Name: The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe
Brand: Kirk Ambrose
Price: 29.99 USD
Availability: InStock

Kirk Ambrose

The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe

$29.99

Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings.

Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination.

KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.

The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe

Mark J. Crowley

Home Fronts - Britain and the Empire at War, 1939-45

$130.00

Examines the "home front" war effort from an overall imperial perspective, assessing the contribution of individual imperial territories.

There is increasing interest in the "home front" during the Second World War, including issues such as how people coped with rationing, how women worked to contribute to the war effort, and how civilian morale fluctuated over time. Most studies on this subject are confined to Britain, or to a single other colonial territory, neglecting the fact that Britain controlled a large Empire and that there were numerous "home fronts", each of which contributed greatly to the war effort but each in slightly different ways. This book considers "home fronts" from an overall imperial perspective and in a broad array of territories - Australia, India, South Africa, Ceylon, Palestine and Kenya aswell as Britain. It examines many aspects of wartime life - food, communications, bombing, volunteering, internment and more, and discusses important themes including identity, gender, inequality, and the relationship between civilians and the state. Besides case studies outlining the detail of the situation in different territories and in different areas of life, the book assesses "home fronts" across the Empire in a comprehensive way, setting the case studies in their wider context, and placing the subject in, and advancing, the historiography.

MARK J. CROWLEY is Associate Professor of History at Wuhan University, China.

SANDRA TRUDGEN DAWSON is an Instructor in the Department of History at the University of Maryland.

Contributors: NUPUR CHAUDHURI, MARK J. CROWLEY, SANDRA TRUDGEN DAWSON, NADJA DURBACH, ASHLEY JACKSON, RITIKA PRASAD, LINSEY ROBB, SHERENE SEIKALY, JEAN SMITH,ANDREW STEWART, PETER THORSHEIM, CHRISTINE WINTER

Home Fronts - Britain and the Empire at War, 1939-45

Natasha Loges

Brahms and His Poets

$95.00

Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music.

Johannes Brahms's much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.A substantial introduction explores the multiple meanings song-poetry held for Brahms and challenges the widely held opinion that he responded only to the general mood of a poem. It is followed by alphabetically organised essays on the forty-six poets whose verses he set. Each summarises the settings, Brahms's links to the poet, interconnections between the poets, and offers further context situating the poet within a wider literary, cultural and politicallandscape. The poets are revealed to be part of a deeply collegial cultural community of which Brahms was an active part.
Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a wayof understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs.

NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.

Marc D. Moskovitz, R. Larry Todd

Beethoven's Cello: Five Revolutionary Sonatas and Their World

$39.95

Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.

Winner of the 2018 CHOICE Outstanding Academic Title Award

In 1796 the young Beethoven presented his first two cello sonatas, Op. 5, at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style.
In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural contexts. Also addressed arethe three variation sets and, in a series of interludes, the cellos owned by Beethoven, the changing nature of his pianos, the cello-centric 'Triple' Concerto and the arrangements for cello and piano of other works. Featuring a preface by renowned cellist Steven Isserlis and concluding with the reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.

MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. He has recorded the music of virtuoso cellists David Popperand Alfredo Piatti for the VAI label, and his American premiere of Zemlinsky's Cello Sonata was heralded by the Washington Post as 'an impassioned performance'. Moskovitz has contributed to the New Grove Dictionary of Music and Musicians; and his biography, Alexander Zemlinsky: A Lyric Symphony, was published by Boydell & Brewer in 2010.

Recognized as 'Mendelssohn's most authoritative biographer' (The New Yorker), R. LARRY TODD is Arts and Sciences Professor at Duke University. He is the author of Mendelssohn: A Life in Music, named Best Biography in 2003 by the Association of American Publishers, and Fanny Hensel: The Other Mendelssohn, awarded the ASCAP Nicholas Slonimsky Award for outstanding biography in music. As a pianist, he has recorded with Nancy Green the complete cello works of Mendelssohn and Fanny Hensel for JRI Recordings.

Beethoven's Cello: Five Revolutionary Sonatas and Their World

Natasha Loges

Brahms and His Poets

$54.95

Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music.

Johannes Brahms's much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.A substantial introduction explores the multiple meanings song-poetry held for Brahms and challenges the widely held opinion that he responded only to the general mood of a poem. It is followed by alphabetically organised essays on the forty-six poets whose verses he set. Each summarises the settings, Brahms's links to the poet, interconnections between the poets, and offers further context situating the poet within a wider literary, cultural and political landscape. The poets are revealed to be part of a deeply collegial cultural community of which Brahms was an active part.
Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs.

Michelle Brown

Graphic Devices and the Early Decorated Book

$95.00

Examinations of the use of diagrams, symbols etc. found as commentary in medieval texts.

In our electronic age, we are accustomed to the use of icons, symbols, graphs, charts, diagrams and visualisations as part of the vocabulary of communication. But this rich ecosystem is far from a modern phenomenon. Early medievalmanuscripts demonstrate that their makers and readers achieved very sophisticated levels of "graphicacy". When considered from this perspective, many elements familiar to students of manuscript decoration - embellished charactersin scripts, decorated initials, monograms, graphic symbols, assembly marks, diagrammatic structures, frames, symbolic ornaments, musical notation - are revealed to be not minor, incidental marks but crucial elements within the larger sign systems of manuscripts.
This interdisciplinary volume is the first to discuss the conflation of text and image with a specific focus on the appearance of various graphic devices in manuscript culture. By looking attheir many forms as they appear from the fourth century to their full maturity in the long ninth century, its contributors demonstrate the importance of these symbols to understanding medieval culture.

Michelle P. Brown FSA is Professor Emerita of Medieval Book History at the School of Advanced Study, University of London and was formerly the Curator of Illuminated Manuscripts at the British Library; Ildar Garipzanov is Professor of Early Medieval History at the Department of Archaeology, Conservation and History at the University of Oslo; Benjamin C. Tilghman is Assistant Professor of Art History at Washington College.

Contributors: Tina Bawden, Michelle P.Brown, Leslie Brubaker, David Ganz, Ildar H. Garipzanov, Cynthia Hahn, Catherine E. Karkov, Herbert L. Kessler, Beatrice Kitzinger, Kallirroe Linardou, Lawrence Nees, Eric Palazzo, Benjamin C. Tilghman.

Graphic Devices and the Early Decorated Book

Elisabeth M C van Houts

Anglo-Norman Studies XXXIX

$120.00

Anglo-Norman Studies is nothing if not wide-ranging. One opens each new volume expecting to find the unexpected - new light on old arguments, new material, new angles. MEDIUM AEVUM

This year's volume continues to demonstrate the vitality of scholarship in this area, across a variety of disciplines. Topics include the forging of the Battle Abbey Chronicle; warring schoolmasters in eleventh-century Rouen; theimpact of the Conquest on England; the circulation of manuscripts between England and Normandy; and Earl Harold and the Foundation of Waltham Holy Cross.

Contributors: Julie Barrau, Christopher Clark, Laura Cleaver, Stefan de Jong, Simon Keynes, Tom Licence, Brigitte Meijns, Thomas O'Donnell, Alheydis Plassman, Elisabeth Ridel, Chris Whittick, Ann Williams

John D. Grainger

The British Navy in the Mediterranean

$130.00

A comprehensive overview of the activities of the British navy in the Mediterranean from the earliest times until the present.

This book presents a comprehensive overview of the activities of the British navy in the Mediterranean Sea from the earliest times until the twentieth century. It traces developments from Anglo-Saxon times, through the Crusades,and to the seventeenth century, when the Barbary corsairs became a major problem. It outlines Britain's involvement in the wars of the long eighteenth century, when Britain obtained bases at Gibraltar, Minorca and Malta and repeatedly defeated the French and Spanish navies. It examines the navy's activities during the First and Second World Wars, when the Mediterranean was again of crucial strategic significance and a major theatre of war, and goes on toconsider Britain's withdrawal from the Mediterranean in the later twentieth century. Throughout, the book relates naval activity to patterns of trade, including the rise and decline of the Levant Company, and to wider international politics.

JOHN D. GRAINGER is the author of numerous books for a variety of publishers, including seven previously published books for Boydell and Brewer, including The British Navy in the Baltic, Dictionaryof British Naval Battles and The First Pacific War: Britain and Russia, 1854-56.

Nancy November

Cultivating String Quartets in Beethoven's Vienna

$130.00

The first detailed contextual study of chamber music in Beethoven's Vienna, at a time when the string quartet reigned supreme among the different chamber genres

This book is the first detailed contextual study of string quartets in Beethoven's Vienna, at a time when that genre reigned supreme among the different chamber genres. Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the 'private' sphere of music-making, it explores the 'cultivation' of string quartets by composers, critics, listeners, performers, publishers and patrons. The book highlights these parties' interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising at this time.
We gain fresh insights into publishing and marketing, performance venues and practices, review culture, listening theories and practices, and composition in early nineteenth-century Vienna. Until now, the unique theatricality of chamber music, and the 'social' nature of its discourse, has been poorly appreciated. Cultivating String Quartets in Beethoven's Vienna addresses this misconception and enriches our understanding of this crucial period of change, in which concert life began and previously 'private' music was moved out onto the stage.

NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland.

Cultivating String Quartets in Beethoven's Vienna

Michael Allis

Granville Bantock's Letters to William Wallace and Ernest Newman, 1893-1921

$130.00

Granville Bantock's letters to the Scottish composer William Wallace and the music critic Ernest Newman provide a fascinating window into British music and musical life in the early twentieth century and the 'dawn' of musical modernism.

British music and musical life before the Great War have been relatively neglected in discussions of the idea of the 'modern' in the early twentieth century. This collection of almost 300 letters, written by Granville Bantock (1868-1946) to the Scottish composer William Wallace (1860-1940) and the music critic Ernest Newman (1868-1959) places Bantock and his circle at the heart of this debate. The letters highlight Bantock's and Wallace's development of the modern British symphonic poem, their contribution (with Newman) to music criticism and journalism, and their attempts to promote a young generation of British composers - revealing an early frustration with the musical establishment. Confirming the impact of visits to Britain by Richard Strauss and Sibelius, Bantock offers opinions on a range of composers active around the turn of the twentieth century, identifying Elgar and Delius as the future for English music. Along with references to conductors, entertainers and contemporary writers (Maeterlinck, Conrad), there are fascinating details of the musical culture of London, Liverpool and Birmingham - including programming strategies at the Tower, New Brighton, and abortive plans to relaunch the New Quarterly Musical Review. Fully annotated, the letters provide a fascinating window into British music and musical life in the early twentieth century and the 'dawn' of musical modernism.
MICHAEL ALLIS is Professor of Musicology at the School of Music, University of Leeds.

Granville Bantock's Letters to William Wallace and Ernest Newman, 1893-1921

Nigel Bryant

The Song of Bertrand du Guesclin

$190.00

Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him.

Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur.
His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English.
Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis.

NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chrétien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.

Diana Walters

Heritage and Peacebuilding

$130.00

Case-studies of whether and how heritage can be used to bring about reconciliation.

This volume explores one of the most critical issues of our time: whether heritage can contribute to a more peaceful society and future. It reflects a core belief that heritage can provide solutions to reconciling peoples and demonstrates the amount of significant work being carried out internationally. Based round the core themes of new and emerging ideas around heritage and peace, heritage and peace-building in practice, and heritage, peace-building andsites, the twenty contributions seek to raise perceptions and understanding of heritage-based peace-building practices. Responding to the emphasis placed on conflict, war and memorialization, they reflect exploratory yet significant steps towards reclaiming the history, theory, and practice of peacebuilding as serious issues for heritage in contemporary society. The geographical scope of the book includes contributions from Europe, notably the Balkans andNorthern Ireland, the Middle East, and Kenya.

Diana Walters is an International Heritage Consultant and Honorary Senior Research Fellow at the University of Exeter; Daniel Laven is Associate Professor of Human Geography, Department of Tourism Studies and Geography/European Tourism Research Institute (ETOUR), Mid Sweden University; Peter Davis is Emeritus Professor of Museology, Newcastle University. Contributors: Tatjana Cvjeticanin, PeterDavis, Jonathan Eaton, David Fleming, Seth Frankel, Timothy Gachanga, Alon Gelbman, Felicity Gibling, Will Glendinning, Elaine Heumann Gurian, Lejla Hadzic, Feras Hammami, Lotte Hughes, Bosse Lagerqvist, Daniel Laven, Bernadette Lynch, Elena Monicelli, Yongtanit Pimonsathean, Saleem H. Ali, Sultan Somjee, Peter Stone, Michèle Taylor, Peter van den Dungen, Alda Vezic, Jasper Visser, Diana Walters.

Danielle E.A. Park

Papal Protection and the Crusader

$120.00

Those on Crusade needed their interests at home to be protected; this volume looks at how this could be achieved, in both theory and practice.

On taking the cross, crusaders received a diverse set of privileges designed to appeal to both spiritual and more temporal concerns. Among these was the papal protection granted to them and extended over their families and possessions at home.
This book is the first full length investigation of this protection. It begins by examining the privilege from its inception in around 1095, and its development and consolidation through to 1222. It then moves on to illustrate how this privilege operated in practice through the appointments of regency governments and close communication with both the papacy and local ecclesiastical officials, centring on the rich crusading evidence fromFlanders, Champagne and the Kingdom of France. While the protection privilege has been seen as unwieldy and over ambitious, close analysis of particular cases and individuals reveals that not only were regents well aware of theirprivileged status, but that the papacy could directly intervene when its protection was contravened.

DANIELLE PARK is Lecturer in Medieval History at the University of York.

Nigel Bryant

The Song of Bertrand du Guesclin

$49.95

Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him.

Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur.
His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English.
Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis.

NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chrétien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.

Marten Seppel

Cameralism in Practice

$36.95

The first book that acknowledges cameralism as a European rather than just a German historical phenomenon.

This book discusses the impact of cameralism on the practices of governance, early modern state-building and economy in seventeenth- and eighteenth-century Europe. It argues that the cameralist conception of state and economy - aform of 'science' of government dedicated to reforming society while promoting economic development, and often associated mainly with Prussia - had significant impact far beyond Germany and Austria. In fact, its influence spread into Denmark, Sweden, Russia, Portugal, Northern Italy and other parts of Europe. In this volume, an international set of experts discusses administrative practices and policies in relation to population, forestry, proto-industry,trade, mining affairs, education, police regulation, and insurance. The book will appeal to early modernists, economic historians and historians of economic thought.

