Name: Discovering China
Brand: Julia Ching
Price: 120.0 USD
Availability: InStock

Julia Ching

Discovering China

$120.00

Studies of the reaction of European thinkers of the Enlightenment - Leibniz, Wolff, Hegel, Kant, et al -to Chinese culture and ideas.

From the late sixteenth century on, with the sending of Jesuit missionaries to China, the West had the fortune of receiving first-hand reports about China from educated persons trained in the philosophy and sciences of the day. What these men said and wrote stirred some leading minds in Europe, among them Leibniz, Wolff and Kant. The essays in this volume, studies of what Western thinkers in the Enlightenment said and wrote about China, are important for everyone interested in East-West intellectual exchanges, for the ideas and prejudices of the shapers of the Western mind continue to the present day to influence Western relations with China.

Contributors: Walter W. Davis, Knud Lundbaek, Arnold H. Rowbotham, David E. Mungello, Daniel J. Cook, Henry Rosemont Jr., Donald F. Lach, Johanna M. Menzel, R.C. Bald, Arthur F. Wright.

Christopher Anderson

Karl Straube (1873–1950)

$240.00

The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape.

In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.
Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.

David Cantor

Cancer, Research, and Educational Film at Midcentury

$39.95

The story of a forgotten health education film, Challenge: Science Against Cancer (1950), and what it tells us about mid-twentieth century North American cancer research, medical filmmaking, and health education campaigns.

In 1949 the U.S. National Cancer Institute (NCI) and the Canadian Department of National Health and Welfare (DNHW) commissioned a film, eventually called Challenge. Science Against Cancer, as part of a major effort to recruit young scientists into cancer research. Both organizations feared that poor recruitment would stifle the development of the field at a time when funding for research was growing dramatically. The fear was that there would not be enough new young scientists to meet the demand, and that the shortfall would undermine cancer research and the hopes invested in it. Challenge aimed to persuade young scientists to think of cancer research as a career.

This book is the story of that forgotten film and what it tells us about mid-twentieth century American and Canadian cancer research, educational filmmaking, and health education campaigns. It explores why Canadian and American health agencies turned to film to address the problem of scientist recruitment; how filmmakers turned such recruitment concerns into something they thought would work as a film; and how information officers at the NCI and DNHW sought to shape the impact of Challenge by embedding it in a broader educational and propaganda program. It is, in short, an account of the important, but hitherto undocumented, roles of filmmakers and information officers in the promotion of post-Second World War cancer research.

This book is openly available in digital formats, under Creative Commons license CC BY-ND, thanks to a generous grant from the Andrew W. Mellon Foundation.

Cancer, Research, and Educational Film at Midcentury

Professor Paul Ugor

Youth and Popular Culture in Africa

$170.00

Explores the range of vibrant cultural production and political activism of youth in Africa today, as expressed through art, music, theater, and online media.

This edited collection focuses on the links between youth and African popular culture. Contributions by a distinguished group of scholars explore popular culture produced and consumed by young people in contemporary Africa. Essays cover a variety of cultural representations--visual, oral, written, performative, fictional, social, and virtual--created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public and shared locally and globally. The volume examines the range of music, art, and media African youth produce, under what conditions or contexts they produce such work, and the aesthetic dimensions of these texts as cultural artifacts. Essays further explore why these textual practices matter as social facts, as interpretive acts, and as symbols of the cultural activism of young people in a rapidly changing world—a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems.

Julia Dokter

Tempo and Tactus in the German Baroque

$190.00

Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.

Before the advent of the metronome ca. 1800, there was little in the way of a standardized, commonly accessible method for precisely communicating how fast musical compositions should be performed. Instead of absolute time (that is, plottable on a metronome), Baroque musicians developed notational cues for relative speed: this was accomplished primarily through combinations of time signatures and note values. Julia Dokter's Tempo and Tactus in the German Baroque helps decode these tempo cues for modern performers.

Part 1 investigates metric theory in music treatises from roughly 1600 to 1790. Parts 2 and 3 explore the organ scores of pivotal composers such as J. S. Bach, Dieterich Buxtehude, Matthias Weckman, and Nicolaus Bruhns, and present case studies demonstrating how Baroque tempo indications may interact in performance situations.

Readers will discover how Baroque musicians modified the Renaissance mensural system to incorporate tempo shifts; how the various duple, triple, and compound meters interrelated; how the technical display of stylus phantasticus writing affected tempo; how tempo words (such as allegro) functioned; and how the choice of performing forces-chorus, solo keyboard, and so on-could affect the way tempo was notated.

By addressing questions of tempo fundamental to German Baroque music, this book lays important groundwork for organists and for performers of other instrumental music of this period.

Eva Rieger

Minna Wagner

$170.00

This biography of Minna Planer, Richard Wagner's wife of 30 years, reveals her as a self-assured woman and artist who was vital to her husband's creative life.

When Richard Wagner first met Minna Planer in 1834, he was an unknown conductor, she a popular actress. His hectic pursuit of her affections culminated in marriage in 1836. Minna endured poverty with him, nursed him through chronic illness, followed him across Europe as he fled from creditors and pursued his artistic goals, and sought to provide him with the stable domestic and erotic life that he craved. He played his works to her as he wrote them, up to Tannhäuser and Lohengrin, and set store by her opinions. But when he went on the run as a wanted revolutionary, Minna only reluctantly followed him into Swiss exile.

Domestic peace tentatively prevailed, but was ultimately destroyed by Wagner's passion for Mathilde Wesendonck. In 1858, he and Minna separated, she returned home to Germany, and subsequent efforts at reconciliation proved ultimately impossible. They remained married, however, until Minna's death in 1866.

Despite having been at Richard's side as he matured into the composer of the Ring and Tristan, Minna has been given short shrift by most Wagner commentators. In Eva Rieger's acclaimed biography, translated into English by Chris Walton, the author reveals Minna as a self-assured woman and artist who played a crucial role in the creative life of her husband.

Jennifer Battaglia

The Reflector

$29.95

Incorporates etymology, history, art, drawing, and reflective writing to support medical students in the integration of the science and humanity of anatomy.

A comprehensive and holistic understanding of human anatomy is foundational to the care of patients. The Reflector is an innovative and interdisciplinary approach to the learning of human anatomy; it incorporates etymology, history, art, drawing, and reflective writing to integrate the learning of anatomical structures with the nonanatomical curriculum of the anatomy lab, thus establishing the foundation for a biopsychosocial approach to medicine. To develop visual skills, this work features drawings that illustrate the original inspirations for anatomical terminology while also providing the space to artistically reimagine these structures. Together, these activities enhance the comprehension and retention of anatomical information for application in medical sciences. The Reflector employs thought-provoking questions that emphasize humanity in anatomy, in order to prompt consideration of the anatomical structures beyond basic science. Reflecting on the experiences of anatomical dissections, specifically in relation to development of habits of mind necessary for patient- and family-centered care, continually connects students to the purpose of their studies - to become a knowledgeable, compassionate, self-aware, reflective, and skilled member of a healing profession.
Edited by a medical student with a Master's of Science degree in Medical Humanities; an anatomical science faculty member dedicated to the holistically educated medical provider; an expert in visual learning and self-reflection; and a bioethicist, The Reflector is a valuable resource for all who want to understand the human in human anatomy.

Ama Oforiwaa Aduonum

Walking with Asafo in Ghana

$45.95

WINNER: Society for Ethnomusicology - 2024 Nketia Book Prize

The first full-length study of the musical pasts of Asafo warrior associations based on the author's "ways of walking" with local scholars along the Ghanaian littoral.

What is Asafo ndwom (music)? How and when is it performed? What is the state of this warrrior tradition that once served as the bedrock of the Akan, Ewe, and Ga societies in Ghana? How does Asafo enact the past and serve as an archive for the people? In an attempt to answer these questions, Walking with Asafo in Ghana investigates the musical pasts of Asafo. The book is an ethnography of walking, organized into eight chapters. Each chapter ends with a piece of creative writing in the author's "ethnographic voice," in which she sums up the main ideas. It is Aduonum's attempt at an anticolonial and decolonialist African musicology, one that subverts and decenters white racial framing of research, analysis, and presentation, disrupting how Euro-American concepts frame our ways of telling and experiencing ndwom.

Aduonum's goal on this trajectory is to tell her story, create something new, and chart a new path. Through this fluid and complex book, she repositions African Elders' knowledge as "epistemologies of decolonization and de-coloniality" and centers the stories shared by local Fante scholars. The text is polyvocal, multimodal, multiperspective, performative, reflexive, and dialogic, informed by the structure of Asafo ndwom, appellations, proverbs, her mentors' tellings, and "embodied" calling and responding. It is a performative scholarly discourse, ndwom-based: a performance. As a celebration of Asafo, those warriors who insisted their lives matter, the text is meant to be read and performed.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

Mark Ain

Not Just in Time

$29.95

How a tiny start-up slayed an industry giant before redefining the way workers are managed around the globe.

This book recounts a success story rooted in one individual's desire to embrace his entrepreneurial spirit and forge his own company. Mark Ain led Kronos Incorporated from concept to the basements and garages of its early core team to a soot-filled ironworks foundry, and from there to its eventual role as a multi-billion-dollar global leader in an industry it refined, then redefined, and ultimately led. The story of Mark Ain and Kronos holds inspiration and insight for any aspiring entrepreneur.
The tale starts not in a boardroom, but with Mark's early upbringing, where his adventurous spirit and fearless nature readied him to be both a risk-taking business pioneer and a leader who recognized the need to take a nontraditional approach to team building, prioritizing fit over resumes and potential over past accomplishments. The result was a company that could and would truly stand the test of time.
His guiding philosophy of "If it isn't broke, fix it anyway!" applied in equal measure to the products and solutions Kronos provided to its ever-expanding customer base and to the way the company was structured and operated to consistently reinvest in its employees.
Kronos, today known as the Ultimate Kronos Group, is now a multi-billion-dollar global organization of almost 13,000 employees. And Mark, the epitome of a triumphant business creator, has decided the time is right to share his own experiences to inspire a next generation of like-minded visionaries.

Jeffrey R. Watt

The Consistory and Social Discipline in Calvin's Geneva

$36.95

Examines the most successful institution of social discipline in Reformation Europe: the Consistory of Geneva during the time of John Calvin

Created by John Calvin, the Consistory of Geneva was a quasi-tribunal entrusted with enforcing Reformed morality. Comprised of pastors and elders, this body met weekly and summoned people for a wide range of "sinful" behavior, such as drunkenness, dancing, blasphemy, or simply quarrels, and was a far more intrusive institution than the Catholic Inquisition. Among the thousands summoned during Calvin's ministry were a pair of women who were allegedly prophets, boys who skipped catechism to practice martial arts, and a good number of people begging for forgiveness for having renounced Protestantism out of fear of death.

This superbly researched book, reflecting author Jeffrey Watt's career-long involvement in the ongoing project of transcribing, editing, and publishing the Consistory records, is the first comprehensive examination of this morals court and provides a window into the reception of the Reformation in the so-called Protestant Rome. Watt examines the role of the Consistory in upholding patriarchy, showing that while Genevan authorities did not have a double standard in prosecuting illicit sexuality, the Consistory exhorted women to obey even violently abusive husbands. He finds also that Calvin and his colleagues vigorously promoted a strong work ethic by censuring people, mostly men, for laziness, and showed a surprising degree of skepticism toward accusations of witchcraft. Finally, Watt demonstrates convincingly that, while the Consistory encountered some resistance, Genevans by and large shared the ideals it promoted and that it enjoyed considerable success in fostering discipline in Genevan society.

This book is openly available in digital formats, under Creative Commons license CC BY-NC, thanks to a generous grant from the Andrew W. Mellon Foundation.

The Consistory and Social Discipline in Calvin's Geneva

Nicoleta Paraschivescu

The Partimenti of Giovanni Paisiello

$130.00

Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.

Giovanni Paisiello (1740-1816) was one of the most important composers of opera in the eighteenth century. His operas were performed throughout Europe, and his fame led to appointments as a maestro di cappella and composer at prominent European courts. This book is the first study to address his work as a teacher of composition and what we would today call music theory.

The practice of partimento (figured or unfigured bass lines) was an integral part of the training of musicians at the renowned conservatories in eighteenth-century Naples. By employing these often-unprepossessing partimento bass lines, young musicians learned the techniques of variation, improvisation, and composition while seated at the harpsichord.

Paisiello's Regole per bene accompagnare il Partimento (Rules for Harpsichordists; 1782) survives in both autograph and printed forms. It contains forty-six partimenti that have long been considered the core of his pedagogic oeuvre. However, two recently discovered manuscripts contain a further forty-one unknown partimenti, notated as two- and three-part disposizioni (realizations).

The present study offers numerous insights gleaned from the surviving sources and bolsters our understanding of how to perform the music of Paisiello and his contemporaries: music that has often survived in an incomplete form. These findings are relevant not just for keyboard players but also for singers, instrumentalists, and anyone interested in the inner workings of eighteenth- and early nineteenth-century music.

Bonnie S. Wasserman

Coming of Age in the Afro-Latin American Novel

$120.00

Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writers

The centuries-old European genre of the coming-of-age story has been transformed by contemporary Afro-Latin American novelists to address key aspects of the diaspora in various nations of the Caribbean and Latin America. While attention to Afro-Hispanic and Afro-Brazilian literature has increased in recent decades, few critics have focused specifically on the Afro-Latin American Bildungsroman, and fewer still have addressed novels from both Spanish- and Brazilian-speaking regions, as author Bonnie Wasserman does in this study.

The memory and continuing impact of slavery especially shape these coming-of-age stories. Often interwoven with race is a focus on religion, particularly the importance of African folk religions and traditions in the lives of young people. Immigration-and the return journey-is another important theme in the novels.

Coming of Age in the Afro-Latin American Novel discusses works&emdash;all published around the turn of the 21st century&emdash;by such important writers as Dahlma Llanos-Figueroa and Mayra Santos-Febres (from Puerto Rico), Conceição Evaristo and Paulo Lins (from Brazil); Teresa Cardenas and Pedro Pérez Sarduy (from Cuba); and Junot Diaz and Rita Indiana (from the Dominican Republic). Wasserman's far-reaching analysis is both rigorous and compassionate, shedding a clear light on ways in which descendants of Africans have experienced life in the New World.

Coming of Age in the Afro-Latin American Novel

Toyin Falola

Decolonizing African Studies

$155.00

Examines transformational moments and liberation movements in the decolonization of inherited Western academic traditions in Africa.

