The Universities of Scotland, Ireland, and New England during the British Civil Wars
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Highlights the contested nature of higher education in the British Atlantic world between the Reformation and the Enlightenment
Universities in the early modern period were powerful institutions in the formation of societies, utilised as both tools to legitimise and perpetuate the power of states and archetypes upon which to model an idealised society that might maintain social order. In an era of upheaval and civil war, rival authorities clashed in the universities, where the conflicts and complexities of early modern state formation were regularly laid bare.
The encroachment of the Stuart monarchy beyond England into Scottish and Irish academe stimulated broader resistance from Scottish and Irish authorities, while prompting the founding of institutions of higher learning among expatriate communities beyond the British Isles, especially in New England. In these spaces, universities were viewed as institutional bulwarks against external intrusions that promoted localised, competing visions of the godly church and state amid the conflicts and complexities of early modern state formation.
This book provides new insight into the contested nature of higher education in the British Atlantic world between the Reformation and the Enlightenment and corrects outmoded notions about the universities' purported insularity and intellectual poverty. Rather, the image that emerges of these universities is one of genuine academies of strategic importance, employed to serve the agendas of ruling powers in Scotland, Ireland, and New England. Trinity College, Dublin, Harvard College, and the Scottish universities existed on the frontiers of a deteriorating composite monarchy with a centralizing impulse, becoming battle grounds of the mid-seventeenth-century's intellectual, political, and religious conflicts.
SALVATORE CIPRIANO is Associate Director of Career Coaching and Education, Stanford University. He holds a Ph.D. in Early Modern European History from Fordham University.
Helen E. Lunnon
East Anglian Church Porches and their Medieval Context
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Major interdisciplinary study of medieval church porches, bringing out their importance and significance.
The church porches of medieval England are among the most beautiful and glorious aspects of ecclesiastical architecture; but in comparison with its stained glass, for example, they have been relatively little studied. This book, the first detailed study of them for over a century, gives new insights into this often over-looked element. Focussing on the rich corpus of late-medieval East Anglian porches, it begins with two chapters placing them in a broad cultural outline and their context; it then moves on to consider their commissioning and design, their architecture and ornamentation, their use and their meaning. This book will appeal to all those interested in church fabric and function.
Peter Auker
Britten, Opera and Film
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Investigates cinematic qualities in opera and reveals why Benjamin Britten's operas lend themselves to TV and film interpretations.
Benjamin Britten's 1954 opera The Turn of the Screw, based on Henry James's ghost story, has been described by many critics and commentators as cinematic. Along with Peter Grimes, The Turn of the Screw is one of the most frequently televised or filmed of Britten's operas. Some of these productions have used location footage and/or studio work, and others are based on theatrical settings. This book explores the notion of cinematic opera in the context of The Turn of the Screw and filmed opera in general, and questions what inherent cinematic qualities exist in the work which make it particularly conducive for screen interpretation, an aspect of Britten's compositional style which has rarely been examined in detail before.
Contrary to the prevailing narrative around Britten's disdain for cinema and television, the composer engaged with film as both a cinemagoer and film music composer early in his career and these experiences informed his compositional and dramatic choices. Archival research reveals clues to the composer's adaptation process. By tracing the progress from Henry James's original novella to operatic stage and screen production, via the development of Myfanwy Piper's libretto and Britten's score, the journey of adaptation is discussed in detail. A key part of the book looks at the subsequent interpretation of the opera on screen. Case studies evaluate eight directors' interpretations of the opera ranging from 1959 up to the 2020s. Included is a special study of Peter Morley's 1959 ITV version, which had previously been thought lost. This reveals the roots of Britten's subsequent engagement with screen media, culminating in his television opera Owen Wingrave. The book also briefly explores the influence of cinema on stage productions of the opera which have not been filmed.
Gillian Cookson
Making an Industrial Revolution
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A new look at Britain's industrial revolution showing how communities of shared skill, knowledge and experience drove industrial innovation.
Making an Industrial Revolution presents a fresh perspective on British industrialization. Advances in technology, commerce and science played their part, but - as this book argues - above all it was communities of shared skill, knowledge and experience which drove industrial innovation in the eighteenth century.
Connections and relationships in key sectors - iron, textiles and engineering - produced transformative forces that revolutionized industrial life in Britain. Including new insights into Scotland's unique contribution, the book explores industrial change across the country, highlighting the significance of inter-regional and overseas migration and connection. It considers how social status enabled or limited individuals. It questions how exactly eighteenth-century science linked with emerging industrial technologies; and the importance of science, relative to skills and experience, in shaping innovation.
Richard Allen and Benjamin Pohl
The Aynho Cartulary and its Documentary Culture
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A major contribution to scholarship on medieval roll cartularies, shedding light both on the Aynho Cartulary itself and on the wider social, political, and economic culture that produced it.
Despite being one of the earliest and best preserved of its type in Britain and Ireland, the thirteenth-century roll cartulary of the wayfarer hospital of SS James and John in Aynho, Northamptonshire, has received almost no scholarly attention to date.
This book offers the first full study of this fascinating document, which is now conserved in the archives of Magdalen College, Oxford, together with a critical edition and translation. Combining extensive historical and prosopographical research with a focussed examination of the cartulary's contents and a forensic scribal and material analysis, it takes an holistic approach to - and aims to provide a model for - the study of these types of artefacts and the documentary cultures and societies that produced them. Uniting three areas of scholarship which are rarely brought into dialogue (the study of medieval cartularies, rolls, and hospitals), the volume's innovative approach demonstrates how such an examination of the Aynho Cartulary can shed light on the social, political, economic, spiritual, and scribal networks within which this relatively obscure but well-connected hospital was situated. Written with experienced researchers and students in mind, this book is designed to be a go-to resource for both.
RICHARD ALLEN is a researcher and archivist at Magdalen College, Oxford, UK. BENJAMIN POHL is Professor of Medieval History at the University of Bristol, UK.
Adrian Wright
For One Week Only!: The Norfolk and Norwich Operatic Society, 1925–2025
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Explores the 100 year history of the Norfolk and Norwich Operatic Society and celebrates the company's relationship with the Theatre Royal Norwich, one of the most successful major provincial theatres in the country.
For One Week Only, published in time for the Norfolk and Norwich Operatic Society's centenary in January 2025, celebrates the company's relationship with the Theatre Royal Norwich, one of the most successful major provincial theatres in the country. The book charts the development of the Society over a hundred years of musical theatre, British and American. Each of the almost 100 productions has its own lively, informative and socially aware essay, accompanied by photographs revealing the development of the company from its origins in 1925, as well as showing the changing faces and styles of musical theatre throughout the century. The early years of the Society favoured such continental operettas as The Marriage Market and the bewitching Sybil before a long dalliance with Gilbert and Sullivan from which it broke free after World War II, although Iolanthe returned for her third outing in 1955. The Society's fascination with operetta continued through the 1960s with such sturdy favourites as The Student Prince, The Merry Widow and Rose Marie, with an occasional recognition of the British musical, notably in the 1975 production of Ivor Novello's King's Rhapsody and in the hugely successful Betty Blue Eyes of 2024. For One Week Only explores the history of the N&N and its ongoing contribution to the arts in Norfolk. Warmly and wittily, it lifts the curtain on a story of theatrical endurance and adventure.
Edited by Allan Kennedy
Deviance and Marginality in Early Modern Scotland
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An exploration of the complex and multifaceted connection between deviant behaviour and social marginality in Scotland between the sixteenth and eighteenth centuries.
During the early modern period in Scotland, deviant behaviour often went hand-in-hand with social marginality. Individuals might be ejected from the mainstream after breaching core behavioural standards; the experience of marginality itself often necessitated transgressive behaviour as a survival strategy; and, for some minority groups, the simple maintenance of their accustomed culture or lifestyle was understood through the lens of deviance. To be marginalised and to be deviant were, in many cases, two sides of the same coin.
Focusing on a range of behaviours, including irregular sex, violent and verbal assault, petty criminality, piracy, political dissidence, and religious nonconformity, this book explores the connection between deviance and marginality in early modern Scotland, particularly in the sixteenth and seventeenth centuries. It assesses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".
Gordon M. Reynolds
Laywomen and the Crusade in England, 1150-1300
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Considers how elite women could participate in Crusade, their means and motivations.
The popular perception of the medieval Crusades is of conflicts spanning from the Holy Land to the Baltic, with huge armies of religious zealots led by knights wearing crosses. However, the reality is far more nuanced. The vast majority of those living in western Europe did not go on crusade at all. But that does not mean that crusading was not on their minds, or that they could not influence the movement. They urged others to take up the cross, provided financial support, and prayed for the campaigns in the Holy Land; for them, this was crusade.
This book investigates how English laywomen were encouraged to support crusades and identify with holy war during the Middle Ages, challenging preconceptions of what crusade "meant", and bringing out the diverse ways of their participation. It draws on detailed analysis of cartularies, judicial records, chronicles and lyrical sources; it also examines the rich material culture of commemoration that celebrated the endeavour, alongside the papal propaganda which idealised women's sponsorship of crusade. This study therefore sheds new light not only on the role of women in crusade, but on their influence and piety more generally.
Edited by Anne-Zoé Rillon-Marne and Gaël Saint-Cricq
Composers in the Middle Ages
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A reflection on the idea of the "composer" in the medieval period, including a study of the individuals and groups active in the creation of medieval music.
The modern concept of the individual composer is central to accounts of Western music, and continues to represent a critical field of research in musicology. However, this approach cannot be straightforwardly transposed to the Middle Ages, as it does not reflect the complex creative realities of medieval composition, and conflicts with the evidence from extant sources and documentation.
This collection, the first full-length study of the subject, questions and revises the concept of the composer for the medieval period through five thematic parts: 'Historiographical Critique', 'Ascriptions, Attributions, Signatures', 'Medieval Constructions of Authority and of the Authorial Persona', 'The Composing Workshop', and 'Composers as Communities'. Spanning a period from the seventh century to the early Renaissance, and taking in different cultural and geographical areas of Western Europe, the essays examine a range of repertoires and fields - plainchant, Latin devotional song, medieval motet, trouvère song, Ars nova, drama, and illuminated Gothic manuscripts - in diverse contexts, from clerical communities, to princely courts and lay workshops. Overall, the new perspectives here shed fresh light on the musical practices and repertoires of the Middle Ages.
Chapters 6 and 10 are available as Open Access under the Creative Commons license CC-BY-NC-ND.
Gillian Cookson
Making an Industrial Revolution
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A new look at Britain's industrial revolution showing how communities of shared skill, knowledge and experience drove industrial innovation.
Making an Industrial Revolution presents a fresh perspective on British industrialization. Advances in technology, commerce and science played their part, but - as this book argues - above all it was communities of shared skill, knowledge and experience which drove industrial innovation in the eighteenth century.
Connections and relationships in key sectors - iron, textiles and engineering - produced transformative forces that revolutionized industrial life in Britain. Including new insights into Scotland's unique contribution, the book explores industrial change across the country, highlighting the significance of inter-regional and overseas migration and connection. It considers how social status enabled or limited individuals. It questions how exactly eighteenth-century science linked with emerging industrial technologies; and the importance of science, relative to skills and experience, in shaping innovation.
Leanne Langley
The Royal Musical Association
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Charting the history of the Royal Musical Association over 150 years: from scientific roots and the long resistance of British universities to music study, to bringing UK musicology to worldwide recognition.
This book is the first comprehensive history of the Royal Musical Association. Drawing on extensive archival material and exploring a host of colourful people, it paints an absorbing picture of scholarly achievement in Britain across 150 years.
Founded in London in 1874 as a learned society for musical research, the Association emulated the venerable Royal Society in welcoming diverse backgrounds, but went further by including women. Charting its scientific roots and the long resistance of British universities to music study, the narrative shows how the Association published a strong body of research independently, blossoming from 170 members in the 1870s to more than 1400 today.
Early joiners included the scientists William Pole and John Tyndall (a founder of climate science), the art historian Elizabeth Eastlake, and musicians from John Stainer to Agnes Zimmermann. Their goal was to 'investigate' and 'discuss' music rather than perform it or give concerts. Because no member was yet trained in what would later be called musicology, the papers covered an eclectic range of scientific, ethnographic and historical questions, broad in scope and responsive to heard music. Whether measuring acoustic phenomena, studying popular music or deciphering manuscripts of early polyphony, the Association promoted wide engagement as well as the establishment of academic musicology.
Meanwhile, members including W.B. Squire, Edward J. Dent, Thurston Dart and Stanley Sadie transformed public understanding. Their work in music library development, opera, Musica Britannica, early music, criticism and music lexicography helped gain global recognition for British scholarship. With arts study under pressure in the current uncertain climate, the Association's recent concern for real-world issues in diversity, practice-based research and the vital role of music in schools remains true to its founding spirit.
Padraic C. Kennedy
British Intelligence and the Fenians, 1855–1880
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Shows how mid-Victorian efforts to gather information about the Fenians laid the foundation for later British domestic intelligence in both Ireland and mainland Britain.
British Intelligence and the Fenians provides the first narrative account of the sustained and systematic use of espionage and secret policing in response to Fenianism between 1855 and 1880. It shows that despite the absence of a formal separate political police force or permanent intelligence agency, the British administration in Ireland created a sophisticated intelligence network to combat the revolutionary threat posed by the Fenian Brotherhood in America and the Irish Republican Brotherhood in Britain. The hub of this intelligence network was the Irish administration's "F. Department", which analysed thousands of reports about Fenianism from throughout Great Britain, North America, and continental Europe. Authorities also established a corresponding "separate and secret organization" in London. Such arrangement provided both Irish and English officials ready access to shared intelligence about Fenianism until the end of the 1870s. However, government's agents never managed to infiltrate the leadership of the Fenian organization in Ireland. Such failure left Ireland's rulers uncertain about Fenian intentions and prone to resort to extra-legal measures in response to perceived threats.
