Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, thereby revealing the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.
The 1889 Exposition Universelle in Paris has become famous as a turning point in the history of French music, and modern music generally. For the first time, Debussy and his fellow composers could be inspired by Javanese gamelan music, while the Russian concerts conducted by Rimsky-Korsakov brought recent music by the Mighty Five to Parisian ears. But the 1889 World's Fair had much wider musical and cultural ramifications; one contemporary described it as a "gigantic encyclopedia, in which nothing was forgotten." Music was so pervasive at the 1889 Exposition Universelle that newspaper journalists compared the sonic side of the affair to a "musical orgy." Musical encounters at the fair ranged from bandstand marches to folk and non-Western ensembles to symphonic and operatic premieres by Massenet to the mass-marketed Edison phonograph. A rich and vivid literature [from newspaper columns to memoirs that are plumbed here for the first time] comments about this sonic landscape, reflecting the reactions and responses of composers [Saint-Saëns], writers [Judith Gautier], and journalists [Gaston Calmette]. Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the Exposition Universelle. It thereby also reveals the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.
Annegret Fauser is Associate Professor of Music at the University of North Carolina at Chapel Hill. Her many publications include books on French Wagnerism, Massenet's opera Esclarmonde, and French orchestral songs from Berlioz to Ravel.
Ann Genova
Yorùbá Identity and Power Politics
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Yorùbá Identity and Power Politics covers the major issues in Yorùbá history and politics, offering through narratives of the past and present a solid understanding of one of the most popular ethnic groups in Africa.
Yorùbá Identity and Power Politics covers the major issues on Yorùbá history and politics, thus offering a solid understanding of one of the most popular ethnic groups in Africa. With a careful blend of sources and methods,narratives on the past and present, the book manages to present a long history as the backdrop to complicated contemporary politics.
Contributors: Tunde M. Akinwumi, Olufunke A. Adeboye, R. T. Akinyele, Aribidesi Usman, Tunde Oduwobi, Olufemi Vaughan, Abolade Adeniji, Jean-Luc Martineau, Ann O'Hear, Rasheed Olaniyi, Charles Temitope Adeyanju, Julius O. Adekunle, Funso Afolayan, Olayiwola Abegunrin.
Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. Ann Genova is a Ph.D. candidate at the University of Texas at Austin.
Maija Jansson
Proceedings in the Opening Session of the Long Parliament
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This final volume of the edition includes the Appendix materials [Lists of Members by family name and constituency, Lists of Officials by family name and office, Lists of Committees, Table of Bills, and Chronological Table of Speeches] and the comprehensive Index.
Volume 7 is the last volume of the edition of Proceedings in the Opening Session of the Long Parliament compiled by the Yale Center for Parliamentary History and edited by Maija Jansson.
It will contain all of theAppendix material referred to in the earlier volumes. It will also contain the Lists of Members, both by family name and constituency, the List of Committees, Table of Bills, List of Petitions, List of Joint Conferences and Reports, and the Comprehensive Index to volumes 1 through 6.
Maija Jansson is Director of the Yale Center for Parliamentary History.
Scott Messing
Schubert in the European Imagination, Volume 2
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A richly detailed examination of the historical reception of Franz Schubert in nineteenth- and early twentieth-century Europe, with a concentration on fin-de-siècle Vienna.
Schubert in the European Imagination: Fin-de-Siècle Vienna examines the composer's historical and cultural reception by Viennese modernists. By 1900, issues of gender had crossed with those of nationalism, especially in thecity that came to consider Schubert as its favorite musical son. As Messing here explains and explores in rich detail, composers, writers, and visual artists manipulated the conventions of the composer and gender in ways that critiqued the very culture that had created this image. In order to expose the hypocrisy of social relationships, painter Gustav Klimt and writers Arthur Schnitzler, Hugo von Hofmannsthal, and Peter Altenberg exploited the collision between innocence and sexuality, and Schubert was a readily familiar sign for the former. The composer Arnold Schoenberg substituted his own formulation of Schubert in place of the older, popular conceptions of the composer, adding him to an illustrious list of figures whose significance he sought to redesign.
Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University ofRochester Press, 1996).
Maija Jansson
Proceedings in the Opening Session of the Long Parliament
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This volume reflects again the superb organization of the parliamentary body that met during these years.
This last volume of Proceedings in the Opening Session of the Long Parliament covers the period from 19 July through 9 September 1641. Both houses were by now growing thin as weary lords and commoners began to leave Londonfor families in the countryside, knowing they would be back in the city by October. The king left for Edinburgh in August, not to return until autumn. In closing up for the recess the parliamentary body lost nothing of the work started, even while negotiating the final arrangements for peace with Scotland. The reader is again struck by the committee structure and the means for handling personal and somewhat private naturalization bills while at the same time keeping on track the major public bills regarding episcopacy and the nature of the Council and courts.
Maija Jansson is Director of the Yale Center for Parliamentary History.
Izabela Kalinowska
Between East and West
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A comparison between Russian and Polish texts of travels to the Orient in the Nineteenth-Century.
This study analyzes and compares Polish and Russian texts of travel to the Romantic and Biblical Orient and situates Polish and Russian Orientalism within the broader context of contemporary post-colonial studies. At the same time, it elucidates the shortcomings that arise when such theories are applied whole cloth to the Polish and Russian cases.
In the nineteenth century, scholarly and literary Orientalism enjoyed great popularity in Eastern Europe, in part because the 'East Europeans' desired to participate as equals in the intellectual life of Europe as a whole. Historically, both the Polish and Russian nations had always existed in close proximity to the Muslim world, and each of them had experienced extensive exposure to a fusion of Western and Eastern cultural traditions. But while the two cultures shared the intersection of Western and native cultural traditions that in turn played a determinative role in their encounters with the East, the growing political empowerment of Russia and the disenfranchisement of Poland differentiated the Polish and Russian perspectives. It is precisely this striking and fascinating power disparity between the two Slavic nations that has inspired this study's juxtaposition of Polish and Russian texts.
The records of individual Oriental voyages provided in Polish and Russian works of literary Orientalism document a quest for cultural self-definition. This is the case with Adam Mickiewicz's 'Crimean Sonnets,' Aleksandr Pushkin's Caucasian poetry, and with other nineteenth-century accounts that, in spite of their original popularity, subsequently underwent marginalization. East European records of travel constitute a work of interpretation and translation on several levels. As such they provide us with a fascinating repository of the authors' attempts to locate their own cultures in the intermediary space between the East and the West.
Izabela Kalinowska is an assistant professor of Slavic literatures and cultures at Stony Brook University.
Alec Wilder
Letters I Never Mailed: Clues to a Life
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Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer.
Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer. Alec Wilder is a rare example of a composer who established a reputation both as a prolific composer of concertos, sonatas, and operas, and as a popular songwriter [including the hit "I'll Be Around"]. He was fearsomely articulate and had a wide and varied circle of friends ranging from Graham Greene to Frank Sinatra and Stan Getz. Letters I Never Mailed, hailed at its first publication [in 1975, by Little, Brown], tells the story of Wilder's musical and personal life through unsent "letters" addressed to various friends. In it, he shares his insights -- and sometimes salty opinions -- on composing, musical life, and the tension between art and commercialism. Thisnew, scholarly edition leaves Wilder's original text intact but decodes the mysteries of the original through an annotated index that identifies the letters' addressees, a biographical essay by David Demsey, and photographs by renowned photographer and lifelong friend of Wilder, Louis Ouzer.
David Demsey is Professor of Music and coordinator of jazz studies at William Paterson University and an active jazz and classical saxophonist. He is co-author of Alec Wilder: A Bio-Bibliography [Greenwood Press] and has contributed to The Oxford Companion to Jazz.
Stephen Zank
Irony and Sound
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An insightful and exquisitely written reconsideration of Ravel's modernity, his teaching, and his place in twentieth-century music and culture.
What is it about Boléro, Gaspard de la nuit, and Daphnis et Chloé that makes musicians and listeners alike love them so? Stephen Zank here illuminates these and other works of Maurice Ravel through several of the composer's fascinations: dynamic intensification, counterpoint, orchestration, exotic influences on Western music, and an interest in multisensorial perception. Connecting all these fascinations, Zank argues, is irony. His book offers an appreciation of Ravel's musical irony that is grounded in the vocabularies and criticism of the time and in two early attempts at writing up a "Ravel Aesthetic" by intimates of Ravel. Thomas Mann calledirony the phenomenon that is, "beyond compare, the most profound and most alluring in the world." Irony and Sound, written with insight and flair, provides a long-needed reconsideration of Ravel's modernity, his teaching, and his place in twentieth-century music and culture.
Musicologist Stephen Zank has taught at University of Illinois, University of North Texas, and University of Rochester. He is the author of Maurice Ravel: A Guideto Research.
Ray Allen
Ruth Crawford Seeger's Worlds
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Interdisciplinary perspectives on the life and work of the esteemed "ultra-modern" American composer and pioneering folk music activist, Ruth Crawford Seeger (1901-1953).
Ruth Crawford Seeger's Worlds offers new perspectives on the life and pioneering musical activities of American composer and folk music activist Ruth Crawford Seeger (1901-1953). Ruth Crawford developed a unique modernist style with such now-esteemed works as her String Quartet 1931. In 1933, after marrying Charles Seeger, she turned to the work of teaching music to children and of transcribing, arranging, and publishing folk songs. Thiscollection of studies by musicologists, music theorists, folklorists, historians, music educators, and women's studies scholars reveals how innovation and tradition have intertwined in surprising ways to shape the cultural landscape of twentieth-century America.
Contributors: Lyn Ellen Burkett, Melissa J. De Graaf, Taylor A. Greer, Lydia Hamessley, Bess Lomax Hawes, Jerrold Hirsch, Roberta Lamb, Carol J. Oja, Nancy Yunhwa Rao, Joseph N. Straus,Judith Tick.
Ray Allen (Brooklyn College) is author of Singing in the Spirit: African-American Sacred Quartets in New York City. Ellie M. Hisama (Columbia University) is author of Gendering Musical Modernism: The Music of Ruth Crawford Seeger, Marion Bauer, and Miriam Gideon.
Sara Chapman
Private Ambition and Political Alliances in Louis XIV's Government
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An exploration of the personal and professional networks of political power during the reign of Louis XIV, focusing on the influence of his minister Louis Phélypeaux de Pontchartrain.
This book explores the processes of state-building and the nature of political power in France during the reign of Louis XIV [1642-1715] through a study of a prominent ministerial family, the Phélypeaux de Pontchartrain. During the initial development of French governmental institutions in early modern France, patron-client ties provided networks for the transmission of political power that often paralleled or underpinned formal state institutions. In theabsence of an efficient state bureaucracy, these informal patron-client ties tended to be grounded in personal connections between patrons and clients: marriage, kinship, or friendship. During the second half of the reign of LouisXIV, however, earlier state-building and centralizing initiatives began to take root. Although this study focuses primarily on one family, the Phélypeaux de Pontchartrain, it provides a broad study of institutions and political authority in the early modern French state from 1670 to 1715. Louis Phélypeaux de Pontchartrain and his son Jérôme became members of the small circle of Louis XIV's most important advisors and, as royal councillors, they headed virtually every administrative division in the royal government over the course of their careers: finances, the navy, the colonies, the king's household, and the justice system. This study maps the evolution and developmentof the family's personal networks of power that included political patrons and clients in the parlements [law courts] in Paris, the royal court, among the clergy, in the outlying provinces, in the navy, and in the French colonies. The Pontchartrain family's complex political networks also show the important role of noblewomen in political networks and state-building. Marriage alliances proved to be an important factor in the family's ability to weather political crisis and scandals that beset the clan in the early seventeenth century.
Sara Chapman is Assistant Professor of History at Oakland University.
Thérèse Smith
Let the Church Sing!
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An examination of worldviews, religious belief and ritual as seen through the musical performances of one Afro-American Baptist church in a small black community in rural Mississippi.
"Let the Church Sing!": Music and Worship in a Black Mississippi Community is based on years of fieldwork by an Irish ethnomusicologist, who examines, in more detail than ever before, how various facets of the Clear Creek citizens' worldview find expression through religious ritual and music. Thérèse Smith, though originally very much an outsider, gradually found herself welcomed into Clear Creek by members and officials of the Clear Creek Missionary Baptist Church. She was permitted to record many hours' worth of sermons and singing and engaged in community events as a participant-observer. In addition, she conducted plentiful interviews, not just at Clear Creek but, for comparison, at Main St. Baptist Church in Lexington, Kentucky. All of this enables her to analyze in detail how music is interwoven in the worship service, how people feel about the music that they make and hear, and, more generally, how the religious views so vividly expressed help the Church's members think about the relationship between themselves, their community, and the larger world. Music and prayer enable the members and leaders of the Church to bring the realm of the spiritual into intersection with the material world in a particularly active way. The book is enriched by extensive musical transcriptions and an accompanying CD of recordings from actual church services,and these are examined in detail in the book itself.
Thérèse Smith is in the Music Department, University College, Dublin.
Hannu Salmi
Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces
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An exploration of how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region.
Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces explores how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region and how excerpts fromthem were arranged for amateur performances in private homes. Wagner's music and his polemical writings aroused lively discussion around the Baltic, as they did everywhere else in the Western world. Thanks to detailed accounts innewspapers, journals, contemporary literature, and writings of music historians [including some by Sibelius's teacher and friend Martin Wegelius], we are privileged, in Hannu Salmi's book, to "listen in" on these debates, which often deal with crucial questions of national self-determination and of cultural independence from Europe. This text reveals the surprising extent to which music lovers and operagoers from the various countries, many of them women, traveled to Wagner's Bayreuth Festival to attend performances. It also reconstructs the imaginative and patient efforts by which confirmed Wagnerians established Wagner societies in order to promote an understanding of the composer's work. Each country, each city, each local composer and conductor shows a distinctive approach -- welcoming, resistant, or some of each -- to the challenge of Wagner. In the process, we see music history and cultural history in the making.
Hannu Salmi is Professor of Cultural History at the University of Turku, author of Imagined Germany: Richard Wagner's National Utopia, and an editorial board member of wagnerspectrum.
Erika Reiman
Schumann's Piano Cycles and the Novels of Jean Paul
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A study on the influence which the German novelist Jean Paul Friedrich Richter had upon Robert Schumann's music.
Robert Schumann frequently expressed his deep admiration for the novels of Jean Paul Friedrich Richter, the late-eighteenth-century German novelist, essayist, and satirist. Schumann imitated Jean Paul's prose style in his own fiction and music criticism, and said once that he learned "more counterpoint from Jean Paul than from my music teacher." Drawing on the recent, groundbreaking work in musico-literary analysis of scholars such as Anthony Newcomb,John Daverio, and Lawrence Kramer, Erika Reiman embarks on a comparative study of Jean Paul's five major novels and Schumann's piano cycles of the 1830s, many of which are staples in the repertoire of concert pianists today. The present study begins with a thorough review of Jean Paul's literary style, emphasizing the digressions, intertextuality, self-reflexivity, and otherworldliness that distinguish it. The similarly digressive style that Schumanndeveloped is then examined in his earliest works, including the enduring and highly original Carnaval [1835], and in cycles of the later 1830s, notably Davidsbündlertänze and Faschingsschwank aus Wien. Finally, an analysis of three one-movement works from 1838-39 reveals links with Jean Paul's exploration of the idyll, an ancient genre that had experienced an eighteenth-century revival. Throughout, the author attempts to keep inmind the actual sound and performed experience of the works, and suggests ways in which an awareness of Jean Paul's style might change the performance and hearing of the cycles.