This book explores how decolonization and decoloniality provide liberationist knowledge to question and replace the hegemony of Western knowledge systems imposed on Africa. It critically examines the silencing and exclusion of subalterns in global knowledge production and the far-reaching implications of this for pedagogy and policy. As global power is concentrated in the global north where Eurocentrism and white supremacy validate the monopoly of knowledge and its centrality and universality, African perspectives continue to be marginalized or excluded in research, creating the problem of misrepresentation of the continent. It is to this challenge that this book has responded&emdash;the urgent need to eliminate the vestiges of colonialism in the academy and research methodologies.

Coloniality is seen not only as a historical phenomenon but also as an ethnocentric continuum, dominating all aspects of present life, especially monopolizing human epistemology, the threshold of human existence, and even development activities. This book provides a balanced overview of what a feasible decoloniality should be. It is all-inclusive, aggregating differing perspectives, including decolonial feminist and LGBTQ thought. It deploys a holistic approach that critiques the limitations to decoloniality, the impediments that culminated in the failure of the late 20th century struggle for decoloniality, and the problems associated with current African resistance to academic decoloniality.

The book closes with a discussion of African futurism. Seen as the advanced stage of decoloniality, African futurism involves the application of "traditional" (indigenous) instruments of articulation and cohesion such as Afro-spirituality, myths, folklore, and indigenous techno-scientific innovations, deployed in their capacity to drive, harness, and actualize future possibilities.

John Aloisi

Augustus Hopkins Strong and the Struggle to Reconcile Christian Theology with Modern Thought

$29.99

At the end of the nineteenth century Augustus Hopkins Strong worked to bring modernists and traditional Christians together but found the task more difficult than many imagined.

In the wake of the publication of Darwin's Origin of Species in 1859, Christianity, or at least many people's understanding of Christianity, was evolving. The rising popularity of Darwinism combined with the pervasive influence of German idealism began forcing many professing Christians to rethink the faith they had long taken for granted. Among those who would be compelled to face the apparent conflicts between modern thought and traditional orthodoxy was Baptist theologian Augustus Hopkins Strong (1836-1921).

As president and professor of systematic theology at Rochester Theological Seminary for forty years (1872-1912) Strong stood as the premier theologian of the Northern Baptists at the end of the nineteenth century. Yet, as author John Aloisi shows in this important study, he remains a puzzling figure. Strong considered himself a defender of orthodoxy even as the school he led transitioned to a more modern and arguably less orthodox understanding of the Christian faith. His Systematic Theology went through eight editions, and the later editions increasingly reflected a shift in his thinking. Strong wrestled with how to reconcile Christian theology with modern thought while also trying to solve tensions within his own theology. He hoped to be able to bring modernists and more traditional Christians together around a concept he labeled ethical monism. In the end, while his effort suggested the task was more difficult than many understood it to be, Strong's journey had a significant impact on the direction of Rochester Theological Seminary.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

Augustus Hopkins Strong and the Struggle to Reconcile Christian Theology with Modern Thought

Zarina Burkadze

Great Power Competition and the Path to Democracy

$120.00

A close examination of the competing influences of the West and Russia over the fate of democracy in Georgia and other former Soviet bloc nations

Following the collapse of the Soviet Union, newly formed transitional regimes took up the challenging task of democratization, a task that was complicated by competition between great world powers over the future of such regimes. This book explores the effects and implications of competition between Russia and Western nations, with specific reference to democratization in the case of Georgia. In doing so, it challenges the conventional wisdom that competition between promoters of democracy and autocracy reduces the effectiveness of efforts toward democracy.

Using the compelling example of Georgia, author Zarina Burkadze argues that great power competition may distribute political power in a way that causes a democratic regime to emerge, supporting her argument with evidence from an impressive array of archival sources as well as from sixty-six interviews with state officials, opposition leaders, foreign diplomats, media and nongovernmental representatives, and other experts. While the case study of Georgia is the central concern of the narrative, the book's final chapter provides an important cross-case comparison of democratization efforts in Armenia, Azerbaijan, Moldova, and Ukraine.

Great Power Competition and the Path to Democracy

Susan Hurley-Glowa

Songs for Cabo Verde

$130.00

Chronicles the work of Norberto Tavares, a Cabo Verdean musician and humanitarian who served as the conscience of his island nation during the transition from Portuguese colony to democratic republic.

Based on twenty years of collaborative fieldwork, Songs for Cabo Verde: Norberto Tavares's Musical Visions for a New Republic focuses on the musician Norberto Tavares but also tells a larger story about postcolonial nation building, musical activism, and diaspora life within the Lusophone sphere. It follows the parallel trajectories of Cabo Verdean independence and Tavares's musical career over four decades (1975-2010). Tavares lived and worked in Cabo Verde, Portugal, and the United States, where he died in New Bedford, Massachusetts at age fifty-four. Tavares's music serves as a lens through which we can view Cabo Verde's transition from a Portuguese colony to an independent, democratic nation, one that was shaped in part through the musician's persistent humanitarian messages.

Krzysztof Czyżewski

Toward Xenopolis

$39.95

Essays by a founder of the Borderland Foundation in East-Central Europe explore the meanings of community in a fractured world.

How do we build civil society? How does a society repair itself after violence? How do we live in a world with others different from ourselves? These questions lie at the heart of Krzysztof Czyzewski's writing and his work with Fundacja Pogranicze, the Borderland Foundation, at the border of Lithuania, Poland, and Belarus. Writing from the heartland of Europe's violence and creativity, Czyzewski seeks to explain how we can relate better to each other and to our diverse communities. Building on examples of places and people in East-Central Europe, Czyzewski's essays offer readers concepts such as the invisible bridge, the nejmar (the bridge-builder), and the xenopolis (the city of others), which create community throughout the world. The three sections of the book—concepts, places, and practices—show how this cultural work bridges the divide between concepts and practices and offers a new map of Europe. Ultimately, Czyzewski hopes we can all move toward xenopolis, toward the understanding that others are, in fact, ourselves. This book offers an introduction to Czyzewski's work, with framing essays by specialists in Central and East European history.

Jane Ellsworth

The Clarinet

$65.00

Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.

With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge.
Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.

William Weber, Beverly Wilcox

Canonic Repertories and the French Musical Press

$130.00

A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.

This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances.

The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's.

Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries.

Canonic Repertories and the French Musical Press

Jordan A. Fenton

Masquerade and Money in Urban Nigeria

$170.00

Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.

Driving into urban Calabar, one is struck by two imposing, monumental rectangular columns, operating not unlike ancient triumphal arches, framing the entrance into Nigeria's capital city of the Cross River State. Relief carvings of Calabar's renowned masking characters adorn the monument. The icons, dramatically captured in choreographic poses, freezing the maskers in time, enshrine masquerade as the city's heritage and past identity. Far from being merely "traditional" and relegated to an earlier time, the Calabar-based masquerades explored in this book demonstrate a contemporary and global context indicative of the changing patterns of city life.
While the topic of cultural change is not necessarily new to African art history and cultural studies, few scholars or writers have attempted to understand why African arts so readily change. This book, the first full-length monograph addressing contemporary art in Calabar, explains the fluidity and thriving nature of masquerade by analyzing the ways in which masking is steeped in economic transaction and how street performances have become more public and spatially calculated. By unraveling the urban layers of masquerade arts and their performances, this book shows how so-called traditional culture gains new roles or currencies within a contemporary, city-based context.

Professor Alexander Orwin

Plato's Republic in the Islamic Context

$95.00

The first collection of essays devoted to the Arabic philosopher Averroes's brilliant Commentary on Plato's "Republic," which survived the medieval period only in Hebrew and Latin translations.

The first collection of essays devoted entirely to the medieval philosopher Averroes's Commentary on Plato's "Republic" includes a variety of contributors from across several disciplines and countries. The anthology aims to establish Averroes as a great philosopher in his own right, with special and unique insight into the world of Islam, as well as a valuable commentator on Plato. A major feature of the book is the first published English translation of Shlomo Pines's 1957 essay, written in Hebrew, on Averroes. The volume explores many aspects of Averroes's philosophy, including its teachings on poetry, philosophy, religion, law, and government. Other sections trace both the inspiration Averroes's work drew from past philosophers and the influence it had on future generations, especially in Jewish and Christian Europe.

Scholars of medieval philosophy, ancient philosophy, Jewish studies, and the history of political thought more generally will find important insights in this volume. The anthology is also intended to provide the necessary background for teachers aiming to introduce Averroes's commentary into the classroom. With the Republic regularly appearing near the top of lists of the most frequently taught books in the history of philosophy, this volume shows how the most important medieval commentary on it deserves a place in the curriculum as well.

Plato's <i>Republic</i> in the Islamic Context

Chris Walton

Richard Wagner's Essays on Conducting

$36.95

The first modern English edition of Richard Wagner's essays on conducting, extensively annotated, with a critical essay on Wagner as conductor: his aesthetic, practices, vocabulary, and impact.

Richard Wagner was one of the leading conductors of his time. Through his disciples Hans von Bülow, Hans Richter, Anton Seidl, Felix Mottl, Arthur Nikisch, and their many notable protégés, a Wagnerian art of interpretation became the norm in Europe and America until well into the twentieth century. Wagner's essays on conducting had an even longer impact, and were upheld as central to their art by later generations of conductors from Mahler to Strauss, Furtwängler, Böhm, Scherchen, and beyond.

This is the first complete, modern translation of Wagner's conducting essays to appear in English, and the first-ever edition to offer extensive annotations explaining their reception and impact. The accompanying critical essay offers a detailed analysis of Wagner's conducting practices, his innovations in tempo and the art of transition, his creation of a new vocabulary to describe his art, and his success in establishing a school of conductors to promote his works and his aesthetic.

A digital edition of this book is openly available thanks to generous support from the Swiss National Science Foundation.

Peter Bloom

Berlioz in Time

$44.95

Fourteen revealing essays by a prominent Berlioz authority on some of the composer's acclaimed compositions (the Symphonie fantastique, Les Nuits d'été, Les Troyens) and writings (the celebrated Mémoires).

Written for both music lovers and scholars, these essays probe some of Berlioz's major works, including the Symphonie fantastique (the period of whose genesis is newly explored), Les Nuits d'été (whose origins are newly clarified by a revelation regarding Berlioz's possible muse), the Symphonie militaire (whose existence is examined in the period before it became the Symphonie funèbre et triomphale), Les Troyens (whose epilogue is seen as a paean to Napoléon III), and Béatrice et Bénédict (whose text reveals extraordinary understanding of the original play).

The essays consider anew Berlioz's relationships with Franz Liszt (with whom the composer shared intimate details of his marriage to Harriet Smithson) and Richard Wagner (by whom the Frenchman was both charmed and alarmed), his travels in Germany (revealed as having had a specifically administrative purpose), his appreciation of English literature and Shakespeare (on whose work he was considered an expert), his modus operandi in composing the Mémoires, and his major twentieth-century biographers. Of conspicuous concern are the "politics" of a man sometimes erroneously viewed as distant from the political arena.

This book is openly available in digital format, under Creative Commons license CC BY-NC-ND, thanks to generous funding from The New Berlioz Edition Trust.

Jacob Steere-Williams

The Filth Disease

$130.00

Shows how the investigation of local outbreaks of typhoid fever in Victorian Britain led to the emergence of the modern discipline of epidemiology as the leading science of public health

Typhoid fever is a food- and water-borne infectious disease that was insidious and omnipresent in Victorian Britain. It was one of the most prolific diseases of the Industrial Revolution. There was a palpable public anxiety aboutthe disease in the Victorian era, no doubt fueled by media coverage of major outbreaks across the nation, but also because Queen Victoria's husband, Prince Albert, died of the disease in 1861. Their son and heir, Prince Albert Edward, contracted and nearly succumbed to typhoid a decade later in 1871.

The Filth Disease shows that typhoid was at the center of a number of critical debates about health, science, and governance. Victorian public health reformers, the book argues, working in central and local government, framed typhoid as the most pressing public health problem in order to persuade local officials to implement sanitary infrastructure to prevent the spread of disease. In this period British epidemiologists uncovered how typhoid is spread via food and water supplies, disrupting the longstanding idea that typhoid was spread via filth. In the process the modern disciple of epidemiology emerged as the chief science of public health. Typhoid was as much a social and political problem as it was a scientific one, and The Filth Disease provides a striking reminder of the cultural context in which infectious diseases strike populations and how scientists study them.

Crispin Brooks

Beyond the Pale

$130.00

The first book devoted exclusively to the Holocaust in the North Caucasus, exploring mass killings, Jewish responses, collaboration, and memory in a region barely known in this context

When war between the Soviet Union and Germany broke out in 1941, thousands of refugees - many of whom were Jews - poured from war-stricken Ukraine, Crimea, and other parts of Russia into the North Caucasus. Hoping to find safety, they came to a region the Soviets had struggled to pacify over the preceding 20 years of their rule. The Jewish refugees were in especially unfamiliar territory, as the North Caucasus had been mostly off-limits to Jews before the Soviets arrived, and most local Jewish communities were thus small. The region was not known as a hotbed of traditional antisemitism. Nevertheless, after occupying the North Caucasus in the summer and autumn of 1942, the Germans exterminated all the Jews they found - at least 30,000 - aided by local collaborators.

While scholars have focused on local collaboration during the German occupation and on the subsequent Soviet deportations of entire North Caucasian ethnic groups, the region has largely escaped the attention of Holocaust researchers. This volume, the first book-length study devoted exclusively to the Holocaust in the North Caucasus, addresses that gap. Contributors present richly documented essays on such topics as German killing operations, decision-making by Jewish refugees, local collaboration, rescue, and memory, taking care to integrate their findings into the broader contexts of Holocaust, North Caucasian, Russian, and Soviet history.

Dr Anne M. Lovell

Reimagining Psychiatric Epidemiology in a Global Frame

$130.00

Examines psychiatric epidemiology's unique evolution, conceptually and socially, within and between diverse regions and cultures, underscoring its growing influence on the biopolitics of nations and worldwide health campaigns.

Psychiatric epidemiology, like the epidemiology of cancer, heart disease, or AIDS, contributes increasingly to shaping the biopolitics of nations and worldwide health campaigns. Despite the field's importance, this is the first volume of historical scholarship addressing psychiatric epidemiology. It seeks to comprehensively trace the development of the discipline and the mobilization of its constructs, methods, and tools to further social ends. It is through this double lens—conceptual and social—that it envisions the history of psychiatric epidemiology. Furthermore, its chapters constitute elements for that history as a global phenomenon, formed by multiple approaches. Those numerous historical paths have not resulted in a uniform disciplinary field based on a common paradigm, as happened arguably in the epidemiology of cardiovascular disease and cancer, but in a plurality of psychiatric epidemiologies driven by different intellectual questions, political strategies, reformist ideals, national cultures, colonial experiences, international influences, and social control objectives. When examined together, the chapters depict an uneven global development of epidemiologies formed within distinct political-cultural regions but influenced by the transnational circulation and selective uptake of concepts, techniques, and expertise. These moved through multidirectional pathways between and within the Global North and South. Authored by historians, anthropologists, and psychiatrists, chapters trace this complex history, focusing on Brazil, Nigeria, Senegal, India, Taiwan, Japan, the United Kingdom, the United States and Canada, as well as multicountry networks.