The book makes an invaluable contribution to our understanding of early political policing and espionage in Britain. By examining in detail what information was collected, how it was analysed and disseminated, and the use policy makers made of it, it more generally offers an interpretation of the role of intelligence in governing Ireland.
PADRAIC C. KENNEDY is Associate Professor at the Department of History and Political Science, York College of Pennsylvania.
Tim Thornton
The Royal Charters of Jersey, 1341-1687
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An edition and translation, with introduction and extended commentary, of all the royal charters granted to Jersey.
Examines the process by which the charters were negotiated and the pressures operating on the parties to each grant, including the crown and its local representatives, and the various elements of the local community. It compares and contrasts the charters with those granted to Guernsey, and sets them in the wider context of franchises and liberties across the territories of the English crown through the late medieval and early modern period.
Overall, the book highlights the crucial role of these charters in establishing the constitutional position of the bailiwick of Jersey. This is more than a subject of historical interest. The foundations of the constitutional position of Jersey are of great significance for the people of Jersey now and into the future. Jersey's constitutional relationship with the Crown is continuing to evolve, including to address the trading implications of Brexit. Understanding the distinct constitutional position of Jersey and the development of its rights to be governed by its own laws and customs may inform constitutional developments in Jersey, the crown dependencies and elsewhere.
Melanie Holihead
Naval Seamen's Women in Nineteenth-Century Britain
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Explores the lived experiences of the women of lower deck seamen in the nineteenth century British navy.
This book explores the lived experiences of the women - the mothers, sisters, foster-mothers of motherless children, but above all the wives - of lower deck seamen in the nineteenth century British navy. It makes extensive use of the "allotment" scheme, a system which enabled men to convey portions of their pay to dependants at home. The scheme had been devised by a Royal Navy worried by the adverse effect on naval manpower caused by experienced and mature sailors quitting the service in order to support loved ones suffering poverty on shore.
Drawing also on civil, parish and local data, the book reveals hitherto unknown differences between naval and civilian patterns of nuptiality, family life, occupation and household structure. It illustrates the impact of naval breadwinners' long-term absence in analyses of local migration, mutual support networks, and clusterings of "same ship" families, and to bring the picture to life it includes microhistories and stories of individual women.
The book concludes that while the sailor's woman's "allotted place" in the popular imagination shifted with changing perceptions of sailors' reputation and standing, a constant "otherness" attached to women who chose marriage to long-absent men, and a life of necessary self-reliance.
Leanne Langley
The Royal Musical Association
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$36.95
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Charting the history of the Royal Musical Association over 150 years: from scientific roots and the long resistance of British universities to music study, to bringing UK musicology to worldwide recognition.
This book is the first comprehensive history of the Royal Musical Association. Drawing on extensive archival material and exploring a host of colourful people, it paints an absorbing picture of scholarly achievement in Britain across 150 years.
Founded in London in 1874 as a learned society for musical research, the Association emulated the venerable Royal Society in welcoming diverse backgrounds, but went further by including women. Charting its scientific roots and the long resistance of British universities to music study, the narrative shows how the Association published a strong body of research independently, blossoming from 170 members in the 1870s to more than 1400 today.
Early joiners included the scientists William Pole and John Tyndall (a founder of climate science), the art historian Elizabeth Eastlake, and musicians from John Stainer to Agnes Zimmermann. Their goal was to 'investigate' and 'discuss' music rather than perform it or give concerts. Because no member was yet trained in what would later be called musicology, the papers covered an eclectic range of scientific, ethnographic and historical questions, broad in scope and responsive to heard music. Whether measuring acoustic phenomena, studying popular music or deciphering manuscripts of early polyphony, the Association promoted wide engagement as well as the establishment of academic musicology.
Meanwhile, members including W.B. Squire, Edward J. Dent, Thurston Dart and Stanley Sadie transformed public understanding. Their work in music library development, opera, Musica Britannica, early music, criticism and music lexicography helped gain global recognition for British scholarship. With arts study under pressure in the current uncertain climate, the Association's recent concern for real-world issues in diversity, practice-based research and the vital role of music in schools remains true to its founding spirit.
Richard C. Maguire
Plantation Slavery, Jamaica and Absentee Ownership
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An economic history of the Burton family of Norfolk, and their enslaved workers on the Chiswick sugar estate.
While the Atlantic plantation economy covered vast areas of the globe and saw the largest forced movement of people in human history, any global history is the sum of myriad local stories. This book recounts one of them. It is the story of a Norfolk family, the Burtons, who owned the Chiswick sugar estate on the island of Jamaica. The family inherited the estate in 1788 and for fifty-eight years ran it from Norfolk and Suffolk as 'absentee' landlords. Drawing on new archival research in Britain, the United States and Jamaica, this book makes an important intervention to our understanding of key debates in the economic history of plantation slavery: the decline of the planter class, the importance of British abolitionism, the way in which plantations were operated, the mechanics of absentee ownership, and, importantly, the lives of the enslaved people whose exploitation sustained the entire system. Although the story of Chiswick's enslaved workers before the late 1820s is difficult to reconstruct, its traces can be gleaned from the accounting records and letters of the estate's owners. Their story illuminates the economic data and managerial letters and reveals that Chiswick's workers were crucial in shaping the history of the estate. From the 1830s the workers' activity became central, as they responded to emancipation by gradually asserting their rights. In the end, it was the action of the formerly enslaved workers that made the Burtons' continuing ownership of the Chiswick estate economically unviable. While the wider context of abolition made this possible, it was the response of these workers, including strike actions, which decided the fate of the absentee-owned Chiswick sugar estate.
RICHARD C. MAGUIRE is an Honorary Senior Lecturer in the School of History, UEA. He is the author of Africans in East Anglia, 1467-1833 (Boydell Press, 2021).
Aidan Collins
Financial Failure in Early Modern England
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Analyses how bankruptcy was litigated within the court to gain a more nuanced understanding of early modern bankruptcy.
This book examines cases involving bankruptcy brought before the court of Chancery - a court of equity which dealt with civil disputes - between 1674 and 1750. It uncovers the numerous meanings attached to financial failure in early modern England. In its simplest sense, personal financial failure occurred when an individual defaulted on their debts. Because they had not fulfilled their responsibilities and behaved in a trustworthy and credible manner, bankrupt individuals were seen to be immoral. And yet bankruptcy was linked to wider notions of credibility, trustworthiness, and morality. Financial failure was described and debated not just in economic terms, but came to rely on a combination of social, community, and religious values.
Bankruptcy cases involved an interconnected network of indebtedness, often including relatives, neighbours, and traders from the local community. As such, conceptions of failure implicated individuals beyond just the bankrupt. As people began to look back and appraise the actions and words of those involved in trade, a far wider network of creditors, debtors, and middlemen were blamed for the knock-on effect of an individual failure. Ultimately, the book investigates the negative aspects of early modern trade networks and the active role of the court when such networks broke down, providing unique access to contemporary understandings of what was considered right and wrong, honourable and deceitful, and criminal and compassionate within the moral landscape of debt recovery during the seventeenth and eighteenth centuries.
Leanna T P Brinkley
Coastal Trade and Maritime Communities in Elizabethan England
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This book is the first modern analysis of the coasting trade in Elizabethan England. Drawing on a significant body of evidence, including evidence from the port books of Bristol, Southampton and Hull, as well as from a much broader array of early modern sources, it reconstructs both coastal trading patterns and the lives of the merchants, mariners and craftspeople that underpinned them. While Bristol, Hull and Southampton represent the primary case study ports, a much broader geographical range is explored, providing new insights into not just the trade routes, markets, commodities and ships on which this key element of England's maritime economy rested, but also into the men (and few women) who plied coastal trade routes, exploring their socio-economic status, social and political networks, and maritime business strategies. It analyses the linkages between merchants, shipmasters, and ships, discusses merchants' business practices, including their approach to risk, and shows how this shaped the early modern shipping industry. In presenting evidence in an engaging and easily digestible way, and making use of social network analysis, the book makes clear the complexities of coastal trader networks, and the business acumen of coastal traders. While scholarly work hitherto has focused overly on overseas traders, this book corrects the imbalance, revealing in detail the complex commercial and personal lives that coastal traders lived during this pivotal period in England's maritime and commercial expansion.
Leanna Brinkley completed her doctorate at the University of Southampton.
Alexis Wolf
Transnational Women Writers in the Wilmot Coterie, 1798-1840
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Highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century.
The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work.
Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded.
Tim Ayers
St Stephen's Chapel and the Palace of Westminster
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Traces the history of a magnificent landmark in the history of late medieval art and architecture.
As the principal royal chapel in the medieval Palace of Westminster, St Stephen's was at the centre of worship for the Plantagenets, a major collegiate foundation of a new kind for the mid-fourteenth century, and a community of national significance in the development of sacred polyphony. During the Reformation, the Chapel was converted into a meeting place for the House of Commons, which it remained for 300 years, shaping the development of British political culture. Its influence continues to be felt today in the design of the Commons chamber. Following the disastrous Palace fire of 1834, the site of the upper chapel was rebuilt as St Stephen's Hall, a gallery of national history, leading to the Central Lobby of the Houses of Parliament.
This book tells the story of St Stephen's Chapel, from the thirteenth century to the present day. Sixteen chapters explain the building and its religious life, its political significance, and the antiquarian rediscovery of its former magnificence. Contributors highlight the interaction between visual and political culture; the contexts of kingship and international rivalry that informed the foundation and construction of chapel and college; the effect of medieval St Stephen's on the development of the House of Commons; the adaptation and re-use of St Mary Undercroft; and the creation of St Stephen's Hall in the 1840s. The hall would become a site of Suffragette activism in the campaign for Votes for Women, marked today by a monumental artwork New Dawn, which is the focus of the final chapter.
Paul Readman
Culture, Thought and Belief in British Political Life since 1800
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Brings together agenda-setting essays that illuminate the complex relationship between ideas and political activity in modern British history.
Ideas matter in modern British political life: culture, thought and belief are integral to the fabric of politics, high and low, foreign and domestic. They are woven into the day-to-day business of debate, policy and decision-making. This book shows how and why they have mattered so much. Inspired by the work of Jonathan Parry, it explores the cultural and intellectual influences on politics both formal and informal since the turn of the nineteenth century. Featuring original interventions by some of the world's leading historians, the essays in the volume are organised around themes of central relevance to the understanding of modern British political history. They explore a wide range of subjects across political life and its intellectual and cultural hinterlands, including constitutionalism and international political thought, anticolonial activism, race and imperial commemoration, female political thinkers, parliament, monarchy and the law, the politics of religion, and patriotism and national identity. This is an agenda-setting text that will be essential reading for anyone wishing to understand the complex relationship between ideas and political activity in modern British history.
Paul Readman is Professor of Modern British History at King's College London. Dr Geraint Thomas is Fellow and Director of Studies in History at Peterhouse, University of Cambridge.
Contributors: Michael Bentley, John Bew, Paul Bew, David Cannadine, Matthew Cragoe, Tom Crewe, Ben Griffin, Boyd Hilton, Michael Ledger-Lomas, Joanna Lewis, Helen McCarthy, Alex Middleton, Susan D. Pennybacker, Kathryn Rix, James Thompson, Philip Williamson
Professor Stephen D. Church
Anglo-Norman Studies XLVI
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"A series which is a model of its kind": Edmund King
Considers the clerical friends of Ermengarde of Brittany, showing how these men enabled Ermengarde to fulfil both her duty and her desire to live an intensely pious life. Explores the ways in which grief was represented in the Histoire de Guillaume le Maréchal. Two thirteenth-century Evesham forgeries demonstrate that early thirteenth-century people, even so-called experts at the papal chancery, seem to have been ignorant of the physical form taken by early papal bulls. Explores the world of the scribes who composed Exon Domesday, demonstrating their working methods as well as giving us further insights into the composition of Great Domesday, completed by 1088. Looks at the involvement of Bernard, abbot of Le Mont Saint-Michel, 1131-49, in the development of the abbey in peril of the sea. Examines how the introduction of musical notation into Normandy around the millennium made it possible for people to understand melodies without aid from a master. Offers insights into the career of Ranulf Flambard, the most "infamous tax collector" of the late eleventh century in England. Investigates the annals of the Anglo-Saxon Chronicle for the years 1062 to 1066, showing that they were written largely in retrospect after the events of 1066 had played out. Looks at the case for the evidence relating to the foundation of Kirkstead Abbey, Lincolnshire. Finally, presents evidence for spying and espionage in the Anglo-Norman World.
Alanna Ropchock Tierno
The Polyphonic Mass in Early Lutheran Central Europe
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Investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600.
The five-movement polyphonic Mass Ordinary emerged from the cultural and liturgical practices of medieval Roman Catholicism and became the pre-eminent large-scale musical genre of early modern Europe. By the end of the sixteenth century, the polyphonic mass remained a core musical genre among Catholics despite gaining widespread popularity within a new institution fundamentally opposed to the Catholic Church and best known for its cultivation of vernacular liturgical music: the Lutheran church. This book investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600.
Through careful source analysis, this study presents examples of polyphonic masses composed in both Lutheran and Catholic contexts that contradict the conventional conception of the Mass Ordinary as a fixed five-movement cycle with unaltered Latin texts. The book draws on sixteenth-century liturgical documents such as Lutheran church orders and hundreds of primary printed and manuscript sources of polyphonic masses; some of these items are well-known in Renaissance musicology source studies while others have received little to no scholarly attention. The book's findings invite reconsideration of how the Mass Ordinary genre is defined, allow for a discussion whether the polyphonic mass should be considered a bi-confessional genre, and present a cohesive examination of early modern liturgical music in the Germanic and western Slavic regions. It offers interesting reading to scholars and students of European Renaissance and religious music, as well as Reformation studies more generally.
