Path for Freedom The Liberal Project of the Swabian School in Württemberg, 1806-1848
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Describes the activities of writers working for liberalism in 19th-century Württemberg.
A Path for Freedom describes a little understood activity of poets and writers of Württemberg in the first half of the nineteenth century. These writers, the majority of whom are consigned by historians to the 'Biedermeier'or conservative camp, were in fact engaged in what is here called the liberal project, using their writing to further the cause of constitutional liberalism. Poets like Uhland and Kerner, and lesser known journalists suchas Friedrich List and Rudolf Lohbauer, were engaged in working within the system to further the liberal cause; nonetheless, many of them served terms in prison for their actions. Professor Doerksen's book follows such figures beyond the pages of literary history to observe the Württemberg writers in their political roles and as literary combatants. This cross-disciplinary study will be of interest not only to Germanists but also to historians of social thought and German political movements of the nineteenth century.
Robert O. Goebel
Eichendorff's Scholarly Reception
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A survey of criticism of the 19th-century German writer Joseph von Eichendorff (1788-1857)
Until the 1950s most critics tended to treat Eichendorff as a kind of light-hearted raconteur who spun tales of warmth and action having little aesthetic or philosophical depth. Critics who read his works more closely then began to view him as a thinker whose works concealed, behind seemingly simpler constructs, profound insights into the human condition. Marxist critics were especially drawn to Memoirs of a Good-for-Nothing, finding in that ostensibly frivolous novella a romantic critique of capitalism. This work, the first thorough survey of Eichendorff criticism in any language, and written for the general reader of literature as well as the specialist, is a mustfor college and university libraries.
Françoise Maurizi
Lucas Fernández: Farsas y églogas
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La edición que aquí se presenta se basa en el estudio cuidadoso de los dos únicos ejemplares que quedan del impreso de 1514. Va acompañada de una introducción novedosa, de numerosas notas a pie de página, imprescindibles hoyla comprensión del texto, de un importante glosario y de una bibliografía al día.
This edition is based on a careful comparison of the two only surviving texts of the 1514 printed edition.
Lucas Fernández (1474-1542) fue músico, dramaturgo y poeta. De sus obras solo quedan las Farsas y églogas que se publicaron en 1514 en Salamanca. La edición que aquí se presenta no pretende ofrecer lo que pudo ser el manuscrito original y se basa en el estudio cuidadoso de los dos únicos ejemplares que quedan del impreso de 1514. Va acompañada de una introducción novedosa, de numerosas notas a pie de página, imprescindibles hoy para la comprensión del texto, de un importante glosario y de una bibliografía al día.
Françoise Maurizi es profesora en la Universidad de Caen, Francia.
Lucas Fernandez was a musician, playwright and poet. His only survivingworks are the Farsas y églogas , which were published in Salamanca in 1514. This edition, rather than attempting to reconstruct an original manuscript, is based on a careful comparison of the two sole surviving texts of the1514 printed edition. It is accompanied by an introduction, full and informative footnotes to the text, a glossary, and bibliography.
Françoise Maurizi is a professor of Spanish at the Université de Caen, France.
Siegfried Weing
The German Novella
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Overview of the critical history of the German novella.
Originating with Boccaccio during the Italian Renaissance, the novella, a cyclical collection of frame stories in prose, quickly inspired many imitations in Italy, France, Spain and Great Britain. However, it was not widely used in Germany until the end of the eighteenth century, when, inspired by Goethe, the genre retained the original medium but abandoned the cyclical format; it rapidly grew in popularity, dominating the nineteenth century literary scene, and became the object of much artistic speculation. The orthodox theory of the novella has sharply divided the critical establishment; defended in modern times by some scholars,it has been sharply attacked by others. The German Novella: Two Centuries of Criticism is the only work in English or German that illuminates the main currents of theory formation, evaluation, and revaluation from its inception with Wieland to the present, tracing a path through the huge amount of critical material devoted to the novella.
Rebecca Rushforth
Saints in English Kalendars before AD 1100
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Edition of Anglo-Saxon kalendars reveals much about the history of the period.
The surviving Anglo-Saxon Kalendars are not only valuable evidence for the cults of particular saints; they also help to date and localise the manuscripts in which they are found, providing important information for the palaeographer and cultural historian. This volume collates the texts of twenty-seven such kalendars, written or owned in England before 1100, into monthly tables to allow easy comparison of which saints are included and to give a sense of how rare a particular feast was. It also has an introduction to the use of kalendars in the study of Anglo-Saxon England, and a discussion and bibliography of each kalendar manuscript. An index of names allows easy discovery of variant feast days for the same saint.
Dr REBECCA RUSHFORTH is Research Associate in the Department of Anglo-Saxon, Norse, and Celtic, University of Cambridge.
Gordon Van Ness
Outbelieving Existence
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Surveys the scholarship and criticism surrounding Dickey's work, detailing the poet's intent as well as the critical reception.
In their analysis of James Dickey's work, critics have often assumed too narrow a focus, concerning themselves with a reputation as a man larger than life, who hunts rattlesnakes with a blowgun and who shoots white-water rapids.Such critics do not see the forest at all; they mistake the tree for the forest. In the more than thirty years since Dickey's first volume of poetry appeared, he has endeavoured to push himself and language into new realms. What he has said, and how he has said it, have evolved; it is what Dickey terms the "motion" of his poetry. And it has generated both solid scholarship and superficial criticism. Van Ness' study surveys the scholarship and criticism surrounding Dickey's work in a chronological and methodological manner. Its intent is to synthesise and assess and to suggest areas where further study remains. As it measures the motion, Outbelieving Existence details Dickey's intent as well as the critical reception. No other book has done this.
Víctor Pueyo
Cuerpos plegables
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Este libro trata de la atracción de los "Siglos de Oro" por cierta doble configuración de lo monstruoso.
This is a book about the obsession of the Spanish Golden Age with the monstrous, and more specifically with the monstrous as structured into a dual image.
Este libro explora la atracción de los "Siglos de oro" por lo monstruoso. Varios trabajos recientes ya han arrojado luz sobre la abundante representación de cuerpos excesivos que afloran en los siglos XVI y XVII y que parecen, acaso, reflejar el lenguaje inflado y deformado a través del cual son descritos en la literatura de la época. Sin obviar sus logros, el libro intenta ir más allá para mostrar que lo más sorprendente de la monstruosidad en este periodo no es la manera en que representa un exceso barroco, sino la forma en que el exceso mismo está estructurado en una imagen dual. Muchos de estos "monstruos" (hermafroditas, bicéfalos o licántropos) ostentan un diseño geminado que permanece, de hecho, inexplicado. ¿Qué explica tal anomalía? ¿Cómo contribuirá esta excepción a modelar la imagen misma de lo normal? ¿Qué tiene que ver con la configuración del nuevo cuerpo políticones sociales iban a ser imaginadas, a partir de entonces, en el mundo occidental?
Víctor M. Pueyo es profesor titular en el Departamento de Español y Portugués de Temple University.
This is a book about theobsession of the Spanish "Golden Age" with the monstrous. Recent research has begun to cast light upon the abundant representation of excessive bodies that mirrors the swelled and deformed language through which they are depictedin early modern literature. Without disregarding its representational approach, the book goes beyond this body of research by arguing that the most surprising element about monstrosity in the sixteenth and seventeenth centuries is not the way it represents Baroque excess, but the way excess itself is structured into a dual image. Most of these "monsters" (hermaphrodites, lycanthropes, two-headed creatures) have a geminated form that remains, indeed, largely unaccounted. What explains such an anomaly? How will it shape the rule? What does it have to do with the configuration of the new body politic through which social relations were going to be imagined in the Western World?
Víctor Pueyo is associate professor in the Department of Spanish and Portuguese at Temple University.
Dennis Mahoney
The Critical Fortunes of a Romantic Novel
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Critical history of classic 19th-century German Romantic novel.
Since its posthumous publication in 1892, German, French, British and American critics have regarded the novel Heinrich von Ofterdingen by Friedrich von Hardenberg (Novalis) as the epitome of German Romanticism. A criticalhistory of Heinrich von Ofterdingen thus provides an exemplary opportunity to analyze changing patterns of German and international literary criticism over the past two hundred years, particularly with respect to the changing definitions of Romanticism. Critical response to the Klingsohr tale in the novel is a constant point of reference in this study, providing a record of successive approaches to the work.
Anna A. Grotans, David W. Porter
The St. Gall Tractate
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New edition of 10th-century German manuscript occupying an important place in the history and development of syntax.
The St Gall Tractate is the earliest medieval attempt at a comprehensive treatment of syntax. Dating from the tenth century and originating in the Swiss St Gall monastic school, the Tractate instructs readers in the art of analysing the construction of Latin texts. While its aim, the comprehensible oral delivery of Latin sentences, is purely practical, the Tractate also develops a penetrating analysis of language, anticipating by a full two centuries the exploration of syntax by the modistic grammarians. Its anonymous author demonstrates an encyclopedic knowledge of late classical, patristic and early medieval school texts; the topics addressed cover the entire scope of the liberal arts. This volume replaces the nineteenth-century edition by Paul Piper, and presents the Latin text from the Zurich, Zentralbibliothek C98 manuscript (not used by Piper) with English translation (by David Porter) on the facing page. A full set of textual and explanatory notes by both editors, and a scholarly introduction by Anna Grotans, setting the text in its cultural and intellectual context, complete the volume.
Jean Andrews
Spanish Golden Age Poetry in Motion
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The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics.
Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento enla poesía española del siglo de oro
The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los sigantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulacióny recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento cono" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao
Jean Andrews is Associate Pssor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast. Contributors: Jean Andrews,Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia,Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres
Jane K. Brown, Meredith Lee, Thomas P. Saine
Interpreting Goethe's Faust Today
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This collection of essays on Goethe's Faust by prominent American and German scholars explores the work's significance in the context of recent historical, political, and scholarly developments and points to new directionsfor research. Topics include translation (into Indo-European languages), Faust's relationship to Mephistopheles, Faust and the feminine, sexual imagery, gothic allusions, musical representations of Faust, political and moral implications, Faust in the contemporary theatre, devils in German literature, Faust in the continuing debate over modern and postmodern, Goethe's stylistic use of complementary points of view, and his use of myth.
Stephen Boyd
Journey to St Patrick’s Purgatory
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In autumn 1397, Viscount Ramon de Perellós left the papal palace in Avignon to travel to St Patrick's Purgatory, famous throughout Europe as a gateway to the next world. There, he spent twenty-four hours in an underground cavern, where he claimed to have travelled through the nine fields of Purgatory, accompanied by demons, before entering the Earthly Paradise and catching a glimpse of Heaven.
In autumn 1397, Viscount Ramon de Perellós, a Catalan nobleman, soldier and diplomat, left the papal palace in Avignon to travel to St Patrick's Purgatory in Donegal, in the northwest of Ireland. St Patrick's Purgatory, an underground cavern on Station Island in Lough Derg, was famous throughout Europe as a gateway to the next world, and the Viscount wanted to ascertain if the soul of his recently deceased friend and master, King John I of Aragon, was, if not in Heaven, then at least in Purgatory. Ramon spent twenty-four hours in the cavern, where he claimed to have travelled through the nine fields of Purgatory, accompanied by demons, before entering the Earthly Paradise and catching a glimpse of Heaven.
This book provides a richly annotated translation of Ramon's account of his journeys, both earthly and spiritual. An extensive introduction sets his Viatge al Purgatori in context, examining Ramon's life, the factors that motivated the trip, the history of St Patrick's Purgatory, the literary influences on the account, its historicity, its afterlife and its textual history. The Viatge notably provides important first-hand observations on Gaelic society and customs, by a cosmopolitan traveller with a keen eye for detail, and went on indirectly to inspire Lope de Vega's El mayor prodigio o El purgatorio en vida, and Calderón de la Barca's (1600-1681) El purgatorio de San Patricio. Part travelogue, part vision literature, with aspects of hagiography, homily, autobiography, chivalric romance and anthropological essay, the text is a fascinating and entertaining window into a medieval Catalan nobleman's world view.
Helena Miguélez-Carballeira
A Companion to Galician Culture
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The first in-depth yet accessible introduction to Galician history and culture for both lay and specialized readers.
Of all the differentiated regions comprising contemporary Spain, Galicia is possibly the most deeply marked by political, economic and cultural inequities throughout the centuries. Possibly due to the absence of a nationally awarelocal bourgeoisie and the enduringly colonial structures informing Spanish-Galician economic and cultural relations, processes of national construction in the region have been patchily successful. However, Galicia's cultural distinctness is easily recognisable to the observer, from the language spoken in the region---the contemporary variant of old Galician-Portuguese---to the specific forms of the Galician built landscape, with its unique mixture of indigenous, imported and hybrid elements. The present volume offers English-language readers an in-depth introduction to the integral aspects of Galician cultural history, from pre-historical times to the present day. Whilst attention is given to the traditional areas of medieval culture, language, contemporary history and politics, the book also privileges compelling contemporary perspectives on cinema, architecture, the city of Santiago de Compostela and the urban qualities of Galician culture today.
Helena Miguélez-Carballeira is a Senior Lecturer in Hispanic Studies at Bangor University, and Director of the Centre for Galician Studies in Wales.
Philip K. Jason
Anais Nin and Her Critics
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An assessment of the critical response to Anaïs Nin over the past 60 years.
Once considered merely a coterie writer and literary adventuress, Anaïs Nin slowly found both critical acclaim and a world-wide audience. But in the sixty years since her writings began to appear, no systematic overview of the critical response to her work has been available until now. Professor Jason defines the issues in Nin criticism, traces the historical contours of that criticism, and assesses the major critical statements. In this succinct yet admirably thorough study Jason has provided future students and scholars with a reliable guide to the quite varied responses Nin's works have provoked.
Howard Nenner
Politics and the Political Imagination in Later Stuart Britain
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New essays focussing on the problems of politics, women, and print culture in seventeenth-century Britain.
