Name: Meat Matters
Brand: Sydney Watts
Price: 120.0 USD
Availability: InStock

Sydney Watts

Meat Matters

$120.00

In this book, Watts examines why meat mattered to a growing number of Parisians and explores the political, economic and cultural matters of the meat trade in order to illuminate more fully the changing world of Old Regime Paris.

In eighteenth century Paris, municipal authorities, guild officers, merchant butchers, stall workers, and tripe dealers pledged to provide a steady supply of healthful meat to urban elites and the working poor. Meat Mattersconsiders the formation of the butcher guild and family firms, debates over royal policy and regulation, and the burgeoning role of consumerism and public health. The production and consumption of meat becomes a window on important aspects of eighteenth-century culture, society, and politics, on class relations, and on economic change. Watts's examination of eighteenth-century market culture reveals why meat mattered to Parisians, as onetime subjects became citizens.

Sydney Watts is Associate Professor of history at the University of Richmond.

J. B. Owens

By My Absolute Royal Authority

$170.00

A study of the kingdom of Castile's judicial administration that brings together political ideas and political action by giving serious attention to how well royal justices were able to handle difficult, prominent lawsuits that raised politically troubling questions and involved major litigants.

"By My Absolute Royal Authority": Justice and the Castilian Commonwealth at the Beginning of the First Global Age is a study of judicial administration. From the fifteenth century to the seventeenth, the kingdom of Castileexperienced a remarkable proliferation of judicial institutions, which historians have generally seen as part of a metanarrative of "state-building." Yet, Castile's frontiers were extremely porous, and a crown government that could not control the kingdom's borders exhibited neither the ability to obtain information and shape affairs, nor the centrality of court politics that many historians claim in an effort to craft a tidy narrative of this period.
Castilians retained their loyalty to the monarchy not because of the "power" of the institutions of a developing "state," but because they shared an identity as citizens of a commonwealth in which a high value was given to justice as an ultimate purpose of the political community and a conviction that the sovereign possessed "absolute royal authority" to see that justice was done. This expectation served as a foundation for the political identity and loyalty that held together for several centuries the disparate and globally-dispersed domains of the Hispanic Monarchy, but perceptions of how well crown judicial institutions worked were a fundamental determinant of the degree of support a monarch could attract to meet fiscal and military goals.
This book maps part of this unfamiliar terrain through a microhistory of an extended, high profile lawsuit that was carefully watched by generations of Castilian leaders. Justices from the late fifteenth century to the reign of Philip II had difficulty resolving the conflict because the proper exercise of "absolute royal authority" was itself the central legal issue and the dispute pitted against each other members of important groups who demonstrated a tendency to give prominence to different interpretive schemes as they tried to comprehend their world. The account brings together political ideas and political action by giving serious attention to how well royal justices were able to handle difficult, prominent lawsuits that raised politically troubling questions and involved major litigants.

J. B. Owens is Professor of the History and Director of the Glenn E. Tyler Collection at Idaho State University, where he specializes in Spanish history and the use of Geographic Information Systems for research and teaching.

Paul Griffiths

The Substance of Things Heard

$170.00

A choice selection of essays, reviews and interviews providing insights into musical performance, composition in the late 20th century and very early 21st, and the nature of opera.

Paul Griffiths offers his own personal selection of some of his most substantial and imaginative articles and concert reviews from over three decades of indefatigable concertgoing around the world. He reports on premieres and other important performances of works by such composers as Elliott Carter, Sofia Gubaidulina, Karlheinz Stockhausen, and Steve Reich, as well as Harrison Birtwistle and other important British figures.
Griffiths vividly conveys the vision, aura, and idiosyncrasies of prominent pianists, singers, and conductors [such as Herbert von Karajan], and debates changing styles of performing Monteverdi and Purcell. A particular delight is his response to the worldof opera, including Debussy's Pelléas et Mélisande [six contrasting productions], Pavarotti and Domingo in Verdi at New York's Metropolitan Opera, Schoenberg's Moses and Aaron, and two wildly different Jonathan Miller versions of Mozart's Don Giovanni.
From the author's preface: "We cannot say what music is. Yet we are verbal creatures, and strive with words to cast a net around it, knowing most of this immaterial stuff will evadecapture. The stories that follow cover a wide range of events over a period of great change. Yet the net's aim was always the same, to catch the substance of things heard.
"Criticism has to work largely by analogy and metaphor. This is no limitation. It is largely through such verbal ties that music is linked to other sorts of experience, not least the natural world and the orchestra of our feelings."

Paul Griffiths's reviews and articleshave appeared extensively in both Britain [Times, Financial Times, Times Literary Supplement] and the United States [New Yorker, New York Times]. He has written numerous books on Bartók, Cage, Messiaen, Boulez, Maxwell Davies, twentieth-century music, opera, and the string quartet, and is the author of the recent Penguin Companion to Classical Music. He is also author of The Sea on Fire: Jean Barraqué.

John Michael Cooper

Mendelssohn, Goethe, and the Walpurgis Night

$36.95

The first in-depth study of Mendelssohn's two settings of Goethe's Die erste Walpurgisnacht, in the context of scenes from Goethe's Faust and other works.

This paperback edition of Mendelssohn, Goethe, and the Walpurgis Night addresses tolerance and acceptance in the face of cultural, political, and religious strife. Its point of departure is the Walpurgis Night. The Night, also known as Beltane or May Eve, was supposedly an annual witches' Sabbath that centered around the Brocken, the highest peak of the Harz Mountains.
After exploring how a notoriously pagan celebration came to be named after the Christian missionary St. Walpurgis (ca. 710-79), John Michael Cooper discusses the Night's treatments in several closely interwoven works by Goethe and Mendelssohn. His book situates those works in their immediate personal andprofessional contexts, as well as among treatments by a wide array of other artists, philosophers, and political thinkers, including Voltaire, Lessing, Shelley, Heine, Delacroix, and Berlioz.
In an age of decisive political and religious conflict, Walpurgis Night became a heathen muse: a source of spiritual inspiration that was neither specifically Christian, nor Jewish, nor Muslim. And Mendelssohn's and Goethe's engagements with it offer new insightsinto its role in European cultural history, as well as into issues of political, religious, and social identity -- and the relations between cultural groups -- in today's world.

John Michael Cooper is Professor of Music at Southwestern University and author of Mendelssohn's "Italian" Symphony (Oxford University Press).

Mendelssohn, Goethe, and the Walpurgis Night

Andrew Isenberg

The Nature of Cities

$120.00

Essays that investigate issues of race, class, consumption, and the body in an array of urban places, across a broad period from the late Renaissance to the present.

This volume explores the intersection of cities and the natural environment in an array of urban places, including New York, London, New Orleans, Venice, and Seattle, across a broad period from the late Renaissance to the present.The essays investigate the ecological context of revolts-both real and imagined-by urban squatters and slaves; urban epidemics and their cultural and political consequences; the social and economic impact of natural catastrophesupon urban places; and the environmental history of the rise and fall of cities. The Nature of Cities brings together the work of scholars employing new methods of research in urban and environmental history. The contributors to the volume, who include Karl Appuhn, Joanna Dyl, Ari Kelman, Matthew Klingle, Emmanuel Kreike, Sara Pritchard, Peter Thorsheim, and Ellen Stroud, represent a new generation of scholars in urban environmental history. Their innovative and interdisciplinary work draws on race, class, consumerism, landscape studies, and culture to address such questions as racial and class conflicts in urban public spaces; the cultural construction and control of publicspaces by economic and government powers; and the idealization of cities as apart from nature.

Andrew C. Isenberg is Associate Professor of History at Temple University. He is the author of The Destruction of the Bison: An Environmental History, 1750-1920 (New York, 2000), and Mining California: An Ecological History (New York, 2005).

A. E. Afigbo

The Abolition of the Slave Trade in Southeastern Nigeria, 1885-1950

$120.00

A historical reconstruction of the campaign to end the slave trade in Southeastern Nigeria.

The Abolition of the Slave Trade in Southeastern Nigeria, 1885-1950, is a history of the campaign waged by Great Britain in colonial Nigeria from approximately 1885 on, to abolish the internal slave trade in the Bight of Biafra and its hinterland, a region also known as Eastern Nigeria, Southeastern Nigeria, the Eastern Provinces, or the trans-Niger Provinces. It treats the internal slave trade and the war against it in this region and period as themes separate from the institution of slavery in the same area and the campaign to root it out generally known as emancipation. For this reason, and because slavery and the effort at emancipation have received more attention from scholars, this work concentrates entirely on that aspect of the slave trade and its fortunes under British colonial rule commonly known as abolition. In reconstructing the story of this important and protracted campaign, Adiele Afigbo sheds light on a dark corner of social history that has largely been neglected by historians.

Adiele Afigbo is Pofessor in the Department of History and International Relations at Ebonyi State University, Nigeria.

The Abolition of the Slave Trade in Southeastern Nigeria, 1885-1950

Christopher Lawrence

Rockefeller Money, the Laboratory and Medicine in Edinburgh 1919-1930:

$39.95

This book examines the Rockefeller Foundation's attempts to introduce the laboratory sciences, particularly biochemistry, into the Edinburgh medical world of the 1920s.

In the first half of the twentieth century, reformers attempted to use the knowledge and practices of the laboratory sciences to radically transform medicine. Change was to be effected through medicine's major institutions; hospitals were to be turned into businesses and united to university-based medical schools. American ideas and money were major movers of these reforms. The Rockefeller Foundation supported these changes worldwide. reform, however, wasnot always welcomed. In Britain many old hospitals and medical schools stood by their educational and healing traditions. Further, American ideals were often seen as part of a larger transatlantic threat to British ways of life. In Edinburgh, targeted by reformers as an important center for training doctors for the empire, reform was resisted on the grounds that the city had sound methods of education and patient care matured over time. This resistance waspart of an anxiety about a wholesale invasion by American culture that was seen to be destroying Edinburgh's cherished values and traditions. These latter in turn were seen to stem from a distinct Scottish way of life. This bookexamines this culture clash through attempts to introduce the laboratory sciences, particularly biochemistry, into the Edinburgh medical world of the 1920s.

Christopher Lawrence is Professor of the History of Medicine at the Wellcome Trust Centre for the History of Medicine, University College London. He is a fellow of the Royal College of Physicians of Edinburgh.

Rockefeller Money, the Laboratory and Medicine in Edinburgh 1919-1930:

Elizabeth Brayer

George Eastman

$39.95

Now back in print, this life of George Eastman is the first biography since 1930 of the man who transformed the world of photography. In this revealing and informative work, Brayer shows us how such key innovations as roll film and the light, hand-held camera helped the Eastman Kodak Company dominate the world market. More importantly, Brayer draws a vivid portrait of the man behind the money. Eastman worked hard at staying out of the limelight and even insisted that his donations be kept anonymous, prompting the Boston Globe to call him "America's most modest and least-known millionaire."

Despite his retirement in 1925, Eastman showed little sign of slowing down.Making money had been interesting, but putting money to work became more so. In the 1920s he designed a special camera for use in orthodontia and established elaborate dental clinics for needy children around the world. He oversaw the building of the Eastman theatre and the Eastman School of Music. His contributions built a new campus for the Massachusetts Institute of Technology and a new medical school for the University of Rochester. Finally, he becamethe largest contributor to the education of African Americans during the 1920s and the Tuskegee Institute's most important benefactor.

Elizabeth Brayer lives in Rochester, NY. For the past 18 years she has served on both the George Eastman Legacy and the Landscape committees at the George Eastman House, International Museum of Photography and Film. She writes about the history of central and Western New York State. George Eastman: A Biography was nominated for a Pulitzer Prize in 1996.

Steven Schick

The Percussionist's Art

$39.95

An engaging, practical, sometimes poetic account of the new world of percussion music -- from the 1930s (Varese, Cage) to today -- by one of its leading practitioners.

In the beginning there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen,Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expressionin sound. Foreword written by Paul Griffiths.
Contains a Compact Disc of Steven Schick performing eight musical works that he discusses in detail in the book. Composers include John Luther Adams, Brian Ferneyhough, Michael Gordon, David Lang, Edgard Varèse, Charles Wuorinen, and Iannis Xenakis.
Steven Schick is the world's leading exponent of solo percussion music involving multiple instruments. He has commissioned more than one hundred piecesfrom renowned composers including David Lang, Brian Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on a Can All-Stars (1992-2002) and Artistic Director of the Centre International de Percussion de Genève (Switzerland, 2002-4). He teaches at the University of California, San Diego, where he directs the percussion group "red fish blue fish."

Michael P. Breen

Law, City, and King

$130.00

An in-depth examination of political activities in early modern France that opens up new perspectives on the local workings of the French state and the experiences of those who participated in it.

Law, City, and King provides important new insights into the transformation of political participation and consciousness among urban notables who bridged the gap between local society and the state in early modern France. Breen's detailed research shows how the educated, socially-middling avocats who staffed Dijon's municipality used law, patronage, and the other resources at their disposal to protect the city council's authority and their own participation in local governance. Drawing on juridical and historical authorities, the avocats favored a traditional conception of limited "absolute" monarchy increasingly at odds with royal ideology. Despite their efforts to resist the monarchy's growth, the expansion of royal power under Louis XIV eventually excluded Dijon's avocats from the French state.
In opening up new perspectives on the local workings of the French state and the experiences of those who participated in it, Law, City, and King recasts debates about absolutism and early modern state formation. By focusing on the political alienation of notables who had long linked the crown to provincial society, Breen explains why Louis XIV's collaborative absolutism did not endure. At the same time, the book's examination of lawyers' political activities and ideas provides insights into the transformation of French political culturein the decades leading up to the French Revolution.

Michael P. Breen is Associate Professor of History and Humanities at Reed College in Portland, Oregon.

Carol Baron

Bach's Changing World:

$130.00

Bach's Changing World is a study of popular culture in the community in which Bach spent the last, the longest, and the most productive part of his life: the Leipzig middle-class.