Dr Rémy Ambühl
Documenting Warfare
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Insights from English and French writers on one of the most significant armed conflicts of the Middle Ages
Documentary sources for the Hundred Years War are many and varied, yet given the number that exist, comparatively few have been published, and even fewer translated. The contributors to this volume, celebrating the work of Professor Anne Curry, provide a wide selection of these sources, edited and translated, and accompanied with detailed analysis and commentaries, by experts in the field. They include contracts, inventories, letters of grace, depositions and wills, and shed new light across a range of themes, from recruitment, violence, ransoms and peace, to gunpowder, shipping, dress, and stray horses. An introductory essay gives a wider perspective on the sources for the Hundred Years War, taking a comparative view from both sides of the Channel.
Chapter 8 is available as Open Access under the Creative Commons license CC BY−NC−ND. The Open Access version of this chapter was funded by The Arts and Humanities Research Council (grant number AH/S011765/1).
Linda Clark
The Fifteenth Century XX
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"This series pushes the boundaries of knowledge and develops new trends in approach and understanding." ENGLISH HISTORICAL REVIEW
As is appropriate in a volume honouring the distinguished scholarship in this field of Dr Rowena E. Archer, wealthy and influential ladies, most notably Alice Chaucer, duchess of Suffolk, take centre stage, alongside successive queens consort of the period, whose councils helped to implement justice. Alice's almshouse at Ewelme provides a fine example of the many institutions which offered care for the elderly in late medieval England, a period when Henry VII placed great emphasis on the burials of his kinsfolk, particularly in Westminster abbey, to ensure that their memory would endure. Pretenders to the throne of that king and his successor, who included Alice's grandson, bring into focus the riots of 1487 near the borders of Wales and portraits dating from the 1520s. Other themes of language (how Henry V employed English in France), law (the development of the concept of the body corporate) and taxation (levies imposed on imported wine) are added to an intriguing comparison of relations between English administrators and the nobility of Gascony with British imperialists and the princes of India.
Hugh Ouston
The Advancement of Learning in Stuart Scotland, 1679-89
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A study of Scottish thinkers and writers in their political and cultural context.
The "advancement of learning" was the term used by late seventeenth-century Scots for intellectual enquiry of all kinds. Encouraged by Stuart patronage, and echoing a Royalist ideology of continuity and order following the chaos of the Civil War, the "Virtuosi", Scottish writers and thinkers, sought to define Scotland's identity. They undertook structured, empirical enquiry into Scottish natural history and geography, human history and antiquities, law and society, while the legal and medical professions developed their status and purpose through institutions such as the Royal College of Physicians and the Advocates' Library. They both complemented and eclipsed the changing intellectual life of the Church and Universities. This book considers the work of leading authors, such as Sir George Mackenzie, Sir Robert Sibbald and Lord Stair, alongside the many other voices engaged in learned research and debate, examining their shared or contrasting philosophy and methods. It shows how a distinctively Scottish take on the "Scientific Revolution" was enhanced by close contacts with the Royal Society and English thinkers, and a conscious membership of the European Republic of Letters.
Lucinda H.S. Dean
Death and the Royal Succession in Scotland, c.1214-c.1543
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Illuminates how the ceremonial dimension of death and the succession reflected both Scottish royal identity and a broader culture of ceremony.
To date, scholarly attention to royal ceremony in Scotland from the Middle Ages into the early modern period has been rather haphazard, with few attempts to explore how these crucial moments for the representation of royal authority. This monograph provides a long durée analysis of the ceremonial cycle of death and succession associated with Scottish kingship from the thirteenth to the sixteenth centuries, including the final century of the Canmore dynasty, the crisis of the Bruce-Balliol conflict, and the emergence and consolidation of the Stewart family up to the funeral of last monarch buried in Scotland, James V, in 1543. Using a broad range of primary sources, including financial records and material culture, many of them previously untapped, it addresses key questions about kingship and power, the function of ceremony in legitimising royal authority, its significance in relation to the practical exercising of power, and evidence for Scottish similarities and distinctiveness within wider European contexts.
James Ross
Robert de Vere, Earl of Oxford and Duke of Ireland (1362-1392)
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The first full-length study of one of the most controversial figures of later fourteenth century England.
Robert de Vere was a close friend of the young King Richard II. He was accused of a wide range of political crimes and private vices by his opponents, the Lords Appellant. Defeated by them at the battle of Radcot Bridge in 1387, he died abroad in exile aged only 30. He was, in the eyes of many contemporaries - most notably the hostile chroniclers Walsingham and Froissart - and modern historians, a typical royal favourite: unmartial, immoral, self-seeking, and promoted and enriched far beyond what he deserved.
But what was a royal favourite, and what were the accusations made against them? This book investigates these questions across late medieval England, and assesses de Vere against contemporary criteria. Based on extensive archival research, this book shows there was more to de Vere than a grasping courtier. He had been Earl of Oxford since the age of nine, heir to a large landed estate, and had twice served in foreign wars. He also made a serious attempt to govern the English lordship in Ireland given to him by Richard. The findings here show him to be a far more rounded and complex figure than previously assumed.
Thomas McGeary
The Cultural Politics of Opera, 1720-1742
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Explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera was put to use in the 'culture wars' of the day.
This last of a trilogy of books on opera and politics in Britain examines the cultural politics of opera during the ministerial reign of Sir Robert Walpole from 1720 to 1742. The book explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera - with its associations with the court, ministry and Britain's social-political elite - was put to use in the 'culture wars' of the day: how Italian opera was used for partisan political advantage; how political work could be accomplished by means of opera. It shows that attacks on opera had ulterior targets.
The book surveys a range of often overlooked verse and prints to show how critique or satire of opera were a means for oppositional writers to delegitimize the Walpole ministry. Polemicists framed opera as a consequence of the corruption, luxury and False Taste generated by Walpole's ministry.
It closes in the watershed year 1742: Handel had produced the last of his Italian operas the previous year, Walpole fell from power, and Alexander Pope published the last book of his Dunciad project.
Georgina Hughes
Evelyn Glennie: Sound Creator
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A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist.
Dame Evelyn Glennie (b.1965) is the world's first full-time solo multi-percussionist, a sound creator and expert listener whose work continues to expand and diversify the remit of the contemporary performer in the twenty-first century. This book presents the first comprehensive study of Glennie's contribution to the evolution of an eclectic, experimental and fascinating instrumental discipline which wilfully eludes standardization.
Glennie's sound journey also resonates in contexts extending beyond the discipline of music. She is a prominent female role model, an entrepreneur, a business and brand, a philanthropist and a profoundly deaf performer who has reframed discourse on what it means to truly listen. This book is both a case study of one pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. An important reference source for percussionists, it is also intended to serve as a means of allowing the interested reader to engage with a medium that has become the heartbeat of contemporary culture.
Adrian Pettifer
Scottish Castles
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Gazetteer of over 500 hundred surviving Scottish Castles.
Discover the castles of Scotland, from early "motte and bailey" earthworks and impressive walled enclosures to the many tower houses that dot the landscape. Castles were built in increasing numbers from the 14th to the 17th century, as residences for the Scottish nobility. Some are still proudly occupied; others are well-maintained ruins; many others slowly decay in fields and farmyards.
Here, Adrian Pettifer provides a brief account of every Scottish castle to survive in a reasonable state of preservation, including such iconic sites as Edinburgh, Glamis and Cawdor. Each of the more than five hundred main entries provides a brief history and description of a castle, followed by advice on accessibility, sources for further reading and cross-references to related sites. An introduction supplies the historical background, while a glossary covers all aspects of Scottish castles in some detail. Ordnance Survey references are given in the index.
Barbara Gentili
Italian Opera Singing at the Time of Verismo
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Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society.
In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this multifaceted 'modernity', and its connections with the emergence of verismo, a realistic trend that affected every aspect of creative and intellectual life in fin-de-siècle Italy. Thisnovel approach to artistic representation meant that singers had to redefine the operatic voice, exchanging the bel canto ideal of 'pure' vocal quality with an irreversible gendered connotation and an erotically charged expressive force. Pivotal to this shift was the gradual development of a homogeneous vocal colour through the compass, an aesthetic principle that was alien to the voice culture of the previous centuries. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this radical transition.
The book explores how and why modern singers consciously pursued a new vocal expressivity, illuminating the ways in which the changes they introduced in their vocal techniques yielded novel stylistic gestures, and ultimately shaped operatic culture.Through a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers.
Ionuț Epurescu-Pascovici
Human Agency in Medieval Society, 1100-1450
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Argues the case for the individual as autonomous moral agent in the later Middle Ages.
"Of fundamental importance for any discipline dealing with past societies and cultures. One of the most wide-ranging, sophisticated and imaginative books on medieval history that I have read in a very long time. The way in which the author defines, traces and analyses agency is stunningly original. It will make an immensely important contribution to our understanding of high and late medieval Europe." Professor Björn Weiler, University of Aberystwyth
What did it mean to be an autonomous agent in European medieval society? This book aims to answer that fundamental question, via an examination of a mosaic of case studies drawn from the literate urban middle strata and the lower and middle-rank aristocracy.
The social imaginary that informs individual conduct, the patterns of strategic action, and the individuals' sense of effectiveness in the world are reconstructed from "ego-documents", a broad category that includes first-person charters, autobiographical insertions in chronicles, private registers, and memoirs. These range from the better-known, such as the Ménagier de Paris and the histories of Galbert of Bruges and Salimbene of Parma, to the equally fascinating but more seldom explored French livres de raison and Italian ricordanze.
The book's larger aim is to historicise the autonomous moral agent. Neither belief in divine intervention nor feudal relations inhibited individuals' social agency. The emphasis on hierarchy and order in medieval normative texts is shown in a different light, as part of the effort to restrain social subalterns, whose potential for agency caused anxiety. Whereas power is often structural, an effect of institutions which, however, were only just developing, the book argues that agency is a more apposite construct for capturing the salient medieval concerns with the possibilities and effects of individual and collective action.
Ole J. Benedictow
The Complete History of the Black Death
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A truly definitive work, this magisterial study draws on the latest evidence from across Europe to show in exhaustive detail the nature of the disease, its origin, spread, mortality, and its profound impact on history.
The Black Death was a disaster of huge magnitude, shaking medieval Europe and beyond to its economic and social core. Building upon his acclaimed study of 2004, Ole Benedictow here draws upon new scholarship and research to present a comprehensive, definitive account of the Black Death and its impact on European history. The medical and epidemiological characteristics of the disease, its geographical origin, its spread across Asia Minor, the Middle East, North Africa, Europe and Russia, and the mortality in the countries and regions for which there are satisfactory studies, are clearly presented and thoroughly discussed. The pattern, pace and seasonality of the spread of the disease reflect current medical work and standard studies on the epidemiology of bubonic plague. Benedictow's findings make it clear that the true mortality rate was far higher than had been previously thought: some 60% of Europe's population. In the light of those findings, the discussion of the Black Death as a turning point in history takes on a new significance.
Stephen Bennett
Elite Participation in the Third Crusade
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The motivations behind those who went on the Third Crusade examined through close investigation of their social networks.
The Third Crusade (1189-1192) was an attempt by Latin Christendom to reconquer the Holy Land, following the capture of Jerusalem by the Ayyubid sultan Saladin in 1187. Tens of thousands responded to a call for a crusade by Pope Gregory VIII and the efforts of his preachers at mass cross-taking ceremonies, rallying to the expedition's leaders - Frederick Barbarossa, Philip Augustus, and Richard the Lionheart. This book analyses the communal and cultural factors that influenced nobles from north-western Europe who embarked on the Third Crusade, bringing out the motives, dynamics, and extent of their participation, and placing that participation in the broader social and geographical context of crusading and medieval life. It shows that significant numbers of them were themselves descended from crusaders, and that the majority of them travelled to the Levant in the company of friends, family, and neighbours, as well as through membership of a military household. It also highlights the role of key individuals - both male and female - who influenced the decision to undertake the crusade, and identifies the significant role played by particular religious institutions in the diffusion of crusading ideology.
Alex W. Barber
Radical Ideas and the Crisis of Christianity in England, 1640-1740
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Examines the evolving relationship between Church and State, the character of radical thought in Enlightenment England, and the nature of that Enlightenment itself.
A tribute to the work of the late Justin Champion, this volume explores the radical religious and political ideas of seventeenth- and eighteenth-century England which were at the heart of Champion's intellectual contributions. Drawing on the debates and upheavals that dominated the period from the British Civil Wars to the mid-eighteenth century, the essays in this collection interrogate the challenging relationship between politics and religion which prompted what Champion called a 'Crisis of Christianity'.
Diverse perspectives on that crisis are reconstructed, encompassing the experiences of republicans and radicals, philosophers and historians, atheists and clergymen. Through these individuals, a complex discourse which defies easy categorisation is recovered, but which speaks to central discussions concerning the evolving relationship between Church and State, the character of radical thought in Enlightenment England, and indeed the nature of that Enlightenment itself.
Ana P. Sánchez-Rojo
Music and Modernity in Enlightenment Spain
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By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.
