An examination of the ways in which the fluid concept of "chivalry" has been used and appropriated after the Middle Ages.
One of the most difficult and complex ethical and cultural codes to define, chivalry has proved a flexible, ever-changing phenomenon, constantly adapted in the hands of medieval knights, Renaissance princes, early modern antiquarians, Enlightenment scholars, modern civic authorities, authors, historians and re-enactors. This book explores the rich variations in how the Middle Ages were conceptualised and historicised to illuminate the plurality of uses of the past. Using chivalry as a lens through which to examine concepts and uses of the medieval, it provides a critical assessment of the ways in which medieval chivalry became a shorthand to express contemporary ideals, powerfully demonstrating the ways in which history could be appropriated. The chapters combine attention to documentary evidence with what material culture can tell us, in particular using the built environment and the landscape as sources to understand how the medieval past was renegotiated. With contributions spanning diverse geographic regions and periods, it redraws current chronological boundaries by considering medievalism from the late Middle Ages to the present.
Katie Stevenson is Senior Lecturer in Late Mediaeval History and Director of the Institute of Scottish Historical Research at the University of St Andrews; Barbara Gribling is a Junior Research Fellow in the Department of History at Durham University.
Contributors: David W. Allan, Stefan Goebel, Barbara Gribling, Steven C. Hughes, Peter N. Lindfield, Antti Matikkala, Rosemary Mitchell, Paul Pickering, Katie Stevenson
George Kennaway
John Gunn: Musician Scholar in Enlightenment Britain
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Examines the life and work of Scottish cellist and antiquarian John Gunn (1766-1824) through newly discovered sources.
The Scottish cellist and antiquarian John Gunn (1766-1824) is unique among British writers on music in the late eighteenth and early nineteenth century. Learned and practical, at home in classical and modern languages, knowledgeable in a wide range of musical topics and with even wider-ranging interests, and committed to the ideal of progress through rational thought, he typified the Enlightenment. His published output was large and diverse: a cello treatise in two quite different editions; two books on the flute and one on the piano; a treatise on figured bass; a history of the harp in the Highlands; and a translation of a French work of music theory. The list of his unrealised publications is even longer, including a proof of the oriental origins of the Scots. He married Anne Young, a well-known Edinburgh piano teacher, and his letters cast new light on the circumstances and date of her death. Taking account of Gunn's diverse experiences as a musician-scholar in Cambridge, London and Edinburgh, studying his sundry occupations, and exploring his social connections through a recently unearthed cache of his letters, this study moves away from 'treatise archaeology' and offers a broader view than is usually possible with such figures. The book will be of interest to those studying historical performance practice, music education in Enlightenment Britain, and the dissemination of Enlightenment thought.
Roger Leech
The Colonial Landscape of the British Caribbean
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New research on the archaeology of the colonial landscapes of the Caribbean.
This volume brings together new research on the archaeology of the colonial landscape of the Caribbean. It focusses on the seventeenth and eighteenth centuries and on the British Caribbean: notably Bermuda, Jamaica, Florida, Barbados, Antigua, and especially St. Kitts and Nevis. Chapters cover a wide range of landscapes - domestic, military and industrial - and interests, including the archaeology and architecture of African-Caribbean slavery and emancipation, European settlements, sugar production, burial grounds, cartography, fortifications and trade.
Paul Brassley, David Harvey, Matt Lobley, Michael Winter
The Real Agricultural Revolution
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An investigation into farming practices throughout a period of seismic change.
WINNER of the British Agricultural History Society's 2022 Thirsk Prize WINNER of the 2022 CHOICE Outstanding Academic Title Award
"This meticulously researched book gives a detailed and authoritative history of agricultural change in the second half of the twentieth century. The book skilfully weaves together the hitherto underexplored individual returns of the Farm Management Survey with oral histories of the farmers who enacted change on the ground to offer an incisive account of the complex technological, political and cultural developments which gave rise to some of the greatest changes in English farming history. It will stand as the key reference point for those with an interest in the history of agricultural change in Britain." Professor Mark Riley, University of Liverpool
At the outbreak of the Second World War in 1939 British agriculture was largely powered by the muscles of men, women, and horses, and used mostly nineteenth-century technology to produce less than half of the country's temperate food. By 1985, less land and far fewer people were involved in farming, the power sources and technologies had been completely transformed, and the output of the country's agriculture had more than doubled. This is the story of the national farm, reflecting the efforts and experiences of 200,000 or so farmers and their families, together with the people they employed. But it is not the story of any individual one of them. We know too little about change at the individual farm level, although what happened varied considerably between farms and between different technologies.
Based on an improbably-surviving archive of Farm Management Survey accounts, supported by oral histories from some of the farmers involved, this book explores the links between the production of new technologies, their transmission through knowledge networks, and their reception on individual farms. It contests the idea that rapid adoption of technology was inevitable, and reveals the unevenness, variability and complexity that lay beneath the smooth surface of the official statistics.
Hedy Law
Music, Pantomime and Freedom in Enlightenment France
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How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?
This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the Old Regime, to revive a lost art called 'pantomime' for their compositions. In musical settings of pantomimes in French operas and instrumental works, leading composers of the time - Rameau, Rousseau, Gluck, and Salieri - used pantomime as a type of expressive dance and acting style that marked an aesthetic rupture between Louis XIV's absolutist governance and the Enlightenment ideals of free expression. In musical settings of pantomime, these composers cultivated various forms of freedom theorized in Enlightenment writings: artistic freedom for the composer; freedom as self-governance; interpretive freedom for spectators; freedom of action for performers; and freedom from dance convention. Thus, pantomime was not only a dance genre; it also functioned as an expressive medium for top performers and invited spectators to draw their own interpretative conclusions. Placing the cultural phenomenon of pantomime in the intellectual context of the Enlightenment, the book explains how composers helped develop thinking and feeling subjects in pre-Revolutionary France.
G.A. Loud
The Social World of the Abbey of Cava, c. 1020-1300
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A pioneering, comprehensive investigation into a major Italian monastery.
The Benedictine abbey of Holy Trinity, Cava, has had a continuous existence since its foundation almost exactly a thousand years ago. From its modest beginnings, it developed during the late eleventh and early twelfth centuries into one of the wealthiest and most influential monasteries in southern Italy.
This path-breaking study, based on many years research into the, largely unpublished, charters of Cava, begins by examining the growth of the abbey's congregation and property, and its struggle subsequently to defend its interests during the troubled thirteenth century. But, in addition, it uses the extensive evidence available to study its benefactors and dependents, administration and economy, and through this material to analyse the social and economic structures of the principality of Salerno. There is also a re-evaluation of the problem of forgery, practised on a large scale at Cava during the thirteenth century, a factor which has complicated and discouraged previous study of this important institution.
A major advance both in the study of the south Italian Church and of the medieval Mezzogiorno during the central Middle Ages, the volume presents a vivid and detailed picture of local society and its workings, and of the families and individuals who had dealings with the abbey.
S.D. Church
Anglo-Norman Studies XLIII
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One opens each new volume expecting to find the unexpected - new light on old arguments, new material, new angles. MEDIUM AEVUM
The articles brought together here demonstrate the exciting vitality of this field. The volume begins with a keynote chapter on the failure of marriages among Christians and Muslims in crusader diplomacy. Other chapters consider the ceremony of knighting and the coronation ritual of Matilda of Flanders. There are also investigations of hunting landscapes in Cheshire, and Lancashire before Lancashire in the context of the Irish Sea World, while lordship is examined in two contexts, in post-Conquest England and early thirteenth-century Le Mans and Chartres. The sources for our knowledge of the period, as always, receive attention, whether drawn from documentary evidence or material culture, with essays on universal chronicle-writing and the construction of the Galfridian past in the Continuatio Ursicampina; the coinage of Harold II; and the patronage of the Bayeux Tapestry by Odo of Bayeux.
Richard C. Maguire
Africans in East Anglia, 1467-1833
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What were the lives of Africans in provincial England like during the early modern period? How, where, and when did they arrive in rural counties? How were they perceived by their contemporaries?
This book examines the population of Africans in Norfolk and Suffolk from 1467, the date of the first documented reference to an African in the region, to 1833, when Parliament voted to abolish slavery in the British Empire. It uncovers the complexity of these Africans' historical experience, considering the interaction of local custom, class structure, tradition, memory, and the gradual impact of the Atlantic slaving economy.
Richard C. Maguire proposes that the initial regional response to arriving Africans during the fifteenth and sixteenth centuries was not defined exclusively by ideas relating to skin colour, but rather by local understandings of religious status, class position, ideas about freedom and bondage, and immediate local circumstances. Arriving Africans were able to join the region's working population through baptism, marriage, parenthood, and work.
This manner of response to Africans was challenged as local merchants and gentry begin doing business with the slaving economy from the mid-seventeenth century onwards. Although the racialised ideas underpinning Atlantic slavery changed the social circumstances of Africans in the region, the book suggests that they did not completely displace older, more inclusive, ideas in working communities.
Ellie Gebarowski-Shafer
Contesting Orthodoxies in the History of Christianity
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Examines the pursuit of orthodoxy, and its consequences for the history of Christianity.
Christianity is a hugely diverse and quarrelsome family of faiths, but most Christians have nevertheless set great store by orthodoxy - literally, 'right opinion' - even if they cannot agree what that orthodoxy should be. The notion that there is a 'catholic', or universal, Christian faith - that which, according to the famous fifth-century formula, has been believed everywhere, at all times and by all people - is itself an act of faith: to reconcile it with the historical fact of persistent division and plurality requires a constant effort. It also requires a variety of strategies, from confrontation and exclusion, through deliberate choices as to what is forgotten or ignored, to creative or even indulgent inclusion. In this volume, seventeen leading historians of Christianity ask how the ideal of unity has clashed, negotiated, reconciled or coexisted with the historical reality of diversity, in a range of historical settings from the early Church through the Reformation era to the twentieth and twenty-first centuries. These essays hold the huge variety of the Christian experience together with the ideal of orthodoxy, which Christians have never (yet) fully attained but for which they have always striven; and they trace some of the consequences of the pursuit of that ideal for the history of Christianity.
E. Amanda McVitty
Treason and Masculinity in Medieval England
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Groundbreaking new approach to the idea of treason in medieval England, showing the profound effect played by gender.
Conflicts over treason tormented English political society in the later Middle Ages. As legal and political historians have shown, treason was always a constitutional matter as well as a legal one because it was pivotal in mediating the relationship between English kings, their political subjects and the abstraction of the crown. However, despite renewed interest in constitutional history, there has been no extended examination of treason in medieval England since the 1970s. This pioneering study presents a new interpretation of treason, not only as a legal construct, a political weapon and a tool for constitutional thinking, but also as a cultural category, aligning it with questions of gender, vernacularity and national identity. It examines cases from the 1380s to the 1420s, revealing how kings defended their claims to sovereign authority by using the laws of treason to bind their mortal male bodies to the enduring body politic of the realm, and explains how that body politic was masculinised through its entanglement in contests over manly honour and homosocial loyalties. Drawing on evidence from trial records, legislation and chronicles, it illuminates the ways in which cultural ideals of manhood reinforced or subverted government responses to crises of legitimacy, and demonstrates that gender conditioned understandings of treason in the political arena as well as the definitions embedded in statutes and case law. At the same time, it explores the varied ways men defended themselves from accusations of treason by invoking, and in the process helping to transform, shared beliefs about what it meant to be a man in medieval England.
Stuart Bligh
Maritime Kent Through the Ages
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A wide-ranging history of the geography and communities of Kent from the earliest times to the present day.
Kent, with its long coastline and its important geopolitical position close to London and continental Europe, and on major trading routes between Britain and the wider world, has had a very significant maritime history. This book covers a wide range of topics relating to that history from the earliest times to the present day. It sets Kent's varied coastline and waters in their geological and geographical context, showing how erosion and sediment deposition have contributed to the changing nature of maritime activities and populations. It examines Kent's strategic role in the defence of the country with the development and redevelopment of coastal defences, including four naval dockyards. It goes on to consider the supporting industries which grew up around the coastline, those which supplied raw materials and agricultural products from the county's hinterland, and its wider national and international trading links. It also discusses the diverse coastal communities of Kent and how they have changed in response to the demands of defence, trade, and changing population and migration patterns. In addition, the book includes detailed case studies which explore particular subject areas as exemplars of the major themes covered by the book.
Brian Cowan
The State Trials and the Politics of Justice in Later Stuart England
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The book discusses the 'state trial' as a legal process, a public spectacle, and a point of political conflict - a key part of how constitutional monarchy became constitutional.
State trials provided some of the leading media events of later Stuart England. The more important of these trials attracted substantial public attention, serving as pivot points in the relationship between the state and its subjects. Later Stuart England has been known among legal historians for a series of key cases in which juries asserted their independence from judges. In political history, the government's sometimes shaky control over political trials in this period has long been taken as a sign of the waning power of the Crown. This book revisits the process by which the 'state trial' emerged as a legal proceeding, a public spectacle, a point of political conflict, and ultimately, a new literary genre. It investigates the trials as events, as texts, and as moments in the creation of historical memory. By the early nineteenth century, the publication and republication of accounts of the state trials had become a standard part of the way in which modern Britons imagined how their constitutional monarchy had superseded the absolutist pretensions of the Stuart monarchs. This book explores how the later Stuart state trials helped to create that world.
Edited and Translated by Theodore Albrecht
Beethoven’s Conversation Books Volume 4
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A complete new edition of Beethoven's conversation books, in 12 volumes, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition.
These important booklets are here translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.
William C. Lubenow
Learned Lives in England, 1900-1950
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If objectivity was the great discovery of the nineteenth century, uncertainty was the great discovery of the twentieth century.