This collection of essays, presented as a tribute to the career of Lois Green Schowerer, the highly-esteemed scholar of early modern British history, explores the several topics which have been central to her interests: politics,political thought, and the role of women in later Stuart Britain. Through two related sections, on the politics of violence and revolutions, and on the play of political imagination, American and British scholars address ProfessorSchowerer's pioneering brief for the role of radicalism in the three decades spanning the Restoriation and the Revolution: Professor Schwoerer offers her own view and summary of that "wicked and turbulent" era in response. Throughout, the articles are ultimately concerned with the underlying issue of sovereignty, coming to terms with the contradictions and continuing tensions between a desire for monarchichal stability and the fear of an emerging absolutism an issue not unique to the Restoration era. Whether looking back to the early career of Thomas Hobbes, the antecedents of patriarchalism and ancient constitutionalism, or the trial and execution of Charles I, they see the Restoration and Revolution in the broader context of the whole seventeenth century.
Professor HOWARD NENNER teaches in the Department of History, Smith College.
Contributors: Mark Goldie, Janelle Greenberg, Tim Harris, Howard Nenner, Linda Levy Peck, J.G.A. Pocock, Gordon Schochet, Hilda L. Smith, Steven Zwicker, Melinda Zook, Lois Green Schwoerer.
Thea Pitman
Decolonising the Museum
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Explores the scope that there is for Indigenous curatorial agency in the relationship of Indigenous contemporary art with the 'art world'.
This monograph focuses on the current boom in Indigenous contemporary art in Brazil, exploring in particular the way that this work interfaces with the art world through exhibitions, and the scope that there is for Indigenous curatorial agency in this relationship. After a brief introduction to Indigenous art, it gives an overview of the evolving relationship between Indigenous art and the art world, exploring in particular the nature of decolonial and/or Indigenous curatorial practice both in Brazil and elsewhere in the world. It then hones in on a recent exhibition: 'Arte Eletrônica Indígena' [Indigenous Electronic Art], held at the Museum of Modern Art of Bahia in Salvador in August 2018. Based on participant observation and interviews, it provides an ethnographic reading of the opening weekend of the exhibition, looking at the alternative modalities of Indigenous curatorial agency that were exercised by the Indigenous people present. The conclusion explores the legacy of the 'Arte Eletrônica Indígena' exhibition, particularly for the Indigenous communities involved, and looks to the evidence provided by the exhibition for lessons to be learned for future exhibitions.
Michael J. Noone
Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563-1700
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The performance and composition of liturgical music at El Escorial re-examined.
Philip II of Spain founded the great Spanish monastery and royal palace of El Escorial in 1563, promoting within it a musical foundation whose dual function as royal chapel and monastery in the service of a Counter Reformation monarch was unique; this volume explores the performance and composition of liturgical music there from its beginnings to the death of Charles II in 1700. It traces the ways in which music styles and practices responded to the the changing functions of the institution, challenging notions about Spanish musical patronage, scrutinising musical manuscripts, uncovering the biographical details of hundreds of musicians, and examining musical practices.
Michael Noone is Professor of Musicology at the University of Hong Kong.
Cristina Moya García
Mosén Diego de Valera
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Este libro reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios. Contains the latest research by the most important scholars of the Castilian author Mosén Diego de Valera.
Esta obra colectiva reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios.
En este volumen monográfico Guido Cappelli escribe sobre Valera y el Humanismo; Federica Accorsi analiza la relación de Valera con los judíos conversos; Florence Serrano estudia la presencia de Diego de Valera en Borgoña y en su literatura; Gonzalo Pontón se centra en las cartas escritas por Diego de Valera; Jesús Rodríguez Velasco analiza a Diego de Valera como artista microliterario; Cristina Moya analiza la influencia de la crónica Valeriana entre 1482 y 1567; Fernando Gómez Redondo explica las palabras que Juan de Valdés dedica a Valera en su Diálogo de la lengua; José Julio Martín Romero analiza la influencia de Diego de Valera en el Nobiliario Vero de Hernán Mexía y, finalmente, Juan Luis Carriazo Rubio prueba que mosén Diego de Valera no escribió el Origen de la Casa de Guzmán.
Cristina Moya García es profesora en la Universidad de Córdoba.
This collection contains the latest research by the most important scholars of this fifteenth century Castilian author who cultivated all literary genres. Guido Cappelli writes about Valera and Humanism; Federica Accorsi analyzes the relationship between Valera and the converted Jews; Florence Serrano studies the presence of Diego de Valera in Burgundy and in its literature; Gonzalo Pontón focuses on the letters written by Diego de Valera; Jesús Rodríguez-Velasco studies Diego de Valera as micro-literary artist; Cristina Moya examines the influence of the Valeriana between 1482 and 1567; Fernando Gómez Redondo explains the words dedicated to Diego de Valera by Juan de Valdés (Diálogo de la lengua); José Julio Martín Romero discusses the influence of Diego de Valera in Nobiliario Vero of Hernan Mexía; and, finally Juan Luis Carriazo Rubio proves that Mosén Diego de Valera did not write the Origen de la Casa de Guzmán.
Cristina Moya García is a profesora at the Universidad de Córdoba.
Contributors: Federica Accorsi, Guido Cappeli, Juan Luis Carriazo Rubio, Fernando Gómez Redondo, José Julio Martín Romero, Cristina Moya García, Gonzalo Pontón, Jesús Rodríguez Velasco, Florence Serrano
Stephanie N. Saunders
Fashion, Gender and Agency in Latin American and Spanish Literature
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In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature.
In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature. While fast fashion has relegated the handicraft to maquiladoras in the Global South, Spanish and Latin American authors have created protagonists whose skill with needle and thread allows them to break out of culturally confining roles and spaces. In this fictional realm, seamstresses and tailors enter exciting adventures as spies, peacemakers, or explorers, all facilitated by their artistry and expertise. This book examines the depiction of women and the textile arts in contemporary Hispanic and Brazilian literature. Employing space and gender theories, the book explores how sewing, traditionally viewed as respectable only if practiced at home, gives agency and encourages self-reflection and mobility,allowing protagonists to transgress physical and socially prescribed limits. Texts analyzed include María Dueñas's El tiempo entre costuras (2009), César Aira's La costurera y el viento (1994), Pedro Lemebel's Tengo miedo torero (2001), Frances Ponte de Peebles's The Seamstress (2009), and children's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.
H.J. Schulz
German Socialist Literature 1860-1914 Predicaments of Criticism
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First introduction in English to the literary life of German socialism around the turn of the century.
The reception of early socialist literature in Germany departs radically from the principles of traditional literary criticism. As the author shows, there is no consensus about the characteristics of socialist literature, and no canon of recognized texts: both during the period 1860-1914, and in later decades, the literary texts written in and for the socialist movement were judged by the extent to which they assisted the work of the movement or by the political correctness of their content. Changes in the body of texts discussed and shifts in the patterns of criticism directly reflect changes in the ideology of the Social-Democratic movement, or in the political agendas of later critics. In this pioneering book, Schulz discusses the development of the socialist movement and its political philosophy before proceeding to its cultural theory and practice and the role literature played in both, bringing out the strong links between the criticism itself and the ideological discourse of German socialism and its critics.
Suzanne Cunningham
Philosophy and the Darwinian Legacy
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Has exclusion of Darwin's views on evolution distorted 20c philosophy? Cunningham suggests a reappraisal.
Two of the dominant traditions in twentieth-century philosophy, analytic philosophy (founded by G.E. Moore and Bertrand Russell) and phenomenology (founded by Edmund Husserl), explicitly excluded Charles Darwin's account of evolution, not because they saw it as mistaken, but because they saw it as irrelevant. These two traditions set the stage for a great deal of subsequent philosophy, and Professor Cunningham argues that the non-Darwinian framework they constructed continues to constrain significant portions of the field, in particular theories of perception and mind. In tracing the major reasons for this exclusion of Darwin and evolutionary considerations, and the consequencesfor philosophy, Professor Cunningham criticises purely cognitivist theories of perception and Machine Functionalist theories of mind, and offers proposals on how these theories should be amended to take account of the adaptive role that perception and mind play on behalf of a living organism's struggle for survival and well-being. SUZANNE CUNNINGHAMis Associate Professor of Philosophy at Loyola University, Chicago.
Teresa Pinto Coelho
Eça de Queirós and the Victorian Press
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Focusses on the years that Eça de Queirós lived in Paris and shows how the periodicals he conceived and edited were modeled on dozens of Victorian and American publications.
Eça de Queirós' work has primarily been studied within the context of French literature and culture. This book presents a different Eça. Focusing on the years that he lived in Paris, it demonstrates how the periodicals he himselfconceived and edited were modeled on dozens of Victorian ones such as the Contemporary Review, the Review of Reviews or the Idler, as well as on some American ones such as the Forum, the Arena, and the North American Review. This book shows us an Eça who is undeniably an Anglophile, an Eça long seduced by the diversity and originality of English thought, an Eça increasingly distant from the French cultural model which had marked his education.
Teresa Pinto Coelho is Full Professor and Chair in Anglo-Portuguese Studies at the Universidade Nova de Lisboa.
Paul Joseph Lennon
Love in the Poetry of Francisco de Aldana
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Places the warrior-poet Aldana in the appropriate poetic and philosophical context of the Spanish Golden Age and the European Renaissance.
This study explores the love lyric of one of the greatest, yet oft-neglected, warrior-poets of the Spanish Golden Age - Francisco de Aldana (1537-78). Hailed for his skill by Cervantes, Lope de Vega, Quevedo, and the Generation of27's Cernuda alike, Aldana's lyric is the unique result of his Florentine education and interactions with the Medici family as well as Benedetto Varchi's literary circle. Aldana died young, fighting in the Battle of Alcazaquivirin the service of Portugal's Sebastian I. His brother, Cosme, subsequently edited and published his poetry in three volumes between 1589-93. Perhaps the most alluring aspect of Aldana's poetry is his exploration of the natureof love via the reconciliation of seemingly opposing and discordant elements of physical love with the Neoplatonic spirituality more common to sixteenth-century poetry, especially as portrayed by the Petrarchan tradition. Throughclose examination of Aldana's lyric -religious, philosophical, pastoral, and mythological- this study reveals how Aldana exploits the gaps in Petrarchism, Neoplatonism, and contemporary poetic models to communicate his belief inthe importance of the physical in our search for those fleeting moments of transcendental bliss on the earthly plane.
Paul Joseph Lennon is Lecturer in Spanish and Comparative Literature at the University of St Andrews,UK.
Faith Ingwersen, Mary Kay Norseng
Fin(s) de Siecle in Scandinavian Perspective
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Essays focusing on the artistic innovations of Scandinavian fin de siècles.
This collection of essays by eminent Scandinavists focusses on works and artistic movements prominent towards the ends of the last four centuries. The last decade of each century has seen amazing innovations in Scandinavian arts,especially in literature: the flowering of genres in national languages in the 1600s, the bawdy rococo voice of Carl Michael Bellman in the 1700s, the rise of Scandinavian drama with August Strindberg and Henrik Ibsen and the neoromanticism of the premodernistic novels of Hamsun. Each essay is a study from the unique perspective of one of the field's foremost European or American scholars and is inspired by the Renaissance interests of the Norwegian scholar Harlad S. Naess. The collection as a whole contributes to the creation of a modern, multilayered view of the beginnings and endings of the seventeenth-, eighteenth-, nineteenth- and twentieth-century worlds in Scandinavia and Scandinavian America.
Professor Stephanie Dennison
Contemporary Hispanic Cinema
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This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.
This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere.
Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds
J.W. Goethe, Christoph Schweitzer, Edward Bell
Early and Miscellaneous Letters of J.W.Goethe Including Letters to His Mother
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Comprehensive collection of the letters of the yound Goethe in English translation.
Goethe's letters, especially those of his youth, constitute one of the most significant documentations of the development of his artistic personality and Weltanschauung. The letters in this volume include many of the most important written in his lifetime. This 1884 edition of Goethe's letters also forms volume XII of Goethe's Works (1848-1890) in the Standard Library that the Bell publishing house took over and continued as part of the BohnLibraries. Since then the collection has not been duplicated in English: the Edinburgh Letters from Goethe (1957) contains for the pre-Weimar period only 66 letters rather than Bell's 313. The work is thus an indispensibleresource for all research libraries and comparative literature collections.
Patricia Valladares-Ruiz
Narrativas del descalabro
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A comprehensive inquiry into the literary representation of the convulsive social and political changes introduced by the Bolivarian Revolution.
La novela venezolana del siglo XXI se ha erigido como un observatorio creativo de la inmediatez política. Las intervenciones críticas que recoge este libro revelan un amplio abanico de corrientes temáticas y estrategias estéticasa través de las cuales se articula el tratamiento ficcional de la crisis del proyecto revolucionario y su impacto social. A través de la lectura de novelas publicadas entre 2002 y 2015, la autora examina cómo el conflicto político ha permeado la actual narrativa venezolana para trazar los orígenes y consecuencias de una contemporaneidad turbulenta. Estos dispositivos creativos de resistencia desafían los discursos oficiales, al tiempo que denuncian los antecedentes y consecuencias de la fractura del orden institucional y contribuyen al balance histórico de uno de los periodos más convulsos de la nación.
Patricia Valladares-Ruiz es profesora asociada de literaturaslatinoamericanas y caribeñas en la Universidad de Cincinnati.
This book explores the intersections of cultural policies, social changes, political conflict, and fiction writing in modern-day Venezuela. The study as awhole consists of two interrelated sections. The first section provides an analysis of the relationship between the discursive goals of the Bolivarian cultural policies and how authors work within and respond to them. The secondsection introduces a series of case studies of a comprehensive corpus of novels published between 2002 and 2015. Narrativas del descalabro closes a gap in current Venezuelan literary studies by offering a comprehensive inquiry into the literary representation of the convulsive social and political changes introduced by the Bolivarian Revolution.
Patricia Valladares-Ruiz is Associate Professor of Latin American and Caribbean literatures at theUniversity of Cincinnati.
Paul O. Kristeller, Philip P. Wiener
Renaissance Essays
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Fifteen classic essays illuminate a broad cross-section of the intellectual history of the Renaissance.
The Journal of the History of Ideashas, over the years, published many important articles on the Renaissance; this selection provides a significant index of American scholarship in the field in the first twenty-five years of the journal's publication. Apart from the quality of the papers, the main criterion of selection has been their diversity. The editors aimed to present a broad cross-section of the intellectual history of the Renaissance, and have on the whole preferred comprehensive rather than monographic studies. The so-called problem of the Renaissance is represented by FERGUSON; the historical thought of the period by WEISINGER, BARON, and REYNOLDS; its social, moral and religious thought by ADAMS, RICE and TRINKAUS; humanism by GRAY; philsophy and science by CASSIRER, RANDALL and BOUWSMA; literature by TUVE; the visual artsby SCHAPIRO; and music by LOWINSKY. First published 1968.
