Name: A Companion to Latin American Literature
Brand: Stephen M. Hart
Price: 36.95 USD
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Stephen M. Hart

A Companion to Latin American Literature

$36.95

The evolution of Latin American literature.

A Companion to Latin American Literature offers a lively and informative introduction to the most significant literary works produced in Latin America from the fifteenth century until the present day. It shows how the press, and its product the printed word, functioned as the common denominator binding together, in different ways over time, the complex and variable relationship between the writer, the reader and the state. The meandering story of the evolution of Latin American literature - from the letters of discovery written by Christopher Columbus and Vaz de Caminha, via the Republican era at the end of the nineteenth century when writers in Rio de Janeiro as much as inBuenos Aires were beginning to live off their pens as journalists and serial novelists, until the 1960s when writers of the quality of Clarice Lispector in Brazil and García Márquez in Colombia suddenly burst onto the world stage- is traced chronologically in six chapters which introduce the main writers in the main genres of poetry, prose, the novel, drama, and the essay. A final chapter evaluates the post-boom novel, testimonio, Latino and Brazuca literature, gay, Afro-Hispanic and Afro-Brazilian literature, along with the Novel of the New Millennium. This study also offers suggestions for further reading.

STEPHEN M. HART is Professor of Hispanic Studies, UniversityCollege London, and Profesor Honorario, Universidad de San Marcos, Lima

Edited by Lauren Beck, Ailén Cruz, and Samantha Penina Ruckenstein

Animal Symbolism in Hispanic Literature

$120.00

Whether unicorns, phoenix, and chimera, or axolotl, jaguars, and giant snakes, animals have often had the human experience grafted onto them, in a conscious or unconscious reflection of a society's beliefs, ambitions, and inequalities.

This volume seeks to explore different representations of real and imaginary animals across Hispanic literary production from the early modern era to the present day in order to gain a better understanding of how they serve as projections of human identities, knowledge, values, and vices. How do beasts enable the colonizing gaze and its reaches? How might beasts offer a means of decolonizing the Hispanophone world? And how do beasts articulate social unrest and a desire to resist inequality, poverty, and other ills of the modern world that collectively reinforce the status quo?

Working to better understand how Spanish and Latin American authors, illustrators, and graphic artists have understood animals and beasts, and how they interacted with them, contributors from the United States, Canada, Mexico, and Spain shed light on the use of animals as symbols and emblems, as well as how they have been employed to construct others as monstrous and less human.

Cover image for Animal Symbolism in Hispanic Literature, isbn: 9781855664241

Javier Rodrigo

Imagining Franco

$120.00

Is Spain really still tied - culturally, politically, and emotionally - to the dictator Francisco Franco? What was (and is) his place in the public imaginary? What remains today of the man and his legacy?

This book examines the public image of Franco and the social construction(s) of his public biography over four different periods: the Spanish Civil War (1936-1939), the post-civil war period (1939-1949), the rest of the dictatorship (1950-1975), and the democratic period and recent times (1975-2020). Delving into biography, narratives, and public and political motivations, it analyses the role that the idea of Franco has played and continues to play in contemporary Spain. It argues that the multiplicity of narratives that have existed in Spain and abroad regarding the figure of Franco are closely related to both the rhetoric and images generated by those in power and a sort of popular 'banal Franco' which takes in multiple stereotypes. This latter concept is central to understanding not only Franco's importance in contemporary Spain but also the fervent allegiance to his figures by a substantial part of Spanish society. Providing a complex picture of how the public image of the dictator has been constructed over time, the book addresses how ordinary Spaniards have imagined Franco and what their sources for doing so were.

Cover image for Imagining Franco, isbn: 9781855663831

Florence d’Artois

Dance, Embodied Politics and Court Culture in Early Modern Spain

$190.00

Does dance tell a story? What, if anything, is it intended to represent? How was it conceived in the early modern period?

This book examines the theories and political uses of dance in Spain during the period preceding and following the 'Poetics turn', which coincided with the rule of Philip III (1598-1621), also known as the Dancing King, and the onset of the reign of Philip IV. While this turning point finalised the definition of dance as an art form, it was also paradoxical. Indeed, this development saw the emergence of an aesthetic thought of dance within Aristotelian poetics, thanks to a common court culture, yet it never led to the formulation of a poetics of ballet.

By recontextualising this turning point, the book examines the relationship between dance and representation during Spain's Golden Age. It revisits the initial codifications of dance in Italy and figurative experiments at the Burgundian court during the second half of the 15th century, as well as their influence on subsequent practices and humanist theories of dance at the courts of Charles V and Philip II. Subsequently, it focuses on the various shifts in court dance as it became a scenic art at the beginning of the seventeenth century, interrogating the possibility of the king performing dance himself. The book concludes that, in Spain, neo-Aristotelian ideas enabled a shift from an ethical to an aesthetic problematic, which saw dance, whether symbolic or purely kinetic in nature, as a legitimate art form to be placed at the service of the monarchy.

Cover image for Dance, Embodied Politics and Court Culture in Early Modern Spain, isbn: 9781855664067

Lawrence A. Clayton

Bartolomé de las Casas

$130.00

A deep look at the impact of Christian scripture on Bartolomé de las Casas, one of the first and strongest critics against Spanish colonialism of the New World and for Indigenous rights.

Theologian, activist, reformer, political philosopher, historian and anthropologist Bartolomé de las Casas, OP (1484-1566) was a polarising figure in his own time and continues to provoke debate today. Arriving in Hispaniola as a settler and friend of conquistadors, in time las Casas became the official "Protector of the Indians" and a zealous advocate for their rights. His writings, in particular the History of the Indies and Brief History of the Destruction of the Indies, today constitute the best source for the first three decades of Spanish exploration and conquest in the Americas.

This book provides an accessible account of las Casas's life, achievements, teachings and legacy. Importantly, it underscores the tremendous influence of Christian scripture on las Casas, a surprisingly overlooked aspect in previous biographies, considering his status as a churchman and missionary. The book places him in his socio-political and religious context and traces the evolution of his thought, showing how his ideas on freedom, just war, natural law, social justice, and evangelisation frequently put him at odds with most of his contemporaries and especially the secular and ecclesiastical elites. Two centuries before Thomas Jefferson announced that "all men are created equal," las Casas proclaimed that "all mankind is one" and wielded the principle of government by consent in defence of Indigenous rights.

Cover image for Bartolomé de las Casas, isbn: 9781855664265

Edited by Ana Cláudia Suriani da Silva and Tania Regina de Luca

Women Journalists in the Brazilian Mainstream Press

$120.00

A nuanced and complex portrayal of female voices which have long been silenced, offering a fresh perspective on the history of Brazilian journalism and restoring women's rightful place in Brazil's cultural memory.

This book examines the groundbreaking contributions of Maria Amalia de Carvalho, Júlia Lopes de Almeida, Emília Moncorvo Bandeira de Melo (pseudonym Carmen Dolores), and Maria Benedita Bormann (pseudonym Délia) in Brazil's mainstream press, focusing on their writings in the influential newspaper O País between 1884 and 1912. Employing psychoanalysis, gender studies, media theory and literary criticism, the chapters in this book reveal how these four writers cultivated a collective intellectual network and how their columns became sites of resistance, challenging dominant narratives and asserting women's voices in a male-dominated public sphere. Yet despite their significant influence, their legacies have been marginalised in traditional literary histories. This book not only restores their rightful place in Brazil's cultural memory but also interrogates the exclusionary mechanisms that have long obscured women's contributions to the nation's literary system. A vital reassessment of press history, this book demands a more inclusive understanding of Brazil's journalistic and intellectual heritage, one that properly recognises women as active participants in shaping the Brazilian literary system.

Cover image for Women Journalists in the Brazilian Mainstream Press, isbn: 9781855664289

Elena Caetano Álvarez

Alfonso X, the Dream of Empire, and (Re)Writing History in the Estoria de Espanna

$130.00

Why did Alfonso X of Castile-Leon-Galicia relentlessly pursue his claims to the imperial thrones of the Holy Roman Empire and the Iberian 'empire', despite the high costs and probability of failure?

WINNER: 2021-22 AHGBI-Spanish Embassy Publication Prize

This book examines how the concept of imperium shapes the structure and ideology of the Estoria de España, the first major history of Spain in the vernacular, written under Alfonso's patronage. Through a detailed analysis of its Roman section, it explores how Alfonso's scriptorium translated, adapted, and expanded sources to bolster his imperial claim. More than a chronicle, the Estoria served as propaganda, reinforcing Alfonso's legitimacy by challenging papal authority in imperial elections and appealing to both the Castilian-Leonese nobility-whose financial support was crucial-and other Iberian monarchs.

Alfonso's imperial vision drew not only on the Imperium Hispanicum of his father, Fernando III, but also on his Staufen lineage through his mother, Beatriz of Swabia, whose ties to the Holy Roman Empire likely influenced the historiographical models of the Estoria. By blending Iberian and European traditions, Alfonso positioned Castile as heir to both the Roman and Hohenstaufen legacies, setting a new standard for Iberian historiography that endured for centuries.

Cover image for Alfonso X, the Dream of Empire, and (Re)Writing History in the <I>Estoria de Espanna</I>, isbn: 9781855664012

Edited by Mariana Masera with the collaboration of Ana Rosa Gómez Mutio and Omar Xavier Masera

A Companion to Early Iberian Traditional Lyrics

$120.00

Accessible and reliable introduction in English to the earliest vernacular lyric poetry in the Iberian Peninsula.

Dating to the tenth century, the earliest vernacular lyric poems in the Iberian Peninsula have been seen as evidence of an even older, oral, folk tradition and attest to the multicultural, multilingual nature of the genre from its very beginning. Primarily preserved in manuscript and printed songbooks, these poems were widely diffused across the Hispanic world.

This Companion offers an accessible, reliable introduction in English to early Iberian traditional lyrics from a comparative and interdisciplinary perspective, paying special attention to their multicultural origins and their complex nature as both oral and written compositions. The opening chapters discuss the importance of understanding this dual essence in studying traditional lyrics today, provide an outline of their structure and formal features, and offer a contemporary overview of the field. The volume then examines the kharjas, the cantigas de amigo, and the tradition of Catalan lyricism before turning to a comparison of popular lyrics with the poetry of the cancioneros and romanceros and the preservation of the tradition in Sephardic ballads. The final chapters examine the survival of popular lyrics into the modern era and explore a new means of interpreting these poems through musical archaeology and musicological studies.

Cover image for A Companion to Early Iberian Traditional Lyrics, isbn: 9781855663893

Edited by Emilio Sáenz-Francés

Foes to Friends. Spain, the United States and the United Kingdom from the Civil War to the Cold War

$130.00

Was Franco's Spain really a pariah in the Anglosphere?

This book examines pro-Francoism and the significant influence of a "Spanish lobby" in shaping US and British policy towards Spain during the Second World War and the years leading up to the Pact of Madrid in 1953. This lobby included not only pressure groups but also legislators and members of the executive as well as the armed forces, who shared economic and strategic interests and ideological sympathies in the growing anti-Communist atmosphere of the First Cold War.

The first two chapters provide the historical background to this rapprochement, examining monetary and credit policies in the United States and Spain during the 1930s and 40s, focusing in particular on the key roles played by American financial and business sectors, including Chase National Bank, to further the clandestine economic activities of US state companies and agencies in Spain during the Second World War. The book then turns to the role of the Spanish lobby in post-war US-Spanish diplomatic relations, looking at American individuals directly courted by the Spanish embassy in Washington as well as pro-Francoist congressmen who favored a closer relationship with Spain. The next chapter moves from Washington and New York to the West Coast to analyze local Spanish consular efforts to 'normalize' Spain in the eyes of the United States. Finally, the book turns to British relations with Spain during and after the Second World War and shows how the government's dependency on the US led to Britain becoming the junior partner in the formulation of Western policy towards Franco.

Cover image for Foes to Friends. Spain, the United States and the United Kingdom from the Civil War to the Cold War, isbn: 9781855664043

Mario Higa

Machado de Assis

$37.95

A lively and accessible introduction to Machado de Assis and his work

Machado de Assis (1839-1908) is a world-class writer and arguably the greatest of Brazilian literature. Susan Sontag deemed him "the greatest writer ever produced in Latin America," and Harold Bloom, "the supreme black literary artist to date." John Updike called him a "master," and Carlos Fuentes, a "miracle." This book guides the reader through Machado's biography, times, and critical reception and examines his various personas - the translator, poet, playwright, critic, cronista, short story writer, and novelist - paying particular attention to his fictional prose, which most clearly conveys his acerbic criticism of Brazilian society and his deft view of the human condition. The book closes with an updated list of Machado's works available in English translation and a selection of further critical studies.

Cover image for Machado de Assis, isbn: 9781855664210

Niamh Thornton

María Félix

$36.95

María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.

Did Félix really bring baby crocodiles to the Cartier boutique to request lifelike copies in a necklace? The story may be apocryphal, but it perfectly encapsulates her powerful, independent and unconventional persona. This book first examines Félix's life and work, reviewing her films and acting style and considering what they say about gender norms and a woman's place on screen. It then turns to her role as curator and benefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.

Cover image for María Félix, isbn: 9781855664234

Margaret R. Greer

María de Zayas and her Tales of Desire, Death and Disillusion

$36.95

Who doubts, my reader, that you will be amazed that a woman has the audacity not only to write a book, but to send it for printing, which is the crucible in which the purity of genius is tested'?

A pioneer of early modern feminism, María de Zayas y Sotomayor wrote poetry, drama and prose but is best known for two page-turning collections of short stories: Exemplary Tales of Love (1637) and Tales of Disillusion (1647). This book provides an engaging introduction to Zayas and her work. It begins by relating what we know of her life, placing her in her socio-political and economic context and addressing the issue of women's literacy. Following chapters examine her use of sexual desire, violence and humour in her tales; her narrative structures; and her oral style. The book then turns to identity construction in her tales and in society, analysing questions of gender, class, family and 'race', and to her treatment of religion, magic and the supernatural. The final chapters explore Zayas's status as a proto-feminist; her early modern reception in Spain and elsewhere; and various critical readings of her work.

Cover image for María de Zayas and her Tales of Desire, Death and Disillusion, isbn: 9781855664227

Nathanial Eli Gardner

A Companion to Latin American Photography

$120.00

How can photography enrich our knowledge of Latin America?

Photography provides unique insights into Latin America. It acts as a witness, agent, and archive - containing a wealth of knowledge about the continent, its social classes, and its multiple ethnicities. This companion introduces the reader to the role that photography plays in Latin America, offers ways in which it can be studied, and reveals how this medium can promote a deeper awareness of the region.

It reviews the history of photography in Latin America; ways in which the technology transmits distinctive information; the influence of specific photographers and their relationships with patrons, mentors, and students; the role of institutions in promoting photography; and the developing Latin American canon. The Companion to Latin American Photography also explores how the medium can shape Latin American narratives and cultural identities; assert or question power; serve as testimony and memory; and represent and empower women, children and youth, as well as marginalized groups such as the disappeared.

The study is intended not only to provide an overview of Latin American photography (including dozens of images from a vast array of photographers over the past two centuries), it also discusses innovative work taking place there. Above all, this book can be viewed as a guide to the ways in which photography can enhance and expand a viewer's knowledge of Latin America.