This book explores the tangled relationships between knowledge and politics during the first fifty years of the twentieth century. Changes within universities, particularly in Oxford, Cambridge, and the London School of Economics,made them, more than before, research institutions. Additionally, renovations within the grand empires of learning, represented by the Royal Society of London and the British Academy, lead to the recognition and acceptance of different forms of learning. The less formal coteries such as the Bloomsbury Group, the Society for the Protection of Knowledge, and the Scholarship and Theoretical Biology Club, are not neglected in this exploration of learned life.Indeed, members of all these societies transported knowledge from North America and the Continent, especially from the Warburg Institute, shifting the demographic and conceptual bases of British intellectual life. Thus, certain important twentieth-century themes transpire throughout this study: specialization, professionalization, objectivity, the emergence of the expert, and the rise of the social sciences.
The twentieth century, with its hotand cold wars, distorted intellectual life by demands for application and for useful research. Learned people in Britain seduced themselves by patriotism and became complicit by developing defensive clichés seeking to explain howBritish knowledge was somehow different from German, and later, Soviet knowledge. If objectivity was the great discovery of the nineteenth century, as Lubenow demonstrated in "Only Connect": Learned Societies in Nineteenth Century Britain (2015), this book shows that uncertainty was the great discovery of the twentieth century.
Chris R. Langley
The Clergy in Early Modern Scotland
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A nuanced approach to the role played by clerics at a turbulent time for religious affairs.
From the early percolation of Protestant thought in the sixteenth century through to the controversies and upheaval of the civil wars in the seventeenth century, the clergy were at the heart of religious change in Scotland. By exploring their lived experiences, and drawing upon historical, theological, and literary approaches, the essays here paint a fresh and vibrant portrait of ministry during the kingdom's long Reformation. The contributors investigate how clergy, as well as their families and flocks, experienced and negotiated religious, social, and political change; through examination of both wider themes and individual case studies, the chapters emphasise the flexibility of local decision-making and how ministers and their families were enmeshed in parish dynamics, while also highlighting the importance of clerical networks beyond the parish. What emerges is a ministry that, despite the increasing professionalisation of the role, maintained a degree of local autonomy and agency. The volume thus re-focuses attention on the early modern European ministry, offering a multifaceted and historically attuned understanding of those who stood at the forefront of Protestant reform.
Nicolò Palazzetti
Béla Bartók in Italy
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Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero.
This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.
The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
John Ling
Debating English Music in the Long Nineteenth Century
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Situates the controversial narrative of 'The English Musical Renaissance' within its wider historical context.
Throughout the nineteenth century a fierce debate about the future of English music was raging in Britain. Just as English music was appearing to advance in quality, the impact of Richard Wagner altered the course of the debate. Alarmed at the Wagnerian influence on English composers, critics expressed relief when that influence appeared to abate, and then presented English music as the antidote to Wagnerian decadence. However, the optimism that England was in a position to lead the musical world was short-lived and a new generation of critics found English composition - with the exception of Elgar - severely lacking. The book identifies themes such as materialism and nationalism that emerged during the debate. It also places the narrative of 'The English Musical Renaissance' within its rightful wider historical context.
Julie Farguson
Visualising Protestant Monarchy
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The first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne
This book provides the first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne. It makes innovative use of material evidence and new primary sources to re-evaluate the practice of kingship and queenship to produce an original interpretation of the British monarchy during a period of vital transformation. The quarter century between the Glorious Revolution and the Georgian era witnessed prolonged military conflict with France and the birth of what we now call Great Britain. This book argues that a new style of monarchy likewise emerged in this period and that its survival largely depended on the efforts of the royal family: two English queens, a Dutch king and a Danish prince. Through a study of art and material culture (paintings, prints, the decorative arts, architecture, dress and royal insignia) within the broader political context, the book explores how the English people were persuaded to transfer their loyalties from a traditional style of kingship, centred on ideas of divinely appointed rule and hereditary right, to one rooted in Protestantism and Parliament. The book argues that both ceremony and art played a vital role in the way the monarchy functioned after the Glorious Revolution. Crucially, it examines not only the production of images and use of ceremony but also the ways in which they were received by audiences, both in England and abroad. The book sets the on-going changes in the ideology of British monarchy within the wider context of royal politicking in Europe and pays close attention to gender and the practice of queenship as well as the ways in which military conflict shaped royal representational culture. Using a method that is centred on the visual - ceremonies and art - and on visuality, the study makes an original and important contribution to our understanding not only of the monarchy but also the political culture of the post-Glorious Revolution era.
John France
Journal of Medieval Military History
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The leading academic vehicle for scholarly publication in the field of medieval warfare. Medieval Warfare
The articles here focus on activities in north-western Europe, with a reconsideration of the location of the battle of Stamford Bridge (1066), an examination of the role of open battles in the civil wars of the Anglo-Norman and Angevin kings, a re-assessment of the strategy of Edward I's war against Philip IV in 1297-98, and an analysis of the role of cavalry "coureurs" in late-medieval France. But regions further to the south and east are by no means neglected, with a dissection of the military rhetoric of Pere III of Aragon and his queen, Elionor of Sicily, and a discussion of the earliest European gunpowder recipes, from Friuli (1336) and Augsburg (1338- c. 1350). The volume also offers studies of the campaigns culminating in the battles of Firad in 634 and Qinnasrīn in 1134.
Frances Nolan
The Jacobite Duchess
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The fascinating life of Frances Jennings, elder sister of Sarah, Duchess of Marlborough, charting her marriages and changes of fortune, her exile and return, her ambition, political manoeuvring and sincere piety.
Frances Jennings, elder sister of Sarah, duchess of Marlborough, had an interesting and eventful life, most notably as the influential wife of Richard Talbot, earl of Tyrconnell, Catholic viceroy of Ireland under James II. Born circa 1649 into a Hertfordshire gentry family, she was a noted beauty at the Restoration court. There, she met and married George Hamilton, a Catholic officer who, after 1667, served in Louis XIV's army. In Paris, Frances raised three daughters, converted to Catholicism, and became an active member of the English Catholic émigré community. Following Hamilton's death, she remarried to Richard Talbot. As vicereine of Ireland, Frances helped re-establish Catholic hegemony, assisting in the foundation of convents and re-consecration of Christ Church cathedral. During the Williamite-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.
Ana María Rivera Medina
Ports in the Medieval European Atlantic
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Presents a wealth of original research findings on how medieval ports actually worked, providing new insights on shipping, trade, port society and culture, and systems of regional and international integration.
This book responds to the increasing interest of maritime historians in the study of ports. These enclaves offer significant insights into a variety of subjects, including ships and shipping; trade, commodities, and consumption patterns; the economy, society and culture of port workers and port communities; and systems of regional and international integration. Based on extensive research in a wide range of European archives, the book provides much detailon the nature of ports in the medieval period, especially on the crucial subject of the operation of ports. Covering a range of ports in France, Spain, Portugal and the Canary Islands, the book contains a wealth of original research findings. It will be particularly welcomed by English-speaking scholars and others outside the region analysed, since it gives access to non-English-language archives, thereby considerably enriching the study of medieval portsbeyond ports in Britain and Ireland.
Paul A. Elliott
Erasmus Darwin's Gardens
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This first full study of Erasmus Darwin's gardening, horticulture and agriculture shows he was as keen a nature enthusiast as his grandson Charles.
Famous as the author of the Botanic Garden (1791) and grandfather of Charles Darwin (1809-1882), Erasmus Darwin (1731-1802) was a larger-than-life enlightenment natural philosopher (scientist) and writer who practised as a doctor across the English Midlands for nearly half a century. A practical gardener and horticulturist, Darwin created a botanic garden near Lichfield - which galvanised his poetry - and kept other gardens, an orchard and small "farm" in Derby. Informed by his medical practice and botanical studies, Darwin saw many parallels between animals, plants and humans which aroused hostility during the years of revolution, warfare and reaction, but helped him to write Zoonomia (1794/96) and Phytologia (1800) - his major studies of medicine, agriculture and gardening. Captivated by the changing landscapes and environments of town and country and supported by social networks such as those in Lichfield and Derby, Darwin avidly exchanged ideas about plants, animals and their diseases with family, patients, friends such as the poet Anna Seward (1742-1809), farmers, fellow doctors, huntsmen and even the local mole catcher. The is the first full study of Erasmus Darwin's gardening, horticulture and agriculture. It shows him as keen a nature enthusiast as his contemporary Rev. Gilbert White of Selbourne (1720-1793) or his grandson Charles, fascinated with everything from swarming insects and warring bees to domestic birds and dogs, pigs and livestock on his farm to fungi growing from horse dung in Derby tan yards. Ranging over his observations of plant physiology and anatomy to the use of plant "bandages" in his orchard and electrical machines to hasten seed germination to explosive studies of vegetable "brains", nerves and sensations, the book demonstrates the ways in which Erasmus Darwin's landscape and garden experiences transformed his understanding of nature. They provided him with insights into medicine and the environmental causes of diseases, the classification of plants and animals, chemistry, evolution, potential new medicines and foodstuffs and the ecological interdependency of the natural economy. Like the amorous vegetables of the Loves of the Plants (1789) which fascinated, scandalised and titillated late Georgian society, the many living creatures of Darwin's gardens and farm encountered in this book were for him real, dynamic, interacting and evolving beings who helped inspire and re-affirm his progressive social and political outlook.
Michael Church
Musics Lost and Found
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This ground-breaking book is the first in-depth global study of the role played in musical history by song collectors.
This is the first in-depth global study about song collectors, music's unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs.
Today's collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world's musical diversity, Michael Church suggests we may be seeing folk music's 'end of history'. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.
This ground-breaking book is the sequel to the author's award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.
Craig D Taylor
Jean de Bueil: Le Jouvencel
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First full English translation of a major text, narrating the adventures of the Jouvencel whilst interweaving them with advice on military tactics and strategies.
Le Jouvencel is one of the most important and revealing sources for the study of medieval warfare and chivalry. It tells the story of a poor young soldier whose skill at arms enables him to rise through the ranks and eventually marry a foreign princess. Jean de Bueil (1406-1477 wrote the book around 1466, following his retirement from military service, drawing heavily upon his own experiences as one of the most prominent French soldiers of the fifteenth century. The pages of Le Jouvencel are filled with unusually detailed descriptions of military campaigns, sieges and battles, capturing the tactics, weapons and everyday life of the soldier with a vivid eye for detail. Many of the characters, places and events described in the apparently fictional story were actually inspired by recent history, as was revealed in a Commentary written just a few years after Bueil's death by one of his squires, Guillaume Tringant.
Jean de Bueil wrote Le Jouvencel to provide future generations of soldiers and military leaders with advice on chivalry, knighthood and the art of warfare. As a result, this remarkable chivalric narrative offers a window into the martial culture of French soldiers during the final stages of the Hundred Years War. This first English translation is presented with an introduction to the text and to Jean de Bueil, and explanatory notes.
Kevin Linch
Redcoats to Tommies
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An examination of the lifecycle of soldiers, including enlistment, experiences of military life, the soldier's place in society and in politics, and military identity, memory and representation.
This book surveys and examines the history of Britain's soldiers from the eighteenth to the twentieth century. It focuses on the lifecycle of a soldier, including enlistment and experience, and on identity, representations and place in society. It covers the diverse military forces of the British crown - the regular army, home defence forces, part-time soldiers, auxiliaries, officers, non-commissioned officers and rank and file - across times of conflictand peace and their wider relationship to families, communities, government and society. Additionally, it considers both British troops, and, recognising Britain's soldiers as a transnational phenomenon, forces raised outside ofBritain and Ireland. By assessing the evolution of Britain's soldiers across three centuries, the book highlights continuity and change and gauges how far the basic fundamentals, principles and priorities of army life have endured or been transformed during the existence of a continual standing army. The book includes up-to-date research from a new generation of early-career researchers and reflections from established scholars.
CONTRIBUTORS: Ian Beckett, Timothy Bowman, Gavin Daly, Peter Doyle, Edward Gosling, George Hay, Kevin Linch, Matthew Lord, Eleanor O'Keeffe, Adam Prime, Michael Reeve, Jacqueline Reiter, Robert Tildesley, and Christina Welsch.
Lloyd Bowen
Anatomy of a Duel in Jacobean England
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Throws much new light on questions of gentry honour, the nature and prevalence of early modern elite violence, and the process of judicial investigation in Shakespeare's England
This book offers an analysis of Jacobean duelling and gentry honour culture through the close examination and contextualisation of the most fully documented duel of the early modern era. This was the fatal encounter between a Flintshire gentleman, Edward Morgan, and his Cheshire antagonist, John Egerton, which took place at Highgate on 21 April 1610. John Egerton was killed, but controversy quickly erupted over whether he had died in a fair fight of honour or had been murdered in a shameful conspiracy. The legal investigation into the killing produced a rich body of evidence which reveals in unparalleled detail not only the dynamics of the fight itself, but also the inner workings of a seventeenth-century metropolitan manhunt, the Middlesex coroner's court, a murder trial at King's Bench, and also the murky webs of aristocratic patronage at the Jacobean Court which ultimately allowed Morgan to secure a pardon.
Uniquely, a series of dramatic Star Chamber suits have survived that also allow us to investigate the duel's origins. Their close examination, as Lloyd Bowen shows, calls into question the historiographical paradigm which sees early modern duels as matters of the moment and distinct from, as opposed to connected to, the gentry feud. The book throws much new light on questions of gentry honour, the nature and prevalence of early modern elite violence, and the process of judicial investigation in Shakespeare's England.
Dr Eric Gallagher
The Crown Pleas of the Suffolk Eyre of 1240
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Edition of the records of a medieval Suffolk eyre reveal rich details of life at the time.
The eyre was an organised judicial visitation to the counties of England by the king's justices to hear all types of plea, civil and crown, as well as to investigate any matters for the king that pertain to the county; it was thus a hugely important part of the legal process. This volume, edited by Eric Gallagher with an introduction by Henry Summerson, follows on from Dr Gallagher's edition and translation of the civil pleas of the same eyre, published by the Suffolk Records Society in 2009. But whereas the civil pleas deal primarily with litigation between landowners, the crown pleas are mostly concerned with the actions of townsmen and peasants, recorded both as killers and thieves, and as the victims of crime. Like the civil pleas, the crown pleas illuminate the workings of the common law, but in addition they illustrate the functions and purposes of local and central government, shedding light in sometimes vivid detail upon the lives of the humbler members of society, upon their occupations, relationships, misfortunes and quarrels - and the sometimes bizarre ways in which they met their deaths. The eyre was led by William of York, the King's justiciar and later bishop of Salisbury, and his colleagues who met at Ipswich, Cattishall (outside Bury St Edmunds) and Dunwich. The eyre roll, now in the National Archives, is the first from Suffolk surviving in full to have been edited and published; it has the particular interest of coming from a county that was then one of the most populous and prosperous of English shires.