The Leipzig middle-class evolved with the cooperation and gratitude of an extravagant, greedy, and disinterested absolutist ruler. Bach's Changing World documents how this community and other German communities responded toa variety of religious, social, and political demands that emerged during the years of the composer's lifetime. An accepted, admired, and trusted member of this community, as evidenced by the commissions he received for secular celebrations from royalty and members of the middle-class alike -- in addition to functioning as church composer -- Bach shared its values.

Contributors: Carol K. Baron, Susan H. Gillespie, Katherine Goodman, Joyce L. Irwin, Tanya Kevorkian, Ulrich Siegele, John Van Cleve, and Ruben Weltsch.

Carol K. Baron is Fellow for Life in the Department of Music at Stony Brook University, where she was co-founder and administrator of the Bach Aria Festival and Institute.

Toyin Falola, Matthew M. Heaton

HIV/AIDS, Illness, and African Well-Being

$110.00

A comprehensive view of health issues currently plaguing Africa, with an emphasis on the HIV/AIDS pandemic.

HIV/AIDS, Illness and African Well-Being highlights the specific health problems facing Africa today, most particularly the HIV/AIDS pandemic. Taking a multi-disciplinary approach, the book presents not only various healthcrises, but also the larger historical and contemporary contexts within which they must be understood and managed. Chapters offering analysis of specific illness case studies, and the effects of globalization and underdevelopmenton health, provide an overarching context in which HIV/AIDS and other health-related concerns can be understood. The contributions on the HIV/AIDS pandemic grapple with the complications of national and international policies, thesociological effects of the pandemic, and policy options for the future. HIV/AIDS, Illness and African Well-Being thus provides a comprehensive view of health issues currently plaguing the continent and the many differentways that scholars are interpreting the health outlook in Africa.

Contributors: Obijiofor Aginam, Yacouba Banhoro, Richard Beilock, Charity Chenga, Mandi Chikombero, Kaley Creswell, Freek Cronjé, Frank N. F. Dadzie, Gabriel B. Fosu, Stephen Obeng-Manu Gyimah, Kathryn H. Jacobsen, W. Bediako Lamousé-Smith, William N. Mkanta, Gerald M. Mumma, Kalala Ngalamulume, Raphael Chijioke Njoku, Cecilia S. Obeng, Iruka N. Okeke, Akpen Philip, Baffour K. Takyi, Melissa K. Van Dyke, Sophie Wertheimer, Ellen A. S. Whitney

Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas atAustin.
Matthew M. Heaton is a PhD candidate at the University of Texas at Austin.

HIV/AIDS, Illness, and African Well-Being

Professor Peter Bloom

Berlioz: Scenes from the Life and Work

$130.00

New studies of the great French composer by Jacques Barzun, David Cairns, Joël-Marie Fauquet, Hugh Macdonald, Julian Rushton, and other prominent experts.

These twelve essays bring new breadth and depth to our knowledge of the life and work of the composer of the Symphonie fantastique. A distinguished international array of scholars here treat such matters as Berlioz's "aesthetics" and what it means to write about the meaning of his music; the political implications of his fiction and the affinities of his projects as composer and as critic; what the Germans thought of his work before his travels in Germany and what the English made of him when he visited their capital city; what he seems to have written immediately after encountering Shakespeare's Romeo and Juliet (a surprise), and where he profited from Beethoven in what later became Roméo et Juliette. The volume closes with two reflective essays on Berlioz's literary masterpiece, the Mémoires.

Contributors: Lord Aberdare (Alastair Bruce), Jean-Pierre Bartoli, JacquesBarzun, Peter Bloom, David Cairns, Gunther Braam, Gérard Condé, Pepijn van Doesburg, Joël-Marie Fauquet, Frank Heidlberger, Hugh Macdonald, and Julian Rushton

Peter Bloom (Smith College) is author of The Life of Berlioz (1998) and editor of The Cambridge Companion to Berlioz (2000).

Kim Pelis

Charles Nicolle, Pasteur's Imperial Missionary

$45.95

Kim Pelis uses a wide range of French and Tunisian archival materials and a close reading of Nobel Prize-winning bacteriologist Charles Nicolle's scientific papers and philosophical treatises to explore the relationship of scienceand medicine to society and culture in the first third of the twentieth century.

This book examines the biomedical research of Nobel Prize-winning bacteriologist Charles Nicolle during his tenure as director of the Pasteur Institute of Tunis. Using typhus as its lens, it demonstrates how the complexities of early twentieth century bacteriology, French imperial ideology, the "Pastorian mission," and conditions in colonial Tunisia blended to inform the triumphs and disappointments of Nicolle's fascinating career. It illuminates how thesediverse elements shaped Nicolle's personal identity, the identity of his institute, and his innovative conception of the "birth, life, and death" -- or, the emergence and eradication -- of infectious disease.
Kim Pelis blends exhaustive archival research with a close reading of Nicolle's written work -- scientific papers, philosophical treatises, and literary contributions -- to explore the complex relations between biomedical ideas and socioculturalcontext. The result is a study that will be of interest not only to students of French history, colonial medicine, and the history of the biomedical sciences but also to anyone seeking to understand how individuals have attemptedto deal creatively with complex times and ambiguous knowledge.

Kim Pelis, a medical historian by training, is a writer for the director of the National Institutes of Health.

Charles Nicolle, Pasteur's Imperial Missionary

Professor Patricia Mazon

Not So Plain as Black and White

$130.00

An exploration of the subject of Afro-Germans, which, in recent years has captured the interest of scholars across the humanities for providing insight into contemporary Germany's transformation into a multicultural society.

Since the Middle Ages, Africans have lived in Germany as slaves and scholars, guest workers and refugees. After Germany became a unified nation in 1871, it acquired several African colonies but lost them after World War I. Children born of German mothers and African fathers during the French occupation of Germany were persecuted by the Nazis. After World War II, many children were born to African American GIs stationed in Germany and German mothers. Today there are 500,000 Afro-Germans in Germany out of a population of 80 million. Nevertheless, German society still sees them as "foreigners," assuming they are either African or African American but never German.

In recent years, the subject of Afro-Germans has captured the interest of scholars across the humanities for several reasons. Looking at Afro-Germans allows us to see another dimension of the nineteenth- and early twentieth-century ideas of race that led to the Holocaust. Furthermore, the experience of Afro-Germans provides insight into contemporary Germany's transformation, willing or not, into a multicultural society. The volume breaks new ground not onlyby addressing the topic of Afro-Germans but also by combining scholars from many disciplines.

Patricia Mazon is Associate Professor in the Department of History at the State University of New York at Buffalo.
Reinhild Steingrover is Assistant Professor in the Department of Humanities at the Eastman School of Music at the University of Rochester.

Edited by Evan Jones

Intimate Voices: The Twentieth-Century String Quartet

$130.00

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.

Modern composers as diverse as Béla Bartók, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and theirnew approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music.

Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music.

Intimate Voices: The Twentieth-Century String Quartet

Sylvester Okwunodu Ogbechie

Ben Enwonwu

$130.00

Winner - African Studies Association's 2009 Melville J. Herskovits Award

An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history.

The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art.

In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression in African cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, and Enwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity.

First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art.

Predrag Cicovacki

Destined for Evil?

$130.00

This collection of 15 essays on various aspects of the problem of evil brings together the opinions of well known authors from various disciplines [philosophy, theology, literary criticism, political science, etc].

This collection brings together a variety of responses to the ancient questions of whether we are -- individually and collectively -- destined for evil. The history of the previous century brought this question into the open morepoignantly than perhaps any other before it. Not surprisingly, then, what you will find here is a wide spectrum of opinions concerning the mystery of evil formulated throughout the twentieth century and at the very threshold of the twenty-first, which has inherited all of its open wounds and nightmarish memories. The pieces included here come from diverse fields: philosophy, religious studies, psychology, history, political science, and art; they also assume a variety of forms: essays, treatises, stories, correspondence, and interviews. The reader should not expect that the pieces collected here offer proven recipes of how to eliminate evil from the world: rather, they present a compelling testimony of human struggles with an aspect of our lives we cannot afford to ignore.

Contributors: Sharon Anderson-Gold, Hannah Arendt, Gil Bailie, Daniel Berrigan, Albert Camus, John P. Collins, Thomas Del Prete, Albert Einstein, Emil Fackenheim, Sigmund Freud, Philip Paul Hallie, Carl Gustav Jung, Michael Lerner, John Montaldo, Susan Neiman, Jeffrey Burton Russell, Aleksandr Solzhenitsyn, Tzvetan Todorov, Leo Tolstoy, Michael True, Nicholas Wolterstorff

Predrag Cicovacki is Associate Professor of Philosophy at the College of the Holy Cross, Worcester, Massachusetts, where he served as director of Peace and Conflict Studies and editor-in-chief of Diotima: A Philosophical Review. His publications include Anamorphosis: Kant on Knowledge and Ignorance (1997), Between Truth and Illusion: Kant at the Crossroads of Modernity (2002), Essays by Lewis White Beck: Fifty Years as a Philosopher (1998), and Kant's Legacy: Essays in Honor of Lewis White Beck (2001).

Lorenzo Candelaria

The Rosary Cantoral

$120.00

Unlocks the secrets behind the images and music of an important Spanish musical manuscript compiled for a brotherhood of suspected heretics ca. 1500.

The Rosary Cantoral is a rare and beautifully decorated manuscript of Latin plainchant for the Catholic Mass compiled in Toledo, Spain, around the year 1500. In an engaging and richly interdisciplinary essay, Lorenzo Candelaria approaches the Rosary Cantoral as a cultural artifact, unlocking the secrets behind its images and music to reveal the social history and rituals of an elite brotherhood dedicated to the rosary and aspects of the religious communityit served: the Dominicans of San Pedro Mártir de Toledo.
The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo presents a model for realizing the fuller significance of illuminatedmusic manuscripts as cultural artifacts and offers unprecedented insights into the social and devotional life of Toledo, Spain, around the turn of the sixteenth century. After solving the mystery of the Rosary Cantoral's origins,subsequent essays probe the meaning and cultural significance of the manuscript's iconography (including a border decoration after Albrecht Dürer), its rare Spanish chants for the Mass, and two striking musical works for multiplevoices (one by Josquin Desprez and another on "L'homme armé"). Ultimately, this book focuses on the extraordinary circumstances that engendered the compilation of the Rosary Cantoral around 1500: a system of patronage between a brotherhood of suspected heretics and a religious house that was a key supporter of the Inquisition in Toledo.

Lorenzo Candelaria (University of Texas at Austin) is co-author of American Music: A Panorama.

George J. Stack

Nietzsche's Anthropic Circle

$105.00

Nietzsche's Anthropic Circle is an internal analysis and interpretation of Nietzsche's critical uncovering of "anthropomorphic truth" in language and science, as well as his later use of anthropic analogies and transferences in his imaginative perspectival interpretation "a hybrid of art and science" of a universal, immanent "will to power" in nature. Both the relationship of Nietzsche to Kant's analysis of knowledge in the Critique of Pure Reason and his absorption of a dynamic theory of nature are explored in some detail.
A crucial distinction between Nietzsche's perspectival concept of knowledge and perspectival interpretation is thoroughly discussed against the background of recurring analyses of his critique of knowledge and truth. It is shown that instrumental fictionalism was adopted by Nietzsche in order to put in question the pure objectivism of science. This links an aspect of his thought to the domain of recent American philosophy of science. The anticipatory relationship between Nietzsche's proto-structuralist analysis of language and recent linguistic structuralism, as well as his affiliation with evolutionary epistemology is explored.
In the concluding portion of this inquiry it is contended that Nietzsche's psychology of a will to power in human drives, thought and behavior is at least theoretically defensible. However, it must be segregated from the extension of a will to power to the cosmos. There is a strong concluding argument offered that seeks to demonstrate that the so-called 'metaphysics' of the will to power is an artfully constructed, exoteric fable designed to retrieve a sense of the humanization of the world in face of a de-anthropomorphic world picture.

George Stack is Professor Emeritus of Philosophy at the State University College of NewYork at Brockport, and the author of several books dealing with the philosophy of Friedrich Nietzsche.

James M. Baker

Music Theory in Concept and Practice

$64.95

Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.

This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music.
These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory.

James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington.

James William Johnson

A Profane Wit

$65.00

A biography of the poet and libertine the Earl of Rochester.

Of the glittering, licentious court around King Charles II, John Wilmot, the second Earl of Rochester, was the most notorious. Simultaneously admired and vilified, he personified the rake-hell. Libertine, profane, promiscuous, heshocked his pious contemporaries with his doubts about religion and his blunt verses that dealt with sex or vicious satiric assaults on the high and mighty of the court. This account of Rochester and his times provides the facts behind his legendary reputation as a rake and his deathbed repentance. However, it also demonstrates that he was a loving if unfaithful husband, a devoted father, a loyal friend, a serious scholar, a social critic, and an aspiring patriot.

An Emeritus Professor of English at the University of Rochester, James William Johnson is the author or editor of nine books and many articles treating British and American Literature.

Brian S. Locke

Opera and Ideology in Prague

$190.00

An overview of the history of the Prague musical community from 1900 until the end of democracy in 1938, with attention to polemics about "Czechness" and "modernism."

This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. Opera and Ideology in Prague not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe.
The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing "legacies" of Smetana and Dvorák and the merits of modernism.After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation.
The 1926 Prague premiere of Berg's opera Wozzeck and the ascendancy of a young groupof avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians.
The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain anaudience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe.

Brian Locke is Assistant Professor of Music History at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's Wozzeck.

Annegret Fauser

Musical Encounters at the 1889 Paris World's Fair

$170.00

Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, thereby revealing the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.

The 1889 Exposition Universelle in Paris has become famous as a turning point in the history of French music, and modern music generally. For the first time, Debussy and his fellow composers could be inspired by Javanese gamelan music, while the Russian concerts conducted by Rimsky-Korsakov brought recent music by the Mighty Five to Parisian ears.
But the 1889 World's Fair had much wider musical and cultural ramifications; one contemporary described it as a "gigantic encyclopedia, in which nothing was forgotten." Music was so pervasive at the 1889 Exposition Universelle that newspaper journalists compared the sonic side of the affair to a "musical orgy." Musical encounters at the fair ranged from bandstand marches to folk and non-Western ensembles to symphonic and operatic premieres by Massenet to the mass-marketed Edison phonograph.
A rich and vivid literature [from newspaper columns to memoirs that are plumbed here for the first time] comments about this sonic landscape, reflecting the reactions and responses of composers [Saint-Saëns], writers [Judith Gautier], and journalists [Gaston Calmette].
Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the Exposition Universelle. It thereby also reveals the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.