Cover image for A Companion to Latin American Photography, isbn: 9781855663855

Professor Philip Swanson

A Companion to Latin American Crime Fiction

$120.00

The first integrated overview in English of Latin American crime fiction, a flourishing genre with unique perspectives and characteristics.

Latin American crime fiction has a long and rich history, and this volume offers the first integrated overview in English of a flourishing tradition with unique perspectives and characteristics. Featuring contributions from leading scholars of a multifarious genre often shortened to neopolicíaco or neopolicial, this Companion explores noir literature in Latin America. The first part looks at the history of the novela negra and its manifestations in Mexico, Argentina, Cuba and Brazil. The second part examines patterns and trends including literary crime fiction, the narconovela, a concern for increasing racial and sexual diversity and the phenomenon of true crime. In the third part, expert analyses are given of four leading authors and their work: Paco Ignacio Taibo II, Leonardo Padura Fuentes, Claudia Piñeiro and Rubem Fonseca. The book closes with a chapter on screen adaptations of crime fiction for film and television. Overall, the Companion provides a clear and authoritative account of Latin American crime fiction, showcasing its variety, fluidity and adaptability.

Cover image for A Companion to Latin American Crime Fiction, isbn: 9781855663787

Federico Bonaddio

Federico García Lorca

$36.95

Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936. This book shows just why his fame has endured, through an exploration of his most popular works.

Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936: poet, playwright, political martyr, gay icon, champion of women, defender of the oppressed. This book guides readers through the key themes and concerns in Lorca's work. It demonstrates how Lorca applied his poetic sensibilities and lyrical craft to what were, in essence, tangible, real-life issues: the plight of Andalusia's Romani people, the idea of modernity and the condition of women in Spain. What becomes evident is that, even though he was writing at a time when many writers and artists were less inclined to deal directly with the things of the world, Lorca maintained a profound interest in the human subject and in the world around him. It is this interest, the book argues, in tandem with his poetic vision and craft, that ensured his most popular works' enduring, universal appeal.

Cover image for Federico García Lorca, isbn: 9781855664203

Jean Dangler

Reading Jaume Roig’s Espill

$120.00

What lessons did readers take from the Espill (The Mirror)?

This book examines key marginalia in sixteenth-century printed copies of the fictional, pedagogic tale about the alleged dangers of earthly women composed by Valencian physician Jaume Roig. Written in Catalan verse in approximately 1460, the Espill focuses on two main themes, misogyny and religious material, including the critique of religious personnel but also absolute praise of the Virgin Mary. More than 50 printed copies of the work exist today, an extraordinary number for the period.

The book argues that readers seemed to interpret contrasting secular misogyny and holy topics as harmonious, with the Espill's misogyny synchronizing with its religious message and materials. Readers appear to have considered the Espill as a guide, whether with regard to biblical stories and lessons, women's menstruation, or women's shameful character, and did not demonstrate outrage or perplexity about women's portrayal. The annotative evidence, previously overlooked, sheds light on misogyny's relationship to larger systems of power and on the broader connection between women's depiction in the Espill and in Isabel de Villena's proto-feminist Vita Christi, both of which derived from Valencia's same late fifteenth-century social and professional milieu.

Cover image for Reading Jaume Roig’s <I>Espill</I>, isbn: 9781855664166

Lourdes Parra Lazcano

Escritora, no hay camino

$120.00

Escritora, no hay camino... explores Mexican travel literature -from early nineteenth-century publications to the contemporary era- to reveal how the experiences of six women writers reconfigured perceptions of themselves and the foreign.

From a feminist and transcultural critique, this book delves into how Laura Méndez de Cuenca, Elena Garro, Rosario Castellanos, María Luisa Puga, Esther Seligson and Myriam Moscona confront cultural normativity in their narratives, drawing on their cultural interactions in Spain, Germany, Kenya, England, Israel and Bulgaria, among other countries.

The cross-cultural performativities studied here allow us to analyse how the authors incorporate categories such as sex, gender, class, nationality and ethnicity in their works. The comparative chapters explore themes such as transatlantic intellectual exchanges, the border identities' critique of normativity, and the relationship of genealogy to literary and cultural re-appropriations. This book offers an analytical insight into how Mexican women writers have contributed to travel literature by subverting and reconfiguring their identity and relationship to the world.

Escritora, no hay camino... explora la literatura de viaje mexicana -desde las primeras publicaciones del siglo XIX hasta la época contemporánea- para revelar cómo las experiencias de seis escritoras reconfiguraron percepciones sobre sí mismas y lo extranjero.

Desde una crítica feminista y transcultural, el libro profundiza en cómo Laura Méndez de Cuenca, Elena Garro, Rosario Castellanos, María Luisa Puga, Esther Seligson y Myriam Moscona enfrentan las normatividades culturales en sus relatos, a partir de sus interacciones culturales en España, Alemania, Kenia, Inglaterra, Israel y Bulgaria, entre otros países.

Las performatividades transculturales que aquí se estudian permiten analizar cómo las autoras incorporan categorías como sexo, género, clase social, nacionalidad y etnicidad en sus obras. En los capítulos comparativos se exploran temas como los intercambios intelectuales transatlánticos, la crítica a las normatividades de las identidades fronterizas y la relación de la genealogía con las reapropiaciones literarias y culturales. Este libro ofrece una mirada analítica para comprender cómo las escritoras mexicanas han contribuido a la literatura de viaje, subvirtiendo y reconfigurando tanto su identidad como su relación con el mundo.

Cover image for Escritora, no hay camino, isbn: 9781855663916

Edited by Laura Loguercio Cánepa and Stephanie Dennison

Brazilian Horror Cinema in the Twenty-First Century

$130.00

Brazil's pressing socio-political questions as seen through the country's horror-film-influenced audio-visual production between 2008 and 2022.

Since the 2008 release of Embodiment of Evil, the third instalment in the Coffin Joe trilogy, which began with At Midnight I'll Take Your Soul, Brazil's audiovisual industry has been producing an increasing number of unsettling, often violent and frequently dystopian films, reflecting the wide-ranging social, cultural, environmental and economic problems the country is facing.

This edited volume by scholars from Brazil, the United Kingdom and the United States discusses a broad selection of Brazilian audio-visual productions released between 2008 and 2022 which, through their use of aesthetic and narrative devices borrowed from horror cinema, shed light on the country's pressing socio-political questions. Mostly by first-time directors, these productions bear witness to a second 'Golden Age' of Brazilian horror cinema (reflected in new, specialised festivals such as CineFantasy, RioFan, CRASH and Fantaspoa) and ultimately serve to illustrate, in audio-visual form, the tensions at the heart of Brazilian society in the second decade of the twenty-first century.

Brazilian Horror Cinema in the Twenty-First Century

Edited by Alison Sinclair

Cultures of the Popular in the Modern Hispanic World

$130.00

How many cassette tapes do you still own? In one hundred years, how many TikTok videos or Instagram posts will still be accessible? Yet much of today's news and mass culture is produced and disseminated via transient means. Just as in previous eras.

Hispanic popular cultures of previous centuries, once intended for a broad audience, can now only be glimpsed in fragile, and frequently overlooked, media such as chapbooks, newspapers, journals and early sound recordings. This bilingual collection explores aspects of the ephemeral cultures of Spain and Latin America between the sixteenth and twentieth centuries, taking advantage of the recent digital turn in the humanities.

The first section examines the varied audiences for mass literature in Spain and the authorities' attempts to censor and control it. The second looks at pliegos sueltos, songbooks and collections of popular poetry in Argentina, Mexico and Chile. The third section concentrates on questions of performance, studying placards which originally accompanied oral readings of pliegos sueltos, news ballads and zarzuelas. The volume concludes with a focus on three case studies: the travels of an eighteenth-century giant and the reception of his self-fashioning in Spain, the diffusion of the works of a Spanish pulp novelist in Portugal and Brazil and the revival of a Peruvian festival of popular music in the early twentieth century.

Throughout, the chapters show how the increasing digitisation of library and archival collections has enabled much of this ephemeral material to be 'discovered', analysed and compared, leading to new understandings of how popular culture developed and migrated and, indeed, what is meant by 'popular'.

Cultures of the Popular in the Modern Hispanic World

Edited by Carlos Fernández and Valentino Gianuzzi

César Vallejo. Correspondencia 1910-1938 [2-volume set]

$240.00

La correspondencia de César Vallejo es la mejor puerta de entrada documental a su biografía. Esta edición recoge todas las cartas que se conocen escritas por Vallejo y dirigidas a él; además, esta se enriquece con notas aclaratorias que permiten adentrarse en el universo de César Vallejo.

Estos volumenes recogen las cartas escritas entre 1910 y la muerte del poeta. Se incluyen, entre otras, misivas hasta ahora inéditas dirigidas a Tristan Tzara, Xavier Abril, José Eulogio Garrido y Juan Larrea y se incorporan a la correspondencia el total de las solicitudes que envió Vallejo, durante su estadía en la cárcel de Trujillo, solicitando su libertad y fragmentos de las cartas que le dirigió a quien sería su esposa, Georgette Philippart.

César Vallejo's correspondence offers a unique insight into his life story. These volumes collect the letters written between 1910 and the death of the poet. They include previously unpublished letters addressed to Tristan Tzara, Xavier Abril, José Eulogio Garrido and Juan Larrea, requests Vallejo sent during his stay in the Trujillo prison, requesting his freedom, and fragments of the letters that he addressed to his wife Georgette Philippart. The text is enriched with explanatory notes that allow us to delve into his universe.

César Vallejo. <I>Correspondencia</I> 1910-1938 [2-volume set]

Dr Carlos Fernández

César Vallejo. Correspondencia

$170.00

La correspondencia de César Vallejo es la mejor puerta de entrada documental a su biografía. Esta edición recoge todas las cartas que se conocen escritas por Vallejo y dirigidas a él; además, esta se enriquece con notas aclaratorias que permiten adentrarse en el universo de César Vallejo.

Este primer volumen recoge las cartas escritas entre 1910 y 1928. Se incluyen, entre otras, misivas hasta ahora inéditas dirigidas a Tristan Tzara y Xavier Abril, y se incorpora a la correspondencia el total de las solicitudes que envió Vallejo, durante su estadía en la cárcel de Trujillo, solicitando su libertad.

César Vallejo's correspondence is the best documentary gateway to his biography. This edition collects all the known letters written by Vallejo and addressed to him. In addition, it is enriched with explanatory notes that allow us to delve into the universe of César Vallejo.

This first volume collects letters written between 1910 and 1928. It includes, among others, unpublished letters addressed to Tristan Tzara and Xavier Abril, and all of the petitions Vallejo sent from his time in the Trujillo prison, requesting his release.

Dr Carlos Fernández

César Vallejo. Correspondencia

$130.00

La correspondencia de César Vallejo es la mejor puerta de entrada documental a su biografía. Esta edición recoge todas las cartas que se conocen escritas por Vallejo y dirigidas a él; además, esta se enriquece con notas aclaratorias que permiten adentrarse en el universo de César Vallejo.

Este segundo volumen recoge las cartas escritas entre 1929 y la muerte del poeta. El volumen incluye, entre otras, misivas hasta ahora inéditas dirigidas a José Eulogio Garrido y Juan Larrea, e incorpora a la correspondencia fragmentos de las cartas que le dirigió a quien sería su esposa, Georgette Philippart.

César Vallejo's correspondence is the best documentary gateway to his biography. This edition collects all the known letters written by Vallejo and addressed to him. In addition, it is enriched with explanatory notes that allow us to delve into the universe of César Vallejo.

This second volume collects letters written between 1929 and the poet's death. The volume includes, among others, hitherto unpublished letters addressed to José Eulogio Garrido and Juan Larrea, and incorporates into the correspondence fragments of the letters he addressed to his future wife, Georgette Philippart.

Niamh Thornton

María Félix

$130.00

María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.

Did Félix really bring baby crocodiles to the Cartier boutique to request lifelike copies in a necklace? The story may be apocryphal, but it perfectly encapsulates her powerful, independent and unconventional persona. This book first examines Félix's life and work, reviewing her films and acting style and considering what they say about gender norms and a woman's place on screen. It then turns to her role as curator and benefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.

Cover image for María Félix, isbn: 9781855663725

Carlos Fernández

César Vallejo, Trilce y dadá París

$130.00

Por razones que aquí se revelan, César Vallejo ocultó la condición vanguardista de Trilce, obra maestra de la lírica hispánica, publicada en Lima en octubre de 1922. Muchos poemas de este enigmático libro dejan, sin embargo, pocas dudas al respecto: estamos ante la cima de este estilo histórico en nuestra lengua. El juego con el lenguaje del afamado poeta peruano incorpora neologismos, innovaciones tipográficas, símbolos e imágenes chocantes que son centrales para un tejido lingüístico que desafía con frecuencia las formas ortodoxas de la coherencia.

Esta monografía examina la organización de Trilce en detalle, sitúa la obra en su contexto literario y en la trayectoria de Vallejo; además, investiga las circunstancias que rodearon la composición de Trilce y produce un análisis de la cubierta, el prólogo y los poemas de la primera edición y sus ascendientes poéticos. El libro argumenta que el encuentro de Vallejo con dadá París tuvo un impacto decisivo en la poética de Vallejo y, por consiguiente, en Trilce. A lo largo de sus páginas, defiende, incluso frente a algunas declaraciones de Vallejo mismo el lugar preeminente de Trilce entre la poesía de vanguardia y, especialmente, entre las obras de filiación dadaísta.

César Vallejo hid the avant-garde status of Trilce, a masterpiece of Hispanic poetry published in Lima in October 1922. Many of the poems in his enigmatic book, however, leave little doubt that it is the pinnacle of this historical style in the Spanish language.

The language games of the famous Peruvian poet incorporate neologisms, typographical innovations, symbols and images that are central to a linguistic texture that frequently defies orthodox forms of coherence.

This book examines the creation of Trilce in detail, setting the work in its literary context and the trajectory of Vallejo's own poetic development. Investigating the circumstances surrounding Trilce's composition and providing a close analysis of the cover, prologue and poems of first edition as well as its filiations, the book argues that Vallejo's encounter with Dada Paris had a major impact on his aesthetics and, accordingly, on Trilce. Throughout, it argues, pace Vallejo himself, for Trilce's pre-eminent place in avant-garde and, especially, Dadaist poetics.

Dr Esther Fernández

Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century

$130.00

The first comprehensive study of Tirso de Molina and his work in English

Tirso de Molina (c.1583-c.1648) may not have written El Burlador de Sevilla, but the works of this prolific author, one of the three pillars of Golden Age Spanish theatre, are notable for their erudition, complex characters, and wit. Informed by a multidisciplinary critical perspective, this volume sets Tirso's plays and prose in their social, historical, literary, and cultural contexts. Contributors from the United States, Canada, the United Kingdom, and Spain offer a state of the art in current scholarship, considering such topics as gender, identity, spatiality, material culture, and creative performativity, among others. The first volume in English to provide a richly detailed overview of Tirso's life and work, Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century grounds the reader in canonical theories while suggesting new approaches, attuned to contemporary interests, to his legacy.

Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century

Dr Alessandro Testa

Popular Culture, Identity, and Politics in Contemporary Catalonia

$85.00

Grounded in ethnographic research, this edited collection examines the intersections between grassroots culture, local identities, and the politics of catalanisme and independentisme from the end of the Francoist period to the present day. Through studies of various cultural manifestations including festivals, human tower-building, gastronomy, and bull-runs, chapters explore how civil mobilisation, women's increasing participation in the public sphere, and issues of gentrification and heritagisation have intertwined with identity politics and nationalist trends. An important consideration is how a popular culture centred on sociability responded to the lockdowns and restrictions of the COVID-19 pandemic. More generally, the book reflects on the politicisation of culture and its role in nation-building, problematising such concepts as 'inclusion', 'integration', 'authenticity', 'belonging', and 'identity'.