Erika Reiman, received her Ph.D. in Musicology from the University of Toronto [1999] and has taught at Brock University, Wilfrid Laurier University, the University of Guelph, and the University of Toronto; she is also active as a pianist and chamber musician.
John Graziano
European Music and Musicians in New York City, 1840-1900
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The first thorough exploration of musical life in nineteenth-century New York City, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti.
The musical scene in mid-nineteenth century New York City, contrary to common belief, was exceptionally vibrant. Thanks to several opera companies, no fewer than two orchestras, public chamber music and solo concerts, and numerouschoirs, New Yorkers were regularly exposed to "new" music of Verdi, Meyerbeer, Schumann, Berlioz, Liszt, and Wagner.
In European Music and Musicians in New York City, 1840-1900, the first thorough exploration of musical life in New York City during this period, editor John Graziano and a number of other distinguished essayists assert that the richness of the artistic life of the city, particularly at this time, has been vastly underrated and undervalued. This marvelous new collection of essays, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti, establishes that this musical scene was one of quantity and quality, lively and multifaceted -- in many ways equal to the scene in the largest of the Old World's Cities.
Contributors: Adrienne Fried Block, Christopher Bruhn, Raoul F. Camus, Frank J. Cipolla, John Graziano, Ruth Henderson, John Koegel, R. Allen Lott, Rena C. Mueller, Hilary Poriss, Katherine K. Preston, Nancy B. Reich, Ora Frishberg Saloman, Wayne Shirley.
John Graziano is Professor of Music, The City College and Graduate Center,CUNY, and co-Director of the Music in Gotham research project.
Maija Jansson
Proceedings in the Opening Session of the Long Parliament
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Volume 5 of Proceedings in the Opening Session of the Long Parliament covers the period from 7 June through 17 July 1641, during which time the Act of Pacification with Scotland was finalized; this is the penultimate volumeof text in the edition.
Volume 5 of Proceedings in the Opening Session of the Long Parliament covers the period from 7 June through 17 July 1641 and is the penultimate volume of text in the edition. Volume 6 will contain the proceedings from 19 July to the recess on 9 September 1641. The last volume of the edition will contain the comprehensive index and various appendixes and tables. In the summer months of 1641 as parliamentarians prepared for a recess and reunions with families from whom they had been long separated, their accomplishments were apparent: important bills had been passed, impeachments were drafted, Strafford was beheaded and peace with Scotland was on the verge of becoming a reality. Much of the business introduced in the course of the daily meetings since the convening of parliament in November 1640 was touched upon in the last months of summer before the adjournment in September. The effort to complete what was earlier begun is apparent in the topics of debate listed in the Orders of Business for each day. The finalizing of the Act of Pacification with Scotland was the work of these months. The disbanding of troopson both sides, the organizing of the disposition of their weapons, and the settling of the complicated financial arrangements relating to almost all aspects of the peace were a major part of the work described in this volume andcontinued in volume 6.
Maija Jansson is Director of the Yale Center for Parliamentary History
Joel Speerstra
Bach and the Pedal Clavichord
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An examination of the role of the pedal clavichord in understanding the work of J. S. Bach, as well as its relevance to contemporary organ performances.
Friederich Griepenkerl, in his 1844 introduction to Volume 1 of the first complete edition of J. S. Bach's organ works, wrote: "Actually the six Sonatas and the Passacaglia were written for a clavichord with two manuals and pedal,an instrument that, in those days, every beginning organist possessed, which they used beforehand, to practice playing with hands and feet in order to make effective use of them at the organ. It would be a good thing to let suchinstruments be made again, because actually no one who wants to study to be an organist can really do without one." What was the role of the pedal clavichord in music history? Was it a cheap practice instrument for organistsor was Griepenkerl right? Was it a teaching tool that helped contribute to the quality of organ playing in its golden age? Most twentieth-century commentary on the pedal clavichord as an historical phenomenon was written in a kindof vacuum, since there were no playable historical models with which to experiment and from which to make an informed judgment. At the heart of Bach and the Pedal Clavichord: An Organist's Guide are some extraordinary recentexperiments from the Göteborg Organ Art Center [GOArt] at Göteborg University. The Johan David Gerstenberg pedal clavichord from 1766, now in the Leipzig University museum, was documented and reconstructed; the new copy was thenused for several years as a living instrument for organ students and teachers to experience. On the basis of these experiments and experiences, the book explores, in new and artful ways, Bach's keyboard technique, a technique preserved by his first biographer, J. N. Forkel [1802], and by Forkel's own student, Griepenkerl.
Yoram Bar-Gal
Propaganda and Zionist Education
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A history of the Jewish National Fund and the ways it encouraged Jews around the world to buy land in Palestine in the years 1924-1947.
The Jewish National Fund [JNF] is the executive body established by the Zionist movement in 1902 to buy land in Palestine for the Jewish people. Very quickly, however, it became an international organization and soon had branchesin many countries throughout the world. One of the tasks of these branches was to mediate between the central office in Jerusalem and the millions of Jews who donated money to buy land. The organization, which is still active throughout the Jewish world, concerned itself with "the marketing of ideology": the dissemination of symbols, knowledge and ideas to the masses of the Jewish people, and converted them into money and real estate property. In thememories of much of World Jewry the JNF is linked with memories of their childhoods and the forming of their identities. The memory was, in fact, fashioned by the Propaganda Department of the JNF which worked through the mass communications media in the Jewish world and made its presence massively felt in the Jewish education networks in many countries. Among the most remembered items are "the Blue Box", the flagship of the organization, and the stamps distributed to schools, which were miniature posters making political declarations. Up until today there has been virtually no research carried out on these aspects of Zionist propaganda which helped to fashion this collective memoryand left its mark upon Jewish culture in Israel and the Jewish Diaspora.
Yoram Bar-Gal is Professor of Geography at Haifa University in Israel.
Matthew Brown
Explaining Tonality
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A defense of Schenkerian analysis of tonality in music.
A wide range of music -- from Bach to Mozart and Brahms -- is marked by its use of some form of what is generally called "tonality": the tendency of music to focus melodically on some stable pitch or tonic and for its harmony to use functional triads. Yet few terms in music theory are more enigmatic than that seemingly simple word "tonality." Matthew Brown's Explaining Tonality: Schenkerian Theory and Beyond considers a number of disparate ways in which functional tonality has been understood. In particular, it focuses on the comprehensive theory developed by Heinrich Schenker in his monumental three-part treatise Neue musikalische Theorien und Phantasien [1906-1935]. Schenker systematically investigated the ways in which lines and chords behave both locally within individual tonal phrases and globally across entire compositions. Explaining Tonality shows why Schenker was able to elucidate tonal relationships so successfully and the many advantages that his explanations have over those of his rivals. In addition, it proposes some ways in which Schenker's approach can be extended to tonal features in works from before Bach [such as Monteverdi] and after Brahms [such as Debussy, Stravinsky, and much popular music of today]. Along the way, the book explores six methodological criteria that help in building, testing, and evaluatinga plausible theory of tonality or, indeed, any other musical phenomenon: accuracy, scope, fruitfulness, consistency, simplicity, and coherence. It reveals how understanding the tonality of a piece can shed light on other aspects of musical composition. And, in conclusion, it describes some ways in which Schenkerian theory might fruitfully develop in the future.
Matthew Brown is Professor of Music Theory at the Eastman School of Music, Universityof Rochester, and author of Debussy's "Ibéria" [Oxford University Press].
Jiyuan Yu
Rationality and Happiness
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This volume explores the relationship between rationality and happiness from ancient Greek philosophy to early Latin medieval philosophy.
What connection is there between human rationality and happiness? This issue was uppermost in the minds of the Ancient Greek philosophers and continued to be of importance during the entire early medieval period. Starting with theSocrates of Plato's early dialogues, who is regarded as having initiated the eudaimonistic ethical tradition, the present volume looks at Plato, Aristotle, the Skeptics, Seneca [Stoicism], Epicurus, Plotinus [neo-Platonism], Augustine, Boethius, Anselm, and ends with Abelard, the final major figure in early medieval philosophy. Special efforts are made to reveal and trace the continuity and development of the views on rationality and happiness among these major thinkers within this period. The book's approach is historical, but the topics it treats are relevant to many discussions pursued in contemporary philosophical circles. Specifically, the book aims to make two major contributions to the ongoing development of virtue ethics. First, contemporary virtue ethics often draws distinctions between ancient Greek ethics and modern moral philosophy [mainly utilitarianism and Kantianism], and seeks to model ethics on ancient ethics. In doing so, however, contemporary virtue ethics often ignores the transition from Greek ethics to the early Latin medieval tradition. Second, contemporary virtue-based ethics, in its efforts to seek insights from ancient ethics, centers on virtue. In contrast, in ancient and medieval ethics, virtue is pursued for the sake of happiness [eudaimonia], and virtue is conceived as excellence of rationality. Hence, the relationship between rationality and happiness provides the framework for ethical inquiry within which the discussion of virtue takes place.
Contributors: JULIA ANNAS, RICHARD BETT, JORGE J.E. GRACIA, BRAD INWOOD, WILLIAM MANN,JOHN MARENBON, GARETH B. MATTHEWS, MARK L. McPHERRAN, DONALD MORRISON, C.C.W. TAYLOR, JONATHAN SANFORD, JIYUAN YU.
Jiyuan Yu is Assistant Professor of Ancient Philosophy at the State University of New York at Buffalo. Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguised Professor in the Departments of Philosophy and Comparative Literature at the State University of New York at Buffalo.
Kim Pelis
Charles Nicolle, Pasteur's Imperial Missionary
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Kim Pelis uses a wide range of French and Tunisian archival materials and a close reading of Nobel Prize-winning bacteriologist Charles Nicolle's scientific papers and philosophical treatises to explore the relationship of scienceand medicine to society and culture in the first third of the twentieth century.
This book examines the biomedical research of Nobel Prize-winning bacteriologist Charles Nicolle during his tenure as director of the Pasteur Institute of Tunis. Using typhus as its lens, it demonstrates how the complexities of early twentieth century bacteriology, French imperial ideology, the "Pastorian mission," and conditions in colonial Tunisia blended to inform the triumphs and disappointments of Nicolle's fascinating career. It illuminates how thesediverse elements shaped Nicolle's personal identity, the identity of his institute, and his innovative conception of the "birth, life, and death" -- or, the emergence and eradication -- of infectious disease. Kim Pelis blends exhaustive archival research with a close reading of Nicolle's written work -- scientific papers, philosophical treatises, and literary contributions -- to explore the complex relations between biomedical ideas and socioculturalcontext. The result is a study that will be of interest not only to students of French history, colonial medicine, and the history of the biomedical sciences but also to anyone seeking to understand how individuals have attemptedto deal creatively with complex times and ambiguous knowledge.
Kim Pelis, a medical historian by training, is a writer for the director of the National Institutes of Health.
Charles M. Natoli
Fire in the Dark
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The eight essays in Fire in the Dark frame and probe Pascal's underlying contention that the darkling, "hidden" God of Christian revelation, though Himself a profound mystery, especially in the matter of his justice towardsfallen mankind, can nonetheless be used to demystify questions that matter most to us.
Pascal's Pensées afford a deeply penetrating view of the human condition [or predicament] as a prelude to a luminously reasoned defense of the Christian faith. His Provincial Letters are best remembered as a wickedly funny satire of "obliging and accommodating" Jesuit moral theologians who, guided by policy rather than piety, are willing to put virtue and salvation within the easy reach of all but the diabolical. Both works are landmarks ofFrench prose that have fascinated readers of all sorts from his day to ours. The eight essays in Fire in the Dark, two of which are new and four of which first appeared in French, frame and probe Pascal's underlying contention that the darkling, "hidden" God of Christian revelation, though Himself a profound mystery, especially in the matter of his justice towards fallen mankind, can nonetheless be used to demystify questions that matter most to us. But can the Supremely Obscure, like a dark lantern that is supremely dark, really illumine our whence, whither, and what now -- our nature, destiny and duties? "Watchman, what of the night?" The answers Pascal offers to Isaiah's query, whether they finally shed light on our world's chiaroscuro or not, can at least claim the authority of coming from out of the dark.
Charles Natoli is a member of the Department of Philosophy and Classical Studies at St. John Fisher College in Rochester, New York. He is also the author of Nietzsche and Pascal on Christianity [1985].
Rick Kennedy
A History of Reasonableness
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A defense of the social operation of thinking, with an emphasis on testimony and authority.
This book describes a lost tradition that can be called reasonableness. The tradition began with Aristotle, was recommended to Western education by Augustine, flourished in the schools of the Renaissance through the nineteenth century, then got lost in the academic and philosophic shuffles of the twentieth century. Representative of the tradition is John Locke's story of a King of Siam who rejected reports of the existence of ice. The King would have hadto risk too much trust in another man whom he did not know too well -- a Dutch ambassador -- in order to believe that elephants could walk on cold water. John Locke presented the story to encourage his readers to think about theresponsibilities and risks entailed in what he called 'the gentle and fair ways of information.' The art of thinking is largely social. Popular textbook writers such as Quintilian, Boethius, Philipp Melanchthon, John of St.Thomas, Antoine Arnauld, Thomas Reid, Isaac Watts, Richard Whately, William Hamilton, L. Susan Stebbings, and Max Black taught strategies of belief, trust, assent, and even submission as part of reasonableness. For over two thousand years testimony and authority were at the center of lively discussions about teaching the art of thinking. In the twentieth century the tradition faltered largely due to Immanuel Kant's insistence that there should be no distinction between handling testimony and personal experience. This book recounts the history of a lively educational tradition and hopes to encourage its revival.
Rick Kennedy, whose previous books and articles have beenabout Colonial American logic, mathematics, and science, is Professor of History at Point Loma Nazarene University.
Kenneth Mills
Conversion in Late Antiquity and the Early Middle Ages
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A re-examination of the social processes behind religious conversions in the Ancient and Early Middle Ages.
This volume explores religious conversion in late antique and early medieval Europe at a time when the utility of the concept is vigorously debated. Though conversion was commonly represented by ancient and early medieval writersas singular and personally momentous mental events, contributors to this volume find gradual and incomplete social processes lurking behind their words. A mixture of examples and approaches will both encourage a deepening of specialist knowledge and spark new thinking across a variety of sub-fields. The historical settings treated here stretch from the Roman Hellenism of Justin Martyr in the second century to the ninth-century programs of religious and moral correction by resourceful Carolingian reformers. Baptismal orations, funerary inscriptions, Christian narratives about the conversion of stage-performers, a bronze statue of Constantine, early Byzantine ethnographic writings, and re-located relics are among the book's imaginative points of entry. This focused collection of essays by leading scholars, and the afterword by Neil McLynn, should ignite conversations among students of religious conversion andrelated processes of cultural interaction, diffusion, and change both in the historical sub-fields of Late Antiquity and the Early Middle Ages and well beyond. This book is one of two collections of essays on religious conversion drawn from the activities of the Shelby Cullum Davis Center for Historical Studies at Princeton University between 1999 and 2001. The other volume, Conversion: Old Worlds and New, is also published by the Universityof Rochester Press.
Contributors: Susan Elm, Anthony Grafton, Richard Lim, Rebecca Lyman, Michael Maas, Neil McLynn, Kenneth Mills, Eric Rebillard, Julia M. H. Smith, Raymond Van Dam.
Richard E. Holl
From the Boardroom to the War Room
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This book chronicles the ideological changes experienced by the corporate liberals between World War I and World War II, illustrating how this group overcame a number of constraints to help reconfigure the American economy and prepare the country for war.