Annegret Fauser is Associate Professor of Music at the University of North Carolina at Chapel Hill. Her many publications include books on French Wagnerism, Massenet's opera Esclarmonde, and French orchestral songs from Berlioz to Ravel.

Vincent A. Lenti

For the Enrichment of Community Life

$20.00

For the Enrichment of Community Life is the first part of the history of the Eastman School of Music, beginning with the events that led to the establishment of the school in 1921 and ending in 1932 with the death of the school's benefactor, George Eastman. It was Eastman -- the founder of Eastman Kodak, and Rush Rhees -- the remarkable president of the University of Rochester, who really made it all possible.
The story related here is not simply that of a music school. It also involves a symphony orchestra, an American opera company, a ballet company, a school of dance and drama, a music library, and a commercial radio station dedicated to broadcasting live classical music. It includes efforts to support the musical education of Rochester's elementary and secondary school children and the involvement of the symphony orchestra in their musical education. It is the story of the school's Eastman Theatre, which became the location of concerts and recitals by the world greatest musicians.
Upon the facade of the Eastman Theatre is the inscription "For the Enrichment of Community Life," words selected by Rush Rhees to dedicate the theater to that purpose. In a broader sense also, these words embody the mission of the Eastman School of Music.

Ann Genova

Yorùbá Identity and Power Politics

$170.00

Yorùbá Identity and Power Politics covers the major issues in Yorùbá history and politics, offering through narratives of the past and present a solid understanding of one of the most popular ethnic groups in Africa.

Yorùbá Identity and Power Politics covers the major issues on Yorùbá history and politics, thus offering a solid understanding of one of the most popular ethnic groups in Africa. With a careful blend of sources and methods,narratives on the past and present, the book manages to present a long history as the backdrop to complicated contemporary politics.

Contributors: Tunde M. Akinwumi, Olufunke A. Adeboye, R. T. Akinyele, Aribidesi Usman, Tunde Oduwobi, Olufemi Vaughan, Abolade Adeniji, Jean-Luc Martineau, Ann O'Hear, Rasheed Olaniyi, Charles Temitope Adeyanju, Julius O. Adekunle, Funso Afolayan, Olayiwola Abegunrin.

Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.
Ann Genova is a Ph.D. candidate at the University of Texas at Austin.

Maija Jansson

Proceedings in the Opening Session of the Long Parliament

$170.00

This final volume of the edition includes the Appendix materials [Lists of Members by family name and constituency, Lists of Officials by family name and office, Lists of Committees, Table of Bills, and Chronological Table of Speeches] and the comprehensive Index.

Volume 7 is the last volume of the edition of Proceedings in the Opening Session of the Long Parliament compiled by the Yale Center for Parliamentary History and edited by Maija Jansson.

It will contain all of theAppendix material referred to in the earlier volumes. It will also contain the Lists of Members, both by family name and constituency, the List of Committees, Table of Bills, List of Petitions, List of Joint Conferences and Reports, and the Comprehensive Index to volumes 1 through 6.

Maija Jansson is Director of the Yale Center for Parliamentary History.

Proceedings in the Opening Session of the Long Parliament

Dora A. Hanninen

A Theory of Music Analysis

$64.95

A new theory of musical analysis from an award-winning author, with six detailed analyses of works from Beethoven to today.

This book introduces a theory of music analysis that one can use to explore aspects of segmentation and associative organization in a wide range of repertoire including Western classical music from the Baroque to the present, withpotential applications to jazz and popular music, and some non-Western musics. Rather than a methodology, the theory provides analysts with precise language and a broad, flexible conceptual framework through which they can formulate and investigate questions of interest and develop their own interpretations of individual pieces and passages. The theory begins with a basic distinction among three domains of musical experience and discourse about it: the sonic (psychoacoustic); the contextual (or associative, sparked by varying degrees of repetition); and the structural (guided by a specific theory of musical structure or syntax invoked by the analyst). A comprehensive presentationof the theory, with copious musical illustrations, is balanced with close analyses of works by Beethoven, Debussy, Nancarrow, Riley, Feldman, and Morris.

Dora A. Hanninen is professor of music theory at the Universityof Maryland. She received the 2010 Outstanding Publication Award from the Society for Music Theory.

Scott Messing

Schubert in the European Imagination, Volume 2

$130.00

A richly detailed examination of the historical reception of Franz Schubert in nineteenth- and early twentieth-century Europe, with a concentration on fin-de-siècle Vienna.

Schubert in the European Imagination: Fin-de-Siècle Vienna examines the composer's historical and cultural reception by Viennese modernists. By 1900, issues of gender had crossed with those of nationalism, especially in thecity that came to consider Schubert as its favorite musical son. As Messing here explains and explores in rich detail, composers, writers, and visual artists manipulated the conventions of the composer and gender in ways that critiqued the very culture that had created this image.
In order to expose the hypocrisy of social relationships, painter Gustav Klimt and writers Arthur Schnitzler, Hugo von Hofmannsthal, and Peter Altenberg exploited the collision between innocence and sexuality, and Schubert was a readily familiar sign for the former.
The composer Arnold Schoenberg substituted his own formulation of Schubert in place of the older, popular conceptions of the composer, adding him to an illustrious list of figures whose significance he sought to redesign.

Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University ofRochester Press, 1996).

Schubert in the European Imagination, Volume 2

Gareth Austin

Labour, Land and Capital in Ghana

$69.95

An examination of the varied ways, outside and inside markets, in which Asante producers obtained labor, land and capital during the transformative era.

This is a study of the changing rules and relationships within which natural, human and man-made resources were mobilized for production during the development of an agricultural export economy in Asante, a major West African kingdom which became, by 1945, the biggest regional contributor to Ghana's status as the world's largest cocoa producer. The period 1807-1956 as a whole was distinguished in Asante history by relatively favorable political conditionsfor indigenous as well as [during colonial rule] for foreign private enterprise. It saw generally increasing external demands for products that could be produced on Asante land. This book, which fills a major gap in Asante economic history, transcends the traditional divide between studies of precolonial and of twentieth-century African history. It analyses the interaction of coercion and the market in the context of a rich but fragile natural environment,the central process being a transition from slavery and debt-bondage to hired labor and agricultural indebtedness. It contributes to the broad debate about Africa's historic combination of emerging "capitalist" institutions and persistent 'precapitalist' ones, and tests the major theories of the political economy of institutional change. It is written accessibly for an interdisciplinary readership.

Gareth Austin is a Lecturer in Economic History, London School of Economics and Political Science, and Joint Editor of the Journal of African History.

Maija Jansson

Proceedings in the Opening Session of the Long Parliament

$165.00

This volume reflects again the superb organization of the parliamentary body that met during these years.

This last volume of Proceedings in the Opening Session of the Long Parliament covers the period from 19 July through 9 September 1641. Both houses were by now growing thin as weary lords and commoners began to leave Londonfor families in the countryside, knowing they would be back in the city by October. The king left for Edinburgh in August, not to return until autumn.
In closing up for the recess the parliamentary body lost nothing of the work started, even while negotiating the final arrangements for peace with Scotland. The reader is again struck by the committee structure and the means for handling personal and somewhat private naturalization bills while at the same time keeping on track the major public bills regarding episcopacy and the nature of the Council and courts.

Maija Jansson is Director of the Yale Center for Parliamentary History.

Izabela Kalinowska

Between East and West

$120.00

A comparison between Russian and Polish texts of travels to the Orient in the Nineteenth-Century.

This study analyzes and compares Polish and Russian texts of travel to the Romantic and Biblical Orient and situates Polish and Russian Orientalism within the broader context of contemporary post-colonial studies. At the same time, it elucidates the shortcomings that arise when such theories are applied whole cloth to the Polish and Russian cases.

In the nineteenth century, scholarly and literary Orientalism enjoyed great popularity in Eastern Europe, in part because the 'East Europeans' desired to participate as equals in the intellectual life of Europe as a whole. Historically, both the Polish and Russian nations had always existed in close proximity to the Muslim world, and each of them had experienced extensive exposure to a fusion of Western and Eastern cultural traditions. But while the two cultures shared the intersection of Western and native cultural traditions that in turn played a determinative role in their encounters with the East, the growing political empowerment of Russia and the disenfranchisement of Poland differentiated the Polish and Russian perspectives. It is precisely this striking and fascinating power disparity between the two Slavic nations that has inspired this study's juxtaposition of Polish and Russian texts.

The records of individual Oriental voyages provided in Polish and Russian works of literary Orientalism document a quest for cultural self-definition. This is the case with Adam Mickiewicz's 'Crimean Sonnets,' Aleksandr Pushkin's Caucasian poetry, and with other nineteenth-century accounts that, in spite of their original popularity, subsequently underwent marginalization. East European records of travel constitute a work of interpretation and translation on several levels. As such they provide us with a fascinating repository of the authors' attempts to locate their own cultures in the intermediary space between the East and the West.

Izabela Kalinowska is an assistant professor of Slavic literatures and cultures at Stony Brook University.

Alec Wilder

Letters I Never Mailed: Clues to a Life

$45.00

Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer.

Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer.
Alec Wilder is a rare example of a composer who established a reputation both as a prolific composer of concertos, sonatas, and operas, and as a popular songwriter [including the hit "I'll Be Around"]. He was fearsomely articulate and had a wide and varied circle of friends ranging from Graham Greene to Frank Sinatra and Stan Getz. Letters I Never Mailed, hailed at its first publication [in 1975, by Little, Brown], tells the story of Wilder's musical and personal life through unsent "letters" addressed to various friends.
In it, he shares his insights -- and sometimes salty opinions -- on composing, musical life, and the tension between art and commercialism. Thisnew, scholarly edition leaves Wilder's original text intact but decodes the mysteries of the original through an annotated index that identifies the letters' addressees, a biographical essay by David Demsey, and photographs by renowned photographer and lifelong friend of Wilder, Louis Ouzer.

David Demsey is Professor of Music and coordinator of jazz studies at William Paterson University and an active jazz and classical saxophonist. He is co-author of Alec Wilder: A Bio-Bibliography [Greenwood Press] and has contributed to The Oxford Companion to Jazz.

Stephen Zank

Irony and Sound

$190.00

An insightful and exquisitely written reconsideration of Ravel's modernity, his teaching, and his place in twentieth-century music and culture.

What is it about Boléro, Gaspard de la nuit, and Daphnis et Chloé that makes musicians and listeners alike love them so?
Stephen Zank here illuminates these and other works of Maurice Ravel through several of the composer's fascinations: dynamic intensification, counterpoint, orchestration, exotic influences on Western music, and an interest in multisensorial perception.
Connecting all these fascinations, Zank argues, is irony. His book offers an appreciation of Ravel's musical irony that is grounded in the vocabularies and criticism of the time and in two early attempts at writing up a "Ravel Aesthetic" by intimates of Ravel.
Thomas Mann calledirony the phenomenon that is, "beyond compare, the most profound and most alluring in the world." Irony and Sound, written with insight and flair, provides a long-needed reconsideration of Ravel's modernity, his teaching, and his place in twentieth-century music and culture.

Musicologist Stephen Zank has taught at University of Illinois, University of North Texas, and University of Rochester. He is the author of Maurice Ravel: A Guideto Research.

Steven Steven Salm

African Urban Spaces in Historical Perspective

$49.95

This book presents new and interdisciplinary approaches to the study of African urban history and culture. Moving between precolonial, colonial, and contemporary urban spaces, it covers the major regions, religions, and urban societies of sub-Saharan Africa.

African Urban Spaces in Historical Perspective presents new and interdisciplinary approaches to the study of African urban history and culture. It presents original research and integrates historical methodologies with those of anthropology, geography, literature, art, and architecture. Moving between precolonial, colonial, and contemporary urban spaces, it covers the major regions, religions, and cultural influences of sub-Saharan Africa. The themes include Islam and Christianity, architecture, migration, globalization, social and physical decay, identity, race relations, politics, and development. This book elaborates on not only what makes the study of African urban spaces unique within urban historiography, it also offers an-encompassing and up-to-date study of the subject and inserts Africa into the growing debate on urban history and culture throughout the world.
The opportunities provided by the urban milieu are endless and each study opens new potential avenues of research. This book explores some of those avenues and lays the groundwork on which new studies can build.

Contributors: Maurice NyamangaAmutabi, Catherine Coquery Vidrovitch, Mark Dike DeLancey, Thomas Ngomba Ekali, Omar A. Eno, Doug T. Feremenga, Laurent Fourchard, James Genova, Fatima Muller-Friedman, Godwin R. Murunga, Kefa M. Otiso, Michael Ralph, Jeremy Rich,Eric Ross, Corinne Sandwith, Wessel Visser.

Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin; Steven J.Salm is Assistant Professor of History, Xavier University of Louisiana.

African Urban Spaces in Historical Perspective

Professor Patricia Mazon

Not So Plain as Black and White

$36.95

Since the Middle Ages, Africans have lived in Germany as slaves and scholars, guest workers and refugees. After Germany became a unified nation in 1871, it acquired several African colonies but lost them after World War I. Children born of German mothers and African fathers during the French occupation of Germany were persecuted by the Nazis. After World War II, many children were born to African American GIs stationed in Germany and German mothers. Todaythere are 500,000 Afro-Germans in Germany out of a population of 80 million. Nevertheless, German society still sees them as "foreigners," assuming they are either African or African American but never German.
In recent years, the subject of Afro-Germans has captured the interest of scholars across the humanities for several reasons. Looking at Afro-Germans allows us to see another dimension of the nineteenth- and early twentieth-century ideas of racethat led to the Holocaust. Furthermore, the experience of Afro-Germans provides insight into contemporary Germany's transformation, willing or not, into a multicultural society. The volume breaks new ground not only by addressing the topic of Afro-Germans but also by combining scholars from many disciplines.