The introduction to this book and chapters two and three are available Open Access.
Contributors: Lluís Bellas, Camila del Mármol, Manuel Delgado, Mireia Guil, Venetia Johannes, Sarai Martín López, Romina Martínez Algueró, Dorothy Noyes, Xavier Roigé, Alessandro Testa, Mariann Vaczi

Popular Culture, Identity, and Politics in Contemporary Catalonia

Edited by Jane E. Lavery and Sarah E. L. Bowskill

The Multimedia Works of Contemporary Latin American Women Writers and Artists

$130.00

In contemporary Latin America, an emerging crosscurrent of pioneering female writers and artists with an interest in transgressing traditional boundaries of genre, media, gender and nation are using their work to voice dissent against pressing social issues including neo-liberal consumerism, environmental degradation, mass migration and gender violence.

Bringing together analyses by scholars from the US, Europe and Latin America with reflections by Ana Clavel, Eugenia Prado Bassi, Eli Neira, Regina José Galindo, Carla Faesler, Mónica Nepote, Pilar Acevedo, Gabriela Golder, Mariela Yeregui, Jacalyn Lopez Garcia and Lucia Grossberger Morales on their own practice, this volume proposes new critical approaches to new forms of expression which encapsulate rich transnational cultural flows and grass-roots political activism. Via an analysis of multimedia interventions and practice, the volume shows how the work of these women draws attention to the constructed nature of all boundaries and borders, be they between nations or people, in an increasingly globalised and digitalised world.

The Multimedia Works of Contemporary Latin American Women Writers and Artists

Edited by Amélia P. Hutchinson, Juliet Perkins, Philip Krummrich and Teresa Amado

The Chronicles of Fernão Lopes

$240.00

Volume II of the first complete English translation of the chronicles of Fernão Lopes chronicles the reign of Fernando I (1367-1383) including Portugal's involvement in the Hundred Years' War, the military conflicts with Castile, the alliances with England, Aragon and Granada, the king's marriage with Leonor Teles, and the dispute over the succession to the Portuguese throne.'

Until now, the chronicles of Fernão Lopes (c.1380-c.1460) have only been available in critical editions or in partial translations. Comparable to the works of Froissart in France or López de Ayala in Spain, the chronicles provide a wealth of detail on late fourteenth-century politics, diplomacy, warfare and economic matters, courtly society, queenship and noble women, as well as more mundane concerns such as food, health and the purchasing power of a fluctuating currency. Lopes had a keen eye for detail and a perspective especially attuned to the common people, and his chronicles provide an invaluable source for the history of Western Europe in the later Middle Ages.

Edited by Amélia P. Hutchinson, Juliet Perkins, Philip Krummrich and Teresa Amado

The Chronicles of Fernão Lopes

$240.00

Volume I of the first complete English translation of the chronicles of Fernão Lopes chronicles the reign of Pedro I (1357-67), dubbed both 'the Just' and 'the Cruel', including his dealings with the kingdom of Castile, the war between Castile and Aragon, and the revenge he took on the men who murdered the woman he loved, Inês de Castro.

Until now, the chronicles of Fernão Lopes (c.1380-c.1460) have only been available in critical editions or in partial translations. Comparable to the works of Froissart in France or López de Ayala in Spain, the chronicles provide a wealth of detail on late fourteenth-century politics, diplomacy, warfare and economic matters, courtly society, queenship and noble women, as well as more mundane concerns such as food, health and the purchasing power of a fluctuating currency. Lopes had a keen eye for detail and a perspective especially attuned to the common people, and his chronicles provide an invaluable source for the history of Western Europe in the later Middle Ages.

Edited by Amélia P. Hutchinson, Juliet Perkins, Philip Krummrich and Teresa Amado

The Chronicles of Fernão Lopes

$240.00

Volume III of the first complete English translation of the chronicles of Fernão Lopes chronicles the War of Succession (1383-1385), the rise of the House of Avis under João I, and his acclamation by the Cortes in Coimbra.

Until now, the chronicles of Fernão Lopes (c.1380-c.1460) have only been available in critical editions or in partial translations. Comparable to the works of Froissart in France or López de Ayala in Spain, the chronicles provide a wealth of detail on late fourteenth-century politics, diplomacy, warfare and economic matters, courtly society, queenship and noble women, as well as more mundane concerns such as food, health and the purchasing power of a fluctuating currency. Lopes had a keen eye for detail and a perspective especially attuned to the common people, and his chronicles provide an invaluable source for the history of Western Europe in the later Middle Ages.

Edited by Amélia P. Hutchinson, Juliet Perkins, Philip Krummrich and Teresa Amado

The Chronicles of Fernão Lopes

$145.00

Volume V of the first complete English translation of the chronicles of Fernão Lopes, containing the general bibliography and a comprehensive index containing all people and place names mentioned in the chronicles

Until now, the chronicles of Fernão Lopes (c.1380-c.1460) have only been available in critical editions or in partial translations. Comparable to the works of Froissart in France or López de Ayala in Spain, the chronicles provide a wealth of detail on late fourteenth-century politics, diplomacy, warfare and economic matters, courtly society, queenship and noble women, as well as more mundane concerns such as food, health and the purchasing power of a fluctuating currency. Lopes had a keen eye for detail and a perspective especially attuned to the common people, and his chronicles provide an invaluable source for the history of Western Europe in the later Middle Ages.

Edited by Amélia P. Hutchinson, Juliet Perkins, Philip Krummrich and Teresa Amado

The Chronicles of Fernão Lopes

$240.00

Volume IV of the first complete English translation of the chronicles of Fernão Lopes chronicles the Battle of Aljubarrota (1385), which secured the throne for João I, his marriage to Philippa of Lancaster, and his reign up to 1411.

Until now, the chronicles of Fernão Lopes (c.1380-c.1460) have only been available in critical editions or in partial translations. Comparable to the works of Froissart in France or López de Ayala in Spain, the chronicles provide a wealth of detail on late fourteenth-century politics, diplomacy, warfare and economic matters, courtly society, queenship and noble women, as well as more mundane concerns such as food, health and the purchasing power of a fluctuating currency. Lopes had a keen eye for detail and a perspective especially attuned to the common people, and his chronicles provide an invaluable source for the history of Western Europe in the later Middle Ages.

Miguel Hué y Camacho

El ferí de Benastepar, o los moros de Sierra Bermeja

$130.00

Combining a rich depiction of historical customs with genuine admiration for the Muslim legacy of Andalucia, El ferí de Benastepar is a previously unknown novel by Spanish writer José Miguel Hué y Camacho (1803-1841) that relates the doomed romance between Castilian lady Elvira de Castro and the eponymous ferí de Benastepar, Abenamet, a morisco chief.

This book provides an annotated edition of El ferí de Benastepar, based on the two surviving manuscripts of the novel. The introduction provides an up-to-date biographical and critical assessment of Hué y Camacho and contextualises El ferí de Benastepar both as a product of Romantic orientalism - a 'local' orientalism directed by Andalusian writers towards the past of their own lands - and as part of the Romantic revival of the early modern 'Moorish novel' that took place in the first half of the nineteenth century, both in Spain and abroad. Notes provide clarification on lexical issues well as on the medieval and early modern sources of the novel.

El ferí de Benastepar es una novela histórica inédita del escritor español José Miguel Hué y Camacho (1803-1841). El texto combina una rica descripción de usos y costumbres con una admiración genuina por el legado musulmán de Andalucía. La novela relata el malhadado romance entre la dama castellana Elvira de Soto y el caudillo morisco Abenamet -el "ferí" de Benastepar-, con la primera Rebelión de las Alpujarras (1499-1501) como telón de fondo.

Este libro ofrece una edición anotada de El feri de Benastepar, basada en los dos manuscritos que se conservan de la novela. La introducción ofrece una valoración biográfica y crítica actualizada de Hué y Camacho, y contextualiza la novela tanto como producto del orientalismo romántico -un orientalismo "local" dirigido por los escritores andaluces hacia el pasado de sus propias tierras- como en el marco de la recuperación romántica de la "novela morisca" en la primera mitad del siglo XIX, tanto en España como en el extranjero. Las notas aportan aclaraciones sobre cuestiones léxicas y sobre las fuentes medievales y modernas del texto.

El ferí de Benastepar, o los moros de Sierra Bermeja

Edited by Amélia P. Hutchinson, Juliet Perkins, Philip Krummrich and Teresa Amado

The Chronicles of Fernão Lopes [5 volume set]

$895.00

This 5 volume set represents the first complete English translation of one of the major chronicles of medieval Europe, by 'the father of Portuguese historiography'

Covering the reigns of Pedro I, Fernando I and João I up to the signing of the 1411 treaty with Castile which confirmed the survival of the Portuguese kingdom, the chronicles provide a wealth of detail on late fourteenth-century politics, diplomacy, warfare and economic matters, courtly society, queenship and noble women, as well as more mundane concerns such as food, health and the purchasing power of a fluctuating currency. Lopes had a keen eye for detail and a perspective especially attuned to the common people, and his chronicles provide an invaluable source for the history of Western Europe in the later Middle Ages.

The first four volumes are accompanied by introductions and bibliographies setting the translations in context, and the fifth volume contains a general bibliography and a comprehensive general index encompassing all of the chronicles.

The Chronicles of Fernão Lopes [5 volume set]

Edited by Ricardo Fernández Romero

Ramón Gómez de la Serna

$120.00

A celebrity in his own day, who gave lectures dressed as Napoleon or seated on the back of an elephant, Ramón Gómez de la Serna is the most representative writer of the interwar Spanish avant-garde.

This book explores Gómez de la Serna's art and his quest to break down the barriers between literature and life, addressing two elements - already present in his work - of radical relevance in today's cultural debates: the relation of humans to the material world and the reduction of all experience to a singular individuality. Bringing Gómez de la Serna to an Anglophone audience, it reveals him to be the embodiment of a new kind of art on both sides of the Atlantic.

Jessica Wax-Edwards

Documenting Violence in Calderón’s Mexico

$120.00

An analysis of how artists, filmmakers and affected citizens in Mexico attempted to navigate, articulate and contend with the unparalleled escalation in brutality during the presidency of Felipe Calderón (2006-2012).

In Mexico, during the presidency of Felipe Calderón (2006-2012) and as a direct result of his 'war' on drugs, at least 60,000 people were killed, tens of thousands were 'disappeared' and countless more were subjected to kidnapping and sexual violence. This book analyses how artists and filmmakers, alongside affected citizens, attempted to navigate, articulate and contend with this unparalleled escalation in brutality.

The texts studied here provide a critical visual archive of this first phase in the drug war and show how artists including Pedro Pardo, Fernando Brito, Mónica González and Natalia Almada attempted to challenge official narratives, foster emerging nodes of resistance and seek justice for citizens. Bringing together works of photography, photojournalism, documentary and short fiction cinema, the book argues for the vital role of cultural production in documenting institutional corruption, human rights abuses and narco-related violence in Mexican society and providing a space to grieve and remember the victims.

As Mexico's socio-political landscape continues to deteriorate, the book shows how its visual cultural legacy provides a means of understanding and responding to the violence.

Documenting Violence in Calderón’s Mexico

Anne-Marie Storrs

The Spiritual Consciousness of Carmen Martín Gaite

$120.00

An exploration of Spanish writer Carmen Martín Gaite's religious outlook through the inner journeys of five female characters.

For Martín Gaite, a truly religious, or spiritual, perspective requires conscious attention to the products of the unconscious (dreams, images, memories, premonitions), followed by reflection and action, as well as a similar attentiveness and responsiveness to external events both large and small. This reconnection of the supernatural and day-to-day worlds also involves descent to the unconscious - the way to wholeness - as depicted in so many myths and fairy tales, including those which Martín Gaite used to retell or enhance the works analysed in this book: Sleeping Beauty, The Little Mermaid, Amor and Psyche, Demeter and Persephone, and the Descent of the Goddess Inanna.

Looking at the extent to which these female characters attend to, reflect on, and respond to their dreams, images, memories and events, the analysis suggests that Martín Gaite uses her stories to try to communicate both the road to her own enlightenment and warnings about paths that lead away from this.

The Spiritual Consciousness of Carmen Martín Gaite

Luis A. Medina Cordova

Imagining Ecuador

$120.00

How are contemporary authors reimagining the idea of 'Ecuador' following the worst financial crisis in the nation's history, and how do countries on the periphery of the global literary market challenge and enrich World Literature?

Winner of the 2020-21 AHGBI-Spanish Embassy Publication Prize

In March 1999, in an effort to stave off financial collapse, the Ecuadorian government suspended all banking operations and froze all bank accounts in the country for a period of five days. This episode, the Feriado Bancario, represents the peak of the worst financial crisis in the nation's history and one which had far-reaching and long-last effects on society, politics, the economy, and cultural production. The very idea of 'Ecuador' was transformed, as Ecuador became a country marked by constant interaction with the world beyond its borders.

This book explores how contemporary Ecuadorian authors are reimagining the nation following the Feriado Bancario. Starting from a rereading of Ecuador's national novel, Jorge Icaza's Huasipungo (1930), which saw the nation as rooted in the land, the book examines post-crisis fiction which offers an image of Ecuador as a transnational space. It posits that these novels - Eliécer Cárdenas' El oscuro final del Porvenir (2000), Leonardo Valencia's Kazbek (2008), Carlos Arcos' Memorias de Andrés Chiliquinga (2013), and Gabriela Alemán's Humo (2017) - both reflect and explain the new reality of Ecuador as a nation that can no longer be defined by its territory. At the same time, the book uses the Ecuadorian case to challenge the conceptualisation of Latin American literature as 'post-national' and to show how countries on the periphery of the global literary market can, from the very fact of their minoritarian position, enrich and better define World Literature.

Edited by Stephen M. Hart and Alexander Samson

Philip IV and the World of Spain’s Rey Planeta

$130.00

Did Spain fall into decline or flourish in the seventeenth century?

This edited collection looks at perceptions and representations of Philip IV, Spain's 'Planet King', and his government against the backdrop of the seventeenth-century General Crisis in Europe, wars, revolutions and a sovereign debt crisis. Scholars often associate Philip's reign (1621-1665) with decline, decadence, crisis, stagnation and adversity (as did many contemporaries); yet the glittering cultural and artistic achievements (enhanced by his patronage) of the period led it to be dubbed 'the' Golden Age. The book analyses these contradictions, examining Philip's own understanding of kingship and how he and his courtiers used art and ceremony to project an image of strength, tradition, culture and prestige, while, at the same time, the empire grappled with revolts in Europe and falling trade with its New World colonies.

Philip IV and the World of Spain’s Rey Planeta

Pablo Bradbury

Liberationist Christianity in Argentina (1930-1983)

$130.00

How did liberationist Christianity develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War?