Hugh Macdonald
Bizet in Italy
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The first English translation of Bizet's letters and journals from his stay in Italy, with explanatory texts from one of the leading authorities on the composer's life and music.
In 1857, Georges Bizet (1838-1875) won the prestigious Prix de Rome scholarship which allowed him to study in Italy for a few years at the expense of the French state. While Bizet's correspondence from this time suggests that he was not fond of Italian music, he was especially drawn to the landscape and Italian Renaissance art and painting. Though Bizet's thoughts later turned away from rural life and the masterpieces of the Renaissance, his letters and journals from this period document the growth of a young musician who would eventually write Carmen.
Translated into English for the first time, Bizet's letters from his stay in Italy (at the Villa Medici in Rome, with expeditions to various other parts of the country) reveal much about his character and tastes. These extraordinary documents are fully annotated, and presented alongside never-before-published translations of Bizet's journals from the same years. Linking textual guides supplied by one of the leading authorities on the composer provide unique insights into the composer's formative years that cannot be found anywhere else.
Eugene Costello
Transhumance and the Making of Ireland's Uplands, 1550-1900
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First full survey of how transhumance operated in Ireland from the sixteenth century to the beginning of the twentieth.
WINNER: American Conference for Irish Studies Donald Murphy Prize for Distinguished First Book 2021 Special Commendation, Publication Prize in Irish History, NUI Awards 2021
SHORTLISTED: European Association of Archaeologists Book Prize 2023
The rearing of cattle is today a fairly sedentary practice in Ireland, Britain and most of north-west Europe. But in the not-so-distant past it was common for many rural households to take their livestock to hill and mountain pastures for the summer. Moreover, ethnographic accounts suggest that a significant number of people would stay in seasonal upland settlements to milk the cows and produce butter and cheese. However, these movements all but died out in the nineteenth and twentieth centuries, meaning that today transhumance is mainly associated with Alpine and Mediterranean landscapes.
This book is the first major interdisciplinary approach to the diversity and decline of transhumance in a northern European context. Focusing on Ireland from c.1550 to 1900, it shows that uplands were valuable resources which allowed tenant households to maintain larger herds of livestock and adapt to global economic trends. And it places the practice in a social context, demonstrating that transhumance required highly organized systems of common grazing, and that the care of dairy cows amounted to a rite of passage for young women in many rural communities.
David Wilson
Suppressing Piracy in the Early Eighteenth Century
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Shows how Britain and its empire was not a strong centralised imperial state and that it was only through manifold activities taking place in different colonial centres with varied colonial arrangements that the surge in piracy in this period was contained and reduced.
This book charts the surge and decline in piracy in the early eighteenth century (the so-called "Golden Age" of piracy), exploring the ways in which pirates encountered, obstructed, and antagonised the diverse participants of the British empire in the Caribbean, North America, Africa, and the Indian Ocean. The book's primary focus is on how anti-piracy campaigns were constructed as a result of the negotiations, conflicts, and individual undertakings of different imperial actors operating in the commercial and imperial hub of London; maritime communities throughout the British Atlantic; trading outposts in West Africa and India; and marginal and contested zones such as the Bahamas, Madagascar, and the Bay Islands. It argues that Britain and its empire was not a strong centralised imperial state; that the British imperial administration and the Royal Navy did not have the resources to mount a state-led, empire-wide war against piracy following the sharp increase in piratical attacks after 1716; and that it was only through manifold activities taking place in different colonial centres with varied colonial arrangements, economic strengths, and access to resources for maritime defence - which was often shaped by competing and contradictory interests - that Atlantic piracy was gradually discouraged, although not eradicated, by the mid-1720s.
Ian Maxwell
Ernest John Moeran
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This long-awaited study of the life and music of Anglo-Irish composer Ernest John Moeran (1894-1950) finally provides a full biography of the last senior figure in early twentieth-century British Music to have been without one.
This long-awaited study of the life and music of Anglo-Irish composer Ernest John Moeran (1894-1950) finally provides a full biography of the last senior figure in early twentieth-century British Music to have been without one.
Although Moeran's work was widely performed during his lifetime, he suffered neglect in the years following his death. It was not until a re-awakening of appreciation for the music of the folksong-inspired English pastoralism in the latter part of the twentieth century that Moeran's tuneful, well-crafted and approachable music began to attract a new audience. However, widely accepted misconceptions about his life and character have obscured a clearunderstanding of both man and composer.
Written with the benefit of access to previously unknown or unresearched archives, Ernest John Moeran: His Life and Music strips away a hitherto unchallenged mythological framework, and replaces it by a thorough-going examination and analysis of the life and work of a musician that may reasonably be asserted as having been unique in British music history.
Patrick Zuk
Nikolay Myaskovsky
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2022 CHOICE Outstanding Academic Title Winner
Drawing on a wealth of unexplored sources, this biography offers the first comprehensive critical reappraisal of the life and works of Nikolay Myaskovsky. Zuk's account is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius.
Drawing on a wealth of unexplored documentation, this biography reappraises the life and work of Nikolay Myaskovsky (1881-1950) - a central figure in twentieth-century Russian musical culture.
The story of Myaskovsky's unlikely rise to prominence is an absorbing one. Destined by family tradition for a military career, he was 25 before he could leave the army and devote himself to music. He had just begun to emerge as a young composer of promise when he was called up for active service on Russia's western front in August 1914. On returning to civilian life in 1921, he played a major role in revitalising professional musical activity after the depredations of the Civil War years. His career vividly illustrates the challenges facing artists as they sought to work out a modus vivendi with Soviet power.
Zuk's account depicts the composer and his milieu against the backdrop of his turbulent times, examining his involvement with Soviet musical institutions and his relationships with Prokofiev, Shostakovich, and other notable musicians. The portrait is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius. Myaskovsky emerges as a man who displayed remarkable courage and integrity in the face of many pressures. The book also brings into focus the distinctive nature of Myaskovsky's creative achievement and affirms his stature as a leading symphonist of the era.
Damien Duffy
Aristocratic Women in Ireland, 1450-1660
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An in-depth analysis of the key contribution made by the women members of this important ruling family in maintaining and advancing the family's political, landed, economic, social and religious interests.
This book examines the lives of aristocratic Anglo-Irish women in late medieval and early modern Ireland as illustrated by an in-depth cross generational analysis of women born or married into the important Ormond family between the 1450s and 1660. It outlines and assesses their individual and collective significance in negotiating the preservation and advancement of the family's political, landed, economic, social and confessional interests, from the chronic instability of the Wars of the Roses, through the vicissitudes of the Tudor, Stuart, Commonwealth and Restoration eras. In gauging the relative significance of the Ormond women's experiences and contributions, the book explores their roles in both private dynastic and wider public circles within the broader context of aristocratic families elsewhere in Ireland, England and continental Europe. The cross-generational approach provides a chronologicaland comparative appraisal of all aspects of each of these women's lives, roles and contributions - private, public, social, economic, confessional and political - all of which were intimately intertwined with the Ormond family's changing political fortunes, succession challenges, shifting dynastic alliances, and financial difficulties over the course of two centuries of profound change and upheaval in Ireland.
Helen E. Lunnon
East Anglian Church Porches and their Medieval Context
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Major interdisciplinary study of medieval church porches, bringing out their importance and significance.
The church porches of medieval England are among the most beautiful and glorious aspects of ecclesiastical architecture; but in comparison with its stained glass, for example, they have been relatively little studied. This book, the first detailed study of them for over a century, gives new insights into this often over-looked element. Focussing on the rich corpus of late-medieval East Anglian porches, it begins with two chapters placing them in a broad cultural outline and their context; it then moves on to consider their commissioning and design, their architecture and ornamentation, their use and their meaning. This book will appeal to all those interested in church fabric and function.
John D. Grainger
The British Navy in the Caribbean
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A survey of the activities of the British navy in the Caribbean from the voyages of sixteenth century English adventurers such as John Hawkins and Francis Drake through the great wars of the seventeenth and eighteenth centuries against the Dutch, Spanish and French and Britain's declining role thereafter.
This book charts the involvement of the British navy in the Caribbean from the earliest times to the present. It recounts the voyages of sixteenth century English adventurers such as John Hawkins and Francis Drake and their attacks on Spanish territories, outlines the capture of Jamaica during the time of Oliver Cromwell's rule and describes the growth of the British slave trade. It goes on to discuss the late seventeenth century and eighteenth century conflicts and wars with the Dutch, Spanish and French and the War of American Independence, analyses the effect of the abolition of the slave trade and explores the British dominance which prevailed throughout much of the nineteenth century. The book concludes by examining how in the twentieth century the British navy withdrew almost entirely from the Caribbean, tacitly ceding control to the United States. Throughout the book relates developments in the Caribbean to developments in Britain and in the British navy more widely. John D. Grainger is the author of numerous books for a variety of publishers, including eight previously published books for Boydell and Brewer, including The British Navy in the Baltic, Dictionary of British Naval Battles and The First Pacific War: Britain and Russia, 1854-56.
Eilish Gregory
Catholics during the English Revolution, 1642-1660
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Examines the experiences of Catholics during the period when England was ruled by Puritan Protestants.
This is the first book to examine thoroughly the ways in which Catholics adapted to political and social change during the turbulent years of the English Revolution. The book examines several important aspects of the Catholic experience in this period. It explores the penal laws by which the estates of Catholics were sequestrated, discussing the extent to which politicians designed the new laws to target Catholics specifically, rather than Royalists more generally, and outlining how the sequestration legislation operated in practice. It considers how Catholic gentry utilised their networks with influential Protestants with wider political connections when applying to have their sequestrations discharged. More broadly the book reveals how Catholics demonstrated their loyalty and assimilated into society despite being viewed as the natural enemies of the English Republic and Protectorate. The book also compares Catholic experiences to those of other religious minorities and sets the situation in England in the wider European international context of Catholic-Protestant rivalry and warfare, which made Catholics a particularly vulnerable religious minority in Puritan England.
Andrew Spencer
Thirteenth Century England XVII
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Essays looking at the links between England and Europe in the long thirteenth century.
The theme running through this volume is that of "England in Europe", with contributions tackling aspects of political, religious, cultural and urban history, placing England in a European context, exploring connections between the insular world and continental Europe, and using England as a case study of broader patterns of change in the long thirteenth century. A number of authors consider the long-term response of the English crown and polity to the Angevin empire's demise, examining kingship, historical memory, dynastic relationships and the influx of ideas and people to England from overseas. They look not only at connections between England and western Europe but also at others extending to northern Europe too. Many engage with larger trends that are European in scale, whether in the institutional life of the Church or in patterns of religious practice and belief, whilst others examine more confined geographical spaces, reminding us of distinctive political structures and identities lodged at the regional level.
Mark J. Crowley
Women's Experiences of the Second World War
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Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.
Many existing studies on the role of women in the Second World War concentrate on women's increasing participation in the workplace and on their struggles to cope with rationing and shortages. This book goes further, exploring women's wartime experiences much more fully. Drawing on a wide range of sources including oral interviews, scrapbooks, personal letters, diaries, newspaper articles, Mass Observation files and memoirs, the book illustrates some of the similarities and differences of women's wartime experiences in different situations in different countries. Specific subjects covered include experiences of exile and living under occupation, of coping with proximity to fighting and to the frontline, and of dealing with everyday life in trying circumstances. The book draws out how factors such as political beliefs, nationalism, economics, religion, ability, geography and culture all had an impact. Overall, the book reveals a great deal about the complexities and nuances of women's experiences in this period of enormous upheaval.
Contributors: Patricia Chappine, Nupur Chaudhuri, Sylvie Crinquand, Beth Hessel, Sarah Hogenbirk, Regina Lark, Bernice Lindner, Alexis Peri, Kelly Spring, Michael Timonin, Angela Wanhalla, Wai-Yin Christina Wong.
Peter Howson
Britain and the German Churches, 1945-1950
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Explores the ways in which the British Religious Affairs Branch aimed to organise religious life in post-war Germany.
It is well known that at the key allied conferences during the latter part of World War II the future victorious allies were already progressing their post-war planning. Duly, an Allied Control Commission, with the task of providing administrative functions and eventually handing them over to an elected government, was formed in post-war Germany. In the Western zones, the cornerstone of coordinated administration was a policy of denazification, demilitarisation and democratization. Almost all sectors of German life would thereafter to be administered by the Allies.
German Churches and religious affairs had, however, been promised to the defeated Germany. Of course, Nazism hadn't spared the Christian churches, and so questions of denazification and the future relationship between church and state in Germany remained significant. This book examines the British approach towards post-war German religious and ecclesiastical life by highlighting the role of the British Element of the Control Commission, more specifically the Religious Affairs Branch that was separated from the Education Branch at the end of 1945. Considering British attitudes to Catholics and Protestants, as well as the remaining Jewish and Muslim communities in Germany, this book uncovers allied differences with regards to organising future religious life in Germany.
Susan Marshall
Illegitimacy in Medieval Scotland, 1100-1500
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First full-length examination of bastardy in Scotland during the period, exploring its many ramifications throughout society.