Patricia Mazon is Associate Professor in the Department of History at the State University of New York at Buffalo. Reinhild Steingrover is Assistant Professor in the Department of Humanities at the Eastman School of Music at the University of Rochester.

Ray Allen

Ruth Crawford Seeger's Worlds

$130.00

Interdisciplinary perspectives on the life and work of the esteemed "ultra-modern" American composer and pioneering folk music activist, Ruth Crawford Seeger (1901-1953).

Ruth Crawford Seeger's Worlds offers new perspectives on the life and pioneering musical activities of American composer and folk music activist Ruth Crawford Seeger (1901-1953). Ruth Crawford developed a unique modernist style with such now-esteemed works as her String Quartet 1931. In 1933, after marrying Charles Seeger, she turned to the work of teaching music to children and of transcribing, arranging, and publishing folk songs.
Thiscollection of studies by musicologists, music theorists, folklorists, historians, music educators, and women's studies scholars reveals how innovation and tradition have intertwined in surprising ways to shape the cultural landscape of twentieth-century America.

Contributors: Lyn Ellen Burkett, Melissa J. De Graaf, Taylor A. Greer, Lydia Hamessley, Bess Lomax Hawes, Jerrold Hirsch, Roberta Lamb, Carol J. Oja, Nancy Yunhwa Rao, Joseph N. Straus,Judith Tick.

Ray Allen (Brooklyn College) is author of Singing in the Spirit: African-American Sacred Quartets in New York City.
Ellie M. Hisama (Columbia University) is author of Gendering Musical Modernism: The Music of Ruth Crawford Seeger, Marion Bauer, and Miriam Gideon.

Sara Chapman

Private Ambition and Political Alliances in Louis XIV's Government

$130.00

An exploration of the personal and professional networks of political power during the reign of Louis XIV, focusing on the influence of his minister Louis Phélypeaux de Pontchartrain.

This book explores the processes of state-building and the nature of political power in France during the reign of Louis XIV [1642-1715] through a study of a prominent ministerial family, the Phélypeaux de Pontchartrain. During the initial development of French governmental institutions in early modern France, patron-client ties provided networks for the transmission of political power that often paralleled or underpinned formal state institutions. In theabsence of an efficient state bureaucracy, these informal patron-client ties tended to be grounded in personal connections between patrons and clients: marriage, kinship, or friendship. During the second half of the reign of LouisXIV, however, earlier state-building and centralizing initiatives began to take root.
Although this study focuses primarily on one family, the Phélypeaux de Pontchartrain, it provides a broad study of institutions and political authority in the early modern French state from 1670 to 1715. Louis Phélypeaux de Pontchartrain and his son Jérôme became members of the small circle of Louis XIV's most important advisors and, as royal councillors, they headed virtually every administrative division in the royal government over the course of their careers: finances, the navy, the colonies, the king's household, and the justice system.
This study maps the evolution and developmentof the family's personal networks of power that included political patrons and clients in the parlements [law courts] in Paris, the royal court, among the clergy, in the outlying provinces, in the navy, and in the French colonies. The Pontchartrain family's complex political networks also show the important role of noblewomen in political networks and state-building. Marriage alliances proved to be an important factor in the family's ability to weather political crisis and scandals that beset the clan in the early seventeenth century.

Sara Chapman is Assistant Professor of History at Oakland University.

Private Ambition and Political Alliances in Louis XIV's Government

Thérèse Smith

Let the Church Sing!

$65.00

An examination of worldviews, religious belief and ritual as seen through the musical performances of one Afro-American Baptist church in a small black community in rural Mississippi.

"Let the Church Sing!": Music and Worship in a Black Mississippi Community is based on years of fieldwork by an Irish ethnomusicologist, who examines, in more detail than ever before, how various facets of the Clear Creek citizens' worldview find expression through religious ritual and music. Thérèse Smith, though originally very much an outsider, gradually found herself welcomed into Clear Creek by members and officials of the Clear Creek Missionary Baptist Church. She was permitted to record many hours' worth of sermons and singing and engaged in community events as a participant-observer. In addition, she conducted plentiful interviews, not just at Clear Creek but, for comparison, at Main St. Baptist Church in Lexington, Kentucky. All of this enables her to analyze in detail how music is interwoven in the worship service, how people feel about the music that they make and hear, and, more generally, how the religious views so vividly expressed help the Church's members think about the relationship between themselves, their community, and the larger world. Music and prayer enable the members and leaders of the Church to bring the realm of the spiritual into intersection with the material world in a particularly active way.
The book is enriched by extensive musical transcriptions and an accompanying CD of recordings from actual church services,and these are examined in detail in the book itself.

Thérèse Smith is in the Music Department, University College, Dublin.

Megan C. Armstrong

The Politics of Piety

$36.95

A history of the role played by the Franciscans during the contentious Wars of Religion (1562-1594).

In this paperback reissue of The Politics of Piety, author Megan Armstrong situates the Franciscan order at the heart of the religious and political conflicts of the late sixteenth century to show how a medieval charismatic religious tradition became an engine of political change. The friars used their redoubtable skills as preachers, intellectual training at the University of Paris, and personal and professional connections with other Catholic reformers and patrons to successfully galvanize popular opposition to the spread of Protestantism throughout the sixteenth century. By 1589, the friars used these same strategies on behalf of the Catholic League to try to prevent thesuccession of the Protestant heir presumptive, Henry of Navarre, to the French throne.

This book contributes to our understanding of religion as a formative political impulse throughout the sixteenth century by linking the long-term political activism of the friars to the emergence of the French monarchy of the seventeenth century.

Megan C. Armstrong is Associate Professor of History at McMaster University.

Simon Szreter

Health and Wealth

$39.95

Essays seeking to bring an historical perspective to bear on today's national and international policy concerns and to present original historical research that challenges conventional assumptions and viewpoints.

Today's complex policy problems cannot be understood by the social, medical, and policy sciences, alone. History is also required to interpret the present and to inform attempts to mould the future. The essays in this volume seekto bring an historical perspective to bear on today's national and international policy concerns and to present original historical research, which challenges conventional assumptions and viewpoints.
In Health and Wealth theessays in Part I offer an historian's reappraisal of several of the most influential ideas dealing with the relationships between health and economic development in the post-war international policy sciences, such as demographictransition theory; the McKeown thesis; and the population health approach.
Part II presents a distinctive interpretation of the course and causes of mortality change in Britain during the 'long century' of industrialisation,c.1780-1914. British history shows that rapid economic growth is a highly disruptive process, unleashing potentially deadly challenges. The key to life and death in Britain lay less in medical science or rising living standards than in the changing electoral politics of the nation's industrial cities. Class relations, political economy, ideology, religion and the public health movement were all significant elements in this story. A late-Victorian flowering of vigorous municipal government was the precursor to central state activism in the twentieth-century.
Part III reflects on history to make direct contributions to contentious current policy issues. The persistence of social and health inequalities today in developed nations and debates over the new concept of social capital are addressed, along with the economic and health problems of today's less developed countries. The lessons of history are awkward and heterodox, indicating the importance of establishing state-sanctioned institutions to ensure social security, legal identity and civic freedoms in advance of measures to stimulate and open these countries' economies to global trade.

Hannu Salmi

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces

$130.00

An exploration of how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region.

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces explores how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region and how excerpts fromthem were arranged for amateur performances in private homes. Wagner's music and his polemical writings aroused lively discussion around the Baltic, as they did everywhere else in the Western world. Thanks to detailed accounts innewspapers, journals, contemporary literature, and writings of music historians [including some by Sibelius's teacher and friend Martin Wegelius], we are privileged, in Hannu Salmi's book, to "listen in" on these debates, which often deal with crucial questions of national self-determination and of cultural independence from Europe.
This text reveals the surprising extent to which music lovers and operagoers from the various countries, many of them women, traveled to Wagner's Bayreuth Festival to attend performances. It also reconstructs the imaginative and patient efforts by which confirmed Wagnerians established Wagner societies in order to promote an understanding of the composer's work. Each country, each city, each local composer and conductor shows a distinctive approach -- welcoming, resistant, or some of each -- to the challenge of Wagner. In the process, we see music history and cultural history in the making.

Hannu Salmi is Professor of Cultural History at the University of Turku, author of Imagined Germany: Richard Wagner's National Utopia, and an editorial board member of wagnerspectrum.

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces

Erika Reiman

Schumann's Piano Cycles and the Novels of Jean Paul

$120.00

A study on the influence which the German novelist Jean Paul Friedrich Richter had upon Robert Schumann's music.

Robert Schumann frequently expressed his deep admiration for the novels of Jean Paul Friedrich Richter, the late-eighteenth-century German novelist, essayist, and satirist. Schumann imitated Jean Paul's prose style in his own fiction and music criticism, and said once that he learned "more counterpoint from Jean Paul than from my music teacher."
Drawing on the recent, groundbreaking work in musico-literary analysis of scholars such as Anthony Newcomb,John Daverio, and Lawrence Kramer, Erika Reiman embarks on a comparative study of Jean Paul's five major novels and Schumann's piano cycles of the 1830s, many of which are staples in the repertoire of concert pianists today.
The present study begins with a thorough review of Jean Paul's literary style, emphasizing the digressions, intertextuality, self-reflexivity, and otherworldliness that distinguish it. The similarly digressive style that Schumanndeveloped is then examined in his earliest works, including the enduring and highly original Carnaval [1835], and in cycles of the later 1830s, notably Davidsbündlertänze and Faschingsschwank aus Wien. Finally, an analysis of three one-movement works from 1838-39 reveals links with Jean Paul's exploration of the idyll, an ancient genre that had experienced an eighteenth-century revival.
Throughout, the author attempts to keep inmind the actual sound and performed experience of the works, and suggests ways in which an awareness of Jean Paul's style might change the performance and hearing of the cycles.

Erika Reiman, received her Ph.D. in Musicology from the University of Toronto [1999] and has taught at Brock University, Wilfrid Laurier University, the University of Guelph, and the University of Toronto; she is also active as a pianist and chamber musician.

Schumann's Piano Cycles and the Novels of Jean Paul

Kwaku Larbi Korang

Writing Ghana, Imagining Africa

$39.95

This book makes Africa the centerpiece of an intercultural investigation of modern colonial power and its resistance, focusing on the writings of Ghanaian intellectuals.

Writing Ghana, Imagining Africa changes dominant ideas about Africa's relations with modernity and the global history of nationalism by recovering, and bringing fresh interpretations to, a modern genealogy of African nationalist theory. Author Kwaku Larbi Korang examines the writing of intellectuals from preindependence Ghana from the latter half of the nineteenth century to the mid-twentieth, writers who operated self-consciously in a Pan-African ideological framework. By confronting the concept of "the African Nation" under the colonial order, Korang contends that these writer-intellectuals were also confronting modernity in ways that would be important to the late twentieth and early twenty-first centuries.
Through its affiliation with recent revisionary works that have demonstrated the conceptual and existential validity of "alternative modernities," the volume shifts our understanding of the modern from a securely and exclusively Western mode of being to the modern as relational and inclusively intercultural. It mobilizes this relational and intercultural conception to locate and outline "African modernity."
Additionally,Writing Ghana, Imagining Africa demonstrates why and how projections of, and debates about, "African modernity" have been more than a continental affair. Korang comprehensively relates the thought of African Americans (Martin Delany, Alexander Crummell, W. E. B. Du Bois, Richard Wright), and West Indians (George Padmore, C.L.R. James), to that of seminal anglophone West African thinkers like E. W. Blyden, Africanus Horton, J. E. Casely Hayford, and Kwame Nkrumah.

Kwaku Larbi Korang is associate professor in the Department of African and African American Studies at Ohio State University.

James William Johnson

A Profane Wit

$54.95

A biography of the poet and libertine the Earl of Rochester.

Of the glittering, licentious court around King Charles II, John Wilmot, the second Earl of Rochester, was the most notorious. Simultaneously admired and vilified, he personified the rake-hell. Libertine, profane, promiscuous, heshocked his pious contemporaries with his doubts about religion and his blunt verses that dealt with sex or vicious satiric assaults on the high and mighty of the court. This account of Rochester and his times provides the facts behind his legendary reputation as a rake and his deathbed repentance. However, it also demonstrates that he was a loving if unfaithful husband, a devoted father, a loyal friend, a serious scholar, a social critic, and an aspiringpatriot.

An Emeritus professor of English at the University of Rochester, James William Johnson is the author or editor of nine books and many articles treating British and American Literature.

John Graziano

European Music and Musicians in New York City, 1840-1900

$170.00

The first thorough exploration of musical life in nineteenth-century New York City, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti.

The musical scene in mid-nineteenth century New York City, contrary to common belief, was exceptionally vibrant. Thanks to several opera companies, no fewer than two orchestras, public chamber music and solo concerts, and numerouschoirs, New Yorkers were regularly exposed to "new" music of Verdi, Meyerbeer, Schumann, Berlioz, Liszt, and Wagner.

In European Music and Musicians in New York City, 1840-1900, the first thorough exploration of musical life in New York City during this period, editor John Graziano and a number of other distinguished essayists assert that the richness of the artistic life of the city, particularly at this time, has been vastly underrated and undervalued. This marvelous new collection of essays, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti, establishes that this musical scene was one of quantity and quality, lively and multifaceted -- in many ways equal to the scene in the largest of the Old World's Cities.

Contributors: Adrienne Fried Block, Christopher Bruhn, Raoul F. Camus, Frank J. Cipolla, John Graziano, Ruth Henderson, John Koegel, R. Allen Lott, Rena C. Mueller, Hilary Poriss, Katherine K. Preston, Nancy B. Reich, Ora Frishberg Saloman, Wayne Shirley.

John Graziano is Professor of Music, The City College and Graduate Center,CUNY, and co-Director of the Music in Gotham research project.