Between World War I and World War II, America's corporate liberals experienced a profound ideological change. In the 1920s, corporate liberals embraced company-specific solutions to economic problems. They believed that if every company, in every industry, employed advanced managerial techniques -- such as granting workers non-wage benefits to increase their job satisfaction -- employment, production, and profits could be stabilized and prosperity sustained indefinitely. The Great Depression, of course, made a mockery of this idyllic vision. Corporate liberals admitted that private efforts failed to maintain the nation's economic health, ultimately endorsing large-scale governmentintervention to bail out the stricken economy. By 1935, the corporate liberal conversion from privatism to business-government partnership was well under way. Corporate liberals served President Franklin Roosevelt throughoutthe Depression and preparedness periods. Marion Folsom of Eastman Kodak Corporation, Edward Stettinius, Jr. of United States Steel, and others joined New Deal agencies struggling to re-employ workers and bring about social security. Later, at Roosevelt's request, they entered emergency preparedness bodies to ready the United States for the possibility of war. When Japan attacked Pearl Harbor on December 7, 1941, the reconfigured American economy (which the corporate liberals had done so much to create) proved capable of mass producing weapons and other equipment. The bottom line, staunchly revisionist in nature, is that the corporate liberals ran an effective mobilization campaign, overcoming isolationist resistance to rearmament, Roosevelt's reluctance to grant them genuine authority, and other constraints.
Richard E. Holl is Professor of History at the Lees College Campus of Hazard Community and Technical College. His latest article, on Axis prisoners of war in Kentucky, won the Collins Award of the Kentucky Historical Society.
Elizabeth Lane Furdell
Publishing and Medicine in Early Modern England
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An investigation of the role which the English book trade played in an important transitional period in early modern medicine.
This book examines the effects of medical publishing on the momentous theoretical and jurisdictional controversies in health care in early modern England. The simultaneous collapse of medical orthodoxy and the control of medicinein London by the Royal College of Physicians occurred when reform-minded doctors who were trained on the continent, in tandem with surgeons and apothecaries, successfully challenged the professional monopoly held by Oxbridge-educated elites. This work investigates the book trade, the role it played in medicine, and the impact of the debate itself on the public sphere. Chapters analyze the politics and religious preferences of printers and sellers, gender as a factor in medical publishing, and the location of London bookshops, for clues to the business of well-being. Advertisements for remedies and therapeutic skills, the subject of another essay, became commonplace in 17th-centuryEngland; moreover, publishers and bookshop owners sometimes held the rights to proprietary medicines, undercutting licensed doctors. The final chapter surveys a variety of medical illustrations and their influence on the relationship between patient and physician. An epilogue considers the English medical scene and the world of print after the famous Rose decision of 1702, when the House of Lords gave apothecaries the legal right to practice medicine, ratifying the reality of a changed marketplace.
Elizabeth Lane Furdell is Professor of History at the University of North Florida, and author of The Royal Doctors, 1485-1714 .
Margaret G. Cobb, Richard Miller
Debussy's Letters to Inghelbrecht
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The first English translation of the correspondence between two composers and friends.
Désiré-Emile Inghelbrecht was a conductor and composer. His friendship with Claude Debussy began in 1911 (although they had met previously), and he soon became one of the Master's closest friends. This book is the first publication, in the original French and in English translation, of the correspondence between these two musicians. Beginning rather formally in 1912, with the salutation "Mon cher Inghelbrecht," the correspondence soon became much moreintimate, with Debussy addressing Inghelbrecht as "Mon cher ami" or "Cher Inghel." Although Debussy had a reputation for being cold and distant and for avoiding strangers, this was just his way of maintaining his privacy. This aloofness enabled him to express in private the warmth he felt toward those few close friends whose intimacy he needed and cherished. Inghelbrecht was in the forefront of this group. Their friendship was based not only on a mutual respect for each other's talents as artists and musicians, but also on the sharing of intimate secrets and warm feelings. Inghelbrecht's wife would later write that her husband retained the mark Debussy left on him. "For him, he was a beacon, a guide. And he had the deep joy of being able, up until his last days, to bring to life with passion, with all his talent-the works of a man who had been for a few years his friend." Margaret G. Cobb, the"doyenne of Debussy scholars," brings to life these two talented men. She enriches Richard Miller's idiomatic translation of the letters with copious notes and wonderful illustrations to illuminate a great musical friendship.
Margaret G. Cobb is also the author of The Poetic Debussy, available from the University of Rochester Press. In 2002 she was awarded the title of Officier de l'Ordre des Arts et des Lettres by the French Government'sMinistère de la Culture et de la Communication.
Angela N. H. Creager, William Chester Jordan
The Animal/Human Boundary: Historical Perspectives
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An examination of the difficulties in fundamentally differentiating humans from all other animals.
The way in which humans articulate identities, social hierarchies, and their inversions through relations with animals has been a fruitful topic in anthropological and historical investigations for the last several years. The contributors to this volume call attention to the symbolic meanings of animals, from the casting of first-year students as goats in medieval universities to the representation of vermin as greedy thieves in early modern England. But the essays in this volume are also concerned with the more material and bodily aspects of animal-human relations, like eating regulations, aggression, and transplanting of animal organs into human beings [xenotransplantation]. Modern biologists have increasingly problematized the human-animal boundary. Researchers have challenged the supposedly unique ability of humans to use language. Chimpanzees and gorillas, it has been argued, have learned to communicate using American Sign Language. In addition, some scientists regard the sophistication of modes of communication in species like dolphins and songbirds as undermining the view of humans as uniquely capable of complex expressions. As studies of nonhuman primates threaten to compromise the long-held assumption that only humans possess self-awareness. The question becomes: How can one firmly differentiate human beings from other animals?
Contributors include Piers Beirne, Richard W. Burkhardt, Jr., Mary E. Fissell, Paul H. Freedman, Ruth Mazo Karras, Susan E. Lederer, Rob Meens, John H. Murrin, James A. Serpell, and H. Peter Steeves.
Angela N. H. Creager andWilliam Chester Jordan are Associates of the Shelby Cullom Davis Center for Historical Studies, Princeton University.
Christopher Hoolihan
An Annotated Catalogue of the Edward C. Atwater Collection of American Popular Medicine and Health Reform
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This book constitutes Volume II of a two-volume annotated catalogue [M-Z] on the Edward C. Atwater Collection of American Popular Medicine and Health Reform.
This is a catalog of rare books dealing with 'popular medicine' in early America. Though written primarily by people with professional competence, the books described within are directed to a non-medical audience. They teach humananatomy, physiology, hygiene, sanitation, temperance, and diet; how to maintain or regain health, or how to cope with illness, especially when no professional help was available. They also deal with reproduction: how to do it, how to limit it; how to deliver and care for a baby; the special health needs of women; the closeted world of venereal disease. Physical fitness is another important part of the collection, with books on exercise, recreation and travel for health. And there are works which tell what to do until a doctor comes; or what to do in times of epidemics; of home nursing and cooking for invalids; and how to treat all manner of sickness and injury. It was generally the popular writers who emphasized the importance of preventive medicine and a healthful regimen, and the need for public sex education. In these areas, largely ignored by the regular medical profession, the popular literature madeimportant contributions to the health of citizens and the history of medicine.
This book constitutes Volume II of a two-volume catalogue [M-Z], and represents the collective work of Edward Atwater, an Emeritus Professorof Medicine and the History of Medicine at the University of Rochester Medical School. Christopher Hoolihan is History of Medicine Librarian at the University of Rochester Medical School's Edward G. Miner Library.
Axel Harneit-Sievers
Constructions of Belonging
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Applies new approaches to the study of a small, densely populated region of West Africa, integrating them into a regional history that analyzes interactions between localities and the modern state.
Constructions of Belonging provides a history of local communities living in Southeastern Nigeria since the late nineteenth century, examining the processes that have defined, changed, and re-produced these communities. Harneit-Sievers explores both the meanings and the uses that the community members have given to their particular areas, while also looking at the processes that have shaped local communities, and have made them work and continue tobe relevant, in a world dominated by the modern territorial state and by worldwide flows of people, goods, and ideas.
Axel Harneit-Sievers is a Research Fellow at the Center for Modern Oriental Studies, and Director ofthe Nigeria Office of the Heinrich Böll Foundation in Lagos.
Michael Lepore
The Life of the Clinician
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The autobiography of one of America's most important gastroenterologists.
Michael Lepore [1910-2000] was a pioneer in the field of gastroenterology. He was a member of one of the first graduating classes of the University of Rochester Medical School, and went on to a distinguished career at Columbia University, New York University, and St. Vincent's Hospital and Medical Center of New York. This autobiography tells of his experiences as an Italian-American who overcame prejudices to become the personal physician to such notablesas Greta Garbo and President Herbert Hoover. His story is witty and cleverly written, and details the way the medical profession changed from the Great Depression to the late 1990s. Michael Lepore was an alumnus of Duke University Medical School and the University of Rochester School of Medicine, and was the Director, Gastroenterology Section, Departments of Medicine and Surgery Emeritus, St. Vincent's Hospital and Medical Center of New York.
Marc S. Rodriguez
Migration in History
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A study of migration habits as a global phenomenon.
Migration in History explores the nature and complexity of the movement of peoples, cultures, and ideas in historical context. This engaging volume presents essays from a variety of scholars to expand our understanding ofthe longstanding process and history of migration as an established global phenomenon. The articles examine population movements and their demographic, social, political, legal, and cultural causes and consequences in Medieval andModern Europe, South Asia, Israel, and China.
Topics addressed include voluntary and forced movements of people within and between regions and nations; movement towards urban centers or dispersal into surrounding countryside; transfers of cultural objects, practices, and technologies; experiences of resocialization and the transfer, reconstruction, and creation of memories, myths, values and symbols; the role of local, national, and transnational legal institutions; the relationship between immigration, assimilation, religion, and acculturation; movement in the interest of ethnic autonomy or secession, and as a response to such dangers as deprivation, religious persecution, and the development of border zones within which populations move and interact.
Contributors: David Abraham, Elspeth Carruthers, Hasia R. Diner, Luca Einaudi, Joshua Fogel, Gautam Ghosh, and Carl Ipsen.
Anthony T. Grafton teaches European history at Princeton University; Marc S. Rodriguez is Assistant Professor of History at the University of Notre Dame.
Kenneth Mills
Conversion: Old Worlds and New
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A historical investigation of the phenomena of religious conversion from ancient to modern times.
This volume explores the subject of religious conversion over broad expanses of time and space, considering cases from the thirteenth through the twentieth centuries and from settings across the world. Leading scholars from a variety of historical sub-fields address the theme at a moment when the utility of the concept of conversion is vigorously debated. The historical settings treated here stretch from thirteenth-century England to sixteenth-century southern India and Andean Peru, from Bohemia to China during the age of the Reformations, from the fifteenth-century Low Countries to seventeenth-century New France and from the nineteenth-century Minnesota borderlands to late colonial Zimbabwe and modern India. The book's broad mixture of examples and approaches will both encourage a deepening of specialist knowledge about particular places and times, and spark new thinking about religious change, cultural appropriations, and interactive emergence across discipline and fields.
This book is one of two collections of essays on religious conversion drawn from the activities of the Shelby Cullum Davis Center for Historical Studies at Princeton University between 1999 and 2001. The other volume, Conversion in Late Antiquity and the Early Middle Ages, is also published by the University of Rochester Press.
Barbara Tepa Lupack
Literary Adaptations in Black American Cinema:
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A comprehensive analysis of the ways in which the black American experience has been depicted in film adaptations of popular literature.
The cinematic representation of blacks, especially in silent and early film, was shaped not only by the sentimental racism of the culture but also by the popular literature which distorted black experience and restricted black characters to minor, stereotyped roles. By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions.
An historical examination of the practice of such adaptation offers telling insights into the portrayal -- andprogress -- of blacks in American movies and culture. It reveals that while blacks, on screen and behind the scenes, were often forced to re-create the demeaning film stereotypes, they learned how to subvert and exploit the artificiality of their caricatures. It also reveals the ways that black filmmakers, beginning with Micheaux, Noble and George Johnson, and their less prominent colleagues like Emmett Scott, worked within the conventions of cinema and society, yet managed to produce films that were, at their best, unconventional and pioneering. It demonstrates that as far back as the 1920s and 1930s, black authors like Paul Laurence Dunbar and Langston Hughes already recognized the need for involvement with film production in order to create pictures that were more representative of black life. It illustrates the fact that, in recent years, as more black voices found their way to the screen, among the strongest were the voices of women. And above all, it confirms that within the rich tradition of black literature of all genres lie many exciting cinematic possibilities for audiences of all colors.
Barbara Tepa Lupack haswritten extensively on the topic of literary adaptations in cinema and is co-author (with Alan Lupack) of King Arthur in America.
Mark G. Spencer
David Hume and Eighteenth-Century America
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A thorough examination of the role which David Hume's writings played upon the founders of the United States.
This book explores the reception of David Hume's political thought in eighteenth-century America. It presents a challenge to standard interpretations that assume Hume's thought had little influence in early America. Eighteenth-century Americans are often supposed to have ignored Hume's philosophical writings and to have rejected entirely Hume's "Tory" History of England. James Madison, if he used Hume's ideas in Federalist No. 10, it is commonly argued, thought best to do so silently -- open allegiance to Hume was a liability. Despite renewed debate about the impact of Hume's political ideas in America, existing scholarship is often narrow and highly speculative. Were Hume's works available in eighteenth-century America? If so, which works? Where? When? Who read Hume? To what avail? To answer questions of that sort, this books draws upon a wide assortment of evidence. Early American book catalogues, periodical publications, and the writings of lesser-light thinkers are used to describe Hume's impact on the social history of ideas, an essential context for understanding Hume's influence on many of the classic texts of early American political thought. Hume's Essays and Treatises on Several Subjects, was readily available, earlier, and more widely, than scholars have supposed. The History of England was read most frequentlyof all, however, and often in distinctive ways. Hume's History, which presented the British constitution as a patch-work product of chance historical developments, informed the origins of the American Revolution and Hume'ssubsequent reception through the late eighteenth century. The 326 subscribers to the first American edition of Hume's History (published in Philadelphia in 1795-96) are more representative of the History's friendlyreception in enlightened America than are its few critics. Thomas Jefferson's latter-day rejection of Hume's political thought foreshadowed Hume's falling reputation in nineteenth-century America.
MARK G. SPENCER is Associate Professor of History at Brock University where he holds a Chancellor's Chair for Research Excellence. His books include Hume's Reception in Early America (2002), Utilitarians and Their Critics in America, 1789-1914 (2005),and Ulster Presbyterians in the Atlantic World (2006).
Jens Ulff-Moller
Hollywood's Film Wars with France:
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Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures by using monopolistic trade practices and diplomatic pressure.
Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures. This history of American film policy towards France is documented by a wealthof diplomatic correspondence, which reveals that American exports were promoted through close collaboration between the State Department, the United States Embassy in France, the Department of Commerce, and the Motion Picture Producers and Distributors of America [MPPDA]. It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European marketwith hundreds of films at very low prices. Hollywood's dominant position should not be considered as solely the result of successful collaboration between corporate capitalism and the federal government in Washington, but also asthe failure of the French government to provide proper assistance to its film industry. The support French film producers obtained from their government did not begin to compare with the whole-hearted support Hollywood received from the MPPDA. This book shows how Hollywood has upheld its dominant position in France by using monopolistic trade practices and diplomatic pressure. Hollywood's prominence must be considered the result of manipulations of the international political economy involving the interplay of economics and politics in the world arena.
Jens Ulff-Moller is in the Department of Film and Media Studies at the University of Copenhagen.
