Music, Dance and Franco-Italian Cultural Exchange, c.1700
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Exposes the roots of 18th-century musical cosmopolitanism through an investigation of exchanges and collaborations between musicians and dancers from the two major national musical traditions in the early years of the century.
This study stems from discoveries in a trove of documents belonging to Charles-Henri de Lorraine, prince de Vaudémont, who served as governor of Milan under the Spanish crown from 1698 to 1706. These documents, together with a mass of other sources - letters, diaries, treatises, libretti, scores - offer a vivid new picture of musical life in Paris and Milan as well as exchanges between France and Italy. The book is both a patronage study and an examination of the contributions by - and the difficulties facing - musicians and dancers who worked across national and cultural boundaries.
Music, Dance, and Franco-Italian Cultural Exchange, c.1700 follows the careers of the prince and the French violinist and composer Michel Pignolet de Montéclair. In the context of a renewed fascination with Italian music in the 1690s, Montéclair made a name for himself in Paris as a pedagogue and composer who understood both national styles and blended them in a way that was successful on French terms. Vaudémont hired Montéclair to direct a French violin band and to compose dance music for a series of new operas that observers declared "the best in Italy" but are virtually unknown today. These productions involved collaborations among a mixed company of French and Italian musicians, dancers, composers, and librettists modeled on the practice of Turinese court operas. The book is an account of the contributions of these figures to the cultural life of Paris, Milan, and other northern Italian states, and to the creative mixing of musical styles, operatic conventions, and dance technique in France and Italy through the 1720s and beyond. The connections fostered by Vaudémont thus played a heretofore unrecognized early role in the development of 18th-century cosmopolitanism, and they attest to both the liveliness and the artistic importance of such exchanges in the era before the well-known travels of Handel, Telemann, and Vivaldi.
James Bothwell
Fourteenth Century England XII
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Essays offer a lively snapshot of important topics.
The essays presented here draw on a number of different approaches and perspectives to address and illuminate key aspects and issues of the period. Longitudinal studies of king's confessors and corrodies of the crown provide insights into the intersection of political, religious and demographic currents over the longue durée, and are complemented by studies of documentary sources of various kinds - newsletters, chronicles, and municipal archives - to challenge current understandings of important events and processes such as the deposition of Edward II, the evolving identity of the parliamentary peers, and Richard II's vision for the house of Lancaster. Prosopographical and biographical studies of post-plague clerics, and of knights within comital affinities and within their own individual affinity groups, shed light on county communities and gentry society; they also demonstrate the impact of the Black Death on society at large, especially on the question of religious continuity and discontinuity at the parish level.
Contributors: Paul Dryburgh, Pierre Gaite, Chris Given-Wilson, Michael Jones, Taylor Kniphfer, Samuel Lane, Jonathan Mackman, Alison McHardy, Matt Raven, David Robinson.
Alison Hudson
Bishop Æthelwold, his Followers, and Saints' Cults in Early Medieval England
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An exploration of how Æthelwold and those he influenced deployed the promotion of saints to implement religious reform.
Bishop Æthelwold of Winchester and his associates were some of the most radical monastic reformers in tenth-century Europe. In two generations, they took over most of the powerful churches in the kingdom of England and implemented a number of the policies found in their ambitious monastic manifestos. They also had a major impact on the early development of the kingdom itself, taking a role in the establishment of a shire system that lasted a thousand years, negotiations with invaders, and attempts to create a standardized English language. Æthelwold and his circle were also enthusiastic venerators of saints. This book examines a range of sources, from hagiographies to charters, from liturgy to archaeological remains, to argue that saints' cults helped these men and women secure their power, wealth, and relationships with groups outside their monasteries. The saints that Æthelwold's circle promoted most lavishly were not necessarily the ones that they studied or the ones that matched their ideological agenda. Rather, Æthelwold's monks and nuns connected themselves to a wide range of saints, including the Virgin Mary, St Swithun, Æthelthryth of Ely, Iudoc, Grimbald, Botulf, Cuthbert, and many others. Venerating these saints helped Æthelwold and his followers appeal to other groups in society, including unreformed ecclesiastics, lay nobles, and the workers on their estates. This book therefore not only has implications for the study of early English history and literature, but also for the history of western European monasticism and saints' cults more generally.
Professor Stephen D. Church
Anglo-Norman Studies XLIV
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The most recent cutting-edge scholarship on the tenth, eleventh and twelfth centuries.
The essays collected here demonstrate the rich vitality of scholarship in this area. This volume has a particular focus on the interrelations between the various parts of north-western Europe. After the opening piece on Lotharingia, there are detailed studies of the relationship between Ponthieu and its Norman neighbours, and between the Norman and Angevin duke-kings and the other French nobility, followed by an investigation of the world of demons and possession in Norman Italy, with additional observations on the subject in twelfth-century England. Meanwhile, the York massacre of the Jews in 1190 is set in a wider context, showing the extent to which crusader enthusiasm led to the pogroms that so marred Anglo-Jewish relations, not just in York but elsewhere in England; and there is an exploration of poverty in London, also during the 1190s, viewed through the prism of the life and execution of William fitz Osbert. Another chapter demonstrates the power of comparative history to illuminate the norms of proprietary queenship, so often overlooked by historians of both kingship and queenship. And two essays focusing on landscape bring the physical into close association with the historical: on the equine landscape of eleventh and twelfth-century England, adding substantially to our understanding of the place of the horse in late Anglo-Saxon and early Anglo-Norman societies, and on the Brut narratives of Geoffrey of Monmouth, Wace, and Laȝamon, arguing that they use realistic landscapes in their depiction of the action embedded in their tales, so demonstrating the authors' grasp of the practical realities of contemporary warfare and the role played by landscapes in it.
Kevin Quinlan
The Secret War Between the Wars: MI5 in the 1920s and 1930s
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The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics.
Even though the First World War had ended, the battle against Britain's enemies continued unabated during the period of the 1920s and 1930s. Buffeted by political interference and often fighting for their very survival, Britain's intelligence services turned to fight a new, clandestine war against rising powers Soviet Russia and Nazi Germany.
Using recently declassified files of the British Security Service (MI5), The Secret War Between the Wars details the operations and tradecraft of British intelligence to thwart Communist revolutionaries, Soviet agents, and Nazi sympathizers during the interwar period. This new study charts the development of British intelligence methods and policies in the early twentieth century and illuminates the fraught path of intelligence leading to the Second World War. An analysis of Britain's most riveting interwar espionage cases tells the story of Britain's transition between peace and war.
The methods developed by British intelligence in the early twentieth century continue to resonate today. Much like now, the intelligence activity of the British in the pre-Second World War era focused on immediate threats posed by subversive, clandestine networks against a backdrop of shifting great power politics. As Western countries continue to face the challenge of terrorism, and in an era of geopolitical change heralded by the rise of China and the resurgence of Russia, a return to the past may provide context for a better understanding of the future.
Kevin Quinlan received his PhD in History from the University of Cambridge. He works in Washington, DC.
Nicholas Rogers
Blood Waters
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Far from the romanticised image of the swashbuckling genre of maritime history, the eighteenth-century Caribbean was a 'marchlands' in which violence was a way of life and where solidarities were transitory and highly volatile.
This book paints a picture of the eighteenth-century British Caribbean as a frontier zone in which war, international rivalry, disease and slavery are paramount themes. It explores the lure of the region as a vaunted site of potential wealth and derring-do, the fragility of tropical campaigns, the nature of slave insurrection, and the efforts of indigenous peoples (here, the Miskito of the Mosquito Coast and the Black Caribs of St Vincent) to carve out some autonomy from the British and Bourbon powers. It also explores the mutiny of a slave-ship and its unsuccessful raiding ventures in order to show how the dominant European powers sought to contain piracy in an expanding plantation complex. The book emphasizes the contrarieties of struggle, the difficulties preventing subaltern groups, whether slaves, free blacks, indigenous peoples or soldiers and sailors, from forging broader alliances, and the importance of tropical disease in shaping military outcomes. It warns against romanticizing resistance in the eighteenth-century Caribbean, showing that it was instead a 'marchlands' in which violence was a way of life and where solidarities were transitory and highly volatile.
James Titterton
Deception in Medieval Warfare
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First full-length study of the use and perception of deceit in medieval warfare.
Deception and trickery are a universal feature of warfare, from the Trojan horse to the inflatable tanks of the Second World War. The wars of the Central Middle Ages (c. 1000-1320) were no exception. This book looks at the various tricks reported in medieval chronicles, from the Normans feigning flight at the battle of Hastings (1066) to draw the English off Senlac Hill, to the Turks who infiltrated the Frankish camp at the Field of Blood (1119) disguised as bird sellers, to the Scottish camp followers descending on the field of Bannockburn (1314) waving laundry as banners to mimic a division of soldiers. This study also considers what contemporary society thought about deception on the battlefield: was it a legitimate way to fight? Was cunning considered an admirable quality in a warrior? Were the culturally and religious "other" thought to be more deceitful in war than Western Europeans? Through a detailed analysis of vocabulary and narrative devices, this book reveals a society with a profound moral ambivalence towards military deception, in which authors were able to celebrate a warrior's cunning while simultaneously condemning their enemies for similar acts of deceit. It also includes an appendix cataloguing over four hundred incidents of military deception as recorded in contemporary chronicle narratives.
Brian Short
"Turbulent Foresters"
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A richly detailed history of Ashdown Forest -- home of Winnie-the-Pooh.
The seeming tranquility of many rural landscapes can hide a combative history. This biography of one such landscape, Ashdown Forest in the Weald of Sussex, exemplifies the evolving conflicts that have taken place over many centuries. Wealth and poverty, power and exclusion, have all characterised this landscape through the ages. When a thirteenth-century boundary was erected to form a hunting park it was imposed upon a landscape which for centuries had provided sustenance for peasant families, for swine herds, for itinerant groups, all of whom had developed grazing and collecting rights and customary ties with the area. Conflict between manorial lords and commoners, "turbulent foresters", was born, and the evolution of this conflict over succeeding centuries is the recurring motif of this book. We move through the exploitation of iron ore and timber during the Tudor period, learn of the real threats of enclosure, of military occupation, to be followed by a landscape aesthetic bringing wealthy incomers, attracted by scenery easily reachable from London by train. All sides felt that the Forest was theirs by right. Victorian law-suits, twentieth-century protective legislation and a growing environmental consciousness have all left their mark. And the struggle for Ashdown continues amid ongoing development pressures. This book demonstrates that multi-layered conflict has been a characteristic feature of what still miraculously remains the largest area of internationally recognised heath in the South-East of England.
Thomas McGeary
Opera and Politics in Queen Anne's Britain, 1705-1714
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Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
The reign of Queen Anne (1702-1714) was pivotal for both politics and opera in Britain. In this study, Thomas McGeary brings together a wide range of sources to show how the worlds of politics and opera were entwined. The associations that Italian singing and singers acquired by the 1690s were used in partisan Whig-Tory writings. Rather than a foreign invasion, McGeary shows how the introduction of Italian-style opera was a native product that grew out of plans for a new theatre in the Haymarket. A crucial event for opera was Handel's arrival in London in 1710.
While the criticism of opera by Whig writers such as Richard Steele and Joseph Addison is well known, McGeary uncovers how the early promotion and sponsorship of opera was, in fact, largely a Whig enterprise and cultural program. Indeed, major political figures (mostly Whigs) participated in the support and patronage of opera.
Opera and Politics in Queen Anne's Britain will be required reading for opera scholars and cultural and political historians of eighteenth-century Britain, as well those interested in the vibrant literature culture of the period.
Sarah Craze
Atlantic Piracy in the Early Nineteenth Century
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Skilfully uses this notorious episode to illuminate the nature and extent of piracy in the period.
The pirate attack on the British brig Morning Star, en route from Ceylon to London, near Ascension Island in 1828 was one of the most shocking episodes of piracy in the nineteenth century. Although the captain and many members of the crew were murdered by the pirates led by the notorious Benito de Soto, some survived, escaped and sailed the ship back to Britain. This book, based on extensive original research in Britain, Spain and Brazil, retells the story of the Morning Star, provides much new detail and corrects errors present in the many contemporary accounts of the attack. It sets the attack in the wider context of piracy in the period, and discusses many issues which the episode highlights: how pirates' careers began and developed; how they were pursued and tried, often with difficulty; what became of their treasure; how stories of the attack and of the survivors were sensationalised; how the women passengers on the ship endured their ordeal at the hands of the pirates and then, back in Britain, had to endure potential loss of their reputations.
Phil Dodds
The Geographies of Enlightenment Edinburgh
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This innovative book explores how the making of Edinburgh as an influential Enlightenment capital depended on a series of spatial processes that extended across urban, regional, national and global scales.
Edinburgh was an Enlightenment city of regional, national and global influence. But how did the people of Enlightenment Edinburgh understand and order their world? How did they encounter, compare and produce different kinds of spaces, from the urban to the world scale? And how did this city set the universal standards by which other places should be judged and transformed?
The Geographies of Enlightenment Edinburgh answers these questions by exploring the thousands of urban plans, county surveys, travel accounts and encyclopaedias that passed through a busy Edinburgh bookshop over four decades. It reveals how these geographical publications were produced and shared, and sheds light on the people who bought and used them - including moral philosophers, silk merchants, school teachers, ship's surgeons and slave owners.
This is the story of how specific methods of mapping space came ultimately to predict and organize it, creating a new world in Edinburgh's image. By connecting global processes of knowledge production to intimate accounts of its reception in the city, this book deepens our understanding of the Scottish Enlightenment and the world it made.