Mariana Gray de Castro
Fernando Pessoa's Modernity without Frontiers
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Eighteen short essays by the most distinguished international scholars examine Pessoa's influences, his dialogues with other writers and artistic movements, and the responses his work has generated worldwide.
Portuguese writer Fernando Pessoa claimed that he did not evolve, but rather travelled. This book provides a state of the art panorama of Pessoa's literary travels, particularly in the English-speaking world. Its eighteen short, jargon-free essays were written by the most distinguished Pessoa scholars across the globe. They explore the influence on Pessoa's thinking of such writers as Whitman and Shakespeare, as well as his creative dialogues with figuresranging from decadent poets to the dark magician Aleister Crowley, and, finally, some of the ways in which he in turn has influenced others. They examine many different aspects of Pessoa's work, ranging from the poetry of the heteronyms to the haunting prose of The Book of Disquiet, from esoteric writings to personal letters, from reading notes to unpublished texts. Fernando Pessoa's Modernity Without Frontiers is a valuable introduction to this multifaceted modern master, intended for both students of modern literature and general readers interested in one of its major figures.
Robert H. Brown
Nature's Hidden Terror
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Imaginatively explores violent images of nature as they appear in 18th-century literature.
'This is an intelligent, well-written, and well-edited book. It offers compelling insights and raises interesting questions.' Edward T. Larkin, MONATSHEFTE 'Interesting, imaginative, well-written...' CHOICE
Javier Jiménez Belmonte
Estetizar el exceso
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La primera monografía académica en ocuparse de la historia del icono cleopátrico en la cultura española.
The first thorough study of the history of the Cleopatra icon in Spanish culture.
Estetizar el exceso: Cleopatra en la cultura hispánica medieval y del Siglos de Oro A lo largo de cinco capítulos--cada no centrado en un género literario o forma artística esífica, desde la historiografía a la poesía, el teatro, la pintura o la tapicería--y adoptando una perspectiva interdisciplinar, Estetizar el exceso pone a dialogar el icono cleopátrico con algunos de los principales debatesculturales, sociales y políticos de la España medieval e imperial, usándolo como punto de partida para reflexionar, entre otras cosas, sobre el modo en el que la Historia fue entendida y escrita, las relaciones de género cuestionadas y redefinidas, el Otro, doméstico y extranjero, representado y consumido, los sentidos explotados y contralados, o la forma en la que literatura y arte pasaron a formar parte de las nuevas estrategias de distinción social y posicionamiento político.
Javier Jiménez Belmonte es Profesor Titular de Literatura Española en la Universidad de Fordham.
Lorna Robinson
Gabriel García Márquez and Ovid
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This book explores the ways in which Ovid's poem, Metamorphoses, and Gabriel García Márquez's novel, One Hundred Years of Solitude, use magical devices to construct their literary realities.
This book explores the ways in which Ovid's poem, Metamorphoses, and Gabriel García Márquez's novel, One Hundred Years of Solitude, use magical devices to construct their literary realities. The study examines in detail the similarities and differences of each author's style and investigates the impact of politics and culture upon the magical and frequently brutal realities the two authors create in their works. Ultimately the book is interested in the use of magical elements by authors in political climates where freedoms are being restricted, and by using magical realism to explore Ovid's Metamorphoses, it is able to illuminate aspects of the regime of emperor Augustus and the world of Ovid and demonstrate their closeness to that of García Márquez's Colombia.
Lorna Robinson holds a PhD in Classics from University College London. She is the author of Cave Canem: A Miscellany of Latin Words and Phrases and the essay 'The Golden Age in Metamorphoses' and 'One Hundred Years of Solitude' in A Companion to Magical Realism (Tamesis, 2005).
Quentin P. Taylor
The Republic of Genius
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Taylor analyzes Nietzsche's thoughts on the state, culture and education.
While his influence remains controversial, there is little disputeregarding the enormous influence and continuing relevance of FrederichNietzsche. To the popular mind, Nietzsche is best-known as theiconoclastic philosopher of'nihilism' who proclaimed "God is dead",and erected the "Superman" as the meaning and goal of life. Nietzscheis also commonly identified as the thinker who went "beyond good andevil" in the name of a "transvaluation of all values", culminating inan affirmation of the "will to power" and "eternal recurrence". Suchassociations are predictable insofar as the vast majority of what hasbeen written about Nietzsche revolves around these doctrines, which aregenerally taken to constitute the essence of his thought. Yettwo-thirds of Nietzsche's finished works contain no direct referencesto these doctrines. Rejecting the prevalent view that Nietzsche's earlywritings are significantonly in relation to his 'mature' philosophy,Quentin Taylor has written the first full-length study of Nietzsche'searly philosophy. Drawing on a diffuse body of writings, Dr Tayloradeptly reconstructs the principal tenets of Nietzsche's early thoughtwith an emphasis on its positive and constructive dimensions. As such,this study fills a sizeable gap in the literature on Nietzsche andrepresents a seminal contribution to a more balanced and accurateunderstanding of his philosophy.DR QUENTIN P. TAYLOR is an independent scholar who received his Ph.D in political science from the University of Missouri. He has also written extensively on Plato, Machiavelli, and The FederalistPapers.
Daniel Gutiérrez Trápaga
Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry
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Examines the importance of intertextuality, in particular hypertextuality, in the poetics of Castilian romances of chivalry.
Runner-up for the 2015 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland and the Spanish Embassy
Castilian romances of chivalry were the dominant form of fiction in Europe during the peak of the Spanish Empire in the the sixteenth century. Whilst the material traits of chivalric romances have been thoroughly studied, Don Quijote's shadow has often resulted in the neglect of the literary aspects and influence of the genre, thus hindering our understanding of Golden Age and Spanish fiction. Conversely, this book examines the literary transformation of the genre throughout the sixteenth century from the perspective of intertextuality. In particular, this book focuses on the literary practices central to the craft and development of the genre: the rewriting of previous romance, the writing of sequels, and the formation of narrative cycles. These three processes defined the poetics of the genre and set the bases and literary techniques for other fictional genres and works, including Don Quijote itself.
Daniel Gutiérrez Trápaga is Associate Professor in Research Methodologies (Hispanic Literature) at the Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México.
James Scannell, Kathleen Simpson
Shaping the College Experience Outside the Classroom
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Study of the employment programs devised for students in America.
This book records the results of programs organised to create useful and career-related employment opportunities for students to enable them to pay for a significant portion of their college expenses. It evaluates the programs, through relating the experiences of a number of participants, and builds on those findings to offer suggestions on setting them up.
James Scannell is Vice President for Enrollments, Placement, Alumni Relations and Development at the University of Rochester.
Roy Norton
A Companion to Calderón de la Barca
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The first comprehensive study of Calderón in English
Pedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain's dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignant echoes, and the fizzing intellectual energy they apply to the age's ontological, eschatological and political preoccupations. His plays succeed in combining these perennial concerns with compelling plots subtle enough to defy definitive interpretation. As this volume seeks to show, however, Calderón's comedies deserve equal recognition. Too long stereotyped as a dour, cerebral conservative, this playwright's comic works are as amusing as they are clever.
This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.
Amit Thakkar
The Fiction of Juan Rulfo
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This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years, analyzing a selection of short stories from Rulfo's collection and also two of the main characters of hismasterpiece, Pedro Páramo.
This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years. It contains innovative analyses of a selection of short stories from Rulfo's collection, El llano en llamas (1953). It also examines in great depth two of the main characters of Pedro Páramo (1955), Rulfo's masterpiece and only novel. The book shows how Rulfo's works can be read as exercises in irony directed againstthe rhetoric of post-Revolutionary Mexican governments. It also demonstrates the relevance of certain legacies of colony in Rulfo's use of irony. Successive Mexican governments promoted a vision of post-Revolutionary society founded on specific notions of ethnicity, family, nation, education, religion and rural politics. The author combines examination of the speeches, images and newspaper articles which disseminated this vision with incisive literary analyses of Rulfo's work. These analyses are informed both by his original theory of irony, based on "internal" and "external" referents, and by existing postcolonial theories, particularly those of Homi K. Bhabha.
Amit Thakkar is a Lecturer in Hispanic Studies at Lancaster University.
Hayley Rabanal
Belén Gopegui
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This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.
This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.
Gopegui's social commitments find expression in her concern for solidarity and collective projects. These become more radical over time in response to a disenchantment with the evolution of the left in Spain and to the global impact of the capitalist economic system, giving rise to increasingly interventionist narrative strategies. The core theme of solidarity is explored in relation to the collective experience of Spain's largely consensualdemocratic transition and to the apparent erosion of collective goals in post-transition society. Gopegui's discourse of solidarity is examined through engagement with theorists of advanced modernity, including Ulrich Beck's 'risksociety' model and various contemporary reflections on the concept of solidarity. Centred on Gopegui's first four novels, the study situates analysis of these within the perspective of her later works and illuminates her artisticand intellectual trajectory by drawing on an extensive array of her non-fiction writings and personal interviews, one of which is published here for the first time.
Hayley Rabanal is Lecturer in Hispanic Studies at the University of Sheffield.
Professor Dante Cicchetti
Disorders and Dysfunctions of the Self
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Comparative studies of normal self-development and atypical psychopathological populations contribute to an understanding of normal development of the Self.
Disorders and Dysfunctions of the Selfcontinues the tradition of the Rochester Symposium on Developmental Psychopathology series highlighting how knowledge of normal self-development can be applied to the study of atypicaland psychopathological populations and, conversely, how examinations of abnormality can enhance understanding of the normal development of the self. The authors in this volume illustrate advances that have been made in understanding the developmental mechanisms that contribute to anomalies and perturbations in the self systems of high risk and disordered populations. PETER MUNDY, ANNE HOGAN, CLAIRE B. KOPP, NATALIE WYER,SIMON BARON-COHEN, MARY M. ROBERTSON, JOHN MORIARTY, PATRICIA M. CRITTENDEN, KURT W. FISCHER, CATHERINE AYOUB, DREW WESTON, FRANK W. PUTNAM, ROGER KOBAK, HOLLAND COLE, GIL G. NOAM, GAYLE VALIANT, SUSAN HARTER, DONNA B. MAROLD, MICHAEL CHANDLER
Edward H Friedman
A Companion to the Spanish Picaresque Novel
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Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired.
The term picaresque describes a specific set of early modern Spanish narratives relating the life story of a lowborn adventurer in a realist, ironic, and often humorous manner. The protagonist, the picaro or pícara (rascal), seeks upward mobility in a resolutely hierarchical society determined to prevent his - or her - ascent, and both are rich targets of satire. Spanish pícaros inspired Anglo-French rogues including Gil Blas and Tom Jones and paved the way for the modern novel.
Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque novel from its origins to the present day, along with a treatment of the debates that the picaresque has inspired. After introductory chapters on the picaresque genre and the origin of the phenomenon, the book analyses canonical texts and their role in the picaresque spectrum. Further chapters then turn to critical approaches to the genre and manifestations of the picaresque in Hispanic America, France, England, and modern Spain. Overall, the book affords readers a broad sense of the range of this rich tradition and an in-depth view of the field and its major texts.
Emma Gatland
Women from the Golden Legend
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This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Included in the study are transcriptions of twenty-two previously unedited lives.
Hagiography was one of the most prolific narrative genres in the Middle Ages. Jacobus de Voragine's Golden Legend (c. 1260), the most popular compendium, was translated into every language in Western Europe. In the medievalIberian peninsula, the number of conserved hagiographic documents dwarfs those belonging to other narrative genres. This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Their lives furnished exemplary models for women inside and outside the Church, and tell stories of maidens tortured by pagan sovereigns, prostitutes, mothers who see their sons martyred, and women who dress as men in orderto avoid being married off to the nearest suitor. This study challenges an understanding of these women as passive recipients of social and spiritual influence by re-situating female authority within the context of vision, language, and performativity. Included in the study are transcriptions of twenty-two previously unedited lives.
Emma Gatland is a Leverhulme Early Career Fellow, University of Cambridge.
Julia Ching
Discovering China
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Studies of the reaction of European thinkers of the Enlightenment - Leibniz, Wolff, Hegel, Kant, et al -to Chinese culture and ideas.
From the late sixteenth century on, with the sending of Jesuit missionaries to China, the West had the fortune of receiving first-hand reports about China from educated persons trained in the philosophy and sciences of the day. What these men said and wrote stirred some leading minds in Europe, among them Leibniz, Wolff and Kant. The essays in this volume, studies of what Western thinkers in the Enlightenment said and wrote about China, are important for everyone interested in East-West intellectual exchanges, for the ideas and prejudices of the shapers of the Western mind continue to the present day to influence Western relations with China.
Contributors: Walter W. Davis, Knud Lundbaek, Arnold H. Rowbotham, David E. Mungello, Daniel J. Cook, Henry Rosemont Jr., Donald F. Lach, Johanna M. Menzel, R.C. Bald, Arthur F. Wright.
Michael Colvin
Fado and the Urban Poor in Portuguese Cinema of the 1930s and 1940s
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A compelling account of the role of Fado and the fadista in Portuguese film and the wider culture.
Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era, showing how directors used the national songto promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He considers the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism;the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese colonial empire as an anachronism in the post-World War II years. Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually the fadista is the protagonist and the Fado the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leitão de Barros proposed in the first Portuguese talkie, A Severa (1931).
Michael Colvin is Associate Professor of HispanicStudies at Marymount Manhattan College.
Xon de Ros
A Companion to Spanish Women's Studies
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An overview of the issues and critical debates in the field of Women's Studies within the area of peninsular Hispanism.