The question of illegitimacy was as important and complex in Scotland as elsewhere in the Middle Ages. This book examines its legal, political, and social implications there between the eleventh and fifteenth centuries. It explores illegitimacy in relation to royal succession and to the inheritance of ordinary estates; investigates the role it played in major political events; and considers how being, or having, a bastard affected the lives of elite women,and the careers of people in ecclesiastical life. Scotland's earliest surviving legal treatise, Regiam Majestatem, denied inheritance rights to offspring legitimated by the intermarriage of their parents, while the law of the Church regarded such children as legitimate and, by implication, capable of inheritance. The volume scrutinises the tension between these two positions, alongside contemporary evidence which provides new insights into legal theory and practice concerning inheritance and birth status. By contextualising illegitimacy within its socio-political as well as legal settings, it challenges existing assumptions about the meaning and significance of bastardy in the Scottish middle ages.
Georgios Theotokis
Warfare in the Norman Mediterranean
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Analyses of different aspects of the history of warfare in the Mediterranean in the eleventh and twelfth centuries.
The kingdom of Sicily plays a huge part in the history of the Norman people; their conquest brought in a new era of invasion, interaction and integration in the Mediterranean, However, much previous scholarship has tended to concentrate on their activities in England and the Holy Land. This volume aims to redress the balance by focusing on the Hautevilles, their successors and their followers. It considers the operational, tactical, technical and logistical aspects of the conduct of war in the South throughout the eleventh and twelfth centuries, looking also at its impact on Italian and Sicilian multi-cultural society. Topics include the narratives of the Norman expansion, exchanges and diffusion between the "military cultures" of the Normans and the peoples they encountered in the South, and their varied policies of conquest, consolidation and expansion in the different operational theatres of land and sea.
Valerie Smith
Rational Dissenters in Late Eighteenth-Century England
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Rational Dissent was a branch of Protestant religious nonconformity which emerged to prominence in England between c. 1770 and c. 1800. While small, the movement provoked fierce opposition from both Anglicans and Orthodox Dissenters.
Rational Dissent was a branch of Protestant religious nonconformity which emerged to prominence in England between c. 1770 and c. 1800. Based on the sole study of the Scriptures and the application of individual reasoning to understanding the word of God, Rational Dissent rejected the role and authority of Anglican priests but also stood apart from Orthodox Dissent in its denial of the Trinity and Original Sin, arguing that these concepts were 'irrational'. While small, the movement provoked fierce opposition from both Anglicans and Orthodox Dissenters. Drawing on a wide range of contemporary published and unpublished sources, this study explores the theology of Rational Dissent in its entirety, arguing that it was considerably more diverse than has previously been acknowledged. Through an examination of lists of subscribers to Rational Dissenting publications and organizations, and of Unitarian libraries and their readers, the book uncovers the movement's less visible adherents, mapping them both socially and geographically. It also explores the impact of vehement attacks by Anglicans and Orthodox Dissenters on the development of a Rational Dissenting identity. Within the context of the struggle for civil and political rights and of the American and French Revolutions, the book establishes that the theology of Rational Dissenters underpinned their political beliefs and concepts of liberty, drove their ideas on the nature of society, and determined the lives and priorities of its lay adherents. The final stage of the book explores the largely Unitarian legacy of Rational Dissent and its theological, cultural and social impact in England post 1800.
Richard Rex
Henry VIII and Martin Luther
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A new critical edition of Henry VIII's 1526 public letter to Martin Luther, enabling readers to examine how Henry VIII wanted his subjects to regard the German heresiarch.
A modern critical edition of Henry VIII's second published work against Martin Luther. This open letter to Luther, printed at the king's command in December 1526, was in reply to a private letter addressed to him by Luther the previous year. Its particular interest lies in the fact that, unlike his better known Assertion of the Seven Sacraments, published five years before, Henry's open letter was released not only in Latin but also in an official Englishtranslation, with a special English preface added by the king for the edification of his subjects. This edition thus enables modern readers to hear what Henry had to say about Luther in his own words, and how he wanted his subjects to regard the German heresiarch.
This critical edition is based on a previously unrecognised presentation manuscript which furnishes the earliest surviving text of both letters. In addition, it offers editions and newtranslations of a range of related texts, including Luther's reply to Henry and further contributions to the burgeoning controversy from several of the most prominent Catholic opponents of Luther in Europe. For Henry's letter, like his earlier book, became for a while a European sensation, reprinted in towns and cities from Cologne to Cracow. This fully annotated edition includes a substantial introduction which for the first time tells the full history of Henry's second controversy with Luther, and which sets that story in the broader context of the lengthy and fractious relationship between the two men from the time of Luther's emergence in 1517 until his death in 1546.
Stephen Bennett
Elite Participation in the Third Crusade
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The motivations behind those who went on the Third Crusade examined through close investigation of their social networks.
The Third Crusade (1189-1192) was an attempt by Latin Christendom to reconquer the Holy Land, following the capture of Jerusalem by the Ayyubid sultan Saladin in 1187. Tens of thousands responded to a call for a crusade by Pope Gregory VIII and the efforts of his preachers at mass cross-taking ceremonies, rallying to the expedition's leaders - Frederick Barbarossa, Philip Augustus, and Richard the Lionheart. This book analyses the communal and cultural factors that influenced nobles from north-western Europe who embarked on the Third Crusade, bringing out the motives, dynamics, and extent of their participation, and placing that participation in the broader social and geographical context of crusading and medieval life. It shows that significant numbers of them were themselves descended from crusaders, and that the majority of them travelled to the Levant in the company of friends, family, and neighbours, as well as through membership of a military household. It also highlights the role of key individuals - both male and female - who influenced the decision to undertake the crusade, and identifies the significant role played by particular religious institutions in the diffusion of crusading ideology.
Joanna Martin
Georgina Weldon
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A fascinating account of the life of one of the most famous women of the Victorian era.
For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she was always in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation.
Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences.
Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.
Alex W. Barber
The Restraint of the Press in England, 1660-1715
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A discussion of the fascinating interplay between communication, politics and religion in early modern England suggesting a new framework for the politics of print culture.
This book challenges the idea that the loss of pre-publication licensing in 1695 unleashed a free press on an unsuspecting political class, setting England on the path to modernity. England did not move from a position of complete control of the press to one of complete freedom. Instead, it moved from pre-publication censorship to post-publication restraint. Political and religious authorities and their agents continued to shape and manipulate information. Authors, printers, publishers and book agents were continually harassed. The book trade reacted by practicing self-censorship. At times of political calm, government and the book trade colluded in a policy of policing rather than punishment.
The Restraint of the Press in England problematizes the notion of the birth of modernity, a moment claimed by many prominent scholars to have taken place at the transition from the seventeenth into the eighteenth century. What emerges from this study is not a steady move to liberalism, democracy or modernity. Rather, after 1695, England was a religious and politically fractured society, in which ideas of the sovereignty of the people and the power of public opinion were being established and argued about.
Ionuț Epurescu-Pascovici
Human Agency in Medieval Society, 1100-1450
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Argues the case for the individual as autonomous moral agent in the later Middle Ages.
"Of fundamental importance for any discipline dealing with past societies and cultures. One of the most wide-ranging, sophisticated and imaginative books on medieval history that I have read in a very long time. The way in which the author defines, traces and analyses agency is stunningly original. It will make an immensely important contribution to our understanding of high and late medieval Europe." Professor Björn Weiler, University of Aberystwyth
What did it mean to be an autonomous agent in European medieval society? This book aims to answer that fundamental question, via an examination of a mosaic of case studies drawn from the literate urban middle strata and the lower and middle-rank aristocracy.
The social imaginary that informs individual conduct, the patterns of strategic action, and the individuals' sense of effectiveness in the world are reconstructed from "ego-documents", a broad category that includes first-person charters, autobiographical insertions in chronicles, private registers, and memoirs. These range from the better-known, such as the Ménagier de Paris and the histories of Galbert of Bruges and Salimbene of Parma, to the equally fascinating but more seldom explored French livres de raison and Italian ricordanze.
The book's larger aim is to historicise the autonomous moral agent. Neither belief in divine intervention nor feudal relations inhibited individuals' social agency. The emphasis on hierarchy and order in medieval normative texts is shown in a different light, as part of the effort to restrain social subalterns, whose potential for agency caused anxiety. Whereas power is often structural, an effect of institutions which, however, were only just developing, the book argues that agency is a more apposite construct for capturing the salient medieval concerns with the possibilities and effects of individual and collective action.
Jeremy Dibble
The Music of Frederick Delius
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This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.
Frederick Delius' (1862-1934) music has proved impervious to analytical definition. Delius's approaches to genre, form, harmony, orchestration and literary texts are all highly individual, not to say eccentric in their deliberate aim to avoid conformity. Rarely does Delius follow a conventional line, and though one can readily point to important influences, the larger Gestalt of each work has a syntax and coherence for which conventional analytical methods are mostly inadequate. Delius's musical style has also defied one of the most essential critical tools of his musical epoque - that of national identity. His style bears no relation either to the Victorian or Edwardian aesthetic of British music spearheaded by Parry, Stanford and Elgar before the First World War, nor to the more overtly nationalist, folk-song-orientated pastoralism of post-war Britain in such composers as Vaughan Williams and Holst. In contrast, Delius acknowledged himself a 'stateless' individual and considered that his music refused to belong to any national school or movement. To test these claims, the book explores a number of important factors. Delius's musical education at the Leipzig Conservatorium and the works he produced there. Delius's musical voice, notably his harmonic and melodic style and the close structural relationship between these two factors. The book also explores the question of Delius and 'genre' in which the investigation of form is central, especially in opera, the symphonic poem, the choral work (where words are seminal to the creation of structural design) and the sonata and concerto (to which Delius brought his own individual solution). Other significant factors are Delius's cosmopolitan use of texts, operatic plots and picturesque impressions, his relationship to Nietzsche's writings and the genre of dance, and the role of his 'earlier' works (1888-1896) in which it is possible to plot a course of stylistic change with reference to the influences of Grieg, Sinding, Florent Schmitt, Wagner, Strauss and Debussy.
Laura L Gathagan
The Haskins Society Journal 31
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New insights into interpretive problems in the history of England and Europe between the eighth and thirteenth centuries.
The articles in this volume of the Haskins Society Journal take the reader from early England to the thirteenth century, from Europe to the Holy Land. Chapters explore issues of Anglo-Saxon social status and settlement andpeasant agency in the France of King Louis IX; while, through a careful re-examination of documentary and narrative evidence, further articles offer new insights into succession crises in England and the Principality of Antioch, with special attention to the role of women in the assumption of political power and its narration. The record and moral horizons of both First and Fourth Crusaders also receive close attention; and finally, a survey of the construction of the Norman past in the French Chronique de Normandie rounds out the collection. CONTRIBUTORS: Mark E. Blincoe, Andrew D. Buck, Wim de Clercq, Theodore Evergates, Alex Hurlow, William Chester Jordan, Alexandra Locking, Alheydis Plassman, Stuart Pracy, Katherine Allen Smith, Veerle van Eetvelde, Steven Vanderputten, Gerben Verbrugghe
Christopher Magill
Political Conflict in East Ulster, 1920-22
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Reassesses the context in which the state of Northern Ireland was created.
Most studies of the Irish Revolution focus on republican violence and on the establishment of the Irish Free State in 1922. This book, on the other hand, based on extensive original research, considers the situation in the north of Ireland, which was predominantly unionist and affected much less by republican violence. The book examines unionist violence, including the riots during which Catholic homes and businesses in Lisburn were burned, discusses the establishment of the state of Northern Ireland and its security forces, and explores largely constitutional response of Northern Ireland's nationalist community and how this community was affected. It discusses the relationship between politicians, the British government and local communities, assesses the degree to which unionist violence was a reaction to republican violence, and provides a detailed analysis of the Northern Irish security force, the Ulster Special Constabulary. The book concludes that although the Ulster Special Constabulary was clearly drawn from one community, claims that its membership was deliberately recruited according to its ability to inflict havoc on the Catholic population are not correct.
Edited by John Hines and Nelleke IJssennagger-van der Pluijm
Frisians of the Early Middle Ages
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Multi-disciplinary approaches shed fresh light on the Frisian people and their changing cultures.
Frisian is a name that came to be identified with one of the territorially expansive, Germanic-speaking peoples of the Early Middle Ages, occupying coastal lands south and south-east of the North Sea. Highly varied manifestations of Frisian-ness can be traced in and around the north-western corner of the European continent in cultural, linguistic, ethnic and political forms across two thousand years to the present day. The thematic studies in this volume foreground how diverse "Frisians" in different places and contexts could be. They draw on a range of multi-disciplinary sources and methodologies to explore a comprehensive range of social, economic and ideological aspects of early Frisian culture, from the Dutch province of Zeeland in the south-west to the North Frisian region in the north-east. Chronologically, there is an emphasis on the crucial developments of the seventh and eighth centuries AD, alongside demonstrations of how later evidence can retrospectively clarify long-term processes of group formation.The essays here thus add substantial new evidence to our understanding of a crucial stage in the evolution of an identity which had to develop and adapt to changing influences and pressures.
Diana McVeagh
Gerald Finzi's Letters, 1915-1956
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A fully annotated edition of more than 1600 letters from and to Gerald Finzi, spanning the composer's life from ca. the early 1920s up until his untimely death in 1956.
WINNER of the 2022 C.B. Oldman prize, by the International Association of Music Libraries, Archives and Documentation Centres (IAMLS UK & Irl)
Gerald Finzi's (1901-1956) masterpiece is the radiant and touching cantata Dies Natalis. He is also highly regarded for his Thomas Hardy song-settings, for his Intimations of Immortality, and for his fine cello and clarinet concertos. As a scholar, he championed the then neglected composers Hubert Parry and Ivor Gurney, and the eighteenth-century John Stanley, William Boyce and Richard Mudge, composers he revived with the amateur orchestra he founded. Diana McVeagh, Finzi's biographer, brings together more than 1600 letters from and to Gerald Finzi, spanning the composer's life from the early 1920s until his untimely death in 1956. His more than 160 correspondents include Ralph Vaughan Williams, Herbert Howells, Edmund Rubbra, Arthur Bliss and Howard Ferguson, Michael Tippett, Benjamin Britten and Sir John Barbirolli, the poet Edmund Blunden, and the artist John Aldridge, making this a portrait not only of Gerald Finzi but also of his group of composer, musician and artist friends in the first half of the twentieth century. In these mostly unpublished letters Finzi emerges as a multi-faceted and complex character, developing from a solitary, introverted youth into a man with strong views and wide interests: education, pacifism, vegetarianism, the Arts and Crafts movement and the English pastoral tradition, among others. From amusing trivia to the deeply serious ideas and principles Finzi set out at the onset of war and in the 1950s, these letters allow for first-hand insights into his personality and background. This definitive edition is fully annotated, offering context with substantial commentaries on the correspondence, illustrations by Joy Finzi, a chronology, bibliography and a catalogue of works.