MARTEN SEPPEL is Associate Professor of Early ModernHistory at the University of Tartu, Estonia. He holds an MPhil from the University of Cambridge. KEITH TRIBE has a PhD from the University of Cambridge and taught at the University of Keele (UK) from 1976 to 2002, retiring as Reader in Economics. He is now working as a highly regarded professional translator and independent scholar. Forthcoming work includes a new translation of Max Weber, Economy and Society Part One (Harvard University Press, 2018). His publications include Strategies of Economic Order (CUP, 1995/2007); The Economy of the Word. Language, History, and Economics (OUP, 2015); and (edited with Pat Hudson) The Contradictions of Capital in the Twenty-First Century (Agenda, 2016).

Contributors: ROGER BARTLETT, ALEXANDRE MENDES CUNHA, HANS FRAMBACH, GUILLAUME GARNER, LARS MAGNUSSON, INGRID MARKUSSEN, FRANK OBERHOLZNER, GÖRAN RYDÉN, MARTEN SEPPEL, KEITH TRIBE, PAUL WARDE

David Charlton

The Music of Simon Holt

$170.00

Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015.

British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano musicand opera. Holt is a composer who demands unusual commitment from his interpreters - the intricate sound-worlds he creates often contain complex, rich textures, offset by 'still centres' - for the purpose of making music which speaks with extraordinary power.
Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt's work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt's inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt's compositions, drawn up together with the composer. It reveals that the last twenty years have seen no slowing-up in his rate of creative production, notwithstanding that the nature of his writing has changed during this time.
DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London.

Contributors: JULIA BARDSLEY, DAVID BEARD, DAVID CHARLTON, THIERRY FISCHER, ANTHONY GILBERT, STEPHEN GUTMAN, MELINDA MAXWELL, RICHARD MCGREGOR, STEPH POWER, PHILIP RUPPRECHT, SIMON SPEARE, REBECCA THUMPSTON, EDWARD VENN

Joan Abela

Hospitaller Malta and the Mediterranean Economy in the Sixteenth Century

$130.00

Demonstrates that Malta was much more than a military strongpoint in the Christian-Muslim divide but rather a major centre of international exchange.

Malta in the sixteenth century is usually viewed in military terms: the great bulwark of Christendom against Islam, the island ruled by the crusader Knights of St John - the Hospitallers - with its vast fortifications and its famous siege of 1565. This book, however, which examines the development of the economy of Malta and its place in the wider Mediterranean economy in the period, paints a much more complex picture. It shows how Malta was the hub of alarge, complicated trading network, with Christians of various denominations, as well as Jews and Muslims, participating in commercial activity, and with well-developed instruments of trade and commercial law in place to supportthis network. It demonstrates that trade was not just in grain, a necessary commodity for Malta as a barren island with insufficient agriculture, but in a much wider range of goods, including even the sale and ransom of slaves. The book pays particular attention to the important commercial role of women, to safe conducts, which enabled Christians to trade in Muslim lands and vice versa, and to credit arrangements, which facilitated payments, even across the Christian-Muslim divide. Overall, rather than a key strong-point in a closed frontier, Malta is shown to have been a major centre of international exchange.

JOAN ABELA is Senior Lecturer in the Legal History and Methodology Department at the University of Malta, President of the Notarial Archives Resource Council and past Secretary of the Malta Historical Society. She was the winner of the 2014 Boydell and Brewer Prize for the best doctoral thesis in maritime history.

Cover image for Hospitaller Malta and the Mediterranean Economy in the Sixteenth Century, isbn: 9781783272112

Anthony Musson

Courts of Chivalry and Admiralty in Late Medieval Europe

$130.00

A multi-disciplinary approach to two of the most important legal institutions of the Middle Ages.

The wars waged by the English in France during the fourteenth and fifteenth centuries led to the need for judicial agencies which could deal with disputes that arose on land and sea, beyond the reach of indigenous laws. This led to the jurisdictional development of the Courts of Chivalry and Admiralty, presiding over respectively heraldic and maritime disputes. They were thus of considerable importance in the Middle Ages; but they have attracted comparatively little scholarly attention.
The essays here examine their officers, proceedings and the wider cultural and political context in which they had jurisdiction and operated in later medieval Western Europe. They reveal similarities in personnel, institutions and outlook, as well as in the issues confronting rulers in territories across Europe. They also demonstrate how assertions of sovereignty and challenges to judicial competence were inextricably linked to complex political agendas; and that both military and maritime law were international in reach because they were underpinned by trans-national customs and the principles and procedures of Continental civil law. Combininglaw with military and maritime history, and discussing the art and material culture of chivalric disputes as well as their associated heraldry, the volume provides fresh new insights into an important area of medieval life and culture.

ANTHONY MUSSON is Head of Research at Historic Royal Palaces; NIGEL RAMSAY is Honorary Senior Research Associate in the Department of History at University College London.

Contributors: Andrew Ayton, Richard Barber, John Ford, Laurent Hablot, Thomas K. Heebøll-Holm, Julian Luxford, Ralph Moffat, Philip Morgan, Bertrand Schnerb, Anne F. Sutton, Lorenzo Tanzini.

Courts of Chivalry and Admiralty in Late Medieval Europe

Nick Holder

The Friaries of Medieval London

$39.95

A lavishly illustrated account of the buildings of the friars in the Middle Ages, bringing them vividly to life.

with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer.

Nominated for the Current Archaeology Book of the Year Award 2019

The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars.
This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary.

NICK HOLDER is a historian and archaeologist atEnglish Heritage and the University of Exeter. He has written extensively on medieval and early modern London.

IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturerin Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

Lynette Olson

St Samson of Dol and the Earliest History of Brittany, Cornwall and Wales

$120.00

New essays shed light on the mysterious St Samson of Dol and his Vita.

The First Life of St Samson of Dol (Vita Prima Samsonis) is a key text for the study of early Welsh, Cornish, Breton and indeed west Frankish history. In the twentieth century it was the subject of unresolved scholarly controversy that tended to limit its usefulness. However, more recent research has firmly re-established its significance as a historical source.
This volume presents the results of new, multi-disciplinary, assessment of the textand its context. What emerges from the studies collected here is a context of greater plausibility for the First Life of St Samson of Dol as an early and essentially historical text, potentially at the centre of early British Christianity and its influence on the Continent. The landscape of that Christianity is gradually emerging from the shadows and it is a landscape in which the career of St Samson, the first Insular peregrinus, is shown to be of considerable importance.

LYNETTE OLSON is an Honorary Associate of the Department of History, University of Sydney.

Contributors: Caroline Brett, Karen Jankulak, Constant J. Mews, Lynette Olson, Joseph-Claude Poulin, Richard Sowerby, Ian N. Wood, Jonathan M. Wooding.

St Samson of Dol and the Earliest History of Brittany, Cornwall and Wales

Leonie James

'This Great Firebrand': William Laud and Scotland, 1617-1645

$120.00

Presents Scotland as a case study for a fresh interpretation of Archbishop William Laud, his career and his working partnership with Charles I.

William Laud, Archbishop of Canterbury (1633-45), remains one of the most controversial figures in British ecclesiastical and political history. His rise to prominence under Charles I, his contribution to the shaping and implementation of contentious religious policies and his subsequent and catastrophic downfall are fundamental to our understanding of the religious and political developments which led to the collapse of royal authority in all three of theStuart kingdoms. Events in Scotland were central to this chain of events, and this book presents Scotland as a case study for a fresh interpretation of Laud, his career and his working partnership with Charles I. Casting new andmuch-needed light on Laud's engagement in Scottish affairs, this book reveals that his agency in Scotland was broadly consistent with - although differing in detail from - his approach in England and Ireland. It represents a majorcontribution to key debates on the nature of religion and politics in the 1630s and early 1640s and enhances current thinking on the role of both prince and prelate in the formulation of ecclesiastical policy, the 'British problem', and, indeed, the causes of the British Civil Wars.

LEONIE JAMES is Lecturer in History at the University of Kent, Canterbury.

'This Great Firebrand': William Laud and Scotland, 1617-1645

Susan Pearce

Charles Robert Cockerell in the Mediterranean

$75.00

Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century.

Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Cockerell's travelsin the eastern Mediterranean between 1810 and 1817 were the formative experience of his life. His forty letters from this period, held in the archives of the Royal Institute of British Architects and published here for the first time, give crucial day-to-day insights into his actions, thoughts and feelings in relation to the intricate histories of the re-discovery and sales of the Aegina and Bassae marbles and, equally importantly, illuminate his hugely significant work on temple architecture and sculpture in mainland Greece, the great cities of Asia Minor, and the significant temples of Sicily.
Drawing on these letters, and on some 150 unpublished letters sent by his friends while they were all in Greece and now held in the British Museum, this book elucidates what Cockerell did and why by analyzing his methods of work and their significance. It discusses Cockerell's aesthetic and conceptual development during his time abroad, particularly his influential part in the changing vision of Greek sculpture and architecture, from Winkelmann's static ideal to one rooted in dramatic tension and contextual contingency. The book unravels the emergence of Cockerell's crucial historical perspective and shows how he arrived at a new view of the ancient Greek past as made up of real lived lives, rather than just existing as a back drop to the present. By offeringa complete edition of the RIBA letters, this book fills a significant gap in our understanding of the thought and work of one of the formative spirits of nineteenth century visual historical culture.

SUSAN PEARCE is Professor Emeritus of Museum Studies, University of Leicester.

THERESA ORMROD has extensive experience in archival research, manuscript transcription and editing.

Charles Robert Cockerell in the Mediterranean

Suzie Thomas

Metal Detecting and Archaeology

$29.99

A groundbreaking examination of one of the most controversial topics within modern archaeology.

The invention of metal detecting technology during the Second World War allowed the development of a hobby that has traditionally been vilified by archaeologists as an uncontrollable threat to the proper study of the past. This book charts the relationship between archaeologists and metal detectors over the past fifty odd years within an international context. It questions whether the great majority of metal detectors need be seen as a threat or, as some argue, enthusiastic members of the public with a valid and legitimate interest in our shared heritage, charting the expansion of metal detecting as a phenomenon and examining its role within traditional archaeology. A particular strength of the book is its detailed case studies, from South Africa, the USA, Poland and Germany, where metal detectors have worked with, and contributed significantly towards, archaeological understanding and research.
With contributions from key individuals in both the metal detecting and archaeological communities, this publication highlights the need for increased understanding and cooperation and asks a number of questions crucial to the development of a long term relationship between archaeologists and metal detectors.

PETER G. STONE is Head of the School of Arts and Cultures and formerly Director of the International Centre for Cultural and Heritage Studies at the University of Newcastle. He has been interested in the public's role and interest in archaeology for over twenty-five years and has published widely on this topic, especially with respect to formal and informal education.
SUZIE THOMAS is lecturer in museum studies at the University of Helsinki.

Paolo Di Martino

People, Places and Business Cultures

$36.95

Inspired by the work and legacy of Francesca Carnevali, this collection brings together new research into nineteenth- and twentieth-century British and European economic history, socio-cultural history and business history.

This collection brings together new research into nineteenth- and twentieth-century British and European economic history, socio-cultural history and business history. It is inspired by the work and legacy of Francesca Carnevali who, throughout her career, encouraged a lively dialogue between these different disciplines. The book offers innovative views and perspectives on key debates and emphasises the connections between economic environments and wider social and cultural elements. It also considers methodological issues and emerging approaches in economic history. Topics include banks and business finance in the nineteenth century, mass-market retailing and class demarcations, economic microhistory, and comparative history and capitalism. Economic, business, social and cultural historians alike will find it of interest.

PAOLO DI MARTINO is Senior Lecturer in International Business History at the Birmingham Business School, University of Birmingham.
ANDREW POPP is Professor of Business History at the University of Liverpool.
PETER SCOTT is Professor of International Business History at the University of Reading's Henley Business School and Director of Henley's Centre for International Business History.

CONTRIBUTORS: Andrea Colli, Paolo Di Martino, Leslie Hannah, Matthew Hilton, Ken Lipartito, Lucy Newton, Andrew Popp, Peter Scott, Anna Spadavecchia, James Walker, Chris Wickham

Cover image for People, Places and Business Cultures, isbn: 9781783272129

Mark Hagger

Norman Rule in Normandy, 911-1144

$240.00

A magisterial survey of Normandy from its origins in the tenth century to its conquest some two hundred years later.

In around 911, the Viking adventurer Rollo was granted the city of Rouen and its surrounding district by the Frankish King Charles the Simple. Two further grants of territory followed in 924 and 933. But while Frankish kings mightgrant this land to Rollo and his son, William Longsword, these two Norman dukes and their successors had to fight and negotiate with rival lords, hostile neighbours, kings, and popes in order to establish and maintain their authority over it.
This book explores the geographical and political development of what would become the duchy of Normandy, and the relations between the dukes and these rivals for their lands and their subjects' fidelity. It looks, too, at the administrative machinery the dukes built to support their regime, from their toll-collectors and vicomtes (an official similar to the English sheriff) to the political theatre of their courts and the buildings in which they were staged. At the heart of this exercise are the narratives that purport to tell us about what the dukes did, and the surviving body of the dukes' diplomas. Neither can be taken at face value, and both tell usas much about the concerns and criticisms of the dukes' subjects as they do about the strength of the dukes' authority. The diplomas, in particular, because most of them were not written by scribes attached to the dukes' households but rather by their beneficiaries, can be used to recover something of how the dukes' subjects saw their rulers, as well as something of what they wanted or needed from them. Ducal power was the result of a dialogue, and this volume enables both sides to speak.

Mark Hagger is a senior lecturer in medieval history at Bangor University.

Mark Hagger

Norman Rule in Normandy, 911-1144

$49.95

A magisterial survey of Normandy from its origins in the tenth century to its conquest some two hundred years later.

This book provides a comprehensive revision and analysis of Normandy, its rulers, and governance between the traditional date for the foundation of the duchy, 911, and the completion of the conquest led by Count Geoffrey V of theAngevins, 1144. It examines how the Norman dukes were able to establish and then to maintain themselves in their duchy, providing a new historical narrative in the process. It also explores the various tools that they used to promote and enforce their authority, from the recruitment of armies to the use of symbolism and emotions at court. In particular, it also seeks to come to terms with the practicalities of ducal power, and reveals that it was framed and promoted from the bottom up as much as from the top down. In around 911, the Viking adventurer Rollo was granted the city of Rouen and its surrounding district by the Frankish King Charles the Simple. Two further grants of territory followed in 924 and 933. But while Frankish kings might grant this land to Rollo and his son, William Longsword, these two Norman dukes and their successors had to fight and negotiate with rival lords, hostile neighbours,kings, and popes in order to establish and maintain their authority over it.
This book explores the geographical and political development of what would become the duchy of Normandy, and the relations between the dukes and these rivals for their lands and their subjects' fidelity. It looks, too, at the administrative machinery the dukes built to support their regime, from their toll-collectors and vicomtes (an official similar to the English sheriff) to the political theatre of their courts and the buildings in which they were staged. At the heart of this exercise are the narratives that purport to tell us about what the dukes did, and the surviving body of the dukes'diplomas. Neither can be taken at face value, and both tell us as much about the concerns and criticisms of the dukes' subjects as they do about the strength of the dukes' authority. The diplomas, in particular, because most of them were not written by scribes attached to the dukes' households but rather by their beneficiaries, can be used to recover something of how the dukes' subjects saw their rulers, as well as something of what they wanted or neededfrom them. Ducal power was the result of a dialogue, and this volume enables both sides to speak.