After an introductory survey of the development of women's studies in the context of Spain, twenty-one chronologically ordered essays by scholars from Britain, the United States, Spain and Mexico explore women's roles in the cultural production of their time from the Middle Ages to the present. The essays of the first half examine the work of the earliest women writers and artists - memoirs and meditations, novellas and plays - and the representationor self-representation of women in a broad sweep of texts including medieval folksong, hagiography, and painting of the Baroque era. The modern section focuses on women's participation in politics and culture from the eighteenth century onwards: as translators and essayists, as consumers of visual ephemera and conduct books, as writers and artists, film directors and performers. An alternative and supplement to standard literary histories, thisvolume offers new insights into women's agency and representation in the cultural heritage of Spain. It will prove a useful and stimulating resource for students at all levels, and an accessible guide for the general reader.
XON DE ROS and GERALDINE HAZBUN lecture in Spanish literature at the University of Oxford. CONTRIBUTORS: Nieves Baranda, Andrew M. Beresford, Mónica Bolufer Peruga, Helena Buffery, Rosanna Cantavella, Lou Charnon-Deutsch, Georgina Dopico-Black, Joanna Evans, Carmen Fracchia, Margaret R. Greer, Jessamy Harvey, Louise M. Haywood, Geraldine Hazbun, Susan Kirkpatrick, Frances Lannon, Laura Lonsdale, María Ana Masera Cerutti, Roberta Quance, Xon de Ros, Alexander Samson, Alison Sinclair, Joyce Tolliver.
Vidal Romero
Security and Illegality in Cuba's Transition to Democracy
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How can an environment be created in Cuba in which safety is not sacrificed for more open markets and politics?
This book examines present security conditions in Cuba and forecasts the effects that economic and social liberalization could have on levels of criminality. For decades, Cuban citizens have enjoyed relatively good security, as a consequence of surveillance and tight political control by an authoritarian state. However, economic liberalization necessitated by the loss of Soviet support has resulted in illicit activities and increased criminality including drugs, contraband and human trafficking. Today, relatively good security and a stable political system coexist with widespread illegality. But as restrictions are eased, the average citizen is becoming less secure. Cuba's privileged geographical location, combined with economic scarcity, the remnants of the communist system and the local criminal organizations it created, also makes it vulnerable to more dangerous foreign criminal groups.
Based on both quantitative and qualitative data including in-depth interviews with experts on Cuba and democratization and observational research in Cuba itself, the book seeks to identify the risks associated with liberalization and to explore workable solutions. More broadly, it aims to shed light on how the negative consequences of social and economic liberalization can be minimized for the average citizen during periods of political transition from authoritarian systems. How can an environment be created in which safety is not sacrificed for more open markets and politics?
Nuria Cruz-Cámara
La mujer moderna en los escritos de Federica Montseny
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Este libro explora la representación de la mujer moderna en los escritos de Federica Montseny (1905-1994), prominente líder anarquista española en las décadas de 1920 y 1930.
This book explores the figure of the modernwoman in the writings of Federica Montseny (1905-1994), a prominent Spanish anarchist leader during the 1920s and 1930s.
Este libro explora la representación de la mujer moderna en los ensayos y la ficción de Federica Montseny (1905-1994), líder anarquista española de gran prominencia en las décadas de 1920 y 1930. Se examinan en profundidad sus escritos sobre la cuestión de la mujer a la luz de las premisas filosóficas que sustentan el ideario del anarquismo. Además, su ficción mantiene un complejo diálogo con los discursos científicos y culturales de género que pn durante las primeras décadas del siglo XX. La mujer moderna de Montseny no consiste en una figura única, finalizada y estática, sino que se desplaza entre una diversidad de articulaciones a veces contradictorias, pero que reflejan por igual sus creencias anarquistas. Montseny, quien gozó de enorme popularidad en su época como escritora y política, elaboró y diseminó algunas de las propuestas sobre la emancipación de las mujeres más originales do, y este volumen es el primero en situar su pensamiento como una de las piezas fundamentales en la evolución del feminismo español.
Nuria Cruz-Cámara es Profesora Titular en la Universidad de Tennesse.
This book explores the figure of the modern woman in the essays and fiction of Federica Montseny (1905-1994), a prominent Spanish anarchist leader during the 1920s and 1930s. It examines in depth the author's theories of genderin light of the basic principles of anarchist political thought and philosophy. In addition, Montseny's novels are shown to engage in an elaborate and critical dialogue with scientific and cultural discourses on women that proliferated during the first four decades of the 20th century. Montseny's ideal modern woman is not a static and definite figure; rather, she shifts across different and at times contradictory articulations that, nonetheless, all fall within her anarchist beliefs. Montseny, a popular politician and writer during her time, developed and disseminated some of the most original concepts dealing with women's emancipation and gender theory, and the present volume is the first to situate her thought as a key component within the evolution of Spanish feminism..
Nuria Cruz-Cámara is Professor of Spanish at the University of Tennessee.
Elisabeth Bolorinos Allard
Spanish National Identity, Colonial Power, and the Portrayal of Muslims and Jews during the Rif War (1909-27)
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How were Moroccan Muslim and Jewish cultures depicted in Spanish literature, journalism, and photography during the Rif War and what did this portrayal reveal about conflicting visions of Spanish identity?
Runner-up for the 2017-18 AHGBI-Spanish Embassy Publication Prize This book examines how anxieties about colonial power and national identity are reflected in Spanish literature, journalism, and photography of Moroccan Muslim and Jewish cultures during the Spanish colonisation of Northern Morocco from 1909 to 1927. This understudied period, known as the Rif War, is highly significant because of its role in shaping the identities that came into conflict in the Spanish Civil War (1936-39). Furthermore, the book makes a key contribution to Spanish colonial studies by offering a comparative analysis of Spanish representations of the Iberian Peninsula's cultural and historical relationship with Moroccan Muslims and Jews in this context, showing how conflicting visions of Spanish identity are portrayed through and in relation to them.
Frank A. Domínguez
Carajicomedia: Parody and Satire in Early Modern Spain
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A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.
Since Carajicomedia was published in 1519, it has been largely ignored by critics because of its strong sexual content. The author of Carajicomedia: Parody and Satire in Early Modern Spain believes that it is a sophisticated and complex composition that provides as good a vantage point from which to examine the ideology of the period as does La Celestina. In their poems, the writers of Carajicomedia inadvertently reveal thedeep worries of the knights and nobles who opposed the regencies of Ferdinand the Catholic and Francisco Jiménez de Cisneros pending the arrival of Charles V. Carajicomedia is therefore a harbinger of the War of the Comuneros, the great popular revolt that convulsed Spain in 1520. In this book's chapters, the author examines the parodic relationship between the text of Juan de Mena's El Laberinto de Fortuna, the glosses of Hernán Núñez's Las Trezientas, and Carajicomedia. He then turns to its actual writers and their settings, and shows how their satirical attitudes towards males, females, and conversos reveals the failure of the societal mechanisms in place to control desire and miscegenation. Carajicomedia: Parody and Satire in Early Modern Spain concludes with a paleographic edition of the text and appendices that contain a modern Spanish version and its Englishtranslation, as well as examine Carajicomedia's language.
Frank A. Domínguez is a professor of medieval Spanish literature and culture at the University of North Carolina at Chapel Hill.
Karen Wooley Martin
Isabel Allende's House of the Spirits Trilogy
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The source of the narrative energy that creates such absorbing stories.
Allende's very popular novels have attracted both critical approval and opprobrium, often at the expense of genuine analysis. This sophisticated study explores the narrative architecture of Allende's House of the Spirits [1982], Daughter of Fortune [1999], and Portrait in Sepia [2000] as a trilogy, proposing that the places created in these novels subvert the patriarchal norms that have governed politics, sexuality, and ethnicity. Rooted in the Foucauldian premise that the history of space is essentially the history of power, and supported by Susan Stanford Friedman's cultural geographies of encounter as well as Gloria Anzaldúa's study of borderlands, this study shows that, by rejecting traditional spatial hierarchies, Allende's trilogy systematically deterritorializes the elite while shifting the previously marginalized to the physical and thematic centers of her works. This movement provides the narrative energy which draws the reader into Allende's universe, and sustains the 'good story' for which she has been universally acclaimed.
KAREN WOOLEY MARTIN is Associate Professor of Spanish at Union University, Jackson, Tennessee.
Conrad Michael James
Filial Crisis and Erotic Politics in Black Cuban Literature
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An affective reading of twentieth-century Afro-Cuban literature focussing on a set of concerns ranging from the filial to the erotic.
This book proposes an affective reading of twentieth-century Afro-Cuban literature through its focus on a set of concerns ranging from the filial to the erotic. Existing scholarship on black Cuban literature tends to privilege national political and economic discourses often focusing solely on the dynamics of race in the Revolution and the place of the black writer/artist within the nation's cultural institutions. And while there is substantial engagementwith feminist and queer articulations of desire within Cuban literary studies, there remains an urgent need for a sustained analysis of black Cuban writing which investigates its preponderant concerns with themes of family, love and erotic politics-a need fully addressed in this timely book.
CONRAD MICHAEL JAMES is Associate Professor of World Cultures and Literatures at the University of Houston.
Stephen Parkinson
A Companion to Portuguese Literature
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An essential chronological framework for students of Portuguese literature.
This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some ofthe most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is unashamedly canonical rather than thematic in its examination of central authors and periods, without neglecting female writers. In this way it provides basic reference materials for students beginning the study of Portuguese literature, and for a wider audience looking for general or specific information. The editors have made a principled decision to exclude both Brazilian and African literature, which demand separate treatment.
STEPHEN PARKINSON, CLAUDIA PAZOS ALONSO and T. F. EARLE are all members of the Sub-Faculty of Portuguese at the University of Oxford. CONTRIBUTORS: Vanda Anastácio, Helena Carvalhao Buescu, Rip Cohen, T. F. Earle, David Frier,Luís Gomes, Mariana Gray de Castro, Helder Macedo, Patricia Odber de Baubeta, Hilary Owen, Stephen Parkinson, Cláudia Pazos Alonso, Juliet Perkins, Teresa Pinto Coelho, Phillip Rothwell, Mark Sabine, Claire Williams, Clive Willis.
Leticia Villamediana González
Anglomanía
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Este libro ofrece la primera revisión en forma de volumen monográfico de las transferencias culturales de Gran Bretaña a España en el siglo XVIII.
A close reading of the cultural exchanges between England and Spain in the18th century as seen in the periodical press.
Este libro ofrece la primera revisión en forma de volumen monográfico de las transferencias culturales de Gran Bretaña a España en el siglo XVIII, centrándose en particular en el género más novedoso del setecientos, la pódica. Para ello, explora el fenómeno hasta ahora difuso de la anglomanía - moda de las ideas, influencias y estilos ingleses que dominó la Europa del setecientos - y su fenómeno opuesto, la anglofobia, en tres tipos de prensa bien diferenciados, todo ello en conjunción con la propia coyuntura nacional y el programa de reformas borbónico. Además, esta obra enfatiza la labor de estos periodistas y periódicos, así como sus conexiones con el poder, a la vez que los sitúa como agentes fundamentales de esa red europea de intercambios materiales e intelectuales que sustentó la República de las Letras. Con todo ello, este volumen contribuye a la serie de debates dedicados a la reevaluación de la Ilustración española que buscan situarla en el mapa de las Luces Europeas de entonces y de ahora.
LETICIA VILLAMEDIANA GONZÁLEZ es Profesora Titular en el Departamento de Modern Languages and Cultures, University of Warwick.
This book constitutes the first monographic study of the cultural transfers from Great Britain to Spain through 18th-Century periodical press, one of the most innovative genres of the period. It exploresthe notion of anglomania - the craze for all things English which spread throughout all Europe - and its reactive phenomenon, anglophobia, offering a contextualised analysis of the transmission, reception and adaptation of BritishEnlightened ideas and reforms in three different types of Spanish periodicals. In so doing, this volume brings to the fore the work of some understudied writers and journalists and situates these important periodicals and their connections to power as a key part of a wider European context of material and intellectual exchanges that sustained the Republic of Letters. This in turn, contributes to recent scholarship arguing for a central place of Spain in the intellectual map of the Enlightenment.
LETICIA VILLAMEDIANA GONZÁLEZ is a Senior Teaching Fellow in Hispanic Studies at the University of Warwick.
Iker González-Allende
Epistolario de Pilar de Zubiaurre (1906-1970)
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Este libro consiste en la edición de 188 cartas inéditas que, desde 1906 hasta 1970, Pilar de Zubiaurre escribió y mayormente recibió de numerosos intelectuales y artistas del ámbito hispánico, desde José Ortega y Gassetobia Camprubí y María Martos de Baeza. ENGLISH VERSION A compilation of 206 unpublished letters written by Pilar de Zubiaurre from 1906 to 1970 to many Hispanic intellectuals and artists, ranging from José Ortega y Gasset toZenobia Camprubí and María Martos de Baeza.
Este libro consiste en la edición de 188 cartas inéditas que, desde 1906 hasta 1970, Pilar de Zubiaurre escribió y mayormente recibió de numerosos intelectuales y artistas del ámbito hispánico, desde José Ortega y Gassetobia Camprubí y María Martos de Baeza. El volumen se divide en tres apartados organizados cronológicamente: cartas de juventud, cartas durante la Guerra Civil y cartas durante el exilio. En la primera de estas secciones se apreciala activa vida cultural española durante los años veinte y treinta, incluyendo numerosas misivas de pintores y escritores. La segunda sección revela los esfuerzos propagandísticos de los intelectuales republicanos durante la guerra, así como las dificultades de la vida cotidiana. Finalmente, la tercera sección, la más amplia del libro, recoge cartas de otros exiliados como Gonzalo Rodríguez Lafora, cartas que Zubiaurre recibe desde España de familiares yamigos, y cartas de intelectuales americanos como Susana Huntington. Sobresalen las cartas de amigas como Camprubí y Martos de Baeza porque muestran cómo durante el exilio las mujeres mantuvieron viva la memoria republicana y trazaron puentes de comunicación entre España y las comunidades de exiliados en América.
Iker González-Allende es profesor titular de literatura española y de estudios de mujeres y género en la Universidad de Nebraska-Liln.
Ángela Dorado-Otero
Dialogic Aspects in the Cuban Novel of the 1990s
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The author analyses six novels of the "boom" in Cuban fiction of the 1990s that subvert homogenized views of Cuban identity.