Jessica Lutkin
Creativity, Contradictions and Commemoration in the Reign of Richard II
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Aspects of the turbulent rule of Richard II freshly examined.
The reign of Richard II is well known for its political turmoil as well as its literary and artistic innovations, all areas explored by Professor Nigel Saul during his distinguished career. The present volume interrogates many familiar literary and narrative sources, including works by Froissart, Gower, Chaucer, Clanvow, and the Continuation of the Eulogium Historiarum, along with those less well-known, such as coroner's inquests and gaol delivery proceedings. The reign is also notorious for its larger than life personalities - not least Richard himself. But how was he shaped by other personalities? A prosopographical study of Richard's bishops, a comparison of the literary biographies of his father the Black Prince, and Bertrand du Guesclin, and a reconsideration of Plantagenet family politics, all shed light on this question. Meanwhile, Richard II's tomb reflects his desire to shape a new vision of kingship. Commemoration more broadly was changing in the late fourteenth century, and this volume includes several studies of both individual and communal memorials of various types that illustrate this trend: again, appropriately for an area Professor Saul has made his own. Contributors: Mark Arvanigian, Caroline Barron, Michael Bennett, Jerome Bertram, David Carpenter, Chris Given-Wilson, Jill Havens, Claire Kennan, Hannes Kleineke, John Leland, Joel Rosenthal, Christian Steer, George Stow, Jenny Stratford, Kelcey Wilson-Lee.
Gale R Owen-Crocker
Textiles of Medieval Iberia
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An examination of the fabrics, garments and cloth of the Iberian Middle Ages, bringing out in particular the international context.
The Medieval Iberian Peninsula, encompassing various territories which make up present-day Spain and Portugal, was an ethnic and religious melting pot, comprising Christian, Jewish and Muslim communities, each contributing to a vibrant textile economy. They were also defined and distinguished by the material culture of clothing and dress, partly dictated by religious and cultural tradition, partly imposed by rulers anxious to avoid cross-ethnic relationships considered undesirable. Nevertheless, textiles, especially magnificent Islamic silks, crossed these barriers.
The essays in this volume offer the first full analysis of Iberian textiles from the period, drawing on both material remains and historical documents, supported by evidence from contemporary artwork. Chapters cover surviving textiles, many of them magnificent silks; textile industries and trade; court dress and its use as a language of power and patronage; the vast market in utilitarian textiles for lower-status clothing and furnishings; and Muslim and Jewish dress. It also considers Arabic and Jewish texts as sources of information on textiles and the Arabic garment-names which crossed into Spanish. Particular emphasis is given to the the different ethnicities of Iberia and their influences on the use and trade of garments (both precious and common-place) and textiles.
Robert Tittler
Painting for a Living in Tudor and Early Stuart England
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A rare examination of the political, social, and economic contexts in which painters in Tudor and Early Stuart England lived and worked
While famous artists such as Holbein, Rubens, or Van Dyck are all known for their creative periods in England or their employment at the English court, they still had to make ends meet, as did the less well-known practitioners of their craft. This book, by one of the leading historians of Tudor and Stuart England, sheds light on the daily concerns, practices, and activities of many of these painters. Drawing on a biographical database comprising nearly 3000 painters and craftsmen - strangers and native English, Londoners and provincial townsmen, men and sometimes women, celebrity artists and 'mere painters' - this book offers an account of what it meant to paint for a living in early modern England. It considers the origins of these painters as well as their geographical location, the varieties of their expertise, and the personnel and spatial arrangements of their workshops. Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.
Michelle Phillips
Music and Time
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How does music manifest through time and, simultaneously, how does time manifest through music?
For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation.
This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.
Gareth Williams
Weston Park
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Considering its territorial and social influence and the superlative nature of its furnishings and collections, Weston Park is not as well known as one might expect.
The house and contents, with its thousand acre landscape park, was gifted to the nation in 1986 by Richard, 7th Earl of Bradford. Until then, the house had always passed by descent, often through the female line, and it had stood at the centre of an estate with a wide geographical spread, linking it with neighbouring counties and with the urban centres of Walsall, Bolton and Wigan. Weston Park's owners and staff had a pivotal role in the development of these places, whilst the family were involved in national affairs, in politics, the legal profession, and the military. Their seat at Weston Park provided not only a fitting home, visited by royalty and politicians, but also became a repository of important patronage and of collections. These included, in 1735, the highly significant late seventeenth and early eighteenth century collection of paintings that had been assembled by Francis Newport, 1st Earl of Bradford and his younger son, Thomas. Meticulously researched and beautifully illustrated, this book seeks to tell the story of the house, its setting, extraordinary collections, and the influence that it has had on wider communities through the history of those who have owned and cared for it.
Michael P. Barnes
Runes: a Handbook
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Offers a full introduction to and survey of runes and runology: their history, how they were used, and their interpretation.
Runes, often considered magical symbols of mystery and power, are in fact an alphabetic form of writing. Derived from one or more Mediterranean prototypes, they were used by Germanic peoples to write different kinds of Germanic language, principally Anglo-Saxon and the various Scandinavian idioms, and were carved into stone, wood, bone, metal, and other hard surfaces; types of inscription range from memorials to the dead, through Christian prayers and everyday messages to crude graffiti. First reliably attested in the second century AD, runes were in due course supplanted by the roman alphabet, though in Anglo-Saxon England they continued in use until the early eleventh century, inScandinavia until the fifteenth (and later still in one or two outlying areas). This book provides an accessible, general account of runes and runic writing from their inception to their final demise. It also covers modern uses of runes, and deals with such topics as encoded texts, rune names, how runic inscriptions were made, runological method, and the history of runic research. A final chapter explains where those keen to see runic inscriptions can most easily find them.
Professor MICHAEL P, BARNES is Emeritus Professor of Scandinavian Studies, University College London.
A. B. Leonard
London Marine Insurance 1438-1824
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The first comprehensive history of marine insurance transacted in London from the industry's beginnings, to the early-nineteenth-century, when legislative change ended parliamentary monopolies over the business.
This book describes the development and evolution of the customary, legal, and commercial institutions of marine insurance, alongside its developing organisational structures. It analyses major market interventions during the period, including state-sponsored initiatives in the late sixteenth century, the introduction of new corporate forms in the early eighteenth century, and the formation and maturation of Lloyd's of London. The book examines the impact of crises such as the Smyrna catastrophe of 1693 and the South Sea Bubble, and makes comparisons with developments in other marine insurance markets. In revealing how the London insurance market changed over centuries, the book discusses issues of risk and uncertainty, the financial revolution, the development of trade, and the reciprocal developmental roles of markets and the state. Overall, it highlights the ways that efficient and effective marine insurance capable of adapting according to circumstance was vital to the growth of trade and the economy.
Gillian Opstad
Emma and Claude Debussy
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Emma Bardac and her relationship with Claude Debussy take centre stage in this insightful exploration of their lives together.
The singer Emma Bardac (1862-1934) has often been presented as a woman who ensnared Claude Debussy (1862-1918) because she wanted to be associated with his fame and to live a life of luxury. Indeed, in many biographies and composer-related studies of Debussy, the only mentions that she receives are brief and derogatory. Here Emma Bardac and her relationship with the composer take centre stage. The book traces Emma's Jewish ancestry and her background, the significant role of her wealthy uncle Osiris, her marriage at seventeen to the wealthy Jewish banker Sigismond Bardac, her affair with Gabriel Fauré and her liaison with and subsequent marriage to Debussy. As Gillian Opstad shows, the pressure and stifling effects of domestic life on Debussy's attitude to his composing were considerable. The financial consequences of their partnership were disastrous, and their circle of close friends was small. Emma suffered physically and mentally from the tensions of the marriage, particularly money worries, and the possibility that Debussy was attracted to her older daughter. She considered divorce but supported him through his deepest depression and during the First World War until he succumbed to cancer in 1918. After Debussy's death, Emma felt driven both on his behalf and for financial reasons to further performances of the composer's works and provoked the annoyance of other musicians by having early compositions resurrected, completed and performed. In this engagingly written biography, Gillian Opstad brings to light little-known facts about Emma's background and family, advances new insights into her relationship with Debussy, and provides a glimpse of an early twentieth-century Parisian milieu that experienced wide-spread antisemitism.
Professor Karen Louise Jolly
Global Perspectives on Early Medieval England
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Interrogations of materiality and geography, narrative framework and boundaries, and the ways these scholarly pursuits ripple out into the wider cultural sphere.
Early medieval England as seen through the lens of comparative and interconnected histories is the subject of this volume. Drawn from a range of disciplines, its chapters examine artistic, archaeological, literary, and historical artifacts, converging around the idea that the period may not only define itself, but is often defined from other perspectives, specifically here by modern scholarship.
The first part considers the transmission of material culture across borders, while querying the possibilities and limits of comparative and transnational approaches, taking in the spread of bread wheat, the collapse of the art-historical "decorative" and "functional", and the unknowns about daily life in an early medieval English hall. The volume then moves on to reimagine the permeable boundaries of early medieval England, with perspectives from the Baltic, Byzantium, and the Islamic world, including an examination of Vercelli Homily VII (from John Chrysostom's Greek Homily XXIX), Hārūn ibn Yaḥyā's Arabic descriptions of Barṭīniyah ("Britain"), and an consideration of the Old English Orosius. The final chapters address the construction of and responses to "Anglo-Saxon" narratives, past and present: they look at early medieval England within a Eurasian perspective, the historical origins of racialized Anglo-Saxonism(s), and views from Oceania, comparing Hiberno-Saxon and Anglican Melanesian missions, as well as contemporary reactions to exhibitions of Anglo-Saxon kingdoms and Pacific Island cultures.
Contributors: Debby Banham, Britton Elliott Brooks, Caitlin Green, Jane Hawkes, John Hines, Karen Louise Jolly, Kazutomo Karasawa, Carol Neuman de Vegvar, John D. Niles, Michael W. Scott, Jonathan Wilcox
Alan Argent
Dr Williams's Trust and Library: A History
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This first complete history of Dr Williams's Trust and Library, deriving from the will of the nonconformist minister Daniel Williams (c.1643-1716) reveals rare examples of private philanthropy and dissenting enterprise.
The library contains the fullest collection of material relating to English Protestant Dissent. Opening in the City of London in 1730, it moved to Bloomsbury in the 1860s. Williams and his first trustees had a vision for Protestant Dissent which included maintaining connections with Protestants overseas. The charities espoused by the trust extended that vision by funding an Irish preacher, founding schools in Wales, sending missionaries to native Americans, and giving support to Harvard College. By the mid-eighteenth century, the trustees had embraced unitarian beliefs and had established several charities and enlarged the unique collection of books, manuscripts and portraits known as Dr Williams's Library. The manuscript and rare book collection offers material from the sixteenth to the twentieth centuries, with strengths in the early modern period, including the papers of Richard Baxter, Roger Morrice, and Owen Stockton. The eighteenth-century archive includes the correspondence of the scientist and theologian Joseph Priestley. The library also holds several collections of importance for women's history and English literature. The story of the trust and library reveals a rare example of private philanthropy over more than three centuries, and a case study in dissenting enterprise. Alan Argent illuminates key themes in the history of nonconformity; the changing status of non-established religions; the voluntary principle; philanthropy; and a lively concern for society as a whole.
James Walters
The National Covenant and the Solemn League and Covenant, 1660-1696
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Examines how the form and function of the Covenants were shorn of religious implications and repurposed, serving a pluralistic vision of the role of religion in politics and public life.
Until now, scholarship on the Covenants has mainly focussed on their role in the conflicts of the 1640s, with discussion of the Covenants after 1660 mostly limited to the context of violent Scottish radicalism. This book moves beyond a rigid focus on Scotland to explore the legacy of the Covenants in England. It examines the discourse surrounding key events in the Restoration period and traces the influence of the Covenants in the context of radical Presbyterianism, and in mainstream debates around politics, church government, and the constitution of the British kingdoms.
The Covenants continued to have relevance in two primary respects. Firstly, the Covenants were used as reference points for discussing the competing legacies of the English and Scottish Reformations and the confused issues of church and state that defined the Restoration period. Furthermore, the form of the Covenants as solemn individual subscriptions to a constitutional and religious model, and the political ideas that underpinned them, were emulated by those seeking to resist royal authority during the Exclusion Crisis of 1679-81, and during the events surrounding the Revolution of 1688. Thus, this book holds particular interest for students of constitutionalism, legal pluralism or civil religion in seventeenth-century Britain, and for those seeking to deepen their understanding of the intellectual origins of the Wars of the Three Kingdoms and the Revolution of 1688-9.
Peter Lynan
British Music, Musicians and Institutions, c. 1630-1800
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Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions.
British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Stephen Rippon
Territoriality and the Early Medieval Landscape
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An exploration of small early folk communities prior to the eleventh century, showing their development and sophistication.
All communities have a strong sense of identity with the area in which they live, which for England in the early medieval period manifested itself in a series of territorial entities, ranging from large kingdoms down to small districts known as pagi or regiones. This book investigates these small early folk territories, and the way that they evolved into the administrative units recorded in Domesday, across an entire kingdom - that of the East Saxons (broadly speaking, what is now Essex, Middlesex, most of Hertfordshire, and south Suffolk). A wide range of evidence is drawn upon, including archaeology, written documents, place-names and the early cartographic sources. The book looks in particular at the relationship between Saxon immigrants and the native British population, and argues that initially these ethnic groups occupied different parts of the landscape, until a dynasty which assumed an Anglo-Saxon identity achieved political ascendency (its members included the so-called "Prittlewell Prince", buried with spectacular grave-good in Prittlewell, near Southend-on- Sea in southern Essex). Other significant places discussed include London, the seat of the first East Saxon bishopric, the possible royal vills at Wicken Bonhunt near Saffron Walden and Maldon, and St Peter's Chapel at Bradwell-on-Sea, one of the most important surviving churches from the early Christian period.