Histories of modern Europe often present late eighteenth-century Spain as a backward place struggling to keep pace with modernity. During the reign of Charles III (1759-1788), Spain pushed for economic and cultural modernization, but encountered resistance from members of the public and the elite alike. They viewed the modern as a passing fad that would, in time, show its fragility, and believed Spain would withstand the collapse thanks to its firm grounding in the pillars of monarchy, religion, and traditional forms of knowledge. One source of this solid foundation was the long-established musical knowledge based on the rules of counterpoint. In contrast, modernizers argued that Spain could be true to its essence, yet simultaneously modern and cosmopolitan: they favoured cosmopolitan genres, such as Italian opera, and artistic expression over counterpoint rules. At times this led to more creative uses of music, such as reinterpreting pastoral and sentimental topics to accommodate reformist political trends.
Music was considered crucial to the integrity of the Spanish nation by both sides. Whether and how Spain became modern would in many ways be defined and reinforced by the kinds of music that Spaniards composed and witnessed on stage. Through the study of press debates, opera reception, and musical theatre productions, this book shows how music intersected with wider cultural affairs, such as philosophy and criticism, medicine and the human body, civilization, Bourbon policy and sentimentality. Music and Modernity in Enlightenment Spain for the first time connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.
Jane McLeod
Print, Politics and Trade in the French Atlantic
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The epic histories of the French Revolution, Enlightenment, and colonialism in the West Indies, told through the history of one family.
The Labottières were the largest printing and bookselling dynasty in eighteenth-century Bordeaux. From the 1680s to the sale of their business in 1794 three generations of this family acted as major cultural brokers in this booming Atlantic port, serving the rapidly expanding commercial and legal sectors with books, pamphlets, and newspapers.
The lives and businesses of this family are heavily entwined with the histories of the Enlightenment, French colonialism in the West Indies, and the French Revolution. We find the final generation, welcoming the Revolution, printing a pro-revolutionary newspaper that framed the revolts in Haiti and Martinique in pro-revolutionary terms. They would come to establish their shop as a Jacobin centre and, along with their workers and journalists, navigated the forces of popular censorship and state control. However, despite these activities, the Labottière printing and bookselling enterprise would, eventually, be destroyed by the very Revolution it had supported.
Through this lively microhistory of the Labottières, Jane McLeod presents the important role played by the flourishing Atlantic port economy in supporting the expansion of printing and bookselling. Furthermore, from McLeod's extensive archival research into over thirty members of the Labottière family, emerges a new understanding of the role played by printers and booksellers in the spreading of the ideas and concerns that underpinned some of the landmark social, cultural and political changes of the eighteenth century.
Ralph Moffat
Medieval Arms and Armour: A Sourcebook. Volume III: 1450-1500
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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.
Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over seventy original documents are transcribed and translated, including wills, inventories, letters and chronicle accounts, from a period which saw rapid advances in military technology. The book also includes an extensive glossary, and is lavishly illustrated with images of both extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
John Bulaitis
The Tithe War in England and Wales, 1881-1936
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Brings to life a fascinating page of history in a scholarly but highly readable account of the "tithe war".
During the 1930s, farming communities waged a campaign of "passive resistance" against Tithe Rentcharge, the modern version of medieval tithe. Led by the National Tithepayers' Association, farmers refused to pay the charge, disrupted auctions of seized stock and joined demonstrations to prevent action by bailiffs. The National Government condemned their "unconstitutional action", ruled out changes in the law and mobilised police to support the titheowners. Meanwhile, the Church of England and lay titheowners - including Oxford and Cambridge colleges, public schools and major landowners - sought to vindicate their right to tithe; in a particularly shameful episode, the Church established a secret company to buy taken produce and remove it from farms.
This "tithe war" was fought outside farms, in the courts, in the press and in the wider arena of public opinion. It posed problems for the Church, legal system, and every political party; split the National Farmers' Union; and provided opportunities for the British Union of Fascists and other sections of the extreme right to cause disturbance.
Drawing on extensive archival research, accounts in local newspapers, and private papers, John Bulaitis traces the evolution of what has been described as this "curious rural revolt", from the late nineteenth century to its climax in 1936, when the Tithe Act brought an end to this form of tax.
Nicholas Rogers
Maritime Bristol in the Slave-Trade Era
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Explores the maritime history of Bristol, a leading slave port in the eighteenth century
Delves into the hazards of the slave trade, its recruitment of seamen, its fractious labour relations and mutinies, and how these were resolved by law. One chapter examines in detail how a shipwright sought redress for his ill-treatment aboard a slave ship and how sensitive the merchant elite were to insider criticism; another reveals how partial the Admiralty courts were to captains as sovereigns of their ships.
The book also tracks the chequered fortunes of a New York/Bristol merchant family during the American war, the patterns of investment in mid-century privateering, which illustrate how money from slave-trade activities was mobilized for this speculative enterprise, and how naval impressment was used for political purposes.
The book concludes with a chapter on why Bristol failed to emulate other culturally vibrant towns and cities in opposing the slave trade in the first phase of abolition. In the wake of the Edward Colston controversy, this book contributes to the ongoing debate as to how slavery has shaped British society.
Agustin Guimerá
Sailors, Statesmen and the Implementation of Naval Strategy
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Explores the varied relationship between political leaders and naval experts, from the 16th to 21st centuries
The shaping of national defence strategies is particularly difficult in the case of navies. Few political leaders have naval experience, in contrast to the case of armies where political leaders and army commanders have often shared similar social and professional backgrounds. Bringing together historical examples from Britain, the United States, Spain and France, the book provides insights into this key relationship.
The authors highlight factors which have made for successful relationships between political leaders and naval experts, showing how changing circumstances have affected the dialogue and underlines the importance of good exchange of knowledge, expertise and understanding for successful policy making and strategic outcomes. Sea power continues to be crucial in the present world's increasingly unstable geopolitical situation, the mutual exchange of expertise between naval experts and political leaders is as important as ever, and the risk of political 'sea blindness' remains high. This book's historical examples provide good guidance on how to manage the relationship between political leaders and naval experts well.
Nicolás J. F. Puyané
Liszt Recomposed
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Explores Liszt's compositional processes and methods of revision as the product of the composer's interactions with a large variety of social, cultural, personal and political forces.
Franz Liszt (1811-86) is mostly known for his virtuosic piano works, but his compositional achievements in the genre of song have so far been neglected. Many of Liszt's Lieder exist in multiple versions, sometimes radically altered, and many with equal claims to 'authenticity'. This has sometimes been viewed as a barrier to performance and a hindrance to scholarly scrutiny. Nicolás Puyané now redresses this imbalance and draws attention to this rich and varied corpus of works.
Liszt's songs contain a myriad of intertextual links, not just with the songs of other composers, but also with Liszt's own works in other genres and his own revisions. By focusing on the multi-version songs, the book uncovers how these intertextual relationships have evolved over time. Introducing the concept of "textual fluidity", the book explores Liszt's compositional processes and methods of revision, interpreting the work as being the product of the composer's interactions with a large variety of social, cultural, personal and political forces: for instance, the contemporaneous reception of Liszt's early Lieder, or the change in Liszt's performing and compositional environments from his virtuoso to his Weimar years. The book then offers close readings of selected songs, including the Goethe and Schiller Lieder, by applying the concept of textual fluidity. Its findings will impact the way in which we see Urtext editions, arguing instead for an online fluid-text edition as an ideal resource with which to study Liszt's multi-version compositions.
Prof Rachel Hammersley
Civil Religion in the Early Modern Anglophone World, 1550-1700
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Civil Religion - a tradition of political thought that has argued for a close connection between religion and the state - made an important contribution to the development of religious and political thought at key moments of early modern British political and colonial history. As this volume shows, it was at work not just during the Enlightenment, but within a much wider periodical framework: the Reformation, the rise of the Puritan movement, the conflict over the Stuart state and church, the English Revolution, and the formation of key American colonies in the eighteenth century. Advocates of Civil Religion tried to reconcile a national church with religious toleration and design a constitution capable of preventing the church from interfering with affairs of state.
The volume investigates the idea of Civil Religion in the works of canonical thinkers in the history of political thought (Machiavelli, Hobbes, Locke and Rousseau), in the works of those who have been recognized as shaping political ideas (Hooker, Prynne et al.) during this period, and in the advocacy of those perhaps not previously associated with Civil Religion (William Penn). Although Civil Religion was often posited as a pragmatic solution to constitutional and ecclesiological problems created by the Reformation and the English Revolution, they also reveal that such pragmatism was not at odds with religious conviction or ideals. Civil Religion certainly enhanced citizenship in this period, but it did so in ways which depended on the truth claims of Protestantism, not on their domestication to politics.
Allan Kennedy
Life at the Margins in Early Modern Scotland
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An exploration of the diverse lived experiences of marginality in Scottish society from the sixteen to the eighteenth century.
Throughout the early modern period, Scottish society was constructed around an expectation of social conformity: people were required to operate within a relatively narrow range of acceptable identities and behaviours. Those who did not conform to this idealised standard, or who were in some fundamental way different from the prescribed norm, were met with suspicion. Such individuals often attracted both criticism and discrimination, forcing them to live confirmed to the social margins.
Focusing on a range of marginalised groups, including the poor, migrants, ethnic minorities, indentured workers and women, the contributors to this book explore what it was like to live at the boundaries of social acceptability, what mechanisms were involved in policing the divide between "mainstream" and "marginal", and what opportunities existed for personal or collective fulfilment. The result is a fresh perspective on early modern Scotland, one that not only recovers the stories of people long excluded from historical discussion, but also offers a deeper understanding of the ordering assumptions of society more generally. Specific topics addressed range from the marginalisation of people with disabilities in the domestic sphere to female sex workers, and the place of executioners in society.
Richard Stone
Bristol and the Birth of the Atlantic Economy, 1500-1700
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Analyses data from the Bristol Port Books to rewrite the history of trade in Bristol, including the city's early involvement with the slave trade.
The sixteenth and seventeenth centuries were a transformative period for global commerce, with the principal focus of England's trade shifting away from trade with Europe, primarily in woollen cloth, to a new Atlantic system, with trade in a diverse range of commodities. Based on the fantastically detailed Bristol Port Books, previously thought impenetrable, and using new computer technology to analyse the vast amount of data, this book provides the first long duration history of a major Atlantic port in this period.
It rewrites the history of Bristol's trade, overturning much established thinking, for example showing that trade flourished in the late Tudor and early Stuart period, demonstrating that Bristol was involved in the slave trade much earlier than was previously thought and charting the growth of commerce with North America and the Caribbean from nothing to three quarters of Bristol's imports in the short period from the 1630s to the 1650s. Overall, the book represents a major contribution to understanding how the Atlantic economy worked and how it developed in this crucial period.
Kelly DeVries
Journal of Medieval Military History: Volume XXII
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"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare
The articles in volume 22 of the Journal of Medieval Military History range widely, not only in chronology but also in geography and approach. Sven Ekdahl looks at the big picture of the role of Swedish castles in the north; L. J. Andrew Villalon focuses on the very particular and culturally significant rewards given by the Catholic Kings to two noble families to celebrate minor victories on the borders of Granada in the far south. Subjects include fighting at the tactical level (the unexpectedly substantial tradition of mounted archery in England, the Low Countries and France, revealed by Sanders Goevarts), the operational level (Emperor Louis II's logistics in Italy, treated by Elijah T. Wallace), and the strategic level (King John's employment of naval power, analyzed by Adam M. McNeil). Vladimir Aleksić and Damnjan Prlinčević consider military, political, geographical, demographic, and economic factors to contextualize the military history of the rich mining town of Novo Brdo in Serbia as it faced the rising tide of Ottoman conquest in the last century of the Middle Ages. Three contributions draw on the rich resources of the English royal archives to illuminate the material and technological tools of medieval warfare: individual weapons (most significantly both longbows and short bows) described with exceptional detail in a murder case of 1315 (Clifford J. Rogers); the horses of Henry V in the Agincourt campaign of 1415 (Gary P. Baker); and the military equipment stored at Dover Castle as described in inventories dating from 1320 to 1437 (Dan Spencer).
Edited by Carrie Churnside
Transitions in Mid-Baroque Music
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Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.
This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe.
James Barnaby
Religious Conflict at Canterbury Cathedral in the Late Twelfth Century
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Documents a long-running dispute between the archbishops and monks of Canterbury throughout the 1180s and 1190s.
For fifteen years the monks of Christ Church Canterbury waged a war against their archbishop, over a plan to build a church to provide funds for their administration, dedicated to Thomas Becket. Fearing the loss of their most beloved (and lucrative) saint to this new institution, the monks embarked on a course of action which saw rioting in the streets of Canterbury, their excommunication, and the cathedral placed under siege by the archbishop.
Although at first glance an internal dispute between the archbishop and his cathedral chapter, it had a wide-ranging impact. The monks travelled thousands of miles in support of their cause, enlisting the backing of popes, cardinals, and the elites of Europe. In England, the kings during the period took a personal interest in the dispute, sometimes attempting to resolve it and sometimes hindering any chance of peace.
This book, the first full account of the conflict, draws on the huge collection of letters it provoked (one of the largest compiled in the twelfth century), alongside other sources such as monastic culture, to offer a detailed narrative of this complicated feud between Archbishops Baldwin of Forde, Hubert Walter and their cathedral monks; it also considers the continuations of the dispute in the thirteenth and fourteenth centuries. In addition, it analyses the key themes of the conflict: the role of royalty, travel, and the deployment of Thomas Becket.
Cordelia Warr
Medieval Clothing and Textiles 18
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The best new research on medieval clothing and textiles, drawing from a range of disciplines.
The essays collected here continue the Journal's wide-ranging and eclectic tradition. Topics include literary evidence for linen armour; serial production in late medieval silks; the inventory of Isabella Bruce's bridal goods; the depiction of women textile workers in the frescoes of the Salone of the Palazzo della Ragione in Padua, Italy; ideal female beauty in the Middle Ages and the means used to attain and assess it; and social status as evidenced by clothing and textiles in the Scottish royal treasurer's accounts of the mid-sixteenth century.