Understanding the movement to be dynamic and highly diverse, this book reveals that ecclesial and political conflicts, especially over Peronism and celibacy, were at the heart of the construction of a liberationist Christian identity, which simultaneously internalised deep tensions over its relationship to the Catholic Church. It first situates the rise of a revolutionary Christian impulse in Argentina within changes in society, in Catholicism and Protestantism and in Marxism in the 1930s, before analysing how the phenomenon coalesced in the late sixties into a coherent social movement. Finally, the book examines the responses of liberationist Christians to the intense period of repression under the presidency of Isabel Perón and the rule of the military junta between 1974 and 1983.

By exploring these distinct responses and uncovering the heterogeneity of liberationist Christianity, the book offers a fresh analysis of a movement that occupies a major role in the popular memory of the period of state terror, and provides a corrective to narratives that depict the movement as monolithic or as a passive victim of the dictatorship.

Liberationist Christianity in Argentina (1930-1983)

Mario Higa

Machado de Assis

$130.00

A lively and accessible introduction to Machado de Assis and his work

Machado de Assis (1839-1908) is a world-class writer and arguably the greatest of Brazilian literature. Susan Sontag deemed him "the greatest writer ever produced in Latin America," and Harold Bloom, "the supreme black literary artist to date." John Updike called him a "master," and Carlos Fuentes, a "miracle." This book guides the reader through Machado's biography, times, and critical reception and examines his various personas - the translator, poet, playwright, critic, cronista, short story writer, and novelist - paying particular attention to his fictional prose, which most clearly conveys his acerbic criticism of Brazilian society and his deft view of the human condition. The book closes with an updated list of Machado's works available in English translation and a selection of further critical studies.

Cover image for Machado de Assis, isbn: 9781855663626

Margaret R. Greer

María de Zayas and her Tales of Desire, Death and Disillusion

$120.00

Who doubts, my reader, that you will be amazed that a woman has the audacity not only to write a book, but to send it for printing, which is the crucible in which the purity of genius is tested'?

A pioneer of early modern feminism, María de Zayas y Sotomayor wrote poetry, drama and prose but is best known for two page-turning collections of short stories: Exemplary Tales of Love (1637) and Tales of Disillusion (1647). This book provides an engaging introduction to Zayas and her work. It begins by relating what we know of her life, placing her in her socio-political and economic context and addressing the issue of women's literacy. Following chapters examine her use of sexual desire, violence and humour in her tales; her narrative structures; and her oral style. The book then turns to identity construction in her tales and in society, analysing questions of gender, class, family and 'race', and to her treatment of religion, magic and the supernatural. The final chapters explore Zayas's status as a proto-feminist; her early modern reception in Spain and elsewhere; and various critical readings of her work.

Cover image for María de Zayas and her Tales of Desire, Death and Disillusion, isbn: 9781855663602

Edited by Luis I. Prádanos

A Companion to Spanish Environmental Cultural Studies

$130.00

An exploration of how writers, artists, and filmmakers expose the costs and contest the assumptions of the Capitalocene era that guides readers through the rapidly developing field of Spanish environmental cultural studies.

From the scars left by Franco's dams and mines to the toxic waste dumped in Equatorial Guinea, from the cruelty of the modern pork industry to the ravages of mass tourism in the Balearic Islands, this book delves into the power relations, material practices and social imaginaries underpinning the global economic system to uncover its unaffordable human and non-human costs. Guiding the reader through the rapidly emerging field of Spanish environmental cultural studies, with chapters on such topics as extractivism, animal studies, food studies, ecofeminism, decoloniality, critical race studies, tourism, and waste studies, an international team of US and European scholars show how Spanish writers, artists, and filmmakers have illuminated and contested the growth-oriented and neo-colonialist assumptions of the current Capitalocene era. Focussed on Spain, the volume also provides models for exploring the socioecological implications of cultural manifestations in other parts of the world.

CONTRIBUTORS: Eugenia Afinoguénova, Samuel Amago, Daniel Ares-López, Kata Beilin, John Beusterien, Miguel Caballero Vázquez, Jorge Catalá, Glen S. Close, Jeffrey K. Coleman, Jamie de Moya-Cotter, Ana Fernández-Cebrián, Ofelia Ferrán, Tatjana Gajic , Pedro García-Caro, Santiago Gorostiza, Germán Labrador Méndez, Maryanne L. Leone, Shanna Lino, Jorge Marí, José Manuel Marrero Henríquez, Maria Antònia Martí Escayol, Christine Martínez, Cristina Martínez Tejero, Micah McKay, Pamela F. Phillips, Mercè Picornell, Luis I. Prádanos, Cécile Stehrenberger, John H. Trevathan, Joaquín Valdivielso, William Viestenz, Maite Zubiaurre

A Companion to Spanish Environmental Cultural Studies

Dr Marco Ramírez Rojas

Violencia, poder y afectos

$120.00

How have sociopolitical fears been enacted, represented and performed in societies marked by repression, conflict and abuse of power? And how has this emotion shaped aesthetic and ideological discourses and cultural productions?

Violencia, poder y afectos: narrativas del miedo en Latinoamérica ofrece una contribución crítica al estudio de las representaciones de los miedos sociopolíticos en la literatura y el cine contemporáneos. Este volumen estudia las consecuencias inmediatas y de larga duración de la violencia y el terror en las sociedades latinoamericanas desde varias perspectivas teóricas. Los capítulos del libro abordan dos preguntas centrales: ¿cómo se han asumido, asimilado y representado los diversos temores sociopolíticos que caracterizan a unas sociedades marcadas por el conflicto, la represión y el abuso de poder? y ¿cómo este afecto ha marcado los discursos estéticos e ideológicos de las producciones culturales? Mediante el estudio de las obras de escritores y productores culturales contemporáneos incluso Mónica Ojeda, Cristina Rivera Garza, Rodrigo Rey Rosa, Alonso Cueto y Manlio Argueta, los colaboradores de este libro examinan el clima de terror y ansiedad provocados por las guerras civiles en Guatemala, El Salvador y Perú; la guerra de las drogas en México; la invasión estadounidense a Panamá en 1989; así como las dinámicas de desigualdad de clase y género en Ecuador y México.

Violencia, poder y afectos: narrativas del miedo en Latinoamérica offers a critical contribution to studies of the representation of socio-politically inflicted fears in contemporary literature and film. This volume looks at the immediate and long-lasting consequences of violence and terror in Latin American societies from a variety of theoretical perspectives. Chapters of the book engage with two central questions: How have sociopolitical fears been enacted, represented and performed in societies marked by repression, conflict and abuse of power? And how has this emotion shaped aesthetic and ideological discourses and cultural productions? Looking at contemporary writers and cultural producers including Mónica Ojeda, Cristina Rivera Garza, Rodrigo Rey Rosa, Alonso Cueto and Manlio Argueta, the contributors of this volume examine the climate of terror and anxiety resulting from the civil wars in Guatemala, El Salvador and Peru; the war on drugs in Mexico; the 1989 U.S. invasion of Panama; and dynamics of class and gender power imbalances in Ecuador and Mexico.

Cynthia Lucy Stephens

The Borges Enigma

$130.00

Explores Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.

Borges once stated that he had never created a character: 'It's always me, subtly disguised'. This book focuses on the ways in which Borges uses events and experiences from his own life, in order to demonstrate how they become the principal structuring motifs of his work. It aims to show how these experiences, despite being 'heavily disguised', are crucial components of some of Borges's most canonical short stories, particularly from the famous collections Ficciones and El Aleph. Exploring the rich tapestry of symmetries, doubles and allusions and the roles played by translation and the figure of the creator, the book provides new readings of these stories, revealing their hidden personal, emotional and spiritual dimensions. These insights shed fresh light on Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.

André Rui Graça

Portuguese Cinema (1960-2010)

$130.00

Why has Portugal's vibrant and creative cinema industry not been more commercially successful?

This book traces the evolution of Portuguese cinema between the beginning of the New Cinema movement in 1960 and the height of the economic crisis in 2010 from a socio-cultural and economic perspective. It aims to explain why this vibrant and creative industry has not been more commercially successful and pays especial attention to questions of financial viability, domestic consumption, international distribution, and the effects of legislation. It shows how film-makers have responded to historical difficulties and material obstacles and how market conditions have influenced aesthetics. Drawing on quantitative and qualitative data, film theory, and history, the book assesses the place of Portuguese cinema within Portuguese culture as well as the wider film world. While focussed on the case of Portugal, it also sheds light on problems faced by other peripheral film cultures in the international marketplace and on the festival circuit.

Mirna Vohnsen

Portrayals of Jews in Contemporary Argentine Cinema

$120.00

An in-depth study of the presence and representation of Jews in contemporary Argentine film, focusing on films shot since the year 2000.

Runner-up for the AHGBI-Spanish Embassy Doctoral Publication Prize for 2017

Notwithstanding the current visual prominence of Jewish life and Jewish culture on the Argentine big screen, surprisingly little has been written about Jewish film characterization in academic scholarship. In order to fill this lacuna, Portrayals of Jews in Contemporary Argentine Cinemaexplores the depiction of the Jews of Argentina in modern Argentine cinema with particular attention to the ways in which Jews and Jewishness interact with issues of national identity. The central aim of the book is to investigate how Argentine cinema negotiates the argentinidad of Jewish Argentines, thereby adding to the mosaic that is the imagined community of Argentina. To this end, key films by both Jewish and non-Jewish directors are scrutinized, shedding light on three main areas: the masculinity of the Jewish gaucho, the effects of the 1994 AMIA bombing and family relations, including fatherhood and the intermarriage between Jews and Gentiles. Organized around these topics, the book comprises four chapters and with the exception of the first, which is a historical exposition of Jewish presence in Argentina and Argentine film, all subsequent ones take a theme-centered approach.

Mirna Vohnsen is a faculty member in Spanish and Latin American Studies at Maynooth University.

Portrayals of Jews in Contemporary Argentine Cinema

Joseba Gabilondo

Introduction to a Postnational History of Contemporary Basque Literature (1978-2000)

$130.00

A sophisticated introduction to contemporary Basque literature that chronicles its growth and success after the death of Spanish dictator Francisco Franco.

By developing a new theory of postnationalism about the relationship between minor and major literatures, this book chronicles the growth and success of Basque literature after the death of Spanish dictator Francisco Franco (1975), and the historical and literary struggles that took place in its aftermath in order to achieve global recognition: the reduction of Basque literature to a representation of an exotic and magic place and people (the Basque Country), best exemplified by Bernardo Atxaga's novel Obabakoak (1988). The book also deploys postnationalist theory in order to chronicle the way in which women's literature challenged and changed this model in the 1990s and paved the way for what is now a complex and diverse literature.

JOSEBA GABILONDO is an Associate Professor in the Department of Romance and Classical Studies, Michigan State University.

Introduction to a Postnational History of Contemporary Basque Literature (1978-2000)

Javier Letrán

Studies on Spanish Poetry in Honour of Trevor J. Dadson

$130.00

A collection of essays on Spanish poetry honouring a distinguished British Hispanist.

Trevor J. Dadson is a British Hispanist of international distinction whose remarkable scholarly range has resulted in a published output that embraces cultural, literary and social history, textual editing, literacy, book ownership and literary criticism. The twelve essays of the present volume pay tribute to his distinctive interventions in the field of Spanish poetry (early modern and contemporary); collectively they recognize the catalytic role of Professor Dadson's original research while opening up to dialogues beyond it, aiming to inspire new conversations around the topics he has inspired generations of scholars to pursue.
Represented in the volume are former doctoralstudents, former colleagues and international collaborators, all of whom are also distinguished authorities in their fields.

Javier Letrán is Senior Lecturer in Spanish at the University of St Andrews.
Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University Belfast.

Studies on Spanish Poetry in Honour of Trevor J. Dadson

Lorna Dillon

Violeta Parra

$120.00

The first book in English to consider the full extent of the accomplishments and influence the Chilean cultural icon, Violeta Parra.

Violeta Parra was an extraordinary figure. She is best known for her contribution to the Latin American New Song movement and for her visual art, which was exhibited in the Musée des Arts Décoratifs of the Louvre gallery in 1964.
Parra spent her early career singing Mexican songs in bars and researching traditional Chilean culture. All the different phases of Parra's life and work are discussed in this book, with analyses of her music, paintings, sculptures, embroideries (arpilleras), and poetry. Her exhibition in the Louvre gallery and the music venue that she set up before she died, La Carpa de la Reina, are also covered.
Among the individual essays collected here are seminal works by Patricio Manns and Leonidas Morales, which have been translated into English for the first time. These works introduce the historical and biographical context for Parra's work. Other essays feature thelatest research and findings by Catherine Boyle, Ericka Verba, Paula Miranda, Serda Yalkin, Romina A. Green, and Lorna Dillon. The book also includes an interview with Violeta Parra's brother, the influential poet Nicanor Parra and a Foreword by Marjorie Agosín.

Lorna Dillon earned her PhD at King's College London. She is currently a network facilitator and associate lecturer at the University of Kent.

Dr María Encarnación López

Gender Violence in Twenty-First-Century Latin American Women's Writing

$120.00

How do contemporary female authors in Latin America tackle gender violence in their writings?

This book analyses the portrayal of violence against women in the works of ten contemporary Latin American female authors: Alejandra Jaramillo Morales, Laura Restrepo, Ena Lucia Portela, Wendy Guerra, Selva Almada, Claudia Pineiro, Diamela Eltit, Carla Guelfenbein, Lydia Cacho and Fernanda Melchor. Governments in Latin America have routinely failed to protect women from abuse, threats, censorship, repressive policies on reproduction rights, forced displacement, sex trafficking, disappearances and femicides, and this book beats a new path through these burning issues by drawing on the knowledges encapsulated by sociology as much as the visions articulated by literature. Through an exploration of works published in the twenty-first century by women writers from Argentina, Chile, Colombia, Cuba and Mexico, this volume reconceptualises positions of privilege and power in the region and provides new readings about the meaning of gender, sexuality, violence and the female body in contemporary Latin America. The aim of this book is to raise awareness of the daily threat of violence against women in Latin America, underline the importance of the voice of Latin American women within that daily struggle, and encourage governments, organisations and institutions in Latin America and the Caribbean to take gender violence seriously and fight to secure peace and social equality for all women in the modern world.

Gender Violence in Twenty-First-Century Latin American Women's Writing

Jorge L. Terukina Yamauchi

El imperio de la virtud

$190.00

Terukina ofrece una nueva biografía de Bernardo de Balbuena y analiza la compleja matriz interdisciplinaria de Grandeza mexicana (1604).

Terukina offers an updated biography of Bernardo de Balbuena and analyzes the complex interdisciplinary matrix within which Grandeza mexicana (1604) is articulated.

En contraste con la normativa lectura criollista y proto-nacionalista de Grandeza mexicana (1604), El imperio de la virtud analiza el texto de Bernardo de Balbuena en un contexto atlántico y propone interpretarlo como una defensa del derecho natural de los inmigrantes peninsulares a gobernar la Nueva España.
Además de ofrecer una actualizada y documentada biografía de Balbuena que nos recuerda sus lazos con la península ibérica, el libroreconstruye las olvidadas tradiciones retórica, científica, geopolítica y económica que articulan Grandeza mexicana. Gracias a ello, la obra presenta este elogio de la capital virreinal como un posicionamiento político en favorde peninsulares como el propio Balbuena, supuestos poseedores de las virtudes morales e intelectuales necesarias para gobernar espiritual y temporalmente el virreinato novohispano, y en desmedro de los moralmente deficientes criollos y los salvajes indígenas.
El imperio de la virtud nos invita a reconsiderar el lugar que Balbuena y Grandeza mexicana ocupan en el acervo cultural mexicano.