Edited by Elizabeth Burke, Dan Franklin, John James and Mary James
A New Suffolk Garland
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Everything about Suffolk is unexpected: A New Suffolk Garland gathers the best writing, new and old, from people who love this special county.
Everything about Suffolk is unexpected.
For centuries it has been a much-loved place for writers, artists, musicians, fishermen, farmers ... A New Suffolk Garland gathers the best writing, new and old, from people who love this special county: from a twelfth-century monk to Ed Sheeran, through Gainsborough, Dickens, W.G. Sebald, Ronald Blythe, Robert MacFarlane, Michael Ondaatje and Penelope Fitzgerald to Roger Deakin, Melissa Harrison and Helen Macdonald. The anthology contains specially written new work by Craig Brown, Ralph Fiennes, India Knight, Olivia Laing, Lucy Hughes-Hallett, Robin Robertson and Lucy Walker. From the art of hedge-laying to the undiscovered treasures of Suffolk's churches, from the Suffolk punch stable to Delia Smith's kitchen table, from swimming with otters in the River Waveney to the golden aurioles of Lakenheath, this new collection encapsulates all that is best about Suffolk.
Cordelia Warr
Medieval Clothing and Textiles 17
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The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.
The essays here take us from the eleventh century, with an exploration of the Bayeux Tapestry, into an examination and reconstruction of an extant thirteenth-century sleeve in France which provides a rare and early example of medieval quilted armour, and finally on to late medieval Sweden and the reconstruction of gilt-leather intarsia coverlets. A study of construction techniques and the evolution of form of gable and French hoods in the late medieval and the early modern periods follows; and the volume also includes a study of the Great Wardrobe under Edward I of England, and what it can tell us about textiles at the time.
Dr Neil McIntyre
Scotland and the Wider World
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$120.00
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Provides for a historical perspective of Scotland's interaction with the world beyond its borders.
As one of the most prolific historians of his generation, Allan I. Macinnes, Emeritus Professor of History at the University of Strathclyde, has been foremost in promoting an international rather than insular approach to the study of Scotland. In a distinguished career he has written extensively on the Scottish Highlands, the British revolutions, the formation of the United Kingdom, the Jacobite movement, and Scottish involvement in the British Empire. The chapters collected here reflect the extent of these interests and a commitment to understanding Scotland - or indeed, other territorial units - in an international or global context. Covering a period from the sixteenth to the nineteenth century, essays examine the complex interaction of the peoples of the British and Irish isles; they consider Scottish participation in Britannic and European conflict; and they explore Scottish involvement in business networks, political unions, and maritime empires. From intellectual and cultural exchange to political and military upheaval, Scotland and the Wider World will be key reading for anyone interested in the antecedents to Scotland's current international standing.
Catherine F. Patterson
Urban Government and the Early Stuart State
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Examines relations between centre and localities in seventeenth century England by looking at early Stuart government through the lens of provincial towns.
This book investigates relations between centre and localities in seventeenth century England by looking at early Stuart government through the lens of provincial towns. Focusing particularly on incorporated boroughs, it emphasises the distinctive circumstances that shaped governance in provincial towns and the ways towns contributed to the state. Royal charters of incorporation legally defined patterns of self-government and local liberties in corporate boroughs, but they also created a powerful bond to the crown. The book argues that a dynamic tension between local autonomy and connection to the centre drove relations between towns and the crown in this period, as borough governments actively sought strong ties with central authority while also attempting to preserve their chartered liberties. It also argues that the 1620s and 1630s ushered in new patterns in the crown's relations with incorporated boroughs, as Charles I's regime hardened policies towards urban localities. Based on extensive original research in both central government records and the archives of a wide range of provincial towns, the book covers critical aspects of interaction between towns and the crown, including incorporation and charters, governance and political order, social regulation, trade, financial and military exactions, and religion.
Felix Meyer
Ignition: Beethoven
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This book accompanies the Paul Sacher Foundation's exhibition at the Bonn Beethovenhaus. In the twentieth and twenty-first centuries, composers have referred to Beethoven in their music. The volume explores this subject and illustrates it with documents from the Foundation's archives in Basel.
Although the notion of a musical "mainstream" with Beethoven as its fons et origo barely holds today, countless composers of the twentieth and twenty-first centuries have referred to Beethoven in their music or creatively sought to distance themselves from him. This volume illustrates his ongoing relevance using documents from the collections of the Paul Sacher Foundation. Designed to accompany the eponymous exhibition in the Bonn Beethovenhaus, itadopts the four thematic areas of that exhibition: "Learning and Teaching with Beethoven," "Idealizations," "Strategies of Reference," and "Distortion - Dismantlement." It explores the contexts, techniques, and ideological thrustsof Beethoven references in musicians of very wide-ranging backgrounds, from Anton Webern, Béla Bartók, and Richard Strauss to Mauricio Kagel, Cathy Berberian, and Kaija Saariaho. The selected documents are captured in photographic reproduction and accompanied by detailed commentary. Each section is preceded by an introductory essay discussing general aspects of recent Beethoven reception.
A publication of the Paul Sacher Foundation
Stephen J. Joyce
The Legacy of Gildas
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Provocative new investigation into the shadowy figure of Gildas, his influence and representation.
Gildas is an essential witness to the Christian culture of the British Isles in the opaque period after the decline and fall of the western Roman empire. His criticisms in De excidio Britanniae of the Britons in the context of spiritual and secular corruption and partition with pagan powers are a crucial source for understanding the transition to the medieval nations of England, Scotland, Wales, and Ireland. But the ways in which this enigmatic ecclesiastical figure has been received over the centuries have shaped an ambivalent reputation. On the one hand, he is seen as a significant contributor to ecclesiastical reform; on the other, as a dour and unreliable chronicler lamenting an inevitable spiritual and political decline. This book seeks to refine and recuperate the image of Gildas. It does so by examining his self-image as presented in select surviving works, and subsequent representations as developed by the reception of these works - the legacy of Gildas - by church luminaries such as Columbanus, Gregory the Great, and Bede; in exploring how Gildas influenced perceptions of authority in the British Isles and on the continent, it puts this legacy into a wider context. Overall, the volume argues that as one of the earliest authorities to define and defend Christian kingship Gildas deserves to be seen as a significant contributor to the political and ecclesiastical development of the early medieval West.
Sarah Ward Clavier
Royalism, Religion and Revolution: Wales, 1640-1688
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Analyses the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution of 1688
In Royalism, Religion and Revolution: Wales, 1640-1688, Sarah Ward Clavier provides a ground-breaking analysis of the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution. A final chapter also extends the narrative to the Hanoverian succession. The book discusses three main themes: the importance of continuities (including concepts of Welsh history, identity and language); religious attitudes and identities; and political culture. As Ward Clavier shows, the culture of Wales in this period was not frozen but rather dynamic, one that was constantly deploying traditional cultural symbols and practices to sustain a distinctive religious and political identity against a tide of change. The book uses a wide range of primary research material: from correspondence, diaries and financial accounts, to architectural, literary and material sources, drawing on both English and Welsh language texts. As part of the 'New Regional History' this book discusses the distinctively Welsh alongside aspects common to English and, indeed, European culture, and argues that the creative construction of continuity allowed the gentry of North-East Wales to maintain and adapt their identity even in the face of rupture and crisis.
Ralph Moffat
Medieval Arms and Armour: a Sourcebook. Volume I
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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.
"A substantial and impressive piece of scholarship, one that will serve scholars and enthusiasts of medieval arms and armour very well indeed". Dr Robert W. Jones, Franklin and Marshall College
Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with fifty-two images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Alberto García Porras
The Royal Workshops of the Alhambra
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The Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of it remains very partial, focussing on the medieval palaces. This book addresses that imbalance, examining the adjacent urban and industrial zone.
The Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of the complex remains very partial, focussing on its medieval Nasrid palaces. Other aspects of the site are virtually unknown, not only to the general public but to archaeologists and historians as well. The Royal Workshops of the Almambra addresses this imbalance, examining the urban and industrial zone adjacent to the palaces. Once the most densely populated and extensive area of the complex, this zone, the Secano, contained houses, tanneries, and workshops including a considerable number of pyrotechnological facilities for the production of metal, glass and ceramic items. Presenting the results of the Royal Workshops of the Alhambra (UNESCO World Heritage Site) project, the book gives a much-needed insight into the industrial sector of the Alhambra. Crucially, the project focusses on the early modern era, when the manufacture of ceramic, glass and metal actually reached their peak. The opening chapters set the archaeological work and the Secano in context and discuss the methodology for archaeological investigation of pyrotechnological activity; while further chapters present the results of the research. Drawing on both traditional and ground-breaking survey and excavation techniques, the book provides an invaluable wide-lens picture of the palatial city.
Ian Wilson
The Book of Geoffroi de Charny
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The Livre Charny (Charny's Book), by the 14th century French knight Geoffroi de Charny, translated here by Nigel Bryant with an introduction by Ian Wilson.
The poem known as the Livre Charny (Charny's Book), by the fourteenth-century French knight Geoffroi de Charny, has never been published, Nigel Bryant's brilliant new translation of this long-neglected poem, based on a hitherto overlooked original Charny manuscript housed in Oxford, vividly conveys Charny's self-deprecating and extraordinarily down-to-earth attitudes towards the knightly career.
Charny is surprisingly blunt in his descriptions of the mishaps and mortal dangers to be expected, from losing in a tournament, to homesickness on crusade, to being concussed whilst attempting to scale an enemy tower. Nothing else quite like it is to be found in medieval literature.
Ian Wilson's introduction provides a markedly revised understanding of Charny's career as tournament performer, serving soldier, crusader, councillor, and finally royal standard-bearer: he was killed at Poitiers in 1356.
Bryant and Wilson also argue that Charny's Book is so different in style from the Book of Chivalry, also attributed to him, that the latter is unlikely to be by the same author. Using the evidence of a hitherto unnoticed manuscript in Madrid, they show that the latter is likely to be a work of the 1380s composed by Charny's son of the same name, possibly as a kind of memorial to his heroic father.
Emma Cunliffe
Safeguarding Cultural Property and the 1954 Hague Convention
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The role of the Hague Convention in today's world revisited.
Significant attention today focusses on heritage destruction, but the key international laws prohibiting it - the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its First and Second Protocols (1954/1999) - lay out two core strands to limit the damage: the measures of respect for armed forces, and the safeguarding measures states parties should put in place in peacetime. This volume incorporates wide-ranging international perspectives from those in the academy, together with practitioner insights from the armed forces and heritage professionals, to explore the safeguarding regime. Its contributors consider such questions as whether state parties have truly taken "all possible steps", as the Convention tasks them; what we can learn from past practice, and how the Convention is implemented today; the implications of new trends in heritage law and management - such as the rise of the World Heritage Convention, and in the increasing focus on safe havens rather than refuges; whether new methods of heritage management such as Risk Assessment theory can be applied; and, in a Convention specifically focussed on state parties, what of their opponents, armed non-state actors. Topics range from leadership and the role of the State Party Representative, to the responsibilities of armed non-state groups in safeguarding, to explorations of past and current practice in different countries. Using a mix of case studies and theoretical explorations of new and existing methodologies, the contributions cover a broad timespan from World War II to today, with examples from Europe, the Middle East, and Africa. Overall, the volume's purpose is to promote wider understanding of the practical effectiveness of the Convention in the contemporary world, by investigating the perceived opportunities and constraints the Convention offers today to protect cultural property in armed conflict, and firmly establishing that such protection must begin in peace.
CONTRIBUTORS: Maamoun Abdulkarim, Laura Albisetti, Pascal Bongard, Brittni Bradford, Rino Büchel, Emma Cunliffe, Philip Deans, Joanne Dingwall McCafferty, Paul Fox, Kristin Hausler, Stavros-Evdokimos Pantazopoulos, Nikolaus Paumgartner, Nigel Pollard, Lee Rotherham, Valentina Sabucco, Peter Stone, Raphael Zingg.
Sarah Kirby
Exhibitions, Music and the British Empire
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Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society.
International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience.
This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time.
Philip MacDougall
The Great Anglo-Russian Naval Alliance of the Eighteenth Century and Beyond
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Examines Naval co-operation between Britain and Russia and the often underappreciated prowess of the Russian navy.
Naval co-operation between Britain and Russia continued throughout the eighteenth century, with Britain providing huge assistance to the growth of Russia's navy, and Russia making an essential but often overlooked contribution to Britain's maritime power in the period. From 1698 when Tsar Peter the Great served briefly as a trainee shipwright at Deptford dockyard Russia recruited British, often Scottish, shipwrights, engineers, naval officers and naval surgeons who both helped build up the Russian navy and who were also key advisers to the Russian navy at sea. At the same time, naval stores from Russia, especially after Britain lost the American colonies, were vital for the maintenance of Britain's fleet. Moreover, as this book argues, Russian naval power was much more formidable than is often realised, with the Russian navy active alongside the British fleet in the North Sea and winning decisive battles against the Ottoman navy in the Mediterranean, including the battles of Çeşme in 1770 and Navarino in 1827. Britain did well to have Russia as a naval ally rather than an enemy. This book provides a comprehensive overview of this important subject, at a time when Britain's relationship with Russia is of considerable concern.
John C. Appleby
Fur, Fashion and Transatlantic Trade during the Seventeenth Century
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Offers insight, using the example of the Chesapeake Bay fur trade, into how the different elements of transatlantic trade in the seventeenth century fitted together.