Nigel Bryant
The Book of the Deeds of the Good Knight Jacques de Lalaing
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Contains detailed, eyewitness accounts of the most memorable exploits of a man fit to be memorialised as a model of ideal knighthood.
'My honoured lord, I am sending you certain recollections of the high and admirable deeds of arms performed in the lists by your late son Jacques de Lalaing... But they are small memories in relation to the greatness of his deeds.'
So begins a letter that Lefèvre de Saint-Remy, 'King of Arms' of one of the grandest orders of chivalry, the Burgundian Order of the Golden Fleece, wrote to Jacques's father following the young knight's dramatic death. It contains detailed, eyewitness accounts of many of his most memorable exploits, and leaves little reason to doubt that Jacques de Lalaing was a genuinely exceptional knight, fit to be memorialised as a model of ideal knighthood.
This letter is just one of several components of the fascinating Book of the Deeds of the Good Knight Jacques de Lalaing. Not a biography by a single hand but a herald's compilation of existing documents - Lefèvre's letter, the records of other heralds and a previously lost section of Lefèvre's fine chronicle - the book traces Lalaing's career in absorbing detail.
It is a remarkable story. After serving in the Burgundian conquest of Luxembourg, Lalaing set out across Europe, challenging and jousting wherever he went from Portugal to Scotland. Most famous of all was his elaborately staged deed of arms called the Fountain of Tears. Here, on a river island in Burgundy, he stood and fought all comers for an entire year in 1449-50. With grim irony Lalaing, as glamorous in his time as any sporting hero of today, was then killed by an unglamorous cannon ball in the Ghent War of 1453.
Compiled largely from the work of heralds whose prime concern was accuracy, this book holds rich seams of information to be mined, offering invaluable insights into the behaviour and thinking of the nobility in the late Middle Ages.
The Book of the Deeds of Jacques de Lalaing follows Nigel Bryant's previous translations of chivalric biographies from earlier centuries - those of William Marshal, Bertrand du Guesclin and Geoffroi de Charny. It shows that the ideals of chivalry - including even a commitment to crusade - were still very much alive even as the nature of warfare changed, and Jacques was a complete model of those ideals, a model which remained real, attainable and absolutely relevant.
Ben Cowell
The British Country House Revival
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British country houses have experienced a renaissance since the early 1970s. A new accord is needed today, recognising the increasingly contested contribution of country houses to British cultural life.
Fifty years ago, the future for country houses in Britain looked bleak. The Victoria & Albert Museum's exhibition The Destruction of the Country House, which opened in October 1974, charted the loss of over a thousand country houses in the preceding century. The makers of the exhibition warned that history could be "about to repeat itself" because of the threats besetting mansion properties, principally from higher taxation. Houses faced the prospect of having to be stripped of their collections and sold for use as offices, hotels, or hospitals, with their parks and gardens turned into golf clubs. Government might afford to save just a handful of the most significant of these places, working in tandem with charities such as the National Trust. The rest would be consigned to history.
This book traces the history of country houses in Britain, from the Destruction exhibition to the present day. The wave of country house losses anticipated in 1974 never actually happened. Instead, over the next five decades Britain's country houses experienced a renaissance. Fiscal rules changed in the mid-1970s to make it easier for owners to hold on to their assets. Economic improvements in the 1980s and 1990s allowed many houses and estates to develop profitable commercial businesses. All of this was achieved only after dedicated campaigning from heritage organisations in support of the country house cause. The book argues that a new accord is needed today, to recognise and value the ongoing, if increasingly contested, contribution of country houses to British life and culture in the twenty-first century.
Edited by Katie J T Herrington
Victorian Artists and their World 1844-1861
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The diaries and letters of siblings Joanna and George Boyce, and Joanna's husband Henry Wells (published as The Boyce Papers in 2019) give us a rare insight into the working practices and milieu of Victorian artists active in the mid-nineteenth century.
Reflecting on that rich source, this multifaceted volume provides a valuable set of case studies on topics that are not often treated on their own, but which are vital contexts of Victorian art. By addressing the artistic work, practices and social circles of all three artists it reminds us that there is much more to this period than the Pre-Raphaelites, and that other styles and movements (such Aesthetic painting, to which Joanna and George Boyce contributed) flourished in their shade.
The experiences of Victorian artists and the realities of their world are brought to life as we follow the three painters' travels to continental European cities and their artistic training in Britain and France. We see them explore differing paint mediums and processes, become a part of the art market (its studios, clubs and societies), form relationships with patrons and take on other roles within the British artworld. We learn about the progress of women artists, as reflected in Joanna Boyce's career. George Boyce's unique vision is readdressed and the book also includes the first, full study of the career of Henry Wells, including his active involvement with the Royal Academy, taking us into the later decades of the nineteenth century.
By virtue of their differing artistic journeys the Boyce family artists provide a broad and multi-angled view of the mid-nineteenth century British art world. The essays by writers with a rich range of expertise - in art history, curation, materiality and life writing - explore Victorian artists' significant contributions to and interactions within their world.
Dr Alexandra Lester-Makin
Textiles of the Viking North Atlantic
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An examination of the uses, meanings, and social impact of Viking Age textiles.
This volume offers the first full study of archaeological fabrics and their decoration found in the North Atlantic region and dating broadly from the Viking or Norse period. With contributions from both academic scholars and practitioners, it shows how approaching early medieval textiles from archaeological, historical and literary contexts, and through the processes of learning and employing the traditional skills of making them, brings about a more nuanced understanding of early medieval cloths: their creation, use and meanings within their respective societies.
The book is divided into two parts. The first, "Textiles and their Interpretation", takes the reader on a journey from how wool was processed in the Viking Age, and the conservator's role in preserving and interpreting archaeological textiles, to different types of analyses that researchers use to understand and explain textiles from across the wide area of the Viking-influenced North Atlantic region. The second, "Understanding through Replicating", investigates the results of practical experiments in the reconstruction of surviving medieval fabrics and the resulting empirical conclusions that can be made about their manufacture and wider cultural implications.
Harriet Cornell
Agriculture, Economy and Society in Early Modern Scotland
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Showcases the latest research on Scotland's rural economy and society.
Early modern Scotland was predominantly rural. Agriculture was the main occupation of most people at the time, so what happened in the countryside was crucial: economically, socially and culturally. The essays collected here focus on the years between around 1500 and 1750. This period, although before the main era of agricultural "improvement" in the late eighteenth and early nineteenth centuries, was nevertheless far from static in terms of agrarian development. Specific topics addressed include everyday farming practices; investment; landlords, tenants and estate management; and the cultural context within which agriculture was "imagined". The disastrous famine of 1622-23 is analysed in detail. The volume is completed by a comprehensive survey of recent historiography, setting agricultural history in its broader context.
Thomas W. Smith
Rewriting the First Crusade
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An exploration of the letters from the First Crusade, yielding evidence for a number of reinterpretations of the movement.
The letters stemming from the First Crusade are premier sources for understanding the launch, campaign, and aftermath of the expedition. Between 1095 and 1100, epistles sustained social relationships across the Mediterranean and within Europe, as a mixture of historical writing, literary invention, news, and theological interpretation. They served ecclesiastical administration, projected authority, and formed focal points for spiritual commemoration and para-liturgical campaigns.
This volume, grounded on extensive research into the original manuscripts, and presenting numerous new manuscript witnesses, argues that some of the letters are post hoc "inventions", composed by generations of scribe-readers who visited crusading sites from the twelfth century on, adding new layers of meaning in the form of interpolations and post-scripts. Drawing upon this new understanding, and blurring the distinction of epistolary "reality", it rewrites central aspects of the history of the First Crusade, considering the documents in a new way: as markers of enthusiasm and support for the crusade movement among monastic clergy, who copied and consumed them as a form of scribal crusading. Whether authentic letters or literary "confections", they functioned as communal sites for the celebration, commemoration and memorialisation of the expedition.
Angus J.L. Winchester
Common Land in Britain
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An authoritative survey of the history of common land in Great Britain from the medieval period to present day.
More than a million hectares of Britain has the status of common land, most of it consisting of semi-natural environments of mountain, moorland, wetland or heath. Formerly much more extensive, common land was, and in many places remains, an integral part of the pastoral economy. Even where it is no longer used by farmers, it plays an increasingly important role in modern life, as recreational space and for its value for nature conservation.
This book provides for the first time an authoritative survey of the history of common land across all three nations of Great Britain from medieval times to the present day. It charts how commons have been viewed and valued across the centuries, how they have been used, and how their vegetation has changed, highlighting parallels and differences between the histories of common land in England, Scotland and Wales.
It traces the distinctive legal status of common land and the management regimes which regulated the exercise of common rights; considers the role of commons as spaces for communal gatherings and as a resource for the poor; charts the loss of common land (but also its persistence) during the era of enclosure in the century 1760-1860; and explores the changing conceptions of the value and right use of commons since the nineteenth century, and the impact this has had on their ecological character. Eight case studies of individual commons illustrate the richness of common landscapes and their history at local level. They include crofters' common grazings in Sutherland, mountain commons in the Lake District and Snowdonia, lowland commons in Co. Durham, Herefordshire and the New Forest, turbary allotments in Lincolnshire, and the urban commons of Wimbledon and Putney Heath.
William C. Lubenow
Secular Foundations of the Liberal State in Victorian Britain
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Examines the entanglement of secularity and liberality in the foundation of the modern state in Britain.
"Modern" Britain emerged from the outcome of the French Revolution and the Napoleonic Wars. The rather standard Whig account of the long nineteenth century is one of growing stability, progress and improvement. And yet nothing was preordained or inevitable about the period's stability. Ruling elites felt the constant anxieties of revolutionary terrorism. As Lubenow argues, it was a period of disorganization seeking organization. The great nineteenth-century reform acts against religious monopoly were aspects of this process of political organization. While religion did not disappear, these political actions gradually changed the constitutional position of religion.
As a result, a political vacuum was created which was then filled by a secular "clerisy". These "fit and proper persons", educated in the reformed universities, qualified by success in competitive examinations, began to fill positions in the Civil Service and in the professions. The effect was to replace the eighteenth-century system of confessional loyalties with a liberal political culture based on merit. Lubenow's latest study examines the work of these intertwining nineteenth-century secular-liberal processes. Steeped deeply in archival research, this book considers biographical characteristics such as education, political connections and social associations, but it is equally conceptually guided by categories such as liberalism and secularism. It fills an important gap in the political history of nineteenth-century British liberalism by taking up the question of entanglement of secularity and liberality in the foundation of the modern state.
Beatrice Moring
Women in the Factory, 1880-1930
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A rich and detailed picture, across Britain and many other European countries, of the nature of women's factory work, the problems which arose and how women factory inspectors understood and reacted to the problems.
Based on extensive original archival research both in Britain and in many European countries, this book is a comparative study of the large numbers of women who were engaged in industrial work in the western world in the late nineteenth and the early twentieth century, that is at a time when the industrial revolution was established and the problems caused by industrial work had become part of political debate and social discourse worldwide. It analyses the scope of female factory work, what the conditions were in such work, and what the motivations were for women to enter such employment. It reveals the composition of the female workforce as to age and marital status.
In addition, it considers the first generation of female industrial inspectors, outlining the background of these inspectors, assessing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.
Edited by Frank C. Sharp and Jan Marsh
The Collected Letters of Jane Morris
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Presents 570 newly discovered letters from Jane Morris to diverse correspondents, which radically revise the popular view of a silent, discontented invalid and instead portray her as an independent thinker following her own causes. The vast majority of the letters are unpublished, and are fully annotated.
Jane Morris [1839-1914] was a famous Pre-Raphaelite model, wife of William Morris and one of the Victorian age's most enigmatic figures.
Her long love affair with Dante Gabriel Rossetti has become the stuff of legend. Later she had a romantic relationship with the adventurer Wilfrid Scawen Blunt. Through her daughter May, she had a contentious interaction with George Bernard Shaw. The greater fame of husband and lovers caused her to be overlooked, but she has always aroused historical interest and partisan debate. Like other women in history her emergence from mute image into speaking subject has come about through feminist scholarship, but is of wide appeal.
The editors of this volume have discovered more than 500 letters from Jane to many and diverse correspondents, which radically revise the popular view of a silent, discontented invalid and reveal the range of her interests and opinions.
The majority of the letters are unpublished and are fully annotated. They reveal Jane's involvement in many of Morris's endeavours, such as the family firm Morris & Co., the Society for the Protection of Ancient Buildings, the 1882 Icelandic Relief Committee, and the Kelmscott Press, and offer new insights into the life of the Morris family.
An independent thinker, Jane was politically engaged, although voteless, and her letters are informed by theturbulent events of the 1880s. She did not follow Morris into the Socialist movement, but retained Liberal allegiances and became an ardent supporter of Irish Home Rule.
Jane Morris's letters complement those of her husband William Morris [edited by Norman Kelvin] and her lover Dante Gabriel Rossetti. In addition to the texts, the book includes a selection of the portraits and paintings through which Jane became a Pre-Raphaelite icon and archetypal femme fatale.
James Titterton
Deception in Medieval Warfare
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First full-length study of the use and perception of deceit in medieval warfare.