Paul Griffiths
The Sea on Fire: Jean Barraqué
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The life and works of one of the most difficult yet rewarding composers of modern time.
Jean Barraqué is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of hisresponsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keysto a new musical language -- a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for bothof them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks with himself as well as in hisart. Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five.
Paul Griffiths was chief music critic for the London Times (1982-92) and The New Yorker (1992-96) and since 1996 has written regularly for the New York Times. He has written books on Boulez, Cage, Messiaen, Ligeti, Davies, Bartók and Stravinsky, as well as several librettos, among them The Jewel Box (Mozart, 1991), Marco Polo (Tan Dun, 1996) and What Next? (Elliott Carter, 1999).
Marc S. Rodriguez
Repositioning North American Migration History
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An in-depth look at trends in North American internal migration.
This volume gathers established and new scholars working on North American immigration, transmigration, internal migration, and citizenship whose work analyzes the development of migrant and state-level institutions as well as migrant networks. With contemporary migration research most often focused on the development of transnational communities and the ways international migrants maintain relationships with their sending region that sustain the circularflow of people, ideas, and traditions across national boundaries it is useful to compare these to similar patterns evident within the terrain of internal migration. To date, however, international and internal migration studies have unfolded in relative isolation from one another with each operating within these distinct fields of expertise rather than across them. Although there has been some important linking, there has not been a recent major consideration of human migration that works across and within the various borders of the North American continent. Thus, the volume presents a variety of chapters that seek to consider human migration in comparative perspective across the internal/international divide.
Marc S. Rodriguez is Assistant Professor of History at Princeton University; Donna R. Gabbaccia is the Mellon Professor of History at the University of Pittsburgh; James R. Grossman is theVice President of Research and Education at the Newberry Library, Chicago.
Contributors: Josef Barton, Wallace Best, Donna Gabbaccia, James Gregory, Tobias Higbie, Mae Ngai, Walter Nugent, Annelise Orleck, Kunal Parker, Kimberly Phillips, Bruno Ramirez, Marc Rodriguez
Repositioning North American Migration History is a volume in Studies in Comparative History, sponsored by Princeton University's Shelby Cullom Davis Center forHistorical Studies.
Maija Jansson
Proceedings of the Long Parliament, Volume 4
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Further debates on the continuation of the parliament, as well as the end of the impeachment of Lord Strafford, an attempt to rescue him, and his execution.
This volume contains the debates on the passage of the Act of Continuance that assured the parliament that it would not be adjourned, prorogued, or dissolved in conjunction with the Strafford business. On May 10th that act was passed by royal commission, as was the act of attainder against the Earl of Strafford, thus concluding with his impeachment trial and assuring the continuance of parliament. Strafford was beheaded on May 12th and the subsidy bill, providing further relief for the King's army, passed into law on the 13th. On May 11th, in between the passage of the attainder and the execution of Strafford, the Scottish treaty passed the Upper House. Debate on the treaty began in the lower House immediately and by June most of the articles had been hammered out. The conclusion and the passage of the treaty will be published in Volume V. Also contained in Volume IV are the materials relating to a plot to gain control of a demoralized army and to attempt a rescue of Strafford. The extent of the "army plot" has to a certain extent remained a question in the minds of historians. The accounts in Volume IV will shed new light onthis puzzling matter.
Maija Jansson is Director of the Yale Center for Parliamentary History
Malcolm Gillies
Portrait of Percy Grainger
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A unique treatment of the key influences on the life of this important Australian composer, consisting of oral histories by people who knew Grainger, as well as reflections from his own writings.
Percy Grainger [1882-1961] was a pianist, composer, ethnographer, essayist, and much more. The Australian-American musician aspired to the condition of a polymath, with strong interests in language, culture, ecology and technology. In an age of increasing specialisation Grainger held to a breathless all-roundedness. This book looks at the scrabbling diversity of Grainger's life through the eyes of others. Family and friends, pupils, musical associatesand chance acquaintances recall their experiences of Percy Grainger from his boyhood in colonial Australia, through his conservatorium years in Germany, on to his early professional years in London, and further to the zenith of his career and then years of decline in the United States. In the final chapter, Grainger himself explains the driving passions of his life. Fifty illustrations, including architectural drawings, scores and machine plans, vividly depict the enthusiasms described in over ninety recollections of Grainger. A composer of over four hundred compositions and virtuoso performer in some three thousand concerts, Grainger left a large legacy. He was an importantinfluence upon the folk-song movement in Britain, and, through such masterworks as Lincolnshire Posy, he was enduringly popular with the band movement in America. On a personal level, his development of the language of "blue-eyed English" was stillborn, and his muscular style of pianism found few adherents among the next generation of performers. His frankly expressed views on sexual licence were also many decades ahead of their time. Today, however, Grainger the musician is again in the ascendant. His more innovative works are gaining a belated hearing, while his standards, such as Country Gardens, remain firm favorites.
Malcolm Gillies and David Pear areco-editors of Grainger on Music and 'The All-Round Man': Selected Letters of Percy Grainger, 1914-1961
Stanislaus A. Blejwas
The Polish Singers Alliance of America 1888-1998
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A history of an American ethnic cultural organization and its close ties to the cause of Polish sovereignty.
This book examines the history of the Polish Singers Alliance of America [PSAA] as an ideological organization. As a case study of an immigrant cultural organization that evolved demographically into an ethnic organization of thesucceeding generations, it documents the extent to which the politics of the homeland engaged an immigrant and ethnic community over a century. This is a study of immigrant nationalism, as articulated by immigrant and ethnic singing societies. The survival of the Polish Singers Alliance as an ideological organization suggests considerations about the ability of an immigrant and ethnic culture to resist and to adapt to America's assimilative powers. The Alliance was a federalism of amateur choirs. Its history cannot be understood without reference to the political fate of modern Poland over the last two centuries. This book situates the origins of the PSAA within the history ofPoland during the partitions, as well as its commitment to Polish independence and to the preservation and propagation of culture through song. As the children and grandchildren of the immigrants succeeded them, the Alliance subsequently evolved into an ethnic organization with numerous American-born individuals. After the recovery of Polish sovereignty, which by coincidence occurred in 1989 when the Alliance celebrated its centennial, questions arose about the role of such an ideological organization in the new political context.
The late Stanislaus A. Blejwas was CSU University Professor of History at Central Connecticut State University.
James S. Fleming
Window on Congress
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An analysis of the congressional career of Barber B. Conable, Jr., one of the most-respected legislators of modern times.
Barber B. Conable Jr. served as a Republican congressman from western New York from 1965 to 1985. He is recognized as one of the most respected members of the House of Representatives in recent years. This biography explores his twenty-year congressional career, focusing on his remarkable educational abilities as a gifted teacher-legislator. Using excerpts from Conable's private journal, his newsletters and news columns, and from personal interviews, JamesS. Fleming has crafted a book that enables readers to appreciate why Conable was held in high regard by his constituents, his colleagues, the press, and congressional scholars. Political scientist Charles O. Jones expressed the opinion of many when he observed that "Barber Conable was just about everybody's idea of what a congressman should be." Recognizing the importance of Conable's western New York heritage, James Fleming traces Conable's story from his childhood in Warsaw, New York, to his election to the historic Eighty-ninth Congress of 1965-1966. Fleming's chronicle of Conable's subsequent legislative career offers a window on Congress and on an historic period in American history. As the fourth-ranking Republican leader in the House, Conable played a critical role in the Watergate investigation that led to the resignation of President Richard M. Nixon. As the ranking Republican leader of the Ways and Means Committee, he was a key contributor to the tax legislation passed during the Ford, Carter, and Reagan administrations. The highlight of his legislative career was his crucial work in solving the 1983 Social Securitycrisis. Fleming concludes the biography with a look at Conable's service as World Bank President and his retirement to his beloved western New York home.
In his foreword the renowned congressional scholar, Richard F. Fenno Jr. writes, "Barber Conable was an especially admirable United States Representative; and Jim Fleming has written an especially admirable congressional biography. This book is, therefore, a special gift."
Alan Schwerin
Apartheid's Landscape and Ideas
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An historical and artistic account of the rise of apartheid in South Africa, using source documents and original photographs of the South Africa landscape.
Apartheid's Landscape and Ideas: A Scorched Soul is an historical and artistic exploration of the culture of racism that gave rise to apartheid. This work represents twelve years of extensive archival research conducted throughout South Africa. A mosaic of intriguing first-hand historical accounts of the country, its people, significant events, and moral and political predicaments, these accounts have been culled from diaries and correspondence fromearly missionaries, soldiers, politicians, laborers, and ordinary settlers. These historical documents display the prejudices, fears and character of the sojourners in South Africa. The text presents a unique view of the seeds ofthe racism that would later constitute the lifeblood of apartheid. In addition to the fascinating historical accounts, Alan Schwerin has compiled a set of his own black and white photographs of the South African landscape --a landscape that can be viewed as the current physical manifestation of the painful past racist perceptions that were inflicted on the indigenous people of South Africa. These striking photographs are artistic counterpoints to the sentiments articulated by the documents.
Alan Schwerin completed his doctorate at Rice University and is currently Chair of the Department of Political Science and Philosophy at Monmouth University [New Jersey]. Bornin Johannesburg, South Africa, he taught philosophy in the impoverished homeland known as the Transkei, before immigrating to the United States with his family in 1985. In 1978 he won both first and second prizes in South Africa'snational photographic competition for university students.
Dennis Plaisted
Leibniz on Purely Extrinsic Denominations
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An examination of the philosopher Gottfried Leibniz's views on extrinsic denominations [relational properties], which argues that they are in fact the properties of the things they denominate.
The philosopher Gottfried Leibniz said that one of his most important doctrines, and in fact one of the most important doctrines in all of philosophy as well as theology, is that there are no purely extrinsic denominations [NPE hereafter]. The prevailing interpretation of his views is that all extrinsic denominations [roughly relational properties] reduce to intrinsic denominations [roughly non-relational properties]. According to this reductionist view, things only have intrinsic denominations as properties; extrinsic denominations are not genuine properties of things. This book, however, takes a completely different view, arguing that NPE is actually the claim that extrinsicdenominations are properties of the things they denominate. To establish his view, the author examines numerous texts in which Leibniz derives NPE from other of his well-known doctrines, such as his predicate-in-subject principleof truth, the interconnection of all things and the identity of indiscernibles. Plaisted also investigates Leibniz's use of NPE as a premise to establish his claim that each monad expresses the universe. The result is that the author's reading of NPE allows for far more plausible and natural reconstructions of these arguments than does its reductionist counterpart. Finally, by exploring the inferential connections between NPE and these other important Leibnizian doctrines, this work also displays the central place that NPE occupies in Leibniz's philosophy as a whole. Dennis Plaisted received his Ph.D. in philosophy from the University of California at Santa Barbara and his J.D.from the University of Southern California Law School. He is currently Visiting Professor of Philosophy at the Rochester Institute of Technology.
Thomas M. Daniel, Frederick C. Robbins
Polio
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The story of polio in the words of its victims, doctors, and research scientists concerned with the means of eradicating it.
Polio - infantile paralysis -was until recently a greatly feared disease, but is now preventable by a vaccine, which has largely eradicated it from the Western Hemisphere; a global eradication campaign is underway. This book tellsthe storyof polio in fascinating and personal detail, through a series of essays written by those who experienced the disease: its victims, those who cared for them, and those who worked to eliminate it altogether.
Theopening chapter recounts the history of polio from its earliest depiction in Egyptian art to the present day; it is followed by accounts of the experiences of patients who were paralysed in youth by polio, but went on to build successful lives. The challenges of caring for polio sufferers are described by two physicians who worked on polio wards at the height of the epidemic. The story of the cultivation of poliovirus and the testing of the vaccines is related by two research scientists from the laboratories where the breakthroughs were achieved. The final essays describe the public health vaccination campaigns which successfully eradicated polio from the Americas, as experiencedby those who directed them.
Dr. Thomas M. Daniel is Professor Emeritus of Medicine and International Health and Director of the Center for International Health at Case Western Reserve University. Dr. Frederick C. Robbins is University Professor and Dean Emeritus of the School of Medicine at Case Western Reserve University. Contributors: Thomas M. Daniel, Frederick C. Robbins, Michael W. R. David, Ann L. McLaughlin, Ruth E. Frischer, Robert M. Eiben, Martha Lipson Lepow, Joao Batista Risi Jr, Ciro De Quadros
Shifra Shvarts
The Workers' Health Fund in Eretz Israel
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The first study to research the history of the health funds established by Jewish laborers in Israel.
The history of Kupat Holim, the health organization of workers in Israel, began at the 2nd Convention of Jewish agricultural workers in Judea in December 1911. Due to the lack of health services within the economic means of the workers, and the refusal of the farmer-employers to extend health services to their employees, the Jewish agricultural workers in Eretz-Israel -- at that time, a distant province of the far-flung Ottoman empire -- decided to establish a workers' health fund [kupat holim in Hebrew]. In the years 1912-15, two funds similar to the ones in Judea were also established in the north and center of the country. In the first years, the health funds did not provide workers with medical assistance on their own. Only in 1913, with the outbreak of the First World War, were the health funds transformed from insuring organizations into ones that provided medical assistance services themselves. With the establishment of the General Federation of Labor [1920], the health funds were amalgamated into a single organization -- the Federation's Kupat Holim [1921]. The unification of Kupat Holim ultimately determined theorganization's future -- transforming it from a small, local, temporary body with a few dozen members into a national entity and a key factor in health services in Israel to this day. This volume seeks to describe the growth of Kupat Holim up to the point where it was transformed into a central health organization in Israel; its relationship with its parent-organization, the General Federation of Labor and its rivalry with its competitor in the health field, Hadassah; its evolution from an organization solely for laborers to one open to all; the efforts on the part of Kupat Holim during the British Mandate [1918-1948] to bring about legislation for a compulsory health insurance law; and the formulation of the basic principle that underlie the work of Kupit Holim to this day -- the principle of national and social responsibility for the provision of equal health services to all.
Dr. Shifra Shvarts is the head of the Health Systems Management Department of the Faculty of Health Sciences and School of Management at Ben-Gurion University.
Maija Jansson
Proceedings in the Opening Session of the Long Parliament
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The volumes of Proceedings in the Opening Session of the Long Parliament present the records of proceedings in the House of Commons [5 volumes] and the House of Lords [3 volumes] beginning in November 1640. Volume 2 of theHouse of Commons debates continues the records of debates begun in Volume 1 that lead to the beginning of the impeachment trial of the Earl of Strafford for High Treason.
For those interested in the causes of the breakdown that lead to civil war in mid-seventeenth-century England, the volumes or Proceedings in the Opening Session of the Long Parliament are a good place to begin. The debatesin this session focus on the accumulated problems -- political, social, and religious -- that were the legacy of the years of personal rule of Charles I. During the almost seven months between the dissolution of the Short Parliament in April 1640 and the first session of what came to be called the Long Parliament in November 1640, the King, his advisors, and army commanders were absorbed with the financial and military problems of the Scottish army campedin the north of England. In the Irish parliament in Dublin, reaction against Thomas Wentworth, soon to become the Earl of Strafford, was beginning to crystallize. Throughout the kingdom, religious unrest continued, All of these elements came into play in the Long Parliament. Volume 2 of the House of Commons debates 21 December 21,1640 through March 20, 1641] continues the coverage begun in Volume 1 [November 3 through December 19, 1640], providing the debates that lead up to the beginning of the impeachment trial of the Earl of Strafford for High Treason.