This book explores the development of the fur trade in Chesapeake Bay during the seventeenth century, and the wide-ranging links that were formed in a new and extensive transatlantic chain of supply and consumption. It considers changing fashion in England, the growing demand for fur, at a time when the Russian fur trade was in decline, examines native North Americans and their trading and other exchanges with colonists, and explores the nature of colonial society, including the commercial ambitions of a varied range of investors. As such, it outlines the intense rivalry which existed between different colonies and colonial interests. Although the book argues that fur never supplanted tobacco as the region's principal export, noting that the trade declined as new, more profitable sources of supply were opened up, nevertheless the case of the Chesapeake fur trade provides an excellent example of how different elements in a new transatlantic enterprise fitted together and had a profound impact on each other.
Laura L Gathagan
The Haskins Society Journal 32: 2020. Studies in Medieval History
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Essays illuminate a wide range of topics from the Middle Ages, from the seals of an empress to priests' wives and the undead.
This volume of the Haskins Society Journal demonstrates the Society's continued engagement with historical and interdisciplinary research from the early to the central Middle Ages on a broad range of topics including militarism, piety, the miraculous and the monstrous. Chapters explore material culture through a mythic eleventh-century papal banner and the seals and coins of the Empress Matilda; offer new insights into Carolingian hagiography and into the undead in the Historia rerum Anglicarum. Further chapters feature new evidence on the role of priests' wives, the tensions of multiple lordships, shifting identities in the Irish Sea world, and the didactic use of royal anger. A fresh examination of Aelred of Rievaulx's Relatio de Standaro and a re-assessment of Flemish documentary practice continue the Haskins Society's commitment to primary source analysis. Two essays on the thirteenth century, including links between Crusade spirituality and lay penitential strategies and an investigation into the economic costs of waging war, round out the volume. Contributors: DAN ARMSTRONG, DAVID S. BACHRACH, DANIEL M. BACHRACH, JILLIAN M. BJERKE, HANNAH BOSTON, MARIAH COOPER, FIONA J. GRIFFITHS, JESSE M. HARRINGTON, JEAN-FRANÇOIS NIEUS, ALICE RIO, CHARITY URBANSKI, PATRICK WADDEN, MEGHAN WOOLLEY, LU ZUO
Harry Potter
Alexander Paterson: Prison Reformer
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The first biography of the prison reformer Alexander Paterson (1884-1947).
Sir Alexander Paterson (1884-1947) is best remembered for his role as Commissioner of Prisons and as the individual responsible for some of the greatest British innovations in the field of penal practice. All major prison reforms of his day can be associated with his name. One of the key characteristics of Paterson's reform drive was that he brought a much more 'scientific' approach to penology, encouraging psychiatrists and psychologists to work in prison. He was the prime mover behind the rapid expansion and transformation of the Borstal System and the introduction of open prisons, gaining Britain an international reputation for being at the forefront of penal reform. Harry Potter's account is the first biography of Alexander Paterson and it is based on unpublished material from government and family archives. Besides his achievements as prison reformer, Paterson's life encapsulated many trends in English society in the late nineteenth and early twentieth centuries: from the influence of Liberalism and Unitarianism in the industrial heartland of his youth, the Idealist philosophy of Thomas Hill Green at Oxford, to the impact of school and university 'missions' in the dark reaches of London. At Oxford he became friends with Clement Atlee. He also knew the radical Winston Churchill and it was Churchill who in 1910 first appointed him to a leading role in the aftercare of prisoners. Paterson's most formative years were undoubtedly spent living in a slum dwelling in South London when he devoted his time and energy to the Oxford and Bermondsey Medical Mission, one of the university settlements so common at the time - Attlee famously spent years in Hailesbury boys' club and Toynbee Hall in the East End. Paterson went on to publish a best-selling book - Across the Bridges - on his experiences in the South London slums. After a distinguished service in the Great War, Paterson devoted the rest of his life to the prison service at home and to penal reform abroad. Given current debates about prison reform and the general challenges the penal system is facing, revisiting Paterson's life and work will be a timely endeavour. Harry Potter - criminal barrister, historian and former prison chaplain - is ideally suited to write this biography.
Pietro Piana
Rediscovering Lost Landscapes
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Analysis of hundreds of art works from the period provides insights into forgotten landscapes and hidden geographies.
After the Napoleonic wars many wealthy British women and men settled along the coast in Liguria and travelled in Piedmont and Valle d'Aosta in search of warmth and health. They established English-speaking colonies of retired clerics, colonial officials, aristocrats and industrialists at places such as Alassio, Bordighera, Sanremo and Portofino. Many were keen artists.
This book assesses hundreds of topographical drawings, paintings and photographs of north-west Italy produced by these British visitors and residents in the nineteenth and early twentieth century. Through the identification and analysis of these works, scattered today in private and public collections in Italy and Britain, it provides insights into the way Italian landscapes were understood and appreciated. Considered in conjunction with historical photography, maps, archives and fieldwork, they deepen our knowledge of past land management traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.
Marc D. Moskovitz
Measure
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WINNER of the 2023 CHOICE Outstanding Academic Title Award
Follows the fascinating story of musical timekeeping, beginning in an age before the existence of external measuring devices and continuing to the present-day use of the Smartphone app.
The book opens with an exploration of musical time keeping as expressed in the artwork and musical writing of the Renaissance, sources that inform our early understanding of an age when music making was bound up with motions of the body and the pulsing of the human heart. With the adoption of the simple pendulum and the subsequent incorporation of tempo-related language, musicians gained the ability to communicate concepts of speed and slowness with ever-increasing precision. The seventeenth and eighteenth centuries witnessed the development of a diverse array of musical time-keeping devices, yet it was not until the nineteenth century that a single device combined the critical elements of accuracy, functionality and affordability.
Enter the metronome: portable and affordable, a triumph of innovation that enabled musicians to establish and faithfully reproduce musical time with accuracy and ease. From Beethoven to Ligeti, Moskovitz looks to a number of distinguished composers who used or refused this revolutionary machine and explores the complicated relationship that unfolded between the metronome, the musical world and practitioners in other disciplines who sought to exploit its potential.
Engagingly written, Measure: In Pursuit of Musical Time will appeal to professionals and amateurs alike.
William Kynan-Wilson
Henry of Blois
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First modern study devoted to one of the twelfth-century's most enigmatic, influential and fascinating figures.
Henry of Blois (d. 1171) was a towering figure in twelfth-century England. Grandson of William the Conqueror and brother to King Stephen, he played a central role in shaping the course of the civil war that characterized his brother's reign. Bishop of Winchester and abbot of Glastonbury for more than four decades, Henry was one of the richest men in the kingdom, and effectively governed the English Church for a time as Papal Legate. Raised and tonsured at Cluny, he was an intimate friend of Peter the Venerable and later saved the great abbey from financial ruin. Towards the end of his life he presided, albeit reluctantly, over the trial of Thomas Becket. Henry was a remarkable man: an administrator of exceptional talent, a formidable ecclesiastical statesman, a bold and eloquent diplomat, and twelfth-century England's most prolific patron of the arts.
In the first major book-length study of Henry to be published since 1932, nine scholars explore new perspectives on the most crucial aspects of his life and legacy. By bringing ecclesiastical and documentary historians together with archaeologists and historians of art, architecture, literature and ideas, this interdisciplinary collection will serve as a catalyst for renewed study of this fascinating man and the world in which he operated.
Steven G. Ellis
Ireland’s English Pale, 1470-1550
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Challenges the argument that the English Pale was contracting during the early Tudor period.
A key argument of this book is that the English Pale - the four counties around Dublin under English control - was expanding during the early Tudor period, not contracting, as other historians have argued. The author shows how the new system, whereby "the four obedient shires" were protected by new fortifications and a newly-constituted English-style militia, which replaced the former system of extended marches, was highly effective, making unnecessary money and troops from England, and enabling the Dublin government to be self-financing. The book provides full details of this new system. It also demonstrates how direct rule by an English army and governor, which replaced the system in the years after 1534, was much more costly and led on in turn to the policy of "surrender and regrant" under which Irish chiefs became subject to English law. The book highlights how this policy made the English Pale's frontiers redundant, but how ideologically ideas of "English civility" nevertheless survived, and "the wild Atlantic way" remained "beyond the Pale".
Lisa Jefferson
The Register of the Goldsmiths' Company: Deeds and Documents, c. 1190 to c. 1666 [3 Volume Set]
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This three-volume edition provides translations of the Goldsmiths' Company Register of Deeds with full explicatory annotation, and with a clear introduction to both the manuscript and the legal texts contained in it.
The Worshipful Company of Goldsmiths, commonly known as the Goldsmiths' Company, is one of the twelve Great Livery Companies of the City of London. This three-volume edition provides translations of the company's Register of Deeds with full explicatory annotation and with a clear introduction to both the manuscript and the legal texts contained within. Additionally, the volumes contain detailed name and subject indexes. The company's Register of Deeds has never been fully utilised by historians, but it contains a record copy made from the fifteenth century onwards of the original deeds of the company's acquisitions of property from the reign of King Richard I to the seventeenth century. These deeds reveal much about the precise location of properties and their inhabitants. Wills, often appearing in the Register, help to piece together a social history of the time. Charitable purposes were often the reason for monies or property bequeathed to the Goldsmiths, sometimes of an educational nature, or of almsgiving to the poor, or for the training and support of young goldsmiths and silversmiths. Many documents also concern women, either acting solely in their own name or jointly with a husband, sometimes also appearing as daughters or sisters, providing evidence regarding their legal position during the medieval and early modern period. The editing and translation of these documents (from Latin and French into modern-day English) will be of great use to historians interested in the buildings of medieval and Tudor London and their use as personal or business premises. But beyond these obvious confines, these so far hidden sources will help to rewrite a social, legal, and economic history of medieval and Tudor London. SPECIAL INTRODUCTORY PRICE: £395/$575. Rises to full price £450/$650 on 1st January 2023.
Elizabeth Eva Leach
A Medieval Songbook
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Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation.
The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied. This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of the scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways.
Vasilis Kallis
Demystifying Scriabin
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An innovative contribution to Scriabin studies, covering aspects of Scriabin's life, personality, beliefs, training, creative output, and interaction with contemporary Russian culture.
This book is an innovative contribution to Alexander Scriabin (1872-1915) studies, covering aspects of Scriabin's life, personality, beliefs, training, creative output, as well as his interaction with contemporary Russian culture. It offers new and original research from leading and upcoming Russian music scholars. Key Scriabin topics such as mysticism, philosophy, music theory, contemporary aesthetics, and composition processes are covered. Musical coverage spans the composer's early, middle and late period. All main repertoire is being discussed: the piano miniatures and sonatas as well as the symphonies. In more detail, chapters consider: Scriabin's part in early twentieth-century Russia's cultural climate; how Scriabin moved from early pastiche to a style much more original; the influence of music theory on Scriabin's idiosyncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin's writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer's mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic 'tonal function' of Scriabin's late works, as well as self-regulating structures in the composer's music.
Kathleen Walker-Meikle
Medieval Pets
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An engaging and informative survey of medieval pet keeping which also examines their representation in art and literature.
Animals in the middle ages have often been discussed - but usually only as a source of food, as beasts of burden, or as aids for hunters. This book takes a completely different angle, showing that they were also beloved domesticcompanions to their human owners, whether they were dogs, cats, monkeys, squirrels, and parrots. It offers a full survey of pets and pet-keeping: from how they were acquired, kept, fed, exercised, and displayed, to the problems they could cause. It also examines the representation of pets and their owners in art and literature; the many charming illustrations offer further evidence for the bonds between humans and their pets, then as now. A wide range of sources, including chronicles, letters, sermons and poems, are used in what is both an authoritative and entertaining account.
Dr KATHLEEN WALKER-MEIKLE gained her PhD at University College London.
Margaret Bent
The Dorset Rotulus
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The exciting discovery of new music from the Middle Ages sheds new light on knowledge of the medieval motet.
From its origins in the thirteenth century, the Latin-texted motet in England and France became the most significant and diverse polyphonic genre of the fourteenth, a body of music important both for its texts and its variety of musical structures. However, although the motet in England plays a vital role in the music-historical narrative of the first decades of the 1300s, it has too often been overlooked in modern scholarship, due largely to its preservation in numerous but almost entirely fragmentary sources. In 2017, substantial new fragments of medieval polyphony came to light. They originated at the Benedictine monastery of Abbotsbury, a major institution located high above Chesil Beach on Dorset's Jurassic Coast. The two leaves once headed an imposing musical scroll, and preserve significant portions of four large-scale Latin-texted motets from early fourteenth-century England. Discovery of this source brings to the fore a massive seven-section motet on St Margaret, hitherto known only through highly fragmentary snippets of two of its four voices, as well as a unicum with extraordinary features addressed to the Virgin Mary and St Nicholas. When coupled with the remaining motets, one on the Ascension and the other on the Virgin Mary, the Dorset motets expand our understanding of how the English developed their own approaches to the genre, forging styles and techniques quite independently of the continental norms against which earlier scholarship has judged (and sometimes demeaned) them. This book introduces the manuscript and its provenance in Abbotsbury, relates it to other scrolls of late medieval music, contextualizes its motets within the larger corpus of contemporary Latin-texted motets, and analyses and reconstructs each of the motets, providing complete performable transcriptions of three of these compositions as well as three of its large-scale comparands. Spurred by the Dorset discovery, this monograph, the first in thirty-five years devoted to the medieval motet in England, offers a new evaluation of the richness of the English repertory in its own terms.
Valerie Woodring Goertzen
The Creative Worlds of Joseph Joachim
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Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches.
Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life.
This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian vernacular music on the formation of his musical style elucidate the roots of Joachim's identity. The later chapters focus on his personal and creative responses to the contentious and rapidly evolving cultural milieu in which he lived: his choice of instruments as his musical "voice," his performances as sites of (re)enchantment in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions.
With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.
Katie Stevenson
Chivalry and the Medieval Past
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An examination of the ways in which the fluid concept of "chivalry" has been used and appropriated after the Middle Ages.
One of the most difficult and complex ethical and cultural codes to define, chivalry has proved a flexible, ever-changing phenomenon, constantly adapted in the hands of medieval knights, Renaissance princes, early modern antiquarians, Enlightenment scholars, modern civic authorities, authors, historians and re-enactors. This book explores the rich variations in how the Middle Ages were conceptualised and historicised to illuminate the plurality of uses of the past. Using chivalry as a lens through which to examine concepts and uses of the medieval, it provides a critical assessment of the ways in which medieval chivalry became a shorthand to express contemporary ideals, powerfully demonstrating the ways in which history could be appropriated. The chapters combine attention to documentary evidence with what material culture can tell us, in particular using the built environment and the landscape as sources to understand how the medieval past was renegotiated. With contributions spanning diverse geographic regions and periods, it redraws current chronological boundaries by considering medievalism from the late Middle Ages to the present.
Katie Stevenson is Senior Lecturer in Late Mediaeval History and Director of the Institute of Scottish Historical Research at the University of St Andrews; Barbara Gribling is a Junior Research Fellow in the Department of History at Durham University.
Contributors: David W. Allan, Stefan Goebel, Barbara Gribling, Steven C. Hughes, Peter N. Lindfield, Antti Matikkala, Rosemary Mitchell, Paul Pickering, Katie Stevenson
George Kennaway
John Gunn: Musician Scholar in Enlightenment Britain
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Examines the life and work of Scottish cellist and antiquarian John Gunn (1766-1824) through newly discovered sources.
The Scottish cellist and antiquarian John Gunn (1766-1824) is unique among British writers on music in the late eighteenth and early nineteenth century. Learned and practical, at home in classical and modern languages, knowledgeable in a wide range of musical topics and with even wider-ranging interests, and committed to the ideal of progress through rational thought, he typified the Enlightenment. His published output was large and diverse: a cello treatise in two quite different editions; two books on the flute and one on the piano; a treatise on figured bass; a history of the harp in the Highlands; and a translation of a French work of music theory. The list of his unrealised publications is even longer, including a proof of the oriental origins of the Scots. He married Anne Young, a well-known Edinburgh piano teacher, and his letters cast new light on the circumstances and date of her death. Taking account of Gunn's diverse experiences as a musician-scholar in Cambridge, London and Edinburgh, studying his sundry occupations, and exploring his social connections through a recently unearthed cache of his letters, this study moves away from 'treatise archaeology' and offers a broader view than is usually possible with such figures. The book will be of interest to those studying historical performance practice, music education in Enlightenment Britain, and the dissemination of Enlightenment thought.
Roger Leech
The Colonial Landscape of the British Caribbean
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New research on the archaeology of the colonial landscapes of the Caribbean.
This volume brings together new research on the archaeology of the colonial landscape of the Caribbean. It focusses on the seventeenth and eighteenth centuries and on the British Caribbean: notably Bermuda, Jamaica, Florida, Barbados, Antigua, and especially St. Kitts and Nevis. Chapters cover a wide range of landscapes - domestic, military and industrial - and interests, including the archaeology and architecture of African-Caribbean slavery and emancipation, European settlements, sugar production, burial grounds, cartography, fortifications and trade.
Anne Dodd
The Archaeology of Oxford in the 21st Century
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Shedding fresh light on medieval and early modern Oxford, this is a significant contribution to the knowledge of the city’s archaeology and history.
This volume presents the results of eleven excavations carried out by Oxford Archaeology within the historic walled city of Oxford and in the extramural area just to the north. The investigations shed fresh light on the character of medieval Oxford, both before and after the Norman Conquest, and on the early modern city, including its Civil War defences. Of special interest are remains which supply the first very likely medieval Jewish signature in British zooarchaeology. The findings are set within a larger context by a chapter outlining the key findings (by Anne Dodd), a new synthesis of current knowledge of Oxford's archaeology (by David Radford), and an examination of the changing aims and methods of archaeology carried out in the city over the last fifty years (by Tom Hassall).
Katie Stevenson, Barbara Gribling
Chivalry and the Medieval Past
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An examination of the ways in which the fluid concept of "chivalry" has been used and appropriated after the Middle Ages.
One of the most difficult and complex ethical and cultural codes to define, chivalry has proved a flexible, ever-changing phenomenon, constantly adapted in the hands of medieval knights, Renaissance princes, early modern antiquarians, Enlightenment scholars, modern civic authorities, authors, historians and re-enactors. This book explores the rich variations in how the Middle Ages were conceptualised and historicised to illuminate the plurality of uses of the past. Using chivalry as a lens through which to examine concepts and uses of the medieval, it provides a critical assessment of the ways in which medieval chivalry became a shorthand to express contemporary ideals, powerfully demonstrating the ways in which history could be appropriated. The chapters combine attention to documentary evidence with what material culture can tell us, in particular using the built environment and the landscape as sources to understand how the medieval past was renegotiated. With contributions spanning diverse geographic regions and periods, it redraws current chronological boundaries by considering medievalism from the late Middle Ages to the present.
Katie Stevenson is Senior Lecturer in Late Mediaeval History and Director of the Institute of Scottish Historical Research at the University of St Andrews; Barbara Gribling is a Junior Research Fellow in the Department of History at Durham University.
Contributors: David W. Allan, Stefan Goebel, Barbara Gribling, Steven C. Hughes, Peter N. Lindfield, Antti Matikkala, Rosemary Mitchell, Paul Pickering, Katie Stevenson
Paul Brassley, David Harvey, Matt Lobley, Michael Winter
The Real Agricultural Revolution
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An investigation into farming practices throughout a period of seismic change.
WINNER of the British Agricultural History Society's 2022 Thirsk Prize WINNER of the 2022 CHOICE Outstanding Academic Title Award
"This meticulously researched book gives a detailed and authoritative history of agricultural change in the second half of the twentieth century. The book skilfully weaves together the hitherto underexplored individual returns of the Farm Management Survey with oral histories of the farmers who enacted change on the ground to offer an incisive account of the complex technological, political and cultural developments which gave rise to some of the greatest changes in English farming history. It will stand as the key reference point for those with an interest in the history of agricultural change in Britain." Professor Mark Riley, University of Liverpool
At the outbreak of the Second World War in 1939 British agriculture was largely powered by the muscles of men, women, and horses, and used mostly nineteenth-century technology to produce less than half of the country's temperate food. By 1985, less land and far fewer people were involved in farming, the power sources and technologies had been completely transformed, and the output of the country's agriculture had more than doubled. This is the story of the national farm, reflecting the efforts and experiences of 200,000 or so farmers and their families, together with the people they employed. But it is not the story of any individual one of them. We know too little about change at the individual farm level, although what happened varied considerably between farms and between different technologies.
Based on an improbably-surviving archive of Farm Management Survey accounts, supported by oral histories from some of the farmers involved, this book explores the links between the production of new technologies, their transmission through knowledge networks, and their reception on individual farms. It contests the idea that rapid adoption of technology was inevitable, and reveals the unevenness, variability and complexity that lay beneath the smooth surface of the official statistics.
Hedy Law
Music, Pantomime and Freedom in Enlightenment France
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How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?
This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the Old Regime, to revive a lost art called 'pantomime' for their compositions. In musical settings of pantomimes in French operas and instrumental works, leading composers of the time - Rameau, Rousseau, Gluck, and Salieri - used pantomime as a type of expressive dance and acting style that marked an aesthetic rupture between Louis XIV's absolutist governance and the Enlightenment ideals of free expression. In musical settings of pantomime, these composers cultivated various forms of freedom theorized in Enlightenment writings: artistic freedom for the composer; freedom as self-governance; interpretive freedom for spectators; freedom of action for performers; and freedom from dance convention. Thus, pantomime was not only a dance genre; it also functioned as an expressive medium for top performers and invited spectators to draw their own interpretative conclusions. Placing the cultural phenomenon of pantomime in the intellectual context of the Enlightenment, the book explains how composers helped develop thinking and feeling subjects in pre-Revolutionary France.
G.A. Loud
The Social World of the Abbey of Cava, c. 1020-1300
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A pioneering, comprehensive investigation into a major Italian monastery.
The Benedictine abbey of Holy Trinity, Cava, has had a continuous existence since its foundation almost exactly a thousand years ago. From its modest beginnings, it developed during the late eleventh and early twelfth centuries into one of the wealthiest and most influential monasteries in southern Italy.
This path-breaking study, based on many years research into the, largely unpublished, charters of Cava, begins by examining the growth of the abbey's congregation and property, and its struggle subsequently to defend its interests during the troubled thirteenth century. But, in addition, it uses the extensive evidence available to study its benefactors and dependents, administration and economy, and through this material to analyse the social and economic structures of the principality of Salerno. There is also a re-evaluation of the problem of forgery, practised on a large scale at Cava during the thirteenth century, a factor which has complicated and discouraged previous study of this important institution.
A major advance both in the study of the south Italian Church and of the medieval Mezzogiorno during the central Middle Ages, the volume presents a vivid and detailed picture of local society and its workings, and of the families and individuals who had dealings with the abbey.
S.D. Church
Anglo-Norman Studies XLIII
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One opens each new volume expecting to find the unexpected - new light on old arguments, new material, new angles. MEDIUM AEVUM
The articles brought together here demonstrate the exciting vitality of this field. The volume begins with a keynote chapter on the failure of marriages among Christians and Muslims in crusader diplomacy. Other chapters consider the ceremony of knighting and the coronation ritual of Matilda of Flanders. There are also investigations of hunting landscapes in Cheshire, and Lancashire before Lancashire in the context of the Irish Sea World, while lordship is examined in two contexts, in post-Conquest England and early thirteenth-century Le Mans and Chartres. The sources for our knowledge of the period, as always, receive attention, whether drawn from documentary evidence or material culture, with essays on universal chronicle-writing and the construction of the Galfridian past in the Continuatio Ursicampina; the coinage of Harold II; and the patronage of the Bayeux Tapestry by Odo of Bayeux.
Richard C. Maguire
Africans in East Anglia, 1467-1833
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What were the lives of Africans in provincial England like during the early modern period? How, where, and when did they arrive in rural counties? How were they perceived by their contemporaries?
This book examines the population of Africans in Norfolk and Suffolk from 1467, the date of the first documented reference to an African in the region, to 1833, when Parliament voted to abolish slavery in the British Empire. It uncovers the complexity of these Africans' historical experience, considering the interaction of local custom, class structure, tradition, memory, and the gradual impact of the Atlantic slaving economy.
Richard C. Maguire proposes that the initial regional response to arriving Africans during the fifteenth and sixteenth centuries was not defined exclusively by ideas relating to skin colour, but rather by local understandings of religious status, class position, ideas about freedom and bondage, and immediate local circumstances. Arriving Africans were able to join the region's working population through baptism, marriage, parenthood, and work.
This manner of response to Africans was challenged as local merchants and gentry begin doing business with the slaving economy from the mid-seventeenth century onwards. Although the racialised ideas underpinning Atlantic slavery changed the social circumstances of Africans in the region, the book suggests that they did not completely displace older, more inclusive, ideas in working communities.
Ellie Gebarowski-Shafer
Contesting Orthodoxies in the History of Christianity
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Examines the pursuit of orthodoxy, and its consequences for the history of Christianity.
Christianity is a hugely diverse and quarrelsome family of faiths, but most Christians have nevertheless set great store by orthodoxy - literally, 'right opinion' - even if they cannot agree what that orthodoxy should be. The notion that there is a 'catholic', or universal, Christian faith - that which, according to the famous fifth-century formula, has been believed everywhere, at all times and by all people - is itself an act of faith: to reconcile it with the historical fact of persistent division and plurality requires a constant effort. It also requires a variety of strategies, from confrontation and exclusion, through deliberate choices as to what is forgotten or ignored, to creative or even indulgent inclusion. In this volume, seventeen leading historians of Christianity ask how the ideal of unity has clashed, negotiated, reconciled or coexisted with the historical reality of diversity, in a range of historical settings from the early Church through the Reformation era to the twentieth and twenty-first centuries. These essays hold the huge variety of the Christian experience together with the ideal of orthodoxy, which Christians have never (yet) fully attained but for which they have always striven; and they trace some of the consequences of the pursuit of that ideal for the history of Christianity.
E. Amanda McVitty
Treason and Masculinity in Medieval England
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Groundbreaking new approach to the idea of treason in medieval England, showing the profound effect played by gender.
Conflicts over treason tormented English political society in the later Middle Ages. As legal and political historians have shown, treason was always a constitutional matter as well as a legal one because it was pivotal in mediating the relationship between English kings, their political subjects and the abstraction of the crown. However, despite renewed interest in constitutional history, there has been no extended examination of treason in medieval England since the 1970s. This pioneering study presents a new interpretation of treason, not only as a legal construct, a political weapon and a tool for constitutional thinking, but also as a cultural category, aligning it with questions of gender, vernacularity and national identity. It examines cases from the 1380s to the 1420s, revealing how kings defended their claims to sovereign authority by using the laws of treason to bind their mortal male bodies to the enduring body politic of the realm, and explains how that body politic was masculinised through its entanglement in contests over manly honour and homosocial loyalties. Drawing on evidence from trial records, legislation and chronicles, it illuminates the ways in which cultural ideals of manhood reinforced or subverted government responses to crises of legitimacy, and demonstrates that gender conditioned understandings of treason in the political arena as well as the definitions embedded in statutes and case law. At the same time, it explores the varied ways men defended themselves from accusations of treason by invoking, and in the process helping to transform, shared beliefs about what it meant to be a man in medieval England.