This book examines six Cuban novels published between 1991 and 1999, all part of the new "boom" of the Cuban novel in the 1990s. It analyses how in undermining monolithic representations of reality these texts employ discursive techniques that question absolute truths, defy established boundaries of literary genres and challenge concepts of national, gender and individual identity. The authors studied in this book---Reinaldo Arenas, Leonardo Padura Fuentes, Abilio Estévez, Daína Chaviano, Yanitzia Canetti, and Zoé Valdés---are placed beyond the dichotomy of outside and inside Cuba in order to focus on the fluidity and heterogeneity of Cuban culture displayed in its literature. This study establishes similarities and differences in the way these authors create polyphonic texts that question whether notions of country and nation coincide in novels that respond to economic hardship, political and social changes, issues of cubanía, and exile.
Ángela Dorado-Otero is Postdoctoral Research Fellow in Iberian and Latin American Studies at Queen Mary University of London.
Lluís Cabré, Alejandro Coroleu Montserrat Ferrer, Albert Lloret and Josep Pujol
The Classical Tradition in Medieval Catalan, 1300-1500
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The first comprehensive study of the reception of the classical tradition in medieval Catalan letters.
This book offers the first comprehensive study of the reception of the classical tradition in medieval Catalan letters, a multilingual process involving not only Latin and Catalan, but also neighbouring vernaculars like Aragonese,Castilian, French, and Italian. The authors survey the development of classical literacy from the twelfth-century Aragonese royal courts until the arrival of the printing press and the dissemination of Italian Humanism. Aimed atstudents and scholars of medieval and early modern Iberia - and anyone interested in medieval Romance literatures and the classical tradition - this volume also provides a concise introduction to the medieval Crown of Aragon, a catalogue of translations into Catalan of texts from classical antiquity through the Italian Renaissance, and a critical study of the influence of the classics in five major works: Bernat Metge's Lo somni, Joanot Martorell'sTirant lo Blanc, the anonymous Curial e Güelfa, Ausiàs March's poetry, and Joan Roís de Corella's prose.
Lluís Cabré is associate professor of medieval Catalan literature at the Universitat Autònoma dercelona; Alejandro Coroleu is ICREA research professor of Renaissance Humanism at the Universitat Autònoma de Barcelona; Montserrat Ferrer is a research associate at the Universitat Autònoma de Barcelona; Albert Lloret is associate professor of Spanish and Catalan at the University of Massachusetts Amherst; Josep Pujol is associate professor of medieval Catalan literature at the Universitat Autònoma de Barcelona.
Isabel Torres
Love Poetry in the Spanish Golden Age
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Love poetry in the Spanish Golden Age redefines the lyric poetry that is located at the centre of Imperial Spanish culture's own self-image and self-definition.
This work engages with a broader evaluation of early modern poetics that foregrounds the processes rather than the products of thinking. The locus of the study is the Imperial 'home' space, where love poetry meets early modern empire at the inception of a very conflicted national consciousness, and where the vernacular language, Castilian, emerges in the encounter as a strategic site of national and imperial identity. The political is, therefore, a pervasive presence, teased out where relevant in recognition of the poet's sensitivity to the ideologies within which writing comes into being. But the primary commitment of the book is to lyric poetry, and to poets, individually and intheir dynamic interconnectedness. Moving beyond a re-evaluation of critical responses to four major poets of the period (Garcilaso de la Vega, Herrera, Góngora and Quevedo), this study disengages respectfully with the substantialbody of biographical research that continues to impact upon our understanding of the genre, and renegotiates the Foucauldian concept of the 'epistemic break', often associated with the anti-mimetic impulses of the Baroque. This more flexible model accommodates the multiperspectivism that interrogated Imperial ideology even in the earliest sixteenth-century poetry, and allows for the exploration of new horizons in interpretation.
Isabel Torres isProfessor of Spanish Golden Age Literature and Head of Spanish and Portuguese Studies at Queen's University, Belfast.
Sergio Rivera-Ayala
El discurso colonial en textos novohispanos: espacio, cuerpo y poder
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Nuevas perspectivas sobre etnicidad, género, subjetividad europea, y construcción de geografías coloniales.
El discurso colonial en textos novohispanos se apoya en trabajos recientes sobre el análisis del discurso y la crítica de la representación que se están desarrollando en áreas como antropología, historia, y geografía cultural. Al analizar una gran variedad de textos, tales como el Diario de Colón, la Lettera de Vespucio, el Alboroto y motín de Sigüenza y Góngora, el México en 1554 de Cervantes de Salazar, la Grandeza mexicana de Balbuena, y la Historia antigua de México de Clavijero, traza los orígenes y usos del saber geopolítico desde la época clásica hasta el siglo XVIII novohispano, para aportar nuevas perspectivas sobre etnicidad, género, subjetividad europea, y construcción de geografías coloniales.
Este libro mira los movimientos de ideas más allá de las fronteras espaciales y temporales, e identifica la percepción europea del cuerpo americano como un cuerpo abyecto, que desestabiliza el sistema, la identidad y el orden, y explora la relación del cuerpo y del espacio como una continuidad de las prácticas y las representaciones estratégicas del discurso colonial, enfocándose en la construcción de la identidad, y en las definiciones de las fronteras físicas y culturales. Este estudio va más allá de las lecturas previas, y sugiere nuevas direcciones para el análisis e interpretación de la espacialidad, corporalidad y agencia en la America española colonial.
SERGIO RIVERA-AYALA es profesor en la Universidad de California, Riverside.
Helen Gittos
The Liturgy of the Late Anglo-Saxon Church
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New research into the liturgy of Anglo-Saxon history, with important implications for church history in general.
The essays in this volume offer the fruits of new research into the liturgical rituals of later Anglo-Saxon England. They include studies of individual rites, the production, adaptation and transmission of texts, vernacular gospeltranslations, liturgical drama and the influence of the liturgy on medical remedies, poetry and architecture; also covered are the tenth-century Benedictine Reforms and the growth of pastoral care. It will be valuable for anyoneinterested in later Anglo-Saxon England as well as medieval liturgy and church history.
Cristina Moya
Juan de Mena
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A collection of essays by leading scholars that examine the two facets of Juan de Mena's life as lawyer and poet.
Este libro reúne un número significativo de artículos que suponen una aportación ciertamente notable a la bibliografía disponible hasta la fecha. Juan de Mena: de letrado a poeta recoge dieciséis trabajos en los que se estudifigura y su obra desde perspectivas distintas pero complementarias que abren nuevas líneas de investigación o bien enriquecen otras ya existentes. El libro está estructurado en tres grandes bloques temáticos: el primero de ellos se dedica al contexto histórico de Juan de Mena. El segundo gira en torno a la configuración del poeta, atendiendo a la conciencia autorial de Mena y a los recursos literarios que emplea. El tercero y último está dedicado a latransformación del 'famosíssimo poeta Juan de Mena' en un clásico.
Cristina Moya García es profesora en la Universidad de Córdoba. This book contains several studies reviewing the two facets of Juan de Mena's life as lawyer and poet. These contributions open up new lines of research on this important early-fifteenth-century Castilian writer and enrich some existing ones, studying Juan de Mena from different perspectives. The book is structured into three thematic blocks: The first is devoted to the historical context of Juan de Mena. The second section focuses on the configuration of the poet. The third and final part is dedicated to the transformation of"famosíssimo poeta Juan de Mena" into a classic author.
Cristina Moya García is a professor at the Universidad de Córdoba.
Contributors: Federica Accorsi, Carlos Alvar, Linde M. Brocato, Francisco de Paula Cañas Gálvez, Daniela Capra, Juan Luis Carriazo Rubio, Antonio Cortijo Ocaña, Sila Gómez Álvarez, Ángel Gómez Moreno, Daniel Hartnett, Julián Jiménez Heffernan, Maxim Kerkhof, Françoise Maurizi, Cristina Moyérez, Pedro Ruiz Pérez, Julian Weiss
Lindsay G. Kerr
Luis de Góngora and Lope de Vega
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Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.
Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland
Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating the correlations and connections between two poets who have more often than not been presented as enemies.The analysis follows the parallel development of the complex parodic genre through Góngora's late mythological parody, from his 1589 Hero and Leander romance through to his culminating parody, La fábula de Píramo y Tisbe (1618) and Lope de Vega's alter ego Tomé de Burguillos, whose anthology, Rimas humanas y divinas del licenciado Tomé de Burguillos, was published a year before Lope's death, in 1634. Working from the premise that parody provides a Derridean supplément to exhausted, dominant genres (e.g. pastoral, lyric, epic), this study asks: what do these texts achieve by their supplementarity, and how do they achieve it?, and, the overarching question, why do these erudite poets turn to parody in an age of decline?
Lindsay Kerr received her PhDin Spanish at Queen's University Belfast.
David Jiménez Torres
Ramiro de Maeztu and England
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A major contribution to our understanding of intellectual exchanges between Britain and Spain in the early twentieth century.
Ramiro de Maeztu was one of the most influential Spanish intellectuals of the early twentieth century, as well as the first foreign correspondent for the Spanish press to be based in London. This book argues for the importance that his relationship with England had on both his intellectual trajectory and on the culture and politics of Spain during this time. Particular attention is devoted to Maeztu's London period (1905-1919), which provides a fascinatinginsight into how Spaniards of the time perceived not just Britain but Western Europe as a whole. Against prevailing interpretations, this book argues that Maeztu's conservative evolution, and his growing Catholicism and Spanish nationalism, were a direct result of his immersion in Edwardian currents of thought. This in turn casts new light on the influence that Britain exerted over Spain during this period, and provides fresh insights into the cultural dynamics which led to the Spanish Civil War.
Dr David Jiménez Torres is associate lecturer at Universidad Camilo José Cela.
Oliver Baldwin
Seneca's Medea and Republican Spain
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Based on extensive archival research and containing rare and previously unpublished photos, this book provides the most detailed reconstruction ever of one of the most important events in Spanish theatrical history.
Winner of the 2019-20 AHGBI-Spanish Embassy Publication Prize
On 18 June 1933, one of the most important events in Spanish theatrical history took place before an audience of 3,000 spectators in the ruins of the Roman Theatre in Mérida. Translated into Spanish by philosopher Miguel de Unamuno, staged by the renowned Xirgu-Borràs Company and funded by the government, the performance of Seneca's Medea was a triumph of republican culture and widely hailed for its new dramatic and scenic languages.
This book provides the most detailed reconstruction of this pivotal production to date, setting it in context and analysing its origin and legacy. Early twentieth-century intellectuals considered Seneca, 'the philosopher from Córdoba', the epitome of Spanishness and the first in an illustrious line of playwrights stretching from Spain's Roman Antiquity to its Silver Age. His play was seen as the ideal vehicle to showcase the Second Spanish Republic's cultural, social and educational agenda but provoked a furious backlash from opponents to the government's progressive programme. The book shows how the performance became a cultural ritual which stood at the centre of critical discussions on national identity, politics, secularism, women's rights and new European aesthetics of theatre-making. Based on extensive archival research and containing rare and previously unpublished photos, it will be of interest to theatre historians, scholars of Classical Reception and historians of the Second Spanish Republic.
Susan Paun de García, Donald R. Larson
The Comedia in English
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How should a seventeenth-centry Spanish verse play be presented to a contemporary English-speaking audience?
For many reasons, but most usually the lack of playable modern translations, the plays of the seventeenth-century Spanish Comedia have appeared infrequently on the stages of the English-speaking world. Once such translations began to appear in the final decades of the twentieth century, productions followed and audiences were once again given the opportunity of discovering the enormous riches of this theatre. The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be "faithful"? Which kinds of plays "work", and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance? Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for "authenticity" in staging? And so on. In this volume, a distinguished group of translators, directors, and scholars explores these and related questions in illuminating and thought-provoking essays.
EDITORS: Susan Paun de García and Donald Larson are Associate Professors of Spanish at the Universities of Denison and Ohio State respectively. OTHER CONTRIBUTORS: Isaac Benabu, Catherine Boyle, Victor Dixon, Susan Fischer, Michael Halberstam, David Johnston, Catherine Larson, A. Robert Lauer, Dakin Matthews, Anne McNaughton, Barbara Mujica, James Parr, Dawn Smith, Jonathan Thacker, Sharon Voros
Silvia Roig
Aurora Bertrana
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Ganador del Premio de Monografía Crítica Victoria Urbano 2015
Winner of the 2015 Premio de Monografía Crítica Victoria Urbano
Silvia Roig explores the narrative of Aurora Bertrana (1892-1974), an unknown writer today, but a successful and recognized female author in Catalonia and Spain during the 20th century. Aurora Bertrana's works are almost never mentioned in manuals of literature. Her rich, intellectual work has not received the attention it deserves, relegated almost to absolute oblivion. The author reviews and studies twenty-four of Bertrana's novels written in Catalan andSpanish, including: Ariatea (1960), "El pomell de les violes" (MS), L'inefable Philip (MS), La aldea sin hombres (mn.), La madrecita de los cerdos (MS), Entre dos silencis (1958), La ninfa d'argila (1959), Fracàs (1966) and La ciutat dels joves: reportatge fantasia (1971). She studies her work, published and unpublished, from a feminist approach, taking into account the intellectual history of Spain and Catalonia. Bertana's strong commitment to social issues reveals her association with the Modernist and Noucentists trends of her time. Bertrana's novels reveal a unique interest in non-Western cultures and lifestyles and her work undertakes controversial topics and socio-cultural issues, while she observes and draws special attention to the situation of women in different circumstances and cultural geographies. This book is therefore anchored on interpretive and theoretical parameters that intersect with consideration of gender, such as travel-and-gender and war-and-gender. Roig uses the work of feminists such as Simone De Beauvoir, Shulamith Firestone, Jelke Boesten, Margaret and Patrice Higonnet,Michelle Zimbalist Rosaldo and Julia Kristeva to help assess Bertrana's engagement with gender and socio-political issues. This approach is particularly well suited for a writer like Bertrana, a Catalan and Republican intellectual woman forced into self-exile during the Spanish Civil War and the dictatorship of Francisco Franco. Silvia Roig is a Faculty Member, BMCC Department of Modern Languages, The City University of New York.
Imogen Choi
The Epic Mirror
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How did Spanish-American writers and veterans in the late sixteenth and early seventeenth century use epic poetry to search for ethical solutions to the violent conflicts of their age?