Jorge L. Terukina Yamauchi es docente e investigador de Estudios Hispánicos en el College of William and Mary.

Against the normative proto-Mexican and criollista reading of Grandeza mexicana (1604), El imperio de la virtud positions Bernardo de Balbuena's work in an Atlantic context and hence interprets it as a political assertion of the natural right of peninsular émigrés to rule New Spain.
The book offers an updated biography of Balbuena that reminds us of his ties tothe Iberian Peninsula, and traces the pre-modern rhetorical, scientific, geopolitical, and economic paradigms upon which Grandeza mexicana is designed. Thus, the work analyzes Balbuena's encomium of Mexico City as a political prise de position in favor of peninsular émigrés like Balbuena himself, who are allegedly endowed with the moral and intellectual virtues needed to direct the spiritual and temporal life of the viceroyalty, and against the morally deficient criollos and the barbaric Indians.
El imperio de la virtud invites us to reassess the role that Balbuena and Grandeza mexicana play in the cultural history of present-day Mexico.

Jorge L. Terukina Yamauchi is Assistant Professor in Hispanic Studies at the College of William and Mary.

Santiago Oyarzabal

Nation, Culture and Class in Argentine Cinema

$120.00

An unprecedented close textual analysis of numerous films within their contemporary cultural context.

This book engages with representations of social crisis in Argentine fictional cinema between 1998 and 2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. It focuses on the ways in which cinema interpreted and represented both contemporary and long-established issues within national and social discourse, while re-assessing notions of national identity, culture and class.
Despite a growing body of scholarship on Argentine film published in English over the past few years, the role of more conventional films aimed at the public at large remains underexplored. By combining close textual analysis of films with the study of their cultural context, this book argues that fictional cinema at large addressed predominantly middle-class audiences, offering both reflective and divergent views on social reality that enriched the cultural arena in which Argentineans could reflect on their past, their daily life, and their relationship with the other. In this sense cinema helped Argentine people to learn to live in democracy.

Nation, Culture and Class in Argentine Cinema

Julia Biggane

A Companion to Miguel de Unamuno

$130.00

Surveys the thought and literary work of a towering figure in twentieth-century Spanish cultural and political life.

As a novelist, dramatist, essayist, poet and public intellectual, Miguel de Unamuno (1864-1936) was a strikingly energetic and prolific writer, and a towering figure in twentieth-century Spanish cultural and political life. His work explored fundamental questions about existence and identity (both individual and national).Widely recognised and translated during his lifetime, he was an inescapably canonical figure on university syllabi across Europe and the Americas for many years after his death, and still appears on many curricula. In this Companion, a range of distinguished scholars with very different approaches both survey Unamuno's work chronologically, analysing major developments and turning points or breaks as well as continuities, and further study key themes and preoccupations across his prolific narrative, theatrical and essay output. All contributors offer not just incisive discussion of the texts or topics studied, but also a balanced overview of issues and debates arising in Unamuno studies.

Julia Biggane is senior lecturer in Hispanic Studies at the University of Aberdeen. She is a general editor of theBulletin of Spanish Studies, and director of the Sir Herbert Grierson Centre for Textual Criticism and Comparative Literary History at the University of Aberdeen.

John Macklin was Professor of Hispanic Studies and Head of the School of Modern Languages and Cultures at the University of Glasgow. In 1994, he was made a Commander of the Order of Isabel la Católica by King Juan Carlos of Spain.

Françoise Maurizi

Lucas Fernández: Farsas y églogas

$120.00

La edición que aquí se presenta se basa en el estudio cuidadoso de los dos únicos ejemplares que quedan del impreso de 1514. Va acompañada de una introducción novedosa, de numerosas notas a pie de página, imprescindibles hoyla comprensión del texto, de un importante glosario y de una bibliografía al día.

This edition is based on a careful comparison of the two only surviving texts of the 1514 printed edition.

Lucas Fernández (1474-1542) fue músico, dramaturgo y poeta. De sus obras solo quedan las Farsas y églogas que se publicaron en 1514 en Salamanca. La edición que aquí se presenta no pretende ofrecer lo que pudo ser el manuscrito original y se basa en el estudio cuidadoso de los dos únicos ejemplares que quedan del impreso de 1514. Va acompañada de una introducción novedosa, de numerosas notas a pie de página, imprescindibles hoy para la comprensión del texto, de un importante glosario y de una bibliografía al día.

Françoise Maurizi es profesora en la Universidad de Caen, Francia.

Lucas Fernandez was a musician, playwright and poet. His only survivingworks are the Farsas y églogas , which were published in Salamanca in 1514. This edition, rather than attempting to reconstruct an original manuscript, is based on a careful comparison of the two sole surviving texts of the1514 printed edition. It is accompanied by an introduction, full and informative footnotes to the text, a glossary, and bibliography.

Françoise Maurizi is a professor of Spanish at the Université de Caen, France.

Lucas Fernández: <I>Farsas y églogas</I>

Víctor Pueyo

Cuerpos plegables

$120.00

Este libro trata de la atracción de los "Siglos de Oro" por cierta doble configuración de lo monstruoso.

This is a book about the obsession of the Spanish Golden Age with the monstrous, and more specifically with the monstrous as structured into a dual image.

Este libro explora la atracción de los "Siglos de oro" por lo monstruoso. Varios trabajos recientes ya han arrojado luz sobre la abundante representación de cuerpos excesivos que afloran en los siglos XVI y XVII y que parecen, acaso, reflejar el lenguaje inflado y deformado a través del cual son descritos en la literatura de la época. Sin obviar sus logros, el libro intenta ir más allá para mostrar que lo más sorprendente de la monstruosidad en este periodo no es la manera en que representa un exceso barroco, sino la forma en que el exceso mismo está estructurado en una imagen dual. Muchos de estos "monstruos" (hermafroditas, bicéfalos o licántropos) ostentan un diseño geminado que permanece, de hecho, inexplicado. ¿Qué explica tal anomalía? ¿Cómo contribuirá esta excepción a modelar la imagen misma de lo normal? ¿Qué tiene que ver con la configuración del nuevo cuerpo políticones sociales iban a ser imaginadas, a partir de entonces, en el mundo occidental?

Víctor M. Pueyo es profesor titular en el Departamento de Español y Portugués de Temple University.

This is a book about theobsession of the Spanish "Golden Age" with the monstrous. Recent research has begun to cast light upon the abundant representation of excessive bodies that mirrors the swelled and deformed language through which they are depictedin early modern literature. Without disregarding its representational approach, the book goes beyond this body of research by arguing that the most surprising element about monstrosity in the sixteenth and seventeenth centuries is not the way it represents Baroque excess, but the way excess itself is structured into a dual image. Most of these "monsters" (hermaphrodites, lycanthropes, two-headed creatures) have a geminated form that remains, indeed, largely unaccounted. What explains such an anomaly? How will it shape the rule? What does it have to do with the configuration of the new body politic through which social relations were going to be imagined in the Western World?

Víctor Pueyo is associate professor in the Department of Spanish and Portuguese at Temple University.

Jean Andrews

Spanish Golden Age Poetry in Motion

$130.00

The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics.

Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento enla poesía española del siglo de oro

The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation.
Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los sigantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulacióny recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento cono" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao

Jean Andrews is Associate Pssor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham.
Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast.
Contributors: Jean Andrews,Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia,Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres

Helena Miguélez-Carballeira

A Companion to Galician Culture

$120.00

The first in-depth yet accessible introduction to Galician history and culture for both lay and specialized readers.

Of all the differentiated regions comprising contemporary Spain, Galicia is possibly the most deeply marked by political, economic and cultural inequities throughout the centuries. Possibly due to the absence of a nationally awarelocal bourgeoisie and the enduringly colonial structures informing Spanish-Galician economic and cultural relations, processes of national construction in the region have been patchily successful. However, Galicia's cultural distinctness is easily recognisable to the observer, from the language spoken in the region---the contemporary variant of old Galician-Portuguese---to the specific forms of the Galician built landscape, with its unique mixture of indigenous, imported and hybrid elements.
The present volume offers English-language readers an in-depth introduction to the integral aspects of Galician cultural history, from pre-historical times to the present day. Whilst attention is given to the traditional areas of medieval culture, language, contemporary history and politics, the book also privileges compelling contemporary perspectives on cinema, architecture, the city of Santiago de Compostela and the urban qualities of Galician culture today.

Helena Miguélez-Carballeira is a Senior Lecturer in Hispanic Studies at Bangor University, and Director of the Centre for Galician Studies in Wales.

Thea Pitman

Decolonising the Museum

$75.00

Explores the scope that there is for Indigenous curatorial agency in the relationship of Indigenous contemporary art with the 'art world'.

This monograph focuses on the current boom in Indigenous contemporary art in Brazil, exploring in particular the way that this work interfaces with the art world through exhibitions, and the scope that there is for Indigenous curatorial agency in this relationship. After a brief introduction to Indigenous art, it gives an overview of the evolving relationship between Indigenous art and the art world, exploring in particular the nature of decolonial and/or Indigenous curatorial practice both in Brazil and elsewhere in the world. It then hones in on a recent exhibition: 'Arte Eletrônica Indígena' [Indigenous Electronic Art], held at the Museum of Modern Art of Bahia in Salvador in August 2018. Based on participant observation and interviews, it provides an ethnographic reading of the opening weekend of the exhibition, looking at the alternative modalities of Indigenous curatorial agency that were exercised by the Indigenous people present. The conclusion explores the legacy of the 'Arte Eletrônica Indígena' exhibition, particularly for the Indigenous communities involved, and looks to the evidence provided by the exhibition for lessons to be learned for future exhibitions.

Cristina Moya García

Mosén Diego de Valera

$120.00

Este libro reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios. Contains the latest research by the most important scholars of the Castilian author Mosén Diego de Valera.

Esta obra colectiva reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios.

En este volumen monográfico Guido Cappelli escribe sobre Valera y el Humanismo; Federica Accorsi analiza la relación de Valera con los judíos conversos; Florence Serrano estudia la presencia de Diego de Valera en Borgoña y en su literatura; Gonzalo Pontón se centra en las cartas escritas por Diego de Valera; Jesús Rodríguez Velasco analiza a Diego de Valera como artista microliterario; Cristina Moya analiza la influencia de la crónica Valeriana entre 1482 y 1567; Fernando Gómez Redondo explica las palabras que Juan de Valdés dedica a Valera en su Diálogo de la lengua; José Julio Martín Romero analiza la influencia de Diego de Valera en el Nobiliario Vero de Hernán Mexía y, finalmente, Juan Luis Carriazo Rubio prueba que mosén Diego de Valera no escribió el Origen de la Casa de Guzmán.

Cristina Moya García es profesora en la Universidad de Córdoba.

This collection contains the latest research by the most important scholars of this fifteenth century Castilian author who cultivated all literary genres. Guido Cappelli writes about Valera and Humanism; Federica Accorsi analyzes the relationship between Valera and the converted Jews; Florence Serrano studies the presence of Diego de Valera in Burgundy and in its literature; Gonzalo Pontón focuses on the letters written by Diego de Valera; Jesús Rodríguez-Velasco studies Diego de Valera as micro-literary artist; Cristina Moya examines the influence of the Valeriana between 1482 and 1567; Fernando Gómez Redondo explains the words dedicated to Diego de Valera by Juan de Valdés (Diálogo de la lengua); José Julio Martín Romero discusses the influence of Diego de Valera in Nobiliario Vero of Hernan Mexía; and, finally Juan Luis Carriazo Rubio proves that Mosén Diego de Valera did not write the Origen de la Casa de Guzmán.

Cristina Moya García is a profesora at the Universidad de Córdoba.

Contributors: Federica Accorsi, Guido Cappeli, Juan Luis Carriazo Rubio, Fernando Gómez Redondo, José Julio Martín Romero, Cristina Moya García, Gonzalo Pontón, Jesús Rodríguez Velasco, Florence Serrano

Stephanie N. Saunders

Fashion, Gender and Agency in Latin American and Spanish Literature

$120.00

In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature.

In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature. While fast fashion has relegated the handicraft to maquiladoras in the Global South, Spanish and Latin American authors have created protagonists whose skill with needle and thread allows them to break out of culturally confining roles and spaces. In this fictional realm, seamstresses and tailors enter exciting adventures as spies, peacemakers, or explorers, all facilitated by their artistry and expertise.
This book examines the depiction of women and the textile arts in contemporary Hispanic and Brazilian literature. Employing space and gender theories, the book explores how sewing, traditionally viewed as respectable only if practiced at home, gives agency and encourages self-reflection and mobility,allowing protagonists to transgress physical and socially prescribed limits. Texts analyzed include María Dueñas's El tiempo entre costuras (2009), César Aira's La costurera y el viento (1994), Pedro Lemebel's Tengo miedo torero (2001), Frances Ponte de Peebles's The Seamstress (2009), and children's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.

Fashion, Gender and Agency in Latin American and Spanish Literature

Teresa Pinto Coelho

Eça de Queirós and the Victorian Press

$120.00

Focusses on the years that Eça de Queirós lived in Paris and shows how the periodicals he conceived and edited were modeled on dozens of Victorian and American publications.

Eça de Queirós' work has primarily been studied within the context of French literature and culture. This book presents a different Eça. Focusing on the years that he lived in Paris, it demonstrates how the periodicals he himselfconceived and edited were modeled on dozens of Victorian ones such as the Contemporary Review, the Review of Reviews or the Idler, as well as on some American ones such as the Forum, the Arena, and the North American Review.
This book shows us an Eça who is undeniably an Anglophile, an Eça long seduced by the diversity and originality of English thought, an Eça increasingly distant from the French cultural model which had marked his education.

Teresa Pinto Coelho is Full Professor and Chair in Anglo-Portuguese Studies at the Universidade Nova de Lisboa.

Paul Joseph Lennon

Love in the Poetry of Francisco de Aldana

$120.00

Places the warrior-poet Aldana in the appropriate poetic and philosophical context of the Spanish Golden Age and the European Renaissance.

This study explores the love lyric of one of the greatest, yet oft-neglected, warrior-poets of the Spanish Golden Age - Francisco de Aldana (1537-78). Hailed for his skill by Cervantes, Lope de Vega, Quevedo, and the Generation of27's Cernuda alike, Aldana's lyric is the unique result of his Florentine education and interactions with the Medici family as well as Benedetto Varchi's literary circle. Aldana died young, fighting in the Battle of Alcazaquivirin the service of Portugal's Sebastian I. His brother, Cosme, subsequently edited and published his poetry in three volumes between 1589-93.
Perhaps the most alluring aspect of Aldana's poetry is his exploration of the natureof love via the reconciliation of seemingly opposing and discordant elements of physical love with the Neoplatonic spirituality more common to sixteenth-century poetry, especially as portrayed by the Petrarchan tradition. Throughclose examination of Aldana's lyric -religious, philosophical, pastoral, and mythological- this study reveals how Aldana exploits the gaps in Petrarchism, Neoplatonism, and contemporary poetic models to communicate his belief inthe importance of the physical in our search for those fleeting moments of transcendental bliss on the earthly plane.

Paul Joseph Lennon is Lecturer in Spanish and Comparative Literature at the University of St Andrews,UK.

Love in the Poetry of Francisco de Aldana

Professor Stephanie Dennison

Contemporary Hispanic Cinema

$130.00

This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.