European Music and Musicians in New York City, 1840-1900

Maija Jansson

Proceedings in the Opening Session of the Long Parliament

$150.00

Volume 5 of Proceedings in the Opening Session of the Long Parliament covers the period from 7 June through 17 July 1641, during which time the Act of Pacification with Scotland was finalized; this is the penultimate volumeof text in the edition.

Volume 5 of Proceedings in the Opening Session of the Long Parliament covers the period from 7 June through 17 July 1641 and is the penultimate volume of text in the edition. Volume 6 will contain the proceedings from 19 July to the recess on 9 September 1641. The last volume of the edition will contain the comprehensive index and various appendixes and tables.
In the summer months of 1641 as parliamentarians prepared for a recess and reunions with families from whom they had been long separated, their accomplishments were apparent: important bills had been passed, impeachments were drafted, Strafford was beheaded and peace with Scotland was on the verge of becoming a reality.
Much of the business introduced in the course of the daily meetings since the convening of parliament in November 1640 was touched upon in the last months of summer before the adjournment in September. The effort to complete what was earlier begun is apparent in the topics of debate listed in the Orders of Business for each day.
The finalizing of the Act of Pacification with Scotland was the work of these months. The disbanding of troopson both sides, the organizing of the disposition of their weapons, and the settling of the complicated financial arrangements relating to almost all aspects of the peace were a major part of the work described in this volume andcontinued in volume 6.

Maija Jansson is Director of the Yale Center for Parliamentary History

Joel Speerstra

Bach and the Pedal Clavichord

$120.00

An examination of the role of the pedal clavichord in understanding the work of J. S. Bach, as well as its relevance to contemporary organ performances.

Friederich Griepenkerl, in his 1844 introduction to Volume 1 of the first complete edition of J. S. Bach's organ works, wrote: "Actually the six Sonatas and the Passacaglia were written for a clavichord with two manuals and pedal,an instrument that, in those days, every beginning organist possessed, which they used beforehand, to practice playing with hands and feet in order to make effective use of them at the organ. It would be a good thing to let suchinstruments be made again, because actually no one who wants to study to be an organist can really do without one."
What was the role of the pedal clavichord in music history? Was it a cheap practice instrument for organistsor was Griepenkerl right? Was it a teaching tool that helped contribute to the quality of organ playing in its golden age? Most twentieth-century commentary on the pedal clavichord as an historical phenomenon was written in a kindof vacuum, since there were no playable historical models with which to experiment and from which to make an informed judgment.
At the heart of Bach and the Pedal Clavichord: An Organist's Guide are some extraordinary recentexperiments from the Göteborg Organ Art Center [GOArt] at Göteborg University. The Johan David Gerstenberg pedal clavichord from 1766, now in the Leipzig University museum, was documented and reconstructed; the new copy was thenused for several years as a living instrument for organ students and teachers to experience. On the basis of these experiments and experiences, the book explores, in new and artful ways, Bach's keyboard technique, a technique preserved by his first biographer, J. N. Forkel [1802], and by Forkel's own student, Griepenkerl.

Yoram Bar-Gal

Propaganda and Zionist Education

$120.00

A history of the Jewish National Fund and the ways it encouraged Jews around the world to buy land in Palestine in the years 1924-1947.

The Jewish National Fund [JNF] is the executive body established by the Zionist movement in 1902 to buy land in Palestine for the Jewish people. Very quickly, however, it became an international organization and soon had branchesin many countries throughout the world. One of the tasks of these branches was to mediate between the central office in Jerusalem and the millions of Jews who donated money to buy land. The organization, which is still active throughout the Jewish world, concerned itself with "the marketing of ideology": the dissemination of symbols, knowledge and ideas to the masses of the Jewish people, and converted them into money and real estate property.
In thememories of much of World Jewry the JNF is linked with memories of their childhoods and the forming of their identities. The memory was, in fact, fashioned by the Propaganda Department of the JNF which worked through the mass communications media in the Jewish world and made its presence massively felt in the Jewish education networks in many countries. Among the most remembered items are "the Blue Box", the flagship of the organization, and the stamps distributed to schools, which were miniature posters making political declarations. Up until today there has been virtually no research carried out on these aspects of Zionist propaganda which helped to fashion this collective memoryand left its mark upon Jewish culture in Israel and the Jewish Diaspora.

Yoram Bar-Gal is Professor of Geography at Haifa University in Israel.

Matthew Brown

Explaining Tonality

$130.00

A defense of Schenkerian analysis of tonality in music.

A wide range of music -- from Bach to Mozart and Brahms -- is marked by its use of some form of what is generally called "tonality": the tendency of music to focus melodically on some stable pitch or tonic and for its harmony to use functional triads. Yet few terms in music theory are more enigmatic than that seemingly simple word "tonality."
Matthew Brown's Explaining Tonality: Schenkerian Theory and Beyond considers a number of disparate ways in which functional tonality has been understood. In particular, it focuses on the comprehensive theory developed by Heinrich Schenker in his monumental three-part treatise Neue musikalische Theorien und Phantasien [1906-1935].
Schenker systematically investigated the ways in which lines and chords behave both locally within individual tonal phrases and globally across entire compositions. Explaining Tonality shows why Schenker was able to elucidate tonal relationships so successfully and the many advantages that his explanations have over those of his rivals. In addition, it proposes some ways in which Schenker's approach can be extended to tonal features in works from before Bach [such as Monteverdi] and after Brahms [such as Debussy, Stravinsky, and much popular music of today].
Along the way, the book explores six methodological criteria that help in building, testing, and evaluatinga plausible theory of tonality or, indeed, any other musical phenomenon: accuracy, scope, fruitfulness, consistency, simplicity, and coherence. It reveals how understanding the tonality of a piece can shed light on other aspects of musical composition. And, in conclusion, it describes some ways in which Schenkerian theory might fruitfully develop in the future.

Matthew Brown is Professor of Music Theory at the Eastman School of Music, Universityof Rochester, and author of Debussy's "Ibéria" [Oxford University Press].

Jiyuan Yu

Rationality and Happiness

$115.00

This volume explores the relationship between rationality and happiness from ancient Greek philosophy to early Latin medieval philosophy.

What connection is there between human rationality and happiness? This issue was uppermost in the minds of the Ancient Greek philosophers and continued to be of importance during the entire early medieval period. Starting with theSocrates of Plato's early dialogues, who is regarded as having initiated the eudaimonistic ethical tradition, the present volume looks at Plato, Aristotle, the Skeptics, Seneca [Stoicism], Epicurus, Plotinus [neo-Platonism], Augustine, Boethius, Anselm, and ends with Abelard, the final major figure in early medieval philosophy. Special efforts are made to reveal and trace the continuity and development of the views on rationality and happiness among these major thinkers within this period.
The book's approach is historical, but the topics it treats are relevant to many discussions pursued in contemporary philosophical circles. Specifically, the book aims to make two major contributions to the ongoing development of virtue ethics. First, contemporary virtue ethics often draws distinctions between ancient Greek ethics and modern moral philosophy [mainly utilitarianism and Kantianism], and seeks to model ethics on ancient ethics. In doing so, however, contemporary virtue ethics often ignores the transition from Greek ethics to the early Latin medieval tradition.
Second, contemporary virtue-based ethics, in its efforts to seek insights from ancient ethics, centers on virtue. In contrast, in ancient and medieval ethics, virtue is pursued for the sake of happiness [eudaimonia], and virtue is conceived as excellence of rationality. Hence, the relationship between rationality and happiness provides the framework for ethical inquiry within which the discussion of virtue takes place.

Contributors: JULIA ANNAS, RICHARD BETT, JORGE J.E. GRACIA, BRAD INWOOD, WILLIAM MANN,JOHN MARENBON, GARETH B. MATTHEWS, MARK L. McPHERRAN, DONALD MORRISON, C.C.W. TAYLOR, JONATHAN SANFORD, JIYUAN YU.

Jiyuan Yu is Assistant Professor of Ancient Philosophy at the State University of New York at Buffalo.
Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguised Professor in the Departments of Philosophy and Comparative Literature at the State University of New York at Buffalo.

Kim Pelis

Charles Nicolle, Pasteur's Imperial Missionary

$170.00

Kim Pelis uses a wide range of French and Tunisian archival materials and a close reading of Nobel Prize-winning bacteriologist Charles Nicolle's scientific papers and philosophical treatises to explore the relationship of scienceand medicine to society and culture in the first third of the twentieth century.

This book examines the biomedical research of Nobel Prize-winning bacteriologist Charles Nicolle during his tenure as director of the Pasteur Institute of Tunis. Using typhus as its lens, it demonstrates how the complexities of early twentieth century bacteriology, French imperial ideology, the "Pastorian mission," and conditions in colonial Tunisia blended to inform the triumphs and disappointments of Nicolle's fascinating career. It illuminates how thesediverse elements shaped Nicolle's personal identity, the identity of his institute, and his innovative conception of the "birth, life, and death" -- or, the emergence and eradication -- of infectious disease.
Kim Pelis blends exhaustive archival research with a close reading of Nicolle's written work -- scientific papers, philosophical treatises, and literary contributions -- to explore the complex relations between biomedical ideas and socioculturalcontext. The result is a study that will be of interest not only to students of French history, colonial medicine, and the history of the biomedical sciences but also to anyone seeking to understand how individuals have attemptedto deal creatively with complex times and ambiguous knowledge.

Kim Pelis, a medical historian by training, is a writer for the director of the National Institutes of Health.

Charles M. Natoli

Fire in the Dark

$120.00

The eight essays in Fire in the Dark frame and probe Pascal's underlying contention that the darkling, "hidden" God of Christian revelation, though Himself a profound mystery, especially in the matter of his justice towardsfallen mankind, can nonetheless be used to demystify questions that matter most to us.

Pascal's Pensées afford a deeply penetrating view of the human condition [or predicament] as a prelude to a luminously reasoned defense of the Christian faith. His Provincial Letters are best remembered as a wickedly funny satire of "obliging and accommodating" Jesuit moral theologians who, guided by policy rather than piety, are willing to put virtue and salvation within the easy reach of all but the diabolical. Both works are landmarks ofFrench prose that have fascinated readers of all sorts from his day to ours. The eight essays in Fire in the Dark, two of which are new and four of which first appeared in French, frame and probe Pascal's underlying contention that the darkling, "hidden" God of Christian revelation, though Himself a profound mystery, especially in the matter of his justice towards fallen mankind, can nonetheless be used to demystify questions that matter most to us. But can the Supremely Obscure, like a dark lantern that is supremely dark, really illumine our whence, whither, and what now -- our nature, destiny and duties? "Watchman, what of the night?" The answers Pascal offers to Isaiah's query, whether they finally shed light on our world's chiaroscuro or not, can at least claim the authority of coming from out of the dark.

Charles Natoli is a member of the Department of Philosophy and Classical Studies at St. John Fisher College in Rochester, New York. He is also the author of Nietzsche and Pascal on Christianity [1985].

Nicholas Vazsonyi

Wagner's Meistersinger

$49.95

A volume of collected essays which engage Wagner's Die Meistersinger von Nurnberg from the perspective of both active performers and academics in a wide range of disciplines.

Richard Wagner's Die Meistersinger von Nurnberg has been one of the most performed operas ever since its premiere in 1868. It was adopted as Germany's national opera ("Nationaloper"), not least because of its historical coincidence with the unification of Germany under Bismarck in 1871. The first section of this volume, "Performing Meistersinger," contains three commissioned articles from internationally respected artists - a conductor (Peter Schneider), a stage director (Harry Kupfer) and a singer (Dietrich Fischer-Dieskau), all experienced in the performance of this unusually demanding 5-hour work. The second section, "Meistersinger and History," examines both the representation of German history in the opera and the way the opera has functioned in history through political appropriation and staging practice. The third section, "Representations," is the most eclectic, exploring in the first place the problematic question of genre from the perspective of a theatrical historian. The chronic issue of Wagner's chief opponent, Eduard Hanslick, and his musical and dramatic representation in the opera as Beckmesser, is then addressed, as are gender issues, and Wagner's own utterances concerning the opera.

Contributors: Nicholas Vazsonyi, Peter Schneider, Harry Kupfer, Dietrich Fischer-Dieskau, Hans Rudolf Vaget, Lutz Koepnick, David B. Dennis, Klaus Van Den Berg, Thomas S. Grey, Lydia Goehr, Eva Rieger, Peter Höyng.

Nicholas Vazsonyi is associate professor of German and comparative literature, University of South Carolina.

Rick Kennedy

A History of Reasonableness

$130.00

A defense of the social operation of thinking, with an emphasis on testimony and authority.

This book describes a lost tradition that can be called reasonableness. The tradition began with Aristotle, was recommended to Western education by Augustine, flourished in the schools of the Renaissance through the nineteenth century, then got lost in the academic and philosophic shuffles of the twentieth century. Representative of the tradition is John Locke's story of a King of Siam who rejected reports of the existence of ice. The King would have hadto risk too much trust in another man whom he did not know too well -- a Dutch ambassador -- in order to believe that elephants could walk on cold water. John Locke presented the story to encourage his readers to think about theresponsibilities and risks entailed in what he called 'the gentle and fair ways of information.'
The art of thinking is largely social. Popular textbook writers such as Quintilian, Boethius, Philipp Melanchthon, John of St.Thomas, Antoine Arnauld, Thomas Reid, Isaac Watts, Richard Whately, William Hamilton, L. Susan Stebbings, and Max Black taught strategies of belief, trust, assent, and even submission as part of reasonableness. For over two thousand years testimony and authority were at the center of lively discussions about teaching the art of thinking. In the twentieth century the tradition faltered largely due to Immanuel Kant's insistence that there should be no distinction between handling testimony and personal experience. This book recounts the history of a lively educational tradition and hopes to encourage its revival.

Rick Kennedy, whose previous books and articles have beenabout Colonial American logic, mathematics, and science, is Professor of History at Point Loma Nazarene University.

Kenneth Mills

Conversion in Late Antiquity and the Early Middle Ages

$130.00

A re-examination of the social processes behind religious conversions in the Ancient and Early Middle Ages.