Stuart Bligh
Maritime Kent Through the Ages
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A wide-ranging history of the geography and communities of Kent from the earliest times to the present day.
Kent, with its long coastline and its important geopolitical position close to London and continental Europe, and on major trading routes between Britain and the wider world, has had a very significant maritime history. This book covers a wide range of topics relating to that history from the earliest times to the present day. It sets Kent's varied coastline and waters in their geological and geographical context, showing how erosion and sediment deposition have contributed to the changing nature of maritime activities and populations. It examines Kent's strategic role in the defence of the country with the development and redevelopment of coastal defences, including four naval dockyards. It goes on to consider the supporting industries which grew up around the coastline, those which supplied raw materials and agricultural products from the county's hinterland, and its wider national and international trading links. It also discusses the diverse coastal communities of Kent and how they have changed in response to the demands of defence, trade, and changing population and migration patterns. In addition, the book includes detailed case studies which explore particular subject areas as exemplars of the major themes covered by the book.
Brian Cowan
The State Trials and the Politics of Justice in Later Stuart England
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The book discusses the 'state trial' as a legal process, a public spectacle, and a point of political conflict - a key part of how constitutional monarchy became constitutional.
State trials provided some of the leading media events of later Stuart England. The more important of these trials attracted substantial public attention, serving as pivot points in the relationship between the state and its subjects. Later Stuart England has been known among legal historians for a series of key cases in which juries asserted their independence from judges. In political history, the government's sometimes shaky control over political trials in this period has long been taken as a sign of the waning power of the Crown. This book revisits the process by which the 'state trial' emerged as a legal proceeding, a public spectacle, a point of political conflict, and ultimately, a new literary genre. It investigates the trials as events, as texts, and as moments in the creation of historical memory. By the early nineteenth century, the publication and republication of accounts of the state trials had become a standard part of the way in which modern Britons imagined how their constitutional monarchy had superseded the absolutist pretensions of the Stuart monarchs. This book explores how the later Stuart state trials helped to create that world.
Edited and Translated by Theodore Albrecht
Beethoven’s Conversation Books Volume 4
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A complete new edition of Beethoven's conversation books, in 12 volumes, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition.
These important booklets are here translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.
William C. Lubenow
Learned Lives in England, 1900-1950
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If objectivity was the great discovery of the nineteenth century, uncertainty was the great discovery of the twentieth century.
This book explores the tangled relationships between knowledge and politics during the first fifty years of the twentieth century. Changes within universities, particularly in Oxford, Cambridge, and the London School of Economics,made them, more than before, research institutions. Additionally, renovations within the grand empires of learning, represented by the Royal Society of London and the British Academy, lead to the recognition and acceptance of different forms of learning. The less formal coteries such as the Bloomsbury Group, the Society for the Protection of Knowledge, and the Scholarship and Theoretical Biology Club, are not neglected in this exploration of learned life.Indeed, members of all these societies transported knowledge from North America and the Continent, especially from the Warburg Institute, shifting the demographic and conceptual bases of British intellectual life. Thus, certain important twentieth-century themes transpire throughout this study: specialization, professionalization, objectivity, the emergence of the expert, and the rise of the social sciences.
The twentieth century, with its hotand cold wars, distorted intellectual life by demands for application and for useful research. Learned people in Britain seduced themselves by patriotism and became complicit by developing defensive clichés seeking to explain howBritish knowledge was somehow different from German, and later, Soviet knowledge. If objectivity was the great discovery of the nineteenth century, as Lubenow demonstrated in "Only Connect": Learned Societies in Nineteenth Century Britain (2015), this book shows that uncertainty was the great discovery of the twentieth century.
J.P.E Harper-Scott
The Event of Music History
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Brings musicology to the cutting edge of debates in the postmodern philosophy of history.
This book presents a new theory of how to write music history, and offers an exemplar of this new theory in action, in a series of four chapter-length reflexions on Beethoven's heroic style. The first book-length theory of music history since Carl Dahlhaus's Foundations of Music History, it brings musicology to the cutting edge of debates in the postmodern philosophy of history.
While the book engages with current thinking, it also goes further than the postmodern critique of history writing to find a new and positive basis for the writing of music history. In so doing the book revisits the philosophy of Alain Badiou: in place of a focus on the facts, the objects of history, whose problematic relation to history writing the theorists have demonstrated, the book proposes a focus instead on the subjects of history, the 'faithful', 'reactive, and 'obscure' responses to an 'Event' (a kind of rapture of ontology which brings the actors involved closer to a truth). It sees musical materials (the styles, techniques, and musical 'language' handed down to composers by history) in a dialectical relationship with the human beings who are music's manifold historical actors.
Engagingly written, this new short theory of music history will be essential reading for scholars and students of the many area studies within music history. It will also attract those of neighbouring disciplines dealing with the philosophy of history or the history of historiography.
Chris R. Langley
The Clergy in Early Modern Scotland
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A nuanced approach to the role played by clerics at a turbulent time for religious affairs.
From the early percolation of Protestant thought in the sixteenth century through to the controversies and upheaval of the civil wars in the seventeenth century, the clergy were at the heart of religious change in Scotland. By exploring their lived experiences, and drawing upon historical, theological, and literary approaches, the essays here paint a fresh and vibrant portrait of ministry during the kingdom's long Reformation. The contributors investigate how clergy, as well as their families and flocks, experienced and negotiated religious, social, and political change; through examination of both wider themes and individual case studies, the chapters emphasise the flexibility of local decision-making and how ministers and their families were enmeshed in parish dynamics, while also highlighting the importance of clerical networks beyond the parish. What emerges is a ministry that, despite the increasing professionalisation of the role, maintained a degree of local autonomy and agency. The volume thus re-focuses attention on the early modern European ministry, offering a multifaceted and historically attuned understanding of those who stood at the forefront of Protestant reform.
Nicolò Palazzetti
Béla Bartók in Italy
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Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero.
This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.
The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
John Ling
Debating English Music in the Long Nineteenth Century
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Situates the controversial narrative of 'The English Musical Renaissance' within its wider historical context.
Throughout the nineteenth century a fierce debate about the future of English music was raging in Britain. Just as English music was appearing to advance in quality, the impact of Richard Wagner altered the course of the debate. Alarmed at the Wagnerian influence on English composers, critics expressed relief when that influence appeared to abate, and then presented English music as the antidote to Wagnerian decadence. However, the optimism that England was in a position to lead the musical world was short-lived and a new generation of critics found English composition - with the exception of Elgar - severely lacking. The book identifies themes such as materialism and nationalism that emerged during the debate. It also places the narrative of 'The English Musical Renaissance' within its rightful wider historical context.
Julie Farguson
Visualising Protestant Monarchy
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The first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne
This book provides the first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne. It makes innovative use of material evidence and new primary sources to re-evaluate the practice of kingship and queenship to produce an original interpretation of the British monarchy during a period of vital transformation. The quarter century between the Glorious Revolution and the Georgian era witnessed prolonged military conflict with France and the birth of what we now call Great Britain. This book argues that a new style of monarchy likewise emerged in this period and that its survival largely depended on the efforts of the royal family: two English queens, a Dutch king and a Danish prince. Through a study of art and material culture (paintings, prints, the decorative arts, architecture, dress and royal insignia) within the broader political context, the book explores how the English people were persuaded to transfer their loyalties from a traditional style of kingship, centred on ideas of divinely appointed rule and hereditary right, to one rooted in Protestantism and Parliament. The book argues that both ceremony and art played a vital role in the way the monarchy functioned after the Glorious Revolution. Crucially, it examines not only the production of images and use of ceremony but also the ways in which they were received by audiences, both in England and abroad. The book sets the on-going changes in the ideology of British monarchy within the wider context of royal politicking in Europe and pays close attention to gender and the practice of queenship as well as the ways in which military conflict shaped royal representational culture. Using a method that is centred on the visual - ceremonies and art - and on visuality, the study makes an original and important contribution to our understanding not only of the monarchy but also the political culture of the post-Glorious Revolution era.
John France
Journal of Medieval Military History
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The leading academic vehicle for scholarly publication in the field of medieval warfare. Medieval Warfare
The articles here focus on activities in north-western Europe, with a reconsideration of the location of the battle of Stamford Bridge (1066), an examination of the role of open battles in the civil wars of the Anglo-Norman and Angevin kings, a re-assessment of the strategy of Edward I's war against Philip IV in 1297-98, and an analysis of the role of cavalry "coureurs" in late-medieval France. But regions further to the south and east are by no means neglected, with a dissection of the military rhetoric of Pere III of Aragon and his queen, Elionor of Sicily, and a discussion of the earliest European gunpowder recipes, from Friuli (1336) and Augsburg (1338- c. 1350). The volume also offers studies of the campaigns culminating in the battles of Firad in 634 and Qinnasrīn in 1134.
Frances Nolan
The Jacobite Duchess
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The fascinating life of Frances Jennings, elder sister of Sarah, Duchess of Marlborough, charting her marriages and changes of fortune, her exile and return, her ambition, political manoeuvring and sincere piety.
Frances Jennings, elder sister of Sarah, duchess of Marlborough, had an interesting and eventful life, most notably as the influential wife of Richard Talbot, earl of Tyrconnell, Catholic viceroy of Ireland under James II. Born circa 1649 into a Hertfordshire gentry family, she was a noted beauty at the Restoration court. There, she met and married George Hamilton, a Catholic officer who, after 1667, served in Louis XIV's army. In Paris, Frances raised three daughters, converted to Catholicism, and became an active member of the English Catholic émigré community. Following Hamilton's death, she remarried to Richard Talbot. As vicereine of Ireland, Frances helped re-establish Catholic hegemony, assisting in the foundation of convents and re-consecration of Christ Church cathedral. During the Williamite-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.
Ana María Rivera Medina
Ports in the Medieval European Atlantic
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$120.00
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Presents a wealth of original research findings on how medieval ports actually worked, providing new insights on shipping, trade, port society and culture, and systems of regional and international integration.
This book responds to the increasing interest of maritime historians in the study of ports. These enclaves offer significant insights into a variety of subjects, including ships and shipping; trade, commodities, and consumption patterns; the economy, society and culture of port workers and port communities; and systems of regional and international integration. Based on extensive research in a wide range of European archives, the book provides much detailon the nature of ports in the medieval period, especially on the crucial subject of the operation of ports. Covering a range of ports in France, Spain, Portugal and the Canary Islands, the book contains a wealth of original research findings. It will be particularly welcomed by English-speaking scholars and others outside the region analysed, since it gives access to non-English-language archives, thereby considerably enriching the study of medieval portsbeyond ports in Britain and Ireland.
Paul A. Elliott
Erasmus Darwin's Gardens
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This first full study of Erasmus Darwin's gardening, horticulture and agriculture shows he was as keen a nature enthusiast as his grandson Charles.
Famous as the author of the Botanic Garden (1791) and grandfather of Charles Darwin (1809-1882), Erasmus Darwin (1731-1802) was a larger-than-life enlightenment natural philosopher (scientist) and writer who practised as a doctor across the English Midlands for nearly half a century. A practical gardener and horticulturist, Darwin created a botanic garden near Lichfield - which galvanised his poetry - and kept other gardens, an orchard and small "farm" in Derby. Informed by his medical practice and botanical studies, Darwin saw many parallels between animals, plants and humans which aroused hostility during the years of revolution, warfare and reaction, but helped him to write Zoonomia (1794/96) and Phytologia (1800) - his major studies of medicine, agriculture and gardening. Captivated by the changing landscapes and environments of town and country and supported by social networks such as those in Lichfield and Derby, Darwin avidly exchanged ideas about plants, animals and their diseases with family, patients, friends such as the poet Anna Seward (1742-1809), farmers, fellow doctors, huntsmen and even the local mole catcher. The is the first full study of Erasmus Darwin's gardening, horticulture and agriculture. It shows him as keen a nature enthusiast as his contemporary Rev. Gilbert White of Selbourne (1720-1793) or his grandson Charles, fascinated with everything from swarming insects and warring bees to domestic birds and dogs, pigs and livestock on his farm to fungi growing from horse dung in Derby tan yards. Ranging over his observations of plant physiology and anatomy to the use of plant "bandages" in his orchard and electrical machines to hasten seed germination to explosive studies of vegetable "brains", nerves and sensations, the book demonstrates the ways in which Erasmus Darwin's landscape and garden experiences transformed his understanding of nature. They provided him with insights into medicine and the environmental causes of diseases, the classification of plants and animals, chemistry, evolution, potential new medicines and foodstuffs and the ecological interdependency of the natural economy. Like the amorous vegetables of the Loves of the Plants (1789) which fascinated, scandalised and titillated late Georgian society, the many living creatures of Darwin's gardens and farm encountered in this book were for him real, dynamic, interacting and evolving beings who helped inspire and re-affirm his progressive social and political outlook.
Esther Sahle
Quakers in the British Atlantic World, c.1660-1800
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Examines the two largest Quaker communities in the early modern British Atlantic World, and scrutinizes the role of Quaker merchants and the business ethics they followed.
The book studies the two largest Quaker communities in the early modern British Atlantic World, London and Philadelphia. It looks at the origins of the Society of Friends in mid seventeenth century England and follows its development into a well organised sect with a sophisticated organisational structure spreading across the Atlantic world. The book zooms in on the Quaker communities in these two important port cities, as well as their relationships with non-Quaker inhabitants. It scrutinizes the role of Quaker merchants and the business ethics they followed.
