrison) and its author compared with John McPhee. Dombrowski begins the highly anticipated The River You Touch with a question as timely as it is profound: “What does a meaningful, mindful, sustainable inhabitance on this small planet look like in the anthropocene?”

He answers this fundamental question of our time initially by listening lovingly to rivers and the land they pulse through in his adopted home of Montana. Transplants from the post-industrial Midwest, he and his partner, Mary, assemble a life based precariously on her income as a schoolteacher, his as a poet and fly-fishing guide. Before long, their first child arrives, followed soon after by two more, all “free beings in whom flourishes an essential kind of knowing […], whose capacity for wonder may be the beacon by which we see ourselves through this dark epoch.” And around the young family circles a community of friends—river-rafting guides and conservationists, climbers and wildlife biologists—who seek to cultivate a way of living in place that moves beyond the mythologized West of appropriation and extraction.

Moving seamlessly from the quotidian—diapers, the mortgage, a threadbare bank account—to the metaphysical—time, memory, how to live a life of integrity—Dombrowski illuminates the experience of fatherhood with intimacy and grace. Spending time in wild places with their children, he learns that their youthful sense of wonder at the beauty and connectivity of the more-than-human world is not naivete to be shed, but rather wisdom most of us lose along the way—wisdom that is essential for the possibility of transformation.

An Essence Most Anticipated Book of Fall 2021

A Bustle Most Anticipated Book of September 2021

Blending mythology and memory, Saga Boy follows a young Black immigrant’s vibrant personal metamorphosis.

Growing up as a clever, willful boy in a tiny village in the tropical forests of Trinidad — raised by his indomitable grandmother, Miss Excelly, and her King James Bible — Antonio Michael Downing is steeped in the legacies of his scattered family, the vibrant culture of the island, and the weight of its colonial history. But following Miss Excelly’s death, everything changes. The eleven-year-old Downing seems to fall asleep in the jungle and to wake up in a blizzard: he is sent to live with his devoutly evangelical Aunt Joan in rural Canada, where they are the only Black family in a landscape starkly devoid of the warm lushness of his childhood.

Isolated and longing for home, Downing begins a decades-long journey to transform himself through music and performance. A reunion with his birth parents, whom he has known only through story, closes more doors than it opens. Instead, Downing seeks refuge in increasingly extravagant musical personalities: “Mic Dainjah,” a boisterous punk rapper; “Molasses,” a soul crooner; and, finally, an eccentric dystopian-era pop star clad in leather and gold, “John Orpheus.” In his mid-thirties, increasingly addicted to escapism, attention, and sex, Downing realizes he has become a “Saga Boy”—a Trinidadian playboy archetype—like his father and grandfather before him. When his choices land him in a jail cell, Downing must face who he has become.

Harnessing the lyricism of an evangelical childhood into a flourishing and unforgettable prose all its own, Saga Boy is a poignant journey of overcoming, belonging, and becoming one’s own self.

A Book Riot and Shelf Awareness “Best Book of 2021

“Places do not belong to us. We belong to them.”

The child of South Asian migrants, Kazim Ali was born in London, lived as a child in the cities and small towns of Manitoba, and made a life in the United States. As a man passing through disparate homes, he has never felt he belonged to a place. And yet, one day, the celebrated poet and essayist finds himself thinking of the boreal forests and lush waterways of Jenpeg, a community thrown up around the building of a hydroelectric dam on the Nelson River, where he once lived for several years as a child. Does the town still exist, he wonders? Is the dam still operational?

When Ali goes searching, however, he finds not news of Jenpeg, but of the local Pimicikamak community. Facing environmental destruction and broken promises from the Canadian government, they have evicted Manitoba’s electric utility from the dam on Cross Lake. In a place where water is an integral part of social and cultural life, the community demands accountability for the harm that the utility has caused.

Troubled, Ali returns north, looking to understand his place in this story and eager to listen. Over the course of a week, he participates in community life, speaks with Elders and community members, and learns about the politics of the dam from Chief Cathy Merrick. He drinks tea with activists, eats corned beef hash with the Chief, and learns about the history of the dam, built on land that was never ceded, and Jenpeg, a town that now exists mostly in his memory. In building relationships with his former neighbors, Ali explores questions of land and power―and in remembering a lost connection to this place, finally finds a home he might belong to.

A KIRKUS BEST BOOK OF 2018

In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer.