Robin Netherton

Medieval Clothing and Textiles 13

$95.00

The best new research on medieval clothing and textiles, drawing from a range of disciplines.

Three of the essays in this collection focus on Italy, with contributions on footwear in Lucca based on documentary evidence of the fourteenth century; aristocratic furnishings as described in a royal letter of the fifteenth century, along with its first translation into English; and Boccaccio's treatment of disguise involving Christian/Islamic identity shifts in his Decameron. The Bayeux Tapestry is discussed as a narrative artwork that adopts various costumes for semiotic purposes. Another chapter considers surviving artefacts: a detailed study of a piece of quilted fabric armour, one of two such items surviving in Lübeck, Germany, reveals how it was made and suggests reasons for some of the unusual features. The volume also includes an investigation of the commercial vocabulary related to the medieval textile and fur industries: the terms used in Britain for measuring textile and fur are listed and discussed, especially the unique use of Anglo-French "launces" in a document of 1300.

Contributors: Jane Bridgeman, Mark C. Chambers, Jessica Finley, Ana Grinberg, Christine Meek, Gale R. Owen-Crocker

Deborah Heckert

Composing History

$120.00

A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods

This study explores the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods. Its focus is on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically inflected popular entertainments. The masque operated as an "invented tradition", in the sense theorized by EricHobsbawm, and was used to connect the modern nation of Britain to its historical past. As conceptions of national identity became increasingly dependent on the image of "Merrie England" located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century.

DEBORAH HECKERT is a Lecturer at Stony Brook University and has taughtat the University of Virginia, Utah State University, and Brooklyn College-CUNY.

Professor Lorraine Byrne Bodley

Music in Goethe's Faust

$170.00

Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.

That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attractedthe attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Faust set to musicand considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting ofGoethe's Faust to Alfred Schnittke's Faust opera (1993).
This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike.

LORRAINE BYRNE BODLEY is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland.

Contributors: Mark Austin, Lorraine Byrne Bodley, NicholasBoyle, John Michael Cooper, Siobhán Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor

Sylvia Shorto

British Houses in Late Mughal Delhi

$95.00

Demonstrates, through an investigation of material culture, the complexity of the relationship between rulers and ruled in early nineteenth-century British India.

This book explores ambivalence in the domestic building activities of a group of East India Company officials in Delhi in the fifty years following British occupation in 1803. Arguing that houses, their location and their contentsdirectly or subliminally reveal the values and beliefs of the individuals who commissioned and lived in them, it uses houses to examine the changing ways the British manipulated power, both relating to and resisting the pre-existing spatial layout of the city. The re-use of palaces and of monumental religious structures as dwellings, as well as new houses that appeared formally classical but concealed adaptations to local ways of living, show that despitean apparent desire to maintain cultural separation, there was both complexity and contradiction in the interrelationship of the British authority and the failing Mughal polity. The book also shows how room sequencing and functiondemonstrate a lack of rigid distinction between the official and individual roles played by Company officials. Household objects have multiple meanings depending on their use and context. As the taste and choices made in these houses were primarily those of men, the book also contributes to our understanding of competing models of manhood in British India.

SYLVIA SHORTO, an independent scholar, was Associate Professor in the Department of Architecture and Design at the American University of Beirut until the end of 2017. She writes on architecture as material culture in colonial contexts, crossing scales from urban environments to individual objects contained in domesticsettings.

Anthony Boden

The Three Choirs Festival: A History

$60.00

Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015.

Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015. Rotating each summer between the English cathedral cities of Hereford, Gloucester and Worcester, the Festival is a week-long programme of choral and orchestral concerts, cathedral services, solo and chamber music recitals, master classes, talks, theatre and exhibitions. At the heart of the modern festival are the daily services of Choral Evensong, representing the tradition of Anglican music and liturgy, and the large-scale evening concerts featuring established favourites of the British classical choral tradition with works drawn from a broader, more international musical canvas. Many special commissions and other works, including compositions by British composers such as Jonathan Harvey, James Macmillan, Judith Bingham and John McCabe, and composers from abroad, such as Gerard Schurmann, Jackson Hill and Torsten Rasch, have received their first performances at Three Choirs.
Originally published in 1992, this revised edition bringsthe history of the oldest surviving non-competitive music festival in Britain thoroughly up to date. It traces the development of the Festival from its origins in the early eighteenth century to its tercentenary in 2015, along the way touching on many musical milestones - premieres by Parry, Elgar, Vaughan Williams, Saint-Saëns, Holst, and Howells, among others - and luminaries - Sullivan, Stanford, Dvorák, Delius, Bax, and Britten, to name but a few - associated with it. British music enthusiasts especially will find this new edition invaluable.

ANTHONY BODEN is a writer with particular interests in music and literature. In 1989 he was appointed as Administrator of theGloucester Three Choirs Festival, a post he held until his retirement in 1999. In 1995 he became the founding Chairman of the Ivor Gurney Society, of which he was elected President in 2015. His other books include Thomas Tomkins: The Last Elizabethan (2004) and The Parrys of the Golden Vale (1998).

PAUL HEDLEY is a partner in Exart Performances, an Associate Fellow at the Saïd Business School, University of Oxford, has a PhD in theoretical linguistics, and spent five years as Chief Executive of the Three Choirs Festival.

Simon Desbruslais

The Music and Music Theory of Paul Hindemith

$170.00

A detailed study of the well-known, yet poorly understood, music theory of composer Paul Hindemith (1895-1963).

The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationship to existing acoustic music theories. By examining different Unterweisung-versions, it charts the evolution of Hindemith's use of language and mode of communication, including his reference to polytonality, atonality, Fuxian species counterpoint, and avoidance of existing music for his examples. It also elaborates the source material on which the theory is based, using a reconstruction of Hindemith's personal library.
Central to the book is the relationship of Hindemith's Unterweisung to his compositional practice. Hindemith's fascination with the challenges of music theory falls into a middle period in his oeuvre, enabling profitable comparisons with his compositional practice both before and after his theory-making. The book also comprises a detailed discussion of Hindemith's theoretical and compositional legacy. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith's theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt.

SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull and an internationally acclaimed trumpet soloist.

The Music and Music Theory of Paul Hindemith

R. J. Arnold

Musical Debate and Political Culture in France, 1700-1830

$120.00

The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.

In the eighteenth and early nineteenth centuries, French cultural life seethed with debates about the proper nature and form of musical expression, particularly in opera. Expressed in a flood of pamphlets, articles, letters and poems as well as in the actual disruption of performances, these so-called querelles were seen at the time as a distinctively French phenomenon and have been mined by scholars since for what they can tell us about French politics and culture in the revolutionary period.

This is the first full-length treatment of the entire history of this phenomenon, from its beginnings in the last years of Louis XIV to the 1820s when the new musical challenges of Berlioz and Wagner put an end to this particular form of debate. Arnold analyses the individual querelles, showing how they reflected and played their part in wider political and cultural events. At the same time, hetraces themes common in varying degrees to them all - questions of authority, the issue of national prestige, and the relation of language to music. Where some scholars have characterised these disputes as simply politics by proxy, Arnold paints a more nuanced picture, showing that music itself was taken seriously beyond artistic circles because it was seen as having great, potentially limitless, power over popular sentiment and thus implicitly power to reform society and change the world.

R.J. Arnold is an honorary research fellow at Birkbeck, University of London

Musical Debate and Political Culture in France, 1700-1830

Thea Tomaini

The Corpse as Text: Disinterment and Antiquarian Enquiry, 1700-1900

$120.00

Between 1700 and 1900, the subject of disinterment (exhumation) attracted the attention of antiquaries, who constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past.

Between 1700 and 1900, the sixteenth and seventeenth centuries were stereotyped, idealised, and held as a standard by which the present time could be measured. Various figures in politics, academia, and the church pointed to historical persons such as Henry VIII, Shakespeare, Charles I, and Oliver Cromwell as icons whose lives, deaths and corpses illustrated the victories of English Protestantism, the values of Monarchism (or Republicanism), and the superiority of the English culture and its language. In particular, the subject of disinterment (exhumation) attracted the attention of antiquaries. They constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. These 'texts' accompanied and enhanced the traditional texts of chronicle, literature, and epitaph.
This study explores the cooperation of ideology and aesthetic, the paradox of allure and revulsion, and the uncanny attraction to death. In each case there is a desire for the dead to speak in a contemporary voice; each historical personage becomes symbolic of larger aspects of the contemporary culture. The discourse of the noble body in death is reconfigured to validate English nationalist ideals and to establish the past as a Golden Era of unimpeachable superiority. It was not enough simply to study the lives and deaths of historical figures. Itwas necessary to disinter the corpses, engage physically with the dead, and experience the discourse of validation.

THEA TOMAINI is Associate Professor of English (Teaching) at the University of Southern California.

The Corpse as Text: Disinterment and Antiquarian Enquiry, 1700-1900

Michael Talbot

British-Ottoman Relations, 1661-1807

$130.00

A richly sourced account of diplomatic practice in the British mission to Istanbul from 1661 to 1807.

The British Embassy in Istanbul was unique among other diplomatic missions in the long eighteenth century in being financed by a private commercial monopoly, the Levant Company. In this detailed study, Michael Talbot shows how theintimate relation between commercial interest and diplomatic practice played out across the period, from the arrival of an ambassador from the restored British crown in 1661 to the sudden evacuation of his successor and the outbreak of the first Ottoman War in 1807. Using a rich variety of sources in English, Ottoman Turkish and Italian, some of them never before examined, including legal documents, financial ledgers and first-hand accounts from participants, he reconstructs the detail of diplomatic practice in rituals of gift-giving and hospitality within the Ottoman court; examines the at times very different meanings that they held for the British and Ottoman participants; andtraces the ways in which the declining fortunes of the Levant company directly affected the ability of the embassy to perform effectively within Ottoman conventions, at a time when rising levels of British violence in and around the Ottoman realm marked the journey towards British imperialism in the region.

MICHAEL TALBOT is Lecturer in History at the University of Greenwich.

Professor Mark Knights

The Power of Laughter and Satire in Early Modern Britain

$130.00

Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them.

This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances.
Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, andchart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period.

MARK KNIGHTS is Professor of History at the University of Warwick.

ADAM MORTON is Lecturer in the History of Britain at the University of Newcastle.

Contributors: ANDREW BENJAMIN BRICKER, MARK KNIGHTS, FIONA MCCALL, ANDREW MCRAE, ADAM MORTON, SOPHIE MURRAY, ROBERT PHIDDIAN, MARK PHILP, CATHY SHRANK.

The Power of Laughter and Satire in Early Modern Britain

Martin Carver

The Sutton Hoo Story

$29.95

A definitive account of Sutton Hoo, its discovery, history and famed treasure.

The Sutton Hoo ship-burial is one of the most significant finds ever made in Europe. It lies in a burial ground which contains all the elements of archaeological mystery: seventeen mounds, buried treasure, and sacrificed horses. In this very accessible book, Martin Carver explains what we know of this site, at which the leaders of the Dark Age kingdom of East Anglia signalled the pagan and maritime nature of their court. This is the story not only of this dramatic place, but also of its exploration over half a century, which amounts to a potted history of British archaeology.

Vicki Stroeher

Benjamin Britten Studies: Essays on An Inexplicit Art

$190.00

Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.

Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.

VICKI P. STROEHER is Professor of Music History at Marshall University.

JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.

Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell

Benjamin Britten Studies: Essays on An Inexplicit Art

Karl Bell

The Legend of Spring-Heeled Jack

$75.00

An intriguing study of a unique and unsettling cultural phenomenon in Victorian England.

WINNER of the 2013 Katharine Briggs Award

NEW LOWER PRICE
This book uses the nineteenth-century legend of Spring-Heeled Jack to analyse and challenge current notions of Victorian popular cultures. Starting as oral rumours, this supposedly supernatural entity moved from rural folklore to metropolitan press sensation, co-existing in literary and theatrical forms before finally degenerating into a nursery lore bogeyman to frighten children. A mercurial and unfixed cultural phenomenon, Spring-Heeled Jack found purchase in both older folkloric traditions and emerging forms of entertainment.
Through this intriguing study of a unique and unsettling figure, Karl Bell complicates our appreciation of the differences, interactions and similarities between various types of popular culture between 1837 and 1904. The book draws upon a rich variety of primary source material including folklorist accounts, street ballads, several series of "penny dreadful" stories (and illustrations), journals, magazines, newspapers, comics, court accounts, autobiographies and published reminiscences. The Legend of Spring-Heeled Jack is impressively researched social history and provides a fascinating insight into Victorian cultures. It will appeal to anyone with an interest in nineteenth-century English social and cultural history, folklore or literature.

Karl Bell is Senior Lecturer in History at the University of Portsmouth.

Guilhem Pepin

Anglo-Gascon Aquitaine: Problems and Perspectives

$120.00

The political union between England and Gascony or Aquitaine lasted from the early thirteenth century until 1453, and the long series of Gascon Rolls in the National Archives record some of the business of Aquitaine during the union. These are currently being calendared, and this volume reflects some of the research which resulted, both on the administration and record production of the Anglo-Gascon officials, and the English government of the region.

The political union between England and Gascony or Aquitaine lasted from the early thirteenth century until 1453, and the long series of Gascon Rolls in the National Archives record some of the business of Aquitaine during the union. These are currently being calendared, and this volume reflects some of the research which resulted. The administration and record production of the Anglo-Gascon officials, and their relationship with the English, including its social and political implications is directly connected to the calendars. New light is shed on the origins of the war of Saint-Sardos in 1323, and on the recruitment recruitment of English criminals in Edward II's army when waractually broke out. From 1361 onwards, Edward prince of Wales (the Black Prince) was also prince of Aquitaine, and two essays are concerned with the period of his rule, which ended disastrously in 1369. The French campaign to retake Gascony dates from this year, and allegiances both in Gascony and in the neighbouring principalities are studied using the material in the rolls. Matters were further complicated by the great papal schism, when French and English backed different candidates for the papacy, and the political division became a religious one as well.

Guilhem Pépin received his doctorate from the University of Oxford. He is an active researcher in The Gascon Rolls Project based at the University of Southampton and has published extensively on Anglo-Gascon Aquitaine, particularly on its institutions and identity, military operations and the principality under the Black Prince.