This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere.

Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds

Patricia Valladares-Ruiz

Narrativas del descalabro

$120.00

A comprehensive inquiry into the literary representation of the convulsive social and political changes introduced by the Bolivarian Revolution.

La novela venezolana del siglo XXI se ha erigido como un observatorio creativo de la inmediatez política. Las intervenciones críticas que recoge este libro revelan un amplio abanico de corrientes temáticas y estrategias estéticasa través de las cuales se articula el tratamiento ficcional de la crisis del proyecto revolucionario y su impacto social.
A través de la lectura de novelas publicadas entre 2002 y 2015, la autora examina cómo el conflicto político ha permeado la actual narrativa venezolana para trazar los orígenes y consecuencias de una contemporaneidad turbulenta. Estos dispositivos creativos de resistencia desafían los discursos oficiales, al tiempo que denuncian los antecedentes y consecuencias de la fractura del orden institucional y contribuyen al balance histórico de uno de los periodos más convulsos de la nación.

Patricia Valladares-Ruiz es profesora asociada de literaturaslatinoamericanas y caribeñas en la Universidad de Cincinnati.

This book explores the intersections of cultural policies, social changes, political conflict, and fiction writing in modern-day Venezuela. The study as awhole consists of two interrelated sections. The first section provides an analysis of the relationship between the discursive goals of the Bolivarian cultural policies and how authors work within and respond to them. The secondsection introduces a series of case studies of a comprehensive corpus of novels published between 2002 and 2015. Narrativas del descalabro closes a gap in current Venezuelan literary studies by offering a comprehensive inquiry into the literary representation of the convulsive social and political changes introduced by the Bolivarian Revolution.

Patricia Valladares-Ruiz is Associate Professor of Latin American and Caribbean literatures at theUniversity of Cincinnati.

Mariana Gray de Castro

Fernando Pessoa's Modernity without Frontiers

$130.00

Eighteen short essays by the most distinguished international scholars examine Pessoa's influences, his dialogues with other writers and artistic movements, and the responses his work has generated worldwide.

Portuguese writer Fernando Pessoa claimed that he did not evolve, but rather travelled. This book provides a state of the art panorama of Pessoa's literary travels, particularly in the English-speaking world. Its eighteen short, jargon-free essays were written by the most distinguished Pessoa scholars across the globe. They explore the influence on Pessoa's thinking of such writers as Whitman and Shakespeare, as well as his creative dialogues with figuresranging from decadent poets to the dark magician Aleister Crowley, and, finally, some of the ways in which he in turn has influenced others. They examine many different aspects of Pessoa's work, ranging from the poetry of the heteronyms to the haunting prose of The Book of Disquiet, from esoteric writings to personal letters, from reading notes to unpublished texts. Fernando Pessoa's Modernity Without Frontiers is a valuable introduction to this multifaceted modern master, intended for both students of modern literature and general readers interested in one of its major figures.

Fernando Pessoa's Modernity without Frontiers

Javier Jiménez Belmonte

Estetizar el exceso

$130.00

La primera monografía académica en ocuparse de la historia del icono cleopátrico en la cultura española.

The first thorough study of the history of the Cleopatra icon in Spanish culture.

Estetizar el exceso: Cleopatra en la cultura hispánica medieval y del Siglos de Oro
A lo largo de cinco capítulos--cada no centrado en un género literario o forma artística esífica, desde la historiografía a la poesía, el teatro, la pintura o la tapicería--y adoptando una perspectiva interdisciplinar, Estetizar el exceso pone a dialogar el icono cleopátrico con algunos de los principales debatesculturales, sociales y políticos de la España medieval e imperial, usándolo como punto de partida para reflexionar, entre otras cosas, sobre el modo en el que la Historia fue entendida y escrita, las relaciones de género cuestionadas y redefinidas, el Otro, doméstico y extranjero, representado y consumido, los sentidos explotados y contralados, o la forma en la que literatura y arte pasaron a formar parte de las nuevas estrategias de distinción social y posicionamiento político.

Javier Jiménez Belmonte es Profesor Titular de Literatura Española en la Universidad de Fordham.

Lorna Robinson

Gabriel García Márquez and Ovid

$120.00

This book explores the ways in which Ovid's poem, Metamorphoses, and Gabriel García Márquez's novel, One Hundred Years of Solitude, use magical devices to construct their literary realities.

This book explores the ways in which Ovid's poem, Metamorphoses, and Gabriel García Márquez's novel, One Hundred Years of Solitude, use magical devices to construct their literary realities.
The study examines in detail the similarities and differences of each author's style and investigates the impact of politics and culture upon the magical and frequently brutal realities the two authors create in their works. Ultimately the book is interested in the use of magical elements by authors in political climates where freedoms are being restricted, and by using magical realism to explore Ovid's Metamorphoses, it is able to illuminate aspects of the regime of emperor Augustus and the world of Ovid and demonstrate their closeness to that of García Márquez's Colombia.

Lorna Robinson holds a PhD in Classics from University College London. She is the author of Cave Canem: A Miscellany of Latin Words and Phrases and the essay 'The Golden Age in Metamorphoses' and 'One Hundred Years of Solitude' in A Companion to Magical Realism (Tamesis, 2005).

Daniel Gutiérrez Trápaga

Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry

$120.00

Examines the importance of intertextuality, in particular hypertextuality, in the poetics of Castilian romances of chivalry.

Runner-up for the 2015 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland and the Spanish Embassy

Castilian romances of chivalry were the dominant form of fiction in Europe during the peak of the Spanish Empire in the the sixteenth century. Whilst the material traits of chivalric romances have been thoroughly studied, Don Quijote's shadow has often resulted in the neglect of the literary aspects and influence of the genre, thus hindering our understanding of Golden Age and Spanish fiction. Conversely, this book examines the literary transformation of the genre throughout the sixteenth century from the perspective of intertextuality. In particular, this book focuses on the literary practices central to the craft and development of the genre: the rewriting of previous romance, the writing of sequels, and the formation of narrative cycles. These three processes defined the poetics of the genre and set the bases and literary techniques for other fictional genres and works, including Don Quijote itself.

Daniel Gutiérrez Trápaga is Associate Professor in Research Methodologies (Hispanic Literature) at the Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México.

Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry

Roy Norton

A Companion to Calderón de la Barca

$170.00

The first comprehensive study of Calderón in English

Pedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain's dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignant echoes, and the fizzing intellectual energy they apply to the age's ontological, eschatological and political preoccupations. His plays succeed in combining these perennial concerns with compelling plots subtle enough to defy definitive interpretation. As this volume seeks to show, however, Calderón's comedies deserve equal recognition. Too long stereotyped as a dour, cerebral conservative, this playwright's comic works are as amusing as they are clever.

This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.

Amit Thakkar

The Fiction of Juan Rulfo

$120.00

This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years, analyzing a selection of short stories from Rulfo's collection and also two of the main characters of hismasterpiece, Pedro Páramo.

This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years. It contains innovative analyses of a selection of short stories from Rulfo's collection, El llano en llamas (1953). It also examines in great depth two of the main characters of Pedro Páramo (1955), Rulfo's masterpiece and only novel.
The book shows how Rulfo's works can be read as exercises in irony directed againstthe rhetoric of post-Revolutionary Mexican governments. It also demonstrates the relevance of certain legacies of colony in Rulfo's use of irony. Successive Mexican governments promoted a vision of post-Revolutionary society founded on specific notions of ethnicity, family, nation, education, religion and rural politics. The author combines examination of the speeches, images and newspaper articles which disseminated this vision with incisive literary analyses of Rulfo's work. These analyses are informed both by his original theory of irony, based on "internal" and "external" referents, and by existing postcolonial theories, particularly those of Homi K. Bhabha.

Amit Thakkar is a Lecturer in Hispanic Studies at Lancaster University.

Hayley Rabanal

Belén Gopegui

$130.00

This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.

This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.

Gopegui's social commitments find expression in her concern for solidarity and collective projects. These become more radical over time in response to a disenchantment with the evolution of the left in Spain and to the global impact of the capitalist economic system, giving rise to increasingly interventionist narrative strategies. The core theme of solidarity is explored in relation to the collective experience of Spain's largely consensualdemocratic transition and to the apparent erosion of collective goals in post-transition society. Gopegui's discourse of solidarity is examined through engagement with theorists of advanced modernity, including Ulrich Beck's 'risksociety' model and various contemporary reflections on the concept of solidarity. Centred on Gopegui's first four novels, the study situates analysis of these within the perspective of her later works and illuminates her artisticand intellectual trajectory by drawing on an extensive array of her non-fiction writings and personal interviews, one of which is published here for the first time.

Hayley Rabanal is Lecturer in Hispanic Studies at the University of Sheffield.

Edward H Friedman

A Companion to the Spanish Picaresque Novel

$120.00

Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired.

The term picaresque describes a specific set of early modern Spanish narratives relating the life story of a lowborn adventurer in a realist, ironic, and often humorous manner. The protagonist, the picaro or pícara (rascal), seeks upward mobility in a resolutely hierarchical society determined to prevent his - or her - ascent, and both are rich targets of satire. Spanish pícaros inspired Anglo-French rogues including Gil Blas and Tom Jones and paved the way for the modern novel.

Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque novel from its origins to the present day, along with a treatment of the debates that the picaresque has inspired. After introductory chapters on the picaresque genre and the origin of the phenomenon, the book analyses canonical texts and their role in the picaresque spectrum. Further chapters then turn to critical approaches to the genre and manifestations of the picaresque in Hispanic America, France, England, and modern Spain. Overall, the book affords readers a broad sense of the range of this rich tradition and an in-depth view of the field and its major texts.

A Companion to the Spanish Picaresque Novel

Emma Gatland

Women from the Golden Legend

$130.00

This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Included in the study are transcriptions of twenty-two previously unedited lives.

Hagiography was one of the most prolific narrative genres in the Middle Ages. Jacobus de Voragine's Golden Legend (c. 1260), the most popular compendium, was translated into every language in Western Europe. In the medievalIberian peninsula, the number of conserved hagiographic documents dwarfs those belonging to other narrative genres. This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Their lives furnished exemplary models for women inside and outside the Church, and tell stories of maidens tortured by pagan sovereigns, prostitutes, mothers who see their sons martyred, and women who dress as men in orderto avoid being married off to the nearest suitor. This study challenges an understanding of these women as passive recipients of social and spiritual influence by re-situating female authority within the context of vision, language, and performativity. Included in the study are transcriptions of twenty-two previously unedited lives.

Emma Gatland is a Leverhulme Early Career Fellow, University of Cambridge.

Michael Colvin

Fado and the Urban Poor in Portuguese Cinema of the 1930s and 1940s

$95.00

A compelling account of the role of Fado and the fadista in Portuguese film and the wider culture.

Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era, showing how directors used the national songto promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He considers the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism;the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese colonial empire as an anachronism in the post-World War II years.
Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually the fadista is the protagonist and the Fado the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leitão de Barros proposed in the first Portuguese talkie, A Severa (1931).

Michael Colvin is Associate Professor of HispanicStudies at Marymount Manhattan College.

Fado and the Urban Poor in Portuguese Cinema of the 1930s and 1940s

Xon de Ros

A Companion to Spanish Women's Studies

$115.00

An overview of the issues and critical debates in the field of Women's Studies within the area of peninsular Hispanism.

After an introductory survey of the development of women's studies in the context of Spain, twenty-one chronologically ordered essays by scholars from Britain, the United States, Spain and Mexico explore women's roles in the cultural production of their time from the Middle Ages to the present.
The essays of the first half examine the work of the earliest women writers and artists - memoirs and meditations, novellas and plays - and the representationor self-representation of women in a broad sweep of texts including medieval folksong, hagiography, and painting of the Baroque era.
The modern section focuses on women's participation in politics and culture from the eighteenth century onwards: as translators and essayists, as consumers of visual ephemera and conduct books, as writers and artists, film directors and performers.
An alternative and supplement to standard literary histories, thisvolume offers new insights into women's agency and representation in the cultural heritage of Spain. It will prove a useful and stimulating resource for students at all levels, and an accessible guide for the general reader.

XON DE ROS and GERALDINE HAZBUN lecture in Spanish literature at the University of Oxford.
CONTRIBUTORS: Nieves Baranda, Andrew M. Beresford, Mónica Bolufer Peruga, Helena Buffery, Rosanna Cantavella, Lou Charnon-Deutsch, Georgina Dopico-Black, Joanna Evans, Carmen Fracchia, Margaret R. Greer, Jessamy Harvey, Louise M. Haywood, Geraldine Hazbun, Susan Kirkpatrick, Frances Lannon, Laura Lonsdale, María Ana Masera Cerutti, Roberta Quance, Xon de Ros, Alexander Samson, Alison Sinclair, Joyce Tolliver.

Vidal Romero

Security and Illegality in Cuba's Transition to Democracy

$95.00

How can an environment be created in Cuba in which safety is not sacrificed for more open markets and politics?

This book examines present security conditions in Cuba and forecasts the effects that economic and social liberalization could have on levels of criminality. For decades, Cuban citizens have enjoyed relatively good security, as a consequence of surveillance and tight political control by an authoritarian state. However, economic liberalization necessitated by the loss of Soviet support has resulted in illicit activities and increased criminality including drugs, contraband and human trafficking. Today, relatively good security and a stable political system coexist with widespread illegality. But as restrictions are eased, the average citizen is becoming less secure. Cuba's privileged geographical location, combined with economic scarcity, the remnants of the communist system and the local criminal organizations it created, also makes it vulnerable to more dangerous foreign criminal groups.

Based on both quantitative and qualitative data including in-depth interviews with experts on Cuba and democratization and observational research in Cuba itself, the book seeks to identify the risks associated with liberalization and to explore workable solutions. More broadly, it aims to shed light on how the negative consequences of social and economic liberalization can be minimized for the average citizen during periods of political transition from authoritarian systems. How can an environment be created in which safety is not sacrificed for more open markets and politics?

Security and Illegality in Cuba's Transition to Democracy

Nuria Cruz-Cámara

La mujer moderna en los escritos de Federica Montseny

$120.00

Este libro explora la representación de la mujer moderna en los escritos de Federica Montseny (1905-1994), prominente líder anarquista española en las décadas de 1920 y 1930.

This book explores the figure of the modernwoman in the writings of Federica Montseny (1905-1994), a prominent Spanish anarchist leader during the 1920s and 1930s.

Este libro explora la representación de la mujer moderna en los ensayos y la ficción de Federica Montseny (1905-1994), líder anarquista española de gran prominencia en las décadas de 1920 y 1930. Se examinan en profundidad sus escritos sobre la cuestión de la mujer a la luz de las premisas filosóficas que sustentan el ideario del anarquismo. Además, su ficción mantiene un complejo diálogo con los discursos científicos y culturales de género que pn durante las primeras décadas del siglo XX. La mujer moderna de Montseny no consiste en una figura única, finalizada y estática, sino que se desplaza entre una diversidad de articulaciones a veces contradictorias, pero que reflejan por igual sus creencias anarquistas. Montseny, quien gozó de enorme popularidad en su época como escritora y política, elaboró y diseminó algunas de las propuestas sobre la emancipación de las mujeres más originales do, y este volumen es el primero en situar su pensamiento como una de las piezas fundamentales en la evolución del feminismo español.

Nuria Cruz-Cámara es Profesora Titular en la Universidad de Tennesse.