Over the next four years—in which Ritvo’s illness returned and his health declined, even as his productivity bloomed—the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. “We’ll always know one another forever, however long ever is,” Ritvo writes. “And that’s all I want—is to know you forever.”

Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife.

Born and raised with the kind of expectations that often accompany privilege, Jim Lenfestey approached his thirtieth birthday in a state of acute anxiety. A young family and a demanding work life on one hand, and a burgeoning love for poetry on the other.

When an independent bookseller discerns Lenfestey’s difficulties, and prescribes for a remedy the poems of a Chinese hermit named Han Shan, Lenfestey’s life is changed forever. After “swallowing the poems like aspirin” for the next thirty years, a spirited embrace of this ancient poet called Cold Mountain—the poet he has come to see as a guiding light in his life—prompts Lenfestey to travel to China on a pilgrim’s search for his cave. Along the way, this quest takes our author first to Tokyo, where he visits with the foremost translator and scholar of eastern poetry, Burton Watson, and from there across China, from the enormous chanting hall of ten thousand Buddhas in Bailin Temple to the birthplace of Confucius.

A singular combination of travel writing, memoir, translation, and poetry, Seeking the Cave is both deeply personal and universally illuminating. “Uniting our brief literary life with the ancient richness of Chinese culture” (Robert Bly), this extraordinary book evokes the transformative power of poetry, and the way it breathes meaning into our lives.

Growing up in rural British Columbia, Deni Ellis Béchard believes his charismatic father is infallible. Wild, unpredictable, even dangerous, André is worshipped by his young son, who believes that his father can do no wrong.

But when Deni’s mother leaves his father and decamps with her three children to Virginia, the boy learns of his father’s true identity. André Béchard was once a bank robber—and so Deni’s imagination is set on fire. Boyish rebelliousness gives way to fantasies of a life of crime. At once attracted and repelled, Deni can’t escape the sense that his father’s life holds the key to understanding himself, and to making sense of his own passions and longings. Only when he goes off to college, however, does Deni begin to unravel the story of his father’s life, eventually finding the Quebecois family that André left behind long ago.

At once a highly unconventional portrait of the artist as a young man and an extraordinary family story, Cures for Hunger is a deeply affecting memoir by one of the most acclaimed young writers in the world today.

Vanishing Streets reveals an American writer's twenty-year love affair with London. Beguiling and idiosyncratic, obsessive and wry, it offers an illustrated travelogue of the peripheries, retracing some of London's most curious locations. As J. M. Tyree wanders deliriously in "the world's most visited city," he rediscovers and reinvents places that have changed drastically since he was a student at Cambridge in the 1990s. Tyree stumbles into the ghosts of Alfred Hitchcock, Graham Greene, and the pioneers of the British Free Cinema Movement. He offers a new way of seeing familiar landmarks through the lens of film history, and reveals strange nooks and tiny oddities in out-of-the-way places, from a lost film by John Ford supposedly shot in Wapping to the beehives hidden in Tower Hamlets Cemetery, an area haunted by a translation error in W. G. Sebald's Austerlitz.

This book blends deeply personal writing with a foreigner's observations on a world capital experiencing an unsettling moment of transition. Vanishing Streets builds into an astonishing and innovative multi-layered project combining autobiography, movie madness, and postcard-like annotations on the magical properties of a great city. Tyree argues passionately for London as a cinematic dream city of perpetual fascinations and eccentricities, bridging the past and the present as well as the real and the imaginary.

Regina Woods, just weeks before her fourteenth birthday, contracted polio. Within a few days, she was paralyzed from the neck down, unable even to breathe by herself. What is most profound about this book is that—while it is an account of catastrophic loss—there is so much triumph in it.

As one of Roosevelt's "brain trusters" and a leading spokesman for the policies of the New Deal in the 1930s, Rexford Tugwell was a major force in government in one of the most critical periods in American history. In this colorful memoir, Tugwell begins with his entry as a freshman into the Wharton School of the University of Pennsylvania in the fall of 1911 and concludes with his acceptance in 1933 of the post of Assistant Secretary of Agriculture in the Roosevelt Administration. Along the way, the reader is treated to a wealth of reactions and asides about a number of significant people, among them Scott Nearing, Simon Nelson Patten, Joseph Wharton, Ezra Pound, Thorstein Veblen, Allen Tate, and his colleagues on the New Republic of the 1920s. Through his often wryly ironic anecdotes, Tugwell reveals how the unique combination of people and events he encountered in the academic world directly influenced his later controversial social and economic reform policies. These years shaped a man who would leave an indelible mark on American life.