Drawing on many unpublished sources, the study is able to portray a mid-eighteenth-century crisis for the Quaker communities when sanctions for offences against the prevailing disciplines in business (fraud, debt, bankruptcy) and marriage increased dramatically. And yet these Quaker communities got likewise caught up in wider political developments across the British Empire. In the course of a series of conflicts affecting colonial Pennsylvania in the mid eighteenth century, the Society of Friends suffered grave reputational damage. The public in England and Pennsylvania began to perceive Quakers as a sect that put its own agenda and interest over the welfare of the colonial population and the Empire. In turn, these developments led to a "Quaker reformation" and Quaker identity became guided by new principles: honesty in business and religious marital endogamy. The book will be of interest to scholars and students of economic and Atlantic history, as well as Eighteenth-Century studies and religious history.
Michael Church
Musics Lost and Found
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This ground-breaking book is the first in-depth global study of the role played in musical history by song collectors.
This is the first in-depth global study about song collectors, music's unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs.
Today's collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world's musical diversity, Michael Church suggests we may be seeing folk music's 'end of history'. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.
This ground-breaking book is the sequel to the author's award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.
Craig D Taylor
Jean de Bueil: Le Jouvencel
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First full English translation of a major text, narrating the adventures of the Jouvencel whilst interweaving them with advice on military tactics and strategies.
Le Jouvencel is one of the most important and revealing sources for the study of medieval warfare and chivalry. It tells the story of a poor young soldier whose skill at arms enables him to rise through the ranks and eventually marry a foreign princess. Jean de Bueil (1406-1477 wrote the book around 1466, following his retirement from military service, drawing heavily upon his own experiences as one of the most prominent French soldiers of the fifteenth century. The pages of Le Jouvencel are filled with unusually detailed descriptions of military campaigns, sieges and battles, capturing the tactics, weapons and everyday life of the soldier with a vivid eye for detail. Many of the characters, places and events described in the apparently fictional story were actually inspired by recent history, as was revealed in a Commentary written just a few years after Bueil's death by one of his squires, Guillaume Tringant.
Jean de Bueil wrote Le Jouvencel to provide future generations of soldiers and military leaders with advice on chivalry, knighthood and the art of warfare. As a result, this remarkable chivalric narrative offers a window into the martial culture of French soldiers during the final stages of the Hundred Years War. This first English translation is presented with an introduction to the text and to Jean de Bueil, and explanatory notes.
Kevin Linch
Redcoats to Tommies
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An examination of the lifecycle of soldiers, including enlistment, experiences of military life, the soldier's place in society and in politics, and military identity, memory and representation.
This book surveys and examines the history of Britain's soldiers from the eighteenth to the twentieth century. It focuses on the lifecycle of a soldier, including enlistment and experience, and on identity, representations and place in society. It covers the diverse military forces of the British crown - the regular army, home defence forces, part-time soldiers, auxiliaries, officers, non-commissioned officers and rank and file - across times of conflictand peace and their wider relationship to families, communities, government and society. Additionally, it considers both British troops, and, recognising Britain's soldiers as a transnational phenomenon, forces raised outside ofBritain and Ireland. By assessing the evolution of Britain's soldiers across three centuries, the book highlights continuity and change and gauges how far the basic fundamentals, principles and priorities of army life have endured or been transformed during the existence of a continual standing army. The book includes up-to-date research from a new generation of early-career researchers and reflections from established scholars.
CONTRIBUTORS: Ian Beckett, Timothy Bowman, Gavin Daly, Peter Doyle, Edward Gosling, George Hay, Kevin Linch, Matthew Lord, Eleanor O'Keeffe, Adam Prime, Michael Reeve, Jacqueline Reiter, Robert Tildesley, and Christina Welsch.
Lloyd Bowen
Anatomy of a Duel in Jacobean England
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Throws much new light on questions of gentry honour, the nature and prevalence of early modern elite violence, and the process of judicial investigation in Shakespeare's England
This book offers an analysis of Jacobean duelling and gentry honour culture through the close examination and contextualisation of the most fully documented duel of the early modern era. This was the fatal encounter between a Flintshire gentleman, Edward Morgan, and his Cheshire antagonist, John Egerton, which took place at Highgate on 21 April 1610. John Egerton was killed, but controversy quickly erupted over whether he had died in a fair fight of honour or had been murdered in a shameful conspiracy. The legal investigation into the killing produced a rich body of evidence which reveals in unparalleled detail not only the dynamics of the fight itself, but also the inner workings of a seventeenth-century metropolitan manhunt, the Middlesex coroner's court, a murder trial at King's Bench, and also the murky webs of aristocratic patronage at the Jacobean Court which ultimately allowed Morgan to secure a pardon.
Uniquely, a series of dramatic Star Chamber suits have survived that also allow us to investigate the duel's origins. Their close examination, as Lloyd Bowen shows, calls into question the historiographical paradigm which sees early modern duels as matters of the moment and distinct from, as opposed to connected to, the gentry feud. The book throws much new light on questions of gentry honour, the nature and prevalence of early modern elite violence, and the process of judicial investigation in Shakespeare's England.
Hugh Macdonald
Bizet in Italy
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The first English translation of Bizet's letters and journals from his stay in Italy, with explanatory texts from one of the leading authorities on the composer's life and music.
In 1857, Georges Bizet (1838-1875) won the prestigious Prix de Rome scholarship which allowed him to study in Italy for a few years at the expense of the French state. While Bizet's correspondence from this time suggests that he was not fond of Italian music, he was especially drawn to the landscape and Italian Renaissance art and painting. Though Bizet's thoughts later turned away from rural life and the masterpieces of the Renaissance, his letters and journals from this period document the growth of a young musician who would eventually write Carmen.
Translated into English for the first time, Bizet's letters from his stay in Italy (at the Villa Medici in Rome, with expeditions to various other parts of the country) reveal much about his character and tastes. These extraordinary documents are fully annotated, and presented alongside never-before-published translations of Bizet's journals from the same years. Linking textual guides supplied by one of the leading authorities on the composer provide unique insights into the composer's formative years that cannot be found anywhere else.
Eugene Costello
Transhumance and the Making of Ireland's Uplands, 1550-1900
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First full survey of how transhumance operated in Ireland from the sixteenth century to the beginning of the twentieth.
WINNER: American Conference for Irish Studies Donald Murphy Prize for Distinguished First Book 2021 Special Commendation, Publication Prize in Irish History, NUI Awards 2021
SHORTLISTED: European Association of Archaeologists Book Prize 2023
The rearing of cattle is today a fairly sedentary practice in Ireland, Britain and most of north-west Europe. But in the not-so-distant past it was common for many rural households to take their livestock to hill and mountain pastures for the summer. Moreover, ethnographic accounts suggest that a significant number of people would stay in seasonal upland settlements to milk the cows and produce butter and cheese. However, these movements all but died out in the nineteenth and twentieth centuries, meaning that today transhumance is mainly associated with Alpine and Mediterranean landscapes.
This book is the first major interdisciplinary approach to the diversity and decline of transhumance in a northern European context. Focusing on Ireland from c.1550 to 1900, it shows that uplands were valuable resources which allowed tenant households to maintain larger herds of livestock and adapt to global economic trends. And it places the practice in a social context, demonstrating that transhumance required highly organized systems of common grazing, and that the care of dairy cows amounted to a rite of passage for young women in many rural communities.
David Wilson
Suppressing Piracy in the Early Eighteenth Century
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Shows how Britain and its empire was not a strong centralised imperial state and that it was only through manifold activities taking place in different colonial centres with varied colonial arrangements that the surge in piracy in this period was contained and reduced.
This book charts the surge and decline in piracy in the early eighteenth century (the so-called "Golden Age" of piracy), exploring the ways in which pirates encountered, obstructed, and antagonised the diverse participants of the British empire in the Caribbean, North America, Africa, and the Indian Ocean. The book's primary focus is on how anti-piracy campaigns were constructed as a result of the negotiations, conflicts, and individual undertakings of different imperial actors operating in the commercial and imperial hub of London; maritime communities throughout the British Atlantic; trading outposts in West Africa and India; and marginal and contested zones such as the Bahamas, Madagascar, and the Bay Islands. It argues that Britain and its empire was not a strong centralised imperial state; that the British imperial administration and the Royal Navy did not have the resources to mount a state-led, empire-wide war against piracy following the sharp increase in piratical attacks after 1716; and that it was only through manifold activities taking place in different colonial centres with varied colonial arrangements, economic strengths, and access to resources for maritime defence - which was often shaped by competing and contradictory interests - that Atlantic piracy was gradually discouraged, although not eradicated, by the mid-1720s.
Ian Maxwell
Ernest John Moeran
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This long-awaited study of the life and music of Anglo-Irish composer Ernest John Moeran (1894-1950) finally provides a full biography of the last senior figure in early twentieth-century British Music to have been without one.
This long-awaited study of the life and music of Anglo-Irish composer Ernest John Moeran (1894-1950) finally provides a full biography of the last senior figure in early twentieth-century British Music to have been without one.
Although Moeran's work was widely performed during his lifetime, he suffered neglect in the years following his death. It was not until a re-awakening of appreciation for the music of the folksong-inspired English pastoralism in the latter part of the twentieth century that Moeran's tuneful, well-crafted and approachable music began to attract a new audience. However, widely accepted misconceptions about his life and character have obscured a clearunderstanding of both man and composer.
Written with the benefit of access to previously unknown or unresearched archives, Ernest John Moeran: His Life and Music strips away a hitherto unchallenged mythological framework, and replaces it by a thorough-going examination and analysis of the life and work of a musician that may reasonably be asserted as having been unique in British music history.
Patrick Zuk
Nikolay Myaskovsky
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2022 CHOICE Outstanding Academic Title Winner
Drawing on a wealth of unexplored sources, this biography offers the first comprehensive critical reappraisal of the life and works of Nikolay Myaskovsky. Zuk's account is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius.
Drawing on a wealth of unexplored documentation, this biography reappraises the life and work of Nikolay Myaskovsky (1881-1950) - a central figure in twentieth-century Russian musical culture.
The story of Myaskovsky's unlikely rise to prominence is an absorbing one. Destined by family tradition for a military career, he was 25 before he could leave the army and devote himself to music. He had just begun to emerge as a young composer of promise when he was called up for active service on Russia's western front in August 1914. On returning to civilian life in 1921, he played a major role in revitalising professional musical activity after the depredations of the Civil War years. His career vividly illustrates the challenges facing artists as they sought to work out a modus vivendi with Soviet power.
Zuk's account depicts the composer and his milieu against the backdrop of his turbulent times, examining his involvement with Soviet musical institutions and his relationships with Prokofiev, Shostakovich, and other notable musicians. The portrait is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius. Myaskovsky emerges as a man who displayed remarkable courage and integrity in the face of many pressures. The book also brings into focus the distinctive nature of Myaskovsky's creative achievement and affirms his stature as a leading symphonist of the era.
Damien Duffy
Aristocratic Women in Ireland, 1450-1660
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An in-depth analysis of the key contribution made by the women members of this important ruling family in maintaining and advancing the family's political, landed, economic, social and religious interests.
This book examines the lives of aristocratic Anglo-Irish women in late medieval and early modern Ireland as illustrated by an in-depth cross generational analysis of women born or married into the important Ormond family between the 1450s and 1660. It outlines and assesses their individual and collective significance in negotiating the preservation and advancement of the family's political, landed, economic, social and confessional interests, from the chronic instability of the Wars of the Roses, through the vicissitudes of the Tudor, Stuart, Commonwealth and Restoration eras. In gauging the relative significance of the Ormond women's experiences and contributions, the book explores their roles in both private dynastic and wider public circles within the broader context of aristocratic families elsewhere in Ireland, England and continental Europe. The cross-generational approach provides a chronologicaland comparative appraisal of all aspects of each of these women's lives, roles and contributions - private, public, social, economic, confessional and political - all of which were intimately intertwined with the Ormond family's changing political fortunes, succession challenges, shifting dynastic alliances, and financial difficulties over the course of two centuries of profound change and upheaval in Ireland.
Helen E. Lunnon
East Anglian Church Porches and their Medieval Context
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Major interdisciplinary study of medieval church porches, bringing out their importance and significance.
The church porches of medieval England are among the most beautiful and glorious aspects of ecclesiastical architecture; but in comparison with its stained glass, for example, they have been relatively little studied. This book, the first detailed study of them for over a century, gives new insights into this often over-looked element. Focussing on the rich corpus of late-medieval East Anglian porches, it begins with two chapters placing them in a broad cultural outline and their context; it then moves on to consider their commissioning and design, their architecture and ornamentation, their use and their meaning. This book will appeal to all those interested in church fabric and function.
John D. Grainger
The British Navy in the Caribbean
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A survey of the activities of the British navy in the Caribbean from the voyages of sixteenth century English adventurers such as John Hawkins and Francis Drake through the great wars of the seventeenth and eighteenth centuries against the Dutch, Spanish and French and Britain's declining role thereafter.