Contributors: Robert Blackmore, Frédéric Boutoulle, Guilhem Ferrand, Simon Harris, Andy King, Françoise Lainé, Guilhem Pépin, Pierre Prétou, Nicolas Savy, Covagonda Valdaliso.

Anglo-Gascon Aquitaine: Problems and Perspectives

Lisa Jakelski, Nicholas Reyland

Lutoslawski's Worlds

$85.00

Witold Lutoslawski (1913-1994) was one of the most important composers of the twentieth century. His significance extends far beyond his native Poland: his classical music was premiered by internationally renowned performers likethe LaSalle Quartet and Krystian Zimerman, and his symphonies, concertante, chamber, instrumental and vocal music are produced by the leading labels of the recording industry. Lutoslawski's vita is just as captivating as his compositionally path-breaking music. He lived through the Second World War and brutal German oppression of Poland, negotiated the challenges of Soviet influence and fluctuating local politics during Poland's post-war transition to communism, and finally strove for a new voice in the post-Stalin Thaw of the mid-1950s.
Lutoslawski's Worlds is a landmark volume which looks at the multi-faceted spheres that informed the composer's life and works andrepresents a new departure in the study of his music. Throughout his life, he steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention tothe many other spheres of creative activity - popular music, theatre music, film scoring, propaganda music, and educational music - that occupied him. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music.
LISA JAKELSKI is Associate Professor of Musicology at the Eastman School of Music, University of Rochester.

NICHOLAS REYLAND is Head of Undergraduate Programmes at the Royal Northern College of Music.

Contributors: STANISLAW BEDKOWSKI, ANDREA F. BOHLMAN, DANUTA GWIZDALANKA, LISA JAKELSKI, MICHAEL L. KLEIN, IWONA LINDSTEDT, WIOLETA MURAS, KATARZYNA NALIWAJEK-MAZUREK, NICHOLAS REYLAND, ZBIGNIEW SKOWRON, STEVEN STUCKY, ADRIAN THOMAS, DAVID TOMPKINS, LISA COOPER VEST

Andrew J. Boyle

Delius and Norway

$65.00

The first detailed study of the vital role that Norway played in the life and work of Frederick Delius

This is a study of the vital role that Norway played in the life and work of Frederick Delius. Norway was a primary source of inspiration for Delius: 20 summers of his adult life were spent there, and almost 40 works express his experiences of Norwegian nature or were composed to Norwegian texts. Yet, although his attachment to Norway was at the core of his creative life, this book is the first in-depth study of the influence the country and its artists had on the composer. It includes significant new material regarding Delius's friendships with Edvard Munch, Edvard Grieg and Knut Hamsun. Previously unknown visits to Norway are detailed, as are close ties to a whole raft of Norwegian artists and political figures that have never previously been documented. For the first time, Delius's alter ego is uncovered, several mythologies regarding the composer are clarified, and the Norwegian background to some of his most well-known works is considered. The Delius that emerges from these pages is little known, even to most enthusiasts of his music: a driven and energetic personality and an artist searching for a language with which to express the existential crisis facing modern man in the early twentieth century.

ANDREW J. BOYLE is an author and musician. He gained his PhD on the music of Frederick Delius from the University of Sheffield.

Graham Sadler

The Rameau Compendium

$105.00

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764)

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular,the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau'stheoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information.

GRAHAM SADLER is Professor Emeritus at the University of Hull, Research Professor at Birmingham Conservatoire and Research Fellow at the University of Oxford. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.

Graham Sadler

The Rameau Compendium

$36.95

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764)

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular,the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau'stheoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information.

GRAHAM SADLER is Professor Emeritus at the University of Hull and Research Professor at Birmingham Conservatoire. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.

Edited by Richard Barber

The Marlborough Mound

$65.00

The Marlborough Mound has recently been recognised as one of the most important monuments in the group around Stonehenge. It was also a medieval castle and a feature in a major 17th century garden. This is the first comprehensive history of this extraordinary site.

Marlborough Mound, standing among the buildings of Marlborough College, has attracted little attention until recently. Records showed it to be the motte of a Norman castle, of which there were no visible remains. The local historians and archaeologists who had investigated it had found very little in the way of archaeological evidence beyond a few prehistoric antler picks, the odd Roman coin, and a scatter of medieval pottery.
It was to be archaeology which provided the most dramatic discovery after the Mound Trust began to restore the mound in 2003. English Heritage were investigating Silbury Hill, and arranged to take cores from the Mound for dating purposes. The results were remarkable, as they showed that the Mound was almost a twin of Silbury Hill and therefore belonged to the extraordinary assembly of prehistoric monuments centred on Stonehenge.
For the medieval period, this book brings together for the ﬁrst time all that we know about the castle from the royal records and from chronicles. These show that it was for a time one of the major royal castles in the land. Most of the English kings from William I to Edward III spent time here. For Henry III and his queen Eleanor of Provence, it was their favourite castle after Windsor. It marks the end of the ﬁrst stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research.
As to its ﬁnal form as a garden mound next to the house of the dukes of Somerset, in the eighteenth century, this emerges from letters and even poems, and from the recent restoration. Much of this has been slow and painstaking work, however, involving the removal of the trees which endangered the structure of the Mound, the recutting of the spiral path and the careful replanting of the whole area with suitable vegetation. By doing this, the shape of the Mound as a garden feature has re-emerged, and can now be seen clearly.
This book marks the end of the ﬁrst stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research.

Professor Marina Frolova-Walker

Music and Soviet Power, 1917-1932

$49.95

The book offers unprecedented access to primary sources that have been unavailable in English, or which lay unknown on archival shelves. Music and Soviet Power offers cultural history told through documents - both colourfuland representative - with an extensive commentary and annotation throughout.

The October Revolution of 1917 tore the fabric of Russian musical life: institutions collapsed, and leading composers emigrated or fell into silence. But in 1932, at the outset of the 'socialist realist' period, a new Stalinist music culture was emerging. Between these two dates lies a turbulent period of change which this book charts year by year. It sheds light on the vicious power struggles and ideological wars, the birth of new aesthetic credos, and the gradual increase of Party and state control over music, in the opera houses, the concert halls, the workers' clubs, and on the streets.
The book not only provides a detailed and nuanced depiction of the early Soviet musical landscape, but brings it to life by giving voice to the leading actors and commentators of the day. The vibrant public discourse on music is presented through a selection of press articles, reviews and manifestos, all suppliedwith ample commentary. These myriad sources offer a new context for our understanding of Shostakovich, Prokofiev and Myaskovsky, while also showing how Western music was received in the USSR. This, however, is only half the story.The other half emerges from the private dimension of this cultural upheaval, traced through the letters, diaries and memoirs left by composers and other major players in the music world. These materials address the beliefs, motivations and actions of the Russian musical intelligentsia during the painful period of their adjustment to the changing demands of the new state.
While following the twists and turns of official policies on music, the authors also offer their own explanations for the outcomes. The book offers unprecedented access to primary sources that have been unavailable in English, or which lay unknown on archival shelves. Music and Soviet Power offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout.

MARINA FROLOVA-WALKER is Professor in Music History at the University of Cambridge anda Fellow of Clare College, Cambridge.

JONATHAN WALKER, who has a PhD in Musicology, is a freelance writer, teacher and pianist.

Jia Wei

Commerce and Politics in Hume's History of England

$120.00

Illuminates the relationship between Hume the political thinker, Hume the historian, and Hume the political economist and highlights the social, economic and institutional changes which he wove into an innovative theory of causation

David Hume's six-volume History of England: From the Invasion of Julius Caesar to the Revolution in 1688 (1754-61) is probably his most important work as a constitutional historian and political theorist. Jia Wei's book shows that the History can be understood in two ways: firstly, as Hume's own narrative of England's state formation, and secondly, as his answer to the question of how eighteenth-century Britain could cope with the challengesof commercial revolution. It illuminates the relationship between Hume the political thinker, Hume the historian, and Hume the political economist and highlights the social, economic and institutional changes which he wove into aninnovative theory of causation.
The first part of the book considers Hume's account of the fundamental rationale of maritime trade and England's unique approach to liberty in the modern era. The second part looks at his views concerning the profound impact of maritime trade on English politics. From his perspective, the problem of how to cope with the challenges posed by the commercial revolution in eighteenth-century Britain was closely linked tothe question of how transoceanic trade had fundamentally recast English politics from the sixteenth century onwards. This study shows how these two narratives were interwoven into Hume's History and will be of interest to scholars and students not only of David Hume and political theory but of historiography, eighteenth-century British history and Enlightenment studies.

JIA WEI received her PhD from the University of Cambridge.

Commerce and Politics in Hume's <I>History of England</I>

Rachel Moore

Performing Propaganda: Musical Life and Culture in Paris during the First World War

$120.00

In the First World War, civilian life played a fundamental part in the war effort; and music was no exception.

Performing Propaganda looks at musical life in Paris during the First World War. This conflict was one in which civilian life played a fundamental part in the war effort; and music was no exception. The book examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. It situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. Drawing on a diverse range of archival material, including concert and operatic programmes, the musical and daily press, documents detailing government involvement in musical activity, and police records, it explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. This book will be of interest to musicologists, to cultural historians working on early twentieth-century France, and to scholars of the First World War,as well as to a more general readership with an interest in music during times of adversity.

RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.

Performing Propaganda: Musical Life and Culture in Paris during the First World War

Karl Bell

The Legend of Spring-Heeled Jack

$36.95

An intriguing study of a unique and unsettling cultural phenomenon in Victorian England.

WINNER of the 2013 Katharine Briggs Award

This book uses the nineteenth-century legend of Spring-Heeled Jack to analyse and challenge current notions of Victorian popular cultures. Starting as oral rumours, this supposedly supernatural entity moved from rural folklore to metropolitan press sensation, co-existing in literary and theatrical forms before finally degenerating into a nursery lore bogeyman to frighten children. A mercurial and unfixedcultural phenomenon, Spring-Heeled Jack found purchase in both older folkloric traditions and emerging forms of entertainment.
Through this intriguing study of a unique and unsettling figure, Karl Bell complicates our appreciation of the differences, interactions and similarities between various types of popular culture between 1837 and 1904. The book draws upon a rich variety of primary source material including folklorist accounts, street ballads,several series of "penny dreadful" stories (and illustrations), journals, magazines, newspapers, comics, court accounts, autobiographies and published reminiscences. The Legend of Spring-Heeled Jack is impressively researched social history and provides a fascinating insight into Victorian cultures. It will appeal to anyone with an interest in nineteenth-century English social and cultural history, folklore or literature.

Karl Bell is Senior Lecturer in History at the University of Portsmouth.

Paul Watt

Ernest Newman

$95.00

Examines the genesis of Ernest Newman's major publications in the context of prevailing intellectual trends in history, criticism and biography.

Ernest Newman (1868-1959) left an indelible mark on British musical criticism in a career spanning more than seventy years. His magisterial Life of Richard Wagner, published in four volumes between 1933 and 1946, is regarded as his crowning achievement, but Newman wrote many other influential books and essays on a variety of subjects ranging from early music to Schoenberg. In this book, the geneses of Newman's major publications are examined in thecontext of prevailing intellectual trends in history, criticism and biography. Newman's career as a writer is traced across a wide range of subjects including English and French literature, evolutionary theory and biographical method, and French, German and Russian music. Underpinning many of these works is Newman's preoccupation with rationalism and historical method. By examining particular sets of writings such as composer-biographies and essays from leading newspapers such as the Manchester Guardian and the Sunday Times, this book illustrates the ways in which Newman's work was grounded in late nineteenth-century intellectual paradigms that made him a unique and at times controversial figure.

PAUL WATT is Senior Lecturer in Musicology in the Sir Zelman Cowen School of Music at Monash University.

David Simpkin

The English Aristocracy at War

$120.00

A new appraisal of the military careers and activities of soldiers from elite medieval families.

In 1277 the recently crowned king of England, Edward I, invaded Wales; his army, large for the time, was none the less modest by his later standards. Most of his countrymen had not been on active service outside the realm for twenty years and more, if at all, yet over the course of the following four decades, up to the battle of Bannockburn in 1314, they would be called upon to fight in four different theatres of war: in Wales, Gascony, Flanders and Scotland.
Although the identities of many of the men who fought in these wars, particularly those of the thousands of peasant foot soldiers, will never be known, the names of a large proportion of the men-at-arms can be located inthe records of central government. This book utilises these sources - pay-rolls, horse inventories, wardrobe books and others - to examine the military careers and activities of these men-at-arms, focusing on five main themes: mobilisation; military command; service patterns among the gentry; retinues and their composition; and 'feudal' service.

Dr DAVID SIMPKIN is Research Associate at the University of Reading.

David Simpkin

The English Aristocracy at War

$29.99

A new appraisal of the military careers and activities of soldiers from elite medieval families.

In 1277 the recently crowned king of England, Edward I, invaded Wales; his army, large for the time, was none the less modest by his later standards. Most of his countrymen had not been on active service outside the realm for twenty years and more, if at all, yet over the course of the following four decades, up to the battle of Bannockburn in 1314, they would be called upon to fight in four different theatres of war: in Wales, Gascony, Flanders and Scotland.
Although the identities of many of the men who fought in these wars, particularly those of the thousands of peasant foot soldiers, will never be known, the names of a large proportion of the men-at-arms can be located inthe records of central government. This book utilises these sources - pay-rolls, horse inventories, wardrobe books and others - to examine the military careers and activities of these men-at-arms, focusing on five main themes: mobilisation; military command; service patterns among the gentry; retinues and their composition; and 'feudal' service.

Dr DAVID SIMPKIN is Teacher of History at Birkenhead Sixth-Form College.

Adrian Green

Economy and Culture in North-East England, 1500-1800

$130.00

A rich picture of the complexities of early industrial development in the north-east of England.

Historians increasingly emphasise that, in order to understand the industrial revolution fully as an economic, social and political process, the subject is best viewed from a regional, rather than a national, perspective. This book applies such an approach to the north-east of England in the early modern period, when, it is argued, the region experienced an early industrial revolution. Putting forward several new research findings and much new thinking, and covering many aspects of the economy of north-east England in the period, the book shows how rich and varied it was, and how vital the interplay of social, political and cultural forces was for industrial development. The book demonstrates that the economy of north-east England was not dominated by coal alone, and that previous historians' focus on 'the working class' misrepresents the full complexities of society in the period. Overall, the book has much to offer economic and social historians and historians of regional development generally, not just those interested in north-east England.

ADRIAN GREEN is Lecturer in History at Durham University. He is co-editor ofRegional Identities in North-East England, 1300-2000 (The Boydell Press, 2007).

BARBARA CROSBIE is Assistant Professor in History at Durham University, and is completing a study of The Rising Generations: AgeRelations and Cultural Change in Eighteenth-Century England.