Julia Simon
Beyond Contractual Morality
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Beyond Contractual Morality looks at current debates over the meaning of liberalism by reexamining their roots in eighteenth-century texts, which demonstrate the historical intertwining of political, legal and moral problems in their extension of social contract theory into various realms of public and private lives. Writers such as Rousseau, Voltaire, Sade, and Montesquieu are discussed.
In light of contemporary debates over liberalism, and informed by the problems of contemporary democratic, pluralistic culture, Beyond Contractual Morality reexamines the roots of these current discussions in eighteenth-century texts. Enlightenment texts demonstrate the historical intertwining of political, legal and moral problems in their extension of social contract theory into various realms of private and public life. Specifically, these textspoint to an over-reliance on the notion of contract to resolve ethical dilemmas. A range of issues and authors is discussed, including: the historical development of social contract theory from Hobbes to Rousseau; conflicting conceptions of education in Rousseau's writings; the rise of professional ethics; the concept of tolerance as discussed by Montesquieu, Voltaire, and Rousseau; the divide between the public and private realms in the writings of Charriere and Sade. Beyond Contractual Morality concludes with a reemphasis on the contemporary context of debate and proposes a defense of a revised version of liberalism that can take account of positive duties without sacrificing individual autonomy.Julia Simon is Associate Professor of French at the Pennsylvania State University.
Thomas M. Daniel
Pioneers in Medicine and Their Impact on Tuberculosis
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Pioneers in Medicine and Their Impact on Tuberculosis tells the stories of six individuals [Laennec, Koch, Biggs, von Pirquet, Frost, and Waksman], each of whom made significant contributions to their own respective medicalfields, as well as to the overall battle to conquer tuberculosis.
Throughout history, tuberculosis has been at or near the top of the list of infectious diseases that have plagued humankind. This pervasive disease has had a central position not only in causing illness but also in challenging medical scientists to understand it -- and, in so doing, to further understand all of human health and illness. Pioneers in Medicine and Their Impact on Tuberculosis tells the stories of six of these individuals: Rene Theophile Hyacinthe Laennec [pathology], Heinrich Hermann Robert Koch [bacteriology], Hermann Michael Biggs [public health], Clemens von Pirquet [immunology], Wade Hampton Frost [epidemiology], and Selman Abraham Waksman [antibiotics]. Itexamines not only their contributions in their own fields but also their special work in conquering tuberculosis. Presenting their fascinating lives and the seminal work they did in their disciplines, the author examines the importance of their discoveries and relates them to the dramatic expansion of medical science during the era in which they lived.
Thomas M. Daniel is Professor Emeritus of Medicine and International Health and Emeritus Director of the Center for International Health at Case Western Reserve University. His previous book, Captain of Death: The Story of Tuberculosis [University of Rochester Press, 1997] was "strongly recommended" by the NewEngland Journal of Medicine, and was selected by Choice for its Outstanding Academic Book List for 1998.
Grzegorz W. Kolodko
Globalization and Catching-Up in Transition Economies
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Globalization and post-communist transition are currently two of the most important economic issues. Kolodko considers the links between them, and the way forward for post-socialist economies.
Kolodko, former finance minister of Poland, considers the links between issues of globalization and post-communist transition, the two most important economic features of the turn of the century. He discusses the pattern of economic growth and contraction of the past fifty years, and reviews the options for the next half century. He accounts for the severity of the transitional recession in Eastern Europe and the former Soviet Union as a result of both the legacies of the past and current policy mistakes, but demonstrates how structural reforms and gradual institutional building have enabled some post-socialist economies to recover. He proposes that, within the wider context of globalization, several of these emerging market economies will be able to catch up with the more advanced industrial countries, but emphasizes the need for quality growth policies and continuing coordination between development strategies and efforts toward structural reform.
Grzegorz W. Kolodko is John C. Evans Professor in European Studies at the University of Rochester, and Director of TIGER -- Transformation, Integration and Globalization Economic Research -- at the Leon Kozminski Academy of Entrepreneurship and Management [WSPiZ].
Bernard Schilling
Rain of Years:
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This work argues that Great Expectations best exemplifies Charles Dickens's worldview, and brings together the various themes he addresses in all his works.
This is the last book by the noted English scholar Bernard Schilling. A remarkably compact survey of all the novels by Charles Dickens, it shows the unity of the whole body of work by reviewing basic scenes and images in the novels. It is the result of many years of reading and teaching Dickens, and demonstrates a thorough familiarity with Victorian literature in general. The book argues that Great Expectations is the novel which brings together all the main themes of Dickens's vision. Schilling's affectionate treatment of the characters found with Dickens's world will appeal to anyone interested in English literature, and is a fitting final work by a master of prose himself. Bernard Schilling was Trevor Professor of English and Comparative Literature at the University of Rochester. He was author of several books, including The Comic Spirit, The Comic World of Dickens, andTwentieth Century Views: Dryden.
Daniel Albright
Berlioz's Semi-Operas
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A full-length study of two of Berlioz's most unique works, which combine the highest goals of both symphony and opera and incorporate two of the greatest classics of Western literature into a total fusion of the arts.
This work studies two works that are among the most challenging of the entire Romantic Movement, not least because they assault the notion of genre: they take place in a sort of limbo between symphony and opera, and try to fulfillthe highest goals of each simultaneously. Berlioz was a composer who strenuously resisted any impediments that stood in the way of complete compositional freedom. Most of his large-scale works nevertheless obey the strictures of some preexistent form, whether opera or symphony or mass or cantata; it is chiefly in these two experiments that Berlioz allowed himself to be Berlioz. One of the central characteristics of Romanticism is the belief that all arts are one, that literature, painting, and music have a common origin and a common goal; and this book tries to show that Berlioz achieved a Gesamtkunstwerk, a fusion of arts, in a manner even more impressive (in certain respects) than that of Wagner, in that Berlioz implicated into his total-art-work texts by two of the greatest poets of Western literature, Shakespeare and Goethe. The method of this book is unusual in that it pays equally close attention to the original text [Romeo and Juliet and Faust] as well as to the musical adaptation; furthermore, it suggests many analogues in the operatic world which Berlioz knew -- the world of Gluck, Mozart, Mehul, Spontini, Cherubini -- in order to show exactly how Berlioz followed or flouted the dramatic conventions of his age. This book aims to contribute to Berlioz studies, to studies of the Romantic Movement, and to the rapidly growing field of comparative arts.
Daniel Albright is Richard L. Turner Professor in the Humanities at the University of Rochester.
Mary J. Henninger-Voss
Animals in Human Histories
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An exploration of the various ways animals and their relations to humans have been depicted throughout the ages.
This volume delves into the realm between representative images and real animals. It is a historical inquiry into human interaction with the animals we eat, pamper, experiment on, and imagine, as they have been variously domesticated, slaughtered, loved, studied, and made into icons of human invention. Common assumptions and experiences with animals have entered into the functioning and conceptualizing of life, yet these are historically and culturally contingent. The essays in this volume unveil the ways in which human-animal relationships reveal the interhuman structures of the cultures in which they are formed. By using animals as a lens, they refocus our awareness of the ways in which humans have allotted resources, gathered knowledge, and structured families. The treatment of animals is often a guide to the treatment of people within a society, while the perceived 'stewardship' of humans over animals has helped shape the broader environment that both human and nonhuman animals share. The authors tackle their subject from a variety of levels -- popular, scientific, and economic. The essays explore the vast borderland between human ideas and physical nature regarding animal representation.
Contributors include Richard W. Burkhardt, Jr., Jonathan Burt, Ken C. Erickson, Katherine C. Grier, Richard C. Hoffmann, Andrew C. Isenberg, JacquelineMilliet, John Solomon Otto, Karen A. Rader, Harriet Ritvo, Nigel Rothfels, Kenneth J. Shapiro, and Edward I. Steinhart.
Mary Henninger-Voss is an Associate of the Shelby Cullom Davis Center for Historical Studies, Princeton University.
Jonathan Gosnell
The Politics of Frenchness in Colonial Algeria, 1930-1954
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An examination of French citizenship and cultural identity in Algeria during the last quarter-century of colonial rule.
In recent years, a multicultural society and changing conceptions of French identity have been the source of considerable debate in scholarship, literature and the media in France. This book examines equally contested definitionsof French identity from the past, but not those forged within the borders of the French 'Hexagon,' as French geographic space is sometimes called. It is the study of French sentiment in colonial Algeria of the 1930s, 1940s, and 1950s, during the last quarter century of colonial rule in North Africa. It seeks to uncover elements of French identity that were generated past the Pyrenees and the Alps, beyond the bordering Atlantic Ocean, English Channel and Mediterranean Sea, outside the physical space so central to "Frenchness." It asks whether far-reaching state institutions could transform indigenous and settler populations in colonial Algeria -- Europeans, Jews and Muslims -- intoFrench men and women. It examines what these individuals wrote of French sentiment in colonial Algeria. Did they articulate alternative definitions of French identity? The colonial "periphery" is clearly quite central to France'sevolving postcolonial sense of self. Colonial Algerian heterogeneity and the country's unique relationship to France make it an especially rich site in which to study French national and cultural identities. French military conquest and the occupation of the North African coast established one of the oldest and largest settler colonies within the French Empire. Unlike other colonies, Algeria lay relatively close to metropolitan France, a daylong journey by ship from Marseilles. No colony other than Algeria was granted French departmental status. No other land administered under the auspices of the French Empire had as numerous a European settler population, many of whom becamenaturalized French citizens. This study suggests that although Algeria had become officially French, "Algerie française", even at the pinnacle of its acceptance, was more diverse and more contested than its title suggests.
Lap-Chuen Tsang
The Sublime
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An important work offering a viable theory for the concept of "Sublime" in philosophy.
This is a work of quite unusual philosophical interest, original and deeply insightful. Dr. Tsang argues on the one hand that sublimity is not a property of objects regarded as sublime, but belongs to our construal of objects, while on the other he also argues that when we so construe an object we are giving expression to some limit to our life, not an external barrier, but a limit internal to it. But what lies at the limit cannot be represented. So the sublime can be evoked by language, but not represented in it. This leads Dr. Tsang on to a philosophical analysis of evocation and of the evocative possibilities of a sublime object. What he says about evocation presupposes and requires for its completion an account of how affective elements are involved in the experience of the sublime and what he claims here is that there is no one feeling or type of feeling involved in the experience of the sublime, but that a wide range of different feelings may be involved on different occasions. The quality of the feeling is closely bound up with the character of the experience of the sublime as a limit-experience. Finally Dr. Tsang considers the cultural and social context of experiences of the sublime, both what is universally recognized as sublime, because bound up with the general conditions of human life, and what is specific to particular cultural and social contexts. He then moves to the conclusion to examine the relationship of the sublime to human willing. As a postscript there is an excellent treatment of Kant's theory of the sublime.
Elizabeth Lane Furdell
The Royal Doctors, 1485-1714:
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Drawing upon a myriad of primary and secondary historical sources, The Royal Doctors: Medical Personnel at the Tudor and Stuart Courts investigates the influential individuals who attended England's most important patientsduring a pivotal epoch in the evolution of the state and the medical profession.
Drawing upon a myriad of primary and secondary historical sources, The Royal Doctors: Medical Personnel at the Tudor and Stuart Courts investigates the influential individuals who attended England's most important patientsduring a pivotal epoch in the evolution of the state and the medical profession. Over three hundred men [and a handful of women], heretofore unexamined as a group, made up the medical staff of the Tudor and Stuart kings and queensof England [as well as the Lord Protectorships of Oliver and Richard Cromwell]. The royal doctors faced enormous challenges in the sixteenth and seventeenth centuries from diseases that respected no rank and threatened the very security of the realm. Moreover, they had to weather political and religious upheavals that led to regicide and revolution, as well as cope with sharp theoretical and jurisdictional divisions within English medicine. The rulers often interceded in medical controversies at the behest of their royal doctors, bringing sovereign authority to bear on the condition of medicine.
Elizabeth Lane Furdell is Professor of History at the University of NorthFlorida.
Christopher Hoolihan
An Annotated Catalogue of the Edward C. Atwater Collection of American Popular Medicine and Health Reform
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This is a catalogue of the Edward C. Atwater Collection of rare books dealing with "popular medicine" in early America which is housed at the University of Rochester Medical School library. The books described in the catalogue were written by physicians and other professionals to provide information for the non-medical audience. The books taught human anatomy, hygiene, temperance and diet, how to maintain health, and how to cope with illness especially when no professional help was available. The books promoted a healthy lifestyle for the readers, giving guidance on everything from physical fitness and recreation to the special health needs of women. The collection consists of works dealing with reproduction [from birth control to delivering and caring for a baby], venereal disease, home-nursing, epidemics, and the need for public sex education. These books, covering areas largely ignored by the medical profession, made important contributions to the health of the American public, and the collection is a vital piece of medical history.
The collector is Edward C. Atwater, Professor Emeritus of Medicine and the History of Medicine at the University of Rochester Medical School.
Christopher Hoolihan is History of Medicine Librarian at the University of Rochester Medical School's Edward G. Miner LIbrary.
Susan M. Turner
The Philosopher's Child
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A collection of essays examining how philosophers in the Western tradition have viewed and written about children through the ages.
The Philospoher's Child is an edited collection of 9 contemporary essays (7 new works, 2 revised from previously published work), each of which examines the views of a different philosopher (Socrates, Aristotle, Hobbes, Locke, Kant, Mill, Wittgenstein, Rawls, and Firestone) on the topic of children. Each of the contributors to this groundbreaking volume is a specialist in the area of the philosopher he or she considers and offers to the reader both the opportunity to review the thoughts of these important thinkers on a subject that is fast becoming an issue of great urgency and the chance to those thoughts in a critical context.
Rita Steblin
A History of Key Characteristics in the 18th and Early 19th Centuries
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A fully updated edition of the leading reference work on musical key characteristics during the Baroque, Classical and Romantic periods.
This is a revised second edition of Dr. Steblin's important work on key characteristics, first published in 1983 by UMI Research Press and re-issued by the University of Rochester Press in 1996. The revision has been limited to athorough correction and update of the material in the first edition, so as to not disrupt the content and organization, for which the book has been praised as a significant and noteworthy reference for both scholars and research students alike. The book discusses the extra-musical meanings associated with various musical keys by ancient Greek and medieval-renaissance theorists and in particular composers and writers on music in the Baroque, Classical,and early Romantic periods. Chapters focus on Mattheson's extensive key descriptions from 1713, the Rameau-Rousseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. Schubart's influential list based on the sharp-flat [bright-dark] principle of key-distinctions.
Rita Katherine Steblin is a world-renowned music scholar, living and working in Vienna.
Maija Jansson
Proceedings in the Opening Session of the Long Parliament
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The official record of the English Parliament as well as personal diaries from members recording the events of the Earl of Strafford's trial and the treaty with Scotland.
In the English Parliament during the spring of 1641 two closely related matters came to a head: the trial of Thomas Wentworth, Earl of Strafford, and the completion of articles forming the framework for a treaty with Scotland. Strafford was one of King Charles I's closest associates, and his trial and eventual execution marked the beginning of the long-fought out conflict between the Parliament and the Crown over political control in England. The treaty and the trial reflect the interconnectedness of the three kingdoms -- Ireland, Scotland, and England -- and their relationships to one another under the English monarchy. In the parliamentary debates recorded in this volume, the interplay between public and private interests, military, religious, and mercantile, with and outside the court in England becomes clearer, as does the extent of state-driven policy and imperial design which had evolved duringthe years when Charles ruled without a Parliament. These records constitute the definitive account of the Strafford trial, as well as detailing other early impeachment proceedings, which would set the precedent for later impeachment trials in Great Britain and America [including the recent impeachment of United States President William Jefferson Clinton]. With regards to the treaty, the journals and diaries present a detailed narrative of the step-by-step construction of peace with Scotland.