This volume explores religious conversion in late antique and early medieval Europe at a time when the utility of the concept is vigorously debated. Though conversion was commonly represented by ancient and early medieval writersas singular and personally momentous mental events, contributors to this volume find gradual and incomplete social processes lurking behind their words. A mixture of examples and approaches will both encourage a deepening of specialist knowledge and spark new thinking across a variety of sub-fields. The historical settings treated here stretch from the Roman Hellenism of Justin Martyr in the second century to the ninth-century programs of religious and moral correction by resourceful Carolingian reformers. Baptismal orations, funerary inscriptions, Christian narratives about the conversion of stage-performers, a bronze statue of Constantine, early Byzantine ethnographic writings, and re-located relics are among the book's imaginative points of entry. This focused collection of essays by leading scholars, and the afterword by Neil McLynn, should ignite conversations among students of religious conversion andrelated processes of cultural interaction, diffusion, and change both in the historical sub-fields of Late Antiquity and the Early Middle Ages and well beyond.
This book is one of two collections of essays on religious conversion drawn from the activities of the Shelby Cullum Davis Center for Historical Studies at Princeton University between 1999 and 2001. The other volume, Conversion: Old Worlds and New, is also published by the Universityof Rochester Press.

Contributors: Susan Elm, Anthony Grafton, Richard Lim, Rebecca Lyman, Michael Maas, Neil McLynn, Kenneth Mills, Eric Rebillard, Julia M. H. Smith, Raymond Van Dam.

Conversion in Late Antiquity and the Early Middle Ages

Richard E. Holl

From the Boardroom to the War Room

$120.00

This book chronicles the ideological changes experienced by the corporate liberals between World War I and World War II, illustrating how this group overcame a number of constraints to help reconfigure the American economy and prepare the country for war.

Between World War I and World War II, America's corporate liberals experienced a profound ideological change. In the 1920s, corporate liberals embraced company-specific solutions to economic problems. They believed that if every company, in every industry, employed advanced managerial techniques -- such as granting workers non-wage benefits to increase their job satisfaction -- employment, production, and profits could be stabilized and prosperity sustained indefinitely. The Great Depression, of course, made a mockery of this idyllic vision. Corporate liberals admitted that private efforts failed to maintain the nation's economic health, ultimately endorsing large-scale governmentintervention to bail out the stricken economy. By 1935, the corporate liberal conversion from privatism to business-government partnership was well under way.
Corporate liberals served President Franklin Roosevelt throughoutthe Depression and preparedness periods. Marion Folsom of Eastman Kodak Corporation, Edward Stettinius, Jr. of United States Steel, and others joined New Deal agencies struggling to re-employ workers and bring about social security. Later, at Roosevelt's request, they entered emergency preparedness bodies to ready the United States for the possibility of war. When Japan attacked Pearl Harbor on December 7, 1941, the reconfigured American economy (which the corporate liberals had done so much to create) proved capable of mass producing weapons and other equipment. The bottom line, staunchly revisionist in nature, is that the corporate liberals ran an effective mobilization campaign, overcoming isolationist resistance to rearmament, Roosevelt's reluctance to grant them genuine authority, and other constraints.

Richard E. Holl is Professor of History at the Lees College Campus of Hazard Community and Technical College. His latest article, on Axis prisoners of war in Kentucky, won the Collins Award of the Kentucky Historical Society.

Robert Paul Wolff

Autobiography of an Ex-White Man

$29.99

An intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience.

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s.
Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage -- Freedom for the few, and then forthose who are White, Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience.
Wolff's optimistic outlook leads him to express the hope that acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project.

Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.

Arnold Hughes

A Political History of the Gambia, 1816-1994

$64.95

The only complete study of modern Gambian politics from the establishment of British rule to the overthrow of the Jawara government.

A Political History of the Gambia: 1816-1994 is the first complete account of the political history of the former British West African dependency to be written. It makes use of much hitherto unconsulted or unavailable British and Gambian official and private documentary sources, as well as interviews with many Gambian politicians and former British colonial officials.

The first part of the book charts the origins and characteristics of modern politics in colonial Bathurst (Banjul) and its expansion into the Gambian interior (Protectorate) in the two decades after World War II. By independence in 1965, older urban-based parties in the capital had been defeated bya new, rural-based political organisation, the People's Progressive Party (PPP).

The second part of the book analyzes the means by which the PPP, under President Sir Dawda Jawara, succeeded in defeating both existing and new rival political parties and an attempted coup in 1981. The book closes with an explanation of the demise of the PPP at the hands of an army coup in 1994.

The book not only establishes those distinctive aspects ofGambian political history, but also relates these to the wider regional and African context, during the colonial and independence periods.

A Political History of the Gambia, 1816-1994

Elizabeth Lane Furdell

Publishing and Medicine in Early Modern England

$130.00

An investigation of the role which the English book trade played in an important transitional period in early modern medicine.

This book examines the effects of medical publishing on the momentous theoretical and jurisdictional controversies in health care in early modern England. The simultaneous collapse of medical orthodoxy and the control of medicinein London by the Royal College of Physicians occurred when reform-minded doctors who were trained on the continent, in tandem with surgeons and apothecaries, successfully challenged the professional monopoly held by Oxbridge-educated elites. This work investigates the book trade, the role it played in medicine, and the impact of the debate itself on the public sphere. Chapters analyze the politics and religious preferences of printers and sellers, gender as a factor in medical publishing, and the location of London bookshops, for clues to the business of well-being. Advertisements for remedies and therapeutic skills, the subject of another essay, became commonplace in 17th-centuryEngland; moreover, publishers and bookshop owners sometimes held the rights to proprietary medicines, undercutting licensed doctors. The final chapter surveys a variety of medical illustrations and their influence on the relationship between patient and physician. An epilogue considers the English medical scene and the world of print after the famous Rose decision of 1702, when the House of Lords gave apothecaries the legal right to practice medicine, ratifying the reality of a changed marketplace.

Elizabeth Lane Furdell is Professor of History at the University of North Florida, and author of The Royal Doctors, 1485-1714 .

Publishing and Medicine in Early Modern England

Arved Ashby

The Pleasure of Modernist Music

$45.95

An exploration of the meaning and reception of "modernist" music.

The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists inthat they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse.
The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts-- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell.

Arved Ashby is Associate Professor of Music at the Ohio State University.

Peter Glazer

Radical Nostalgia:

$36.95

A detailed history of the commemorations of US activist involvement in the Spanish Civil War, based on a combination of archival and ethnographic evidence.

Nostalgia can serve as a vital tool in the emotional reconstitution and preservation of suppressed histories, rather than sentimentally privileging the past at the expense of present concerns and limiting a culture's progressive potential. Between 1936 and 1938, responding to a military coup in Spain led by Francisco Franco with the support of both Hitler and Mussolini, over 2700 US anti-fascists joined 30,000 volunteers from around the world to form the International Brigade. They came together to defend the democratically elected Spanish government against this early manifestation of the fascist Axis. After three bloody years, Franco's rebellion succeeded, and his dictatorship lasted until his death in 1975.
From the moment the first American volunteers returned home, and to this day, they have been holding commemorative events recalling the struggle. For nearly seventy years, the Veterans of the Abraham Lincoln Brigade have cited and re-cited their activist past in theatrically eclectic, highly emotional commemorative performances, a site for both nostalgia and progressive politics. Literary recitations, scripted dramatic pieces, songs, films, photographs, and celebrity appearances have been juxtaposed with speeches, fundraising, and a rigorous attention to pressing political and social concerns of the day. The history and content of these events isdetailed and analyzed here based on a combination of archival and ethnographic evidence. The exemplary role of songs from the war, as both nostalgic triggers and historical artifacts, is also examined.
Commemorations of theSpanish Civil War have provided necessary anchors for a period in U.S. history when views now thought extreme were an accepted part of mass political discourse. Through this rich, inter-generational performance practice, a marginalized, vernacular political minority has deployed radical nostalgia as a necessary corrective to an official culture disinterested in America's leftist past, and threatened by its implications.

Peter Glazer is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley.

Margaret G. Cobb, Richard Miller

Debussy's Letters to Inghelbrecht

$120.00

The first English translation of the correspondence between two composers and friends.

Désiré-Emile Inghelbrecht was a conductor and composer. His friendship with Claude Debussy began in 1911 (although they had met previously), and he soon became one of the Master's closest friends.
This book is the first publication, in the original French and in English translation, of the correspondence between these two musicians. Beginning rather formally in 1912, with the salutation "Mon cher Inghelbrecht," the correspondence soon became much moreintimate, with Debussy addressing Inghelbrecht as "Mon cher ami" or "Cher Inghel."
Although Debussy had a reputation for being cold and distant and for avoiding strangers, this was just his way of maintaining his privacy. This aloofness enabled him to express in private the warmth he felt toward those few close friends whose intimacy he needed and cherished. Inghelbrecht was in the forefront of this group. Their friendship was based not only on a mutual respect for each other's talents as artists and musicians, but also on the sharing of intimate secrets and warm feelings. Inghelbrecht's wife would later write that her husband retained the mark Debussy left on him. "For him, he was a beacon, a guide. And he had the deep joy of being able, up until his last days, to bring to life with passion, with all his talent-the works of a man who had been for a few years his friend."
Margaret G. Cobb, the"doyenne of Debussy scholars," brings to life these two talented men. She enriches Richard Miller's idiomatic translation of the letters with copious notes and wonderful illustrations to illuminate a great musical friendship.

Margaret G. Cobb is also the author of The Poetic Debussy, available from the University of Rochester Press. In 2002 she was awarded the title of Officier de l'Ordre des Arts et des Lettres by the French Government'sMinistère de la Culture et de la Communication.

Angela N. H. Creager, William Chester Jordan

The Animal/Human Boundary: Historical Perspectives

$170.00

An examination of the difficulties in fundamentally differentiating humans from all other animals.

The way in which humans articulate identities, social hierarchies, and their inversions through relations with animals has been a fruitful topic in anthropological and historical investigations for the last several years. The contributors to this volume call attention to the symbolic meanings of animals, from the casting of first-year students as goats in medieval universities to the representation of vermin as greedy thieves in early modern England. But the essays in this volume are also concerned with the more material and bodily aspects of animal-human relations, like eating regulations, aggression, and transplanting of animal organs into human beings [xenotransplantation].
Modern biologists have increasingly problematized the human-animal boundary. Researchers have challenged the supposedly unique ability of humans to use language. Chimpanzees and gorillas, it has been argued, have learned to communicate using American Sign Language. In addition, some scientists regard the sophistication of modes of communication in species like dolphins and songbirds as undermining the view of humans as uniquely capable of complex expressions. As studies of nonhuman primates threaten to compromise the long-held assumption that only humans possess self-awareness. The question becomes: How can one firmly differentiate human beings from other animals?

Contributors include Piers Beirne, Richard W. Burkhardt, Jr., Mary E. Fissell, Paul H. Freedman, Ruth Mazo Karras, Susan E. Lederer, Rob Meens, John H. Murrin, James A. Serpell, and H. Peter Steeves.

Angela N. H. Creager andWilliam Chester Jordan are Associates of the Shelby Cullom Davis Center for Historical Studies, Princeton University.

The Animal/Human Boundary: Historical Perspectives

Christopher Hoolihan

An Annotated Catalogue of the Edward C. Atwater Collection of American Popular Medicine and Health Reform

$210.00

This book constitutes Volume II of a two-volume annotated catalogue [M-Z] on the Edward C. Atwater Collection of American Popular Medicine and Health Reform.

This is a catalog of rare books dealing with 'popular medicine' in early America. Though written primarily by people with professional competence, the books described within are directed to a non-medical audience. They teach humananatomy, physiology, hygiene, sanitation, temperance, and diet; how to maintain or regain health, or how to cope with illness, especially when no professional help was available. They also deal with reproduction: how to do it, how to limit it; how to deliver and care for a baby; the special health needs of women; the closeted world of venereal disease. Physical fitness is another important part of the collection, with books on exercise, recreation and travel for health. And there are works which tell what to do until a doctor comes; or what to do in times of epidemics; of home nursing and cooking for invalids; and how to treat all manner of sickness and injury. It was generally the popular writers who emphasized the importance of preventive medicine and a healthful regimen, and the need for public sex education. In these areas, largely ignored by the regular medical profession, the popular literature madeimportant contributions to the health of citizens and the history of medicine.

This book constitutes Volume II of a two-volume catalogue [M-Z], and represents the collective work of Edward Atwater, an Emeritus Professorof Medicine and the History of Medicine at the University of Rochester Medical School.
Christopher Hoolihan is History of Medicine Librarian at the University of Rochester Medical School's Edward G. Miner Library.

An Annotated Catalogue of the Edward C. Atwater Collection of American Popular Medicine and Health Reform

Professor Toyin Falola

Sources and Methods in African History

$49.95

An overview of the ongoing methods used to understand African history.

Spurred in part by the ongoing re-evaluation of sources and methods in research, African historiography in the past two decades has been characterized by the continued branching and increasing sophistication of methodologies and areas of specialization. The rate of incorporation of new sources and methods into African historical research shows no signs of slowing.
This book is both a snapshot of current academic practice and an attempt to sort throughsome of the problems scholars face within this unfolding web of sources and methods. The book is divided into five sections, each of which begins with a short introduction by a distinguished Africanist scholar. The first sectiondeals with archaeological contributions to historical research. The second section examines the methodologies involved in deciphering historically accurate African ethnic identities from the records of the trans-Atlantic slave trade. The third section mines old documentary sources for new historical perspectives. The fourth section deals with the method most often associated with African historians, that of drawing historical data from oral tradition. Thefifth section is devoted to essays that present innovative sources and methods for African historical research.
Together, the essays in this cutting-edge volume represent the current state of the art in African historical research.

Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.
Christian Jennings is a Doctoral Candidatein History at the University of Texas at Austin.

Axel Harneit-Sievers

Constructions of Belonging

$170.00

Applies new approaches to the study of a small, densely populated region of West Africa, integrating them into a regional history that analyzes interactions between localities and the modern state.