This book explores the figure of the modern woman in the essays and fiction of Federica Montseny (1905-1994), a prominent Spanish anarchist leader during the 1920s and 1930s. It examines in depth the author's theories of genderin light of the basic principles of anarchist political thought and philosophy. In addition, Montseny's novels are shown to engage in an elaborate and critical dialogue with scientific and cultural discourses on women that proliferated during the first four decades of the 20th century. Montseny's ideal modern woman is not a static and definite figure; rather, she shifts across different and at times contradictory articulations that, nonetheless, all fall within her anarchist beliefs. Montseny, a popular politician and writer during her time, developed and disseminated some of the most original concepts dealing with women's emancipation and gender theory, and the present volume is the first to situate her thought as a key component within the evolution of Spanish feminism..

Nuria Cruz-Cámara is Professor of Spanish at the University of Tennessee.

Elisabeth Bolorinos Allard

Spanish National Identity, Colonial Power, and the Portrayal of Muslims and Jews during the Rif War (1909-27)

$120.00

How were Moroccan Muslim and Jewish cultures depicted in Spanish literature, journalism, and photography during the Rif War and what did this portrayal reveal about conflicting visions of Spanish identity?

Runner-up for the 2017-18 AHGBI-Spanish Embassy Publication Prize This book examines how anxieties about colonial power and national identity are reflected in Spanish literature, journalism, and photography of Moroccan Muslim and Jewish cultures during the Spanish colonisation of Northern Morocco from 1909 to 1927. This understudied period, known as the Rif War, is highly significant because of its role in shaping the identities that came into conflict in the Spanish Civil War (1936-39). Furthermore, the book makes a key contribution to Spanish colonial studies by offering a comparative analysis of Spanish representations of the Iberian Peninsula's cultural and historical relationship with Moroccan Muslims and Jews in this context, showing how conflicting visions of Spanish identity are portrayed through and in relation to them.

Spanish National Identity, Colonial Power, and the Portrayal of Muslims and Jews during the Rif War (1909-27)

Frank A. Domínguez

Carajicomedia: Parody and Satire in Early Modern Spain

$240.00

A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.

Since Carajicomedia was published in 1519, it has been largely ignored by critics because of its strong sexual content. The author of Carajicomedia: Parody and Satire in Early Modern Spain believes that it is a sophisticated and complex composition that provides as good a vantage point from which to examine the ideology of the period as does La Celestina.
In their poems, the writers of Carajicomedia inadvertently reveal thedeep worries of the knights and nobles who opposed the regencies of Ferdinand the Catholic and Francisco Jiménez de Cisneros pending the arrival of Charles V. Carajicomedia is therefore a harbinger of the War of the Comuneros, the great popular revolt that convulsed Spain in 1520.
In this book's chapters, the author examines the parodic relationship between the text of Juan de Mena's El Laberinto de Fortuna, the glosses of Hernán Núñez's Las Trezientas, and Carajicomedia. He then turns to its actual writers and their settings, and shows how their satirical attitudes towards males, females, and conversos reveals the failure of the societal mechanisms in place to control desire and miscegenation. Carajicomedia: Parody and Satire in Early Modern Spain concludes with a paleographic edition of the text and appendices that contain a modern Spanish version and its Englishtranslation, as well as examine Carajicomedia's language.

Frank A. Domínguez is a professor of medieval Spanish literature and culture at the University of North Carolina at Chapel Hill.

<I>Carajicomedia</I>: Parody and Satire in Early Modern Spain

Karen Wooley Martin

Isabel Allende's House of the Spirits Trilogy

$120.00

The source of the narrative energy that creates such absorbing stories.

Allende's very popular novels have attracted both critical approval and opprobrium, often at the expense of genuine analysis. This sophisticated study explores the narrative architecture of Allende's House of the Spirits [1982], Daughter of Fortune [1999], and Portrait in Sepia [2000] as a trilogy, proposing that the places created in these novels subvert the patriarchal norms that have governed politics, sexuality, and ethnicity.
Rooted in the Foucauldian premise that the history of space is essentially the history of power, and supported by Susan Stanford Friedman's cultural geographies of encounter as well as Gloria Anzaldúa's study of borderlands, this study shows that, by rejecting traditional spatial hierarchies, Allende's trilogy systematically deterritorializes the elite while shifting the previously marginalized to the physical and thematic centers of her works. This movement provides the narrative energy which draws the reader into Allende's universe, and sustains the 'good story' for which she has been universally acclaimed.

KAREN WOOLEY MARTIN is Associate Professor of Spanish at Union University, Jackson, Tennessee.

Isabel Allende's <I>House of the Spirits</I> Trilogy

Conrad Michael James

Filial Crisis and Erotic Politics in Black Cuban Literature

$120.00

An affective reading of twentieth-century Afro-Cuban literature focussing on a set of concerns ranging from the filial to the erotic.

This book proposes an affective reading of twentieth-century Afro-Cuban literature through its focus on a set of concerns ranging from the filial to the erotic. Existing scholarship on black Cuban literature tends to privilege national political and economic discourses often focusing solely on the dynamics of race in the Revolution and the place of the black writer/artist within the nation's cultural institutions. And while there is substantial engagementwith feminist and queer articulations of desire within Cuban literary studies, there remains an urgent need for a sustained analysis of black Cuban writing which investigates its preponderant concerns with themes of family, love and erotic politics-a need fully addressed in this timely book.

CONRAD MICHAEL JAMES is Associate Professor of World Cultures and Literatures at the University of Houston.

Filial Crisis and Erotic Politics in Black Cuban Literature

Stephen Parkinson

A Companion to Portuguese Literature

$120.00

An essential chronological framework for students of Portuguese literature.

This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some ofthe most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is unashamedly canonical rather than thematic in its examination of central authors and periods, without neglecting female writers. In this way it provides basic reference materials for students beginning the study of Portuguese literature, and for a wider audience looking for general or specific information. The editors have made a principled decision to exclude both Brazilian and African literature, which demand separate treatment.

STEPHEN PARKINSON, CLAUDIA PAZOS ALONSO and T. F. EARLE are all members of the Sub-Faculty of Portuguese at the University of Oxford.
CONTRIBUTORS: Vanda Anastácio, Helena Carvalhao Buescu, Rip Cohen, T. F. Earle, David Frier,Luís Gomes, Mariana Gray de Castro, Helder Macedo, Patricia Odber de Baubeta, Hilary Owen, Stephen Parkinson, Cláudia Pazos Alonso, Juliet Perkins, Teresa Pinto Coelho, Phillip Rothwell, Mark Sabine, Claire Williams, Clive Willis.

Leticia Villamediana González

Anglomanía

$120.00

Este libro ofrece la primera revisión en forma de volumen monográfico de las transferencias culturales de Gran Bretaña a España en el siglo XVIII.

A close reading of the cultural exchanges between England and Spain in the18th century as seen in the periodical press.

Este libro ofrece la primera revisión en forma de volumen monográfico de las transferencias culturales de Gran Bretaña a España en el siglo XVIII, centrándose en particular en el género más novedoso del setecientos, la pódica. Para ello, explora el fenómeno hasta ahora difuso de la anglomanía - moda de las ideas, influencias y estilos ingleses que dominó la Europa del setecientos - y su fenómeno opuesto, la anglofobia, en tres tipos de prensa bien diferenciados, todo ello en conjunción con la propia coyuntura nacional y el programa de reformas borbónico. Además, esta obra enfatiza la labor de estos periodistas y periódicos, así como sus conexiones con el poder, a la vez que los sitúa como agentes fundamentales de esa red europea de intercambios materiales e intelectuales que sustentó la República de las Letras. Con todo ello, este volumen contribuye a la serie de debates dedicados a la reevaluación de la Ilustración española que buscan situarla en el mapa de las Luces Europeas de entonces y de ahora.

LETICIA VILLAMEDIANA GONZÁLEZ es Profesora Titular en el Departamento de Modern Languages and Cultures, University of Warwick.

This book constitutes the first monographic study of the cultural transfers from Great Britain to Spain through 18th-Century periodical press, one of the most innovative genres of the period. It exploresthe notion of anglomania - the craze for all things English which spread throughout all Europe - and its reactive phenomenon, anglophobia, offering a contextualised analysis of the transmission, reception and adaptation of BritishEnlightened ideas and reforms in three different types of Spanish periodicals. In so doing, this volume brings to the fore the work of some understudied writers and journalists and situates these important periodicals and their connections to power as a key part of a wider European context of material and intellectual exchanges that sustained the Republic of Letters. This in turn, contributes to recent scholarship arguing for a central place of Spain in the intellectual map of the Enlightenment.

LETICIA VILLAMEDIANA GONZÁLEZ is a Senior Teaching Fellow in Hispanic Studies at the University of Warwick.

Cover image for Anglomanía, isbn: 9781855663336

Iker González-Allende

Epistolario de Pilar de Zubiaurre (1906-1970)

$115.00

Este libro consiste en la edición de 188 cartas inéditas que, desde 1906 hasta 1970, Pilar de Zubiaurre escribió y mayormente recibió de numerosos intelectuales y artistas del ámbito hispánico, desde José Ortega y Gassetobia Camprubí y María Martos de Baeza. ENGLISH VERSION A compilation of 206 unpublished letters written by Pilar de Zubiaurre from 1906 to 1970 to many Hispanic intellectuals and artists, ranging from José Ortega y Gasset toZenobia Camprubí and María Martos de Baeza.

Este libro consiste en la edición de 188 cartas inéditas que, desde 1906 hasta 1970, Pilar de Zubiaurre escribió y mayormente recibió de numerosos intelectuales y artistas del ámbito hispánico, desde José Ortega y Gassetobia Camprubí y María Martos de Baeza. El volumen se divide en tres apartados organizados cronológicamente: cartas de juventud, cartas durante la Guerra Civil y cartas durante el exilio. En la primera de estas secciones se apreciala activa vida cultural española durante los años veinte y treinta, incluyendo numerosas misivas de pintores y escritores. La segunda sección revela los esfuerzos propagandísticos de los intelectuales republicanos durante la guerra, así como las dificultades de la vida cotidiana. Finalmente, la tercera sección, la más amplia del libro, recoge cartas de otros exiliados como Gonzalo Rodríguez Lafora, cartas que Zubiaurre recibe desde España de familiares yamigos, y cartas de intelectuales americanos como Susana Huntington. Sobresalen las cartas de amigas como Camprubí y Martos de Baeza porque muestran cómo durante el exilio las mujeres mantuvieron viva la memoria republicana y trazaron puentes de comunicación entre España y las comunidades de exiliados en América.

Iker González-Allende es profesor titular de literatura española y de estudios de mujeres y género en la Universidad de Nebraska-Liln.

Epistolario de Pilar de Zubiaurre (1906-1970)

Steven Boldy

A Companion to Jorge Luis Borges

$29.99

An introduction to one of Latin America's most important authors.

Jorge Luis Borges is one of the key writers of the twentieth century in the context of both Hispanic and world literature. This Companion has been designed for keen readers of Borges whether they approach him in English orSpanish, within or outside a university context. It takes his stories and essays of the forties and fifties, especially Ficciones and El Aleph, to be his most significant works, and organizes its material in consequence. About two thirds of the book analyzes the stories of this period text by text. The early sections map Borges's intellectual trajectory up to the fifties in some detail, and up to his death more briefly. They aim to provide anaccount of the context which will allow the reader maximum access to the meaning and significance of his work and present a biographical narrative developed against the Argentine literary world in which Borges was a key player, the Argentine intellectual tradition in its historical context, and the Argentine and world politics to which his works respond in more or less obvious ways.

STEVEN BOLDY is Reader in Latin American Literature at the University of Cambridge.

Ángela Dorado-Otero

Dialogic Aspects in the Cuban Novel of the 1990s

$130.00

The author analyses six novels of the "boom" in Cuban fiction of the 1990s that subvert homogenized views of Cuban identity.

This book examines six Cuban novels published between 1991 and 1999, all part of the new "boom" of the Cuban novel in the 1990s. It analyses how in undermining monolithic representations of reality these texts employ discursive techniques that question absolute truths, defy established boundaries of literary genres and challenge concepts of national, gender and individual identity. The authors studied in this book---Reinaldo Arenas, Leonardo Padura Fuentes, Abilio Estévez, Daína Chaviano, Yanitzia Canetti, and Zoé Valdés---are placed beyond the dichotomy of outside and inside Cuba in order to focus on the fluidity and heterogeneity of Cuban culture displayed in its literature. This study establishes similarities and differences in the way these authors create polyphonic texts that question whether notions of country and nation coincide in novels that respond to economic hardship, political and social changes, issues of cubanía, and exile.

Ángela Dorado-Otero is Postdoctoral Research Fellow in Iberian and Latin American Studies at Queen Mary University of London.

Dialogic Aspects in the Cuban Novel of the 1990s

Rafael Sánchez Martínez

El teatro en Murcia en el siglo XVII (1593-1695)

$105.00

El primer estudio serio del teatro del siglo XVII en Murcia.

Este libro, basado en abundante documentación de archivo, es el primer estudio serio del teatro del siglo XVII en Murcia. El autor se centra en los primeros teatros comerciales de la ciudad. El más antiguo, situado en un patio delHospital de Nuestra Señora de Gracia, está documentado desde 1593. Fue sustituido en 1609 por el Teatro del Toro, construido por el Ayuntamiento en un emplazamiento pegado a la antigua muralla del Alcázar, tomando como modelo laCasa de Comedias de Córdoba. El derrumbe parcial de este edificio en 1633 (ya se había hundido en 1613) llevó al Municipio a construir apresuradamente otro teatro, el del Buen Suceso, en la céntrica plaza de Santa Catalina; pero cinco años después, ante los problemas estructurales del nuevo teatro, se decidió restablecer definitivamente el del Toro. El volumen ofrece asimismo numerosos datos sobre las compañías de actores que visitaron esta ciudad mediterránea, situada estratégicamente entre Valencia y Andalucía.

RAFAEL SANCHEZ MARTINEZ es Doctor por la Universidad de Murcia.

El teatro en Murcia en el siglo XVII (1593-1695)

Lluís Cabré, Alejandro Coroleu Montserrat Ferrer, Albert Lloret and Josep Pujol

The Classical Tradition in Medieval Catalan, 1300-1500

$130.00

The first comprehensive study of the reception of the classical tradition in medieval Catalan letters.

This book offers the first comprehensive study of the reception of the classical tradition in medieval Catalan letters, a multilingual process involving not only Latin and Catalan, but also neighbouring vernaculars like Aragonese,Castilian, French, and Italian. The authors survey the development of classical literacy from the twelfth-century Aragonese royal courts until the arrival of the printing press and the dissemination of Italian Humanism. Aimed atstudents and scholars of medieval and early modern Iberia - and anyone interested in medieval Romance literatures and the classical tradition - this volume also provides a concise introduction to the medieval Crown of Aragon, a catalogue of translations into Catalan of texts from classical antiquity through the Italian Renaissance, and a critical study of the influence of the classics in five major works: Bernat Metge's Lo somni, Joanot Martorell'sTirant lo Blanc, the anonymous Curial e Güelfa, Ausiàs March's poetry, and Joan Roís de Corella's prose.