Maija Jansson is Director of the Yale Center for Parliamentary History
Michael Wood
Heiner Müller's Democratic Theater
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Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.
The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Müller's interests in democracy and audience activity,Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Müller's work as playwright and director. In 1985, Müller spoke of the importance of a "democratic" theater: one thatconfronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's studyshows that Müller sought to do this in his combined 1988 production of Der Lohndrücker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Müller tried to make theater that would create a form of democracy both within and outside the theater.
Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014.
Andrzej Karcz
The Polish Formalist School and Russian Formalism
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A comparison of two schools of literary criticism, showing how the Polish Formalist School modified and transcended the original ideas of Russian Formalism.
This study looks closely at the changes taking place in Polish literary scholarship at the turn of the century, and focuses on the work of the founder of Polish Formalism, Kazimierz Woycicki and the other main theoreticians and practitioners of this School. While presenting a comparative and contrasting approach to Polish and Russian Formalism, the study concentrates on how the ideas of the Russian Formalists were accepted and applied by the Polish School,which modified and transcended them. Special attention is paid to Woycicki's original definition of the subject of literary study.
The two schools of literary criticism, while dealing with the same problems of analysis, did not always propose similar solutions. By modifying the ideas of Russian Formalism, the Polish Formalist School of the 1930s modernized Polish literary scholarship in a fundamental way.
Andrzej Karcz is Assistant Professor in the Department of Slavic Languages and Literatures at the University of Kansas.
Frank P. Smith
Neurology and Neurosurgery
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An overview of practice and theory in both neural specialties, encouraging a broader therapeutic approach to problems such as movement disorders and intractable pain.
The concept of this book is to merge neurological and neurosurgical principles and practice, for improved patient care. This includes a review of the basic neurosciences, especially neurogenetics. Details of the neurological examination and neurodiagnostic studies are oriented to specific clinical factors. Attention is directed to advances in molecular biology in the current research in metabolic disorders affecting the neurological system. There is a comprehensive approach to demyelinating diseases and dementia, as well as practical aspects in the diagnosis and management of neurological disorders caused by trauma, vascular lesions, neoplasms and infection. The goal is to share the expertise of both neural specialties in therapy of problems such as movement disorders and intractable pain. A general need for the above has become apparent, in an era of an aging population and increased incidence of neurological disorders.
Frank P. Smith, MD, is Professor of Neurosurgery Emeritus, University of Rochester Medical Center
J. M. R. Lenz
Selected Works by J. M. R. Lenz
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First representative English collection of the Sturm und Drang writer Lenz, suited for the classroom and anyone interested in German literature, the European Enlightenment, or the theory and practice of theater.
Jakob Michael Reinhold Lenz (1751-1792) is, after Goethe, the most important writer of the German Sturm und Drang. Crucial in the reinvention of German literature through the reception of Shakespeare, his works contain a scathing critique of the ethical, political, and sexual regimes then prevailing in German and Eastern European territories. Both aesthetically and politically, Lenz strongly influenced later German writers - most notably Georg Büchner and Bertolt Brecht. In Germany, Lenz is still widely read and performed. Given his importance and lasting reception, it is surprising that many of his texts are not available in English. While his best-known dramas have been translated, many of his essays have not, and none of his stories or poems have been. This is especially astonishing given the growth of English-language Lenz scholarship over recent decades. This volume contains new - and, in many cases, first - English translations of Lenz's most important plays, stories, essays, and poems. It is the first representative English collection of Lenz's works. Providing reliable translations of Lenz's key writings and succinct glosses of historical and literary references, this book is a valuable resource for classroom use and for anyone interested in German literature, the European Enlightenment, or the theory and practice of theater.
Martin Wagner is Assistant Professor of German at the University of Calgary. Ellwood Wiggins is Assistant Professor of German at the University of Washington.
Ebere Nwaubani
The United States and Decolonization in West Africa, 1950-1960
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A history of America's tangled involvement in the transition of British and French West African territories to statehood.
As an investigation of America's response to the decolonization process in West Africa, The United States and Decolonization in West Africa, 1950-60 fills several important gaps. The history of America's involvement in Africa remains understudied. This book focuses on a neglected decade when the "wind of change" swept across Africa. Critical of the traditional "nationalist" interpretation of the decolonization process in Africa, the author begins his book by placing the transition of British and French West African territories to statehood with a neocolonialist framework. In doing so, he abandons the conventional definitions and usages of "independence" and "decolonization", and makes a compelling case that these are two related but different phenomena. Nwaubani argues that the United States was not a catalyst in the transition process in West Africa, but rather acted in a neocolonialist fashion itself. He also gives a nuanced appraisal of the Cold War, demonstrating that it was not as important as popularly believed in determining US behavior in Africa. The primary focus of the book is on West Africa, with case studiesfocusing on the Ewe, Ghana [including the Volta dam project], and Guinea. But the broad issues discussed are framed in the larger context of sub-Saharan Africa, and against the backdrop of the larger debates about the nature of post-1945 United States diplomacy.
Ebere Nwaubani is a member of the History Department, University of Colorado at Boulder.
Ernest Schonfield
Business Rhetoric in German Novels
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Argues on the evidence of nine major German novels that literature and business have in common a reliance on language, understood in a creative, performative, and rhetorical sense.
Throughout the twentieth century and well into the twenty-first, Germany has maintained its position as one of the world's largest economies. In the literature of this period, business is often depicted as a performance that requires great linguistic skill. This book is a study of the representation of business practices in nine German-language novels - published during the period from 1901 to 2013 - that explore how language is used rhetorically in pursuit of economic and political agendas. Taken up as case studies, in chronological order, the novels are by Thomas Mann, Heinrich Mann, Gabriele Tergit, Bertolt Brecht, Ingeborg Bachmann, Hermann Kant, Friedrich Christian Delius, Kathrin Röggla, and Philipp Schönthaler, all of whom articulate cultural imaginaries and political ideologies at key moments in recent German history. In doing so, they challenge readers to refine their own interpretive skills. By considering business rhetoric in the novels, Ernest Schonfield shows how the formulation of language remains inseparable from the exercise of economic and political power. The central message of this book is that literature and business have something essential in common: they both rely on the persuasive use of language.
Ernest Schonfield is Lecturer in German at the University of Glasgow.
Maija Jansson
Proceedings in Parliament 1625, volume 1
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Published by Boydell & Brewer Inc.
James Toole
Presidential Disability
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Who should determine when a United States president is unable to fulfill the office's responsibilities? What political and medical decisions are necessary? This book consists of the proceedings of a series of conferences held by the Working Group on Disability in US Presidents. The Working Group contains medical doctors, politicians, and former administration members, who examine the current implications of the 25th Amendment to the United States Constitution. This Amendment establishes the causes and methods for the removal [either temporary or permanently] of the President of the United States if he/she becomes incapacitated and what the chain-of-command is in the event of his/her removal. The Working Group received a great deal of national attention from these conferences, and its findings and policy recommendations were endorsed by former Presidents Carter and Ford. The implications of the Working Group's findings are currently being debated by the United States Congress. This book is especially pertinent with the recent 2000 Presidential election, as the health of the candidates, as well as their right to privacy, have becomepublic issues.
James Toole, MD is Professor of Neurology at Wake Forest University; Robert Joynt, MD is Professor of Neurology at the University of Rochester Medical Center.
Jim Pearce, Ward J. Risvold
Renaissance Papers 2016
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Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on Shakespeare, reading practices, and the visual arts.
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2016 volume features essays from the conference held at Wake Forest University, as well as essays submitted directly to the journal. The first essay looks at early modern reading practices in the Durham Folio and the prayer book of Lady Jane Grey. The interest in reading practices resurfaces in the next essay on the importance ofreading in the artistic life of Velasquez. The majority of the contributions address the plays of Shakespeare: one essay reflects on the way in which collaboration between audience and actors creates the theatrical experience ofA Midsummer Night's Dream; another proposes a new chronology in Measure for Measure; next is an essay on space and globalism in Antony and Cleopatra; and the last offering in this section looks at rhetoric andits subversions in King Lear. These are followed by an essay on class antagonism and murderous antifeminism in The Revenger's Tragedy and The Duchess of Malfi. The volume concludes with an essay that examinesthe contrasting prologues of parts one and two of Don Quixote.
Contributors: Bernadine Barnes, Harry Berger Jr., Geraldo U. de Sousa, Nathan Dixon, Emily Donahoe, Lisandra Estevez, Deneen M. Sensai, Emily Stockard, and John Wall.
The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia.
Katherine Stone
Women and National Socialism in Postwar German Literature
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Investigates why the question of women's complicity in National Socialism has struggled to capture the collective imagination, examining how a variety of female authors have conceptualized the role of women in the Third Reich
In recent years, historians have revealed the many ways in which German women supported National Socialism-as teachers, frontline auxiliaries, and nurses, as well as in political organizations. In mainstream culture, however, thewomen of the period are still predominantly depicted as the victims of a violent twentieth century whose atrocities were committed by men. They are frequently imagined as post hoc redeemers of the nation, as the "rubble women" whospiritually and literally rebuilt Germany. This book investigates why the question of women's complicity in the Third Reich has struggled to capture the historical imagination in the same way. It explores how female authorsfrom across the political and generational spectrum (Ingeborg Bachmann, Christa Wolf, Elisabeth Plessen, Gisela Elsner, Tanja Dückers, Jenny Erpenbeck) conceptualize the role of women in the Third Reich. As well as offering innovative re-readings of celebrated works, this book provides instructive interpretations of lesser-known texts that nonetheless enrich our understanding of German memory culture.
Katherine Stone is Assistant Professor in German Studies at the University of Warwick.
Paul Wood
The Scottish Enlightenment
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A collection of essays dealing with the history of the Scottish Enlightenment, its connection with the European Enlightenment in general, such major figures as Francis Hutcheson, Thomas Reid, and David Hume, and the making of theScottish identity.
A collection of ten specially commissioned essays addressing five themes central to any study of the Scottish Enlightenment: one, the place [both physical and cognitive] of science and medicine in the Scottish Enlightenment; two,the institutionalization of enlightenment in the universities; three, the cultivation of the different branches of "the science of man" in the Scottish Enlightenment; four, the national and international contexts of enlightenmentthought in Scotland; and five, the historiography of the Scottish Enlightenment. Taking up these themes, the editor and contributors explore facets of enlightened culture in Scotland which have not been given their due in the literature, and reassess current interpretations of various aspects of the Scottish Enlightenment specifically and its relation to the European Enlightenment in general. Special emphasis is given to such major Scottish thinkersas Francis Hutcheson, George Campbell, Thomas Reid, and David Hume.
Margaret J. Kartomi
The Gamelan Digul and the Prison-Camp Musician Who Built It
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The story of a particular Javanese group of "matching" musical instruments, the gamelan Digul, built in a notorious Dutch East Indies prison camp by a master musician and political activist, and the role in played in helping to foster Australian-Indonesian friendship.
This is the story of a particular Javanese group of "matching" musical instruments called the gamelan Digul, and their creator, the Indonesian musician and political activist Pontjopangrawit [1893-ca. 1965]. He was a superb Javanese court musician, who had entertained at the of king Paku Buwana X as a child. In this magnificent artistic environment he learned how to build gamelans, and also became a sought-after teacher. Involved in radical political activities, Pontjopangrawit was arrested in 1926 for his participation in the movement to free Indonesia from Dutch rule, and spent the next six years in the notorious Dutch East Indies prison camp at Boven Digul. Made in 1927 entirely from "found" materials in the prison camp, including pans and eating utensils, the gamelan Digul became a symbol for the independence movement long after Pontjopangrawit's own release in 1932. In the 1940s, it was transported to Australia, where the Dutch and their prisoners took refuge from the Japanese invaders. At first interned as enemy aliens by the Australian government, the ex-Digulists were finally released. Cultural activities within the Australian Indonesian community involving the gamelan Digul served to create sympathy and interest for Indonesia's independence, which was granted in 1945. Tragically, Pontjopangrawit himself was later arrested by the Indonesian goverment during the 1965 revolution, and died in custody. This book's musical and political discussions will interest all those concerned with Indonesian and Southeast Asian music, performing arts, history and culture as well as the beginnings of Australian-Indonesian friendship.
Margaret Kartomi, AM, FAHA, Dr. Phil, is the Professor of Music at Monash University. She has published over a hundred articles and severalbooks, annotated CDs and LP records on the music of various parts of Indonesia and other ethnomusicological topics.
Professor Jürgen Thym
Of Poetry and Song
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Interdisciplinary studies of some of the greatest examples of German art song by major scholars in musicology and German literature.
Singers and pianists never tire of exploring the songs of Schubert and Schumann, Wolf and Mahler. But discussions of these marvelous works have too often given only brief consideration to the artistry of the poems -- by such masters as Goethe, Heine, and Eichendorff -- and to the composers' insightful interaction with that verbal art. Of Poetry and Song: Approaches to the Nineteenth-Century Lied is an anthology of truly interdisciplinary studies of text-music relations in the German Lied. The chapters gathered in it (including some published here for the first time in English or indeed at all) were written by two musicologists -- Rufus Hallmark and Jürgen Thym -- and two German-literature specialists -- Harry Seelig and the late Ann C. Fehn. An extensive introduction by the volume's editor, Jürgen Thym, considers the fruitful ways in which the four authors meet the challenge of combining literary and musical analysis.
Jürgen Thym is Professor Emeritus of Musicology at the University of Rochester's Eastman School of Music.
Ernst Ralf Hintz
The End-Times in Medieval German Literature
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Drawing upon the most current methodologies, the essays in this book pursue the multifarious functions of end-times in medieval German texts.
The contemporary fascination with the end of the world and of life as we know it would not have surprised our counterparts a millennium ago; only the fact that such an end has not yet occurred. Current visions of the apocalypse encompass climate change, terrorism, antibiotic-resistant bacteria, and war. Popular culture expresses the fear associated with these global crises, obsessively portraying zombies, alien attacks, pandemics, and self-destructive technology. This book explores how end-times were envisioned in medieval Germany. The essays, written by well-established scholars, examine the period's fascination with the apocalypse by applying the most current methodological approaches to a wide range of literary genres. Drawing upon methodologies such as adaptation theory, gender analysis, space and place studies, reception studies, and memory studies, this book uncovers the rhetorical, didactic, narratological, mnemonic, thematic, cultural, and political functions of end-times in medieval German texts.
Contributors: Tina Boyer, Albrecht Classen, Winfried Frey, Will Hasty, Ernst Ralf Hintz, Winder McConnell, Evelyn Meyer, Scott E. Pincikowski, Marian E. Polhill, Alexander Sager, Alexandra Sterling-Hellenbrand, Joseph M. Sullivan.
Ernst Ralf Hintz is Professor of German and Medieval Studies at Truman State University. Scott E. Pincikowski is Professor of German at Hood College.
Theodore Ziolkowski
Music into Fiction
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Illuminates unexplored dimensions of the music-literature relationship and the sometimes unrecognized talents of certain famous writers and composers.
This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers.
Theodore Ziolkowski is Professor Emeritus of German and Comparative Literature, Princeton University.
Professor Emeritus Anthony T Grafton-left Princeton 2008
Historians and Ideologues
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The influence of historiography on aspects of political thought in France, Italy and Germany.