Constructions of Belonging provides a history of local communities living in Southeastern Nigeria since the late nineteenth century, examining the processes that have defined, changed, and re-produced these communities. Harneit-Sievers explores both the meanings and the uses that the community members have given to their particular areas, while also looking at the processes that have shaped local communities, and have made them work and continue tobe relevant, in a world dominated by the modern territorial state and by worldwide flows of people, goods, and ideas.

Axel Harneit-Sievers is a Research Fellow at the Center for Modern Oriental Studies, and Director ofthe Nigeria Office of the Heinrich Böll Foundation in Lagos.

Scott M. Roulier

Kantian Virtue at the Intersection of Politics and Nature

$29.99

An examination on how virtue is acquired in Kant's ethics.

In Kant's philosophy, virtue is defined as the moral strength or resolve to adopt obligatory ends and to act upon only those maxims that can apply equally to all. But how is virtue acquired? To answer this question, this projectturns to Kant's moral anthropology, broadly conceived, in which he considers those "subjective conditions in human nature" that both facilitate and hinder the quest for virtue.Tailored to the specific constitution of human beings,then, are a number of moral-anthropological strategies for strengthening and promoting moral principles. Drawing on Kant's own discussions and the work of several contemporary interpreters this study identifies key approaches tocharacter formation. The central concern of the project, however, is to investigate the roles Kant suggests the larger social-political and natural settings -- that is, the dynamic and inspiring contexts of natural beauty, law andpolitical discourse -- play in the process of virtue acquisition.
The story of politics' and nature's influence on virtue acquisition leads into intriguing and, given traditional understandings of Kant, unexpected territory.This study also takes up the question of reciprocal relations: Once acquired, What support, if any, does virtue provide for politics and nature? With the goal of highlighting what may be valuable in a Kantian approach tothe environment, the book assesses the workability of alternative ethical paradigms, e.g. bio- and ecocentric philosophies, and concludes that, while both schools of thought challenge anthropocentric assumptions in helpful ways, they are ultimately flawed. By engaging in this kind of critique, this study creates a plausibility structure for re-considering the merits of a Kantian approach.

Scott Roulier is Associate Professor of Political Science at Lyon College.

Kantian Virtue at the Intersection of Politics and Nature

Michael Lepore

The Life of the Clinician

$60.00

The autobiography of one of America's most important gastroenterologists.

Michael Lepore [1910-2000] was a pioneer in the field of gastroenterology. He was a member of one of the first graduating classes of the University of Rochester Medical School, and went on to a distinguished career at Columbia University, New York University, and St. Vincent's Hospital and Medical Center of New York. This autobiography tells of his experiences as an Italian-American who overcame prejudices to become the personal physician to such notablesas Greta Garbo and President Herbert Hoover. His story is witty and cleverly written, and details the way the medical profession changed from the Great Depression to the late 1990s. Michael Lepore was an alumnus of Duke University Medical School and the University of Rochester School of Medicine, and was the Director, Gastroenterology Section, Departments of Medicine and Surgery Emeritus, St. Vincent's Hospital and Medical Center of New York.

Elizabeth Isichei

Voices of the Poor in Africa

$36.95

An ambitious new approach to African studies, utilizing indigenous sources to bring back the voices of the native Africans in their own words rather than that of colonizers and foreigners.

Elizabeth Isichei explores the Atlantic slave trade, as reflected in the poetics of rumour and the poetics of memory -- an approach different from the quantitative and demographic studies which have transformed the subject over the past twenty years. To this and to her study of popular consciousness in the colony and postcolony, she brings together a wide range of disciplines -- ethnography, art and art history, and contemporary literary theory among them -- to look at the intellectual history of Africa, from African rather than European premises. The result is a history of popular consciousness which shows the experiences of ordinary people, often in protest to an ongoing experience of exploitation.

Elizabeth Isichei is Professor of Religious Studies, Otago University, Dunedin, New Zealand and author of over a dozen books on African history and religion. She holds an Oxford doctorate, and aD.Litt from the University of Canterbury, and is a fellow of the Royal Society [N.Z.]

Seymour I. Schwartz

The Mismapping of America

$29.99

The history of five major cartographic errrors of American geography that have had considerable resonance long after they were perpetrated.

The Mismapping of America presents and analyzes the significant cartographic errors that have shaped the history of the United States. Perhaps the most blatant error is the very name "America," that honors Amerigo Vespucci,who not only never set foot on North American soil, but also played no significant role in the discovery of South America. The appearance of the name "America" imprinted on a map ensured its permanence.
Other significant errors explored in The Mismapping of America include Giovanni da Verrazzano's misinterpretation of Pamlico or Albermarle Sound for the Pacific Ocean, thereby suggesting the presence of an isthmus in the middle of the North American continent; the existence of a direct North West passage between the Atlantic and Pacific oceans; the misconception that California was an island; and the insertion on Lake Superior of a fictitious island that is specificallyreferred to in defining the boundary of the United States. The inclusion of pertinent rare maps enhances this rich and revealing narrative of several intriguing episodes in the history of the geographic evolution of the United States.

Seymour I. Schwartz is the Distinguished Alumni Professor of Surgery at the University of Rochester, and an expert on the history of mapping America. He is the coauthor of Mapping of America and author of The French and Indian War 1754-1763: The Imperial Struggle for North America and This Land is Your Land.

Marc S. Rodriguez

Migration in History

$130.00

A study of migration habits as a global phenomenon.

Migration in History explores the nature and complexity of the movement of peoples, cultures, and ideas in historical context. This engaging volume presents essays from a variety of scholars to expand our understanding ofthe longstanding process and history of migration as an established global phenomenon. The articles examine population movements and their demographic, social, political, legal, and cultural causes and consequences in Medieval andModern Europe, South Asia, Israel, and China.

Topics addressed include voluntary and forced movements of people within and between regions and nations; movement towards urban centers or dispersal into surrounding countryside; transfers of cultural objects, practices, and technologies; experiences of resocialization and the transfer, reconstruction, and creation of memories, myths, values and symbols; the role of local, national, and transnational legal institutions; the relationship between immigration, assimilation, religion, and acculturation; movement in the interest of ethnic autonomy or secession, and as a response to such dangers as deprivation, religious persecution, and the development of border zones within which populations move and interact.

Contributors: David Abraham, Elspeth Carruthers, Hasia R. Diner, Luca Einaudi, Joshua Fogel, Gautam Ghosh, and Carl Ipsen.

Anthony T. Grafton teaches European history at Princeton University; Marc S. Rodriguez is Assistant Professor of History at the University of Notre Dame.

Chistopher Hoolihan

An Annotated Catalog of the Edward C. Atwater Collection of American Popular Medicine and Health Reform [3 volume set]

$275.00

This three-colume set catalogues the Edward C. Atwater, M.D., Collection of American Popular Medicine, housed at the University of Rochester Medical School library. The books described in the catalogue were written by physicians and other professionals to provide information for the non-medical audience on human anatomy, hygiene, temperance and diet, health maintenance, and illness, especially in the absence of professional medical help. The books promoteda healthy lifestyle for readers, offfering guidance on everything from physical fitness to the special health needs of women.
The third and final volume of the annotated catalog of the Edward C. Atwater, M.D. Collection of American Popular Medicine includes books, manuscripts, pamphlets, periodicals, and printed ephemera acquired since the publication of Volume 1 (Authors A-L) in 2001 and Volume 2 (Authors M-Z) in 2004. Volume 3 (Authors A-Z) contains entries for more than 2,000 items. Together, these three volumes provide an unparalleled perspective on the vast and diverse body of literature published between the colonial period and World War I that, among other things, instructed Americans on the domestic treatment of illness or injury, advised women on reproductive control, and enlightened school children on the structure and functioning of their own bodies.
The Atwater Collection is the product of nearly four decades of collecting by Edward C. Atwater, M.D., Professor Emeritus of Medicine and the history of medicine at the University of Rochester School of Medicine and Dentistry.

Christopher Hoolihan is History of Medicine Librarian at the University of Rochester Medical School's Edward G. Miner Library.

An Annotated Catalog of the Edward C. Atwater Collection of American Popular Medicine and Health Reform [3 volume set]

Edward Deci

Handbook of Self-Determination Research

$54.95

Papers addressing the role which human motivation plays in a wide range of specialties including clinical psychology, internal medicine, sports psychology, social psychology, and educational psychology.

Over the past twenty years an increasing number of researchers from various universities have been investigating motivational issues underlying the self-regulation of behavior. Using either Self-Determination Theory or closely related theoretical perspectives, these researchers have performed laboratory experiments, as well as field studies in a variety of real-world settings, including education, work, parenting, health care, sport, and protection of the environment.
In April 1999 thirty of these researchers convened at the University of Rochester to present their work, share ideas, and discuss future research directions. The Handbook of Self-Determination Research is an outgrowth of that important and fascinating conference. It summarizes the research programs of these social, personality, clinical, developmental, and applied psychologists who have a shared belief in the importance of self-determination for understanding basic motivational processes and for solving pressing real-world problems.
Eighteen chapters, including an overview of self-determination theory, present the current state of the research in this scientifically rigorous, yet highly relevant, approach to studying motivational problems in various life domains. Researchers from eighteen universities in the United States, Canada, and Germany present concise and up-to-date accounts of their research programs concerned with the self-determination of human behavior. In these chapters, scholars also consider the relevance of the research on self-determination to other areas of inquiry such as coping, self-esteem, and interest.

Edward L. Deci and Richard Ryan are professors of psychology in the University of Rochester's Department of Clinical and Social Sciences in Psychology.

Emmanuel Kreike

Corrupt Histories

$59.95

An examination of the meaning and effects of corruption in 18th to 20th Century history.

Corruption is a preoccupation of governments and societies across place and time, from the 18th-19th Century British, Chinese, and Iberian empires to 20th Century Nazi Germany, Russia, the United States, and India. This study offers three different perspectives on corruption. The first chapters highlight corrupt practices, taking as a point of departure a technocratic definition of corruption. The second part of the book views corruption through the lens of discourses of corruption, revealing that accusations of corruption have been employed as tools, often in the context of contestations of power. The essays in the third part of the book treat corruption as a process, taking intoaccount its causes and effects and their impact on society, economics, and politics.

Contributors: JEREMY ADELMAN, VIRGINIE COULLOUDON, WILLIAM DOYLE, DIEGO GAMBETTA, NORMAN J. W. GODA, ROBERT GREGG, MICHAEL JOHNSTON, WILLIAM CHESTER JORDAN, EMMANUEL KREIKE, VINOD PAVARALA, DILIP SIMEON, PIERRE-ETIENNE WILL, DAVID WITWER, PHILIP WOODFINE

William Chester Jordan is Professor of History at Princeton University; Emmanuel Kreike is Assistant Professor of African History and Director of the African Studies Program at Princeton University.

Kenneth Mills

Conversion: Old Worlds and New

$130.00

A historical investigation of the phenomena of religious conversion from ancient to modern times.

This volume explores the subject of religious conversion over broad expanses of time and space, considering cases from the thirteenth through the twentieth centuries and from settings across the world. Leading scholars from a variety of historical sub-fields address the theme at a moment when the utility of the concept of conversion is vigorously debated. The historical settings treated here stretch from thirteenth-century England to sixteenth-century southern India and Andean Peru, from Bohemia to China during the age of the Reformations, from the fifteenth-century Low Countries to seventeenth-century New France and from the nineteenth-century Minnesota borderlands to late colonial Zimbabwe and modern India. The book's broad mixture of examples and approaches will both encourage a deepening of specialist knowledge about particular places and times, and spark new thinking about religious change, cultural appropriations, and interactive emergence across discipline and fields.

This book is one of two collections of essays on religious conversion drawn from the activities of the Shelby Cullum Davis Center for Historical Studies at Princeton University between 1999 and 2001. The other volume, Conversion in Late Antiquity and the Early Middle Ages, is also published by the University of Rochester Press.

Kevin P. Siena

Venereal Disease, Hospitals and the Urban Poor

$39.95

A re-examination of the role of charity and treating venereal disease in public hospitals in early-modern London.

This book explores how London society responded to the dilemma of the rampant spread of the pox among the poor. Some have asserted that public authorities turned their backs on the "foul" and only began to offer care for venerealpatients in the Enlightenment. An exploration of hospitals and workhouses shows a much more impressive public health response. London hospitals established "foul wards" at least as early as the mid-sixteenth century. Reconstruction of these wards shows that, far from banning paupers with the pox, hospitals made treating them one of their primary services. Not merely present in hospitals, venereal patients were omnipresent. Yet the "foul" comprised a unique category of patient. The sexual nature of their ailment guaranteed that they would be treated quite differently than all other patients.

Class and gender informed patients' experiences in crucial ways. The shameful nature of the disease, and the gendered notion of shame itself, meant that men and women faced quite different circumstances. There emerged a gendered geography of London hospitals as men predominated in fee-charging hospitals, while sick women crowded into workhouses. Patients frequently desired to conceal their infection. This generated innovative services for elite patients who could buy medical privacy by hiring their own doctor. However, the public scrutiny that hospitalization demanded forced poor patients to be creative as they sought access to medical care that they could not afford. Thus, Venereal Disease, Hospitals and the Urban Poor offers new insights onpatients' experiences of illness and on London's health care system itself.

Kevin Siena is assistant professor of history at Trent University.

Venereal Disease, Hospitals and the Urban Poor

Ruth Crawford Seeger, Larry Polansky, Judith Tick

The Music of American Folk Song

$29.99

This is the first complete publication of the late composer and scholar Ruth Crawford Seeger's major work on American folksongs. It preserves them as well as demonstrates how they should be played so that they remain a living partof the American musical tradition.