Barbara Crosbie
Age Relations and Cultural Change in Eighteenth-Century England
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Interactions between age groups were central to major social and cultural developments in eighteenth-century England, and this book serves as a powerful reminder that people lived through not in the past.
This book explores the links between age relations and cultural change, using an innovative analytical framework to map the incremental and contingent process of generational transition in eighteenth-century England. The study reveals how attitudes towards age were transformed alongside perceptions of gender, rank and place. It also exposes how shifting age relations affected concepts of authenticity, nationhood, patriarchy, domesticity and progress.
The eighteenth century is not generally associated with the formation of distinct generations. This book, therefore, charts new territory as an age cohort in Newcastle upon Tyne is followed from infancy to early adulthood,using their experiences to illuminate a national, and ultimately imperial, pattern of change. The chapters begin in the nurseries and schoolrooms in which formative years were spent and then traverse the volatile terrain of adolescence, before turning to the adult world of fashion and politics. This investigation uncovers the roots of a generational divide that spilled into the political arena during the parliamentary election of 1774. But more than that,it demonstrates that the interactions between age groups were central to major social and cultural developments in the eighteenth century and serves as a powerful reminder of the need to recognise that people lived through not in the past.
Tess Knighton
Music and Instruments of the Middle Ages
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Essays on important topics in early music.
Christopher Page is one of the most influential and distinguished scholars and performers of medieval music. His first book, Voices and Instruments of the Middle Ages (1987), marked the beginning of what might be called the"Page turn" in the study and performance of medieval music. His many subsequent publications, radio broadcasting (notably the series Spirit of the Age) and performances and recordings with his ensemble Gothic Voices changed the perception of and thinking about music from before about 1400 and forged new ways of communicating its essence to scholars as well as its subtle beauty to wider audiences. The essays presented here in his honour reflectthe broad range of subject-matter, from the earliest polyphony to the conductus and motet of the thirteenth and fourteenth centuries, the troubadour and trouvère repertories, song and dance, church music, medieval music theory, improvisation techniques, historiography of medieval music, musical iconography, instrumental music, performance practice and performing, that has characterised Page's major contribution to our knowledge of music of the Middle Ages.
Philip Ross Bullock, Daniel M. Grimley
Music's Nordic Breakthrough
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A timely attempt to re-map a critical appreciation of early twentieth-century modernism through a Nordic lens.
Following the end of the Cold War, a former East-West binary model of European identity has been replaced with a series of more complex and variegated patterns. Northern Europe is one such territory, and the idea of the 'North' more generally has come in for increased critical scrutiny. This volume reappraises the work of Sibelius, Nielsen and their contemporaries, but it also reassesses the wider implications of the 'Nordic Breakthrough' for fields such as the visual arts, theatre, literature and architecture.
Music's Nordic Breakthrough adopts an interdisciplinary methodology and expands the geographical reach of the 'Nordic zone' to include interactions with Russia, the Baltic states and Great Britain; a new understanding of the region emerges as an arena of artistic affinity, cutural exchange and shared preoccupations. At the same time, the book constitutes an attempt to re-map and recentre early twentieth-century European modernism through a distinctively Nordic lens. The thematic approach on display reveals the complex interaction of networks, individuals, ideologies and the transfer of ideas. The book will beof interest to musicologists working in late nineteenth- and early twentieth-century repertoires, as well as those more broadly interested in modernism in music and its neighbouring arts. The book also offers important reading forart historians, theatre scholars and literary critics.
CONTRIBUTORS: Charlotte Ashby, Leah Broad, Daniel M. Grimley, Louise Hardiman, Kevin Karnes, Pirjo Lyytikäinen, Tomi Mäkelä, Julia Mannherz, Arnulf Christian Mattes, Philip Ross Bullock, Kirsten Rutschmann, and Mikkel Zangenberg.
Noelle M. Heber
J. S. Bach's Material and Spiritual Treasures
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An innovative study of the ways in which theological themes related to earthly and heavenly 'treasures' and Bach's own apparent attentiveness to the spiritual values related to money intertwined in his sacred music.
In Johann Sebastian Bach's Lutheran church setting, various biblical ideas were communicated through sermons and songs to encourage parishioners to emulate Christian doctrine in their own lives. Such narratives are based on an understanding that one's lifetime on earth is a temporal passageway to eternity after death, where souls are sent either to heaven or hell based on one's belief or unbelief.
Throughout J. S. Bach's Material and Spiritual Treasures, Bach scholar Noelle M. Heber explores theological themes related to earthly and heavenly 'treasures' in Bach's sacred music through an examination of selected texts from Bach's personal theological library. The book's storyline is organised around biblical concepts that are accented in Lutheran thought and in Bach's church compositions, such as the poverty and treasure of Christ and parables that contrast material and spiritual riches.
While focused primarily on the greater theological framework, Heber presents an updated survey of Bach's own financial situation and considers his apparent attentiveness to spiritual values related to money. This multifaceted study investigates intertwining biblical ideologies and practical everyday matters in a way that features both Bach's religious context and his humanity. This book will appeal to musicologists, theologians, musicians, students, and Bach enthusiasts.
Adrian Wright
Cheer Up!
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The first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II.
Cheer Up! is the first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II. The upsurge in production at British studios from 1929 onwards marked the real birth of a genre whose principal purpose was to entertain the British public. This endeavour was deeply affected by the very many emigres escaping Nazi Germany, who flooded into the British film industry during this decade, as the genre tried to establish itself. The British musical film in the 1930s reflects a richness of interest. Studios initially flirted with filming what were essentially stage productions plucked from the West End theatre but soon learned that importing a foreign star was a box-office boost. Major musical stars including Jessie Matthews, Richard Tauber and George Formby established themselves during this period. From its beginning, the British musical film captured some of the most notable music-hall performers on screen, and its obsession with music-hall persisted throughout the war years. Other films married popular and classical music with social issues of poverty and unemployment, a message of social integration that long preceded the efforts of the Ealing studios to encourage a sense of social cohesion in post-war Britain. The treatmentof the films discussed is linear, each film dealt with in order of its release date, and allowing for an engaging narrative packed with encyclopaedic information.
Matthew Hefferan
The Household Knights of Edward III
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First extended survey of the subject, looking at the knights' activities, roles, background and service.
It was common for the kings of medieval England to retain a small number of knights in their personal service, as part of the royal household. These knights provided a core of loyal and talented men on whom each king could rely for military and political support. Household knights were a part of almost all aspects of the reign: they assisted in the raising and equipping of royal armies; they offered leadership for these armies once on campaign; they acted as trusted councillors and administrators at the centre of government; and they maintained the king's authority and landed interests throughout his kingdom. This book - the first full-length study of the household knight in late medieval England - takes as its focus those men serving during the successful reign of Edward III. It asks how and why household knights were retained, who was chosen to serve in such a capacity, what functions these men performed, and what rewards they received in return for their time in service. In doing so, it enables a more detailed picture of Edward III's kingship to be gained, and allows important questions to be answered about the ways in which wars were fought and kingdoms ruled in late medieval Europe.
Linda Clark
The Fifteenth Century XVIII
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Essays on crucial aspects of late medieval history.
The essays collected here, offered by three generations of his friends and pupils, celebrate the outstanding career of Professor A.J. Pollard and pay tribute to his scholarship and enduring influence in furthering our understanding of late medieval England and France. Drawing inspiration from his own research interests and writing, which illuminated military, political and social interactions of the period, they focus on three main themes. The contrasting styles of governance adopted by English monarchs from Richard II to Henry VII; the differing responses to civil conflict revealed in a variety of localities; and the lives of men recruited to fight overseas during the Hundred Years' War, and beyond the border with Scotland in later years, are all explored here. These topics take us across England from the far north to the Channel, to London, the south-west and the Welsh lordship of Gower, while on the way also examining how townsmen resisted taxation, the gentry administered their estates and the western marches were ruled.
David Allen
The Cartulary and Charters of the Priory of Saints Peter and Paul, Ipswich
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Edition of documents from an important medieval East Anglian ecclesiastical institution.
The charters and other documents recorded in the thirteenth-century Cartulary of the Augustinian priory of Sts Peter and Paul, Ipswich, donated to the public library of Lexington, Kentucky, in 1806, and purchased for Ipswich Record Office in 1970, throw light on an institution whose early history was mostly shrouded in obscurity. They are an important source for the study both of the expansion of the priory estates and the consolidation of its holdings bythe gift or purchase of adjoining parcels of land in common fields, and a mine of information for the student of place-names. The charters presented here, with full explanatory notes, complement the contents of the priory'scartulary published in 2018. They illuminate the religious life of the priory, its community, spiritual rewards for its benefactors, steps taken to safeguard its assets, and the circumspection sometimes shown by the convent in itsdealings with the powerful.
Gordon McKelvie
Calendar of Inquisitions Post Mortem and other Analogous Documents preserved in The National Archives XXXV: 1 Edward V to Richard III (1483-1485)
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A valuable resource on the social and economic life of medieval England
Inquisitions post mortem are the single most important source for the history of medieval English landed society and are indispensable to social, economic, and political historians of the later middle ages; they were compiled with the help of jurors from the area, as a county-by-county record of a deceased individual's land-holdings and associated rights, where the individual held land directly of the crown. It is this explicit connection with land and locality - in economic, social, political, and topographical terms - that makes these documents of such comprehensive interest.
This volume calendars the inquisitions and related documents from the short reigns of Edward V and Richard III, from the protectorate to the battle of Bosworth (1483-1485). It looks at 101 individuals across 181 inquisitions and includes valuable information and detailed returns on the estates of the greater aristocracy, among them Henry Bourchier, earl of Essex and William Lord Hastings [d. 1483], alongside lesser landholders, jurors' names and full manorial extents. The volume incorporates not only inquisitions post mortem but also assignments of dower and a proof of age from across the counties of England and the Marches of Wales. It is especially rich in inquisitions relating to the lands of the royal justices and widowed dowagers and documents how many landholders had conveyed lands to trustees, thus escaping royal wardship and prompting remedial legislation by Richard's parliament. Standard information includes medieval descriptions of towns and villages and the charting of land and its descent at all social levels. The volume also provides comprehensive indexes of jurors, persons, places, and subjects.
Lewis Lockwood
Beethoven's Lives
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Beethoven's Lives will be required reading for anyone interested in understanding how Beethoven biography has evolved through the ages.
When Ludwig van Beethoven died in March 1827, the world of music felt an intense loss. The composer's funeral procession was one of the largest Vienna had ever witnessed, and the poet Franz Grillparzer's eulogy brought the tensions between the composer's life and music into sharp focus: the deaf and aloof genius, the alienated and eccentric artist, unable to form a lasting relationship with a woman but reaching out to mankind. These apparent contradictions were to attract many Beethoven biographers yet to come.
Here, Lewis Lockwood, himself a much-lauded Beethoven biographer, tells the story of Beethoven biography, from the earliest attempts made directly after the composer's death to the present day. Beethoven's Lives casts a wide net, tracing the story of Beethoven biography from Anton Schindler as biographer and falsifier, through the authoritative Alexander Wheelock Thayer and down to the present. The list includes Gustav Nottebohm, the first scholar to study Beethoven's sketchbooks. With his work, biography could begin to reflect on the inner life of the artist as expressed in his music, and in this sense, sketchbooks could be seen as artistic diaries. Even Richard Wagner thought of writing a Beethoven biography, and the late nineteenth and early twentieth century saw the emergence of French and English traditions of Beethoven biography.
In the tumultuous twentieth century, with world wars and fractured politics, the writing of Beethoven biography was sometimes caught up in the storm. By bringing the story down to our time, Lewis Lockwood identifies traditions of Beethoven biography that today's scholars and writers need to be aware of. As Lockwood shows, each biography reflects not only on the individual writer's knowledge and interests, but also his inner sense of purpose as each writer works within the intellectual framework of his time.
LEWIS H. LOCKWOOD is one of the leading authorities on Beethoven worldwide. Having taught at Princeton and Harvard, some of his key Beethoven publications include: Beethoven: The Music and the Life (Norton, 2003; translated into many languages), as well as Beethoven's Symphonies: An Artistic Vision (Norton, 2015) and with the Julliard String Quartet: Inside Beethoven's Quartets: History, Performance, Interpretation (Harvard University Press, 2008). He is known for his studies of Beethoven's life and work, including the composer's autograph manuscripts and sketchbooks.
John Belcher
The Foldcourse and East Anglian Agriculture and Landscape, 1100-1900
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First survey of one of the most important pre-modern farming systems, and its effects on society and landscape.
A landmark volume... essential reading for all those interested in social, agricultural and landscape history, as well as in East Anglia's past. Professor Tom Williamson, University of East Anglia.
England in the medieval and early modern periods was farmed under a wide range of agrarian regimes, each of which was both engendered by, and had in turn a determining influence upon, innumerable aspects of society and landscape. Reconstructing the complex history of these systems - how they actually worked on the ground, how and why they first developed and how they evolved over time - is thus crucial for our understanding of the lived experience of past generations and the physical environments which they inhabited. But studies of past agricultural regimes which are detailed enough to highlight their full social, economic and environmental character and implications, are surprisingly thin on the ground. This innovative book dissects the character of one key example - the foldcourse system of East Anglia - from its genesis in the early Middle Ages to its demise in the nineteenth century. It casts a mass of new light on an institution that structured rural life in one region of England, over many centuries. But it also provides important new insights into the nature of early farming systems more generally, and the intricate balance of human agency, and environmental structures, that shaped and sustained them.