Deception and trickery are a universal feature of warfare, from the Trojan horse to the inflatable tanks of the Second World War. The wars of the Central Middle Ages (c. 1000-1320) were no exception. This book looks at the various tricks reported in medieval chronicles, from the Normans feigning flight at the battle of Hastings (1066) to draw the English off Senlac Hill, to the Turks who infiltrated the Frankish camp at the Field of Blood (1119) disguised as bird sellers, to the Scottish camp followers descending on the field of Bannockburn (1314) waving laundry as banners to mimic a division of soldiers. This study also considers what contemporary society thought about deception on the battlefield: was it a legitimate way to fight? Was cunning considered an admirable quality in a warrior? Were the culturally and religious "other" thought to be more deceitful in war than Western Europeans?
Through a detailed analysis of vocabulary and narrative devices, this book reveals a society with a profound moral ambivalence towards military deception, in which authors were able to celebrate a warrior's cunning while simultaneously condemning their enemies for similar acts of deceit. It also includes an appendix cataloguing over four hundred incidents of military deception as recorded in contemporary chronicle narratives.
Joe Davies
The Gothic Imagination in the Music of Franz Schubert
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Offers a major new contribution to understanding Schubert's creative approach and the gothic imagination more generally.
This book illuminates Franz Schubert's engagement with gothic discourse at the intersection of music, literature and the visual arts. Ideas of the gothic provide a framework for contextualizing the myriad ways in which Schubert's music evokes the blurring of past and present, life and death, and for situating strangeness in relation to a cross-disciplinary phenomenon that captivated the imagination of the time.
The study traces the gothic from Schubert's early songs, where its presence is well established, to the instrumental music of his final years. These dialogues speak to shifting associations across chronological boundaries; their traces undergo change, returning in altered contexts - from fleeting disturbances, a rhythmic shudder or a tremolo figuration, to prolonged outbursts and disjuncture. The gothic is at times linked explicitly to death, as in Schubert's graveyard settings, and at other times implied through doubles and distortion, nocturnal imagery, or hybridity and metamorphosis.
The Gothic Imagination in the Music of Franz Schubert offers new interpretations, grounded in close reading of musical and poetic material, that move beyond the ghostly and macabre towards a world wherein death, the sublime and grotesquerie are intricately entwined. The book therefore provides for a major new contribution to understanding Schubert's creative approach and the gothic imagination more generally.
Dolly Jørgensen
The Medieval Pig
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Examines the role of the pig in medieval society in material and textual sources.
The pig was a common sight in the Middle Ages. They might be eating under an oak tree, or out in a field. They might be in the street, with the swineherd close behind at their heels. They might be dismembered, for sale by a butcher. They might be represented on misericords, in a church or cathedral, dancing, playing the bagpipes, or suckling people. Pigs were in all these places. But what was the pig's place?
This book considers pigs in medieval Europe from a number of angles: whether part of the countryside, the cityscape, on the plate or in the mind. Drawing on a rich wealth of sources, both textual and material, it examines in particular the paradoxes that the pig presented: both good and bad, fecund/fornicator, noble/filthy. It uncovers the pig's numerous roles in medieval society, how pigs shaped human life, and how humans shaped theirs.
Jeremy Dibble
Charles Villiers Stanford: Man and Musician
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Substantially revised and expanded edition that sheds new light on Stanford's career as composer, conductor and teacher, as well as promoter of opera in English and arranger of Irish folk music.
The Anglo-Irish composer Charles Villiers Stanford (1852-1924) is often remembered as the teacher of many of Britain's first generation of twentieth-century composers. He was, however, a composer of great diversity. An enthusiastic composer for the theatre and opera house, he was a symphonist, songwriter, and composer of church music; his national, indeed, international reputation was also reflected in the many works he wrote for some of the most prominent virtuosi of the time. Driven by a strong sense of ambition, he sought to advance the cause of British music not only as a composer but as a university professor, practical musician and conductor. Pre-eminent in the 1880s and 90s, he was eclipsed by Elgar during the Edwardian years, but his creative powers continued unabated until the early 1920s.
As the author of a wide range of musical works, which we are now able to experience through more live performances, broadcasts and recordings (the latter has expanded exponentially since the first edition of this book), we are now aware of the composer's greater musical achievements, particularly in the province of opera. This expanded and revised edition offers new musical and biographical discussion drawing on a wider range of primary and secondary sources. It brings new insights to Stanford's life as performer, conductor and teacher/author at Cambridge and the RCM, as well as an arranger and editor of Irish folk music. Another emphasis in this revised edition is Stanford's lifelong aspiration to promote opera in English and the establishment of an English National Opera in London. Stanford's politics, particularly his opposition to Gladstonian Liberalism and to Home Rule for Ireland, also receive rightful discussion within the context of his creative output.
Edited by Konrad Eisenbichler and Jacqueline Murray
Premodern Masculinities in Transition
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Sheds new light on how masculinity was understood, lived, performed and viewed during a period of huge change.
Premodern masculinity was multivalent and dynamic, a series of intersecting, conflicting, and mutating identities that nevertheless were distinct and recognizable to people and their societies. The articles collected here examine a variety of means by which masculinity was constructed, deconstructed, and transformed across time, geographies, and cultures. Articles range across the twelfth to seventeenth century, from western Europe to the Volga-Ural region, from the Christian west to the Muslim east, from Ottomans to Mongols and Persians, from Baudri of Bourgueil to Blaise de Monluc; while topics include the chivalric hero, the effeminate man, beards, and spurs, represented variously in literature, historical documents, and art. Finally, in that period of great transformation that is the sixteenth century, they show how masculinity moved away from the traditional and recognizable to become something different and distinct from its premodern expressions.
Dolly Jørgensen
The Medieval Pig
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Examines the role of the pig in medieval society in material and textual sources.
The pig was a common sight in the Middle Ages. They might be eating under an oak tree, or out in a field. They might be in the street, with the swineherd close behind at their heels. They might be dismembered, for sale by a butcher. They might be represented on misericords, in a church or cathedral, dancing, playing the bagpipes, or suckling people. Pigs were in all these places. But what was the pig's place?
This book considers pigs in medieval Europe from a number of angles: whether part of the countryside, the cityscape, on the plate or in the mind. Drawing on a rich wealth of sources, both textual and material, it examines in particular the paradoxes that the pig presented: both good and bad, fecund/fornicator, noble/filthy. It uncovers the pig's numerous roles in medieval society, how pigs shaped human life, and how humans shaped theirs.
Eugene Costello
Transhumance and the Making of Ireland's Uplands, 1550-1900
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First full survey of how transhumance operated in Ireland from the sixteenth century to the beginning of the twentieth.
WINNER: American Conference for Irish Studies Donald Murphy Prize for Distinguished First Book 2021 Special Commendation, Publication Prize in Irish History, NUI Awards 2021
SHORTLISTED: European Association of Archaeologists Book Prize 2023
The rearing of cattle is today a fairly sedentary practice in Ireland, Britain and most of north-west Europe. But in the not-so-distant past it was common for many rural households to take their livestock to hill and mountain pastures for the summer. Moreover, ethnographic accounts suggest that a significant number of people would stay in seasonal upland settlements to milk the cows and produce butter and cheese. However, these movements all but died out in the nineteenth and twentieth centuries, meaning that today transhumance is mainly associated with Alpine and Mediterranean landscapes.
This book is the first major interdisciplinary approach to the diversity and decline of transhumance in a northern European context. Focusing on Ireland from c.1550 to 1900, it shows that uplands were valuable resources which allowed tenant households to maintain larger herds of livestock and adapt to global economic trends. And it places the practice in a social context, demonstrating that transhumance required highly organized systems of common grazing, and that the care of dairy cows amounted to a rite of passage for young women in many rural communities.
Elizabeth Spencer
Describing Women’s Clothing in Eighteenth-Century England
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Uncovers sources from the parish pauper to the gentlewoman to consider relationships with clothing across the social hierarchy in the long eighteenth century.
Descriptions of women's clothing increasingly circulated across textual genres and beyond in eighteenth-century England. This book explores the significance of these descriptions across a range of sources including wills, newspapers, accounts, court records, and the records of the old poor law.
Attention has rested on women literate and wealthy enough to leave behind textual or material traces, but this book ranges from the parish pauper to the gentlewoman to consider descriptive languages, rhetorical strategies, and relationships with clothing across the social hierarchy. It explores how women described their own clothing, but also looks at how it was described by overseers, family members, retailers, and even strangers. It shows that we must look beyond isolated descriptions to how, why, and who was describing clothing to understand its role. Chapters uncover themes of material obligation, expectation, and entitlement.
This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.
Professor Karl Kügle
Luxembourg Court Cultures in the Long Fourteenth Century
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The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe.
The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.
This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.
On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.
Simon McVeigh
Music in Edwardian London
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Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation.
The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape.
Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before.
The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire.
Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
Edited by Steven J. Reid
Rethinking the Renaissance and Reformation in Scotland
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This collection of essays, in honour of Professor Roger A. Mason, critically re-assesses what we understand by the terms "Renaissance" and "Reformation" in Scottish History.
Roger Mason's research in the field of pre-modern Scottish history has proved ground-breaking and iconoclastic. He recast late-medieval Stewart kingship within the framework of renaissance monarchy and Christian humanism; led the application of intellectual- and literary-historical approaches to early modern Scottish studies; and produced novel and highly influential analyses of a wide canon of key texts, from Mair's History of Greater Britain to the writings of John Knox and George Buchanan. This volume celebrates his "rethinking" of the Renaissance and Reformation in Scotland by applying the core elements of his historical approach to a broader temporal period between the fourteenth and early seventeenth centuries and to a new range of texts. Its essays, by leading scholars of pre-modern Scotland, explore aspects of the cultural transition from medieval to renaissance, the role of historical memory in defining and redefining Scottish identity, the interface between literature, politics and religion in a period of confessional strife and, above all, the importance of ideas in shaping the political and religious outlook of pre-modern Scots.
Matthew Rowley
Godly Violence in the Puritan Atlantic World, 1636–1676
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A rich analysis of the mindset of Puritans and of their theology which justified military action and acts of killing.
This book recounts Puritan struggles for military dominance and for an authoritative interpretation of God's agency in war. It asks: What did Puritans say was God's will in warfare; and how did they claim to know? It applies the term 'military providentialism' to this attempt to understand God's will and agency in war; and the term 'godly violence' to an act of killing that was deemed to be both just and holy. The book explores these themes by examining Puritan warfare against four groups: Native Americans, royalist Episcopalians, Irish Catholics and Scottish Presbyterians. It employs a wide range of printed and archival sources: sermons, treatises, official documents, newsbooks, letters, diaries, poems and objects related to material culture; and considers private providential interpretations written by obscure individuals alongside published works by more prominent people. Overall, the book provides a rich analysis of the mindset which sustained Puritan political theology and military action at the time when Puritans were at the height of their power on both sides of the Atlantic.
Noel Fallows
Jousting in Medieval and Renaissance Iberia
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Copiously illustrated edition with translation of seminal texts on the joust in medieval Iberia.
WINNER: UNIVERISTY OF GEORGIA CREATIVE RESEARCH MEDAL 2012 WINNER: 2012 LA CORÓNICA INTERNATIONAL BOOK AWARD
Jousting was for some 500 years the major spectator sport in western Europe. And yet, despite its enormous popularity in the Middle Ages and the Renaissance, very little is known about its practicalities. How was the score determined and kept? How and why did jousting armour evolve, how effective was it, and how did it differ from the field armour worn by knights in battle? What constituted technical virtuosity in the lists? And why did jousting die out?
This book uses previously untapped Iberian source material to provide answers to such questions. It focuses on three jousting manuals, written by practising champions at the time: Ponç de Menaguerra's Lo Cavaller (`The Knight', 1493); Juan Quijada de Reayo's Doctrina del arte de la cavalleria (`Doctrine of the Art of Chivalry', 1548); and Luis Zapata's Del Justador (`On the Jouster', c.1589-93). As well as editions, with the first English translation, of these important texts, it includes introductions and an analytical study; there are also chapters on the arms and armour of the joust. Nearly 200 colour and black-and-white illustrations, many never previously published, illuminate the sometimes complex technical terminology of these authors, and provide further evidence of how weapons and armour were actually used.
Simon McVeigh
Music in Edwardian London
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Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation.
The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape.
Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before.
The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire.
Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
Arthur MacGregor
St Helena
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Traces the impact of world events on St Helena's topography, ecology and human population, from the early 1500s to the present day.
Since its discovery in the early 1500s, St Helena - though remotely situated - has repeatedly participated in events taking place on a world stage; evidence of those encounters is etched on the topography, ecology and human population of the island. This book examines the impacts of a century of casual but destructive visits from sailing ships of various nations followed by settlement by the East India Company; the fortification and population of the island by the Company, including the importation of an enslaved population; efforts to make it economically self-reliant; its employment a base for scientific observations from Edmond Halley to Joseph Hooker and beyond; its role as a prison-fortress from Napoleon to the twentieth century and as a base for anti-slavery patrols in the South Atlantic following the Abolition of Slavery; its decline since the end of the days of sail; measures taken to reconnect it with the modern world in terms of sea and air travel as well as electronic communication; and efforts to regain to some degree the ecological diversity of the virgin island setting.
Edited and Translated by David Cox
Saint Simon de Montfort: The Miracles, Laments, Prayers and Hymns
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A miracle book, prayers and hymns inspired by Simon de Montfort provide rare evidence of an unusual aspect of popular religion.
Simon de Montfort led the barons' rebellion against Henry III in 1265, and was killed at the battle of Evesham. The rebellion had attempted to force changes in central and local government on the king, and was to some degree a popular protest movement. Earl Simon was immediately the object of an unofficial miracle cult, which lasted until c.1280. In England no other layman had attracted a miracle cult since Earl Waltheof (d.1076). It centred on Montfort's grave in Evesham abbey, and it had to be practised in secret for at least two years. Earl Simon was never officially canonized. The Evesham miracle book records some two hundred alleged events, and the contemporary laments, prayers, and hymns reflect the bitterness, despair and longing that animated the cult.