This book charts the involvement of the British navy in the Caribbean from the earliest times to the present. It recounts the voyages of sixteenth century English adventurers such as John Hawkins and Francis Drake and their attacks on Spanish territories, outlines the capture of Jamaica during the time of Oliver Cromwell's rule and describes the growth of the British slave trade. It goes on to discuss the late seventeenth century and eighteenth century conflicts and wars with the Dutch, Spanish and French and the War of American Independence, analyses the effect of the abolition of the slave trade and explores the British dominance which prevailed throughout much of the nineteenth century. The book concludes by examining how in the twentieth century the British navy withdrew almost entirely from the Caribbean, tacitly ceding control to the United States. Throughout the book relates developments in the Caribbean to developments in Britain and in the British navy more widely. John D. Grainger is the author of numerous books for a variety of publishers, including eight previously published books for Boydell and Brewer, including The British Navy in the Baltic, Dictionary of British Naval Battles and The First Pacific War: Britain and Russia, 1854-56.
Eilish Gregory
Catholics during the English Revolution, 1642-1660
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Examines the experiences of Catholics during the period when England was ruled by Puritan Protestants.
This is the first book to examine thoroughly the ways in which Catholics adapted to political and social change during the turbulent years of the English Revolution. The book examines several important aspects of the Catholic experience in this period. It explores the penal laws by which the estates of Catholics were sequestrated, discussing the extent to which politicians designed the new laws to target Catholics specifically, rather than Royalists more generally, and outlining how the sequestration legislation operated in practice. It considers how Catholic gentry utilised their networks with influential Protestants with wider political connections when applying to have their sequestrations discharged. More broadly the book reveals how Catholics demonstrated their loyalty and assimilated into society despite being viewed as the natural enemies of the English Republic and Protectorate. The book also compares Catholic experiences to those of other religious minorities and sets the situation in England in the wider European international context of Catholic-Protestant rivalry and warfare, which made Catholics a particularly vulnerable religious minority in Puritan England.
Andrew Spencer
Thirteenth Century England XVII
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Essays looking at the links between England and Europe in the long thirteenth century.
The theme running through this volume is that of "England in Europe", with contributions tackling aspects of political, religious, cultural and urban history, placing England in a European context, exploring connections between the insular world and continental Europe, and using England as a case study of broader patterns of change in the long thirteenth century. A number of authors consider the long-term response of the English crown and polity to the Angevin empire's demise, examining kingship, historical memory, dynastic relationships and the influx of ideas and people to England from overseas. They look not only at connections between England and western Europe but also at others extending to northern Europe too. Many engage with larger trends that are European in scale, whether in the institutional life of the Church or in patterns of religious practice and belief, whilst others examine more confined geographical spaces, reminding us of distinctive political structures and identities lodged at the regional level.
Mark J. Crowley
Women's Experiences of the Second World War
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Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.
Many existing studies on the role of women in the Second World War concentrate on women's increasing participation in the workplace and on their struggles to cope with rationing and shortages. This book goes further, exploring women's wartime experiences much more fully. Drawing on a wide range of sources including oral interviews, scrapbooks, personal letters, diaries, newspaper articles, Mass Observation files and memoirs, the book illustrates some of the similarities and differences of women's wartime experiences in different situations in different countries. Specific subjects covered include experiences of exile and living under occupation, of coping with proximity to fighting and to the frontline, and of dealing with everyday life in trying circumstances. The book draws out how factors such as political beliefs, nationalism, economics, religion, ability, geography and culture all had an impact. Overall, the book reveals a great deal about the complexities and nuances of women's experiences in this period of enormous upheaval.
Contributors: Patricia Chappine, Nupur Chaudhuri, Sylvie Crinquand, Beth Hessel, Sarah Hogenbirk, Regina Lark, Bernice Lindner, Alexis Peri, Kelly Spring, Michael Timonin, Angela Wanhalla, Wai-Yin Christina Wong.
Peter Howson
Britain and the German Churches, 1945-1950
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Explores the ways in which the British Religious Affairs Branch aimed to organise religious life in post-war Germany.
It is well known that at the key allied conferences during the latter part of World War II the future victorious allies were already progressing their post-war planning. Duly, an Allied Control Commission, with the task of providing administrative functions and eventually handing them over to an elected government, was formed in post-war Germany. In the Western zones, the cornerstone of coordinated administration was a policy of denazification, demilitarisation and democratization. Almost all sectors of German life would thereafter to be administered by the Allies.
German Churches and religious affairs had, however, been promised to the defeated Germany. Of course, Nazism hadn't spared the Christian churches, and so questions of denazification and the future relationship between church and state in Germany remained significant. This book examines the British approach towards post-war German religious and ecclesiastical life by highlighting the role of the British Element of the Control Commission, more specifically the Religious Affairs Branch that was separated from the Education Branch at the end of 1945. Considering British attitudes to Catholics and Protestants, as well as the remaining Jewish and Muslim communities in Germany, this book uncovers allied differences with regards to organising future religious life in Germany.
Susan Marshall
Illegitimacy in Medieval Scotland, 1100-1500
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First full-length examination of bastardy in Scotland during the period, exploring its many ramifications throughout society.
The question of illegitimacy was as important and complex in Scotland as elsewhere in the Middle Ages. This book examines its legal, political, and social implications there between the eleventh and fifteenth centuries. It explores illegitimacy in relation to royal succession and to the inheritance of ordinary estates; investigates the role it played in major political events; and considers how being, or having, a bastard affected the lives of elite women,and the careers of people in ecclesiastical life. Scotland's earliest surviving legal treatise, Regiam Majestatem, denied inheritance rights to offspring legitimated by the intermarriage of their parents, while the law of the Church regarded such children as legitimate and, by implication, capable of inheritance. The volume scrutinises the tension between these two positions, alongside contemporary evidence which provides new insights into legal theory and practice concerning inheritance and birth status. By contextualising illegitimacy within its socio-political as well as legal settings, it challenges existing assumptions about the meaning and significance of bastardy in the Scottish middle ages.
Georgios Theotokis
Warfare in the Norman Mediterranean
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Analyses of different aspects of the history of warfare in the Mediterranean in the eleventh and twelfth centuries.
The kingdom of Sicily plays a huge part in the history of the Norman people; their conquest brought in a new era of invasion, interaction and integration in the Mediterranean, However, much previous scholarship has tended to concentrate on their activities in England and the Holy Land. This volume aims to redress the balance by focusing on the Hautevilles, their successors and their followers. It considers the operational, tactical, technical and logistical aspects of the conduct of war in the South throughout the eleventh and twelfth centuries, looking also at its impact on Italian and Sicilian multi-cultural society. Topics include the narratives of the Norman expansion, exchanges and diffusion between the "military cultures" of the Normans and the peoples they encountered in the South, and their varied policies of conquest, consolidation and expansion in the different operational theatres of land and sea.
Valerie Smith
Rational Dissenters in Late Eighteenth-Century England
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Rational Dissent was a branch of Protestant religious nonconformity which emerged to prominence in England between c. 1770 and c. 1800. While small, the movement provoked fierce opposition from both Anglicans and Orthodox Dissenters.
Rational Dissent was a branch of Protestant religious nonconformity which emerged to prominence in England between c. 1770 and c. 1800. Based on the sole study of the Scriptures and the application of individual reasoning to understanding the word of God, Rational Dissent rejected the role and authority of Anglican priests but also stood apart from Orthodox Dissent in its denial of the Trinity and Original Sin, arguing that these concepts were 'irrational'. While small, the movement provoked fierce opposition from both Anglicans and Orthodox Dissenters. Drawing on a wide range of contemporary published and unpublished sources, this study explores the theology of Rational Dissent in its entirety, arguing that it was considerably more diverse than has previously been acknowledged. Through an examination of lists of subscribers to Rational Dissenting publications and organizations, and of Unitarian libraries and their readers, the book uncovers the movement's less visible adherents, mapping them both socially and geographically. It also explores the impact of vehement attacks by Anglicans and Orthodox Dissenters on the development of a Rational Dissenting identity. Within the context of the struggle for civil and political rights and of the American and French Revolutions, the book establishes that the theology of Rational Dissenters underpinned their political beliefs and concepts of liberty, drove their ideas on the nature of society, and determined the lives and priorities of its lay adherents. The final stage of the book explores the largely Unitarian legacy of Rational Dissent and its theological, cultural and social impact in England post 1800.
Richard Rex
Henry VIII and Martin Luther
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A new critical edition of Henry VIII's 1526 public letter to Martin Luther, enabling readers to examine how Henry VIII wanted his subjects to regard the German heresiarch.
A modern critical edition of Henry VIII's second published work against Martin Luther. This open letter to Luther, printed at the king's command in December 1526, was in reply to a private letter addressed to him by Luther the previous year. Its particular interest lies in the fact that, unlike his better known Assertion of the Seven Sacraments, published five years before, Henry's open letter was released not only in Latin but also in an official Englishtranslation, with a special English preface added by the king for the edification of his subjects. This edition thus enables modern readers to hear what Henry had to say about Luther in his own words, and how he wanted his subjects to regard the German heresiarch.
This critical edition is based on a previously unrecognised presentation manuscript which furnishes the earliest surviving text of both letters. In addition, it offers editions and newtranslations of a range of related texts, including Luther's reply to Henry and further contributions to the burgeoning controversy from several of the most prominent Catholic opponents of Luther in Europe. For Henry's letter, like his earlier book, became for a while a European sensation, reprinted in towns and cities from Cologne to Cracow. This fully annotated edition includes a substantial introduction which for the first time tells the full history of Henry's second controversy with Luther, and which sets that story in the broader context of the lengthy and fractious relationship between the two men from the time of Luther's emergence in 1517 until his death in 1546.
Stephen Bennett
Elite Participation in the Third Crusade
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The motivations behind those who went on the Third Crusade examined through close investigation of their social networks.
The Third Crusade (1189-1192) was an attempt by Latin Christendom to reconquer the Holy Land, following the capture of Jerusalem by the Ayyubid sultan Saladin in 1187. Tens of thousands responded to a call for a crusade by Pope Gregory VIII and the efforts of his preachers at mass cross-taking ceremonies, rallying to the expedition's leaders - Frederick Barbarossa, Philip Augustus, and Richard the Lionheart. This book analyses the communal and cultural factors that influenced nobles from north-western Europe who embarked on the Third Crusade, bringing out the motives, dynamics, and extent of their participation, and placing that participation in the broader social and geographical context of crusading and medieval life. It shows that significant numbers of them were themselves descended from crusaders, and that the majority of them travelled to the Levant in the company of friends, family, and neighbours, as well as through membership of a military household. It also highlights the role of key individuals - both male and female - who influenced the decision to undertake the crusade, and identifies the significant role played by particular religious institutions in the diffusion of crusading ideology.
Joanna Martin
Georgina Weldon
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A fascinating account of the life of one of the most famous women of the Victorian era.
For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she was always in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation.
Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences.
Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.
Alex W. Barber
The Restraint of the Press in England, 1660-1715
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A discussion of the fascinating interplay between communication, politics and religion in early modern England suggesting a new framework for the politics of print culture.
This book challenges the idea that the loss of pre-publication licensing in 1695 unleashed a free press on an unsuspecting political class, setting England on the path to modernity. England did not move from a position of complete control of the press to one of complete freedom. Instead, it moved from pre-publication censorship to post-publication restraint. Political and religious authorities and their agents continued to shape and manipulate information. Authors, printers, publishers and book agents were continually harassed. The book trade reacted by practicing self-censorship. At times of political calm, government and the book trade colluded in a policy of policing rather than punishment.
The Restraint of the Press in England problematizes the notion of the birth of modernity, a moment claimed by many prominent scholars to have taken place at the transition from the seventeenth into the eighteenth century. What emerges from this study is not a steady move to liberalism, democracy or modernity. Rather, after 1695, England was a religious and politically fractured society, in which ideas of the sovereignty of the people and the power of public opinion were being established and argued about.
Ionuț Epurescu-Pascovici
Human Agency in Medieval Society, 1100-1450
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$130.00
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Argues the case for the individual as autonomous moral agent in the later Middle Ages.
"Of fundamental importance for any discipline dealing with past societies and cultures. One of the most wide-ranging, sophisticated and imaginative books on medieval history that I have read in a very long time. The way in which the author defines, traces and analyses agency is stunningly original. It will make an immensely important contribution to our understanding of high and late medieval Europe." Professor Björn Weiler, University of Aberystwyth
What did it mean to be an autonomous agent in European medieval society? This book aims to answer that fundamental question, via an examination of a mosaic of case studies drawn from the literate urban middle strata and the lower and middle-rank aristocracy.
The social imaginary that informs individual conduct, the patterns of strategic action, and the individuals' sense of effectiveness in the world are reconstructed from "ego-documents", a broad category that includes first-person charters, autobiographical insertions in chronicles, private registers, and memoirs. These range from the better-known, such as the Ménagier de Paris and the histories of Galbert of Bruges and Salimbene of Parma, to the equally fascinating but more seldom explored French livres de raison and Italian ricordanze.
The book's larger aim is to historicise the autonomous moral agent. Neither belief in divine intervention nor feudal relations inhibited individuals' social agency. The emphasis on hierarchy and order in medieval normative texts is shown in a different light, as part of the effort to restrain social subalterns, whose potential for agency caused anxiety. Whereas power is often structural, an effect of institutions which, however, were only just developing, the book argues that agency is a more apposite construct for capturing the salient medieval concerns with the possibilities and effects of individual and collective action.
![The Register of the Goldsmiths' Company: Deeds and Documents, c. 1190 to c. 1666 [3 Volume Set]](http://indiepubs.com/cdn/shop/files/9781783276240_e30fdda0-4d61-4558-b2d8-615df9d9a842_400x.jpg?v=1721433559)
![The Register of the Goldsmiths' Company: Deeds and Documents, c. 1190 to c. 1666 [3 Volume Set]](http://indiepubs.com/cdn/shop/files/9781783276240_e30fdda0-4d61-4558-b2d8-615df9d9a842_{width}x.jpg?v=1721433559)