To the Lesser Heights of Morningside illuminates not only the period of Rexford Tugwell's intellectual and political growth but the development of social reform and economic recovery ideas at two prominent universities during the twenties and thirties. Tugwell provides us with an intriguing and privileged glance into the intellectual climate and the complex of ideas that gave rise to the New Deal Era.

As Assistant Secretary of Agriculture, and then Undersecretary, Tugwell took a bold stance on the government's role in the regulation of industry and establishment of social welfare programs. From 1935-36 he headed the Rural Resettlement Administration and aided in the formation of the Civilian Conservation Corps. Tugwell was the originator of currency legislation and of the processing tax. In 1941 he became governor of Puerto Rico, where he did much to improve economic and political conditions. Among his written works is he definitive biography of FDR, The Democratic Roosevelt. Tugwell returned to teaching after his governorship and held both active and honorary posts until his death in 1979.

"When Major Gideon Francois Jacobs of the British Royal Marines parachuted into the jungle of north Sumatra in the summer of 1945, he entered a world little known to Westerners. . . . It seemed to be a wild, primitive island where little of historical significance had happened or was likely to happen." So begins the Introduction to one of the most remarkable memoirs of World War II. The drama it captures is one that has been scarcely recognized in the West. Beginning with Japanese surrender to the Allies on Sumatra, the narrative details the welter of international forces that struggled for dominance on the island until native uprisings forced the establishment of the new Indonesian republic. The story is told by the very man whose assignment it was to take control of Sumatra from 80,000 vanquished Japanese troops and to oversee the liberation of all prisoner-of-war camps: G. F. Jacobs, a twenty-­three-year-old major in the Royal Marines.

Through the eyes of young Major Jacobs, a full view emerges of the "boiling cauldron" that was Sumatra in 1945. In spite of the official Allied victory, Jacobs had to attempt to rule Sumatra using the existing Japanese military structure until British relief arrived. He describes his dealings with the Japanese, who were reluctant to admit defeat, and his relations with other elements of the ravaged Sumatran population, which included Europeans such as the Dutch, British, and Swiss. Indonesian insurgents lurk on the horizon as the internal movement for independence begins. Jacobs's cast of characters reflects the tensions and interests of their own nations, and he must grapple with their values and attitudes along with his own.

Jacobs's personal eyewitness account of the developments in Sumatra immediately after the Japanese surrender in August of 1945 combines the excitement and adventure of a fast-paced novel with a valuable record of a lost portion of history. Eclipsed by events in other parts of the world, the drives for power that surged through Indonesia after the war have never been recounted fully.

This book is a historical document of a period that has left an indelible imprint upon the history of modern Asia. An introduction by the noted American military historian D. Clayton James provides a historical and political context for Jacobs's exciting story.

Offers vivid first hand accounts of encounters with fellow socialists following the fall of the Soviet Union

Most westerners glimpsed the breakup of the Soviet Union at a great distance, through a highly distorted lens which equated the expansion of capitalism with the rise of global democracy. But there were those, like Helena Sheehan, who watched more keenly and saw a world turning upside down. In her new autobiographical history from below, Until We Fall, Sheehan shares what she witnessed first-hand and close-up, as hopes were raised by glasnost and perestroika, only to be swept away in the bitter and brutal counterrevolutions that followed.

In Until We Fall, we come along on Sheehan’s travels as she tracks the fallout from the transition from flawed forms of socialism to a particularly predatory form of capitalism. As a sequel to Navigating the Zeitgeist — which captured 1950s cold-war America, the 1960s new left, the 1970s social movements and communist parties of Europe — Until We Fall takes us through Eastern Europe from the 1980s onward and moves on to offer vivid accounts of encounters with fellow socialists in many other places, such as Britain, Greece, and Mexico. It includes an entire chapter on South Africa, where Sheehan participated in its political and intellectual life for extended intervals of the post-apartheid period. And it offers her unique take on her birthplace, the United States, along with the unfolding realities confronting her chosen home, Ireland. She also reveals major changes in the culture of academe in the decades she has taught in universities.

As a philosopher, she scrutinizes the various intellectual currents prevailing, particularly positivism and postmodernism, and makes a persuasive case for the explanatory and ethical superiority of Marxism. As she moves through time and space, Sheehan pursues the perspectives of the vanquished in a world where the triumphalist narratives of the victors hold sway. The central storyline of the book is her political activism as waves of history swept through the left and challenged it in ever more formidable ways, bringing some victories but many defeats. She raises questions of how to keep going in this time of monsters, when the old is dying and the new cannot be born, when capitalism is decadent yet still dominant.