Reimagining Psychiatric Epidemiology in a Global Frame

Vincent A. Lenti

Nurturing the Love of Music

$39.95

The third volume of Vincent Lenti's history of the Eastman School of Music

Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922.
The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.

Kendra Stepputat

The Kecak and Cultural Tourism on Bali

$170.00

Examines the history of one of the best known dramatic dance performance practices on Bali and its connection with cultural tourism.

The kecak is one of the best-known dramatic dance performance practices on Bali. Based on the ancient Indian Ramayana epic, it is performed by an ensemble of male and female solo dancers and accompanied by a hundred men who function as both musicians and living scenery. Since its creation in the 1930s, the kecak has been primarily a tourist performance.

Drawing on over twenty years of fieldwork and meticulous archival study, Kendra Stepputat provides here a comprehensive study of the history, form, and cultural significance of the kecak. The first part of the book focuses on the kecak in its present form, including musical, choreographic, and dramatic elements. The connection between cultural tourism on Bali and kecak performance practice is analyzed in detail, including the dependency between tourism professionals and artists and ways of promoting the kecak. Tourists' perspectives on the kecak are addressed separately. The second part deals with the genesis and development of the kecak from the 1930s onward, exploring how it became and stayed a tourist genre for more than eighty years.

David Breitman

Piano-Playing Revisited

$65.00

A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.

Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in "Historical Performance." David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing.

He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time.

A suite of videos, including demonstrations of representative musical examples as well as of the moderator pedal and clavichord action, can be found here: https://vimeo.com/showcase/8046349.

Timothy Stapleton

West African Soldiers in Britain’s Colonial Army, 1860-1960

$170.00

Explores the history of Britain's colonial army in West Africa, especially the experiences of ordinary soldiers recruited in the region.

West African Soldiers in Britain's Colonial Army explores the complex and constantly changing experience of West African soldiers under British command in Nigeria, the Gold Coast (now Ghana), Sierra Leone, and the Gambia. Since cost and tropical disease limited the deployment of British metropolitan troops to the region, British colonial rule in West Africa depended heavily on locally recruited soldiers and their families. This force became Britain's largest colonial army in Sub-Saharan Africa.
West African Soldiers looks at the development of this colonial military from the conquest era of the late nineteenth century to decolonization in the 1950s. Rather than describing the many battles fought by this army both regionally and overseas, and informed by the concept of military culture, the book looks at the broad and overlapping themes of identity, culture, daily life, and violence. Chapter topics include the enslaved origins of the force, military identities including the myth of martial races, religious life, visual symbols like uniforms and insignia, health care related to tropical and sexually transmitted diseases, the experience of army wives, disciplinary flogging, mutiny, day-to-day violence committed by troops, and the employment of former soldiers by the colonial state. Based on archival research in five countries, the book derives inspiration from previous work on ordinary African soldiers in the British and German colonies of East Africa and in French West Africa.

West African Soldiers in Britain’s Colonial Army, 1860-1960

Leslie Waters

Borders on the Move

$120.00

An examination of territorial changes between Czechoslovakia and Hungary and their effects on the local populations of the borderlands in the World War II era

The movement of borders and people was a remarkably common experience for mid-twentieth-century Central and Eastern Europeans. Such was the case along the border between Czechoslovakia and Hungary, where territory changed hands in1938 and again in 1945. During the intervening period and beyond, residents of the borderland were caught in a nearly continuous onslaught of ethnic cleansing - expulsion of Czech and Slovak "colonists," Jewish deportations during the Holocaust, and postwar population exchanges - that was meant to reshape the territory first in the desired image of the Hungarian state and later on in that of Czechoslovakia.

Borders on the Move examines the impact of border changes and migrations on this region between 1938 and 1948. It investigates the everyday consequences of geopolitical events that are well-known from the perspective of international and national histories, but does so explicitly in the context of the borderland. Making skillful use of state and local archival sources in Hungary and Slovakia, author Leslie Waters illuminates the catastrophic effects of state action - including sweeping wealth redistribution and the expulsion of those perceived as enemies of the state - on individuals. This engagingly written and far-reaching work will be invaluable to scholars of the Holocaust and of East Central Europe as well as to those who study forced migration, population exchange, and inter-ethnic relations.

Philip W. Davidson

A History of Developmental and Behavioral Pediatrics at the University of Rochester

$15.95

A history of the University of Rochester Medical Center's Developmental and Behavioral Pediatrics Division from its inception in 1947 through 2019.

The field of intellectual and developmental disabilities has evolved dramatically from the end of the nineteenth century, changing from dehumanizing institutional care to community-based services and supports. The University of Rochester Medical Center's response to community needs in this field began in 1947. This book describes the history of its Division of Developmental and Behavioral Pediatrics, written by the only two chiefs the division has had. The narrative traces the first effort to provide diagnostic service to parents of affected children and describes the emergence of a full program of interdisciplinary services, education of future leaders, community-based consultation, and research. It shows how the division's growth was molded by changing needs in the region and the world. It also tells the story of how a multidisciplinary program can emerge and thrive in a research-oriented medical center and serve as a bridge between a university and its community partners. Finally, it underscores the time-consuming process of program development, including building trust, acquiring needed resources, and maintaining the highest quality of programming during both good and difficult times.

A History of Developmental and Behavioral Pediatrics at the University of Rochester

Vincent A. Lenti

Nurturing the Love of Music

$24.95

The third volume of Vincent Lenti's history of the Eastman School of Music

Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922.
The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.

Sophie Redfern

Bernstein and Robbins

$130.00

The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.

2022 CHOICE Outstanding Academic Title Winner.

Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years.

Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.

Jeremy Yudkin

The New Beethoven

$240.00

Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.

Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's accomplishments and brought them together in this remarkable volume. Filled with careful explanations, this book gives us completely new insights into music known and loved by people around the world.

Ordinary music lovers as well as scholars will find countless new discoveries about Beethoven and his music. Listeners will hear his compositions afresh, and scholars will find new results of research and analysis and new avenues for discovery. Topics include Beethoven's cultural milieu, his personal life, his friends, his publishers, his instruments, his working methods, his own handwritten scores, and, of course, his music. Many works are carefully discussed and explained in ways that reveal fascinating and previously unknown aspects of compositions that we thought we knew well. A landmark publication for all who admire some of the greatest music of our civilization.

Tyler Fleming

Opposing Apartheid on Stage

$190.00

A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.

In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and producers, this interracial production seemed completely distinct from any other theatrical production in the country's history. Despite being staged over a decade after the enacting of apartheid, the interracial collaboration met widespread acclaim that bridged South Africa's racial, political, ethnic, and class fissures.

Widely considered a watershed moment within the history of South African theater and music, King Kong encapsulated key currents within South African cultural history. Author Tyler Fleming's gripping narrative unpacks the life of the musical, from the emergence of the heavyweight boxer "King Kong" Dlamini to the behind-the-scenes dynamics of rehearsals to the musical's 1961 tour of Britain and the later experience of cast members living in exile for their opposition to apartheid. Opposing Apartheid on Stage: "King Kong" the Musical explores the history of this jazz opera and its enduring legacy in both South African history and global popular culture.

Myroslav Marynovych

The Universe behind Barbed Wire

$65.00

Ukrainian dissident Myroslav Marynovych recounts his involvement in the Brezhnev-era human rights movement in the Soviet Union and his resulting years as a political prisoner in Siberia and in internal exile.

This memoir by a prominent Ukrainian dissident, now in English translation, offers a unique account that spans the entire postwar period, from the author's childhood in newly Soviet western Ukraine and coming of age within the Communist system to the collapse of the Soviet Union, concluding with his reflections on culpability and justice in the post-Soviet context. Marynovych's description of the varied landscape of Ukrainian dissent in the 1960s and 1970s focuses on the emerging human rights movement, especially the creation of the Ukrainian Helsinki Group, of which he was a founding member. He vividly recounts his encounters with the Soviet repressive apparatus, including his arrest and trial, and offers a rich picture of daily life in a Siberian prison camp and his internal exile in Kazakhstan.

Imbued with the author's deep Christian convictions, this memoir sheds light on the key role faith played for some participants in the Soviet human rights movement, a movement that has most often been seen as having a secular inflection. It also provides a fresh look at the complex place of Ukrainian dissidents within the broader Soviet human rights movement, as well as the interplay between human rights advocates and other dissident groups in Soviet Ukraine.

Sarah Ann Long

Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550

$170.00

The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers

Starting in the fourteenth century, northern France saw the rise of confraternities and other lay communities of men and women, organized around trades and religious devotions dedicated to specific patron saints. The composition of new plainchant for masses and offices in honor of saints thought to have healing powers occupied an important place in the devotional landscape of the region.

Sarah Ann Long's deeply researched new book highlights the decentralized nature of religious and spiritual authority from 1300-1550, which allowed confraternities to cultivate liturgical practices heavily influenced by popular devotional literature. It challenges pre-conceived notions of the power of the Catholic Church at that time, and the extent to which religious devotions were regulated and standardized. The resulting conclusion is that confraternity devotions occupied a liminal space that provided a certain amount of musical freedom. Examining musical culture at the intersection of the medieval and early modern eras, this work explores such subjects as manuscript production and early music printing; and it investigates not only plainchant, but a broad range of musical styles from the fourteenth through the sixteenth centuries. These include polyphonic embellishments of chant written by some of the most famous composers of the era, which were performed at the French, Burgundian, and Papal Courts.

Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550

Erica Heinsen-Roach

Consuls and Captives

$130.00

Analyzes how negotiations between Dutch consuls and North African rulers over the liberation of Dutch sailors helped create a new diplomatic order in the western Mediterranean.

This work offers a new perspective on the history of diplomacy in the western Mediterranean, examining how piracy and captivity at sea forced Protestant states from northwest Europe to develop complex relationships with Islamic North Africa. Tracing how Dutch diplomats and North African officials negotiated the liberation of Dutch sailors enslaved in the Maghrib, author Erica Heinsen-Roach argues that captivity and redemption helped shape (rather than undermine) a new diplomatic order in the western Mediterranean.

Making use of extensive archival research, Consuls and Captives shows how encounters with North African society led the Protestant North to adjust to the norms and practices of the western Mediterranean. Dutch consuls became state representatives, tasked with claiming the unconditional release of captives from the Netherlands. But caught between these directives and the realities of Maghribi politics, the diplomats consented to pay ransom, participated in what they considered lavish gift-giving practices, and began to pay tribute -- all practices that were departures from the norms the Dutch States General upheld in "doing" diplomacy.

In analyzing these adjustments, Heinsen-Roach brings into question earlier interpretations of diplomacy as a progressively evolving institution anchored in the western modern tradition. Consuls and Captives shows instead that early modern diplomacy in the western Mediterranean developed in uneven ways as a product of cultural encounters. With its compelling argument and wide-ranging evidence, this book will have a strong appeal to scholars of early modern diplomacy, slavery, and Mediterranean history, as well as to specialists on the Dutch Republic.

Erica Heinsen-Roach is visiting assistant professor at the University of South Florida St. Petersburg.

Paul Lauter

Our Sixties

$29.95

The social movements of the 1960s - still vital and challenging - seen through the author's experiences as a civil rights activist, a feminist, an antiwar organizer, and a radical teacher.

Today, some fifty years after, we celebrate - or excoriate - "the Sixties." Using his wide-ranging experience as an activist and writer, Paul Lauter examines the values, the exploits, the victories, the implications, and sometimes the failings, of the "Movement" of that conflicted time. In Our Sixties, Lauter writes about movement activities from the perspective of a full-time participant: 1964 Mississippi freedom schools; Students for a Democratic Society (SDS); the Morgan community school in Washington, DC, which he headed; a variety of antiwar, antidraft actions; the New University Conference, a radical group of faculty and graduate students; The Feminist Press, which he helped found; and the United States Servicemen's Fund, an organization supporting antiwar GIs. He got fired, got busted, got published, and even got tenure. He honed his skills writing for the New York Review of Books among other magazines. As a teacher he created innovative courses ranging from "Revolutionary Literature" and "Contesting the Canon" to "The Sixties in Fiction, Poetry, and Film." He led the development of the groundbreaking Heath Anthology of American Literature and remains its general editor.

Lauter's book offers both a retrospective look at the social justice struggles of the Sixties and an account of how his participation in these struggles has shaped his life. Social history as well as personal chronicle, this account is for those who recall that turbulent decade as well as for those who seek to better understand its impact on American politics and society in our current era.

Jean-Jacques Nattiez

Musical Analyses and Musical Exegesis

$190.00

Here translated for the first time, Jean-Jacques Nattiez's widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner's Tristan and Isolde.

The field of musicology has in recent decades branched out to incorporate methods from a wide range of other fields. But, when scholars examine a musical work, to what extent should they emphasize immanent (purely internal) features, and to what extent historical, cultural, psychological, or aesthetic networks of meanings associated with those features? Finally, what specific analytical method should be chosen, given that various methods can lead to seemingly incompatible results?

Jean-Jacques Nattiez, a renowned figure in music theory, musicology, and ethnomusicology, here examines numerous contending approaches that have been applied to the English-horn melody heard in Wagner's Tristan and Isolde. His aim is to offer thereby a methodological guide and compendium that will allow specialists and students alike to navigate the multiplicity of theoretical orientations in musicology.

Analytical models proposed by Heinrich Schenker, Nicolas Ruwet, Leonard B. Meyer, Fred Lerdahl, and other notable figures in the field of music analysis are discussed. Some of the analytical sketches by these scholars were previously unpublished and are presented to the public for the first time in the present book. The author also considers insights from the fields of psychology and psychoanalysis. An examination of Wagner's wide-ranging musical sources (Venetian gondolier songs and Swiss shepherd songs) leads to acutely relevant passages in writings by Rousseau, Goethe, and Schopenhauer. The book culminates in Nattiez's own interpretation of the relationship between vocal and instrumental music in Tristan and Isolde. Jean-Jacques Nattiez is professor emeritus of musicology at the Université de Montréal.

Richard Anderson

Liberated Africans and the Abolition of the Slave Trade, 1807-1896

$190.00

Interrogates the development of the world's first international courts of humanitarian justice and the subsequent "liberation" of nearly two hundred thousand Africans in the nineteenth century.