Winner of the 2017-18 AHGBI-Spanish Embassy Publication Prize
The Epic Mirror studies how Spanish-American writers and veterans in the late sixteenth and early seventeenth century used epic poetry to search for ethical solutions to the violent conflicts of their age. The wars about which they wrote took place at the frontiers of the Spanish empire, where new political communities were emerging: fiercely independent Amerindian republics, rebellious Spanish settlers, maroon kingdoms of fugitive African slaves. This colonial reality generated a distinctive vision of just warfare and political community.
Working across the fields of Hispanic literature, the history of political thought, and studies of empire, colonialism and globalisation, Choi reinterprets three major works of colonial Latin American literature: Alonso de Ercilla's La Araucana (1569-90), Pedro de Oña's Arauco domado (1596), and Juan de Miramontes Zuázola's Armas antárticas (1608-9). She argues that these works provide a rare insight into the development of political thought in Viceregal Peru. Through the imaginative mirrors of epic, the reader is forced to ask the same questions of the unfinished conquests of the Americas as of those in Africa, Asia or Europe: when conflicting forces are divided by irreconcilable world views, even if the war is won, how is it possible to achieve peace?
Crystal Anne Chemris
The Spanish Baroque and Latin American Literary Modernity
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This book aims to develop a broader view of the trajectory of Hispanic modernity, tracing a motif of recurring impasse, first seen in peninsular Baroque texts and continuing into Latin American colonial and modern literature.
Inspired by Walter Benjamin's notion of constellation, this book draws on theories of Latin American modernity to investigate the Spanish literary Baroque and its repetitions as a historical-cultural predicament in Latin American colonial and modern texts. Inca Garcilaso, Borges, Carpentier, Rulfo, Darío and a range of Latin American "Post-Symbolist" poets (Agustini, Pizarnik, Sosa, Lienlaf and Huinao) are juxtaposed with the Lazarillo, the Quijote, Fuenteovejuna and Góngora's Soledades to produce original readings on topics of violence, rape, frustrated pilgrimage, and the truncated ambitions of colonized peoples and confessional minorities. In turn, Benjamin is juxtaposed with Mallarmé to recast the aesthetic dynamics of modernity in political terms, in order to understand the Baroque within a more broadly historicized concept of the avant-garde. Generous in scope, this book addresses the community of Spanish and Latin American criticism as well as emerging and pressing theoretical concerns within the field of comparative literature.
Lola Badia
Ramon Llull as a Vernacular Writer
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The authors maintain that Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized the production and dissemination of his writings in a creative and unconventional fashion.
Ramon Llull (1232-1316), mystic, missionary, philosopher and author of narrative and poetry, wrote both in Latin and in the vernacular claiming he had been given a new science to unveil the Truth. This book shows why his Latin andvernacular books cannot be read as if they had been written in isolation from one another. Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized theproduction and dissemination of his writings in a creative and unconventional fashion. At a time when learned texts and university culture were conveyed for the most part using the vehicle of Latin, he wrote a substantial proportion of his theological and scientific works in his maternal Catalan while, at the same time, he was deeply involved in the circulation of such works in other Romance languages. These circumstances do not preclude the fact that a considerable number of the titles comprising his extensive output of more than 260 works were written directly in Latin, or that he had various books which were originally conceived in Catalan subsequently translated or adapted intoLatin.
Lola Badia is a professor in the Catalan Philology Departament at the University of Barcelona.
Joan Santanach is Lecturer of Catalan Philology at the University of Barcelona.
Albert Soler (1963) is Lecturer of Catalan Philology at the University of Barcelona.
Crystal Anne Chemris
Góngora's Soledades and the Problem of Modernity
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Góngora's Soledades, the major lyric poem of the Spanish Baroque.
Combining philological rigor with a capacity to engage the most contemporary transatlantic and comparatist concerns, this work situates Luis de Góngora's Soledades within the problematic evolution of Hispanic modernity. As well as offering an insightful analysis of the Soledades as an expression of the Baroque crisis in all its facets -epistemological, ontological, cultural and historical - the author reads the fragmented lyric subject of Gongorist poetics back against Renaissance precursors [Rojas' Celestina and the poetry of Boscán and Garcilaso] and in anticipation of the truncated and isolated subject of modernity. The study concludes with an examination of the interaction between the legacies of Gongorism and French Symbolism in the work of selected poets of the Latin American Vanguard [Gorostiza, Paz and Vallejo].
CRYSTAL ANNE CHEMRIS is Visiting Assistant Professorof Spanish at the University of Iowa.
Javier Burguillo, María José Vega
Épica y conflicto religioso en el siglo XVI
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Representations of religious conflict in sixteenth-century Spanish epic poetry
Este libro analiza un corpus de textos épicos y propagandísticos que se escriben en las fronteras del imperio español en el siglo XVI. Examina la representación del conflicto religioso en Inglaterra, Alemania y Holanda durante losreinados de Carlos V y Felipe II, y se centra en tres episodios, difundidos capilarmente en la cultura visual y emocional europea y en torno a los cuales cristaliza la narración heroica: los martirios de cartujos y jesuitas en Inglaterra; la guerra de Esmalcalda; y el asedio de Amberes. El volumen considera las estrechas relaciones entre épica e historia; entre épica y cultura visual; y entre la poesía épica hispánica y la historia y la cartografíaiosa de Europa en unos años críticos en los que se construye la Iglesia Anglicana y se afianza el luteranismo en Alemania.
This book analyses a corpus of epic and propagandistic texts written at the margins of the Spanish empire in the sixteenth century. It examines the representation of religious conflict in England, Germany and Holland during the reigns of Charles V and Philip II, centring on three episodes widely disseminated in European visual and emotional culture and around which certain foundational Spanish heroic narratives emerged: the martyrdom of the Carthusians and Jesuits in England; the Schmalkaldic War; and the siege of Antwerp. The volume considers the close relationships between epic and history; between epic and visual culture; and between Hispanic epic poetry and the history and religious cartography of Europe during the critical years in which the Anglican Church was evolvingand Lutheranism gaining strength in Germany.
Emilio Peral Vega
Pierrot/Lorca
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Peral Vega explores the importance of Pierrot as a symbol of failure in matters of love in García Lorca's imagery and his literary and personal life.
Academic research has paid little attention to the importance of the figure of Pierrot in García Lorca's imagery and, above all, in his literary and personal life. An image of marginality and failure, Pierrot was soon taken over by Spanish intellectuals of the early twentieth century as a representation of the bohemian spirit and, corresponding to his marginal status in matters of love, as a symbol of furtive desires experienced by those whose sexuality had to remain silent. Consequently, García Lorca, as Pierrot, needs a mask to cover his identity, facing perpetual failure in his relentless pursuit of the other. As can be seen already from the poems, prose and plays of his youth,García Lorca outlines in Pierrot his innermost self, a trend that will continue in the aforementioned series of drawings and some of his major pieces, such as El público. Pierrot / Lorca: White Carnival of Black Desire aims, from a multidisciplinary perspective, to open new critical readings of both García Lorca's work and some episodes of his life; as with, for example, his relationship with Salvador Dalí, which can be presented in theatrical terms: Harlequin (Dalí) / Pierrot (García Lorca).
Emilio Peral Vega is Associate Professor of Spanish Literature at the Universidad Complutense de Madrid.
William H. Hinrichs
The Invention of the Sequel
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This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented.
This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. The author explores the rivalries between apocryphal and authorized sequelists that forged modern notions of authorship and authorial property. The book also defines the sequel's forms and functions, filling a major gap in literary theory in general and Peninsular literary studies in particular. Notably, the author demonstrates that the sequel develops first and foremost in Early Modern Spain, an unacknowledged and unexamined contribution to Western letters. With its panoramic scope, this study serves as an introduction to the central novelistic genres and texts of Early Modern Spain. From this foundational starting point, it alsooffers a general framework for understanding imaginative expansion in subsequent time periods and literary traditions. William H. Hinrichs is a founding faculty member and Assistant Professor of Modern Languages at Bard High School Early College, Queens.
Inma Ridao Carlini
Rich and Poor in Nineteenth-Century Spain
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A full exploration of Galdós's treatment of questions relating to the creation and distribution of wealth in the modern money-centred society of Restoration Spain.
Winner of the 2017 Peter Bly Award of the Asociación Internacional de Galdosistas
Rich and Poor follows Galdós's narrative of the ascent of the bourgeoisie in the speculative climate which resulted from the economic policies of the liberal State. The book also considers the way he portrays the consequences of these policies on the people left behind by the development of capitalism in Spain. Ridao Carlini brings recent scholarshipon nineteenth-century Spanish history together with a wealth of contemporary material--journalism, essays, pamphlets and costumbrista sketches of manner. In this way Galdós's novels are shown to participate in the varied currentsof critical thought - both conservative and socially radical--which questioned the theoretical basis of the Spanish liberal system from the mid-nineteenth century onwards. To this day no other critical work on Galdós has analysed the financial and economic aspects of Galdós's mature novels in the depth they deserve. Ridao Carlini shows that these aspects are central, both to the novels' narrative and to Galdós's understanding of Spanish society as the nineteenth century drew to a close. She also reveals Galdós's perception--one which he shares with other contemporary authors--that he was living through a time of unforeseeable social transformation. Galdós's work appears particularly relevant to us today, since we, like him, live in a time marked by a perception of social and economic uncertainty.
Inma Ridao Carlini is a Teaching Fellow in Hispanic Studies, University of Leicester.
Anne L. Walsh
Arturo Pérez-Reverte: Narrative Tricks and Narrative Strategies
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The complex narrative technique of one of Spain's most renowned contemporary authors.
The writings of Arturo Pérez-Reverte, one of Spain's most renowned contemporary authors, have been described as a minefield. This monograph examines the complexities behind the narrative technique employed in creating such a minefield, including an analysis of the role played by both male and female characters, the relevance of the past as a motif, and aspects of the role of storytelling in creating mystery where none should exist. Both Revertian novelsand journalistic writing are seen to be part of an over-all game which is played between their author and his readers. Film, too, forms part of the material reviewed as, though Pérez-Reverte is not a script writer, many films have been based on his novels. The text-centred analysis concludes that the themes of interest in all Revertian output revolve around two main areas: the significance of the past, whether historical, cultural, or literary, andthe role of the written word in communicating, in rescuing and in challenging versions of that past in order to combat what Pérez-Reverte terms 'dismemory'.
ANNE L. WALSH lectures in Hispanic Studies at University College, Cork.
Alison Sinclair
Writing Wrongdoing in Spain, 1800-1936
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Tracks the emergence and vicissitudes of attitudes to wrongdoing in Spain from the 19th century through the decades before the Civil War.
The international contributors to this volume explore the rich diversity of cultures and representations of wrongdoing in Spain through the 19th century and the decades up to the Civil War. Their line of enquiry is predicated on the belief that cultural constructions of wrongdoing are far from simple reflections of historical or social realities, and that they reveal not a line of historical development, but rather variation and movement. Voices and discourses arise in response to the social phenomena associated with wrongdoing. They set out to persuade, to shock, to entice, and in so doing provide complex windows on to social aspiration and desire. The book's three sections (Realities, Representations, and Reactions) offer distinct points of focus, and move between areas where control is paramount and on the agenda from above and those where the subtleties of emotional response take pride of place.
Alison Sinclair was Professor of Modern Spanish Literature and Intellectual History at the University of Cambridge until retirement in 2014.
Samuel Llano is a Lecturer in Spanish Cultural Studies at the Universityof Manchester.
Stéphanie Panichelli-Batalla
El testimonio en la pentagonía de Reinaldo Arenas
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Un análisis detallado de la Pentagonía del autor cubano Reinaldo Arenas.
An in-depth analysis of Cuban author's Reinaldo Arenas's Pentagony.
Este libro presenta un análisis detallado de la Pentagonía de Reinaldo Arenas, que incluye las novelas Celestino antes del alba, El palacio de los blanquísimas mofetas, Otra vez el mar, El color del verano, y El asalto. A través del uso de la ficción, Arenas ofrece un testimonio de la opresión que sufrió en Cuba como escritor homosexual durante los años sesenta y los setenta. Este libro pone de relieve el hecho de que, aunque su trabajo no cumpla con las pautas de la novela testimonial cubana, le da una voz a aquellos que fueron silenciados por el gobierno revolucionario. Los dos primeros capítulos ofrecen una visión general de los géneros literarios relevantes para este estudio, como la autobiografía, la novela autobiográfica y la novela testimonial, así como del contexto socio-histórico de la Pentagonía. Posteriormente, este estudio analiza en detalle cada novela por separado, y ofrece una visión dentagonía en su conjunto.
Stéphanie Panichelli-Batalla es profesora titular de español y estudios latinoamericanos en la Universidad de Aston.
This book presents an in-depth analysis of Reinaldo Arenas's Pentagony, which includes the novels Singing from the Well, The Palace of the White Skunks, Farewell to the Sea, The Color of Summer, and The Assault. Through the use of fiction, Arenas offersa testimony of the oppression he suffered in Cuba during the sixties and the seventies as a homosexual writer. This book highlights the fact that although his work does not comply with the guidelines of the Cuban documentary novel, it does give a strong voice to those who were silenced by the Revolutionary government. The first two chapters provide an overview of literary genres relevant to this study, such as the autobiography, autobiographical novel anddocumentary novel, as well as the socio-historical context of the novels. Subsequently, this study looks in detail at each novel separately, offering a comprehensive overview of the Pentagony as a whole.
Stéphanie Panichelli-Batalla is a Lecturer of Spanish and Latin American Studies at Aston University.
Federico Bonaddio
Federico García Lorca
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Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936. This book shows just why his fame has endured, through an exploration of his most popular works.
Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936: poet, playwright, political martyr, gay icon, champion of women, defender of the oppressed. This book guides readers through the key themes and concerns in Lorca's work. It demonstrates how Lorca applied his poetic sensibilities and lyrical craft to what were, in essence, tangible, real-life issues: the plight of Andalusia's Romani people, the idea of modernity and the condition of women in Spain. What becomes evident is that, even though he was writing at a time when many writers and artists were less inclined to deal directly with the things of the world, Lorca maintained a profound interest in the human subject and in the world around him. It is this interest, the book argues, in tandem with his poetic vision and craft, that ensured his most popular works' enduring, universal appeal.