Contributors: A. T. BROWN, JOHN BROWN, ANDY BURN, BARBARA CROSBIE, ADRIAN GREEN , MATTHEW D. GREENHALL, LINDSAY HOUPT-VARNER, GWENDA MORGAN, PETER RUSHTON, LEONA SKELTON, PETER D. WRIGHT, KEITH WRIGHTSON

Economy and Culture in North-East England, 1500-1800

Alexander D. Campbell

The Life and Works of Robert Baillie (1602-1662)

$130.00

First full study of the life and career of the Glaswegian minister Robert Baillie, establishing his significance and influence.

From 1637 to 1660, the Scots witnessed rapid and confused changes in government and violent skirmishing, whilst impassioned religious disputes divided neighbours, friends and family. One of the most vivid accounts of this period may be found in the letters of the Glaswegian minister, Robert Baillie; but whilst his correspondence has long featured in historical accounts of the period, the man behind these writings has largely been forgotten.
This biography draws together for the first time an analysis of Baillie's career and writings, establishing his significance as a polemicist, minister, theologian, and contemporary historian. It is based on the first, systematic reading ofBaillie's extensive surviving manuscripts, comprising thousands of leaves of correspondence, treatises, sermons, and notebooks. Chapters address Baillie's writings on monarchy, church government, Reformed theology, liturgical change, Biblical scholarship, and Baillie's practice of record-keeping. Overall, the book challenges prevalent understandings of the intellectual landscape of Covenanted Scotland, situating Baillie and his contemporaries on the peripheries of a dynamic, European Republic of Letters.

Alexander D. Campbell is Social Sciences and Humanities Research Council of Canada Post-Doctoral Fellow, Queen's University, Canada.

The Life and Works of Robert Baillie (1602-1662)

Angela Nicholls

Almshouses in Early Modern England

$36.95

Addresses a neglected element of English welfare history, examining the role and significance of English almshouses in the period 1550 - 1725 and the contribution they made within the developing welfare systems of the time

Almshouses providing accommodation for poor people are a common feature of the towns and villages of England, visible representations of historic attitudes towards the poor. The period after the Reformation saw not only the survival of many medieval institutions but also a remarkable number of new foundations, as people from many different backgrounds used their wealth to revive and remodel this ancient form of provision to meet new needs. This book addresses a neglected element of English welfare history, examining the role and significance of English almshouses in the period 1550 - 1725 and the contribution they made within the developing welfare systems of the time.
Drawing on archival evidence, the book analyses why almshouses were founded and the reasons for the continuing popularity of this particular form of charity; who the occupants were; what benefits they received; and how residents wereexpected to live their lives. It challenges the assumption that Post-Reformation almshouses were places of privilege for the respectable deserving poor and reveals a surprising variation in the socio-economic status of almspeopleand their experience of almshouse life. The book places these findings in the context of the contemporary national and local debates about poverty and poor relief and argues that early modern almshouses took on a distinct and newidentity within the changed landscape of relief provision in post-Reformation England. Many almshouses played an integral role in the early welfare provision of their local communities, yet, ultimately, their significance was affected by the emergence of harsher public provision in the new workhouses of the eighteenth and nineteenth centuries.

ANGELA NICHOLLS is Associate Fellow at the University of Warwick

Penelope Thwaites

The New Percy Grainger Companion

$39.95

A new collection with contributions from performing musicians and Grainger scholars and a detailed Catalogue of Works.

In the thirty years since his Centenary in 1982 it has become even clearer that Percy Grainger [1882-1961] - composer, pianist and revolutionary - was a man born out of his time. Many of his ideas, both musical and social, sit farmore easily in our contemporary world. Those thirty years have also seen a notable expansion of interest in Grainger's music. Innumerable recordings have been made, including the first complete Grainger recording survey by Chandos in its monumental Grainger Edition. The growth of the internet has made it possible, as never before, for Grainger's music to be heard widely.
The central theme of The New Percy Grainger Companion is to give information and help from established musicians for performing and listening to this life-celebrating repertoire. The Companion's fully detailed, up-to-date Catalogue of Works - the most complete of any existing catalogue - givesinvaluable assistance. Authoritative contextual chapters in the Companion offer some surprising new background information, together with thoughtful evaluations which signal a new twenty-first century perspective in Grainger scholarship.

PENELOPE THWAITES is recognised internationally as a leading Grainger exponent. Her research, performances and extensive Grainger discography over four decades reflect a unique understanding of the manand his music.

Contributors: BRIAN ALLISON, TERESA BALOUGH, ROGER COVELL, KAY DREYFUS, LEWIS FOREMAN, PAUL JACKSON, JAMES JUDD, JAMES KOEHNE, ASTRID BRITT KRAUTSCHNEIDER, BARRY PETER OULD, STEWART MANVILLE, MURRAY MCLACHLAN, TIMOTHY REYNISH, BRUCE CLUNIES ROSS, DESMOND SCOTT, PETER SCULTHORPE, GEOFFREY SIMON, RONALD STEVENSON, STEPHEN VARCOE, DAVID WALKER

John Hines

Frisians and their North Sea Neighbours

$130.00

An investigation into the mysterious Frisians, drawing together evidence from linguistic, textual and archaeological sources.

From as early as the first century AD, learned Romans knew of more than one group of people living in north-western Europe beyond their Empire's Gallic provinces whose names contained the element that gives us modern "Frisian". These were apparently Celtic-speaking peoples, but that population was probably completely replaced in the course of the convulsions that Europe underwent during the fourth and fifth centuries. While the importance of linguisticallyGermanic Frisians as neighbours of the Anglo-Saxons, Franks, Saxons and Danes in the centuries immediately following the fall of the Roman Empire in the West is widely recognized, these folk themselves remain enigmatic, the details of their culture and organization unfamiliar to many.
The Frisian population and their lands, including all the coastal communities of the North sea region and their connections with the Baltic shores, form the focal pointof this volume, though viewed often through comparison with, or even through the eyes of, their neighbours. The essays present the most up-to-date discoveries, research and interpretation, combining and integrating linguistic, textual and archaeological evidence; they follow the story of the various Frisians through from the Roman Period to the next great period of disruption and change introduced by the Viking Scandinavians.

John Hines is Professor of Archaeology at Cardiff University; Nelleke IJssennagger is Curator of Archaeological and Medieval Collections at the Museum of Friesland.

Contributors: Elzbieta Adamczyk, Iris Aufderhaar, Pieterjan Deckers, Menno Dijkstra, John Hines, Nelleke Ijssennagger, Hauke Jöns, Egge Knol, Jan de Koning, Johan Nicolay, Han Nijdam, Tim Pestell, Peter Schrijver, Arjen Versloot, Gaby Waxenberger, Christiane Zimmermann.

Linda Clark

A Verray Parfit Praktisour

$120.00

Essays reflecting the interests and scholarship of one of our most important and influential historians.

For almost four decades Carole Rawcliffe has been a towering figure among historians of the later Middle Ages. Although now best known for her pioneering contributions to medical history, including major studies of hospitals, leprosy and public health, her published works range far more broadly to encompass among other subjects the English nobility, Members of Parliament, the regional history of East Anglia and myriad aspects of political and social interaction. The essays collected in this festschrift, written by a selection of her colleagues, friends and former students, cover a wide spectrum of themes and introduce such diverse characters as an estranged queen, a bankrupt aristocrat, a female apothecary, a flute-playing Turkish doctor and a medieval "Dad's Army" conscripted to defend England's coasts.

Linda Clark is Editor of the 1422-1504 section of the History of Parliament; Elizabeth Danbury is an Honorary Senior Research Fellow at the Institute of English Studies, School of Advanced Study, University of London, and Honorary Research Fellow at the Department of Information Studies, University College London.

Contributors: Jean Agnew, John Alban, Brian Ayers, Caroline Barron, Christopher Bonfield, Carole Hill, Peregrine Horden, Hannes Kleineke, Nicholas Vincent.

Nicholas Morton

The Teutonic Knights in the Holy Land, 1190-1291

$29.99

A detailed study of the Teutonic Knights in the Holy Land, covering both their military and administrative affairs.

The Teutonic Order was founded in 1190 to provide medical care for crusaders in the kingdom of Jerusalem. In time, it assumed a military role and played an important part in the defence of the Christian territories in the EasternMediterranean and in the Baltic regions of Prussia and Livonia; in the Levant, it fought against the neighbouring Islamic powers, whilst managing their turbulent relations with their patrons in the papacy and the German Empire. Asthe Order grew, it colonised territories in Prussia and Livonia, forcing it to address how it distributed its resources between its geographically-spread communities. Similarly, the brethren also needed to develop an organisational framework that could support the conduct of war on frontiers that were divided by hundreds of miles.
This book - the first comprehensive analysis of the Order in the Holy Land - explores the formative years of this powerful international institution and places its deeds in the Levant within the context of the wider Christian, pagan and Islamic world. It examines the challenges that shaped its identity and the masters who planned its policies.

Dr NICHOLAS MORTON is Lecturer in History at Nottingham Trent University.

Nicholas Morton

The Teutonic Knights in the Holy Land, 1190-1291

$120.00

A detailed study of the Teutonic Knights in the Holy Land, covering both their military and administrative affairs.

The Teutonic Order was founded in 1190 to provide medical care for crusaders in the kingdom of Jerusalem. In time, it assumed a military role and played an important part in the defence of the Christian territories in the EasternMediterranean and in the Baltic regions of Prussia and Livonia; in the Levant, it fought against the neighbouring Islamic powers, whilst managing their turbulent relations with their patrons in the papacy and the German Empire. Asthe Order grew, it colonised territories in Prussia and Livonia, forcing it to address how it distributed its resources between its geographically-spread communities. Similarly, the brethren also needed to develop an organisational framework that could support the conduct of war on frontiers that were divided by hundreds of miles.
This book - the first comprehensive analysis of the Order in the Holy Land - explores the formative years of this powerful international institution and places its deeds in the Levant within the context of the wider Christian, pagan and Islamic world. It examines the challenges that shaped its identity and the masters who planned its policies.

Dr NICHOLAS MORTON is Lecturer in History at Nottingham Trent University.

Andrew D. Buck

The Principality of Antioch and its Frontiers in the Twelfth Century

$130.00

An investigation into how Antioch maintained itself as an independent principality during a period of considerable challenges.

Situated in northern Syria, on the eastern-most frontier of Latin Christendom, the principality of Antioch was a medieval polity bordered by a host of rival powers, including the Byzantine Empire, the Armenian Christians of Cilicia, the rulers of the neighbouring Islamic world and even the other crusader states, the kingdom of Jerusalem and the counties of Edessa and Tripoli. Coupled with the numerous Christian, Muslim and Jewish communities who populatedthe region, Antioch's Frankish settlers - initially installed into power by the military successes of the First Crusade - thus faced numerous challenges to their survival.
This book examines how the ruling elites of the principality sought to manage these competing interests in order to maintain Antioch's existence during the troubled twelfth century, particularly following the death of Prince Bohemond II in 1130. His demise helped to spark renewed interest from Byzantium and the kingdom of Jerusalem, and came at a time of both Islamic resurgence under the Zengids of Aleppo and Mosul, as well as Armenian power growth under the Rupenids. An examination of Antioch's diplomatic and military endeavours, its internal power structures and its interaction with indigenous peoples can therefore help to reveal a great deal about how medieval Latins adapted to the demands of their frontiers.

ANDREW BUCK is an Associate Lecturer at Queen Mary University of London, from where he received his PhD in 2014.

The Principality of Antioch and its Frontiers in the Twelfth Century

Evan Wilson

A Social History of British Naval Officers, 1775-1815

$130.00

Who were the men who officered the Royal Navy in Nelson's day?

This book explores the world of British naval officers at the height of the Royal Navy's power in the age of sail. It describes the full spectrum of officers, from commissioned officers to the unheralded but essential members of every ship's company, the warrant officers. The book focusses on naval officers' social status and its implications for their careers. The demands of life at sea conflicted with the expectations of genteel behaviour and backgroundin eighteenth-century Britain, and the ways officers grappled with this challenge forms a key theme. Drawing on a large database of more than a thousand officers, the book argues that, contrary to the prevailing view, officers were mostly from the middling sort, not the landed elite. It shows how the navy attracted hordes of hopeful commissioned officers, how unemployment was common for the majority even in wartime, and how only a select group managed to gain promotion to post-captain. The book corrects our understanding of the men who lived and served in the wardrooms of the Royal Navy and refocusses our attention away from those who won fame and fortune and onto ordinary naval officers.

EVAN WILSON is Associate Director of International Security Studies and Lecturer in History at Yale University.

A Social History of British Naval Officers, 1775-1815

Sara Slinn

The Education of the Anglican Clergy, 1780-1839

$130.00

This study of recruitment to the ministry of the Church of England in the late eighteenth and early nineteenth centuries overturns many long-standing assumptions about the education and backgrounds of the clergy in late HanoverianEngland and Wales.

This study of recruitment to the ministry of the Church of England in the late eighteenth and early nineteenth centuries overturns many long-standing assumptions about the education and backgrounds of the clergy in late HanoverianEngland and Wales. It offers insights into the nature and development of the profession generally and into the role that individual bishops played in shaping the staffing of their dioceses. In its exploration of how it was possible for boys of relatively humble social origins to be promoted into the pulpits of the established Church, it throws light on mechanisms of social mobility and shows how aspirant clergy went about fashioning a credible social andprofessional identity.
By examining how would be clergymen were educated and professionally formed, the book shows that, alongside the well-known route through the universities, there was an alternative route via specialist grammar schools. Prospective ordinands might also seek out clerical tutors to help them to study for the academic parts of ordination exams and to prepare for the spiritual and pastoral aspects of their role. These alternativemethods of ordination preparation were sometimes under the cognizance of bishops, and occasionally under their control, but they were generally authored by parish clergy and were small-scale, self-supporting, bottom-up solutions to the needs of upcoming generations of clergy.
This book has much to interest historians of religion, culture, class and education, and illustrates how in-depth prosopographical study can offer fresh perspectives.

SARA SLINN is Research Fellow at the School of History & Heritage, University of Lincoln.

The Education of the Anglican Clergy, 1780-1839

Anthony Goodman

Joan, the Fair Maid of Kent

$39.95

A new account of the life and turbulent times of Joan, the wife of the Black Prince and mother of Richard II.