Lluís Cabré is associate professor of medieval Catalan literature at the Universitat Autònoma dercelona; Alejandro Coroleu is ICREA research professor of Renaissance Humanism at the Universitat Autònoma de Barcelona; Montserrat Ferrer is a research associate at the Universitat Autònoma de Barcelona; Albert Lloret is associate professor of Spanish and Catalan at the University of Massachusetts Amherst; Josep Pujol is associate professor of medieval Catalan literature at the Universitat Autònoma de Barcelona.

The Classical Tradition in Medieval Catalan, 1300-1500

Isabel Torres

Love Poetry in the Spanish Golden Age

$120.00

Love poetry in the Spanish Golden Age redefines the lyric poetry that is located at the centre of Imperial Spanish culture's own self-image and self-definition.

This work engages with a broader evaluation of early modern poetics that foregrounds the processes rather than the products of thinking. The locus of the study is the Imperial 'home' space, where love poetry meets early modern empire at the inception of a very conflicted national consciousness, and where the vernacular language, Castilian, emerges in the encounter as a strategic site of national and imperial identity. The political is, therefore, a pervasive presence, teased out where relevant in recognition of the poet's sensitivity to the ideologies within which writing comes into being. But the primary commitment of the book is to lyric poetry, and to poets, individually and intheir dynamic interconnectedness. Moving beyond a re-evaluation of critical responses to four major poets of the period (Garcilaso de la Vega, Herrera, Góngora and Quevedo), this study disengages respectfully with the substantialbody of biographical research that continues to impact upon our understanding of the genre, and renegotiates the Foucauldian concept of the 'epistemic break', often associated with the anti-mimetic impulses of the Baroque. This more flexible model accommodates the multiperspectivism that interrogated Imperial ideology even in the earliest sixteenth-century poetry, and allows for the exploration of new horizons in interpretation.

Isabel Torres isProfessor of Spanish Golden Age Literature and Head of Spanish and Portuguese Studies at Queen's University, Belfast.

Sergio Rivera-Ayala

El discurso colonial en textos novohispanos: espacio, cuerpo y poder

$120.00

Nuevas perspectivas sobre etnicidad, género, subjetividad europea, y construcción de geografías coloniales.

El discurso colonial en textos novohispanos se apoya en trabajos recientes sobre el análisis del discurso y la crítica de la representación que se están desarrollando en áreas como antropología, historia, y geografía cultural. Al analizar una gran variedad de textos, tales como el Diario de Colón, la Lettera de Vespucio, el Alboroto y motín de Sigüenza y Góngora, el México en 1554 de Cervantes de Salazar, la Grandeza mexicana de Balbuena, y la Historia antigua de México de Clavijero, traza los orígenes y usos del saber geopolítico desde la época clásica hasta el siglo XVIII novohispano, para aportar nuevas perspectivas sobre etnicidad, género, subjetividad europea, y construcción de geografías coloniales.

Este libro mira los movimientos de ideas más allá de las fronteras espaciales y temporales, e identifica la percepción europea del cuerpo americano como un cuerpo abyecto, que desestabiliza el sistema, la identidad y el orden, y explora la relación del cuerpo y del espacio como una continuidad de las prácticas y las representaciones estratégicas del discurso colonial, enfocándose en la construcción de la identidad, y en las definiciones de las fronteras físicas y culturales. Este estudio va más allá de las lecturas previas, y sugiere nuevas direcciones para el análisis e interpretación de la espacialidad, corporalidad y agencia en la America española colonial.

SERGIO RIVERA-AYALA es profesor en la Universidad de California, Riverside.

El discurso colonial en textos novohispanos: espacio, cuerpo y poder

Cristina Moya

Juan de Mena

$130.00

A collection of essays by leading scholars that examine the two facets of Juan de Mena's life as lawyer and poet.

Este libro reúne un número significativo de artículos que suponen una aportación ciertamente notable a la bibliografía disponible hasta la fecha. Juan de Mena: de letrado a poeta recoge dieciséis trabajos en los que se estudifigura y su obra desde perspectivas distintas pero complementarias que abren nuevas líneas de investigación o bien enriquecen otras ya existentes.
El libro está estructurado en tres grandes bloques temáticos: el primero de ellos se dedica al contexto histórico de Juan de Mena. El segundo gira en torno a la configuración del poeta, atendiendo a la conciencia autorial de Mena y a los recursos literarios que emplea. El tercero y último está dedicado a latransformación del 'famosíssimo poeta Juan de Mena' en un clásico.

Cristina Moya García es profesora en la Universidad de Córdoba. This book contains several studies reviewing the two facets of Juan de Mena's life as lawyer and poet. These contributions open up new lines of research on this important early-fifteenth-century Castilian writer and enrich some existing ones, studying Juan de Mena from different perspectives.
The book is structured into three thematic blocks: The first is devoted to the historical context of Juan de Mena. The second section focuses on the configuration of the poet. The third and final part is dedicated to the transformation of"famosíssimo poeta Juan de Mena" into a classic author.

Cristina Moya García is a professor at the Universidad de Córdoba.

Contributors: Federica Accorsi, Carlos Alvar, Linde M. Brocato, Francisco de Paula Cañas Gálvez, Daniela Capra, Juan Luis Carriazo Rubio, Antonio Cortijo Ocaña, Sila Gómez Álvarez, Ángel Gómez Moreno, Daniel Hartnett, Julián Jiménez Heffernan, Maxim Kerkhof, Françoise Maurizi, Cristina Moyérez, Pedro Ruiz Pérez, Julian Weiss

Lindsay G. Kerr

Luis de Góngora and Lope de Vega

$120.00

Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.

Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland

Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating the correlations and connections between two poets who have more often than not been presented as enemies.The analysis follows the parallel development of the complex parodic genre through Góngora's late mythological parody, from his 1589 Hero and Leander romance through to his culminating parody, La fábula de Píramo y Tisbe (1618) and Lope de Vega's alter ego Tomé de Burguillos, whose anthology, Rimas humanas y divinas del licenciado Tomé de Burguillos, was published a year before Lope's death, in 1634. Working from the premise that parody provides a Derridean supplément to exhausted, dominant genres (e.g. pastoral, lyric, epic), this study asks: what do these texts achieve by their supplementarity, and how do they achieve it?, and, the overarching question, why do these erudite poets turn to parody in an age of decline?

Lindsay Kerr received her PhDin Spanish at Queen's University Belfast.

David Jiménez Torres

Ramiro de Maeztu and England

$120.00

A major contribution to our understanding of intellectual exchanges between Britain and Spain in the early twentieth century.

Ramiro de Maeztu was one of the most influential Spanish intellectuals of the early twentieth century, as well as the first foreign correspondent for the Spanish press to be based in London. This book argues for the importance that his relationship with England had on both his intellectual trajectory and on the culture and politics of Spain during this time. Particular attention is devoted to Maeztu's London period (1905-1919), which provides a fascinatinginsight into how Spaniards of the time perceived not just Britain but Western Europe as a whole. Against prevailing interpretations, this book argues that Maeztu's conservative evolution, and his growing Catholicism and Spanish nationalism, were a direct result of his immersion in Edwardian currents of thought. This in turn casts new light on the influence that Britain exerted over Spain during this period, and provides fresh insights into the cultural dynamics which led to the Spanish Civil War.

Dr David Jiménez Torres is associate lecturer at Universidad Camilo José Cela.

Oliver Baldwin

Seneca's Medea and Republican Spain

$130.00

Based on extensive archival research and containing rare and previously unpublished photos, this book provides the most detailed reconstruction ever of one of the most important events in Spanish theatrical history.

Winner of the 2019-20 AHGBI-Spanish Embassy Publication Prize

On 18 June 1933, one of the most important events in Spanish theatrical history took place before an audience of 3,000 spectators in the ruins of the Roman Theatre in Mérida. Translated into Spanish by philosopher Miguel de Unamuno, staged by the renowned Xirgu-Borràs Company and funded by the government, the performance of Seneca's Medea was a triumph of republican culture and widely hailed for its new dramatic and scenic languages.

This book provides the most detailed reconstruction of this pivotal production to date, setting it in context and analysing its origin and legacy. Early twentieth-century intellectuals considered Seneca, 'the philosopher from Córdoba', the epitome of Spanishness and the first in an illustrious line of playwrights stretching from Spain's Roman Antiquity to its Silver Age. His play was seen as the ideal vehicle to showcase the Second Spanish Republic's cultural, social and educational agenda but provoked a furious backlash from opponents to the government's progressive programme. The book shows how the performance became a cultural ritual which stood at the centre of critical discussions on national identity, politics, secularism, women's rights and new European aesthetics of theatre-making. Based on extensive archival research and containing rare and previously unpublished photos, it will be of interest to theatre historians, scholars of Classical Reception and historians of the Second Spanish Republic.

Seneca's <i>Medea</i> and Republican Spain

Susan Paun de García, Donald R. Larson

The Comedia in English

$130.00

How should a seventeenth-centry Spanish verse play be presented to a contemporary English-speaking audience?

For many reasons, but most usually the lack of playable modern translations, the plays of the seventeenth-century Spanish Comedia have appeared infrequently on the stages of the English-speaking world. Once such translations began to appear in the final decades of the twentieth century, productions followed and audiences were once again given the opportunity of discovering the enormous riches of this theatre.
The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be "faithful"? Which kinds of plays "work", and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance? Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for "authenticity" in staging? And so on.
In this volume, a distinguished group of translators, directors, and scholars explores these and related questions in illuminating and thought-provoking essays.

EDITORS: Susan Paun de García and Donald Larson are Associate Professors of Spanish at the Universities of Denison and Ohio State respectively. OTHER CONTRIBUTORS: Isaac Benabu, Catherine Boyle, Victor Dixon, Susan Fischer, Michael Halberstam, David Johnston, Catherine Larson, A. Robert Lauer, Dakin Matthews, Anne McNaughton, Barbara Mujica, James Parr, Dawn Smith, Jonathan Thacker, Sharon Voros

Silvia Roig

Aurora Bertrana

$170.00

Ganador del Premio de Monografía Crítica Victoria Urbano 2015

Winner of the 2015 Premio de Monografía Crítica Victoria Urbano

Silvia Roig explores the narrative of Aurora Bertrana (1892-1974), an unknown writer today, but a successful and recognized female author in Catalonia and Spain during the 20th century. Aurora Bertrana's works are almost never mentioned in manuals of literature. Her rich, intellectual work has not received the attention it deserves, relegated almost to absolute oblivion. The author reviews and studies twenty-four of Bertrana's novels written in Catalan andSpanish, including: Ariatea (1960), "El pomell de les violes" (MS), L'inefable Philip (MS), La aldea sin hombres (mn.), La madrecita de los cerdos (MS), Entre dos silencis (1958), La ninfa d'argila (1959), Fracàs (1966) and La ciutat dels joves: reportatge fantasia (1971). She studies her work, published and unpublished, from a feminist approach, taking into account the intellectual history of Spain and Catalonia. Bertana's strong commitment to social issues reveals her association with the Modernist and Noucentists trends of her time. Bertrana's novels reveal a unique interest in non-Western cultures and lifestyles and her work undertakes controversial topics and socio-cultural issues, while she observes and draws special attention to the situation of women in different circumstances and cultural geographies. This book is therefore anchored on interpretive and theoretical parameters that intersect with consideration of gender, such as travel-and-gender and war-and-gender. Roig uses the work of feminists such as Simone De Beauvoir, Shulamith Firestone, Jelke Boesten, Margaret and Patrice Higonnet,Michelle Zimbalist Rosaldo and Julia Kristeva to help assess Bertrana's engagement with gender and socio-political issues. This approach is particularly well suited for a writer like Bertrana, a Catalan and Republican intellectual woman forced into self-exile during the Spanish Civil War and the dictatorship of Francisco Franco. Silvia Roig is a Faculty Member, BMCC Department of Modern Languages, The City University of New York.

Imogen Choi

The Epic Mirror

$120.00

How did Spanish-American writers and veterans in the late sixteenth and early seventeenth century use epic poetry to search for ethical solutions to the violent conflicts of their age?

Winner of the 2017-18 AHGBI-Spanish Embassy Publication Prize

The Epic Mirror studies how Spanish-American writers and veterans in the late sixteenth and early seventeenth century used epic poetry to search for ethical solutions to the violent conflicts of their age. The wars about which they wrote took place at the frontiers of the Spanish empire, where new political communities were emerging: fiercely independent Amerindian republics, rebellious Spanish settlers, maroon kingdoms of fugitive African slaves. This colonial reality generated a distinctive vision of just warfare and political community.

Working across the fields of Hispanic literature, the history of political thought, and studies of empire, colonialism and globalisation, Choi reinterprets three major works of colonial Latin American literature: Alonso de Ercilla's La Araucana (1569-90), Pedro de Oña's Arauco domado (1596), and Juan de Miramontes Zuázola's Armas antárticas (1608-9). She argues that these works provide a rare insight into the development of political thought in Viceregal Peru. Through the imaginative mirrors of epic, the reader is forced to ask the same questions of the unfinished conquests of the Americas as of those in Africa, Asia or Europe: when conflicting forces are divided by irreconcilable world views, even if the war is won, how is it possible to achieve peace?

Crystal Anne Chemris

The Spanish Baroque and Latin American Literary Modernity

$120.00

This book aims to develop a broader view of the trajectory of Hispanic modernity, tracing a motif of recurring impasse, first seen in peninsular Baroque texts and continuing into Latin American colonial and modern literature.

Inspired by Walter Benjamin's notion of constellation, this book draws on theories of Latin American modernity to investigate the Spanish literary Baroque and its repetitions as a historical-cultural predicament in Latin American colonial and modern texts. Inca Garcilaso, Borges, Carpentier, Rulfo, Darío and a range of Latin American "Post-Symbolist" poets (Agustini, Pizarnik, Sosa, Lienlaf and Huinao) are juxtaposed with the Lazarillo, the Quijote, Fuenteovejuna and Góngora's Soledades to produce original readings on topics of violence, rape, frustrated pilgrimage, and the truncated ambitions of colonized peoples and confessional minorities. In turn, Benjamin is juxtaposed with Mallarmé to recast the aesthetic dynamics of modernity in political terms, in order to understand the Baroque within a more broadly historicized concept of the avant-garde. Generous in scope, this book addresses the community of Spanish and Latin American criticism as well as emerging and pressing theoretical concerns within the field of comparative literature.

The Spanish Baroque and Latin American Literary Modernity

Lola Badia

Ramon Llull as a Vernacular Writer

$170.00

The authors maintain that Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized the production and dissemination of his writings in a creative and unconventional fashion.

Ramon Llull (1232-1316), mystic, missionary, philosopher and author of narrative and poetry, wrote both in Latin and in the vernacular claiming he had been given a new science to unveil the Truth. This book shows why his Latin andvernacular books cannot be read as if they had been written in isolation from one another. Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized theproduction and dissemination of his writings in a creative and unconventional fashion. At a time when learned texts and university culture were conveyed for the most part using the vehicle of Latin, he wrote a substantial proportion of his theological and scientific works in his maternal Catalan while, at the same time, he was deeply involved in the circulation of such works in other Romance languages. These circumstances do not preclude the fact that a considerable number of the titles comprising his extensive output of more than 260 works were written directly in Latin, or that he had various books which were originally conceived in Catalan subsequently translated or adapted intoLatin.

Lola Badia is a professor in the Catalan Philology Departament at the University of Barcelona.

Joan Santanach is Lecturer of Catalan Philology at the University of Barcelona.

Albert Soler (1963) is Lecturer of Catalan Philology at the University of Barcelona.