A probing memoir examining family tragedy on the Great Plains
A surprise rodeo leaves a buffalo bull dead and a cowboy gored to death. Seeing the death of the one man who was kind to him, and knowing it was his fault, Dawn Morgan’s father goes on a bender and ends up dead. His sudden death and the mystery around it, combined with the blundering way Morgan learns of it, forces her to reflect not only on the events of the bloodied corral, but also the buffalo herds decimated and Indigenous Peoples displaced to make way for settlement in what was becoming ranching country in the prairies.

Unsettled is a deeply moving work of literary non-fiction, a probing memoir examining family tragedy in relation to stories—both fact and fiction—of settlers and Indigenous Peoples on the Great Plains. Morgan shares the internal struggle between resistance and allegiance to the settler-descendent stories she grew up with while paying respects to her father and documents the censorship she faces from her mother, loyal still to the pioneer myth of the early twentieth century. It is only when both parents are gone that Morgan is liberated to write a story of reckoning on the northern Great Plains.

A harrowing tale of a doctor's own battle with his bipolar disorder

On paper, psychologist Dr. Shalom Camenietzski seemed to have it all—a beautiful family, a thriving practice, and supportive friends and colleagues. But in reality, he lived a life of turmoil—obsessive daydreams of taking his life, flamboyant periods of mania, disturbing acts of violence against his wife and son, and various episodes of psychosis, one of which would see him speeding his car the wrong way up Toronto’s Gardiner Expressway. Able to understand the clinical profile of his bipolar disorder, he was nonetheless powerless to stop it.

A fascinating account of a “mentally disordered healer,” Out of My Mind reveals the strengths and fallibilities of traditional psychotherapies and shows how Dr. Camenietzki finally obtained a symptom-free life.

Finding Father is a collection of stories about Mennonite fathers by their daughters.

Written by well-known and first-time writers, these stories illuminate the often close and sometimes troubling relationships that exist between one of humanity’s most precious bonds. From battles over relationships and sexuality, to debates over chores and church, these stories also hold the shared intimacies of driving side by side with dad, laughing, and headed down the road.

A memoir by a disability rights activist

Such a Pretty Girl is Nadina LaSpina's story—from her early years in her native Sicily, where still a baby she contracts polio, a fact that makes her the object of well-meaning pity and the target of messages of hopelessness; to her adolescence and youth in America, spent almost entirely in hospitals, where she is tortured in the quest for a cure and made to feel that her body no longer belongs to her; to her rebellion and her activism in the disability rights movement.

LaSpina’s personal growth parallels the movement’s political development—from coming together, organizing, and fighting against exclusion from public and social life, to the forging of a common identity, the blossoming of disability arts and culture, and the embracing of disability pride.

While unique, the author's journey is also one with which many disabled people can identify. It is the journey to find one's place in an ableist world—a world not made for disabled people, where disability is only seen in negative terms. La Spina refutes all stereotypical narratives of disability. Through the telling of her life’s story, without editorializing, she shows the harm that the overwhelming focus on pity and on a cure that remains elusive has done to disabled people. Her story exposes the disability prejudice ingrained in our sociopolitical system and denounces the oppressive standards of normalcy in a society that devalues those who are different and denies them basic rights.

Written as continuous narrative and in a subtle and intimate voice, Such a Pretty Girl is a memoir as captivating as a novel. It is one of the few disability memoirs to focus on activism, and one of the first by an immigrant.

How deafness influences one writer's creative process

In Voice, Adam Pottle explores the crucial role deafness has played in the growth of his imagination, and in doing so presents a unique perspective on a writer’s development. Born deaf in both ears, Pottle recounts what it was like growing up in a world of muted sound, and how his deafness has influenced virtually everything about his writing, from his use of language to character and plot choices. Salty, bold, and relentlessly honest, Voice makes us think about writing in entirely new ways and expands our understanding of deafness and the gifts that it can offer.

"Pottle's book is an important contribution to the growing roster of writing supplied by deaf academics, artists, writers, actors and theatre directors and professionals. I felt a 'coming home' experience in reading this book. As a deaf writer, I enthusiastically say 'yes' to his linkages between deafness and writing." —Joanne Weber, author of The Deaf House

The story of a union organizer who found a second career in community organizing and helped a Jim Crow city become a better place.