In 1807, Britain and the United States passed legislation limiting and ultimately prohibiting the transoceanic slave trade. As world powers negotiated anti-slave-trade treaties thereafter, British, Portuguese, Spanish, Brazilian,French, and US authorities seized ships suspected of illegal slave trading, raided slave barracoons, and detained newly landed slaves. The judicial processes in a network of the world's first international courts of humanitarian justice not only resulted in the "liberation" of nearly two hundred thousand people but also generated an extensive archive of documents. Liberated Africans and the Abolition of the Slave Trade, 1807-1896 makes use of theserecords to illuminate the fates of former slaves, many of whom were released from bondage only to be conscripted into extended periods of indentured servitude.

Essays in this collection explore a range of topics relatedto those often referred to as "Liberated Africans"-a designation that, the authors show, should be met with skepticism. Contributors share an emphasis on the human consequences for Africans of the abolitionist legislation. The collection is deeply comparative, looking at conditions in British colonies such as Sierra Leone, the Gambia, and the Cape Colony as well as slave-plantation economies such as Brazil, Cuba, and Mauritius. A groundbreaking intervention in the study of slavery, abolition, and emancipation, this volume will be welcomed by scholars, students, and all who care about the global legacy of slavery.

Liberated Africans and the Abolition of the Slave Trade, 1807-1896

Sharon R. Harrow

Adapting the Eighteenth Century

$49.95

A collection of pedagogical essays that presents proven strategies for the teaching of adaptation and eighteenth-century texts

The eighteenth century was a golden age of adaptation: classical epics were adapted to contemporaneous mock-epics, life writing to novels, novels to plays, and unauthorized sequels abounded. In our own time, cultural products of the long eighteenth century continue to be widely adapted. Early novels such as Robinson Crusoe and Gulliver's Travels, the founding documents of the United States, Jane Austen's novels, Mary Shelley's Frankenstein-all of these have been adapted so often that they are ubiquitous cultural mythoi, even for people who have never read them. Eighteenth-century texts appear in consumer products, comics, cult mashups, fan fiction, films, network and streaming shows, novels, theater stagings, and web serials.

Adapting the Eighteenth Century provides innovative, hands-on pedagogies for teaching eighteenth-century studies and adaptation across disciplines and levels. Among the works treated in or as adaptations are novels by Austen, Defoe, and Shelley, as well as the current worldwide musical sensation Hamilton. Essays offer tested models for the teaching of practices such as close reading, collaboration, public scholarship, and research; in addition, they provide a historical grounding for discussions of such issues as the foundations of democracy, critical race and gender studies, and notions of genre. The collection as a whole demonstrates the fruitfulness of teaching about adaptation in both period-specific and generalist courses across the curriculum.

Paula Musegades

Aaron Copland's Hollywood Film Scores

$120.00

A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.

One of the most influential and beloved American composers, Aaron Copland played a critical role in shaping what is often recognized as the "American sound." He is best known for achieving this through his works for the concert hall and ballet. Yet his film scores, though less familiar nowadays, were equally influential.

Between 1939 and 1949, Copland composed the music for five major Hollywood films: Lewis Milestone's Of Mice and Men (1939), Sam Wood's Our Town (1940), Lewis Milestone's The North Star (1943) and The Red Pony (1949), and William Wyler's The Heiress (1949). These were high-prestige projects, based on literary works by such respected figures as Henry James, Lillian Hellman, and John Steinbeck.

Using the film medium to introduce the moviegoing public to modern musical styles, Copland challenged Hollywood's traditional uses of music in film. His innovative approaches enhanced important national themes running through these films while also contributing to Hollywood's transformation as the Great Depression gave way to wartime tribulation and, eventually, postwar prosperity and Red Scare paranoia. Aaron Copland's Hollywood Film Scores explores Copland's scores, interviews, and lectures, tracing his legacy and lasting influence on Hollywood's sound.

Matthew Mugmon

Aaron Copland and the American Legacy of Gustav Mahler

$60.00

Reveals how Aaron Copland's complex relationship with the music of Gustav Mahler shaped his vision for American music in the twentieth century.

The iconic American composer Aaron Copland (1900-1990) is often credited with creating an unmistakably American musical style, a style free from the powerful sway of the European classics that long dominated the art-music scene inthe United States. Yet Copland was strongly attracted to the music of the late-romantic Austrian composer Gustav Mahler (1860-1911), whose monumental symphonies and powerful songs have captivated and challenged American audiencesfor more than a century.

Drawing extensively on archival and musical materials, Aaron Copland and the American Legacy of Gustav Mahler offers the first detailed exploration of Copland's multifaceted relationshipwith Mahler's music and its lasting consequences for music in America. Matthew Mugmon demonstrates that Copland, inspired by Mahler's example, blended modernism and romanticism in shaping a vision for American music in the twentieth century, and that he did so through his multiple roles as composer, teacher, critic, and orchestral tastemaker. Copland's career-long engagement with Mahler's music, as Mugmon compellingly illustrates, intersected with Copland's own Jewish identity and with his links to such towering figures in American music as Nadia Boulanger, Serge Koussevitzky, and Leonard Bernstein.

MATTHEW MUGMON is Associate Professor of Music at the University of Arizona.

Aaron Copland and the American Legacy of Gustav Mahler

Muey C. Saeteurn

Cultivating Their Own

$120.00

Traces the consequences of agricultural development in western Kenya in the 1950s and 1960s

After more than fifty years of development, why have interventions and aid failed to yield greater poverty alleviation in Sub-Saharan Africa? Why did the agricultural development projects that were transpiring in places like Kenyaduring the "development era" of the 1950s and 1960s not take-off? Cultivating Their Own: Agriculture in Western Kenya during the "Development" Era explores these questions and others that continue to drive the research agendas of international aid agencies and development scholars in the twenty-first century. The book centers on four agricultural development projects unfolding in a densely populated rural area of western Kenya during the country'stransition to independence and its first few years under de facto one-party rule. Drawing on an array of primary sources and oral interviews, Saeteurn argues that the project of agrarianism failed to germinate in places like western Kenya because of competing interests, conflicting agendas, and structural problems inherent in the process of development at the international, national, and local level. Cultivating Their Own is a timely reminder of theimportance of paying attention not only to local people's aspirations but also to the realities of rural life when creating projects that mobilize agriculture for poverty reduction.

Raphael Chijioke Njoku

West African Masking Traditions and Diaspora Masquerade Carnivals

$36.95

A revisionist account of African masquerade carnivals in transnational context that offers readers a unique perspective on the connecting threads between African cultural trends and African American cultural artifacts

In recent decades, there has been an explosion of scholarly interest in African-styled traditions and the influence of these traditions upon the African diaspora. In this important new analysis, author Raphael Njoku explores the transnational connections between masquerade narratives and memory over the past four centuries to show how enslaved Africans became culture carriers of inherited African traditions. In doing so, he questions the scholarly predisposition toward ethnicization of African cultural artifacts in the Americas. As Njoku's research shows, the practices reenacted by the Igbo and Bight of Biafra modelers in the Americas were not exact replicas of the African prototypes. Cultural modeling is dynamic, and the inheritors of West African traditions often adapted their customs to their circumstances--altering and transforming the meaning and purpose of the customs they initially represented.

With the Bantu migrations serving as a catalyst for ethnic mixing and change prior to the trans-Atlantic slave trade, African-themed cultural activities in the New World became dilutions of practices from several ethnic African and European nations. African cultures were already experiencing changes through Bantuization; in this well-researched and engagingly written scholarly work, the author explores the extension of this process beyond the African continent.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

West African Masking Traditions and Diaspora Masquerade Carnivals

Professor Toyin Falola

African Islands

$190.00

Explores the culturally complex and cosmopolitan histories of islands off the African coast

Islands and island chains like Cabo Verde, Madagascar, and Bioko are often sidelined in contemporary understandings of Africa in which mainland nation-states take center stage in the crafting of historical narratives. Yet in the modern period, these small offshore spaces have often played important if inconsistent roles in facilitating intra- and intercontinental exchanges that have had lasting effects on the cultural, economic, and political landscape of Africa.

In African Islands: Leading Edges of Empire and Globalism, contributors argue for the importance of Africa's islands in integrating the continent into wider networks of trade and migration that links it with Asia, Europe, and the Americas. Essays consider the cosmopolitan and culturally complex identities of Africa's islands, analyzing the process and extent to which trade, slavery, and migration bonded African elements with Asian, Arabic, and European characteristics over the years. While the continental and island nations have experienced similar cycles of invasion, boom, and bust, essayists note both similarities and striking differences in how these events precipitated economic changes in the different geographic areas. This book, a much-needed broadly comparative study of the African islands, will be an important resource for students and scholars of the region and of topics such as colonialism, economic history, and cultural hybridity.

TOYIN FALOLA is Jacob and Frances Sanger Mossiker Chair in the Humanities and Professor of History at the University of Texas at Austin. R. JOSEPH PARROTT is Assistant Professor of History at Ohio State University. DANIELLE PORTER SANCHEZ is Assistant Professor of History at Muhlenberg College.

Bonny H. Miller

Augusta Browne

$190.00

The first comprehensive biography of any American woman musician born before the Civil War brings to life a composer whose story is both old-fashioned and strikingly modern.

Honourable Mention, AMS H. Robert Cohen/RIPM Award

Augusta Browne's five-decade career in music and letters reveals a gifted composer and author. Hailed as "one of the most prolific women composers in the USA before 1870," Augusta Browne Garrett (c. 1820-1882) was also a dedicatedmusic educator and music journalist. The Americanness of her story resounds across the decades: an earnest little girl growing up amidst a troubled family business; a young professor of music who burst onto the New York City musical scene; and an entrepreneur who resolutely sought publication of her music and prose to her final day. In Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America, author Bonny Miller presents Browne'sunfamiliar story, assesses her musical works, and describes her literary publications.

Browne's outsider status and self-agency offer a potent narrative that transcends antebellum and Victorian-era norms. She used the public arena of newspapers and magazines as conduits for her work during an era when women were ridiculed for public speaking. And yet in many ways her persona as a tenacious entrepreneur conflicted with her adherence to strict Christian precepts, despite her assertion of woman's equality with man.

Making use of recently digitized sheet music as well as archives of newspapers and books of the period, Miller's narrative provides the first-ever comprehensive, nuanced account of this notable life in American music.

Brian J. Yates

The Other Abyssinians

$120.00

Reframes the story of modern Ethiopia around the contributions of the Oromo people and the culturally fluid union of communities that shaped the nation's politics and society.

Although the Oromo are the largest ethnic group in Ethiopia, their history has been distorted in order to buttress twentieth-century notions of a homogeneous Ethiopian state. The Other Abyssinians tells the story of the Oromo people's contribution to modern Ethiopia, tracing their experiences from the early nineteenth century onward and detailing the varied interactions of Oromo groups throughout the Ethiopian highlands. Focusing on the historic provinces of Wällo and Shäwa, this well-researched work elucidates the importance of these territories in the creation of Ethiopia and the history of the Oromo. It casts the Oromo as Abyssinians and central in all aspects of modernEthiopian life, while making a case for Ethiopia, a nation without a colonial legacy, as an example of indigenous African identity formation that challenges notions of "tribal" or ethnic identities.

Author Brian J. Yates details the cultural practices that integrated the populations of the highlands into the Abyssinian group; in addition, he analyzes the political structures that evolved concurrently. The book, notably, utilizes a community-based framework to underscore the fluidity of modern national identity. All in all, the work offers a close study of Ethiopian modernization policies and illuminates how Africans might have crafted their nations without the legaciesof colonialism.

Edward Nowacki

Greek and Latin Music Theory

$120.00

A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages.

Long recognized as a foundation of musical composition, criticism, pedagogy, and appreciation, the literature of ancient and medieval music theory has maintained its strong position in the academic curriculum up to the present day. Now blessed with fine English translations of many of the ancient and medieval authors, modern students of music theory have advantages that their predecessors lacked just a few generations ago. Yet the ancient writings by themselves do not yield to easy comprehension. They need expository help. In this collection of fifteen topical essays, the author offers a contribution to that educational goal. Covering a dense theoretical literature from the classical period of ancient Greece to the sixteenth century of the Common Era, these essays present a detailed examination of subjects of concern not only to specialists in the history of theory, but to scholars of the general history ofancient Greek music and the liturgical plainchant of the medieval West.

More than just a collection of specialized studies or a syllabus of obligatory learning, these essays present a persistent reflection on the timelessness of theoretical questions that engaged our musical forebears and that still engage us today. The author's approach is perennialist. It teaches us things about our musical heritage that never go away.

Jeanice Brooks

Nadia Boulanger

$190.00

The first collection ever of essays and reviews by the renowned pedagogue, composer, and conductor, providing fresh perspectives on her musical influence and impact.

The impact of Nadia Boulanger (1887-1979) on twentieth-century music was vast: as composer, keyboard performer, conductor, impresario, and pedagogue. Her extensive musical networks included figures such as Fauré, Stravinsky, and Poulenc, and her advocacy helped establish the compositions of her sister Lili Boulanger.

Few today realize, though, that Boulanger wrote numerous essays and reviews at various times in her career. These offer unparalleled insight into her thinking and illuminate aspects of musical culture in Europe and America from the rare point of view of an internationally prominent female artist.

Nadia Boulanger: Thoughts on Music provides a translation and critical edition of selected writings chosen for their quality and interest. The previously published articles and essays have never been reissued since their original appearance; the remaining materials are presented to readers here for the first time. The volume renders all these materials widely available, providing an important new resource for teaching and scholarship on twentieth-century music as well as an engaging collection of musical essays for the general reader.

Emily H. Green

Dedicating Music, 1785-1850

$130.00

A synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music.

Why dedicate music? What did dedications mean to their readers and writers, especially after 1785, when more works were offered to fellow composers as well as to patrons? Borrowing from book history and sociological theory, Dedicating Music, 1785-1850 is a large-scale study of patterns of dedications. Emily H. Green argues that the kinds of offerings printed in the late eighteenth through mid-nineteenth centuries reflect a changing financial and aesthetic landscape in which patronage was waning and independent artistry surging. Dedications labeled written music as a gift while presenting composers with an opportunity for self-promotion. They also contributed to a new kind ofbranding of music by communicating composers' friendships and artistic allegiances..