Anthony Goodman's brilliant yet accessible scholarship draws in the reader in the most entertaining and vibrant way. He was one of our greatest historians of the later medieval period, whose warm humanity shines forth in his writing. He has given us, as a parting gift, the definitive biography of an exceptional, intriguing woman. I cannot recommend it highly enough. ALISON WEIR

Joan Plantagenet (1328-1385), acclaimed in her youth as the "FairMaid of Kent", became notorious for making both a clandestine and a bigamous marriage in her teens and, in her thirties, a scandalous marriage to her kinsman, Edward III's son and heir, Edward of Woodstock, the Black Prince. Despite these transgressions, she later became one of the most influential people in the realm and a highly respected source of stability. Her life provides a distinctive perspective of a noblewoman at the heart of affairs in fourteenth-century England, a period when the Crown, despite enjoying some striking triumphs, also faced a series of political and social crises which shook conventional expectations. Furthermore, her life adds depth to our understanding of a time when marriage began to be regarded not just as a dynastic arrangement but a contract freely entered into by a couple.
This accessibly written account of her life sets her in the full context of her world, and vividlyportrays a spirited medieval woman who was determined to be mistress of her fate and to make a mark in challenging times.

The late Anthony Goodman was Professor Emeritus of Medieval and Renaissance History at the University of Edinburgh. His numerous publications include John of Gaunt; The Wars of the Roses; and Margery Kempe and Her World.

Beatrice Moring, Richard Wall

Widows in European Economy and Society, 1600-1920

$130.00

A deeply researched and geographically wide-ranging study that reveals that widows were much more economically and socially active than is often thought.

2017 CHOICE Outstanding Academic Title

"A terrific piece of work". JANE HUMPHRIES, Professor of Economic History and Fellow of All Souls College, University of Oxford

Widows are often viewed as being marginalised in society, struggling to make a living and in need of financial and other support. However, as this extensively researched and wide-ranging book reveals, widows did, in fact, engage very effectively in economic activity, often being in charge of families, households and commercial enterprises. The book outlines how extensive widowhood was; examines the provisions made for the support of widows, including in the form of marriage contracts, dowries andcharitable assistance; and provides numerous examples of widows being economically active, paying their way and involving themselves energetically in society - one notable example being Barbe-Nicole Clicquot, who established a very successful company producing La Veuve Clicquot champagne. Using statistical analysis and individual case studies, the book contrasts the situation in different parts of Europe, and between rural and urban areas, and shows how provision for widows both in law and in practice evolved over time. Overall, it contributes a great deal to women's history, helping to correct the image that women were victims of male society, and to family history, showing thatexceptions to the "ideal" nuclear family were very common.

BEATRICE MORING is Associate Professor in the Department of Political and Economic Studies at the University of Helsinki.

RICHARD WALL was a Senior Research Fellow in the Department of History at the University of Essex.

Widows in European Economy and Society, 1600-1920

Professor Michael H Brown

Medieval St Andrews

$45.95

First extended treatment of the city of St Andrews during the middle ages.

St Andrews was of tremendous significance in medieval Scotland. Its importance remains readily apparent in the buildings which cluster the rocky promontory jutting out into the North Sea: the towers and walls of cathedral, castleand university provide reminders of the status and wealth of the city in the Middle Ages. As a centre of earthly and spiritual government, as the place of veneration for Scotland's patron saint and as an ancient seat of learning,St Andrews was the ecclesiastical capital of Scotland.
This volume provides the first full study of this special and multi-faceted centre throughout its golden age. The fourteen chapters use St Andrews as a focus for the discussion of multiple aspects of medieval life in Scotland. They examine church, spirituality, urban society and learning in a specific context from the seventh to the sixteenth century, allowing for the consideration of St Andrews alongside other great religious and political centres of medieval Europe.

Michael Maul

Bach's Famous Choir

$95.00

The musical, social and political history of the renowned St Thomas School and Church

In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall?
The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caughtbetween the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system.
Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be ofinterest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice.

MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.

Professor Michael H Brown

Medieval St Andrews

$170.00

First extended treatment of the city of St Andrews during the middle ages.

St Andrews was of tremendous significance in medieval Scotland. Its importance remains readily apparent in the buildings which cluster the rocky promontory jutting out into the North Sea: the towers and walls of cathedral, castleand university provide reminders of the status and wealth of the city in the Middle Ages. As a centre of earthly and spiritual government, as the place of veneration for Scotland's patron saint and as an ancient seat of learning,St Andrews was the ecclesiastical capital of Scotland.
This volume provides the first full study of this special and multi-faceted centre throughout its golden age. The fourteen chapters use St Andrews as a focus for the discussion of multiple aspects of medieval life in Scotland. They examine church, spirituality, urban society and learning in a specific context from the seventh to the sixteenth century, allowing for the consideration of St Andrews alongside other great religious and political centres of medieval Europe.

Michael Brown is Professor of Medieval Scottish History, University of St Andrews; Katie Stevenson is Keeper of Scottish History and Archaeology,National Museums Scotland and Senior Lecturer in Late Medieval History, University of St Andrews.

Contributors: Michael Brown, Ian Campbell, David Ditchburn, Elizabeth Ewan, Richard Fawcett, Derek Hall, Matthew Hammond,Julian Luxford, Roger Mason, Norman Reid, Bess Rhodes, Catherine Smith, Katie Stevenson, Simon Taylor, Tom Turpie.

Michael Braddick

Popular Culture and Political Agency in Early Modern England and Ireland

$130.00

An outstanding collection, bringing together some of the leading historians of this period with some of the field's rising stars, which examines key issues in popular politics, the negotiation of power, strategies of legitimation,and the languages of politics.

One of the most notable currents in social, cultural and political historiography is the interrogation of the categories of 'elite' and 'popular' politics and their relationship to each other, as well as the exploration of why andhow different sorts of people engaged with politics and behaved politically. While such issues are timeless, they hold a special importance for a society experiencing rapid political and social change, like early modern England.No one has done more to define these agendas for early modern historians than John Walter. His work has been hugely influential, and at its heart has been the analysis of the political agency of ordinary people. The essays in thisvolume engage with the central issues of Walter's work, ranging across the politics of poverty, dearth and household, popular political consciousness and practice more broadly, and religion and politics during the English revolution. This outstanding collection, bringing together some of the leading historians of this period with some of the field's rising stars, will appeal to anyone interested in the social, cultural and political history of early modern England or issues of popular political consciousness and behaviour more generally.

MICHAEL J. BRADDICK is professor of history at the University of Sheffield. PHIL WITHINGTON is professor of history at the Universityof Sheffield.

CONTRIBUTORS: Michael J. Braddick, J. C. Davis, Amanda Flather, Steve Hindle, Mark Knights, John Morrill, Alexandra Shepard, Paul Slack, Richard M. Smith, Clodagh Tait, Keith Thomas, Phil Withington, Andy Wood, Keith Wrightson.

Popular Culture and Political Agency in Early Modern England and Ireland

John D. Grainger

Dictionary of British Naval Battles

$49.95

A very substantial, comprehensive dictionary containing entries on all the battles fought at sea by British fleets and ships since Anglo-Saxon times.

This very substantial, comprehensive dictionary contains entries on all the battles fought at sea by British fleets and ships since Anglo-Saxon times. Major battles, such as Trafalgar or Jutland, minor actions, often convoy and frigate actions, troop landings, bombardments and single ship actions are all covered. Most accounts of British naval power focus on the big battles and the glorious victories - the picture which emerges from the rich detail in thisdictionary, however, is of a busy, dispersed navy, almost constantly engaged in small scale activity - taking prizes in the eighteenth century, escorting convoys and being attacked by, and attacking, U-boats in the twentieth century, attacking minor as well as major enemy ports in all periods. Moreover, the action, which very often takes place not in proximity to Britain, but on a world stage, is not always successful and sometimes disastrous. The dictionary covers all periods comprehensively - medieval, early and late, and early modern as well as modern - and encompasses "Britain" in all its forms - England, Scotland, and British colonies including those in North America. It isan essential reference work for all enthusiasts of maritime history. "A well organised and detailed compilation, written with confidence and authority" - Professor Roger Knight, University of Greenwich.

JOHN GRAINGER has published extensively on maritime history, including books for The Navy Records Society.

Alan Kissane

Civic Community in Late Medieval Lincoln

$130.00

An examination of the community of a major late medieval town: its economy, its customs, and its relationship with the Crown.

The later middle ages saw provincial towns and their civic community contending with a number of economic, social and religious problems - including famine and the plague. This book, using Lincoln - then a significant urban centre- as a case study, investigates how such a community dealt with these issues, looking in particular at the links between town and central government, and how they influenced local customs and practices. The author then argues, with an assessment of industry, trade and civic finance, that towns such as Lincoln were often well placed to react to changes in the economy, by actively forging closer links with the crown both as suppliers of goods and servicesand as financiers. The book goes on to explore the foundations of civic government and the emergence of local guilds and chantries, showing that each reflected broader trends in local civic culture, being influenced in only a minor way by the Black Death, an event traditionally seen as a major turning point in late medieval urban history.

Alan Kissane gained his PhD from the University of Nottingham.

Civic Community in Late Medieval Lincoln

Craig D Taylor

The Chivalric Biography of Boucicaut, Jean II le Meingre

$29.99

First English translation of the chivalric biography of one of France's leading figures of the middle ages.

Jean le Meingre, Maréchal Boucicaut (1364-1421), was the very flower of chivalry. From his earliest years at the royal court in Paris, he distinguished himself in knightly pursuits: sorties against seditious French nobles, ceremonial jousts against the English enemy, crusading in Tunisia and Prussia, the composition of courtly verses, and the establishment of a chivalric order for the defence of ladies, the Order of the Enterprise of the White Lady of the Green Shield. He was named Marshal of France at the age of only 27.

His chivalric biography, finished in 1409, is one of the most important accounts of the life of a knight from the Middle Ages. Whilst full of praise, it is also highly partisan and carefully selective; it glosses over the darker, much less successful, side of his career - in particular his participation in the catastrophic Nicopolis crusade (1396) and his governorship of Genoa, which came to an end shortly after the completion of the biography, when a rebellion forced him to leave the city, five years before his capture at the battle of Agincourt in 1415 and death in England in 1421.
This first English translation makes available to a wider audience a text that sheds light on the history of France, on crusading in Prussia and the Mediterranean, and on the complicated politics of Italy and the papacy during the Great Schism. It is a highly important contribution to our understanding of chivalric mentalities and attitudes in late-medieval France. It is presented with an introduction and notes.

The Chivalric Biography of Boucicaut, Jean II le Meingre

Bryony Onciul

Engaging Heritage, Engaging Communities

$120.00

International, multi-disciplinary perspectives on the key question of community engagement in theory and practice in a diverse range of heritage settings.

Across the global networks of heritage sites, museums, and galleries, the importance of communities to the interpretation and conservation of heritage is increasingly being recognised. Yet the very term "meaningful community engagement" betrays a myriad of contrary approaches and understandings. Who is a community? How can they engage with heritage and why would they want to? How do communities and heritage professionals perceive one another? What does itmean to "engage"? These questions unsettle the very foundations of community engagement and indicate a need to unpick this important but complex trend.
Engaging Heritage, Engaging Communities critically explores the latest debates and practices surrounding community collaboration. By examining the different ways in which communities participate in heritage projects, the book questions the benefits, costs and limitations of community engagement. Whether communities are engaging through innovative initiatives or in response to economic, political or social factors, there is a need to understand how such engagements are conceptualised, facilitated and experienced by boththe organisations and the communities involved.

Bryony Onciul is Lecturer in History at the University of Exeter; Michelle Stefano is the Co-Director of Maryland Traditions, the folklife program for the state of Maryland and Visiting Assistant Professor in American Studies at the University of Maryland, Baltimore County; Stephanie Hawke is a project manager and fundraiser, working on a range of projects aiming to engage communities with culturalheritage.

Contributors: Gregory Ashworth, Evita Busa, Helen Graham, Julian Hartley, Stephanie Hawke, Carl Hogsden, Shatha Abu Khafajah, Nicole King, Bernadette Lynch, Billie Lythberg, Conal McCarthy, Ashley Minner, Wayne Ngata, Bryony Onciul, Elizabeth Pishief, Gregory Ramshaw, Philipp Schorch, Justin Sikora, Michelle Stefano, Helen Tully, John Tunbridge.

Marie-Pierre Gelin

The Cult of St Thomas Becket in the Plantagenet World, c.1170-c.1220

$130.00

The extraordinary growth and development of the cult of St Thomas Becket is investigated here, with a particular focus on its material culture.

Thomas Becket - the archbishop of Canterbury cut down in his own cathedral just after Christmas 1170 - stands amongst the most renowned royal ministers, churchmen, and saints of the Middle Ages. He inspired the work of medieval writers and artists, and remains a compelling subject for historians today. Yet many of the political, religious, and cultural repercussions of his murder and subsequent canonisation remain to be explored in detail.
This book examines the development of the cult and the impact of the legacy of Saint Thomas within the Plantagenet orbit of the late twelfth and early thirteenth centuries - the "Empire" assembled by King Henry II, defended by his son King Richard the Lionheart, and lost by King John. Traditional textual and archival sources, such as miracle collections, charters, and royal and papal letters, are used in conjunction with the material culture inspired by the cult, toemphasise the wide-ranging impact of the murder and of the cult's emergence in the century following the martyrdom. From the archiepiscopal church at Canterbury, to writers and religious houses across the Plantagenet lands, to thecourts of Henry II, his children, and the bishops of the Angevin world, individuals and communities adapted and responded to one of the most extraordinary religious phenomena of the age.

Dr Paul Webster is currently Lecturer in Medieval History and Project Manager of the Exploring the Past adult learners progression pathway at Cardiff University; Dr Marie-Pierre Gelin is a Teaching Fellow in the History Department at University College London.

Contributors: Colette Bowie, Elma Brenner, José Manuel Cerda, Anne J. Duggan, Marie-Pierre Gelin, Alyce A. Jordan, Michael Staunton, Paul Webster.

The Cult of St Thomas Becket in the Plantagenet World, c.1170-c.1220

Nicholas AM Rodger

The Sea in History - The Modern World

$220.00

An assessment of how important the sea has been in the development of modern history.

How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development.
The Sea in History - The Modern World covers the nineteenth and twentieth centuries, when the global reach of major powers frequently brought them into conflict with each other, including conflict at sea. The many majors wars at sea of the period are discussed, as are the planning and strategic thinking of the major powers in cases both where war followed and where it did not, and in addition the role and thinking of less important powers such as Portugal and Denmark are analysed. The book considers how in this first great age of 'globalisation' seaborne trade helped many countries to prosperity by participation in the global economy, a process halted by the First World War and not resumed until the 1950s. The book also examines maritime resources including fishing and whaling; ships, shipbuilding, ports and navigation; and the logistics of supporting long distance maritime activity. One very interesting chapter on late imperial China shows how China's then failure to take maritime issues seriously was a major factor in the empire's collapse.

58 of the contributions are in English; 6 are in French.

N.A. M. RODGER is a Senior Research Fellow at All Souls College, Oxford CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

Craig M. Nakashian

Warrior Churchmen of Medieval England, 1000-1250

$130.00

An examination of the actions of clerics in warfare in the eleventh and twelfth centuries, looking at the difference between their actions and prescriptions for behaviour.