In recent years the overlap between political thought and historiography has changed the boundaries of intellectual history. Donald Kelley, the longtime editor of The Journal of the History of Ideas has played a leading part in this process. These essays by his friends and former students follow in his footsteps. The collection is divided into three parts: France, England [six essays], and Italy and Germany [four essays]. Anthony Grafton and John Salmon provide an introduction, and the volume concludes with a bibliography of Donald Kelley's many works. Historians and Ideologues is designed for those with an interest in the contribution of historiography to political thought, and will be a timely addition to the growing reaction against the postmodern scepticism in historiographical research in this field.
Contributors include Ann Blair, Julian Franklin, Kathleen Parrow, David Harris Sacks, Sarah Hanley, Daniel Woolf, Gordon Schochet, Joseph Levine, John Pocock, Perez Zagorin, William Connell, Donald Phillip Verene, and Michael Carhart.
Anthony Grafton is a Professor in the Department of History at Princeton University. John Salmon is the Marjorie Walter Goodheart Emeritus Professor of History at Bryn Mawr College.
Professor Peter Bloom
Berlioz: Past, Present, Future
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A collection of essays commemorating Hector Berlioz's life and work on the 200th anniversary of his birth.
This far-reaching collection of heretofore unpublished studies ushers in the two-hundredth anniversary of the birth of Hector Berlioz [1803-1869]. The contributors include leading music historians and two prominent historians of culture, Peter Gay and Jacques Barzun. The essays discuss Berlioz's views of the music of the "past," Berlioz's interactions with music and musicians of his "present," and views of Berlioz during the several generations after his death [the "future"]. A long-awaited piece by Richard Macnutt meticulously inventories and investigates more than two hundred letters and documents that are now known to have been forged but that have sometimes been accepted as authentic. Further contributions, from David Charlton, Heather Hadlock, Sylvia L'Ecuyer, Katherine Kolb, Catherine Massip, Kerry Murphy, Jean-Michel Nectoux, Cecile Reynaud, and Lesley Wright, consider specific aspects of Berlioz's creative work and critical reception.
The editor, Peter Bloom, is Grace Jarcho Ross 1933 Professor of Humanities in the Department of Music at Smith College. His scholarly work has focused primarily on the life and workof Berlioz. He is a member of the Panel of Advisors of the New Berlioz Edition and the author of The Life of Berlioz.
Franziska Lys
Virtual Walls?
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A reassessment of the journey Germans in East and West have taken during the past two and a half decades: even today, an open-ended, unfinished journey.
On October 3, 1990, just a year after the Berlin Wall fell, the German Democratic Republic was absorbed into the Federal Republic of Germany, officially ceasing to exist. What was the GDR and how do we remember it? According to the dominant Western narrative, it was a country that brought neither unity nor justice nor freedom to its citizens. But if so, why does a virtual wall still seem to exist in Germany today between the erstwhile citizens of the GDR and FRG? The GDR very much remains in the public debate, and while political integration is well on its way, the cultural integration of the two former states has proven much more challenging. This volume analyzes the culturaltransformation - or lack thereof - that has followed political unification. The contributions are interdisciplinary: essays on history and politics provide a framework and others on art, film, literature, museums, music, and education provide specific examples. These case studies allow us to examine the state of unification beyond statistics, opinion polls, and glib generalizations. The volume, then, is a reassessment of the journey Germans in East and West have taken during the past two and a half decades. Even today, it is an open-ended, unfinished journey. But such journeys tend to be the most interesting.
Contributors: Kerstin Barndt, Stephen Brockmann, Michael Dreyer, Andreas Eis, April A. Eisman, Peter Hayes, Franziska Lys, Charles S. Maier, Andreas Niederberger, Mary-Elizabeth O'Brien, Daniel Ortuno-Stühring.
Franziska Lys is Professor of German at Northwestern University. Michael Dreyer is Professor in the Institute for Political Science at the University of Jena.
Richard Freedman
The Chansons of Orlando di Lasso and Their Protestant Listeners
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A study of how the secular lyrics of the French composer Orlando di Lasso were reworked by Protestant printers in the sixteenth century to convey new spiritual meanings.
This book aims to enrich our understanding of the French secular music of Orlando di Lasso, using those songs as a means of understanding a particular community of Renaissance readers and the music books they created. Lasso's secular songs figured quite prominently in a number of collections of devotional songs issued by Protestant printers in the late sixteenth century. Lasso's profane lyrics were changed to convey spiritual meanings. This study uses theexample of such reworkings as a means of discovering how such a repertory was heard and understood by a particular community of listeners, and in so doing, it explores the history of these chansons in print, and the history of thespiritual attitudes that shaped their reception among the Huguenots.
Richard Freedman is Associate Professor of Music at Haverford College.
Leanne Dawson
Edinburgh German Yearbook 10
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Contributions exploring the representation and reality of LGBTQ+ individuals and issues in historical and contemporary German-speaking culture.
The German-speaking lands have a long history of engagement, ranging from celebratory to horrific, with non-normative genders and sexualities, including through cultural output, language, and politics. Queering German Culture, volume 10 of the Edinburgh German Yearbook, foregrounds this via new analyses of a variety of LGBTQ+ cultural artifacts - archives both physical and digital, literature in the form of novels and periodicals, and film both narrative and documentary - to consider a spectrum of gender and sexual identities. Individual chapters employ a range of lenses, including psychoanalysis, feminism, and postcolonial and queer theory, to analyze work by ThomasMann, Thomas Brussig, Jenny Erpenbeck, Terézia Mora, Rainer Werner Fassbinder, and Fatih Akin, among others.
Contributors: Nicholas Courtman, Leanne Dawson, Kyle Frackman, Sarra Kassem, Lauren Pilcher, John L. Plews, Gary Schmidt, Cyd Sturgess.
Leanne Dawson is Lecturer in German and Film Studies at the University of Edinburgh.
Christopher J. Gray
Colonial Rule and Crisis in Equatorial Africa
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A look at the encounter between the French and the peoples of Southern Gabon in terms of their differing conceptions of boundaries.
In the second half of the nineteenth century, two very different practices of territoriality confronted each other in Southern Gabon. Clan and lineage relationships were most important in the local practice, while the French practice was informed by a territorial definition of society that had emerged with the rise of the modern nation-state and industrial capitalism. This modern territoriality used an array of bureaucratic instruments -- such as maps andcensuses -- previously unknown in equatorial Africa. Such instruments denied the existence of locally created territories and were fundamental to the exercise of colonial power. Thus modern territoriality imposed categories and institutions foreign to the peoples to whom they were applied. As colonial power became more effective from the 1920s on, those institutions started to be appropriated by Gabonese cultural elites who negotiated their meanings in reference to their own traditions. The result was a strongly ambiguous condition that left its imprint on the new colonial territories and subsequently the postcolonial Gabonese state.
Christopher Gray was Assistant Professor of History, Florida International University.
Alfred Geier
Plato's Erotic Thought
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An attempt, by a close reading of three Platonic dialogues, the Symposium, Lysis, and the Phaedrus, to discover the true nature of the object of Eros and especially to understand the mystery of its birth.
This work is an attempt to understand the nature of the object of Eros in Plato's writings. In the first chapter certain considerations based on a passage in Plato's Symposium lead to a discovery and characterization of thenature of that object and several of its features. Then it is realized that the chief problem or mystery about the nature of the object of Eros is how it arises. The book then explores the Lysis and the Phaedrus, which both address how the object arises, in two different ways, the Socratic and the Platonic.
Alfred Geier is associate professor of religious and classical studies, University of Rochester.
Richard J. Schneider
Civilizing Thoreau
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Proposes an interdisciplinary solution to the "Thoreau problem" through the connection between his ecological study of nature and his intense interest in the emerging social sciences.
Recent book-length studies of Thoreau have focused either on his place in the history of the natural sciences or have applied political principles to his works. None, however, has fully addressed what ecocritic Rebecca Solnit calls "the Thoreau problem," the compartmentalizing of Thoreau's mind into either that of a hermit of nature or that of a champion of social reform. This book proposes an interdisciplinary solution to this problem through the connection between Thoreau's ecological study of nature and his intense interest in the emerging social sciences, especially the history of civilization and ethnology. The book first establishes Thoreau's "human ecology," the relation between the natural sciences and the social sciences in his thinking, exploring how his reading in contemporary books about the history of humanity and racial science shaped his thinking and connecting these emerging anthropological texts to his late nature writings. It then discusses these connections in his major works, including Walden and his "reform papers" such as "Civil Disobedience," the travel narrative A Week on the Concord and Merrimack Rivers, The Maine Woods, and Cape Cod. The concluding chapter focuses on Thoreau's attitude toward Manifest Destiny, arguing, against conventional views, that considering both his life and his writing, especially the essay "Walking," we must conclude that he both accepted and endorsed Manifest Destiny as an inevitable result of cultural succession.
Richard J. Schneider is Professor Emeritus from Wartburg College. He has authored a monograph and many articles as well as edited three collections on Thoreau.
Karl S. Guthke
Life without End
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A groundbreaking study examining major literary treatments of the idea of earthly immortality, throwing into relief fascinating instances of human self-awareness over the past three hundred years.
The idea of earthly immortality has a tradition in literature dating to the Gilgamesh epic. But what would it mean to attain such immortality? Answers are suggested in novels and plays that explore the theme using varieties of Borges's "rational imagination," often in connection with projections of biology or cybernetics. In this groundbreaking study, Karl S. Guthke examines key works in this vein, throwing into relief fascinating instances of human self-awareness across the last three hundred years. Authors discussed in detail include J. M. Barrie, Calvino, Shaw, Adolfo Bioy Casares, Swift, Aldous Huxley, Walter Besant, Arthur C. Clarke, Wilde, Borges, William Godwin, P. B. and Mary Shelley, Capek, Machado de Assis, Simone de Beauvoir, Martin Amis, Dino Buzzati, Houellebecq, Iris Barry, Saramago, Rushdie, Gabi Gleichmann, and Pascal Mercier. Guthke finds that the fictional triumph over death is only rarely viewed positively, and mostly as a "curse" - for a variety of reasons. Almost always, however, literary experiments with immortality suggest an alternative: the chance to take our limited lifetime into our own hands, shapingit meaningfully and thereby experiencing "a new way of being in the world" (Mercier). The fictional immortals reject this challenge, thus depriving themselves of what makes humans human and life worth living. And what that mightbe is also at least hinted at in the works Guthke analyzes. As a result, an aspect of cultural history comes into view that is revealing and stimulating at a time that is, as Der Spiegel put it in 2014, "obsessed by the invention of immortality."
Karl S. Guthke is the Kuno Francke Professor of Germanic Art and Culture, Emeritus, of Harvard University.
Richard H. Love
Carl W. Peters
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An account of the life and work of the American Scene painter Carl W. Peters, and the place of his work within the genre.
This extensive and lavishly produced book provides, for the first time, a detailed analysis of the history of American Scene painting and Regionalism with an emphasis on artists active during the period between the two World Wars.Though little known until recently, Carl W. Peters embodied the essence of American Scene painting throughout his extremely productive life. His works are considered here within the broad panorama of cultural and intellectual history during these exciting decades, when modernism and indigenous American realism were in constant conflict.
Jean E. Conacher
Transformation and Education in the Literature of the GDR
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This book explores how writers adhered to, played with, and subverted the formulaic precepts of educational transformation in the German Democratic Republic.
Perhaps never before has a state emphasized education to citizenship more than in the new nation founded in 1949 as the German Democratic Republic. For forty years, educational and cultural policy played a pivotal role in effortsto build and sustain a socialist state on German soil. Party and state held teachers and writers responsible for demonstrating the superiority of socialism, infusing pupils and readers with a commitment to the emerging state, andproviding persuasive role models of der neue Mensch each was challenged to become. Utilizing an innovative triangular framework, this book demonstrates how mentor-protegé(e) rubrics, traditionally associated with the socialist Bildungsroman, came to characterize text-external and text-internal relations within diverse narrative forms. Thus, leading writers such as Hermann Kant, Christa Wolf, Brigitte Reimann, and Christoph Hein played with the genre's patterns of transformation as they engaged with the intellectual, societal, and aesthetic dilemmas of GDR life. This book shows that understanding representations of educational transformation in GDR literature, a topic largely overlooked by critics, is central to an aesthetic appreciation of that literature more broadly.
Maija Jansson
Proceedings in the Opening Session of the Long Parliament
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The volumes of Proceedings in the Opening Session of the Long Parliament present the records of proceedings in the House of Commons [5 volumes] and the House of Lords [3 volumes] beginning in November 1640. Volume 1 of theproceedings in the House of Commons is the first of two volumes leading up to the beginning of the impeachment trial of the Earl of Strafford for High Treason.
For those interested in the causes of the breakdown that led to civil war and revolution in mid-seventeenth-century England, the volumes of Proceedings in the Opening Session of the Long Parliament are a good place to begin. The debates in this session focus on the accumulated problems -- political, social, economic, and religious -- that were the legacy of Charles I's years of personal rule. During the almost seven months between the dissolution of the Short Parliament in April 1640 and the first session of what came to be called the Long Parliament in November 1640, the King, his advisors, and army commanders were absorbed with the financial and military problems of the Scottisharmy camped in the north of England. In the Irish parliament in Dublin, reaction against the King's close friend the Earl of Strafford, the Deputy Lieutenant of Ireland, was beginning to crystalize. Throughout the kingdom, religious unrest continued. All of these elements came to play in the Long Parliament. Volume 1 of the House of Commons debate covers the opening session from 3 November through 19 December 1640. This volume plus Volume 2 [December 21,1640 through March 20, 1641] provide the debates leading up to the beginning of the impeachment trial of the Earl of Strafford for High Treason.
Linda Heywood
Contested Power in Angola, 1840s to the Present
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A detailed historiographical examination of the role the Ovimbundu people have played in Angolan politics from Portuguese colonization to the present.
Contested Power in Angola, 1840s to the Present argues that the Ovimbundu of central Angola have been key players in the history of modern Angola. The work focuses on the tensions between the centralising forces of the state and the pull of local, regional and ethnic tendencies which have characterised the modern history of Angola. The study begins with a chapter which highlights the relationship between relatively weak pre-colonial Ovimbundu statesystems and the autonomous local economic, political and social institutions that functioned in the villages. The chapter also looks at how both state and local systems adapted to the commercial, political and cultural imperativesof industrializing Europe and America. The subsequent chapters explore the emergence and transformation of the Portuguese colonial state in central Angola, including issues of pacification and colonialization, the Estado Novo andthe politics of subjugation. They illustrate the contradictions between the rhetoric of racial democracy of the apologists of the colonial state and the reality of rising ethnic and regional tension. The study concludes withthe evolution of Ovimbundu nationalism during the colonial and post-colonial periods. It argues that the divisions of the Cold War and continuing ethnic and regional divisions frustrated the Ovimbundu leadership in its efforts tomake the state more inclusive. This quest to reshape the state remains a salient feature in the relationship between the Ovimbundu and the state.
Linda Heywood is Associate Professor of History, Howard University.
Roshan Magub
Edgar Julius Jung, Right-Wing Enemy of the Nazis
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Fills a serious gap in German historical literature by providing the first political biography of Jung, a leading figure of the anti-Nazi Right.