Dedicating Music considers dedications issued in print between 1785 and 1850 in sets of overlapping corpuses: offerings to peers (as in Mozart's string quartets dedicated to Haydn); to patrons (as in Ignaz Pleyel's string quartets for Count Erdödy); to friends (as in Ferdinand Ries's offerings for Beethoven); and dedications issued by publishers (as in Beethoven's song "In questa tomba oscura," included in publisher Tranquillo Mollo's collection offered to Prince Lobkowitz). The result is a synchronic study that highlights the importance of printed packaging, rather than notes onthe page, to the complex relationship between composers, publishers, and consumers of music.

EMILY H. GREEN is Assistant Professor of Music at George Mason University.

The University of Rochester Press gratefully acknowledges generous support from the Claire and Barry Brook Endowment of the American Musicological Society and the AMS 75 PAYS Endowment of the American Musicological Society, both funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

Marcie Ray

Coquettes, Wives, and Widows

$120.00

A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.

Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ridicule, banish, or, even more violently, silence and subjugate female characters who resist marriage. These dramas portray independent-minded women as agents ofchaos who deploy their sexuality to destabilize class demarcations, or to destroy families and at times the monarchy itself.

Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater shows how dramatists wrested narratives away from women and weaponized those narratives in a defense of the status quo. It examines a wide range of works of different types: from Jean-Philippe Rameau's Platée, ou Junon jalouseand André Campra's Aréthuse, ou la Vengeance de l'Amour to representative works from the Comédie Française, the Comédie Italienne, and the fairgound theaters. Each theater offered denigrating portraits of independent womenas dissolute, obstinate, and extremist.

The operas and other theatrical works explored in Coquettes, Wives, and Widows reveal who (in the view of many at the time) should exercise authority to make choices aboutwomen's lives. They also give evidence of widespread fears about how society might change if it were to grant women themselves that responsibility.

Simon Szreter

The Hidden Affliction

$190.00

Multidisciplinary collection of essays on the relationship of infertility and the "historic" STIs--gonorrhea, chlamydia, and syphilis--producing surprising new insights in studies from across the globe and spanning millennia.

A multidisciplinary group of prominent scholars investigates the historical relationship between sexually transmitted infections and infertility. Untreated gonorrhea and chlamydia cause infertility in a proportion of women and men. Unlike the much-feared venereal disease of syphilis--"the pox"--gonorrhea and chlamydia are often symptomless, leaving victims unaware of the threat to their fertility. Science did not unmask the causal microorganisms until thelate nineteenth and twentieth centuries. Their effects on fertility in human history remain mysterious. This is the first volume to address the subject across more than two thousand years of human history.

Following asynoptic editorial introduction, part 1 explores the enigmas of evidence from ancient and early modern medical sources. Part 2 addresses fundamental questions about when exactly these diseases first became human afflictions, withnew contributions from bioarcheology, genomics, and the history of medicine, producing surprising new insights. Part 3 presents studies of infertility and its sociocultural consequences in nineteenth- and twentieth-century Africa, Oceania, and Australia. Part 4 examines the quite different ways the infertility threat from STIs was perceived--by scientists, the public, and government--in late nineteenth- and early twentieth-century Germany, France, and Britain, concluding with a pioneering empirical estimate of the infertility impact in Britain.

Simon Szreter is Professor of History and Public Policy, University of Cambridge, and Fellow of St. John's College, Cambridge.

Daniel Abraham

Leonard Bernstein and Washington, DC

$130.00

Bold new essays demonstrate how Leonard Bernstein influenced American culture, society, and politics through his conducting, composing, political relationships, and activism.

Composer, conductor, activist, and icon of twentieth-century America, Leonard Bernstein (1918-90) had a rich association with Washington, DC. Although he never lived there, the US capital was the site of some of the most important moments in his life and work, as he engaged with the nation's struggles and triumphs. By examining Bernstein through the lens of Washington, DC, this book offers new insights into his life and music from the 1940s through the 1980s, including his role in building the city's artistic landscape, his political-diplomatic aims, his works that received premieres and other early performances in Washington, and his relationships with the nation's liberal and conservative political elites. The collection also contributes new perspectives on twentieth-century American history, government, and culture, helping to elucidate the political function of music in American democracy.

The essays in Leonard Bernstein and Washington, DC, all newly written by leading authorities, situate this important American cultural figure in the seat of United States government. The result is a fresh new angle on Leonard Bernstein, American politics, and American culture in the second half of the twentieth century.

Zdeněk Skoumal

The Music of Leos Janácek

$130.00

The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.

The works of Leos Janácek, including Jenufa and several of his other operas, have been widely performed in recent years. But they have rarely been investigated closely from a theoretical perspective, and their musical language remains only partially understood. Zdenek Skoumal here offers a chronological exploration of Janácek's compositions that focuses on musical structure, identifying elements and processes that give the music coherence, character, and interest.

Skoumal demonstrates how the music combines and blends traditional tonal elements, folk-influenced features, and techniques that were forward-looking at the time. In particular, the music is shown to employ highly sophisticated and continually transforming motivic and rhythmic components.

The book's numerous musical analyses are motivically centered and employ various analytical approaches, including ones that involve reduction, structural levels, basic set theory, and rhythmic theory. Discussions of Janácek's works with a libretto or other type of text consider relationships between word and music, revealing their connection to deeper structural issues. The companion website https://zdenekskoumal.wixsite.com/janacek features audio versions of most musical examples, as well as material not included in the book.

James Porter

Beyond Fingal's Cave

$170.00

Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others.

Beyond Fingal's Cave: Ossian in the Musical Imagination is the first study in English of musical compositions inspired by the poems published in the 1760s and attributed to a purported ancient Scottish bard named Ossian. From around 1780 onwards, the poems stimulated poets, artists, and composers in Europe as well as North America to break away from the formality of the Enlightenment. The admiration for Ossian's poems -shared by Napoleon, Goethe, and Thomas Jefferson - was an important stimulus in the development of Romanticism and the music that was a central part of it. More important still was the view of the German cultural philosopher Johann Gottfried Herder, who saw past the controversy over the poems' authenticity to the traditional elements in these heroic poems and their mood of lament.

James Porter's long-awaited book traces the traditional sources used by James Macpherson for his epoch-making prose poems and examines crucial works by composers such as Beethoven, Schubert, Mendelssohn, Brahms, and Massenet. Many other relatively unknown composers were also moved to write operas, cantatas, songs, and instrumental pieces, some of which have proven to be powerfully evocative and well worth performing and recording.

Michael Lasser

City Songs and American Life, 1900-1950

$34.95

An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz.

Nothing defines the songs of the Great American Songbook more centrally than their urban sensibility. During the first half of the twentieth century, songwriters such as Harold Arlen, Irving Berlin, Dorothy Fields, George and IraGershwin, and Thomas "Fats" Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Through their songs, these artists described America -- not its geography or politics, but its heart -- to Americansand to the world at large.

In City Songs and American Life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs -- including some written originally for the stage or screen -- that America heard, sang, and danced to during the turbulent first half of the twentieth century. Many songs portrayed the glamor of Broadway or the energy and Jazz Age culture of Harlem. But a city-bred spirit -- or even a specifically New York City way of feeling and talking -- also infused other widely known and loved songs, stretching from the early decades of the century to the Twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II.

Lasser's deftly written book demonstrates how the soul of city life -- as echoed in the nation's songs -- developed and changed in tandemwith economic, social, and political currents in America as a whole.

Michael Lasser, a former teacher and theater critic, is host of the syndicated public-radio show Fascinatin' Rhythm (winner of the Peabody Award) and the author of two previous books.

Support for this publication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.

Farooq A. Kperogi

Nigeria's Digital Diaspora

$130.00

2021 CHOICE Outstanding Academic Title Winner

In a disruptive media landscape characterized by the relentless death of legacy newspapers, Nigeria's Digital Diaspora shows that a country's transnational elite can shake its media ecosystem through distant online citizen journalism.

Over a decade ago, when Nigeria's migratory digital elite in the United States pioneered a new fangled form of online citizen journalism that disrupted the certainties of legacy journalism, the country's professional journalists assumed that this amateur insurgency would be transitory. Instead, it was transformative. Diasporic online citizen journalism is now not only an integral part of Nigeria's media ecosystem, it has also inspired successful homeland emulators and is challenging, even in some cases supplanting, traditional media in the nation's democratic discourse. Within the frenetic and deeply engaged social media scene, diasporic citizen journalism, homeland news, and social media activism are merging to create the most energetic moment in Nigeria's media history. Nigeria's Digital Diaspora chronicles the emergence and transformation of this diasporic citizen journalism from the margins to the mainstream of the country's journalistic landscape.

R. Allen Lott

Brahms's A German Requiem

$190.00

Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.

Despite its entirely biblical text, Brahms's long-beloved A German Requiem is now widely considered a work in which the composer espoused a theologically universal view. R. Allen Lott's comprehensive reconsideration of the work's various contexts challenges that prevailing interpretation and demonstrates that in its early years the Requiem was regarded as a traditional Christian work.

Brahms's "A German Requiem" systematically documents, for the first time, the early performance history and critical reception of this masterful work. A German Requiem was effortlessly incorporated into traditional Christian observances, and reviews of these performances and other appraisals by respected critics and scholars consistently deemed that the work possessed not only a Christian perspective, but a specifically Protestant one.

A discussion of the musical traditions used by Brahms demonstrates how the work is imbued with the language of Lutheran church music through references to chorales and through allusions to preceding masterworks by Schütz, Bach, Mendelssohn, and others.

Lott also offers an insightful exegesis of the Bible verses that Brahms selected. Altogether, this richly detailed study leads to a thorough reappraisal of Brahms's masterpiece.

Nils Hansson

Explorations in Baltic Medical History, 1850-2015

$130.00

Examines medical history in northern Europe from 1850 to 2015 and sheds new light on the circulation of medical knowledge in that region

The Baltic Sea region in northern Europe, with its history of multiple cultural and social transformations, as well as mixture of national and regional scientific styles, has lately attracted much attention from scholars of various disciplines. This book explores the history of medicine in the Baltic Sea region and provides different answers to one central question: How has the circulation of knowledge in the Baltic Sea region influenced medicine as a discipline, and illness as an experience, during the nineteenth and twentieth centuries? The anthology consists of ten chapters that shed new light on how medical ideas and devices were developed in different contexts. Illuminating currents of traditions, contact zones, and areas of conflict, essays in this collection discuss technological, social, and economic aspects relevant for the exchange of medical knowledge across the Baltic Sea. The contributing authors are historians, physicians, geographers, ethnologists, and scholars of literature.

CONTRIBUTORS: Katharina Beier, Motzi Eklöf, Frank Grüner, Martin Gunnarson, Nils Hansson, Axel C. Hüntelmann, Ken Kalling, Michaela Malmberg, Joanna Nieznanowska, Anders Ottosson, Maike Rotzoll, Erki Tammiksaar, Jonatan Wistrand

NILS HANSSON is Associate Professor in the Department of the History, Theory, and Ethics of Medicine at the University of Dusseldorf in Germany. JONATAN WISTRAND teaches in the Department of Medical History, Lund University, Sweden.

Explorations in Baltic Medical History, 1850-2015

Patrick Brugh

Gunpowder, Masculinity, and Warfare in German Texts, 1400-1700

$130.00

How gunpowder technology exploded heroes, heroics, and war stories from 1400 to 1700, and how German writers tried to glue them back together

Guns have been linked with masculinity since their earliest days on European battlefields, and surviving treatises on gunpowder from the early fifteenth century describe in detail the kinds of strong, sober, and God-fearing men who could be trusted to use this new weapon. As the destructive capacity and military tactical value of gunpowder became more evident to European peoples over time, writers--especially German ones--expressed increasing anxiety aboutthe disruptive potential that gunpowder weapons held for warrior masculinity, martial ethics, and the aesthetic traditions of war stories.

Focused on early modern German texts of all kinds, including military manuals,poems, theological treatises, novels, and broadsheets, Gunpowder, Masculinity, and Warfare in German Texts, 1400-1700 traces the cultural and literary history of gunpowder in German-speaking lands from the Hussite Wars into the literary aftermath of the Thirty Years War. Taking a long view of this textual and material history, author Patrick Brugh reveals that early conversations about firearms resonate with those today, including debates on such topics as questions of masculine ethos and gun violence, the rights to self-defense and to bear arms, and the way new technologies change how we tell stories.

PATRICK BRUGH is an affiliate assistant professor of Genderand Sexuality Studies at Loyola University Maryland and an administrator at Johns Hopkins University.

Gunpowder, Masculinity, and Warfare in German Texts, 1400-1700

Amy Lynn Wlodarski

George Rochberg, American Composer

$120.00

Based on private diaries, correspondence, and unpublished writings, George Rochberg, American Composer, reveals the impact of personal trauma on the creative and intellectual work of a leading postmodern composer.

George Rochberg, American Composer, is the first comprehensive study devoted to tracing and putting into a rich cultural context the career of George Rochberg, widely acknowledged as one of the most prominent musical postmodernists. Drawing from unpublished materials including diaries, letters, sketches, and personal papers, the book traces the impact of two specific personal traumas--Rochberg's service as an infantryman in World War II and the premature death of his son--on his work as a leading composer, college educator, and public intellectual.

The book significantly expands our understanding of Rochberg's creative work by reconstructing and examining the earliest seeds of his aesthetic thinking--which took root while he served in Patton's Third Army--and following their development through his mature compositional period into the final stages of his long career. It argues that Rochberg's military service was a transformative life experience for the young humanist, one that crucially shaped his worldview and influenced his artistic creativity for the next sixty years. As such it reveals personal trauma and aesthetic recovery to be the basis of Rochberg's postwar ideas about humanism, musical quotation, and neotonality.

This book is available as an Open Access eBook under the Creative Commons license: CC-BY-NC.
Support for this publication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.

Professor Dariusz Skorczewski

Polish Literature and National Identity

$130.00

A postcolonial study of Polish literature from Romanticism to the twenty-first century

For nearly half a century East-Central Europe was part of the Soviet empire and was subject to its "civilizing" mission. Despite its colonial status, this part of the world has escaped the attention of most postcolonial critics and remains a blank spot in global studies of postcolonialism. Dariusz Skorczewski is among the first scholars to apply postcolonial thought to Polish realities, at the same time modifying the theoretical framework developed by other scholars of postcolonialism. Polish Literature and National Identity reveals how the experiences of foreign domination and the history of empire have shaped contemporary Polish culture and society.

The book, newly translated from the Polish, introduces Anglophone audiences to the potential implications of postcolonial studies on an understanding of Poland's unique historical position within Europe. Skorczewski explores transformations of national identity as reflected in Polish literature and critical discourse from Romanticism to the twenty-first century. The narrative thus tackles questions surrounding Poland's postcolonial status in contemporary East-CentralEurope, a region where globalization and cosmopolitanism clash with resurgent national sentiments and where predictions about a speedy transition to a postnational era now seem premature.