Christianity has had a problematic relationship with warfare throughout its history, with the middle ages being no exception. While warfare came to be accepted as a necessary activity for laymen, clerics were largely excluded frommilitary activity. Those who participated in war risked falling foul of a number of accepted canons of the church as well as the opinions of their peers. However, many continued to involve themselves in war - including active participation on battlefields.
This book, focusing on a number of individual English clerics between 1000 and 1250, seeks to untangle the cultural debate surrounding this military behaviour. It sets its examination into a broader context, including the clerical reform movement of the eleventh and twelfth centuries, the development of a more comprehensive canon law, and the popularization of chivalric ideology. Rather than portraying these clerics as anachronistic outliers or mere criminals, this study looks at how contemporaries understood their behaviour, arguing that there was a wide range of views - which often included praise for clerics who fought in licit causes. The picture which emerges is that clerical violence, despite its prescriptive condemnation, was often judged by how much it advanced the interests of the observer.

Craig M. Nakashian is Associate Professor of History at Texas A&M University-Texarkana.

Warrior Churchmen of Medieval England, 1000-1250

Philip de Souza, Pascal Arnaud, Christian Buchet

The Sea in History - The Ancient World

$220.00

An assessment of how important the sea was in the development of the ancient world.

How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development.
The Sea in History - The Ancient World ranges very widely in its coverage, beginning with pre-historical maritime activity and going on to cover not only the classical Greek and Roman Mediterranean and Near Eastern worlds but also Africa, Asia and the Americas. Fascinating subjects covered include the migration of the Taíno people in the pre-historic Caribbean, the Athenian maritime empire at its height, the port of Alexandria in classical times, andships, sailors and kingdoms in ancient Southeast Asia.

25 of the contributions are in English; 18 are in French.

PHILIP DE SOUZA is Associate Professor of Classics at University College Dublin.

PASCAL ARNAUD is Professor of the History of the Roman World at the University of Lyon II, Senior Fellow at Institut Universitaire de France and co-director of the ERC-funded Grant Portus-Limen. CHRISTIAN BUCHET is Professor ofMaritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

Christian Buchet

The Sea in History - The Early Modern World

$210.00

An assessment of how important the sea was in the early modern period.

How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development.
The Sea in History - The Early Modern World covers the period from around the end of the fifteenth century up to the conclusion of the Napoleonic Wars in 1815. It examines the establishment and growth of 'the Atlantic World', but also considers maritime developments in the Indian Ocean, Southeast and East Asia and Africa, and highlights the continuing importance of the North Sea and the Baltic. A very wide range of maritime subjects is explored including trade, which went through a huge global expansion in this period; fishing; shipping, shipbuilding, navigation and ports; the role of the sea in the dissemination of religious ideas; the nature of life for sailors in different places and periods; and the impact of trade in particularly important commodities, including wine, slaves, sugar and tobacco. One particularly interesting chapter is on the Hanse, the important maritime commercial 'empire' basedin north Germany, which extended much more widely than is often realised and whose significance and huge impact have often been overlooked.

33 of the contributions are in English; 42 are in French.

CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

GÉRARD LE BOUDEC is Emeritus Professor of the University of South Brittany.

The Sea in History - The Early Modern World

Christian Buchet

The Sea in History [4 Volume Set]

$695.00

An assessment of how important the sea was in the development of world history from the earliest times to the present.

How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four-volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development. Specific maritime subjects covered include shipbuilding, navigation, the exploitation of maritime resources, the social background of sailors and maritime communities, piracy, the financing and organisation of maritime endeavour, and many other subjects. Overall, the books represent an immense resource for all historians, providing concise overviews of virtually every subject in maritime history. CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

Joanna Bellis

Representing War and Violence, 1250-1600

$120.00

An examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century.

War and violence took many forms in medieval and early modern Europe, from political and territorial conflict to judicial and social spectacle; from religious persecution and crusade to self-mortification and martyrdom; from comedic brutality to civil and domestic aggression. Various cultural frameworks conditioned both the acceptance of these forms of violence, and the protest that they met with: the elusive concept of chivalry, Christianity and just wartheory, political ambition and the machinery of propaganda, literary genres and the expectations they generated and challenged.
The essays here, from the disciplines of history, art history and literature, explore how violence and conflict were documented, depicted, narrated and debated during this period. They consider manuals created for and addressed directly to kings and aristocratic patrons; romances whose affective treatments of violence invitedprofoundly empathetic, even troublingly pleasurable, responses; diaries and "autobiographies" compiled on the field and redacted for publication and self-promotion. The ethics and aesthetics of representation, as much as the violence being represented, emerge as a profound and constant theme for writers and artists grappling with this most fundamental and difficult topic of human experience.

JOANNA BELLIS is the Fitzjames Research Fellow in Oldand Middle English at Merton College, Oxford; LAURA SLATER holds a Postdoctoral Fellowship from The Paul Mellon Centre for Studies in British Art in London.

Contributors: Anne Baden-Daintree, Anne Curry, David Grummitt, Richard W. Kaeuper, Andrew Lynch, Christina Normore, Laura Slater, Sara V. Torres, Matthew Woodcock,

Representing War and Violence, 1250-1600

Michel Balard

The Sea in History - The Medieval World

$220.00

An assessment of how important the sea was in the middle ages.

How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development.
The Sea in History - The Medieval World covers the period from the end of the Roman Empire in the West up to around the year 1500. It demonstrates that for many peoples and states in this period the sea was central to theirexistence - the Vikings, the Hanse, Venice, Genoa, the Normans - and it shows also how important the sea was for states which are not normally thought of as maritime powers, such as Byzantium, the Crusader states and the Mongol Empire. The book is global in its coverage, including material on East and Southeast Asia, Latin America and the Caribbean and Africa, with particularly interesting material on China's extensive voyages of exploration in the fifteenth century, the role of the Vikings in the early formation of Russia, and on the building of ships, appropriate to local conditions, in different parts of the world.

40 of the contributions are in English; 34 are inFrench.

MICHEL BALARD is Emeritus Professor at the University Paris 1 - Panthéon Sorbonne. CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

Mark Hailwood

Alehouses and Good Fellowship in Early Modern England

$130.00

Representing a history of drinking "from below", this book explores the role of the alehouse in seventeenth-century English society.

This book provides a history of the alehouse between the years 1550 and 1700, the period during which it first assumed its long celebrated role as the key site for public recreation in the villages and market towns of England. In the face of considerable animosity from Church and State, the patrons of alehouses, who were drawn from a wide cross section of village society, fought for and won a central place in their communities for an institution that they cherished as a vital facilitator of what they termed "good fellowship". For them, sharing a drink in the alehouse was fundamental to the formation of social bonds, to the expression of their identity, and to the definitionof communities, allegiances and friendships.

Bringing together social and cultural history approaches, this book draws on a wide range of source material - from legal records and diary evidence to printed drinking songs - to investigate battles over alehouse licensing and the regulation of drinking; the political views and allegiances that ordinary men and women expressed from the alebench; the meanings and values that drinking rituals and practices held for contemporaries; and the social networks and collective identities expressed through the choice of drinking companions. Focusing on an institution and a social practice at the heart of everyday life in early modern England, this book allows us to see some of the ways in which ordinary men and women responded to historical processes such as religious change and state formation, and just as importantly reveals how they shaped their own communities and collective identities. It will be essential reading for anyone interested in the social, cultural and political worlds of the ordinary men and women of seventeenth-century England.

MARK HAILWOOD is Lecturer in History, 1400-1700, at the University of Bristol

Alehouses and Good Fellowship in Early Modern England

Theodore Albrecht

Beethoven's Conversation Books Volume 2

$65.00

A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time, covering a period associated with the revolutionary style of what we call "late Beethoven".

Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer hadbegun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition.
These important booklets arehere translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand newintroductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these oftenlively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.

THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.

Thomas A. Hose

Geoheritage and Geotourism

$95.00

Essays on aspects of the natural world, its heritage, and how best to preserve it.

Europe's engagement from the late sixteenth century onwards in scientific Earth science inquiry has generated numerous and varied collections of minerals, rocks, and fossils, together with their associated archives, artworks and publications, forming a rich cultural geoheritage held in major private and especially royal and aristocratic collections, museums, universities, archives and libraries. The mines, quarries, geological structures, landforms, minerals, rocks and fossils - or geodiversity - that underpin these collections populate past and present-day Earth science literature. However, for too long their scientific, historic and cultural significance was not universally recognised and generally they were not accorded adequate resources and protection - or geoconservation. Hence, geotourism was developed in the 1990s to raise public awareness of Europe's geoheritage and geodiversity and to promote itsgeoconservation; the volume's theoretical essays and case studies examine these four core geoelements and provide a timely introduction for anyone interested in natural history museums, countryside management, and landscape-basedtourism.

Dr Thomas A. Hose is an Honorary Research Associate in the School of Earth Sciences, University of Bristol. He has pioneered the recognition of and research into geotourism, and is the author of the world's first doctoral thesis on the subject.

Contributors: Kevin Crawford, Peter Davis, John E. Gordon. Thomas A. Hose, Jonathan G. Larwood, Slobodan B. Markovic, Martin Munt, Emmanuel Reynard, Nemanja Tomic, Djordjije A. Vasiljevic, Margaret Wood, Volker Wrede

David Vickers

New Perspectives on Handel's Music

$190.00

An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.

As soon as Handel composed, rehearsed and performed his music, it was already a subject of fascination for the authors of reports, polemics and critical appraisals. The continuous yet evolving culture of Handelian studies is represented here in its current state by several generations of scholars who are inspired by the research, publications and teaching of Donald Burrows.

This festschrift contains twenty essays that exemplify aspects both of traditional philological enquiry and of modern interdisciplinary musicology. Much like a baroque dramma per musica, the narrative is divided into three parts. Act I, 'Handel's Music and Creative Practices', is an exposition that sets the scene and introduces the main characters: musical case studies stretch from his first opera Almira (Hamburg, 1705) to his last English oratorio The Triumph of Time and Truth (London, 1757). Act II, is 'Sources, Documents and Attributions', develops complications to the plot: there is new information about the authenticity of chamber cantatas and instrumental pieces, and reports on manuscript, printed, and archival sources that demonstrate how primary research may be interpreted and understood. Act III, 'Context and Reception', moves us towards the lieto fine: some broad contexts of Handel in relation to his contemporaries and colleagues are considered alongside reception studies of the composer's music both within and after his lifetime.

DAVID VICKERS teaches Academic Studies at Royal Northern College of Music (Manchester) and is a council member of The Handel Institute.

CONTIBUTORS: Graydon Beeks, Michael Burden, John Butt, Hans Dieter Clausen, Matthew Gardner, Anthony Hicks, David Hunter, H. Diack Johnstone, Andrew V. Jones, David Kimbell, Richard G. King, Annette Landgraf, Tríona O'Hanlon, Suzana Ograjenšek, Leslie M. M. Robarts, John H. Roberts, Ruth Smith, Colin Timms, David Vickers and Silas Wollston.

Matthew Riley

Nation and Classical Music

$120.00

How and why do listeners come over time to 'feel the nation' through particular musical works?

Sunday Times Best Reads of 2016

This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well.

MATTHEW RILEY is Reader in Music at the University of Birmingham.

The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.

Georgios Theotokis

The Norman Campaigns in the Balkans, 1081-1108

$36.95

First full-length analysis of Norman military organisation in the Balkans: events, strategy, and tactics.

The Norman expansion in eleventh-century Europe was a movement of enormous historical importance, which saw men and women from the duchy of Normandy settling in England, Italy, Sicily and the Middle East. The Norman establishmentin the South is particularly interesting, because it represents the story of a few hundred mercenaries who managed to establish a principality in the Mediterranean that would later develop in to the Kingdom of Sicily.
In thisbook the author examines the clash of two different "military cultures" - the Normans and the Byzantines - in one theatre of war - the Balkans. It is the first study to date of the military organization of the Norman and Byzantine states in the Mediterranean, and of their overall strategies and their military tactics in the battlefield. It is also the first to examine the way in which each military culture reacted and adapted to the strategies and tacticsof its enemies in Italy and the Balkans. The author closely follows the campaigns conducted by the Normans in the Byzantine provinces of Illyria and Macedonia and their battles against Imperial armies commanded by the Byzantine Emperor. He also examines the ways in which the Italian-Norman and Byzantine military systems differed, and their relative efficiencies.

Dr Georgios Theotokis is Assistant Professor of European History at Fatih University, Istanbul.

The Norman Campaigns in the Balkans, 1081-1108

Susan Hardman Moore

Abandoning America

$49.95

In a field where primary sources are thin and difficult, Abandoning America is an excellent tool for reference and research. The book is fully annotated and offers a substantial introduction providing for further historicalcontext.

CHOICE Outstanding Academic Title

Abandoning America brings together the biographies of hundreds of people who crossed over to New England in the 1630s but later braved the Atlantic again to return home. Some wentback quickly, disenchanted or discouraged. Many invested everything to make New England a success, yet after ten or twenty years resolved to leave America - against a backdrop of civil war and Cromwell's commonwealth in England, and personal dilemmas about family ties, health and prospects. The book retrieves their forgotten life-stories from thousands of scattered fragments of evidence in early New England records and British archives, often starting fromsome incidental, passing, reference. The result of this scholarly detective work is a remarkable and evocative collection of personal histories, of people overlooked in the onward march of American history. Their anxieties and aspirations speak eloquently about the experience of being a New Englander, for those who stayed on as well as for those who left.
The book traces settlers' lives with an eye to the information historians look for. It is a richoriginal resource for scholars of early America and the English Revolution - for research on religion in England and New England, Atlantic migration, and much more.

SUSAN HARDMAN MOORE is Professor of Early Modern Religion at the University of Edinburgh.

Rodney M Thomson

Discovering William of Malmesbury

$120.00

A fresh look at William of Malmesbury which not only demonstrates his real greatness as a historian and his European vision, but also the breadth of his learning across a number of other disciplines.

In the past William of Malmesbury (1090-1143) has been seen as first and foremost a historian of England, and little else. This volume reveals not only William's real greatness as a historian and his European vision, but also thebreadth and depth of his learning across a number of other fields. Areas that receive particular attention are William's historical writings, his historical vision and interpretation of England's past; William and kingship; William's language; William's medical knowledge; the influence of Bede and other ancient writers on William's historiography; William and chronology; William, Anselm of Canterbury and reform of the English Church; William and the LatinClassics; William and the Jews; and William as hagiographer.
Overall, the volume offers a broad coverage of William's learning, wide-ranging interests and significance as revealed in his writings.