By the time of his death, Edgar Julius Jung (1894-1934) was well known in Germany and Europe as one of the foremost ideologues of the political movement that called itself the Conservative Revolution and as a right-wing opponent of the Nazis. He was speechwriter for and confidant of Franz von Papen (first Hitler's predecessor as chancellor, then Hitler's vice-chancellor), which put him at the center of political events right up until the Nazi seizure of power. Considered by Baldur von Schirach and Goebbels to be one of the worst enemies of the Nazis, Jung was assassinated by the Nazi regime in June 1934. The eleven years of Nazi rule that followed contributed to Jung's neglect by historians, as did distaste, since the war's end and the founding of the Federal Republic on democratic principles, for his strongly antidemocratic stance. Although there have been several studies on Jung's political thought,there has been until now no biography in German or English. Roshan Magub's book therefore fills a serious gap in German historical literature. It shows that Jung's opposition to National Socialism dates from the earliest days andthat he had a very close relationship with the Ruhr industry, which supported him financially and enabled him to reach a nationwide audience. Magub uses, for the first time, all the available material from the archives in Munich,Koblenz, Cologne, and Berlin, and the whole of Jung's Nachlass. Her book sheds new light on Jung and demonstrates his importance in Germany's political history.
Roshan Magub holds a PhD from Birkbeck College, University of London.
Sascha Pöhlmann
Future-Founding Poetry
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An investigation of how American poetry since Whitman makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about what the future is and how it may be affectednow.
Although issues of futurity have become more and more central to literary and cultural studies in recent years, especially in environmental criticism, no scholarly work has yet addressed the topic of beginnings in American poetryin sufficient scope or detail or with adequate theoretical background. This book is a study of how beginnings are made in American poetry, and to what ends. It borrows Walt Whitman's term "future-founding" to establish a theory ofpoetic beginnings that asks how poetry relates to notions of the future and how it imagines, constructs, and influences this future in the present. Furthermore, it seeks to change the way literary scholars think about futurity with regard to American poetry: they most often conceive of it in terms of newness alone, yet a deeper theorization of beginnings must open up new ways of understanding the complexities of this relation. With chapters on Whitman, William Carlos Williams, Langston Hughes, Muriel Rukeyser, Allen Ginsberg, and future-founding poetry after 9/11, this book explains how American poetry makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about what the future is and how it may be affected now.
Sascha Pöhlmann is Associate Professor of American Literary History at Ludwig-Maximilians-University, Munich.
Vincent A Lenti
Serving a Great and Noble Art
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Serving a Great and Noble Art is the second volume of the history of the Eastman School of Music, beginning in 1932 after George Eastman's death, and ending in 1972 with the resignation of the school's third director, Walter Hendl. This book is very much about Howard Hanson, director of the school from 1924 until his retirement in 1964. After forty years under Hanson's guidance, the Eastman School of Music was a near-perfect reflection of the valuesand ideals of its long-term director. Under Hanson's leadership, the school became widely known as an institution that welcomed the performer and the scholar, the composer and the educator. It was a school committed to the development of musical leadership, and above all an institution that was thoroughly American in its outlook, method, and goals. In 1945 Howard Hanson spoke of the school as "serving a great and noble art." These words provide a vivid picture of Hanson and also accurately describe his vision for the institution which, to this day, bears the unmistakable influence of his forty-year tenure as director. Hanson's successor as director, Walter Hendl, had a far less happy tenure at Eastman. A musician of great talent, his time at the Eastman School of Music ended in considerable controversy amid personal struggle. His eight years as director nonetheless witnessed many new initiatives, positivechanges, and important faculty appointments. The record of his leadership, therefore, deserving of attention and gratitude, is recounted in this volume.
Vincent A. Lenti is Eastman School of Music historian, a graduateof the school (BM '60, MA '63), member of the faculty since 1963, and author of For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music
Professor Erin McGlothlin
Persistent Legacy
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New essays by prominent scholars in German and Holocaust Studies exploring the boundaries and confluences between the fields and examining new transnational approaches to the Holocaust.
In studies of Holocaust representation and memory, scholars of literature and culture traditionally have focused on particular national contexts. At the same time, recent work has brought the Holocaust into the arena of the transnational, leading to a crossroads between localized and global understandings of Holocaust memory. Further complicating the issue are generational shifts that occur with the passage of time, and which render memory and representations of the Holocaust ever more mediated, commodified, and departicularized. Nowhere is the inquiry into Holocaust memory more fraught or potentially more productive than in German Studies, where scholars have struggled to addressGerman guilt and responsibility while doing justice to the global impact of the Holocaust, and are increasingly facing the challenge of engaging with the broader, interdisciplinary, transnational field.
Persistent Legacy connects the present, critical scholarly moment with this long disciplinary tradition, probing the relationship between German Studies and Holocaust Studies today. Fifteen prominent scholars explore how German Studies engages with Holocaust memory and representation, pursuing critical questions concerning the borders between the two fields and how they are impacted by emerging scholarly methods, new areas of inquiry, and the changing place of Holocaust memory in contemporary Germany.
Contributors: David Bathrick, Stephan Braese, William Collins Donahue, Tobias Ebbrecht-Hartmann, Katja Garloff, Andreas Huyssen, Irene Kacandes, Jennifer M. Kapczynski, Sven Kramer,Erin McGlothlin, Leslie Morris, Brad Prager, Karen Remmler, Michael D. Richardson, Liliane Weissberg.
Erin McGlothlin and Jennifer M. Kapczynski are both Associate Professors in the Department of Germanic Languages andLiteratures at Washington University in St. Louis.
Henk de Berg
Tzvetan Todorov
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The first-ever comprehensive examination of Tzvetan Todorov's cultural theory and his place in European thought.
Originally known for his groundbreaking work in literary studies, the Bulgarian-born French scholar Tzvetan Todorov (1939-2017) was one of the world's foremost cultural theorists. His interventions cover an astounding range of topics, from narratology to ethics, from painting to politics, and from the Enlightenment to current affairs. This collection of essays is the first-ever comprehensive examination of Todorov as a cultural critic. It offers in-depth discussions of the crucial elements of his thought since his historical and cultural turn in the early 1980s: his "marginal centricity" within the French intellectual field, and his relations with other French thinkers; his philosophical precursors and influences, notably Jean-Jacques Rousseau and Mikhail Bakhtin; his conception of the Enlightenment; his views on historiography, and on the possibility and limitations of passing historical judgments; his defense of a European identity; and his political philosophy, including his critique of totalitarianism, neoconservativism, and neoliberalism. Written by international experts in the fields of Enlightenment studies, literary and cultural studies, critical theory, and intellectual history, this volume offers both an introduction to one of the most important postwar European thinkers and discussions of some of the most hotly debated topics in cultural studies today.
John Canarina
Uncle Sam's Orchestra
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A humorous look at the accomplishments of America's Seventh Army Symphony during its 10-year, European tour-of-duty from 1952-1962.
The United States once maintained a symphony orchestra, the Seventh Army Symphony, based in Stuttgart, Germany. Formed in 1952 as a public relations measure, it was intended to demonstrate to the Europeans, and the Germans in particular, that American soldiers were young men of culture capable of appreciating and performing the music of Beethoven, Brahms, and other great composers with feeling and understanding. In this the orchestra was extremely successful, touring repeatedly throughout (West) Germany, Denmark, France, Greece, Italy, and the United Kingdom.
In spite of the great acclaim and enthusiasm with which it was received throughout Europe, the orchestra encountered difficulty and some outright hostility from the U.S. Army itself, which did not quite know what to do with a symphony orchestra in its midst. Therefore, in addition to paying tribute to the important work the orchestra did inthe field of cultural relations, this book chronicles the many humorous incidents that arose out of the perennial friction between the rather unmilitary orchestra and the "regular Army" personnel with whom it came in direct contact.
Nemata Blyden
West Indians in West Africa, 1808-1880
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A history of the West Indians who migrated to Sierra Leone from the Caribbean after the abolition of slavery in 1807.
An examination of the trans-oceanic migration of West Indians from the Caribbean to Sierra Leone in the decades following the abolition of slavery in the British colonies in 1807. The West Indians who immigrated to Sierra Leone during this period came to occupy many positions in the colonial government of the colony, and, in time, they were an important [although not always liked] minority. Nemata Blyden is a Professor in the School of Arts and Humanities, University of Texas at Dallas.
Robert C. Evans
The Critical Reception of Flannery O'Connor, 1952-2017
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The first chronological overview of O'Connor criticism from the publication of her first novel, Wise Blood, in 1952 to the present.
Flannery O'Connor is one of the most widely read, discussed, and taught of all American authors. She is immensely popular with students, general readers, and literary critics. Her work, often characterized as "Southern Gothic," betrays in its focus on morality her devout Roman Catholic faith even as it displays a wicked sense of humor. She has been the subject of numerous articles and books, and indeed an entire journal devoted to her writings has existedfor decades. There is not, however, any chronological overview of the history of O'Connor criticism. The present volume fills that very conspicuous gap. It is the sort of book that practically every college and university library,as well as many public libraries, will need to own, and it will appeal not only to scholars and students but to non-academic readers of O'Connor, whose numbers are legion. A particular value of the book is that it synthesizes criticism and commentary that is now only available in individual essays that are widely scattered.
Robert C. Evans is Professor of English at Auburn University Montgomery. Among his many books is Critical Insights: ShortFiction of Flannery O'Connor (2016).
Nicole A. Thesz
The Communicative Event in the Works of Günter Grass
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A major contribution to Grass scholarship that looks at his career as a whole and identifies four phases or stages of his writing in terms of communicative strategy and style.
Nobel-laureate novelist and public intellectual Günter Grass was a towering figure among German writers and social critics from the 1950s until his death in 2015. After rising to prominence with the novel The Tin Drum (1959), he assumed the role of the conscience of the German nation. He sustained that position throughout his life despite multiple controversies, particularly the revelation, in his 2006 autobiography Peeling the Onion, of hisbrief service in the Waffen SS, and the 2012 publication of his poem "What Must Be Said," which sharply criticized Israel. This monograph argues that the ethos of "speaking out" is fundamental to Grass's life and work. His approach to the dynamics and manifestations of speech acts has been marginalized in Grass criticism, but is crucial to understanding his fiction. Looking back at Grass's career, this book identifies four phases in terms of communicative strategy and style. Whereas the Danzig trilogy abounds in judgmental and oppressive speech acts, the mid-career novels express the writer's hopes of using dialogue in support of democracy. In turn, the fall of the Berlin Wallinspired novels that feature critical conversations on memory culture amid German unification and the upheaval of the 1990s. Finally, the late autobiographies reveal a search for the private and political self in meditative, internalized monologues about a life lived in language.
Nicole A. Thesz is Associate Professor of German at Miami University, Ohio.
John K Noyes
Herder's Essay on Being
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Presents the first English translation of Herder's foundational essay along with critical responses to it by today's leading Herder scholars.
In recent years, Johann Gottfried Herder has been the focus of much interest in the English-speaking world. While he was long disregarded, current scholarship in both German and English is revisiting his importance as an early theorist of the limits of Enlightenment. Increasingly, scholarship is remembering that in the closing decades of the eighteenth century Herder was one of the most important alternative voices to Kant. Herder's Versuch über das Sein (Essay on Being, ca. 1764) was likely composed in reaction to Kant's lectures on metaphysics. In it, Herder unfolds his philosophical project, setting the terms that remained the foundation of his work throughout his life and influenced Hegel, Nietzsche, Heidegger, and others. Given the central importance of the essay and Herder's increasing recognition in the English-speaking world, it is striking that it has not been translated into English until now. This volume presents a facsimile of the manuscript along with a German transcription, an annotated translation, and critical essays by the most important Herder scholars writing in German and English today.
Contributors: Manfred Baum, Arnd Bohm, Nigel DeSouza, Ulrich Gaier, Alexander J. B. Hampton, Marion Heinz, John K. Noyes, Wolfgang Pross, Sonia Sikka.
John K. Noyes is Professor of Germanic Languages and Literatures at theUniversity of Toronto and Extraordinary Professor at Stellenbosch University, South Africa. He is the author of Herder: Aesthetics against Imperialism.
Stephanie D. Vial
The Art of Musical Phrasing in the Eighteenth Century
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Practical suggestions, and documentary evidence, for performers wishing to understand the gestures and nuances embedded in eighteenth-century musical notation.
There are, of course, no commas, periods, or question marks in music of the Baroque and Classic eras. Nonetheless, the concept of "punctuating" music into longer and shorter units of expression was richly explored by many of the era's leading composers, theorists, and performers. The Art of Musical Phrasing in the Eighteenth Century gathers and discusses, for the first time, an extensive collection of quotations and musical illustrations relevant tophrase articulation and written and unwritten rests. Among the notable authors cited and discussed are Muffat, Telemann, C. P. E. Bach, Mattheson, Marpurg, Tartini, and Mozart's father Leopold (author of the most important eighteenth-century treatise on string playing). On a larger scale, The Art of Musical Phrasing demonstrates the role of punctuation within the history of rhetoric during the Age of Enlightenment. From this, the performer of todaycan gain a greater appreciation for both the strengths and shortcomings of the analogy that writers of the day drew between punctuation in written language and in music. Modern performers, argues Vial, have the challenge andresponsibility of understanding and conveying the nuances, inflections, and rhythmic gestures deeply embedded in eighteenth-century musical notation. The Art of Musical Phrasing, the fruit of Vial's rich experience as a cellist performing on both period and modern instruments, lays out long-needed practical suggestions for achieving this goal.
Stephanie D. Vial performs and records widely as a cellist and has taught at the University ofNorth Carolina at Chapel Hill and Duke University.
Kelsey Squire
Willa Cather
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A contextualizing overview of the polarized critical reception of Willa Cather, one of the pre-eminent US authors of the twentieth-century.
The ever-growing body of criticism on Willa Cather and her fiction is indicative of her enduring position as a pre-eminent figure of twentieth-century American literature. It has been spurred by the challenge of situating Cather in relation to established critical approaches. Since the 1920s, Cather's work has been praised by critics for its realism, innovative form, and diversity; simultaneously, it has been derided as nostalgic, anti-modern, and narrow. Drawing on monographs, edited collections, journal articles, and society publications, Willa Cather: The Critical Conversation provides Cather scholars and students at the graduate and undergraduate levels with an accessible overview of Cather's critical reception through the first two decades of the twenty-first century. In addition to providing a valuable resource for research and teaching on Cather, the book also speaks to broader issues such as canon formation and historical trends in literary criticism that are relevant to American literature and culture as a whole. This book provides a solid understanding of the major issues in Cather criticism over time, with an eye toward how the conversation may continue for decades to come.
Hugo Bettauer
The Blue Stain
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A European novel of racial mixing and "passing" in early twentieth-century America that serves as a unique account of transnational and transcultural racial attitudes that continue to reverberate today.
Hugo Bettauer's The Blue Stain, a novel of racial mixing and "passing," starts and ends in Georgia but also takes the reader to Vienna and New York. First published in 1922, the novel tells the story of Carletto, son of a white European academic and an African American daughter of former slaves, who, having passed as white in Europe and fled to America after losing his fortune, resists being seen as "black" before ultimately accepting that identityand joining the early movement for civil rights. Never before translated into English, this is the first novel in which a German-speaking European author addresses early twentieth-century racial politics in the United States - notonly in the South but also in the North. There is an irony, however: while Bettauer's narrative aims to sanction a white/European egalitarianism with respect to race, it nevertheless exhibits its own brand of racism by assertingthat African Americans need extensive enculturation before they are to be valued as human beings. The novel therefore serves as a unique historical account of transnational and transcultural racial attitudes of the period that continue to reverberate in our present globalized world.
Hugo Bettauer (1872-1925) was a prolific Austrian writer and journalist, a very early victim of the Nazis. Peter Höyng is Associate Professor of German Studies at Emory University. Chauncey J. Mellor is Emeritus Professor of German at the University of Tennessee, Knoxville. Kenneth R. Janken is Professor of African American and Diaspora Studies at the University of North Carolina, Chapel Hill.