DARIUSZ SKORCZEWSKI is associate professor of Polish literature at the John Paul II Catholic University of Lublin.

Myroslav Marynovych, translated by Z. Hayuk, edited by K. Younger, foreword by T. Snyder

The Universe behind Barbed Wire

$34.95

Ukrainian dissident Myroslav Marynovych recounts his involvement in the Brezhnev-era human rights movement in the Soviet Union and his resulting years as a political prisoner in Siberia and in internal exile.

This memoir by a prominent Ukrainian dissident, now in English translation, offers a unique account that spans the entire postwar period, from the author's childhood in newly Soviet western Ukraine and coming of age within the Communist system to the collapse of the Soviet Union, concluding with his reflections on culpability and justice in the post-Soviet context. Marynovych's description of the varied landscape of Ukrainian dissent in the 1960s and 1970s focuses on the emerging human rights movement, especially the creation of the Ukrainian Helsinki Group, of which he was a founding member. He vividly recounts his encounters with the Soviet repressive apparatus, including his arrest and trial, and offers a rich picture of daily life in a Siberian prison camp and his internal exile in Kazakhstan.

Imbued with the author's deep Christian convictions, this memoir sheds light on the key role faith played for some participants in the Soviet human rights movement, a movement that has most often been seen as having a secular inflection. It also provides a fresh look at the complex place of Ukrainian dissidents within the broader Soviet human rights movement, as well as the interplay between human rights advocates and other dissident groups in Soviet Ukraine.

Funded by the Knowledge Unlatched Select 2023 collection, this title is available as Open Access under the Creative Commons License: CC BY NC

Chielozona Eze

Race, Decolonization, and Global Citizenship in South Africa

$120.00

Examines the importance of South Africa's peaceful transition to democracy, especially in light of Nelson Mandela's belief that cosmopolitan dreams are not only desirable but a binding duty.

Nelson Mandela and Desmond Tutu left an enduring legacy of forgiveness, openness, and solidarity in South Africa. This book looks at how the country's historic transition to democracy has not only changed the negative narrative about South Africa but also provided a model for a new form of ethical participation in the world. In addition to Mandela and Tutu, this book considers South African cultural theorists, poets, and novelists such as J. M. Coetzee, Nadine Gordimer, Zakes Mda, Njabulo Ndebele, and Antjie Krog, all of whom have engaged with the struggle to overcome the legacies of apartheid and create a more humane society. Most of these figures share common cultural and moral traits with Mandela and Tutu, the most outstanding of which is their belief in the notion of global citizenship. In engaging the latter concept, this work seeks to answer the following questions: How can we understand being human in a world that is increasingly marked by hatred of others? Can Mandela's vision of his society provide us with a theory of how to live in our globalized world? This wide-ranging volume will appeal to scholars and students of history, African studies, literature, ethics, and international affairs.

CHIELOZONA EZE is Professor of African literature and cultural studies at Northeastern Illinois University, Chicago, Extraordinary Professor of Englishat Stellenbosch University, and a fellow at Stellenbosch Institute for Advanced Studies, South Africa.

Race, Decolonization, and Global Citizenship in South Africa

Robert L. Marshall

Bach and Mozart

$60.00

2020 CHOICE Outstanding Academic Title Award Winner

Interpretive and biographical essays by a major authority on Bach and Mozart probe for clues to the driving forces and experiences that shaped the character and the extraordinary artistic achievements of these iconic composers.

The essays in this volume, by one of America's leading authorities on Bach and Mozart, serve a single objective: to promote a deeper understanding of those two great composers both as supremely gifted creators and as human beings. Author Robert L. Marshall draws on a diverse range of interpretive strategies including both textual and musical criticism. Life and work are treated together, just as they were intermingled for the composers.

After a preliminary historiographical contemplation of the "Century of Bach and Mozart," fifteen numbered chapters follow in roughly chronological succession. Among the issues addressed: the artistic consequences of Bach's orphanhood, his relationship to Martin Luther, his attitude toward Jews, his relationship to his sons, the stages of his stylistic development, and his position in the history of music; and, moving to Mozart, the composer's portrayal in Amadeus, his wit, his indebtedness to J. S. Bach, and aspects of his compositional process.

The volume concludes with a factually informed speculation about what Mozart is likely to have done and to have composed, had he lived on for another decade or more.

ROBERT L. MARSHALL is Sachar Professor of Music emeritus, Brandeis University.

Nimi Wariboko

Ethics and Society in Nigeria

$120.00

Offers a radical political interpretation of history that generates fresh insights into the emancipatory potential of ordinary Nigerians and their precolonial cultural institutions

This pathbreaking book constructs a socio-ethical identity of Nigeria that can advance its political development. Its method is based on the rediscovery of the practices and principles of emancipatory politics and a retrieval of fundamental virtues and capabilities that go to the core of the functioning of pluralistic communities. Ethics and Society in Nigeria: Identity, History, Political Theory critically engages history, myth, political philosophy, and religion to demonstrate that Nigeria has an unfolding historic identity that can serve as a resource for sustaining increasing levels of human flourishing and democratic republicanism.

Located at the intersectionof history and political theory, this work identifies the nature of Nigeria's moral problem, forges the political-theoretic discursive framework for a robust analysis of the problem, and shows a pathway out of the nation's predicament. This three-pronged approach is founded on the retrieval of moral exemplars from the past and critical engagement with history as a social practice, philosophical concept, discipline of study, form of social imaginary, and witness of the flows of contemporary events. Using this methodology, author Nimi Wariboko analyzes various forms of political, religious, and revolutionary identities that have been put forth by different groups in the country and then examines their usefulness for the transformation of Nigeria's problematic socio-ethical identity.

NIMI WARIBOKO is the Walter G. Muelder Professor of Social Ethics at Boston University. He is the author of NigerianPentecostalism, available from University of Rochester Press.

Alistair Ritch

Sickness in the Workhouse

$130.00

Sickness in the Workhouse illuminates the role of workhouse medicine in caring for England's poor, bringing sick paupers from the margins of society and placing them centre stage.

England's New Poor Law (1834) transformed medical care in ways that have long been overlooked, or denigrated, by historians. Sickness in the Workhouse challenges these assumptions through a close examination of two urban workhouses in the west midlands from the passage of the New Poor Law until the outbreak of World War I.

By closely analyzing the day-to-day practice of workhouse doctors and nurses, author Alistair Ritch questions the idea thatmedical care was invariably of poor quality and brought little benefit to patients. Medical staff in the workhouses labored under severe restraints and grappled with the immense health issues facing their patients. Sickness inthe Workhouse brings to life this hidden group of workhouse staff and highlights their significance within the local health economy. Among other things, as the author notes, workhouses needed to provide medical care for nonpaupers, such as institutional isolation facilities for those with infectious diseases. This groundbreaking book highlights these doctors and nurses in order to illuminate our understanding of this significant yet little understoodarea of poor law history.

ALISTAIR RITCH was consultant physician in geriatric medicine, City Hospital, Birmingham, and senior clinical lecturer, University of Birmingham, UK, and is currently honorary research fellow,History of Medicine Unit, University of Birmingham, UK.

Nic Hamel

Disability in Africa

$190.00

Exploring issues of disability culture, activism, and policy across the African continent, this volume argues for the recognition of African disability studies as an important and emerging interdisciplinary field.

While the disability rights movement of recent decades has a rich and well-documented history, it is a history mostly focused on the Global North. Disability in Africa presents an interdisciplinary approach to cultural, health, and policy challenges that disability issues have raised throughout the African continent. The volume draws on the achievements of disability studies while acknowledging the demands and challenges of particular African contexts. The authors bring diverse methodological approaches and expertise to bear on these issues, ranging from anthropology and bioethics to special education and community rehabilitation. Essays consider indigenously African definitions of disability as well as exploring disability at the intersection of poverty, geography, and globalized biopolitics. Contributors analyze the difficulties of implementing disability policy across the continent while also being mindful of successful approaches taken at local, national, and international levels. Disability in Africa thus charts new avenues for disability studies research in and about Africa.

Richard J. Dougherty

Augustine's Political Thought

$130.00

2020 CHOICE Outstanding Academic Title Award Winner

This important collection reveals that Augustine's political thought drew on and diverged from the classical tradition, contributing to the study of questions at the center of all Western political thought.

Studies on Augustine have burgeoned over the past decade, but attention has focused primarily on his writings on philosophy and theology. Less attention has been given to his political teaching, despite his well-known and influential statements on politics, most notably in his City of God.

This collection of essays examines Augustine's corpus with a view to understanding his political thought. Taking seriously what he has to say about politics, the contributors here begin with Augustine's own reflections on politics-and often in writings where one least expects to find such reflections, such as the autobiographical Confessions, his letters, and his sermons.The contributors then consider the ways in which Augustine's teaching relates to that of his predecessors, the classical thinkers, as well as to the thought of other medieval thinkers, revealing that Augustine both drew on and diverged from the classical tradition and influenced the political thought of later medieval and even modern thinkers. This important collection thus contributes to the history of political thought and to the study of the questionsat the center of all Western political thought.

RICHARD J. DOUGHERTY is professor of politics and chair of the Department of Politics at the University of Dallas.

Stephen A. Lazer

State Formation in Early Modern Alsace, 1648-1789

$130.00

A richly documented study of early modern state formation, sovereignty, legitimacy, and comparative political culture in Alsace between the Peace of Westphalia and the French Revolution

Alsace, a contested borderland region with a long and obdurate German heritage, first became part of France after the Peace of Westphalia in 1648. Stephen Lazer's deeply researched book analyzes this history, focusing on Alsace itself rather than on the usual dichotomy between periphery and center. Lazer's narrative reveals how the French monarchy transformed this fractured borderland, which possessed neither fixed borders nor representative institutions,into something resembling a province. With only weak claims, France had to negotiate sovereignty with Alsace's many individual rulers. Those rulers then legitimized French rule, providing the administrative institutions and borders that Alsace lacked.

State Formation in Early Modern Alsace, 1648-1789, examines the wide range of power-sharing solutions the kings of France and Alsatian lords worked out between them through a close study offive territories ruled by the dukes of Pfalz-Zweibrücken-Birkenfeld. Some lands fell immediately to France; some required significant concessions; others contested the French bid for rulership. France eventually acquired all fiveterritories. The dukes, members of the Holy Roman Empire, nevertheless maintained their autonomy, especially in the administrative and confessional spheres. Indeed, ducal officials proved decisive enacting Alsace's new, mixed political culture on the ground. Lazer's research makes a much-needed contribution to our understanding of the process of state formation in early modern Europe.

STEPHEN A. LAZER is Lecturer of History at Arizona State University.

State Formation in Early Modern Alsace, 1648-1789

Mohammed Bashir Salau

Plantation Slavery in the Sokoto Caliphate

$120.00

A work of synthesis on plantation slavery in nineteenth century Sokoto caliphate, engaging with major debates on internal African slavery, on the meaning of the term "plantation," and on comparative slavery

A large-scale study of plantation slavery in West Africa with a focus on the nineteenth-century Sokoto caliphate, this book draws on diverse sources including oral testimony, Arabic material, and extant scholarly works about the caliphal state. Plantation Slavery in the Sokoto Caliphate: A Historical and Comparative Study offers new views on various fundamental issues including the definition of blackness in the Sokoto caliphate, the meaning of theterm "plantation," the significance of plantation slavery in the caliphal state, and the role of slavery in the context of African states.

Author Mohammed Bashir Salau analyzes key themes in the history of plantation slavery, especially plantation management and the acquisition, treatment, and control of slaves. Building on this analysis, Salau points to previously unknown ways in which the caliphal state prevented the development of serfdom, arguing that while social and economic factors played a role in the rise of slavery in the Sokoto caliphate, conscious political choice was the major factor for the rise and maintenance of plantation slavery. This study will be of major interest to students and scholars of slavery in Africa in general and in the Sokoto Caliphate in particular; in addition, through its comparative discussion it contributes to the literature on second slavery.

Mohammed Bashir Salau is an Associate Professor of History at the University of Mississippi.

Plantation Slavery in the Sokoto Caliphate

Rachel Orzech

Claiming Wagner for France

$130.00

A pathbreaking study of the Parisian press's attempts to claim Richard Wagner's place in French history and imagination during the unstable and conflict-ridden years of the Third Reich.

Richard Wagner was a polarizing figure in France from the time that he first entered French musical life in the mid nineteenth century. Critics employed him to symbolize everything from democratic revolution to authoritarian antisemitism. During periods of Franco-German conflict, such as the Franco-Prussian War and World War I, Wagner was associated in France with German nationalism and chauvinism. This association has led to the assumption that, with the advent of the Third Reich, the French once again rejected Wagner.

Drawing on hundreds of press sources and employing close readings, this book seeks to explain a paradox: as the German threat grew more tangible from 1933, the Parisian press insisted on seeing in Wagner a universality that transcended his Germanness. Repudiating the notion that Wagner stood for Germany, French critics attempted to reclaim his role in their own national history and imagination.

Claiming Wagner for France: Music and Politics in the Parisian Press, 1933-1944 reveals how the concept of a universal Wagner, which was used to challenge the Nazis in the 1930s, was gradually transformed into the infamous collaborationist rhetoric promoted by the Vichy government and exploited by the Nazis between 1940 and 1944. Rachel Orzech's study offers a close examination of Wagner's place in France's cultural landscape at this time, contributing to our understanding of how the French grappled with one of the most challenging periods in their history.

Justin Barr

Of Life and Limb

$130.00

Examining the history of arterial repair, Of Life and Limb investigates the process of surgical innovation by exploring the social, technological, institutional, and martial dynamics shaping the introduction and adoption ofa new operation.

In 1880, patients suffering from vascular disease faced amputation -- or death. By 1960, a suite of revolutionary techniques and technologies empowered surgeons to remedy aneurysms, mend damaged vessels, and treat arteries cloggedwith cholesterol, saving the lives and limbs of patients around the world.

Tracking this remarkable transformation, Of Life and Limb: Surgical Repair of the Arteries in War and Peace, 1880-1960 reveals how social, technological, institutional, and military dynamics interplay to catalyze modern surgical innovation. Author Justin Barr examines each of these phenomena through the complementary perspectives of academic historian andclinical surgeon, marshaling extensive research and incisive analysis into a broadly applicable model that helps frame, illuminate, and forecast change in surgery.

Justin Barr received his PhD in History from Yale University and his MD from the University of Virginia. He is currently in residency for general surgery at Duke University.

Nancy Wharton Bolger

Women of Rochester Pediatrics

$9.95

A helpful road map to a future successful career through life stories shared by a group of distinguished university women, all professors of Pediatrics at the University of Rochester.