The only previous edition of the miracle book appeared in 1840; most of the verses and prayers also appeared in print long ago, but in scattered publications and to no uniform standard. The documents are mostly in Latin, with a few in French. Only some of the items have hitherto been translated into English prose. Collectively, the documents illustrate local and social history, popular religion, and contemporary opinion across a range of social ranks at a time of crisis.
Edited by James Raven
Global Exchanges of Knowledge in the Long Eighteenth Century
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A pioneering exploration of how differences in material textual forms conveyed and altered ideas in diverse but connected parts of the world in a period of exceptional social, political and intellectual change.
Technological advances during the long eighteenth century brought new and exciting intellectual exchange between peoples in different parts of the world. Mutual unfamiliarity with textual forms - those sent to as well as received from Europe - also made knowledge transfer unpredictable and problematic.
This volume examines how differences in the material production and circulation of textual objects transformed the ways in which knowledge was formulated and received between 1650 and 1850. Essays focus on diverse regions of Britain and Europe, European colonies in the Caribbean and North America, India and East Asia. The volume engages with varied and changing perceptions of China in Europe, the transmission of Christian texts in colonial South Asia, the cross-cultural circulation of natural history and Orientalist knowledge, and the diffusion of the Qu'ran in European Enlightenment libraries.
In pursuing global perspectives, thirteen cultural and literary historians, collectively reassess Eurocentric interpretations of a republic of letters, a public sphere, an invention of the self and a reading revolution. They further challenge the extent to which European periodizations of 'the Enlightenment' map onto processes of technological and intellectual change in other regions of the globe.
Alan Kelly
The Struggle for Mastery in Ireland, 1442-1540
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A reassessment of the rivalry between the two great Anglo-Norman magnate families in late medieval and early modern Ireland, putting forward a new interpretation of events.
The Fitzgerald Earls of Kildare and the Butler Earls of Ormond were the foremost old colonial magnates in the late medieval Lordship of Ireland. Rivals for power and influence throughout the island but in particular for the post of chief governor, the principal representative of the English crown in Ireland, their struggle for mastery expressed itself in multiple ways ranging from competition for cultural hegemony to outright military confrontation. This book, based on extensive original research including hitherto unexplored evidence from literary sources and material culture, serves to counterbalance the anti-Kildare impression given by official documents such as the State Papers, which stressed that the objective of a military conquest of Gaelic Ireland was paramount. Instead, the book argues that the Kildare-Ormond rivalry was a more subtle and sophisticated conflict between two different concepts of what Ireland should be, the frequently dominant Fitzgeralds promoting the idea of Ireland as an integrated polity with the recognition and co-option of leading figures in Gaelic Ireland, the opposing Butlers embodying the traditional Cambro-Norman ideas of conquest. However, it is further argued that these opposing positions were not fundamental but conditional, dependent upon which great house held the chief governorship. The book elaborates on these alternating concepts of Ireland, showing how the political war between the two magnate families, and the accompanying culture war, played out over time.
Katherine Weikert
Authority, Gender and Space in the Anglo-Norman World, 900-1200
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SHORTLISTED for the Society of Architectural Historians of Great Britain's Hitchcock Medallion.
A ground-breaking interdisciplinary approach to the medieval manor pre- and post-Conquest.
Medieval manors have long been the subject of academic study, though the ways in which these houses reflected and shaped - and were shaped by - their occupants to express social authority have not yet been fully explored. This book undertakes a wide-ranging and interdisciplinary examination of them, aiming to provide a fuller account of how concepts of space and domestic place were understood, represented, and used by their occupants in England and Normandy from c. 900 to c. 1200, and how this illuminates aspects of gender and authority in the period. Blending approaches from archaeology and history, it uses evidence from Anglo-Saxon wills, standing and excavated manorial sites in England and Normandy, and a variety of written texts from vitae to history to poetry, in order to delve into, deconstruct and reconstruct gendered notions of authority in the period. This book ultimately challenges ideas of gendered objects and places through the medieval construction of authoritative personae, and the use and representation of medieval manors, focusing on the household as a place and space of performance in the age of the Norman Conquest.
Naomi J. Barker
Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome
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Explores the use of music as therapy and shows how it operated in the hospital's institutional, social and historical contexts, undergoing change in response to broader cultural and religious movements.
This book explores connections between the physical care of the sick based on the study of medicine, concepts of healing founded on religious thought, and the practice of music at the Ospedale di Santo Spirito (Hospital of the Holy Spirit) in Rome. The hospital was a unique institution that was regulated by the Roman Catholic Church but simultaneously reflected the significant shifts in scientific thought emerging during the period that coincided with post-Tridentine reforms in the church.
The volume discusses the hospital's foundation, architecture and links with the papacy. It also reflects on the then acceptable "ways of knowing" informed by religious concerns and medical traditions. The tripartite relationship between religion, medicine and music within the institution was complex. At times they existed side-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital's institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.
Edited by Mary Elizabeth Blanchard and Christopher Riedel
The Reigns of Edmund, Eadred and Eadwig, 939-959
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Essays highlighting the importance of three kings - Edmund, Eadred and Eadwig - in understanding England in the tenth century.
Much scholarly attention has been devoted to both the expanding kingdom of Alfred the Great, Edward the Elder, and Æthelstan, and to the larger and integrated realm of their more distant successors, Edgar and Æthelred II. However, the English kingdom in the 940s and 950s, and its three kings, Edmund (939-946), Eadred (946-955), and Eadwig (955-959), the men who inherited and held together the kingdom created by their immediate predecessors, have been somewhat neglected, with little research being dedicated to these men as kings, or the era in which they ruled.
This volume offers a variety of approaches to the period. Its contributors bring to light royal legal innovations to ecclesiastical law, oaths, heriot, complex factional politics, including the crucial role of queens, differing perspectives on the final era of an independent northern kingdom of York, and developments in literary culture outside the domineering trend of the later monastic reformers.
Theodore Albrecht
Beethoven's Ninth Symphony
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Brings to life the day-to-day details of staging the premiere of one of the most iconic works of Western classical music.
The Ninth Symphony of Ludwig van Beethoven with its final choral movement is one of the iconic works of Western classical music. And yet, the story never fully told concerns the months leading to the symphony's world premiere in Vienna on 7 May and repeat performance on 23 May 1824. In his new book, Theodore Albrecht brings to life the day-to-day details that it took to stage that premiere. It's a story of negotiating for performance halls and performers' payments, of hand-copying legible scores and individual parts for over 120 performers, of finding financiers, as well as space and time for rehearsals. Importantly, it is also a story of the relationship between Beethoven and the musicians who performed this symphonic masterpiece. In fact, as the maddening rehearsal schedule towards the symphony's premiere shows, it transpires that many passages of the Ninth have been tailored to specific orchestral players.
Many modern-day musicians will recognize familiar situations in rehearsals, many scholars and students will relish unprecedented new detail. All this comes to the fore by reconstructing the story drawing on the (almost) deaf composer's Conversation Books which Beethoven had been using since 1818. In the performance story of the Ninth Symphony's premiere, Albrecht makes full use of these invaluable documents, which are now being translated for the first time into English in a series of 12 volumes published by the Boydell Press.
H.C. Boston
Lordship and Locality in the Long Twelfth Century
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A new perspective on lordship in England between the Norman Conquest and Magna Carta.
Multiple lordship- that is, holding land or owing allegiance to more than one lord simultaneously- was long regarded under the western European "feudal" model as a potentially dangerous aberration, and a sign of decline in the structure of lordship. Through an analysis of the minor lords of Leicestershire, Derbyshire, and Staffordshire during the long twelfth century, this study demonstrates, conversely, that multiple lordship was at least as common as single lordship in this period and regarded as a normal practice, and explores how these minor lords used the flexibility of lordship structures to construct localised centres of authority in the landscape and become important actors in their own right.
Lordship was, moreover, only one of several forces which minor lords had to navigate. Regional society in this period was profoundly shaped by overlapping ties of lordship, kinship, and locality, each of which could have a fundamental impact on relationships and behaviour. These issues are studied within and across lords' honours, around religious houses and urban areas, and in a close case study of the abbey of Burton-upon-Trent. This book thus contextualises lordship within a wider landscape of power and influence.
Axel E. W. Müller
Gunpowder Technology in the Fifteenth Century
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The first full edition and English translation of the RA I.34 Firework Book.
Produced from the early fifteenth century onwards, Firework Books are, broadly speaking, manuals on how to use gunpowder, witnessing a major development in warfare. Surviving in a corpus of some 65, each text has different content and components, but core elements are present throughout. An important example is a manuscript in the collection of the Royal Armouries (RA I.34), written in Early New High German, and (unlike many other manuscripts) still in what appears to be its original format and binding; it also, unusually, contains a number of illustrations.
This volume provides the first full edition and English translation of the material, with a detailed analysis of its content and context. It positions the Firework Books at a crucial stage in the development of gunpowder artillery, offering an unparalleled insight into fifteenth-century gunpowder technology at a critical juncture of military and technological change at the end of the Middle Ages.
Barry Cooper
The Creation of Beethoven's Nine Symphonies
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Offers a unique investigation of the composition of the entire corpus of Beethoven's symphonies, reconstructing their creation through the most extensive study of Beethoven's sketches yet.
Beethoven's nine symphonies are a cornerstone of Western classical music and have revolutionised it. Composers succeeding Beethoven found their output measured against this master's work. But how did his symphonies come into being and how did they reach their final form? These are the questions this book seeks to answer. Barry Cooper has been one of the leading advocates of the need for extensive studies of Beethoven's sketches, and we see him here applying his usual investigative rigour to the study of the symphonies.
For most of the symphonies the sketches have not previously been fully examined. In contrast, Cooper's book provides a much deeper exploration of these sketches, along with autograph scores, corrected copies and first editions, while the Beethoven correspondence offers additional information on the first publication and performances of the symphonies. The result is a clear overview of the creation of each symphony in turn, placed within the context of musical life in Beethoven's Vienna. Another strand of the investigation covers Beethoven's unfinished symphonies and how they helped to provide the fertile soil from which the finished ones grew. Most of those did not progress beyond a few bars, but two, known as No. 0 and No. 10, were sketched extensively. This book therefore offers a unique investigation of the composition of the entire corpus of Beethoven's symphonies, reconstructing their creation from Beethoven's rather than posterity's viewpoint.
Ralph Moffat
Medieval Arms and Armour: A Sourcebook. Volume II: 1400–1450
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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.
Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Colin Partridge
The Channel Islands in Anglo-French Relations, 1689-1918
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Examines how the Channel Islands have been crucial to Britain's successful maritime superiority in the English Channel.
The Channel Islands have played a key role in both naval warfare and Anglo-French diplomacy, but this has not always been highlighted sufficiently even though Britain and France were at war for most of the period 1689-1815. This book considers a wide range of maritime subjects where the role of the Channel Islands has been significant, such as intelligence gathering, piracy and privateering, and naval strategy and control of the Channel. It also examines topics in relation to the Channel Islands specifically, such as surveying and hydrography, fortifications, trade and Channel Islands societies. It charts changes over time, including the impact of technological changes, from the wars of Louis XIV and William III, through the many Anglo-French wars of the eighteenth and early nineteenth centuries, and includes planning for wars which were anticipated but avoided. Throughout the issues are discussed from the perspectives of Britain, France and the Channel Islands themselves, equal weight being given to all three perspectives. Andrew Lambert is Professor of War Studies at King's College, London and one of Britain's foremost maritime and naval historians. Colin Partridge is a former consultant to the States of Guernsey's 'Fortress Guernsey' programme for the restoration and interpretation of Guernsey's fortifications. Jean de Préneuf is a Senior Lecturer at the University of Lille and Head of the Research, Teaching and Studies Unit at the Historical Branch of the French Ministry of Defence at Vincennes.
Ashley Walsh
Civil Religion and the Enlightenment in England, 1707-1800
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Reveals how Enlightened writers in England, both lay and clerical, proclaimed public support for Christianity by transforming it into a civil religion.
In the aftermath of the seventeenth-century European wars of religion, civil religionists such as David Hume, Edward Gibbon, the third earl of Shaftesbury, and William Warburton sought to reconcile Christian ecclesiology with the civil state and Christian practice with civilized society. They built their arguments in the context of England's long Reformation, syncretizing 'primitive' gospel Christianity with ancient paganism as they attempted to render Christianity a modern version of Roman republican civil religion. They believed that outward observance of the reformed Protestant faith was vital for belonging to the Christian commonwealth of Hanoverian England. Uncovering a major theme in eighteenth-century intellectual and religious history that connected classical Rome with Italian Renaissance humanism and the Enlightenment, this deeply interdisciplinary book draws from recent post-secular trends in social and political theory. Combining intellectual history with the political and ecclesiastical history of the Church of England, it will prove as indispensable for historians as studentsof political theory, theology, and literature.
Lewis Wade
Privilege, Economy and State in Old Regime France
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WINNER: Society for the Study of French History First Book Prize
This book closely analyses the rise and fall of Louis XIV's marine insurance institutions in Paris, which were central to the French monarchy's efforts to stimulate commerce, colonial enterprise and economic growth. These institutions were the projects of two leading ministers, Jean-Baptiste Colbert and his son, the Marquis de Seignelay. While both men recognised that marine insurance was crucial for protecting commercial investment in French maritime endeavours, Colbert looked to private enterprise to lure capital away from passive investments in state debt towards the marine insurance industry. Seignelay, by contrast, leveraged the tools of privilege on which the French economy was built by creating the first chartered company in the history of marine insurance. In exploring the global insurance portfolios of the men and women who joined these institutions - and the conflicts that arose when maritime incidents came into dispute - the book identifies the absolute monarchy itself as the source of the institutions' struggles. While the markets of Amsterdam and London thrived in the long run, Parisian insurers were made to bear the burden of maritime and colonial losses during Louis XIV's costly wars to make up for the state's inadequate protection of French shipping, the French Atlantic empire and the Parisian market. This encapsulates, the book argues, the overarching system of risk management that lay at the heart of absolutism itself.