Ernest Thompson dedicated his life to organizing the powerless. This lively, illustrated personal narrative of his work shows the great contribution that people’s coalitions can make to the struggle for equality and freedom. Thompson cut his teeth organizing one of the great industrial unions, the United Electrical Radio and Machine Workers of America, and brought his organizing skills and commitment to coalition building to Orange, New Jersey. He built a strong organization and skillfully led fights for school desegregation, black political representation, and strong government in a city he initially thought of as a “dirty Jim Crow town going nowhere.” Thompson came to love the City of Orange and its caring citizens, seeing in its struggles a microcosm of America. This story of people’s power is meant for all who struggle for human rights, economic opportunity, decent housing, effective education, and a chance for children to have a better life.

Ernest Thompson (1906-1971) grew up on the Eastern Shore of Maryland, on a farm that had been given to his family at the end of the Civil War. The family was very poor and oppressed by racist practices. Thompson was determined to get away and to obtain power. He migrated to Jersey City, where he became part of the union organizing movement that built the Congress of Industrial Unions (CIO). He became the first African American to hold a fulltime organizing position with his union, the United Electrical Radio and Machine Workers of America (UE). He eventually headed UE’s innovative Fair Employment Practices program and fought for equal rights and pay for women and minority workers. Thompson also helped build the National Negro Labor Council, 1951-1956, and served as its director of organizing. In 1956, under the onslaught of the McCarthy era, UE was split in two, and Thompson lost his job. His wife, Margaret Thompson, brought the local school segregation to his attention. Ernie “Home” Thompson organized to desegregate the regional schools, building strong coalitions and political power for the black community that ultimately served all the people of Orange.

In 1971, Bruce Neuburger—young, out of work, and radicalized by the 60s counterculture in Berkeley—took a job as a farmworker on a whim. He could have hardly anticipated that he would spend the next decade laboring up and down the agricultural valleys of California, alongside the anonymous and largely immigrant workforce that feeds the nation. This account of his journey begins at a remarkable moment, after the birth of the United Farm Workers union and the ensuing uptick in worker militancy. As a participant in organizing efforts, strikes, and boycotts, Neuburger saw first-hand the struggles of farmworkers for better wages and working conditions, and the lengths the growers would go to suppress worker unity.

Part memoir, part informed commentary on farm labor, the U.S. labor movement, and the political economy of agriculture, Lettuce Wars is a lively account written from the perspective of the fields. Neuburger portrays the people he encountered—immigrant workers, fellow radicals, company bosses, cops and goons—vividly and indelibly, lending a human aspect to the conflict between capital and labor as it played out in the fields of California.

When Jennifer Risher joined Microsoft in 1991, she met her husband, and with him became an extra-lucky beneficiary of the dot-com boom. By their early thirties, they had tens of millions of dollars. Today, there are millions of people like her. Jennifer’s thought-provoking, personal story includes the voices of others in her demographic and explores the hidden impact of wealth on identity, relationships, and sense of place in the world. At a time when income inequality is a huge problem, our country’s economic system is broken, and money is still a taboo subject even among those closest to us, this engaging, introspective memoir is essential reading: a catalyst for conversation that demystifies wealth and inspires us to connect.

Featuring a foreword from Annie Mac

In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends.

One of the Haçienda’s first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman’s perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women.

Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.

A gripping, witty memoir about indigeneity, travel, and colonialism.

"Ursula Pike's memoir is unlike any other I've read, with her perceptive, always-seeking, and lovely narrative voice." —Susan Straight, author of Mecca

"This book is alive with a spirit that welcomed mine to meet it." —Elissa Washuta, author of White Magic

When she was twenty-five, Ursula Pike boarded a plane to Bolivia and began her term of service in the Peace Corps. A member of the Karuk Tribe, Pike sought to make meaningful connections with Indigenous people halfway around the world. But she arrived in La Paz with trepidation as well as excitement, 'knowing I followed in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.' In the following two years, as a series of dramatic episodes brought that tension to boiling point, she began to ask: what does it mean to have experienced the effects of colonialism firsthand, and yet to risk becoming a colonizing force in turn?

An Indian Among los Indígenas, Pike’s memoir of this experience, upends a canon of travel memoirs that has historically been dominated by white writers. It is a sharp, honest, and unnerving examination of the shadows that colonial history casts over even the most well-intentioned attempts at cross-cultural aid. It is also the debut of an exceptionally astute writer with a mastery of deadpan wit. It signals a shift in travel writing that is long overdue.