In this inspiring collection of life stories, distinguished women pediatricians reflect on how following their passion for caring for children has led to satisfying and successful careers in the vibrant, ever-changing arena of academic medicine. While some were challenged by a bias against women physicians, themes of optimism and confidence shine as each tells her story.

The career paths of these women are as rich and varied as their diverse backgrounds. Several lead federally funded research teams. One is internationally known as a major figure in the "Back to Breastfeeding" movement of the 1960s. Another partners with engineering faculty to create miniature medical devices for newborns. Some are deeply involved in community and international health issues, while others work at the national level to determine how best to teach Pediatrics to medical students in this era of rapid technological andsocial change.

Throughout the stories runs a strong connective thread. These doctors discovered at the University of Rochester an environment where their skills would blossom and where they could create satisfying lives for themselves and their families, while working to improve healthcare for the world's children. The strategies they used to overcome old barriers and meet new challenges make this a useful handbook for those looking for a career in any profession.

Nancy Wharton Bolger is a writer and editor associated with the University of Rochester Medical Center.

Alex Priou

Becoming Socrates

$120.00

A rigorous investigation of Socrates' early education, pinpointing the thought that led Socrates to turn from natural science to the study of morality, ethics, and politics

Plato's Parmenides is regarded as a canonical work in ontology. Depicting a conversation between Parmenides of Elea and a young Socrates, the dialogue presents a rigorous examination of Socrates' theory of the forms, the most influential account of being in the philosophic tradition.

In this commentary on the Parmenides, Alex Priou argues that the dialogue is, in actuality, a reflection on politics. Priou begins from the accepted view that the conversation consists of two discrete parts -- a critique of the forms, followed by Socrates' philosophical training -- but finds a unity to the dialogue yet to be acknowledged. By paying careful attention to what Parmenides calls the "greatest impasse" facing Socrates' ontology, Priou reveals a political context to the conversation. The need in society for order and good rule includes the need, at a more fundamental level, for an adequate andefficacious explanation of being. Recounting here how a young Socrates first learned of the primacy of political philosophy, which would become the hallmark of his life, Becoming Socrates shows that political philosophy, and not ontology, is "first philosophy."

Alex Priou is an instructor in the Herbst Program in the Humanities in Engineering at the University of Colorado Boulder.

Marissa Silverman

Gregory Haimovsky

$130.00

In the bleak cage of the Soviet Union, a brilliant pianist, inspired by the music of Olivier Messiaen, survived and triumphed. This is his story, told partly in his own words.

Interlacing material from previously unknown Russian archives, original recordings, photographs, and essays, Gregory Haimovsky: A Pianist's Odyssey to Freedom is the story of an extraordinary Russian concert pianist who, fighting the cultural prohibitions of the USSR, eventually succeeded in performing and recording major works by the prominent French composer Olivier Messiaen.

At the lowest point of his life, expelled from Moscow and exiled to a small provincial city, Haimovsky discovered Messiaen's oeuvre uncatalogued and hidden in the library of the Union of Soviet Composers. Haimovsky's intense studies and Soviet premieres of these banned compositions healed and liberated his mind, spirit, and artistic imagination. Messiaen's music also deepened and fueled Haimovsky's fierce personal and musical opposition to Soviet political and cultural doctrines.

Told partly in Haimovsky's own words and supplemented by interviews with several performers who worked with him between 1960 and 1972 as well as stories from his correspondence with major Russian artists, writers, and musicians of the time, Marissa Silverman's vivid narrative sheds new light on relationships between twentieth-century Russian music, Soviet politics, and the culture wars that raged during and after Stalin's barbaric rule.

Marissa Silverman is Associate Professor of Music at the John J. Cali School of Music, Montclair State University.

Scott Messing

Self-Quotation in Schubert

$130.00

Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.

Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Self-Quotation in Schubert interrogates the concept of self-quotation from the standpoints of terminology and authorial intent, and it demonstrates, for the first time, how Schubert's practice of self-quotation relates to prevailing practices in the late eighteenth and early nineteenth centuries. Messing goes on to analyze in detail the musical relationships between the two works and to investigate thecircumstances that led Schubert to compose each of them.

"Ave Maria" is one of the few Schubert songs for which we have documentation of some early private performances, and the trio stood at the heart of Schubert's only public concert devoted to his works. Messing establishes that Schubert sought to convey an associative meaning with this self-quotation, trusting in his contemporaries' familiarity with the original melody and with Walter Scott's poem, a text that carried profound resonances in Catholic Vienna. Scrutinizing this evidence yields the symbolic purpose behind Schubert's allusion to "Ave Maria" in the piano trio: honoring the recently deceased Beethoven andvalidating Schubert as his legatee.

SCOTT MESSING is Charles A. Dana Professor of Music Emeritus at Alma College.

Frances B. Singh

Scandal and Survival in Nineteenth-Century Scotland

$170.00

Uncovers the life of Jane Cumming, who scandalized her contemporaries with tales of sexual deviancy but also defied cultural norms, standing up to male authority figures and showing resilience.

In 1810 Edinburgh, the orphaned Scottish-Indian schoolgirl Jane Cumming alleged that her two schoolmistresses were sexually intimate. The allegation spawned a defamation suit that pitted Jane's grandmother, a member of the Scottish landed gentry, against two young professional women who were romantic friends. During the trial, the boundary between passion and friendship among women was debated and Jane was viewed "orientally," as morally corrupt and hypersexual. Located at the intersection of race, sex, and class, the case has long been a lightning rod for scholars of cultural studies, women's and gender history, and, given Lillian Hellman's appropriation of Jane's story in her 1934 play The Children's Hour, theater history as well. Frances B. Singh's wide-ranging biography, however, takes a new, psychological approach, putting the notorious case in the context of a life that was marked by loss, separation, abandonment--and resilience.

Grounded in archival and genealogical sources never before consulted, Singh's narrative reconstructs Cumming's life from its inauspicious beginnings in a Calcutta orphanage through her schooling in Elgin and Edinburgh, an abusive marriage, her adherence to the Free Church at the time of the Scottish Disruption, and her posthumous life in Hellman's Broadway play. Singh provides a detailed analysis not only of the case itself, but of how both Jane's and her teachers' lives were affected in the aftermath.

Scandal and Survival in Nineteenth-Century Scotland

John R. Near

Widor on Organ Performance Practice and Technique

$75.00

Widor's pedagogical writings, translated for the first time, offer essential guidance for interpreting his organ compositions as well as those of his followers in the French Romantic organ school.

Renowned organist, composer, and Paris Conservatory professor Charles-Marie Widor (1844-1937) was a leading figure of the French Romantic organ school. In the extensive Preface he wrote for his edition of the complete organ worksof J. S. Bach, Widor conveyed what he considered to be the essential maxims of organ performance practice and technique. Given that he felt that "the art of organ playing has not changed at all since Johann Sebastian Bach," the principles detailed in his highly articulate writings can be seen today as relevant to his own organ compositions as well as those of his circle of followers.

In Widor on Organ Performance Practice and Technique,John Near translates for the first time all the statements from Widor's Bach Preface that reflect his distinctive and influential approach to performance style and artistic awareness. Correlative source material that clarifies andaugments these passages is included after the translations.

To complement the pedagogical material and bring a broader view of Widor's involvement in all things pertaining to the organ, his four most significant writings about the organ and organ playing are included in the appendixes.

JOHN R. NEAR is Professor Emeritus of Music, Principia College. His publications include Widor: A Life beyond the Toccata, available from theUniversity of Rochester Press.

Widor on Organ Performance Practice and Technique

Chris Barker

Educating Liberty

$130.00

A comprehensive study of Mill's theory of liberty, uncovering Mill's solution to the problem of democracy, the tyranny of the majority

Alexis de Tocqueville famously identified the problem of democracy as the "tyranny of the majority," where the rule of the majority oppresses or marginalizes minorities and individuals. John Stuart Mill, perhaps more than any other liberal thinker, attempted to find a solution to this problem. In this study of Mill's political theory, Chris Barker shows how Mill's civic education transforms individuals into citizens who are free to form opinions, analyze arguments, and wield a power capable of moderating the irresponsible power of the ruling majority. Barker examines Mill's thought as it is applied to five prominent components of democratic life-marriage, economic participation, scientific expertise, representative politics, and religion-with particular emphasis on gender and economic reform. Barker concludes that Mill's interpretation of liberty is not well described as either negative or positive. Instead, liberty consists in the mental independence or thinking power of the educated individuals composing and challenging majorities.

CHRIS BARKER is Assistant Professor of Political Science at the American University in Cairo.

Yuliya Minkova

Making Martyrs

$120.00

Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of "heroes" primarily because of their victimhood.

In Making Martyrs: The Language of Sacrifice in Russian Culture from Stalin to Putin, Yuliya Minkova examines the language of canonization and vilification in Soviet and post-Soviet media, official literature, and popular culture. She argues that early Soviet narratives constructed stories of national heroes and villains alike as examples of uncovering a person's "true self." The official culture used such stories to encourage heroic self-fashioningamong Soviet youth and as a means of self-policing and censure. Later Soviet narratives maintained this sacrificial imagery in order to assert the continued hold of Soviet ideology on society, while post-Soviet discourses of victimhood appeal to nationalist nostalgia.

Sacrificial mythology continues to maintain a persistent hold in contemporary culture, as evidenced most recently by the Russian intelligentsia's fascination with the former oligarch Mikhail Khodorkovsky, the Russian media coverage of the war in Ukraine, laws against US adoption of Russian children and against the alleged propaganda of homosexuality aimed at minors, renewed national pride in wartime heroes, and the current usage of the words "sacred victim" in public discourse. In examining these various cases, the book traces the trajectory of sacrificial language from individual identity construction to its later function of lending personality and authority to the Soviet and post-Soviet state.

Yuliya Minkova is Assistant Professor of Russian at Virginia Polytechnic Institute and State University.

Frances B. Singh

Scandal and Survival in Nineteenth-Century Scotland

$36.95

Uncovers the life of Jane Cumming, who scandalized her contemporaries with tales of sexual deviancy but also defied cultural norms, standing up to male authority figures and showing resilience.

In 1810 Edinburgh, the orphaned Scottish-Indian schoolgirl Jane Cumming alleged that her two schoolmistresses were sexually intimate. The allegation spawned a defamation suit that pitted Jane's grandmother, a member of the Scottish landed gentry, against two young professional women who were romantic friends. During the trial, the boundary between passion and friendship among women was debated and Jane was viewed "orientally," as morally corrupt and hypersexual. Located at the intersection of race, sex, and class, the case has long been a lightning rod for scholars of cultural studies, women's and gender history, and, given Lillian Hellman's appropriation of Jane's story in her 1934 play The Children's Hour, theater history as well. Frances B. Singh's wide-ranging biography, however, takes a new, psychological approach, putting the notorious case in the context of a life that was marked by loss, separation, abandonment--and resilience.

Grounded in archival and genealogical sources never before consulted, Singh's narrative reconstructs Cumming's life from its inauspicious beginnings in a Calcutta orphanage through her schooling in Elgin and Edinburgh, an abusive marriage, her adherence to the Free Church at the time of the Scottish Disruption, and her posthumous life in Hellman's Broadway play. Singh provides a detailed analysis not only of the case itself, but of how both Jane's and her teachers' lives were affected in the aftermath.

Lily E. Hirsch

Anneliese Landau's Life in Music

$120.00

A detailed and moving account of the life of Anneliese Landau, who, in Nazi Germany and later in émigré California, fought against prejudice to do notable work in music.

This book introduces readers to a woman who truly persisted. Anneliese Landau pushed past bias to earn a PhD in musicology in 1930. She then lectured on early German radio, breaking new ground in a developing medium. After the Nazis forced the firing of all Jews in broadcasting in early 1933, Landau worked for a time in the Berlin Jewish Culture League (Jüdischer Kulturbund), a closed cultural organization created by and for Jews in negotiation with Hitler's regime. But, in 1939, she would emigrate alone, the fate of her family members tied separately to the Kindertransport and to the Terezín concentration camp.

Landau eventually settled in Los Angeles, assuming duties as music director of the Jewish Centers Association in 1944. In this role, she knew and worked with many significant historical figures, among them the composer Arnold Schoenberg, conductor Bruno Walter, and the renowned rabbi andphilosopher Leo Baeck.

Anneliese Landau's Life in Music offers fresh perspective on the Nazi period in Germany as well as on music in southern California, impacted as it was by the many notable émigrés from German-speaking lands who settled in the area. But the book, the first to study Landau's life in full, is also a unique story of survival: an account of one woman's confrontation with other people's expectations of her, as a woman anda Jew.

Lily E. Hirsch is the author of A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League.

Robert Doran

Liszt and Virtuosity

$190.00

CO-WINNER: The Triennial Alan Walker Book Award, sponsored by the American Liszt Society 2023

A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.

In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement and an icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity.

Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsideration of Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll.

Set in the context of larger trends within the fields of music history, music analysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushing the piano aesthetic to the limits of sound and poetic meaning.

Alusine Jalloh

Muslim Fula Business Elites and Politics in Sierra Leone

$170.00

The first comprehensive book on the participation of Muslim Fula business elites in the post-independence politics of Sierra Leone

This groundbreaking volume explores the history of Muslim Fula business elites' participation in the post-independence politics of Sierra Leone. One of the country's main entrepreneurial groups, the Fula are also part of a largerIslamic presence in West Africa, extending from Senegal to Cameroon. Author Alusine Jalloh examines Fula political relationships with the successive governments of Sierra Leone following independence in 1961: first, with the Sierra Leone People's Party during the prime ministership of the brothers Dr. Milton A. S. Margai and Albert M. Margai, and later with the All People's Congress under the leadership of Siaka P. Stevens and Joseph S. Momoh. The study ends with the ouster in 1992 of President Momoh in a military coup.

Using the lens of business history, this important work expands on the themes of immigration and ethnicity, and treats such issues as the rivalry betweenSierra Leonean-born Fula and those born in Guinea, the intersection of Fula business elites and the development of Islam in Sierra Leone, and relations between Sierra Leone and Guinea. The book will be of great interest to students and scholars of the business, Islamic, and political history of Sierra Leone, as well as those interested in global business history and ethnic history.

Alusine Jalloh is Associate Professor of history and founding director of the Africa Program at the University of Texas at Arlington.

Muslim Fula Business Elites and Politics in Sierra Leone

Lewis Fallis

Socrates and Divine Revelation

$120.00

An account of Socrates' encounter with divine revelation

The philosopher Socrates was guided in his investigations by nothing other than his own reason. But did Socrates address adequately the possibility of guidance from a different and higher source -- the possibility of divine revelation?