The ebook edition of this book is openly available under the Creative Commons license CC BY-NC-ND.
Caroline Potter
Pierre Boulez: Organised Delirium
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Exploring the emotional and cultural influences on Pierre Boulez's early works as well as the role surrealism and French culture of the 1930s and 40s played in shaping his radical new musical concepts.
Pierre Boulez's (1925-2016) creative output has mostly been studied from an analytical perspective in the context of serialism. While Boulez tends to be pigeonholed as a cerebral composer, his interest in structure coexisted with extreme visceral energy. This book redresses the balance and stresses the febrile cultural environment of Paris in the 1940s and the emotional side of his early works.
Surrealism, in particular, had an impact on Boulez's formative years that has until now been underexplored. There are intriguing links between French music and surrealism in the 1930s and 40s, arising within a cultural context where surrealism, ethnography and the emerging discipline of ethnomusicology were closely related. Potter situates the young Boulez within this environment. As an emerging musician, he explored radical new musical concepts alongside peers including Yvette Grimaud, Serge Nigg and Yvonne Loriod, performing and exchanging ideas with them.
This book argues that authors associated with surrealism, especially René Char but also Antonin Artaud and André Breton, were crucial to Boulez's musical development. It enhances our understanding of his work by connecting it with significant trends in contemporary French culture, refocusing Boulez studies away from detailed musical analysis and towards a broader and more visceral, emotional response to his work.
Edited by Andrew D. Buck, James H. Kane and Stephen J. Spencer
Crusade, Settlement and Historical Writing in the Latin East and Latin West, c. 1100-c.1300
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This collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.
The period between the First Crusade and the collapse of the "crusader states" in the eastern Mediterranean was a crucial one for medieval historical writing. From the departure of the earliest crusading armies in 1096 to the Mamlūk conquest of the Latin states in the late thirteenth century, crusading activity, and the settlements it established and aimed to protect, generated a vast textual output, offering rich insights into the historiographical cultures of the Latin West and Latin East. However, modern scholarship on the crusades and the "crusader states" has tended to draw an artificial boundary between the two, even though medieval writers treated their histories as virtually indistinguishable.
This volume places these spheres into dialogue with each other, looking at how individual crusading campaigns and the Frankish settlements in the eastern Mediterranean were depicted and remembered in the central Middle Ages. Its essays cover a geographical range that incorporates England, France, Germany, southern Italy and the Holy Land, and address such topics as gender, emotion, the natural world, crusading as an institution, origin myths, textual reception, forms of storytelling and historical genre. Bringing to the foreground neglected sources, methodologies, events and regions of textual production, the collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.
Edited by Dan Armstrong, Áron Kecskés, Charles C. Rozier and Leonie Hicks
Borders and the Norman World
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Study of the Norman World's borders, frontiers, and boundaries in Europe, shedding fresh light on their nature and extent.
The Normans exerted great influence across Christendom and beyond in the eleventh and twelfth centuries. Figures like William the Conqueror and Robert Guiscard subdued vast territories, their feats recorded for posterity by chroniclers such as Orderic Vitalis and Geoffrey Malaterra. Through travel and conquest, the Normans encountered, created, and conceptualised many borders, with the areas of Europe that they ruled and most affected often being grouped together as the "Norman World".
This volume examines the nature, forms, and function of borders in and around this "Norman World", looking at Normandy, the British-Irish Isles, and Southern Italy. Three sections frame the collection. The first concerns physical features, from broad frontier expanses, to rivers and walls that were both literally and metaphorically lines of division. The second shows how borders were established, contested, and negotiated between the papacy and lay rulers and senior churchmen. Finally, the third highlights the utility of conceptual frontiers for both medieval authors and modern historians. Among the subjects covered are Archbishop Anselm's travels across Christendom; the portrayal of borders in the writings of William of Jumièges, Orderic Vitalis, and Gerald of Wales; and the limits of Norman seigneurial and papal power at the edges of Europe. Overall, the essays demonstrate the role that the manipulation of borders played in the creation of the "Norman World", and address what these borders did and whom they benefited.
Susan Haynes
Charles Bridgeman (c.1685-1738)
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An examination of the garden plans of eighteenth-century landscape architect Charles Bridgeman, shedding light on his artistic vision and contributions to English garden history.
Charles Bridgeman was a popular and highly successful landscape architect in the first part of the eighteenth century. He was Royal Gardener to George I and George II, designing the gardens at Kensington Palace for them and working for many of the ruling Whig elite, including Sir Robert Walpole at Houghton Hall in Norfolk. His landscapes were audacious and monumental, but he is barely known outside the world of academic garden history; most of his gardens have disappeared, changed out of all recognition to chime with later tastes shaped by Lancelot Brown's vision of a more "natural" landscape, or buried under housing developments and golf courses; and there is little archaeological or written evidence of his work.
This book aims to redress this injustice and rescue his legacy. It draws on the only significant body of evidence which survived him: an extensive but wildly heterogenous corpus of garden plans. Close examination of them reveals an artistic vision heavily influenced by the late seventeenth-century geometric garden but deeply rooted in the "genius of the place", and working methods that include a proto-business model which prefigures the gentleman improvers who followed him. The volume brings him from obscurity to demonstrate his skill as an artist, a manipulator of space on a grand scale and a consummate practitioner, a deserved member of the canon of famous and revered English landscape gardeners.
Patrick W. Hayes
Ireland’s Sea Fisheries, 1400-1600
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This book examines the environmental, political, and economic history of Ireland's marine fisheries from 1400 to 1600.
It combines a wide range of historical sources with innovative digital research methods to provide a comprehensive and systematic overview. Government letters and court documents highlight the diverse range of fishing fleets from across Europe that visited Irish waters in the early sixteenth century, bringing wealth and cultural influence to the native Irish, who developed complex systems to protect and tax the visitors. Furthermore, trade records illustrate that fish was Ireland's premier export in the late fifteenth and early sixteenth centuries. However, a range of factors led to the industry's collapse by the end of the sixteenth century: the Tudor conquest which disrupted fishing operations and fundamentally altered who controlled fishing resources; the destabilization of Irish waters resulting from the terrestrial conflict, which allowed pirates to thrive; an influx of cheap cod from the newly exploited fisheries in Newfoundland which changed consumption patterns in Ireland and across Europe; and shifting climatic conditions and decades of over-exploitation which meant fewer fish and poorer catches. Overall, the book reveals that fisheries form a vital part of the broader environmental, political, and economic history of Ireland.
Benjamin Darnell
Maritime Power and the Power of Money in Louis XIV’s France
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A detailed analysis of the limitations of the system which relied on intermediaries and private suppliers to finance, build and maintain the French navy.
Although Louis XIV's navy did not "win" in any recognisable sense during the wars of the later seventeenth and early eighteenth centuries, it was nevertheless one of the largest military institutions of the entire early modern world at a key moment in the evolution of the modern state and modern warfare. This book examines how Louis XIV's navy was financed, arguing that the way the state spends money, and the relative efficiency and accountability of that spending, is fundamental to understanding the effectiveness of a military system. It outlines how the French crown depended on fiscal intermediaries and private suppliers, explores how its failure to control the spending and activities of its contractors fundamentally limited France's strategic possibilities at sea, and discusses how these structural problems were progressively and disastrously exposed as the state's financial situation deteriorated. The book sets the activities of the French navy in the wider context of the wars of the period, showing that France necessarily had to give precedence to the funding of its army. Overall, the book highlights the limitations of the contractor state, demonstrating that early modern navies were both too complex and investment-heavy to be entirely outsourced.
Ros Ballaster
Fictions of Presence
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An absorbing study of the contested embodiment of the idea of "presence" in the plays and novels of the eighteenth century.
In the years following the 1737 Licensing Act, the English stage found itself for the first time facing serious competition from the novel - newly respectable and increasingly fashionable. But the story is not one of theatre's decline and the novel's rise. As Ros Ballaster shows in this lively and innovative study, the relationship between the two media was one of an intensely creative and productive rivalry. Novelists sent their heroes to the theatre, dramatists appropriated the plots of popular novels, the celebrity status of actors was advanced through guest appearances in printed prose fictions. Some figures, like Richardson's virtuous serving maid Pamela, or Sterne's eccentrichumourist Tristram Shandy, acquired such independent lives in the minds of the public that they migrated into the mainstream of popular culture.
Fictions of Presence describes how major authors of the period - Eliza Haywood, Henry Fielding, Charlotte Lennox and Oliver Goldsmith - spanned both genres. It charts the movement of popular fictional characters between stage and page. And it looks at the representation of contemporary audiences and readers in the new types of the (female) mimic and the (male) critic. Crucially, Ballaster delineates the ground over which the two media competed: the ability to create 'presence' - a sense of being present with the moment of action, of finding 'being' in fictional worlds - in the mind's eye of readers and theatregoers. In so doing, she not only illuminates the shared history of the theatre and the novel, but describes the power of aesthetic experience itself.
Ashley Marshall
Political Journalism in London, 1695-1720
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A major history of the evolution of political journalism in the late Stuart and early Hanoverian period.
The reign of Queen Anne (1702-1714) saw a remarkable boom in political journalism and newspaper culture in London, in which some of the leading literary lights of the age, Swift, Defoe, Addison, Steele, were heavily involved. While scholars have dealt at length with the physical development and circulation of these newspapers and with their literary contribution, much less has been done to trace the evolving ideologies of London's political newspapers in this period. In this major contribution to the study of eighteenth-century political culture, Ashley Marshall shows how the ideologies of the leading papers evolved in direct and indirect response to one another. She offers provocative re-readings of well-known journals, including Defoe's Review, Swift's Examiner and the various publishing ventures of Richard Steele, and first accounts of the wealth of smaller, short-lived journals which made up the ecosystem of periodical publishing at the time. A ground-breaking final chapter looks at the radically different ways in which periodical writers imagined and addressed their public. Drawing out the distinction between the Whig ideal of a highly engaged citizenry and a Tory press which conditioned its readers to be dutiful subjects rather than active citizens, Marshall argues that these rhetorical differences reflected an ongoing debate about the ultimate role of journalism.
Valérie Capdeville
British Sociability in the Long Eighteenth Century
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This innovative collection explores how a distinctively British model of sociability developed in the period from the Restoration of Charles II to the early nineteenth century through a complex process of appropriation, emulation and resistance to what was happening in France and other parts of Europe.
The study of sociability in the long eighteenth century has long been dominated by the example of France. In this innovative collection, we see how a distinctively British model of sociability developed in the period from the Restoration of Charles II to the early nineteenth century through a complex process of appropriation, emulation and resistance to what was happening in France and other parts of Europe. The contributors use a wide range of sources - from city plans to letter-writing manuals, from the writings of Edmund Burke to poems and essays about the social practices of the tea table, and a variety of methodological approaches to explore philosophical, political and social aspects of the emergence of British sociability in this period. They create a rounded picture of sociability as it happened in public, private and domestic settings - in Masonic lodges and radical clubs, in painting academies and private houses - and compare specific examples and settings with equivalents in France, bringing out for instance the distinctively homo-social and predominantly masculine form of British sociability, the role of sociabilitywithin a wider national identity still finding its way after the upheaval of civil war and revolution in the seventeenth century, and the almost unique capacity of the British model of sociability to benefit from its own apparent tensions and contradictions.
Gareth Atkins
Converting Britannia
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A compelling study of Anglican Evangelicalism in the Age of Wilberforce revealing its potency as a political machine whose reach extended into every area of the British establishment and its nascent Empire.
SHORTLISTED for the EHS Book Prize 2020
The moralism that characterized the decades either side of 1800 - the so-called 'Age of William Wilberforce' - has long been regarded as having a massive impact on British culture. Yet the reasons why Wilberforce and his Evangelical contemporaries were so influential politically and in the wider public sphere have never been properly understood. Converting Britannia shows for thefirst time how and why religious reformism carried such weight. Evangelicalism, it argues, was not just an innovative social phenomenon, but also a political machine that exploited establishment strengths to replicate itself at home and internationally. The book maps networks that spanned the churches, universities, business, armed forces and officialdom, connecting London and the regions with Europe and the world, from business milieux in the Cityof London and elsewhere through the Royal Navy, the Colonial Office and East India and Sierra Leone companies. Revealing how religion drove debates about British history and identity in the first half of the nineteenth century, itthrows new light not just on the networks themselves, but on cheap print, mass-production and the public sphere: the interconnecting technologies that sustained religion in a rapidly modernizing age and projected it into new contexts abroad.
GARETH ATKINS is a Bye-Fellow at Queens' College, University of Cambridge.
Lucien Musset
The Bayeux Tapestry
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A leading authority on the Bayeux Tapestry examines the work "frame by frame" in this profusely illustrated and annotated volume.
The Bayeux Tapestry is one of the most extraordinary artefacts to survive from the eleventh century: a fragile web of woollen thread on linen, its brilliant colours undimmed after nearly a thousand years. The events of the years 1064 to 1066 surrounding the contested accession to the English throne of William, Duke of Normandy are so vividly portrayed that you can almost watch the artists' minds at work as they created it.
This beautiful full-colour reproduction of the entire Tapestry includes a detailed commentary alongside each episode, so you can follow the story blow by blow.