Graham O'Reilly
'Allegri's Miserere' in the Sistine Chapel
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The Miserere by Italian composer Gregorio Allegri (1582-1652) is one of the most popular, oft performed and recorded choral pieces of late Renaissance/early Baroque music. Yet the piece known today bears little resemblanceto Allegri's original or to the piece as it was performed before 1870.
The Miserere attributed to the Italian composer Gregorio Allegri (1582-1652) is one of the most popular, often performed and recorded choral pieces of late Renaissance/early Baroque music. It was composed during the reign of Pope Urban VIII in the 1630s, for the exclusive use of the Papal Choir in the Sistine Chapel during Holy Week, the last of thirteen surviving Misereres sung at the services of Tenebræ since 1514. When the young Mozart visited Rome, so the story goes, he transcribed it from memory, risking excommunication but helping posterity to reclaim the piece. Yet the Miserere known today bears little resemblance to Allegri's original or to its method of performance before 1900. This book is the first detailed account of this iconic work's performance history in the Sistine Chapel, in particular focussing on its heyday in the eighteenth and nineteenth centuries. Rather than looking at the Miserere as a work on paper, the key to its genesis - as this book reveals - can only be found in a performance context. The book includes consideration both of the implications of that context in recreating it for performance, and of the history and practice of the "English Miserere" - the version commonly heard today. Appendices present key source transcriptions and two performance editions.
Chris King
Houses and Society in Norwich, 1350-1660
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First full archaeological study of the urban environment of Norwich when its power was at its height.
Norwich was second only to London in size and economic significance from the late Middle Ages through to the mid-seventeenth century. This book brings together, for the first time, the rich archaeological evidence for urban households and domestic life in Norwich, using surviving buildings, excavated sites, and material culture. It offers a broad overview of the changing forms, construction and spatial organisation of urban houses during the period, ranging across the social spectrum from the large courtyard mansions occupied by members of the mercantile and civic elite, to the homes of the urban "middling sort" and the small two- and three-roomed cottages of the city's weavers andartisans. The so-called "age of transition" witnessed profound social and economic changes and religious and political upheavals, which Norwich, as a major provincial capital, experienced with particular force and intensity; domestic life was also transformed. The author examines the twin themes of continuity and change in the material world and the role of the domestic sphere in the expression and negotiation of shifting power relationships, economic structures and social identities in the medieval and early modern city.
Ashley Marshall
Political Journalism in London, 1695-1720
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A major history of the evolution of political journalism in the late Stuart and early Hanoverian period.
The reign of Queen Anne (1702-1714) saw a remarkable boom in political journalism and newspaper culture in London, in which some of the leading literary lights of the age, Swift, Defoe, Addison, Steele, were heavily involved. While scholars have dealt at length with the physical development and circulation of these newspapers and with their literary contribution, much less has been done to trace the evolving ideologies of London's political newspapers in this period. In this major contribution to the study of eighteenth-century political culture, Ashley Marshall shows how the ideologies of the leading papers evolved in direct and indirect response to one another. She offers provocative re-readings of well-known journals, including Defoe's Review, Swift's Examiner and the various publishing ventures of Richard Steele, and first accounts of the wealth of smaller, short-lived journals which made up the ecosystem of periodical publishing at the time. A ground-breaking final chapter looks at the radically different ways in which periodical writers imagined and addressed their public. Drawing out the distinction between the Whig ideal of a highly engaged citizenry and a Tory press which conditioned its readers to be dutiful subjects rather than active citizens, Marshall argues that these rhetorical differences reflected an ongoing debate about the ultimate role of journalism.
Ros Ballaster
Fictions of Presence
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An absorbing study of the contested embodiment of the idea of "presence" in the plays and novels of the eighteenth century.
In the years following the 1737 Licensing Act, the English stage found itself for the first time facing serious competition from the novel - newly respectable and increasingly fashionable. But the story is not one of theatre's decline and the novel's rise. As Ros Ballaster shows in this lively and innovative study, the relationship between the two media was one of an intensely creative and productive rivalry. Novelists sent their heroes to the theatre, dramatists appropriated the plots of popular novels, the celebrity status of actors was advanced through guest appearances in printed prose fictions. Some figures, like Richardson's virtuous serving maid Pamela, or Sterne's eccentrichumourist Tristram Shandy, acquired such independent lives in the minds of the public that they migrated into the mainstream of popular culture.
Fictions of Presence describes how major authors of the period - Eliza Haywood, Henry Fielding, Charlotte Lennox and Oliver Goldsmith - spanned both genres. It charts the movement of popular fictional characters between stage and page. And it looks at the representation of contemporary audiences and readers in the new types of the (female) mimic and the (male) critic. Crucially, Ballaster delineates the ground over which the two media competed: the ability to create 'presence' - a sense of being present with the moment of action, of finding 'being' in fictional worlds - in the mind's eye of readers and theatregoers. In so doing, she not only illuminates the shared history of the theatre and the novel, but describes the power of aesthetic experience itself.
Tim Somers
Ephemeral Print Culture in Early Modern England
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Uses the collections of ephemera popular in the late seventeenth century as a way to understand the reading habits, publishing strategies and thought processes of late Stuart print culture.
Cheap' genres of print such as ballads, almanacs and playing cards were part of everyday life in seventeenth-century society - ubiquitous and disposable. Toward the end of the century, however, individuals began to preserve, arrange and display articles of cheap print within carefully curated collections. What motivated this sudden urge to preserve the ephemeral? This book answers that question by analysing the social, political and intellectual factors behind the formation of cheap print collections, how these collections were used by their owners, and what this activity can tell us about 'print culture' in the early modern period.
The book's central collector is John Bagford (1650-1715), a shoemaker who became a dealer of prints and other 'curiosities' to important collectors of the time such as Samuel Pepys, Hans Sloane and Robert Harley. Bagford's own rich and largely unstudied collection is afascinating study in its own right and his position at the centre of commercial and intellectual networks opens up a whole world of collecting. This world encompasses later Stuart partisan political culture, when modern parties and the 'public sphere' first emerged; the 'New Science' and 'virtuoso culture' with its milieu of natural philosophers, antiquaries and artisans; the aural and visual landscape of marketplaces, streets and alehouses; and developing practices of record-keeping, life-writing and historical writing during the long eighteenth century.
Stephanie Carter
Music in North-East England, 1500-1800
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This collection situates the North-East within a developing nationwide account of British musical culture.
Music in North-East England provides a wide-ranging exploration of musical life in the North-East of England during the early modern period. It contributes to a growing number of studies concerned with developing a nationwide account of British musical culture. By defining the North-East in its widest sense, the collection illuminates localised differences, distinct musical cultures in urban centres and rural locations, as well as region-wide networks, and situates regional musical life in broader national and international contexts. Music in North-East England affords new insights into aspects of musical life that have been the focus of previous studies of British musical life - such as public concerts - but also draws attention to aspects that have attracted less scholarly attention in histories of early modern British musical culture: the musical activities and tastes of non-elite consumers; interactions between art music and cheap print and popular song; music education beyond London and its satellite environs; the recovery of northern urban soundscapes; and the careers of professional musicians who have not previously been the focus of major published musicological studies.
Rodney M Thomson
For and Against Abelard
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The famous letters of Bernard of Clairvaux attacking the philosopher Peter Abelard and a vituperative response to them are presented together for the first time.
The late eleventh and twelfth centuries were Europe's first age of pamphlet warfare, of invective and satire. The perceived failure, or at least hypocrisy, of its new institutions-the new monastic orders and the reformed papacy-gave rise to the phenomenon, and it was shaped by the study of grammar and rhetoric in the new Schools. The central figures in the texts in the present book are Bernard of Clairvaux, the powerful ostensible founder of the Cistercianorder, and the popular and influential teacher Peter Abelard, leader of the radical faction in the Schools of Paris. The event which sparked this controversy was the Church council at Sens in 1141 which had led to the condemnation of Abelard's doctrines. Abelard proposed to use reason to explain the mysteries of faith, and this had led him into all kinds of difficulties with established church doctrine. The leading light in the atttack on his ideas was Bernard, the famous abbot of Clairvaux, a group of whose letters, written to gather support for it before and after the Council, are presented here. A little while later Abelard was defended by the vituperative but otherwise unknown Berengar, who wrote an outrageous Apology attacking Bernard; we also edit his remaining polemical works: his Letter to the Carthusians, and his Letter to the Bishop of Mende. None of Berengar's works has been translated before.An extensive introductory essay describes the course of the debate and the personnel, and analyses the invective employed by both Bernard and Berengar. There is full annotation identifying the writers' sources and clarifying the issues.
Humphrey Burton
In My Own Time
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This long-awaited autobiography is a must-read for classical musical enthusiasts and those fascinated by some of the twentieth century's star performers. It also offers unique insights into the history of music, the BBC and arts broadcasting in twentieth-century Britain.
Sir Humphrey Burton is one of Britain's most influential post-war music and arts broadcasters. Witty, humorous and full of humanity, Burton's account presents us with never before recorded perspectives on the world of British cultural broadcasting and classical music. Burton worked with such outstanding directing talents as Ken Russell and John Schlesinger, before becoming the BBC's Head of Music and the Arts. Already in the 1960s, in conversations with Glenn Gould for instance, Burton helped to create innovative ways of presenting music to new audiences. Following Sir David Frost's call to LWT/ITV, Burton rose to prominence with presenting the award-winning arts series Aquarius (1970-1975). The early 1970s saw the beginning of Burton's long association with Leonard Bernstein. Burton was at hand filming the maestro's educational programs, as well as concerts with the Vienna Philharmonic. Unforgettable are his chronicles of Bernstein's last years, culminating in a worldwide broadcast of the conductor's Berlin Freedom Concert after the fall of the Berlin Wall. Burton's gift for communicating music turned him into a celebrated Bernstein biographer. With multi award-winning television programmes to his name, such as the BBC's Young Musician of the Year, Burton left an indelible mark on Britain's music and arts broadcasting history. Sir Humphrey Burton offers us many encounters with twentieth century classical music's superstars and former broadcasting colleagues. What transpires is a creative mind at work that never lost sight of the demand that the appropriate presentation of music can only go hand-in-hand with a deep understanding of music itself. This long-awaited autobiography is a must-read for classical musical enthusiasts and those fascinated by some of the twentieth century's star performers. It also offers unique insights into the history of music, the BBC and arts broadcasting in twentieth-century Britain.
W. G. Miller
British Traders in the East Indies, 1770-1820
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An in-depth study of the British traders who extended British commercial activity beyond the area controlled by the East India Company.
This book provides an in-depth analysis of the British private traders who engaged in the intra-Asian trade, known to contemporaries as the "country trade", between 1770 and 1820, providing much detail on who the traders were, howthey conducted their operations, and how they interacted with indigenous societies in a complex and very volatile region. It examines their relations with East India Company, and their moves beyond the Company's orbit to open upindependently new spheres of British commercial, political, and imperial influence. It discusses their social and political interaction with Malays, their good understanding of local societies, their use of the Malay language, their adoption of local practices and procedures, and their gathering of many forms of useful knowledge, all of which underpinned the growth in commercial activity and made the traders indispensable to East India Company officials. It explores their often fractious rivalry with the Dutch, and analyses the decline of the country trade following the establishment of Singapore in 1819. Throughout, the book provides many case studies of individual traders. W.G. Miller was Southeast Asian Studies Librarian at the Australian National University from 1974 to 1997 and a Visiting Fellow at the College of Asia and the Pacific at the Australian National University from 2004 to 2018.
David Crook
Robin Hood: Legend and Reality
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Detailed research into documentary sources offers an exciting new identification of the "real" Robin Hood.
For over a century and a half scholars have debated whether or not the legend of Robin Hood was based on an actual outlaw and, if so, when and where he lived. One view is that he was not a legend as such but a myth: an idea, rather than a person who could possibly be identified in historical records and placed in a real historical and geographical context. Other writers have gone even further, arguing that he is a literary concoction, with no traceable original, and that seeking to pin him down to a particular time and location is futile and unnecessary. This survey begins by tracing the development of the legend, and contemporary views about it, between the thirteenth and early twenty-first centuries, taking account both of new interpretative literature on the subject and fresh discoveries from the author's own research in the early records of the English royal administration and common law. It then gives a detailed account of the places that came to be associated with the legend, and of evidence illustrating the importance of the outlaw's name in the development of English surnames. The concluding chapters deal with the administration of criminal law in medieval England, and the evidence that points to the possible origins of the legend in the activities of a notorious Yorkshire criminal, tracked down and beheaded in the county in 1225.
J. Michael Jefferson
The Templar Estates in Lincolnshire, 1185-1565
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A new survey of major Templar landholdings offers fresh insights into key questions about their medieval history.
Much has been written about the history of the Knights Templar, the legendary Order of military monks. Far less attention, however, has been paid to the Templar estates in Western Christendom which supported their endeavours. Set within the context of the turbulent history of medieval and Tudor England, the book follows the fate of the Templar estates in the county of Lincolnshire. Beginning with the survey of Templar property undertaken by Geoffrey FitzStephen in 1185, the story of the estates is followed through the primary sources of the estate accounts of 1307-1312, the Report of Philip de Thame of 1338, the Valor Ecclesiasticus of 1535 and the 1557 letter patent of Mary Tudor. What emerges is the previously untold tale of the characteristics of the estates, the personnel who were involved and the nature of Templar agriculture in the early fourteenth century. A number of major questions are addressed, including how Edward II dealt with the Templar estates after the arrest of the Order in 1308; whether all the Templar estates were transferred to the Hospitallers as is widely supposed; and what happened to the Hospitaller inheritance of Templar lands during the English Reformation.