Beatriz Tadeo Fuica
Uruguayan Cinema, 1960-2010
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An original and groundbreaking historiography on fifty years of Uruguayan cinema.
Runner-up for the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland
This book presents an original historiography on fifty years of Uruguayan cinema. It is the first English language academic book in which Uruguay becomes a case study to reflect upon broader interests of both Film and Latin American Studies, such as the conditions of film archives, the many materialities of film, the relationshipbetween film and politics, and the ways in which films are produced in countries without a mainstream film industry. Uruguayan cinema has recently begun to capture the attention of academics and critics. However, most of Uruguayan productions remain ignored and forgotten, and have not been explored in depth. This ground-breaking investigation unearths films and videos from private and public archives, made in both amateur and professional settings, to reflect upon the ever-changing nature of the concept of cinema. How is the concept of cinema defined in non-industrial contexts? Can we even talk about cinema, when most of the production was captured in small-gauge film and video? In seeking to answer these questions, this book uncovers the tensions behind the text and the - filmic, magnetic or digital - materiality of films. Detailed case studies are based on the analysis of the political, cultural and economic contexts of film production and current issues of accessibility.
Beatriz Tadeo Fuica is an Associate Researcher in the Grupo de Estudios Audiovisuales (GESTA), Universidad de la República (Uruguay); and atthe Centre d'histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines.
John V. Fleming
Luis de Camões
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Fleming masterfully demonstrates Camões's debt to, and participation in, the long and continuing traditions of "spiritual" or allegorical scriptural exegesis in the European Middle Ages and Renaissance.
Second in its fame only to the Lusiads within Camões's large body of poetry, "Sôbolos rios" ("Babylon and Zion") in redondilhas is a philosophically ambitious masterwork of Christian humanism that draws from the psalm Super flumina Babylonis both a general theory of poetry and an intensely focused meditation upon the shape of an individual poet's career. Bringing to bear upon the poem the several learned traditions the poet demands, Fleming's study relates the poem to the traditions of allegorical scriptural exegesis characteristic of the Middle Ages and Renaissance. Specific subjects include the centrality of the psalms and the image of David to European poets, therelation of pagan myth to biblical truth, the complexity and purposefulness of Camoes's intertextual strategies, the underappreciated influence on Camões of Juan Boscán, the exegetical control of the poem's elaborate numerological schemes, and the concept of palinode as literary genre and personal moral statement.
John V. Fleming is the Louis W. Fairchild Professor of English and Professor of Comparative Literature emeritus at Princeton University.
Paul Julian Smith
Mexican Genders, Mexican Genres
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Gender representation in Mexico's contemporary audio-visual landscape
This book focusses on gender and the audio-visual landscape of Mexico since 2010, examining popular culture as expressed in the still distinct but rapidly converging media forms of cinema, television, and streaming platforms. It tracks how changes in producers and genres coincide with changes in gender representations and engages with depictions of feminism, women's sexuality, masculinity, and teen homosexuality. It aims to move beyond the art, auteur or specialist film that is vaunted by film festivals but little seen by Mexicans at home, focussing instead on a wider world of media content and practices available in Mexico itself. Close attention is also paid to the social media footprint of the productions studied and the way it is used for promotion and engagement with the target audience. The book proposes a new approach to audio-visual studies, combining textual analysis with field surveys and the useof industrial sources perhaps unfamiliar to scholars in Anglo-American Hispanism and Latin American media studies in the UK and USA
Sophie Dufays
El niño en el cine argentino de la postdictadura (1983-2008)
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Este libro delinea el papel del niño en el cine argentino de la post-dictadura. Interprets the allegorical role of the child character in Argentine cinema of the post-dictatorship era.
Este libro constituye la primera monografía dedicada al papel del niño en el cine latinoamericano. El análisis detallado de una decena de películas argentinas de la post-dictadura dirigidas entre 1983 y 2008, incluyendo tanto clásicas (La historia oficial, Un lugar en el mundo) como olvidadas (Amigomio, El rigor del destino), revela cómo la mirada y el lenguaje del niño son puestos al servicio de una alegoría nostálgica, estructurada en tornoa la memoria o al lenguaje verbal y vinculada a la figura del padre ausente. Dufays combina los análisis fílmicos con una amplia reflexión teórica sobre las cuatro nociones clave de alegoría, melancolía, nostalgia y duelo yrticula con una genealogía de la figura alegórica del niño en las tradiciones narrativas latinoamericanas. Este recorrido permite al lector explorar las significaciones simbólicas y discursivas que el personaje infantil, la infancia y la familia han adquirido en el cine y en el contexto postdictatorial argentino.
Sophie Dufays es investigadora postdoctoral del Fondo Nacional de Investigación Científica de Bélgica, en la Universidad de Louvain-la-Neuve. This book is the first monograph devoted to the role of the child in Latin American cinema. Through close analysis of about ten Argentine fiction films of the post-dictatorship period directed between 1983 and 2008, including both classic such as The Official Story and A Place in the World) and forgotten works such as Amigomío and El rigor del destino. Dufays shows how the child's gaze and language are a meansof focusing a nostalgic form of allegory, structured around either memory or verbal language, and related to the figure of the absent father. In combining these analyses with a wide theoretical articulation of four key notions (allegory, melancholy, mourning and nostalgia) and with a genealogy of the allegorical child character in Latin American narrative traditions, Relatos de infancia allows the reader to explore the meanings that childhood and family have come to acquire in cinema, particularly in the Argentine post-dictatorial context.
Sophie Dufays is a FNRS Postdoctoral Researcher (Belgian National Fund for Scientific Research) at the University of Louvain-la-Neuve.
Patricia N. Klingenberg, Fernanda Zullo-Ruiz
New Readings of Silvina Ocampo
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Argues for Ocampo's multifaceted development of ambiguity in various media and genres on the levels of language, plot and gender.
The critical essays in this volume are dedicated to the works of Argentine writer Silvina Ocampo (1903-1993) and introduce readers more fully to a figure who has long been a kind of insider's secret among intellectuals of her country. As the title suggests, the purpose of the volume is to move beyond the codification of Ocampo's use of the supernatural, an early oversimplification of her work. The essays address the quirkiness, cruelty, violence, and overtsexuality of her works, elements which have impeded a full understanding of her creative vision. Here it becomes clear that Silvina Ocampo was a co-contributor to the literary enterprise of the Sur generation, which produced Jorge Luis Borges, Adolfo Bioy Casares, and Victoria Ocampo, and had a profound influence on writers of the younger generation, such as Alejandra Pizarnik, Sylvia Molloy, Marjorie Agosín and others.
Patricia N. Klingenbergis Professor of Latin American literature at Miami University, Oxford, Ohio.
Fernanda Zullo-Ruiz is Associate Professor of Spanish at Hanover College in Hanover, Indiana.
Julian Weiss
The Mester de Clerecía: Intellectuals and Ideologies in Thirteenth-Century Castile
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A fresh approach to the mester de clerecía, a group of narrative poems (epics, hagiography, romances) composed in thirteenth-century Spain by university-trained clerics for the edification and entertainment of the predominantly illiterate laity.
In the thirteenth century, profound changes in Spanish society drove the invention of fresh poetic forms by the new clerical class. The term mester de clerecía (clerical ministry or service) applies to a group of narrativepoems (epics, hagiography, romances) composed by university-trained clerics for the edification and entertainment of the predominantly illiterate laity. These clerics, like Gonzalo de Berceo, understood themselves as cultural intermediaries, transmitting wisdom and values from the past; at the same time, they were deeply involved in some of the most contentious and far-reaching changes in lay piety, and in economic and social structures. The author challenges the predominantly didactic approach to the verse, in an attempt to historicize the category of the intellectual, as someone caught in the duality of the worlds of contingency and absolute values. The book will have a broad appeal to medievalists, in part because of the topics covered (feudalism, gender, nationhood, and religion), in part because many poems are either adaptations from French and Latin or have counterparts in other literatures (e.g., the romances or Alexander and Apollonius, the miracles of the Virgin Mary).
JULIAN WEISS is Professor of Medieval and Early Modern Spanish at King's College London.
Ted L. L. Bergman
The Criminal Baroque
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A close examination of the representation of criminals in the understudied theatrical genres of the jácara and comedias de valentones.
Early Modern Spanish theatre is viewed by many scholars as entertaining propaganda that channelled the emotions and beliefs of the masses into mechanisms for social control. This book questions such an interpretation by examining the portrayal of criminal heroes on stage and public spectacles of law enforcement outside of the playhouse.
The book is structured in a way that moves between analyses of theatre, crime, and law enforcement while covering the intersections between these three phenomena. Through examples that range from dancing pimps to brawling kings, this study reveals that the propaganda power of early modern Spanish spectacle has been vastly overstated.
Stephen M. Fay
Liminality in Cuba's Twentieth-Century Identity
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Presents research conducted in three difficult-to-access Cuban archives with rare textual resources, upon which very little analysis has ever previously been published.
This book offers an innovative and provocative analysis of the much-studied Cuban Revolution by reminding us that Fidel Castro's was actually the second of the island's twentieth-century revolutions. By bringing 1959 into criticalcommunication with the revolution of 1933, the book explores Cuba's trajectory from colony to republic to revolution, not as a linear inevitability, but as a rite of collective passage punctuated by turning points in which publicdebate turned to almost obsessive reflection on national 'identity' and national 'destiny'. In re-reading important works of many of Cuba's most significant intellectual and political figures, whilst also revealing little known but truly transcendental contributions to the collective narrative during both revolutionary periods, this book makes a major contribution to a more complex, nuanced and sophisticated understanding of Cuban cultural history and Cuban national identity in the twentieth century. In both periods, the book reveals revolutionary zeal challenged by dogged ambivalence, nihilism undercut by remembrance, the teleological pursuit of 'The End' of the national narrative displaced by 'An End', always and forever 'to be continued'.
STEPHEN M. FAY is a Lecturer in Spanish at Aston University.
Simon David Breden
The Creative Process of Els Joglars and Teatro de la Abadía
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Breden shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product.
The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abadía seeksto redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results forthe audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product.
Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.
María Soledad Fernández Utrera
Buñuel en Toledo
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A close analysis of Buñuel's and the Order of Toledo's making of iconoclastic public art.
In 1923, Luis Buñuel established the Order of Toledo, a parody order of knights whose members included Salvador Dalí, García Lorca, and Rafael Alberti. Together, they often visited the ancient Spanish capital to stroll through itslabyrinthine streets. But these excursions on the part of Buñuel and the Brotherhood were more than simple episodes of cultural sightseeing; they were happenings, public interventions in space. This book explores the anti-artistic aspect of these activities and urban perambulations. Are these practices similar to the flânerie of the Dadaists and French Surrealists? Taking into account their liberal, Spanish context, what was new about them, and what did they mean? Does their aesthetic experimentation make for ideological radicalism? And what impact do these first steps have on Buñuel's subsequent work and his later ideological trajectory?
María Soledad Fernández Utrera is Associate Professor of Spanish at The University of British Columbia.
T. E. Bell
Galdós and Darwin
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Darwinian theory - the big idea of the nineteenth century - and its impact on the writing of Benito Pérez Galdós.
Despite the fact that Darwinian theory was perhaps the big idea of the nineteenth century, most critics in the past have assumed that Benito Pérez Galdós would have remained unaffected by this scientific and philosophical revolution. This work contends otherwise, charting the influence of evolutionary theories on Galdós throughout his literary career. From his adaptation of the early nineteenth-century costumbristas' depiction of social species into a more sophisticated portrayal of Madrid society to his treatment of shifting social forces at a time of major socio-economic change, Galdós's outlook is shown to be deeply enmeshed in the Darwinian debate. Attention is paid not only to the hypotheses of Darwin himself, but also for instance to Ernst Haeckel's evolutionary thought, to Herbert Spencer's social Darwinism, and to the radical histology of Santiago Ramón y Cajal. Galdós and Darwin discusses how Spain's greatest novelist since Cervantes imaginatively reworked these epoch-making theories and investigates the impact of science on culture as the Spanish nation approached the twentieth century.
T. E. BELL completed his Ph.D. under the supervision of Professor Nicholas Round at Sheffield University.
Nicola Jones
Imagining Latin America
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A new and innovative approach to Latin American Studies which makes an important contribution to contemporary debates about cultural appropriation and the integration of immigrant communities
Winner of the 2016-17 AHGBI/Spanish Embassy Publication Prize
This book focuses on the contemporary production and consumption of Latin American culture in the UK through the lens of the ¡Viva! Film Festival in Manchester. It offers a comprehensive analysis of how the British press has used the framework of magical realism to interpret Latin America for readers and applies these findings to the festival in order to explore deeper questions of identity formation and cultural appropriation. The book traces the growth of Latin American communities in Britain; the popularity of Latin American literature, music, and film in many of the country's largest cities, including London and Manchester; and shows how people in Britain who do not have Latin American origins consume Latin American culture to reconcile issues of self-identity and cosmopolitanism. Imagining Latin America presents a new and innovative approach to Latin American Studies and makes an important contribution to contemporary debates about the cultural integration of immigrant communities and transnational exchange.
Geraldine Coates
Treacherous Foundations
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Representations of treachery in medieval and early modern Spain.
Treacherous Foundations is the first sustained study of the theme of treachery in the founding myths of the Iberian Peninsula. It considers literary versions, in epic, chronicle and theatre, of the legends of Fernán González, Bernardo del Carpio and King Sancho II from medieval and early modern Spain and compares the representation of treachery across two critical periods in Spanish history, assessing its political, ideological, and cultural function. This book explores the role played by representations of treachery in foundational texts in highlighting the ideological tensions that arise from movements toward the creation of collective identities. It discusses in particular visions of nationhood and the monarchical state in the thirteenth and late sixteenth centuries. The theme of treachery is expanded to cover all aspects of treason and political disloyalty and, engaging with loyalty, trust and the nature of kingship, the volume sheds new light on aspects of Spanish cultural and political history, and provides insight into the nature of myth and collective memory, historical change and the collective response to crisis.
GERALDINE COATES lectures in Medieval Spanish Literature at the University of Oxford.
Trevor J. Dadson
Tolerance and Coexistence in Early Modern Spain
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Challenges the view that that the Moriscos of Spain made little or no attempt to assimilate to the majority Christian culture around them, and that this led to their expulsion between 1609 and 1614.
