Bitter Lemon Press

When the author bought a falling down fortified house on the Staffordshire moorlands, he had no reason to anticipate the astonishing tale that would unfold as it was restored. A mysterious set of relationships emerged amongst its former owners, revolving round the almost forgotten artist, Robert Bateman, a prominent Pre-Raphaelite and friend of Burne Jones. He was to marry the granddaughter of the Earl of Carlisle, and to be associated with Benjamin Disraeli, William Gladstone, and other prominent political and artistic figures.

But he had abandoned his life as an artist in mid-career to live as a recluse, and his rich and glamorous wife-to-be had married the local vicar, already in his sixties and shortly to die. The discovery of two clearly autobiographical paintings led to an utterly absorbing forensic investigation into Bateman's life.

The story moves from Staffordshire to Lahore, to Canada, Wyoming, and then, via Buffalo Bill, to Peru and back to England. It leads to the improbable respectability of Imperial Tobacco in Bristol, and then, less respectably, to a car park in Stoke-on-Trent. En route the author pieces together an astonishing and deeply moving story of love and loss, of art and politics, of morality and hypocrisy, of family secrets concealed but never quite completely obscured. The result is a page-turning combination of detective story and tale of human frailty, endeavor, and love. It is also a portrait of a significant artist, a reassessment of whose work is long overdue.

Nigel Daly is an antique dealer and house restorer.

An extraordinary collection of over 100 essays which distill and commemorate some of the finest and most memorable art exhibitions of the last three decades. Ranging from early prehistoric art of the Ice Age to the performance art of today, and taking in nearly all the significant art in between, the book is an astonishingly readable and accessible introduction to the work of the world's finest artists.

Richard Dorment was the art critic of London's Daily Telegraph. He wrote almost every week about the most significant art exhibitions throughout the UK, but also in Paris, Amsterdam, New York, and Washington.

A companion to Midway, this is the second volume of letters of Ian Hamilton Finlay (1925-2006), the leading Scottish poet, artist, sculptor, and garden designer. His garden at Stonypath, now called "Little Sparta" has been described as "the only truly original garden created since 1945."

These letters to and from Finlay's friend, the English poet and scholar Stephen Bann, center on the initial development of the garden near Edinburgh. They cover Finlay's turn away from poetry towards sculpture and garden design and the thinking behind, and consequences of, this development.

Ian Hamilton Finlay (1925–2006) was one of Scotland's leading twentieth-century public intellectuals, and famously one of its most brilliant and combative correspondents. His letters raise issues of particular and widespread interest both within Scotland and further afield. His correspondence with Stephen Bann, the English poet and academic, have a very special place in this context. These letters present in a clear and commensurable form the development of his ideas about poetry and art, and increasingly about sculpture and gardening, over this critical five-year period of his creative life.

The letters begin when Bann was still a student at Cambridge, and Finlay was living in considerable hardship in Edinburgh, though he already had a significant international reputation as a poet. They reveal in fascinating and intimate detail the poet's developing creative process, and also record his often turbulent relationship to the worlds of literature, art, and critical journalism. When he settles in Lanarkshire, he begins to develop the ideas that will result in the creation of the world-famous sculpture garden known as Little Sparta.

This book, edited, introduced, and annotated by Bann himself, is a unique and compelling self-portrait of the man who is now recognized not only as a great poet, but also as a major artist and one of the most original garden designers of modern times.

Stephen Bann is a poet, historian, and cultural critic. He is an emeritus professor of the history of art at Bristol University, and the author of numerous books and articles.

“Strange and haunting, a gothic novel with a modern consciousness.” Philippa Gregory

"A quirky, darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice's watery, decadent glory." Sarah Dunant

‘A mesmerizing story of love and obsession in nineteenth century Venice: dark and utterly compelling."
Natasha Solomons

"Intriguing and entertaining; a clever, beguiling debut.Todd knows her Venice backwards."
Salley Vickers

“Revealing, surprising, compelling, gripping.” Miriam Margolyes, actress

A Man of Genius portrays a psychological journey from safety into obsession and secrecy. It mirrors a physical passage from flamboyant Regency England through a Europe conquered by Napoleon.

Ann, a successful writer of cheap Gothic novels, becomes obsessed with Robert James, regarded by many, including himself, as a genius, with his ideas, his talk, and his band of male followers. However, their relationship becomes tortuous, as Robert descends into violence and madness.

The pair leaves London for occupied Venice, where Ann tries to cope with the monstrous ego of her lover. Forced to flee with a stranger, she delves into her past, to be jolted by a series of revelations--about her lover, her parentage, the stranger, and herself.

Janet Todd is known for her works about Mary Wollstonecraft, Aphra Behn, the Shelley circle, and Jane Austen. Born in Wales, her wandering childhood in the United Kingdom, Bermuda, and Sri Lanka led to work as an academic in Ghana, the United States, and United Kingdom. Her passion has been for women writers, the largely unknown and the famous. A former president of Lucy Cavendish College, University of Cambridge, she lives in Cambridge and Venice.