Professor Stephen D. Church
Anglo-Norman Studies XLII
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A series which is a model of its kind: Edmund King
The wide-ranging articles collected here represent the cutting edge of recent Anglo-Norman scholarship. There is a particular focus on historical sources for the eleventh and twelfth centuries, and especially on the key texts which are used by historians in understanding the past. There are articles on Eadmer's Historia Novorum, Dudo of Saint-Quentin's Historia Normannorum, the historical profession at Durham, and the use of charters to understand the role of women in the Norman march of Wales. Other contributions examine canon law in late twelfth-century England, and Angevin rule in Normandy in the time of Henry fitz Empress. The Old English world is also represented in the volume: there is a fresh investigation into Harold Godwineson's posthumous reputation, and a new interpretation of the reign of Aethelred the Unready.
S.D. CHURCH is Professor of Medieval History at the University of East Anglia.
Contributors: Emma Cavell, Catherine Cubitt, John Gillingham, Mark Hagger, Fraser McNair, Charles C. Rozier, Nicholas Ruffini-Ronzani, Danica Summerlin, Ann Williams
Beth Williamson
Reliquary Tabernacles in Fourteenth-Century Italy
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Ground-breaking study of the enigmatic and unique tabernacles from fourteenth-century Italy, which for the first time combined relics and images.
Images and relics were central tools in the process of devotional practice in medieval Europe. The reliquary tabernacles that emerged in the 1340s, in the area of Central Italy surrounding the city of Siena, combined images and relics, presented visibly together, within painted and decorated wooden frames. In these tabernacles the various media and materials worked together to create a powerful and captivating ensemble, usable in several contexts, both in procession and static, as the centre of focussed, prayerful attention.
This book looks at Siena and Central Italy as environments of artistic invention, and at Sienese painters in particular as experts in experimentation whose ingenuity encouraged the development of this new form of devotional technology. It is the first full-length study to focus in depth on the materiality of these tabernacles, investigating the connotations and effects of the materials from which they were made. It examines especially the effect of bringing relics and images together, and considers how the impressions of variety and abundance created by the multiplication of materials give birth to meaning and encourage certain kinds of action or thought.
Douglas MacMillan
The Flageolet in England, 1660-1914
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The flageolet occupies a unique niche in musical history, and this book traces its history from its beginnings to its peak of popularity in the nineteenth century..
The flageolet is a recorder-like instrument whose history may be traced back to the seventeenth century. Predominantly an instrument of the amateur, the flageolet seldom featured in the orchestra but nevertheless occupied a smallbut unique niche in musical history. MacMillan traces the history of the instrument from its origin through to its heyday in England in the nineteenth century. The book is centred on an organological study of the flageolet, coupled with discussion of its repertoire, pedagogy, and place in musical society. It will be of interest to woodwind organologists, players of the flute and recorder, and to those who study the integration of musical instruments and their repertoire in relation to societal aspects of musical practice.
Philippa Turner
The Rood in Medieval Britain and Ireland, c.800-c.1500
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New readings demonstrate the centrality of the rood to the visual, material and devotional cultures of the Middle Ages, its richness and complexity.
The rood was central to medieval Christianity and its visual culture: Christ's death on the cross was understood as the means by which humankind was able to gain salvation, and depictions of the cross, and Christ's death upon it,were ubiquitous. This volume brings together contributions offering a new perspective on the medieval rood - understood in its widest sense, as any kind of cross - within the context of Britain and Ireland, over a wide periodof time which saw significant political and cultural change. In doing so, it crosses geographical, chronological, material, and functional boundaries which have traditionally characterised many previous discussions of the medieval rood. Acknowledging and exploring the capacity of the rood to be both universal and specific to particular locations and audiences, these contributions also tease out the ways in which roods related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set. The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.
Gareth Williams
The Country Houses of Shropshire
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A gazetteer of the many fine Shropshire country houses, which covers the architecture, the owners' family history, and the social and economic circumstances that affected them.
Shropshire is the largest English inland county, and has a wide variety of important landed country houses, with owners from diverse social groups, with links to trade in Liverpool, Manchester and London as well as the local gentry. This book is not simply about the houses they built, but also about the people who lived in them and the context in which the houses are set. The architecture is of course fully covered. What is distinctive about the author's approach is that he treats the histories of the families, their artistic tastes and their estates, as an integral part of the character of each house. Country houses can serve as a barometer of national tastes and of the social and economic times in which they were built. The work includes reference to the important sporting associations, fine and decorative art collections, and to important guests and social networks. Unlike most architectural guides, this aims at a wider readership, and will be an important resource for social historians, genealogists and local historians. The Country Houses of Shropshire considers the history of 347 identified houses of varying importance; those with a significant or influential history are given a main entry of up to 6000 words whilst lesser houses are treated with an entry of less than 1000 words. All houses have footnoted entries, enabling the reader to refer directly to source and to undertake further research themselves.
Samuel A. Claussen
Chivalry and Violence in Late Medieval Castile
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First full investigation in English into the role played by chivalric ideology, and its violent results, in late medieval Castile.
The Kingdom of Castile in the late Middle Ages suffered from regular civil strife, warfare, dynastic contests, and violence, such that only a century before the birth of the Spanish Empire, it is difficult to imagine a successfulworld empire centered in this tumultuous realm. The chaos that marked this period of Castilian history was not mere chance, but the result of key historical developments which have not been fully examined in Anglophone scholarship. This book explores the roots of the disorder that plagued Castile in the fourteenth and fifteenth centuries, identifying the ideology of chivalry and its knightly practitioners as the chief instigators of the violence thatdestabilized the kingdom. The author argues that chivalry was far from being a code of good behaviour, scrupulously observed, but rather encouraged knights to avenge themselves violently upon their neighbours, pursue a zealous holy war against Islam, and tear at the social fabric of Castilian society. Their powerful ideas and values shaped the course of Castilian history in the crucial years before the unification of the Spanish kingdoms.
Nicholas Thistlethwaite
Organ-building in Georgian and Victorian England
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The London firm of Gray (later Gray & Davison) was one of Britain's leading organ-makers between the 1790s and the 1880s.
Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States. In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management,the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work. This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians.
Chris R. Langley
The National Covenant in Scotland, 1638-1689
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What did it mean to be a Covenanter?
From its first subscription in 1638, the National Covenant was an aspect of life that communities across Scotland encountered on a daily basis. However, how contemporaries understood its significance remains unclear. This edited collection assesses how people interacted with the National Covenant's infamously ambiguous text, the political and religious changes that it provoked, and the legacy that it left behind. This volume contains eleven chapters divided between three themes that reveal the complex processes behind Covenanting: the act of swearing and subscribing the Covenants; the process of self fashioning and identity formation, and, finally, the various acts of remembering and memorialising the history of the National Covenant. The collection reveals different narratives of what it meant to be a Covenanter rather than one, uniform, and unchanging idea. The National Covenant forced contortions in Scottish identities, memories, and attitudes and remained susceptible to changes in the political context. Its impact was dependent upon individual circumstances. The volume's chapters contend that domestic understanding of the National Covenant was far more nuanced, and the conversations very different, from those occurring in a wider British or Irish context. Those who we now call 'Covenanters' were guided by very different expectations and understandings of what the Covenant represented. The rules that governed this interplay were based on local circumstances and long-standing pressures that could be fuelled by short-term expediency. Above all, the nature of Covenanting was volatile. Chapters in this volume are based on extensive archival research of local material that provide a view into the complex, and often highly personalised, ways people understood the act or memory of Covenanting. The chapters explore the religious, political, and social responses to the National Covenant through its creation in 1638, the Cromwellian invasion of 1650 and the Restoration of monarchy in 1660.
Alexander R. Brondarbit
Power-Brokers and the Yorkist State, 1461-1485
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Examination of the role played by key figures around the monarchy in the Wars of the Roses.
The reigns of Edward IV and Richard III have long engendered fascination and debate, not least concerning the extent of the authority and power of key individuals surrounding the court at the time. This book examines the most influential men and women at the centre of their regimes: the political power-brokers. They served the king in matters of diplomacy, warfare, court ceremony, local government, and the attempt to keep order amid the ongoing crisis of kingship sparked by the Wars of the Roses. Their close royal association to the king led to rapid increases in their power and fortune. Among their ranks are well-documented figures such as the tragic "Kingmaker", Richard Neville,earl of Warwick, and the steadfast baron William, Lord Hastings. This volume however is also concerned to bring to the forefront lesser discussed figures, including Sir Thomas Montgomery, Edward's close friend whose career was remade by the Yorkist usurpation, and Sir John Fogge, one of the leading men of Kent who prospered under Yorkist rule, yet risked everything by rejecting Richard's right to rule. Grounded on extensive archival research, this book offers a more detailed and nuanced image of the influence the power-brokers wielded and their place in the Yorkist state. It analyses the manifestation of their power and the manner in which they exercised their influence publicly and privately; and establishes their importance in the foundation, maintenance, and downfall of the Yorkist dynasty.
David Milsom
Romantic Violin Performing Practices
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What are the key topics that define Romantic violin playing?
This book discusses key issues (and barriers) of putting into practice nineteenth-century violin performing practices. It deals with a number of well-known problems concerning romantic performance including the widely perceived 'gap' between scholarship and the act of performance. Taking account of a modernist revolution in performing practices and aesthetic thought in the twentieth century, the book focuses on key topics to define romantic violin playing.
Practically-focused chapters discuss key aspects of performing practice evidence. The book then moves into a case-study phase to discuss examples from the author's long experience. It concludes with practical advice and exercises to enable students to begin experimenting with the assimilation of such practices into their own performance. In this way, the proposed structure aims to be a 'handbook' proper. The handbook ends by looking to the future and suggesting practical ways for violinists to adopt what has been discussed in the text. The continued centrality of nineteenth-century music in contemporary concert life makes the importance of the topic self-evident.
Alan V. Murray
The Medieval Tournament as Spectacle
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Fresh insights into the development of the tournament as an opportunity for social display.
The period from the thirteenth to the sixteenth century witnessed a rapid development of the tournament. Alongside the original tourney - a mass battle fought between opposing armies of knights with minimal and rudimentary regulation - new forms of chivalric military contests emerged, in which entertainment featured alongside the necessity of practice for war. The joust featured individual combats, with increasingly elaborate rules and variations in form and accompanying pageantry, while the passage of arms placed tournaments within theatrical and allegorical formats. This volume brings together the latest research on the late medieval tournament, demonstrating how such events, particularly at the courts of France, Burgundy, England and the German principalities, were increasingly integrated in wider festivities, ceremonies and diplomatic negotiations. Published in association with the Royal Armouries, it will appeal to all those interested in chivalric culture and medieval warfare.
Richard Langham Smith
Bizet's Carmen Uncovered
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Bizet's Carmen Uncovered exposes the myths and stereotypes that so often surround this much loved opera by exploring its first staging, and the particularly Spanish contexts in which the opera was conceived, written, and staged.
What were the forces that brought Carmen to the Operatic stage? There were certainly many: for example, the liberation of Spain from the Napoleonic rule in 1813; the subsequent emigration of Spanish artists and musicians to form an active community in Paris; the mid-century mushrooming of interest in visiting Spain facilitated by the establishment of railways. The first part of this book explores the reasons behind the French mania for Spain, and the second demonstrates how the travels and writings of Prosper Mérimée, particularly in his novella Carmen, but also in his earlier writings sent back to Paris from his first visit to Spain in the 1830s, were incorporated into the opera. What were the stories he incorporated into the fateful tale of the soldier who murders his gypsy lover? And how important was the Spanish background to this tragic tale?
This book explores how the stereotypes of Andalusian-gypsy spectacle, banditry, and the fiestas of the bullfight contributed to the eventual success of Bizet's opera. How did Bizet and his librettists, Meilhac and Halévy -- and the scenographic team -- capture the spirit of Spain so strongly as to seduce opera-goers around the world? And how did it hybridise real Spanish music and French Opera with the essential 'moments' of Spanish life so important to Mérimée and his librettists? The original staging of the opera is used to examine both 'places' and characters, in particular of realities and mythologies about gypsies in the nineteenth century. It concludes with the first ways in which the opera reached the stage, both in terms of its scenography and how it was sung, played, and acted.
Copiously illustrated with materials emanating from before the first production, the book reveals some of the realities of the Spain which went into this ground-breaking opera, to this day continually re-invented with new angles, new settings, and new interpretations.
Professor John France
Journal of Medieval Military History
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The Journal of Medieval Military History continues to consolidate its now assured position as the leading academic vehicle for scholarly publication in the field of medieval warfare. Medieval Warfare
This volume continues to reflect the vibrancy and diversity of the field, through the rich variety of topics and methodologies its chapters treat, and its geographical and chronological range. It includes an analytical narrative of the eastern campaigns of Henry II (1003-1017), demonstrating the strength and sophistication of German military institutions in this early period; a social-history approach to the First Crusade, looking at how European trends towards increasing political participation by the common people played out in the crusading army; an argument for radical change in Scandinavian naval warfare in the thirteenth century, including tactical innovations and the use of new types of large warships; and a toponymonographical approach to the continued presence of Pecheneg soldiers employing steppe tactics in Hungary in the thirteenth century. There are also essays on the sources used by English and French chroniclers to describe battles; the use of practical experimentation to determine the importance of different types of soft armor in helping mail to resist arrows; the role and importance of cavalry in the siege-based warfare of the later Hundred Years War; and the siege of Pisa in 1499, drawing on archival records to illustrate the logistical challenges facing the besiegers. The volume also includes freshly re-examined and re-edited manuscript texts of late-medieval gunpowder recipes.
Florian Scheding
Musical Journeys: Performing Migration in Twentieth-Century Music
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The displacement of European musics and musicians is a defining feature of twentieth-century music history.
WINNER: 2020 RMA/CUP Monograph Prize
The displacement of European musics and musicians is a defining feature of twentieth-century music history. Musical Journeys uses vignettes of migratory moments in the works of Hanns Eisler in Paris, Mátyás Seiber in London, and István Anhalt in Montreal to investigate concepts of identity construction and musical aesthetics in the light of migratory experiences.