There has been a widely-held consensus among historians that the Moriscos of Spain made little or no attempt to assimilate to the majority Christian culture around them, and that this apparent obduracy made their expulsion between1609 and 1614 both necessary and inevitable. This book challenges that view. Assimilation, coexistence, and tolerance between Old and New Christians in early modern Spain were not a fiction or a fantasy, but could be a reality, made possible by the thousands of ordinary individuals who did not subscribe to the negative vision of the Moriscos put around by the propagandists of the government, and who had lived in peace and harmony side by side for generations. For some, this may be a new and surprising vision of early modern Spain, which for too long, and thanks in large part to the Black Legend, has been characterized as a land of intolerance and fanaticism. This book will help to rebalance the picture and show sixteenth- and seventeenth-century Spain in a new, infinitely richer and more rewarding light. Trevor J. Dadson FBA is Professor of Hispanic Studies at Queen Mary, University of London, andis currently President of the Association of Hispanists of Great Britain & Ireland. In 2008 he was elected a Fellow of the British Academy.
Lesley K. Twomey
The Sacred Space of the Virgin Mary in Medieval Hispanic Literature
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An examination of typology about place in relation to the Virgin Mary.
This book takes a fresh look at some of the seemingly tired images of the Virgin Mary across the medieval and early Golden Age period in Hispanic literatures. It explores the Virgin as a gateway and as a Temple, as a garden and asa fountain, as a scented space, and as a strong defensive place (fortress or castle wall). It also explores her as a home and as a nuptial bedchamber, and sets these images in the context of known liturgical usage in medieval andearly modern Spain.
LESLEY TWOMEY is Professor of Medieval and Golden Age Art and Literature at Northumbria University. She is the author of several books about peninsular Marian literature.
Noelia S. Cirnigliaro
Domus
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Domus estudia la representación de la casa nobiliaria urbana en la narrativa corta y el teatro del siglo XVII en España. Analiza aspectos materiales y simbólicos del terreno premoderno de lo habitable como arquitectura y decoración del hogar, la división del género, la economía doméstica y la idea de lo privado y lo público.
Domus
Domus aborda ejemplos de la dramaturgia y la narrativa corta del siglo XVII español en tanto formas estéticas que respondieron al desarrollo del mundo doméstico nobiliario y urbano de la Península Ibérica. Propone un recorrido por el terreno de lo habitable, incluyendo la arquitectura y decoración interior de la casa, las dinámicas de género, la economía doméstica y la utilización de los objetos, la luz y el espacio, deteniéndose en aspectcos que transformaron el hogar de la temprana modernidad así como también la imaginación creativa de los autores barrocos. Este estudio señala que la comedia urbana, el teatro breve y la novela cortesana ilustran tanto la importancia de temas domésticos en la ficción, como la percepción barroca de que la casa fue un escenario único para teatralizar la domesticidad.
Domus delves into examples of the drama and short fiction of seventeenth-century Spanish as aesthetic forms that responded to the development of the nobility and urban domestic world of the Iberian Peninsula. The book offers a journey through the realm of the habitable, including architecture and the interior decoration of the house; gender dynamics; domestic economy and the use of objects; and light and space, stopping along the way to consider the historical aspects that transformed the early modern home as well as the creative imagination of the authors of the Baroque. This study shows that urban comedy, theater and the courtly novel illustrate both the importance of domestic issues in fiction and the Baroque perception that the house was a unique stage for dramatizing domesticity.
Noelia S. Cirnigliaro es Profesora Asociada en el Departamento de español y portugués en Dartmouth College.
. Noelia S. Cirnigliaro is Associate Professor in the Department of Spanish and Portuguese at Dartmouth College.
Stewart King
Escribir la catalanidad
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This study explores the interaction of language, culture and identity in contemporary Catalonia and rejects the exclusion of Castilian as a language capable of expressing 'Catalan-ness'.
This study, charting the construction of a Catalan identity from the nineteenth-century cultural renaissance until the present day, explores the interaction of language, culture and identity in contemporary Catalonia. Drawing on postcolonial and multicultural literary theories, it argues that Castilian- and Catalan-language narratives are expressions of the same culture. Through detailed analyses of texts by Terenci Moix, Francisco Candel, Ignasi Riera, Montserrat Roig, Juan Marsé, Ramon Pallicé, and Manuel Vázquez Montalbán, among others, the author demonstrates that such writers share similar preoccupations and points of view and also engage in a complex literary and cultural dialogue that cuts across the established linguistic divisions that characterise cultural politics in Catalonia. The Catalan literary establishment's exclusion of Castilian as a language capable of expressing 'Catalan-ness' ischallenged and the author proposes redefining traditional understandings of Catalan literature to take into account texts produced by all members of Catalan society.
Stewart King is a lecturer in Hispanic Studies at Monash University, Australia.
James O. Crosby
Indice onomástico, toponímico y bibliográfico de las Cartas de Jesuitas, 1634-1648
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Acceso fidedigno y comprensivo a las 3.451 páginas de los siete tomos impresos de la correspondencia de los Jesuitas españoles.
La exactitud y la precisión de las noticias recogidas por los Jesuitas en estas cartas han sido elogiadas por historiadores de la talla de Gregorio Marañón y Pascual de Gayangos. Hace 16 años Crosby compiló este Indice parasu propia utilidad al anotar una serie de 28 cartas desconocidas de Quevedo, redactadas en la cárcel. Como se trata de un período importantísimo en la historia de Europa, y puede ser de gran utilidad a otros investigadores, Crosby decidió publicarlo para ofrecerles acceso a las 3.451 páginas de los siete tomos impresos de la correspondencia de los Jesuitas españoles a través de un índice fidedigno y completo. El Indice onomástico, toponímicoráfico abarca el texto completo de los siete tomos y todo el extenso aparato crítico de su editor, Pascual de Gayangos. La Bibliografía identifica y cuando es posible localiza ejemplares de los 560 documentos impresos ymanuscritos citados por Gayangos y los Jesuitas. Todas las fichas de personas importantes llevan notas extensas sobre sus carreras.
JAMES O. CROSBY es profesor emérito en la Florida International University.
Rachel Scott
Celestina and the Human Condition in Early Modern Spain and Italy
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Explores Celestina's role as a key interlocutor in European literature and thought in the context of debates about the human condition.
Winner of the 2015 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland.
Celestina by Fernando de Rojas is a canonical work of late medieval Spanish literature and one ofthe earliest European "best-sellers". However, while we have clear evidence of its popularity and influence, scholarship has not adequately answered the question of why it continued to hold such appeal for early modern audiences.This book explores Celestina's role as a key interlocutor in European literature and thought; it argues that the work continued to be meaningful because it engaged with one of the period's defining preoccupations: the human condition, an idea often conceptualised in pro et contra debates about the misery and dignity of man. Taking an ideological and comparative approach that focuses on Celestina's reception in sixteenth-century Spain and Italy, it reads Rojas's work against a network of texts that were translated and printed concurrently in both peninsulas yet which have not previously been examined in depth or detail alongside it, including Baldassare Castiglione'sIl Cortegiano, Fernán Pérez de Oliva's Diálogo de la dignidad del hombre, and Pietro Aretino's Vita delle puttane. Each chapter explores themes common to sixteenth-century debates about the human condition, such as self-knowledge, self-fashioning, the formative role of language, the tension between freedom and constraint, as well as the access to knowledge provided by vernacular fiction in the context of early modern censorship.
Rachel Scott is a Postdoctoral Research Associate at King's College London.
María Encarnación López
Homosexuality and Invisibility in Revolutionary Cuba
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Offers alternative insights into the complex relationship between politics and intelligentsia in revolutionary Cuba.
This work offers an alternative insight into the longstanding and conflicting relationship between politics and the (gay) intelligentsia in Cuba by looking closely at political texts, film, documentaries and literature from priorto Fidel Castro's regime until the present day. The book offers new readings of the work, letters and interviews of two influential voices, Reinaldo Arenas and Tomás Gutiérrez Alea. Arenas's material reveals a new account of the nature of 'the voice of the invisibles' and the key elements of the construction of a Cuban national rhetoric that looks at (governmental) power and (gay) resistance as being in perpetual tension, which often increases the feelingof moral panic and even social exclusion and displacement among citizens. The book also offers a new interpretation of Gutiérrez Alea's renowned film Fresa y Chocolate (1994), resulting from the use of unpublished and revealing testimonies of the Cuban dance critic and writer Roger Salas and the secret messages inferred in his short story 'Helados de pasión: El cordero, la lluvia y el hombre desnudo' (1998).
Dr MARIA E. LÓPEZ is a Senior Lecturer in Cultural Studies and Sociology at London Metropolitan University and an Associate Fellow at the Institute of Latin American Studies at the University of London.
Carolina Orloff
The Representation of the Political in Selected Writings of Julio Cortázar
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OrIoff shows that Cortázar did not become a political writer as a result of the Cuban Revolution, as is often claimed, but rather that the representation of the political was present in Cortázar's very first writings.
The book analyses the evolution of the representation of distinct political elements throughout Cortázar's writings, mainly with reference to the novels and the so-called collage books, which have so far received only limited critical attention. The author also alludes to some short stories and refers to many of Cortázar's non-literary texts. Through this chosen corpus, the book follows a thematic thread, showing that politics was present in Cortázar's fiction from his very first writings, and not - as he himself tended to claim - only following his conversion to socialism. The study aims to show that contrary to what many critics have argued, this political conversion did not divide the writer into an irreconcilable before and after - the apolitical versus the political - but rather it simply shifted the emphasis of the representation of the political that already existed in Cortázar's writings.
Carolina Orloff is an independent scholar working on research projects in the UK and in Argentina.
Robert Ruz
Contemporary Peruvian Narrative and Popular Culture
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The first book-length study of modern Peruvian narrative and its resurgence in the 1990s, focussing on Jaime Bayly, Iván Thays and Jorge Eduardo Benavides.
This book provides the first look at the dynamic resurgence of Peruvian narrative since the late 1990s. Talk-show host Jaime Bayly's seven novels have scandalized Lima's society with their treatment of homosexuality and haveattracted record sales throughout the Spanish-speaking world with their exciting re-creation of Lima slang and focus on McOndo themes. University lecturer Iván Thays has vigorously opposed this light narrative by providinga "high" cultural alternative. His three novels have played an important role in the regeneration of Peruvian culture since the fall from power of President Alberto Fujimori. Madrid-based Jorge Eduardo Benavides' narrative has offered an aesthetically challenging and explicitly politicized alternative. His marrying of aesthetics and politics stands in importance alongside Mario Vargas Llosa and José María Arguedas in terms of the mediation between cultureand politics in Peru since the 1930s..
ROBERT RUZ completed his PhD at Cambridge University under the supervision of Geoffrey Kantaris.
En este libro se ofrece la primera perspectiva del dinámico resurgimiento que ha experimentado la narrativa peruana desde finales de la década de los noventa. Las siete novelas de Jaime Bayly, presentador de televisión, han escandalizado a la sociedad limeña debido al tratamiento que en ellas se da al tema de la homosexualidad y han generado un récord de ventas por todo el mundo de habla hispana debido a su apasionante recreación del argot limeño y a su concentración en los temas del grupo McOndo. El profesor de universidad Iván Thays se ha opuesto firmemente a esta literatura light, ofreciendo en su lugar una alternativa culta. Sus tres novelas han desempeñado un importante papel en la regeneración de la cultura peruana desde la caída del poder del Presidente Alberto Fujimori. La narrativa de Jorge Eduardo Benavides, radicado en Madrid, ha presentado una alternativa estéticamente estimulante y explícitamente politizada. Por lo que respecta a la mediación entre la cultura y la política en el Perú desde la década de los años treinta, la labor de unificación de la estética y la política de Benavides se halla, en cuanto a importancia, al nivel de Mario Vargas Llosa y José Marí
Keith David Howard
The Reception of Machiavelli in Early Modern Spain
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Howard demonstrates that Machiavellian discourse had a profound impact on early modern Spanish prose treatises.
Arguing against historians of Spanish political thought that have neglected recent developments in our understanding of Machiavelli's contribution to the European tradition, the thesis of this book is that Machiavellian discoursehad a profound impact on Spanish prose treatises of the sixteenth and seventeenth centuries. After reviewing in chapter 1 Machiavelli's ideological restructuring of the language of European political thought, in chapter 2 Dr. Howard shows how, before his works were prohibited in Spain in 1583, Spaniards such as Fadrique Furió Ceriol and Balthazar Ayala used Machiavelli's new vocabulary and theoretical framework to develop an imperial discourse that would be compatible with a militant understanding of Catholic Christianity. In chapters 3, 4 and 5 he demonstrates in detail how Giovanni Botero, Pedro de Ribadeneyra, and their imitators in the anti-Machiavellian reason-of-state tradition in Spain, attack a straw figure of Machiavelli that they have invented for their own rhetorical and ideological purposes, while they simultaneously incorporate key Machiavellian concepts into their own advice.
Keith David Howard is an Assistant Professor of Spanish at Florida State University.
Anne Holloway
The Potency of Pastoral in the Hispanic Baroque
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A careful re-evaluation of pastoral poetics in the early modern Hispanic literature of Spain and Latin America.
In her analysis of the verse of representative poets of the Hispanic Baroque, Holloway demonstrates how these writers occupy an Arcadia which is de-familiarised and yet remains connected to the classical origins of the mode. Herstudy includes recent manuscript discoveries from the Spanish Baroque (Fábula de Alfeo y Aretusa, now attributed to the Gongorist poet Pedro Soto de Rojas), the poetry of Luisa de Carvajal y Mendoza and Francisco de Quevedo. The study considers pastoral as a global cultural phenomenon of the Early Modern period, its reverberations reaching as far as Viceregal Peru. The tradition of the pastoral as a site for the discussion of 'great matters in theforest' has deep roots, and re-emerges to praise the urban hearts of empire. Furthermore, it proves to be a site of spiritual encounter--a poetic space that frames the staging of indigenous conversion in the poetry of Diego Mexiaand Fernando de Valverde. Within the intricacies of this literary construct, surface artistry sustains an effect of artless innocence that is vibrantly contested across the secular, sacred, parodic and colonial text.
Anne Holloway is a Lecturer in Spanish, Queen's University Belfast.