In this book, Lewis Fallis examines Socrates' study of divine revelation. Giving interpretations of two of Plato's dialogues, the Euthyphro and the Ion -- which each depict Socrates conversing witha believer in revelation -- Fallis argues that in each dialogue Socrates explores the connection between knowledge of justice or nobility on the one hand and divine wisdom on the other. By doing so, Socrates searches for common ground between reason and revelation. Shedding new light on Socratic dialectics, Fallis uncovers the justification for understanding political philosophy to be the necessary starting point for an adequate inquiry into divine revelation.

Lewis Fallis is an independent scholar of political theory.

Hyun Joo Kim

Liszt's Representation of Instrumental Sounds on the Piano

$120.00

Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.

Liszt's adaptation of existing music is staggering in its quantity, scope, and variety of technique. He often viewed the model work as a source that he strove to improve, rival, and even surpass. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White provides a comprehensive survey of Liszt's reworking of instrumental music on the piano, particularly his emulation of tone colors and idiomatic gestures. The book relatesLiszt's sonic reproductions to the widespread nineteenth-century interest in visual-art reproduction. Hyun Joo Kim illustrates Liszt's diverse approaches to the integrity of the music in a detailed, vivid, and insightful manner through close study of his arrangements of Beethoven's symphonies and Rossini's Guillaume Tell Overture, his two-piano arrangements of his own symphonic poems such as Mazeppa and Hunnenschlacht, and his Hungarian Rhapsodies. By examining orchestral music and Hungarian Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular.

HYUN JOO KIM holds a PhD from Indiana University and is an independent scholar in Seoul, South Korea.

Liszt's Representation of Instrumental Sounds on the Piano

Maria Razumovskaya

Heinrich Neuhaus

$130.00

WINNER: 2019 CHOICE Outstanding Academic Title Award

The first critical study of the life and distinctive artistic vision of Heinrich Neuhaus, a legendary pianist-pedagogue widely considered one of the leading shapers of the renowned Russian piano tradition.

Heinrich Neuhaus (1888-1964) was one of the most charismatic and sought after pianist-pedagogues of the twentieth century, earning a formidable reputation in the West as one of the pillars of Russian pianism through the success ofhis star pupils Emil Gilels and Sviatoslav Richter, and his book About the Art of Piano Playing.

Maria Razumovskaya's Heinrich Neuhaus: A Life beyond Music is the first critical study of this masterful artist. It explores what went on in his teaching studio but also seeks to understand the vibrant circumstances that underpinned Neuhaus's unique outlook and approach. These circumstances include his formative years of study in Europealongside Karol Szymanowski (his cousin) and the renowned pianist Artur Rubinstein, the turbulence of life during the Russian Civil War, Neuhaus's meteoric rise to fame in Moscow, and his lifelong friendship with the poet Boris Pasternak.

Razumovskaya's book draws on previously unseen documents relating to Neuhaus's arrest and imprisonment in the infamous Lubyanka for criticizing the Soviet regime. By revealing how these influences helped form Neuhaus's distinct vision of a performer's subjectivity -- what he called an artist's "autopsychography" -- the book emphasizes important aesthetic principles and practices that were adopted by creative artists eager to escape the banality and limitations imposed by Socialist Realism.

MARIA RAZUMOVSKAYA, a recital pianist and researcher, teaches at the Guildhall School of Music and Drama.

Maria S. Guarino

Listen with the Ear of the Heart

$29.99

A "contemplative" ethnographic study of a Benedictine monastery in Vermont known for its folk-inspired music.

Far from being a long-silent echo of medieval religion, modern monastery music is instead a resounding, living illustration of the role of music in religious life. Benedictine monks gather for communal prayer upwards of five times per day, every day. Their prayers, called the Divine Office, are almost entirely sung.

Benedictines are famous for Gregorian Chant, but the original folk-inspired music of the monks of Weston Priory in Vermont is among the most familiar in post-Vatican II American Catholicism. Using the ethnomusicological methods of fieldwork and taking inspiration from the monks' own way of encountering the world, this book offers a contemplative engagement with music, prayer, and everyday life. The rich narrative evokes the rhythms of learning among Benedictines to show how monastic ways of being, knowing, and musicking resonate with humanistic inquiry and the pursuit of knowledge and understanding.

Support for this publication was provided by the Howard Hanson Institute for American Music of the Eastman School of Music at the University of Rochester.

Melissa D. Burrage

The Karl Muck Scandal

$34.95

The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States.

BEST CLASSICAL MUSIC BOOK RELEASE OF 2019 by Classical-music.com, the official website of BBC Music Magazine.

2019 SUMMER READS ABOUT CLASSICAL MUSIC by the Australian Broadcasting Corporation.

2019 BEST BOOK AWARD FINALIST in both the History and Performing Arts categories, sponsored by American Book Fest.

2019 SUBVENTION AWARD by the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

One of the cherished narratives of American history is that of the Statue of Liberty welcoming immigrants to its shores. Accounts of the exclusion and exploitation of Chinese immigrants in the late nineteenth century and Japanese internment during World War II tell a darker story of American immigration. Less well-known, however, is the treatment of German-Americans and Germannationals in the United States during World War I. Initially accepted and even welcomed into American society at the outbreak of war, this group would face rampant intolerance and anti-German hysteria.

Melissa D. Burrage's book illustrates this dramatic shift in attitude in her engrossing narrative of Dr. Karl Muck, the celebrated German conductor of the Boston Symphony Orchestra, who was targeted and ultimately disgraced by a New York Philharmonic board member and by capitalists from that city who used his private sexual life as a basis for having him arrested, interned, and deported from the United States. While the campaign against Muck made national headlines, and is the main focus of this book, Burrage also illuminates broader national topics such as: Total War; State power; vigilante justice; internment and deportation; irresponsible journalism; sexual surveillance; attitudes toward immigration; anti-Semitism; and the development of America's musical institutions. The mistreatment of Karl Muck in the United States provides a narrative thread that connects these various wartime and postwar themes.

MELISSAD. BURRAGE, a former writing consultant at Harvard University Extension School, holds a Master's Degree in History from Harvard University and a PhD in American Studies from University of East Anglia.

Support for thispublication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.

Cover image for The Karl Muck Scandal, isbn: 9781580469500

François Lesure; Revised and trans. Marie Rolf

Claude Debussy

$59.95

English translation and revised edition of the most comprehensive and reliable biography of Claude Debussy.

François Lesure's "critical biography" of Claude Debussy (Fayard, 2003) is widely recognized by scholars as the most comprehensive and reliable account of that composer's life and career as well as of the artistic milieu in whichhe worked. This encyclopedic volume draws extensively on Debussy's complete correspondence (at that time unpublished), a painstaking tracking of contemporary reviews and comments in the press, and an examination of other primary documents-including private diaries-that had not been available to previous biographers. As such, Lesure's book presents a wealth of new information while debunking a number of myths that had developed over the years since the composer's death in 1918.

The present English translation and revised edition, by Debussy authority Marie Rolf, augments Lesure's numerous notes with several thousand new ones by Rolf, providing more precise information oncrucial and sometimes contentious points. It also reflects Debussy scholarship that has appeared since 2003, updating Lesure's seminal work. Rolf's translation-the first ever-will make Lesure's findings accessible to scholars, musicians, and music lovers in English-speaking lands and around the world.

FRANÇOIS LESURE (1923-2001) was the Director of the Music division of the Bibliothèque nationale de France, Professor of Musicology at the Université libre de Bruxelles, and Chair of Musicology at the École pratique des Hautes Études.

MARIE ROLF is senior associate dean of graduate studies and professor of music theory at the Eastman School of Music and a memberof the editorial board for the Ouvres complètes de Claude Debussy.

David Luesink

China and the Globalization of Biomedicine

$130.00

Argues that developments in biomedicine in China should be at the center of our understanding of biomedicine, not at the periphery

Today China is a major player in advancing the frontiers of biomedicine, yet previous accounts have examined only whether medical ideas and institutions created in the West were successfully transferred to China. This is the firstbook to demonstrate the role China played in creating a globalized biomedicine between 1850 and 1950. This was China's "Century of Humiliation" when imperialist powers dominated China's foreign policy and economy, forcing it to join global trends that included limited public health measures in the nineteenth century and government-sponsored healthcare in the twentieth. These external pressures, combined with a vast population immiserated by imperialism and the decline of the Chinese traditional economy, created extraordinary problems for biomedicine that were both unique to China and potentially applicable to other developing nations. In this book, scholars based in China, the United States, and the United Kingdom make the case that developments in biomedicine in China such as the discovery of new diseases, the opening of the medical profession to women, the mass production of vaccines, and the delivery ofhealthcare to poor rural areas should be at the center of our understanding of biomedicine, not at the periphery.

CONTRIBUTORS: Daniel Asen, Nicole Barnes, Mary Augusta Brazelton, Gao Xi , He Xiaolian, Li Shenglan, David Luesink, William H. Schneider, Shi Yan, Yu Xinzhong,

DAVID LUESINK is Assistant Professor of History at Sacred Heart University. WILLIAM H. SCHNEIDER is Professor Emeritus of History and Medical Humanities at Indiana University Purdue University Indianapolis. ZHANG DAQING is Professor and Director, Institute of Medical Humanities at Peking University in Beijing.

China and the Globalization of Biomedicine

Bruce J. Smith

The Sense of Injustice and the Origin of Modern Democracy

$130.00

A careful study of the political thought of Machiavelli, Hobbes, and Locke, revealing the roots of modern democracy

In this study of early modern political thought, Bruce Smith traces the origin of modern democracy to Machiavelli. Offering careful readings of Machiavelli's most important political writings, Smith shows that Machiavelli's analysis of the human sentiment of injustice provides the theoretical basis for the participation of ordinary people in political life and rule. Also including chapters on Hobbes and Locke, the book shows how these two modern theoristsresponded to Machiavelli by contesting and modifying his republican politics to lay the groundwork for the emergence of the democracies of the modern era. Smith sheds new light on not only the influence of Machiavelli but also thecharacter of our democracy, our democratic institutions, and even contemporary populism.

Bruce J. Smith is the Arthur E. Braun Professor of Political Science at Allegheny College.

The Sense of Injustice and the Origin of Modern Democracy

John W. Barker

The Pro Arte Quartet

$50.00

An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.

First organized in Brussels in 1912 by precocious young Belgian musicians, the Pro Arte String Quartet has survived two world wars and is still performing more than a century later -- a durability unique in the annals of such ensembles. Its membership has included such extraordinary musicians as founding first violinist Alphonse Onnou and his successor, Rudolf Kolisch. The Pro Arte was the first string quartet to be affiliated with an American university,a significant and much-imitated status, and the group continues to function in residence at the University of Wisconsin.

This book traces the Pro Arte Quartet's history from its beginnings to the present, highlighted byportraits of the diverse, fascinating, and colorful personalities, musicians and others, who have been a part of that history. The phases of its repertoires are analyzed, and the legacy of its recordings, many of pioneering significance, is reviewed. As a whole, the volume offers a panoramic window into a century of musical life.

John W. Barker is Emeritus Professor of History at the University of Wisconsin-Madison. He is the author of Wagner and Venice (2008) and Wagner and Venice Fictionalized: Variations on a Theme (2012), both available from the University of Rochester Press.

Joel E. Rubin

New York Klezmer in the Early Twentieth Century

$190.00

The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre.

Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950.

No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s.

Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present.

JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

New York Klezmer in the Early Twentieth Century

Christine A. Kray

Nasty Women and Bad Hombres

$35.00

A look at how Hillary Clinton, Donald Trump, and American voters invoked ideas of gender and race in the fiercely contested 2016 US presidential election

Gender and racial politics were at the center of the 2016 US presidential contest between Hillary Clinton and Donald Trump. The election was historic because Clinton was the first woman nominated by a major political party for thepresidency. Yet it was also historic in its generation of sustained reflection on the past. Clinton's campaign linked her with suffragist struggles--represented perhaps most poignantly by the parade of visitors to Susan B. Anthony's grave on Election Day--while Trump harnessed nostalgia through his promise to Make America Great Again. This collection of essays looks at the often vitriolic rhetoric that characterized the election: "nasty women" vs. "deplorables"; "bad hombres" and "Crooked Hillary"; analyzing the struggle and its result through the lenses of gender, race, and their intersections, and with particular attention to the roles of memory, performance, narrative, and social media.

Contributors examine the ways that gender and racial hierarchies intersected and reinforced one another throughout the campaign season. Trump's association of Mexican immigrants with crime, and specifically with rape, for example, drew upon a long history of fearmongering that stereotypes Mexican men--and men of other immigrant and minority groups--as sexual aggressors against white women. At the same time, in response to both Trump'smisogynistic rhetoric and the iconic power of Clinton's candidacy, feminist consciousness grew steadily across the nation. Analyzing these phenomena, the volume's authors--both journalists and academics--engage with prominent debates in their diverse fields, while an epilogue by the editors considers recent ongoing developments like the #metoo movement.

CHRISTINE A. KRAY is Associate Professor of Anthropology, TAMAR W. CARROLL is Associate Professor of History, and HINDA MANDELL is Associate Professor in the School of Communication, all at Rochester Institute of Technology.

Cassandra Mark-Thiesen

Mediators, Contract Men, and Colonial Capital

$120.00

An innovative study of labor relations, particularly the interactions of recruitment agents and migrant workers, in the mining concessions of Wassa, Gold Coast Colony, 1879 to 1909.

Recent years have seen renewed interest in the historical study of labor in Africa. Unlike those of the past, these new studies are rooted in the recognition of Africa's dynamic, expansive, and productive informal sector. While this book focuses on one of West Africa's earliest large-scale industries, namely the Wassa gold mines in the southwest Gold Coast, it is not solely concerned with the traditional working class. Rather, it explores the plurality oflabor relations that characterized the mining concessions during the period 1879 to 1909, including the presence of migrants from various parts of West Africa as well as casual and tributary laborers, both male and female.

In capturing the phenomenon of labor mobility as it played out in Wassa, Mediators, Contract Men, and Colonial Capital presents one of the fullest accounts of the labor agents who regularly brought groups of migrant laborers to the mines. The narrative discusses these agents' means of employment and roles in the informalization and indentureship of labor; in addition, it explores the regional dynamics of the recruitment machinery and confronts issues of coercion and choice.

Scholars interested in African history, global labor history, economic history, and women's work in Africa will find much of value in this innovative study.

Cassandra Mark-Thiesen is aResearch Fellow of the Swiss National Science Foundation (Marie-Heim Vögtlin Grant) in the history department of the University of Basel.