Moving between the Austro-Hungarian Empire, proto-fascist Hungary, fascist Germany, war-time Britain, post-war Canada, and socialist East Germany, the book explores aspects of musical migrant culture including creative responses to nationalist ideas and politics, the role of cultural institutions in promoting (or censoring) the works of immigrant composers, and the complex interaction between Jewish identity and memory. It contends that an approach to music through the lens of migration can challenge and enrich socio-cultural understandings of music as well as conceptions of music historiography.
Drawing on exile, diaspora, migration and mobilities studies, critical theory, and post-colonial and cultural studies, Musical Journeys weaves detailed biographical and contextual historical knowledge and analytical insights into music into an intricate fabric that does justice to the complexity of the musical migratory experience.
FLORIAN SCHEDING is Senior Lecturer in Music at the University of Bristol.
Linda Clark
The Fifteenth Century XVII
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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW
The essays collected here cast light on the factors that made or defined an individual, and the ways in which the men and women concerned gave expression to their individuality. Facets of the characters of English kings emerge from the varying contents of their wills, and the use of propaganda in their personal letters. By contrast, Margaret of Anjou's early years are explored for the roots of her conduct as queen consort, and how she matched up to contemporary expectations following Henry VI's mental collapse. The law courts and the legal profession provide the stage and cast for several papers: individual lawyers, of dubious integrity and adept at manipulating legal processes intheir own interests, provoked the violence that led to their own deaths, while a member of the same profession is shown to have orchestrated civic riots in which he and his neighbours sought to give expression to their own statusas they perceived it. Finally, in their frustrated search for justice, strong-minded women asserted their individual rights by taking their grievances to Henry VII's star chamber.
Contributors: Chris Given-Wilson, Anthony Gross, David Grummitt, Samuel Lane, Simon Payling, Alice Raw, Anne F. Sutton, Deborah Youngs.
John D Hosler
Military Cultures and Martial Enterprises in the Middle Ages
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Essays on aspects of medieval military history, encompassing the most recent critical approaches.
The essays in this volume honour the career and achievements of Richard Abels, the distinguished historian of medieval military history; in particular, they aim to reflect how the "cultural turn" in the field has led to exciting new developments in scholarship. Ranging from the late eighth century to the fifteenth, from northern England to the Levant, the chapters analyze how medieval kings and commanders practiced a genuine military science, how themeanings of victory and defeat were constructed by chroniclers and whole societies, how wars were remembered and propagandized, and how religion and war mixed.
Beth C. Spacey
The Miraculous and the Writing of Crusade Narrative
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First comprehensive study of miracles in Crusade narrative, showing how and why they were deployed by their authors.
The medieval Latin Christian narratives of the crusades are replete with references to miracles, visions and signs. Mysterious white-clad knights lead crusader armies to victory in battle, Christ and the saints offer guidance in visions, and great signs are seen in the skies. However, despite the frequent appearance of these themes in the sources, and the evident importance of these ideas to the narratives which describe them, scholars have often analysed examples in isolation. This book represents the first far-reaching examination of the miraculous in crusade narrative, offering an analysis of the role of miracles, marvels, visions, dreams, signs and augury in narratives of the crusades of 1096 to 1204 and produced between c.1099 and c.1250. It argues that the miraculous and its related themes represented a powerful tool for the authors of crusade narrative because of its ability to convey divine agency and will, ideas which were central to the belief held among Latin Christian contemporaries that crusade was divinely inspired and spiritually salvific. Overall, the volume demonstrates how the authors of crusade narrative drew upon various intellectual authorities on the miraculous in the service of their narrative agendas and reveals how the use of the miraculous changed as authors were forced to respond to the challenges of narrating crusade during this period.
Margaret Small
Framing the World
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A timely examination of the ways in which sixteenth-century understandings of the world were framed by classical theory.
The long sixteenth century saw a major shift in European geographical understanding: in the space of little more than a hundred years Western Europeans moved to see the world as a place in which all parts of the sphere were made by God for human exploitation and to interact with one another. Taking such a scenario as its historical backdrop, Framing the Early Modern World examines the influence of Greek and Roman ideas on the formulation of new geographical theories in sixteenth-century western Europe. While discussions of inhabitability dominate the geographical literature throughout the sixteenth century, humanist geographers of the sixteenth century, trained in Greek and Roman writings, found in them the key intellectual tools which allowed the oikoumene (the habitable world) to be redefined as a globally-connected world. In this world, all parts of the sphere were designed to be in communication with one another. The coincidence of the Renaissance and the period of European exploration enabled a new geographical understanding fashioned as much by classical theory as by early modern empirical knowledge. Newly discovered lands could then be defined, exploited and colonized. In this way, the author argues, the seeds of the modern era of colonization, expansionism and ultimately globalization were sown. Framing the Early Modern World is a timely work, contributing to a growing discourse on the origins of globalization and the roots of modernity.
Peter Holman
Before the Baton
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How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
This book investigates the ways large-scale music was directed or conducted in Britain before baton conducting took hold in the 1830s. After surveying practice in Italy, Germany and France from Antiquity to the eighteenth century,the focus is on direction in two strands of music making in Stuart and Georgian Britain: choral music from Restoration cathedrals to the oratorio tradition deriving from Handel, and music in the theatre from the Jacobean masque to nineteenth-century opera, ending with an account of how modern baton conducting spread in the 1830s from the pit of the Haymarket Theatre to the Philharmonic Society and to large-scale choral music. Part social and musical history based on new research into surviving performing material, documentary sources and visual evidence, and part polemic intended to question the use of modern baton conducting in pre-nineteenth-century music, Before the Baton throws new light on many hitherto dark areas, though the heart of the book is an extended discussion of the evidence relating to Handel's operas, oratorios and choral music. Contrary to near-universal modern practice, he mostly preferred to play rather than beat time.
Michael Allis
The Symphonic Poem in Britain, 1850-1950
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The Symphonic Poem in Britain 1850-1950aims to raise the status of the genre generally, and in Britain specifically, by reaffirming British composers' confidence in dealing with literary texts.
The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
Ole J. Benedictow
The Complete History of the Black Death
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A truly definitive work, this magisterial study draws on the latest evidence from across Europe to show in exhaustive detail the nature of the disease, its origin, spread, mortality, and its profound impact on history.
The Black Death was a disaster of huge magnitude, shaking medieval Europe and beyond to its economic and social core. Building upon his acclaimed study of 2004, Ole Benedictow here draws upon new scholarship and research to present a comprehensive, definitive account of the Black Death and its impact on European history. The medical and epidemiological characteristics of the disease, its geographical origin, its spread across Asia Minor, the Middle East, North Africa, Europe and Russia, and the mortality in the countries and regions for which there are satisfactory studies, are clearly presented and thoroughly discussed. The pattern, pace and seasonality of the spread of the disease reflect current medical work and standard studies on the epidemiology of bubonic plague. Benedictow's findings make it clear that the true mortality rate was far higher than had been previously thought: some 60% of Europe's population. In the light of those findings, the discussion of the Black Death as a turning point in history takes on a new significance.
Katherine Weikert
Authority, Gender and Space in the Anglo-Norman World, 900-1200
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SHORTLISTED for the Society of Architectural Historians of Great Britain's Hitchcock Medallion.
A ground-breaking interdisciplinary approach to the medieval manor pre- and post-Conquest.
Medieval manors have long been the subject of academic study, though the ways in which these houses reflected and shaped - and were shaped by - their occupants to express social authority have not yet been fully explored. This book undertakes a wide-ranging and interdisciplinary examination of them, aiming to provide a fuller account of how concepts of space and domestic place were understood, represented, and used by their occupants in England and Normandy from c. 900 to c. 1200, and how this illuminates aspects of gender and authority in the period. Blending approaches from archaeology and history, it uses evidence from Anglo-Saxon wills, standing and excavated manorial sites in England and Normandy, and a variety of written texts from vitae to history to poetry, in order to delve into, deconstruct and reconstruct gendered notions of authority in the period. This book ultimately challenges ideas of gendered objects and places through the medieval construction of authoritative personae, and the use and representation of medieval manors, focusing on the household as a place and space of performance in the age of the Norman Conquest.
John Coffey
Politics, Religion and Ideas in Seventeenth- and Eighteenth-Century Britain
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This volume traces the evolution of Whig and Tory, Puritan and Anglican ideas across a tumultuous period of British history, from the mid-seventeenth century through to the Age of Enlightenment.
This volume, a tribute to Mark Goldie, traces the evolution of Whig and Tory, Puritan and Anglican ideas across a tumultuous period of British history, from the mid-seventeenth century through to the Age of Enlightenment. Mark Goldie, Fellow of Churchill College and Professor of Intellectual History at Cambridge University, is one of the most distinguished historians of later Stuart Britain of his generation and has written extensively about politics, religion and ideas in Britain from the Restoration through to the Hanoverian succession. Based on original research, the chapters collected here reflect the range of his scholarly interests: in Locke, Tory and Whig political thought,and Puritan, Anglican and Catholic political engagement, as well as the transformative impact of the Glorious Revolution. They examine events as well as ideas and deal not only with England but also with Scotland, France and the Atlantic world. Politics, Religion and Ideas in Seventeenth- and Eighteenth-Century Britain will be of interest to later Stuart political and religious historians, Locke scholars and intellectual historians more generally.
JUSTIN CHAMPION is Professor of History at Royal Holloway, University of London.
JOHN COFFEY is Professor of Early Modern History at the University of Leicester.
TIM HARRIS is Professor of History at Brown University.
JOHN MARSHALL is Professor of History at John Hopkins University.
CONTRIBUTORS: Justin Champion, John Coffey, Conal Condren, Gabriel Glickman, Tim Harris, Sarah Irving-Stonebraker, Clare Jackson, Warren Johnston, Geoff Kemp, Dmitri Levitin, John Marshall, Jacqueline Rose, S.-J. Savonius-Wroth, Hannah Smith, Delphine Soulard
Catherine E. Karkov
Imagining Anglo-Saxon England
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A fresh approach to the construction of "Anglo-Saxon England" and its depiction in art and writing.
This book explores the ways in which early medieval England was envisioned as an ideal, a placeless, and a conflicted geography in works of art and literature from the eighth to the eleventh century and in their modern scholarly and popular afterlives. It suggests that what came to be called "Anglo-Saxon England" has always been an imaginary place, an empty space into which ideas of what England was, or should have been, or should be, have been inserted from the arrival of peoples from the Continent in the fifth and sixth centuries to the arrival of the self-named "alt-right" in the twenty-first. It argues that the political and ideological violence that was a part of the origins of England as a place and the English as a people has never been fully acknowledged; instead, the island was reimagined as a chosen land home to a chosen people, the gens Anglorum. Unacknowledged violence, however, continued to haunt English history and culture. Through her examination here of the writings of Bede and King Alfred, the Franks Casket and the illuminated Wonders of the East, and the texts collected together to form the Beowulf manuscript, the author shows how this continues to haunt "Anglo-Saxon Studies" as a discipline and Anglo-Saxonism as an ideology, from the antiquarian studies of the sixteenth century through to the nationalistic and racist violence of today.
Katherine Allen Smith
The Bible and Crusade Narrative in the Twelfth Century
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A new investigation into the twelfth-century accounts of the First Crusade, showing their complex relationship with the Bible.
The Bible exerted an enormous influence on the crusading movement: it provided medieval Christians with language to describe holy war, spiritual models for crusaders, and justifications for conquests in the East. This book adds tothe growing body of scholarship on the biblical underpinnings of crusading, offering a reappraisal of the early twelfth-century narratives of the First Crusade as works of biblical exegesis rather than simply historical texts. Itrestores these works and their authors to the context of the monastic and cathedral schools where the curricula centred on biblical study, and demonstrates how the crusade's narrators applied familiar methods of scriptural commentary to the crusade, treating it as a text which could, like the Bible, be understood through historical, allegorical, and mystical lenses. These glosses of the First Crusade, which collectively constitute one of the greatintellectual achievements of their age, drew upon the Scriptures and earlier Christian theology, pilgrimage guides, and polemic to construct the crusade as a new chapter of sacred history. Within this story, the first crusaders played various biblically inspired roles: as new Israelites, they wrested the promised land from Muslims cast as new Canaanites and Babylonians; as new apostles, they reenacted some of the greatest miracles of the Gospels. By reconstructing the interpretive processes that made such readings possible, this study allows us to better appreciate the crusading movement's relationship to church reform, the apostolic revival, and the growth of anti-Jewish sentiment in twelfth-century Europe.
KATHERINE ALLEN SMITH is professor of history at the University of Puget Sound.
Timothy Schroder
'A Marvel to Behold': Gold and Silver at the Court of Henry VIII
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Bringing the existence and significance of the lost riches of Henry VIII back to life, this book sheds new light on Henrician and Tudor court culture.
Henry VIII amassed the most spectacular collection of gold and silver of any British monarch. Plate and jewels were hugely prominent in medieval and Renaissance courts and played an essential role in dynastic marriages and diplomacy as well as in cementing the bonds between king and court. Ranging from plain domestic wares to extraordinary bejewelled works of art, Henry's collection embraced virtuoso continental objects as well as vast quantities of plate commissioned from London goldsmiths or inherited from his father. But nearly all of these holdings were destroyed over the following century, and of the thousands that he owned no more than a handful have survived to modern times.
This book makes use of the wealth of surviving documentation - inventories, drawings, lists of payments, dispatches by foreign ambassadors and other records - to explore this lost collection and the light it sheds on the monarchy. Starting with an assessment of the young king's inheritance from his father, the book considers the role of plate at state banquets, in great church services and in the regular exchange of gifts between courtiers and ambassadors; the role of plate and jewels as a potent symbol of power; how the king used confiscation as an instrument of humiliation of those who fell from grace, including Cardinal Wolsey and Katherine of Aragon; and how Henry's avaricious seizure of church plate towards the end of his life throws light on his changing character. While the focus is on plate and goldsmiths' work, the context ranges from court ceremonial to rivalry between princes, the role of the church, the vulnerability of persons and institutions with covetable assets, and relations between the king and his own family.
Bringing the existence and significance of these lost riches back to life, the book sheds new light on Henrician and Tudor court culture.