Rodney M. Thomson is Emeritus Professor of Medieval History at the University of Tasmania; Emily Dolmans is a lecturer in English Literature at Jesus College and Oriel College, University of Oxford; Emily A. Winkler is the John Cowdrey Junior Research Fellow in Medieval History at St Edmund Hall, University of Oxford, and Departmental Lecturer in Medieval History.

Contributors: Anne E. Bailey, Emily Dolmans, Daniel Gerrard, John Gillingham, Kati Ihnat, Ryan Kemp, William Kynan-Wilson, Anne Lawrence-Mathers, Stanislav Mereminskiy, Samu Niskanen, Joanna Phillips, Alheydis Plassmann, Sigbjørn Sønnesyn, Rodney M. Thomson, Emily Joan Ward, Emily A. Winkler, Michael Winterbottom.

Victor Madeira

Britannia and the Bear

$36.95

Now in paperback, a compelling narrative about how two Great Powers of the early twentieth century did battle, both openly and in the shadows

Decades before the Berlin Wall went up, a Cold War had already begun raging. But for Bolshevik Russia, Great Britain - not America - was the enemy. Now, for the first time, Victor Madeira tells a story that has been hidden away for nearly a century. Drawing on over sixty Russian, British and French archival collections, Britannia and the Bear offers a compelling new narrative about how two great powers did battle, both openly and in the shadows.
By exploring British and Russian mind-sets of the time this book traces the links between wartime social unrest, growing trade unionism in the police and the military, and Moscow's subsequent infiltration of Whitehall. As earlyas 1920, Cabinet ministers were told that Bolshevik intelligence wanted to recruit university students from prominent families destined for government, professional and intellectual circles. Yet despite these early warnings, men such as the Cambridge Five slipped the security net fifteen years after the alarm was first raised.
Now in paperback, Britannia and the Bear tells the story of Russian espionage in Britain in these critical interwar years and reveals how British Government identified crucial lessons but failed to learn many of them. The book underscores the importance of the first Cold War in understanding the second, as well as the need for historical perspective in interpreting the mind-sets of rival powers.

Victor Madeira has a decade's experience in international security affairs, and his work has appeared in leading publications such as Intelligence and National Security and The Historical Journal. He completed his doctorate in Modern International History at Gonville and Caius College, Cambridge.

Nigel Bryant

The History of William Marshal

$36.95

The career of William Marshal (1146/7-12), who rose from being the penniless, landless younger son of a middle-ranking nobleman to be regent of England in the minority of Henry III, is one of the most extraordinary stories of theMiddle Ages. His biography was completed shortly after his death by a household minstrel and we are fortunate that it survives to give a unique portrait of a twelfth-century knight's life in the early days of tournaments and chivalry as well as his career in warfare and politics.

The History of William Marshal is the earliest surviving biography of a medieval knight - indeed it is the first biography of a layman in the vernacular in European history. Composed in verse in the 1220s just a few years after his death, it is a major primary source not simply for its subject's life but for the exceptionally stormy period he had had to navigate. It could hardly be other than major, given that its subject was regarded as the greatest knight who ever lived and that he rose in the course of his long life to be a central figure in the reigns of no fewer than four kings: Henry II, Richard Lionheart, John and Henry III. This remarkable biography was brought to light in the late nineteenth century thanks to a determined hunt for the manuscript by its first editor, the eminent French scholar Paul Meyer. It gives a vigorous account of events, full of vivid detail and passionate comment and frequent flashes of humour. And it gives revelatory insights into the attitudes and perceptions of the time, especially into the experience and nature of warfare in the late twelfth and early thirteenth centuries.
But while its quality and value have been long acknowledged, the poem has sometimes been deemed less than impartial and objective. Commissioned as it was by Marshal's own son, and intended not least for his family's fond enjoyment, it is littlesurprise that the poem's adulation of its subject is rarely qualified by regrets for failings or what are nowadays referred to as "errors of judgement". Marshal is presented as - to all intents and purposes - flawless: not simply a magnificent warrior, supreme in tournaments and battles alike, but a paragon of the key chivalric virtues of prowess, largesse and unfailing loyalty. But this is not surprising: the idea of the fallible hero is a modern invention, and the writer of this work - like Marshal himself - was steeped in the old ideals of the chansons de geste as well as the more recent ideology of chivalry. In any case, there can be no denying that Marshal's achievements -and sometimes his behaviour - were by any standards extraordinary and seen as such by his contemporaries, and the poem corresponds with what we know of his life from other sources.
Few other medieval biographies have the immediacy of this celebration of Marshal's career, based not least on stories told by Marshal himself and those close to him, and it is made available here for the first time in a modern prose translation.

Mark Hailwood

Alehouses and Good Fellowship in Early Modern England

$36.95

Representing a history of drinking "from below", this book explores the role of the alehouse in seventeenth-century English society.

This book provides a history of the alehouse between the years 1550 and 1700, the period during which it first assumed its long celebrated role as the key site for public recreation in the villages and market towns of England. In the face of considerable animosity from Church and State, the patrons of alehouses, who were drawn from a wide cross section of village society, fought for and won a central place in their communities for an institution that they cherished as a vital facilitator of what they termed "good fellowship". For them, sharing a drink in the alehouse was fundamental to the formation of social bonds, to the expression of their identity, and to the definitionof communities, allegiances and friendships.

Bringing together social and cultural history approaches, this book draws on a wide range of source material - from legal records and diary evidence to printed drinking songs - to investigate battles over alehouse licensing and the regulation of drinking; the political views and allegiances that ordinary men and women expressed from the alebench; the meanings and values that drinking rituals and practices held for contemporaries; and the social networks and collective identities expressed through the choice of drinking companions. Focusing on an institution and a social practice at the heart of everyday life in early modern England, this book allows us to see some of the ways in which ordinary men and women responded to historical processes such as religious change and state formation, and just as importantly reveals how they shaped their own communities and collective identities. It will be essential reading for anyone interested in the social, cultural and political worlds of the ordinary men and women of seventeenth-century England.

MARK HAILWOOD is Lecturer in History, 1400-1700, at the University of Bristol

David Butcher

Medieval Lowestoft

$170.00

A history of the development of Lowestoft from its origins to the flourishing medieval town it became.

A superb piece of local history. Professor Mark Bailey, University of East Anglia.

Lowestoft became an increasingly important Suffolk town during the later middle ages. This book traces its history from its Anglo-Saxon origins up until its fully recognisable urban nature in the first half of the sixteenth century. During that time, notable changes occurred in its social, economic and topographical structure, all of which are investigated here;the picture which emerges is one of small beginnings which eventually led (following the township's relocation to a new site) to a position of local pre-eminence.
Two important elements in Lowestoft's overall development were its surface geology and coastal location, and due account is taken of these influences. So is its comparative freedom from outside interference in its affairs by having a far-distant, absentee manorial lord. Added to these factors was proximity to the port of Great Yarmouth, whose late medieval difficulties (access to the harbour and effective control of local waters) were very much to Lowestoft's advantage in developing its own maritime activity. From being a mere outlier to the Lothingland hub-manor at the time of Domesday, the town gradually became not only a notable coastal station in local terms, but one which was directly connected with various ports on the continent of Western Europe. For a community of only moderate size, it had broad and wide-ranging associations. Particular attention is paid to the town's magnificent church, and to its fishing industry.

David Butcher is a retired Lowestoft schoolteacher and former lecturer in the Continuing Studies Department at the University of East Anglia. He has published widely on the local history of the Lowestoft area.

Mark Bailey

The Decline of Serfdom in Late Medieval England

$45.95

An exciting, fresh look at one of the most important questions of medieval scholarship - the decline of serfdom and its implications.

Scholars from various disciplines have long debated why western Europe in general, and England in particular, led the transition from feudalism to capitalism. The decline of serfdom between c.1300 and c.1500 in England is centralto this "Transition Debate", because it transformed the lives of ordinary people and opened up the markets in land and labour. Yet, despite its historical importance, there has been no major survey or reassessment of decline of serfdom for decades. Consequently, the debate over its causes, and its legacy to early modern England, remains unresolved.
This dazzling study provides an accessible and up-to-date survey of the decline of serfdom in England, applying a new methodology for establishing both its chronology and causes to thousands of court rolls from 38 manors located across the south Midlands and East Anglia. It presents a ground-breaking reassessment, challenging many of the traditional interpretations of the economy and society of late-medieval England, and, indeed, of the very nature of serfdom itself.

Mark Bailey is High Master of St Paul's School, and Professor of Later Medieval History at the University of East Anglia. He has published extensively on the economic and social history of England between c.1200 and c.1500, including Medieval Suffolk (2007).

The Decline of Serfdom in Late Medieval England

Theodore Albrecht

Beethoven's Conversation Books Volume 1

$65.00

A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.

Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer hadbegun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition.
These important booklets arehere translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand newintroductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these oftenlively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.

THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.

Charles C. Rozier

Orderic Vitalis: Life, Works and Interpretations

$190.00

First full-length collection on one of the most significant and influential historians of the medieval period.

The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings.

CHARLES C. ROZIER gained hisPhD from the University of Durham; DANIEL ROACH gained his PhD from the University of Exeter; GILES E.M. GASPER is Senior Lecturer in History, University of Durham; ELIZABETH VAN HOUTS is Honorary Professor of Medieval European History, University of Cambridge.

Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjørn Olsen Sønnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

Orderic Vitalis: Life, Works and Interpretations

Iain A. MacInnes

Scotland's Second War of Independence, 1332-1357

$130.00

Full-length study of the warfare between England and Scotland in the mid fourteenth century.

The Second Scottish War of Independence began in 1332, only four years after the previous conflict had ended. Fought once more for the continued freedom of Scotland from English conquest, the war also witnessed a revival of Scottish civil conflict as the Bruce-Balliol fight for the Scottish crown recommenced once more. Breaking out sporadically until peace was agreed in 1357, the Second Scottish War is a conflict that resides still in the shadow of that which preceded it: compared to the wars of William Wallace and Robert Bruce, Edward I and Edward II, this second phase of Anglo-Scottish warfare is neither well-known nor well-understood.

This book sets out to examine in detail the military campaigns of this period, to uncover the histories of those who fought in the war, and to analyse the behaviour of combatants from both sides during ongoing periods of both civil war and Anglo-Scottish conflict.It analyses contemporary records and literary evidence in order to reconstruct the history of this conflict and reconsiders current debates regarding: the capabilities of the Scottish military; the nature of contemporary combat; the ambitions and abilities of fourteenth-century military leaders; and the place of chivalry on the medieval battlefield.

Dr Iain A. MacInnes is a Lecturer and Programme Leader in Scottish History at the UHI Centre forHistory, University of the Highlands and Islands.

Scotland's Second War of Independence, 1332-1357

Craig Spence

Accidents and Violent Death in Early Modern London

$130.00

Between the mid-seventeenth and mid-eighteenth century more than 15,000 Londoners suffered sudden violent deaths. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, and animals and vehicles, among others - were a regular feature of urban life.

Between the mid-seventeenth and mid-eighteenth centuries more than 15,000 Londoners suffered sudden violent deaths. While this figure includes around 3,000 who were murdered or committed suicide, the vast majority of fatalities resulted from accidents. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, animals and vehicles, among other causes - were a regular feature ofurban life and left a significant mark in the archival records of the period.
This book provides the first substantive critical study of the early modern accident, revealing and chronicling the lives - and deaths - of hundreds of otherwise unknown Londoners. Drawing on the weekly London Bills of Mortality, parish burial registers, newspapers and other related documents, it examines accidents and other forms of violent death in the city with a view tounderstanding who among its residents encountered such events, how the bureaucracy recorded and elaborated their circumstances and why they did so, and what practical responses might follow. Through a systematic review of the character of accidents, medical and social interventions, and changing attitudes toward the regulation of hazards across the metropolis, it establishes the historical significance of the accident and shows how, as the eighteenth century progressed, providential explanations gave way to a more rational viewpoint that saw certain accident events as threats to be managed rather than misfortunes to be explained. Additionally, the book explores how knowledge of such incidents was transformed to become a recurring cultural trope in oral, textual and visual narratives of metropolitan life, thereby opening a window to the way in which sudden death and violent injury was understood by early modern mentalities.

CRAIG SPENCE is Senior Lecturer in History at Bishop Grosseteste University.

Accidents and Violent Death in Early Modern London

Fiona M. Palmer

Conductors in Britain, 1870-1914

$130.00

Shows how the work of orchestral conductors was shaped by and enriched cultural life in Britain from the late Victorian era to World War I.

Drawing on many archival findings, this book considers the emerging function and status of orchestral conductors in Britain, and the nature of the opportunities available to them, from the late Victorian era until the outbreak ofWorld War I. It does so by examining and comparing the profiles and impact of eight men whose work supplied the needs of a variety of institutions across the period but whose significant contributions were overshadowed by the emergence of virtuoso interpreters. The conducting activities of Julius Benedict, William Cusins, Joseph Barnby, Arthur Sullivan, Frederic Cowen, Alexander Mackenzie, Dan Godfrey and Landon Ronald provide a lens through which the evolution of conducting as a profession is traced. At the British Empire's height their work was shaped by and enriched the cultural life of the nation. During a period of intense activity and development, their portfolios of engagements and working patterns shed light on the infrastructures within the music business. By focusing on the fortunes and agency of conductors resident within the marketplace, this book deepens our understanding of the internal networks, influences and priorities within musical life in Britain in the late nineteenth century.

FIONA M. PALMER is Professor of Music at the National University of Ireland Maynooth.

James Bothwell

Fourteenth Century England IX

$120.00

Articles showcasing the fruits of the most recent scholarship in the field of fourteenth-century studies.

The wide-ranging studies collected here reflect the latest concerns of and trends in fourteenth-century research, including work on politics, the law, religion, and chronicle writing. The lively (and controversial) debate around the death of Edward II, and the brief but eventful career of John of Eltham, earl of Cornwall, receive detailed treatment, as does the theory and implementation of both the law of treason in England and high status execution in Ireland. There is an investigation of the often overlooked, yet ever present, lesser parish clergy of pre-Black Death England, along with the notable connections between Roman remains and craft guild piety in fourteenth-century York.There are also chapters shedding new light on fourteenth-century chronicles: one examines the St Albans chronicle through the prism of chivalric culture, another analyses the importance of the Chester Annals of 1385-8 in the writing culture of the Midlands. Introduced with this volume is a new section on "Notes and Documents"; re-examined here is an often-cited letter from the reign of Richard II and the problematic, yet crucial, issue of its authorship and dating.

James Bothwell is Lecturer in Later Medieval History at the University of Leicester; Gwilym Dodd is Associate Professor of Medieval History at the University of Nottingham

Contributors: Paul Dryburgh, Áine Foley, Christopher Guyol, Andy King, Jessica Knowles, E. Amanda McVitty, D.A.L. Morgan, Philip Morgan, David Robinson.