This is the first publication of an annotated monograph by the noted composer and folksong scholar Ruth Crawford Seeger. Originally written as a foreword for the 1940 book Our Singing Country, it was considered too longand was replaced by a much shorter version. According to her stepson, Pete Seeger, when the original was not included "Ruth suffered one of the biggest disappointments of the last ten years of her life. It just killed her . . .She was trying to analyze the whole style and problem of performing this music." Along with her children Mike and Peggy Seeger, he has long desired to see this work in print as it was meant to be read.
The manuscript hasbeen edited from several varying sources by Larry Polansky, with the assistance of Seeger's biographer Judith Tick. It is divided into two sections: I. "A Note on Transcription" and II. "Notes on the Songs and on Manners of Singing." Seeger examines all aspects of the relationship between singer, song, notation, the eventual performer, and the transcriber. In Section I, Seeger develops a complex and well-organized system of notation for these songs which is meant to be both descritive [transcription as cultural preservation] and prescriptive [she intended that others would be able to perform these songs]. In Section II, she provides an interpretive theory for performance of this music, and suggests how performers might make the songs "their own" through a deep knowledge of the original styles. Ruth Crawford Seeger considered this work to be both a major accomplishment and a central statement of herownideas on the topic.

Larry Polansky is Associate Professor of Music at Dartmouth College, and a well-known composer and theorist on American music.
Judith Tick is Professor of Music at Northeastern University and author of the first major biography of Ruth Crawford Seeger.

Barbara Tepa Lupack

Literary Adaptations in Black American Cinema:

$120.00

A comprehensive analysis of the ways in which the black American experience has been depicted in film adaptations of popular literature.

The cinematic representation of blacks, especially in silent and early film, was shaped not only by the sentimental racism of the culture but also by the popular literature which distorted black experience and restricted black characters to minor, stereotyped roles. By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions.

An historical examination of the practice of such adaptation offers telling insights into the portrayal -- andprogress -- of blacks in American movies and culture. It reveals that while blacks, on screen and behind the scenes, were often forced to re-create the demeaning film stereotypes, they learned how to subvert and exploit the artificiality of their caricatures. It also reveals the ways that black filmmakers, beginning with Micheaux, Noble and George Johnson, and their less prominent colleagues like Emmett Scott, worked within the conventions of cinema and society, yet managed to produce films that were, at their best, unconventional and pioneering. It demonstrates that as far back as the 1920s and 1930s, black authors like Paul Laurence Dunbar and Langston Hughes already recognized the need for involvement with film production in order to create pictures that were more representative of black life. It illustrates the fact that, in recent years, as more black voices found their way to the screen, among the strongest were the voices of women. And above all, it confirms that within the rich tradition of black literature of all genres lie many exciting cinematic possibilities for audiences of all colors.

Barbara Tepa Lupack haswritten extensively on the topic of literary adaptations in cinema and is co-author (with Alan Lupack) of King Arthur in America.

Literary Adaptations in Black American Cinema:

John Edward Philips

Writing African History

$64.95

A comprehensive evaluation of how to read African history.

Writing African History is an essential work for anyone who wants to write, or even seriously read, African history. It will replace Daniel McCall's classic Africa in Time Perspective as the introduction to African history for the next generation and as a reference for professional historians, interested readers, and anyone who wants to understand how African history is written.
Africa in Time Perspective was written in the 1960s, when African history was a new field of research. This new book reflects the development of African history since then. It opens with a comprehensive introduction by Daniel McCall, followed by a chapter by the editor explainingwhat African history is [and is not] in the context of historical theory and the development of historical narrative, the humanities, and social sciences. The first half of the book focuses on sources of historical data while thesecond half examines different perspectives on history. The editor's final chapter explains how to combine various sorts of evidence into a coherent account of African history. Writing African History will become the most important guide to African history for the 21st century.

Contributors: Bala Achi, Isaac Olawale Albert, Diedre L. Badéjo, Dorothea Bedigian, Barbara M. Cooper, Henry John Drewal, Christopher Ehret, Toyin Falola, David Henige, Joseph E. Holloway, John Hunwick, S. O. Y. Keita, William G. Martin, Daniel McCall, Susan Keech McIntosh, Donatien Dibwe Dia Mwembu, Kathleen Sheldon, John Thornton, and Masao Yoshida.

John Edwards Philips is professor of international society, Hirosaki University, and author of Spurious Arabic: Hausa and Colonial Nigeria [Madison, University of Wisconsin African Studies Center, 2000].

Mark G. Spencer

David Hume and Eighteenth-Century America

$120.00

A thorough examination of the role which David Hume's writings played upon the founders of the United States.

This book explores the reception of David Hume's political thought in eighteenth-century America. It presents a challenge to standard interpretations that assume Hume's thought had little influence in early America. Eighteenth-century Americans are often supposed to have ignored Hume's philosophical writings and to have rejected entirely Hume's "Tory" History of England. James Madison, if he used Hume's ideas in Federalist No. 10, it is commonly argued, thought best to do so silently -- open allegiance to Hume was a liability. Despite renewed debate about the impact of Hume's political ideas in America, existing scholarship is often narrow and highly speculative. Were Hume's works available in eighteenth-century America? If so, which works? Where? When? Who read Hume? To what avail?
To answer questions of that sort, this books draws upon a wide assortment of evidence. Early American book catalogues, periodical publications, and the writings of lesser-light thinkers are used to describe Hume's impact on the social history of ideas, an essential context for understanding Hume's influence on many of the classic texts of early American political thought. Hume's Essays and Treatises on Several Subjects, was readily available, earlier, and more widely, than scholars have supposed. The History of England was read most frequentlyof all, however, and often in distinctive ways. Hume's History, which presented the British constitution as a patch-work product of chance historical developments, informed the origins of the American Revolution and Hume'ssubsequent reception through the late eighteenth century. The 326 subscribers to the first American edition of Hume's History (published in Philadelphia in 1795-96) are more representative of the History's friendlyreception in enlightened America than are its few critics. Thomas Jefferson's latter-day rejection of Hume's political thought foreshadowed Hume's falling reputation in nineteenth-century America.

MARK G. SPENCER is Associate Professor of History at Brock University where he holds a Chancellor's Chair for Research Excellence. His books include Hume's Reception in Early America (2002), Utilitarians and Their Critics in America, 1789-1914 (2005),and Ulster Presbyterians in the Atlantic World (2006).

David Hume and Eighteenth-Century America

Jens Ulff-Moller

Hollywood's Film Wars with France:

$120.00

Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures by using monopolistic trade practices and diplomatic pressure.

Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures. This history of American film policy towards France is documented by a wealthof diplomatic correspondence, which reveals that American exports were promoted through close collaboration between the State Department, the United States Embassy in France, the Department of Commerce, and the Motion Picture Producers and Distributors of America [MPPDA]. It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European marketwith hundreds of films at very low prices. Hollywood's dominant position should not be considered as solely the result of successful collaboration between corporate capitalism and the federal government in Washington, but also asthe failure of the French government to provide proper assistance to its film industry. The support French film producers obtained from their government did not begin to compare with the whole-hearted support Hollywood received from the MPPDA. This book shows how Hollywood has upheld its dominant position in France by using monopolistic trade practices and diplomatic pressure. Hollywood's prominence must be considered the result of manipulations of the international political economy involving the interplay of economics and politics in the world arena.

Jens Ulff-Moller is in the Department of Film and Media Studies at the University of Copenhagen.

Paul Griffiths

The Sea on Fire: Jean Barraqué

$120.00

The life and works of one of the most difficult yet rewarding composers of modern time.

Jean Barraqué is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of hisresponsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak.
Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keysto a new musical language -- a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for bothof them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically.
He played for high stakes, and he took risks with himself as well as in hisart. Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five.

Paul Griffiths was chief music critic for the London Times (1982-92) and The New Yorker (1992-96) and since 1996 has written regularly for the New York Times. He has written books on Boulez, Cage, Messiaen, Ligeti, Davies, Bartók and Stravinsky, as well as several librettos, among them The Jewel Box (Mozart, 1991), Marco Polo (Tan Dun, 1996) and What Next? (Elliott Carter, 1999).

Elizabeth West Marvin

Concert Music, Rock, and Jazz since 1945

$54.95

Interdisciplinary articles bridge the gulf between classical and popular music.

Modern musical-analytical techniques are applied to a wide range of Western music, disregarding barriers between different kinds of music. Topics discussed fall into three sections: compositional poietics (poietics being the pre-compositional activities of composer theorists); structuralist approaches, extending musical-theoretical research to new repertoires; and musical-analysis employing techniques from other disciplines.

The essays in this volume present current research into a wide range of Western music, disregarding barriers between different kinds of music, and drawing on modern musical-analytical techniques to draw together the varied subjects they explore.

Contributors: Jonathan D. Kramer, Robert Cogan, Robert D. Morris, Andrew Mead, Cynthia Folio, Elizabeth West Marvin, Walter Everett, Jane Piper Clendenning, Jonathan W. Bernard, Ellie M. Hisama, Dave Headlam, Richard Hermann, John Covach, Nicholas J. Cook.

Elizabeth West Marvin is associate professor of music theory at the Eastman School of Music.
Richard Hermann is assistant professor of music, University of New Mexico.

Concert Music, Rock, and Jazz since 1945

Marc S. Rodriguez

Repositioning North American Migration History

$190.00

An in-depth look at trends in North American internal migration.

This volume gathers established and new scholars working on North American immigration, transmigration, internal migration, and citizenship whose work analyzes the development of migrant and state-level institutions as well as migrant networks. With contemporary migration research most often focused on the development of transnational communities and the ways international migrants maintain relationships with their sending region that sustain the circularflow of people, ideas, and traditions across national boundaries it is useful to compare these to similar patterns evident within the terrain of internal migration. To date, however, international and internal migration studies have unfolded in relative isolation from one another with each operating within these distinct fields of expertise rather than across them. Although there has been some important linking, there has not been a recent major consideration of human migration that works across and within the various borders of the North American continent. Thus, the volume presents a variety of chapters that seek to consider human migration in comparative perspective across the internal/international divide.

Marc S. Rodriguez is Assistant Professor of History at Princeton University; Donna R. Gabbaccia is the Mellon Professor of History at the University of Pittsburgh; James R. Grossman is theVice President of Research and Education at the Newberry Library, Chicago.

Contributors: Josef Barton, Wallace Best, Donna Gabbaccia, James Gregory, Tobias Higbie, Mae Ngai, Walter Nugent, Annelise Orleck, Kunal Parker, Kimberly Phillips, Bruno Ramirez, Marc Rodriguez

Repositioning North American Migration History is a volume in Studies in Comparative History, sponsored by Princeton University's Shelby Cullom Davis Center forHistorical Studies.

Repositioning North American Migration History

Raymond Fearn

The Music of Luigi Dallapiccola

$36.95

The first English work dealing in detail with the life and musical influences of the Italian composer Luigi Dallapiccola (1904-1975).

Luigi Dallapiccola (1904-1975) was one of the most important Italian composers of the twentieth century. As well as writing several operas, he composed a large number of works in which the human voice, whether in solo or in chorus, plays an important role. Dallapiccola also set texts by writers as diverse as James Joyce, Salvatore Quasimodo, Antonio Machado, Goethe, and Heine. This book is the first in English to deal with Dallapiccola as a whole, from thefirst, hesitant vocal compositions of his student years up to the works of his last decade, in which Italian lyricism is combined with great formal rigor. The author suggests that Dallapiccola should be understood not only as aninfluential figure in the post-war developments of Italian music, but also as one who renewed and revitalized the older traditions of Italian music.

Raymond Fearn is Professor of Music, Keele University.

Maija Jansson

Proceedings of the Long Parliament, Volume 4

$165.00

Further debates on the continuation of the parliament, as well as the end of the impeachment of Lord Strafford, an attempt to rescue him, and his execution.

This volume contains the debates on the passage of the Act of Continuance that assured the parliament that it would not be adjourned, prorogued, or dissolved in conjunction with the Strafford business. On May 10th that act was passed by royal commission, as was the act of attainder against the Earl of Strafford, thus concluding with his impeachment trial and assuring the continuance of parliament. Strafford was beheaded on May 12th and the subsidy bill, providing further relief for the King's army, passed into law on the 13th. On May 11th, in between the passage of the attainder and the execution of Strafford, the Scottish treaty passed the Upper House. Debate on the treaty began in the lower House immediately and by June most of the articles had been hammered out. The conclusion and the passage of the treaty will be published in Volume V.
Also contained in Volume IV are the materials relating to a plot to gain control of a demoralized army and to attempt a rescue of Strafford. The extent of the "army plot" has to a certain extent remained a question in the minds of historians. The accounts in Volume IV will shed new light onthis puzzling matter.

Maija Jansson is Director of the Yale Center for Parliamentary History

Proceedings of the Long Parliament, Volume 4

Sylvia Kahan

Music's Modern Muse

$34.95

A biography of Winnaretta Singer-Polignac, heiress to the Singer Sewing Machine fortune, who befriended and subsidized some of the most important musical and literary artists of the 20th Century, including Stravinsky, Proust, Ravel, Cocteau, and Colette.

The American-born Winnaretta Singer (1865-1943) was a millionaire at the age of eighteen, due to her inheriting a substantial part of the Singer Sewing Machine fortune. Her 1893 marriage to Prince Edmond de Polignac, an amateur composer, brought her into contact with the most elite strata of French society. After Edmond's death in 1901, she used her fortune to benefit the arts, science, and letters. Her most significant contribution was in the musical domain: in addition to subsidizing individual artists (Boulanger, Haskil, Rubinstein, Horowitz) and organizations (the Ballets Russes, l'Opéra de Paris, l'Orchestre Symphonique de Paris), she made a lifelong project of commissioning new musical works from composers, many of them unknown and struggling, to be performed in her Paris salon. The list of works created as a result is long and extraordinary: Stravinsky's Renard, Satie's Socrate, Falla'sEl Retablo de Maese Pedro, and Poulenc's Two-Piano and Organ Concertos are among the best-known titles. In addition, her salon was a gathering place for luminaries of French culture such as Proust, Cocteau, Monet, Diaghilev, and Colette. Many of Proust's memorable evocations of salon culture were born during his attendance at concerts in the Polignac music room. Sylvia Kahan brings to life this eccentic and extravagant lover of the arts, whose influence on the 20th Century world of music and literature remains incalculable.

Malcolm Gillies

Portrait of Percy Grainger

$120.00

A unique treatment of the key influences on the life of this important Australian composer, consisting of oral histories by people who knew Grainger, as well as reflections from his own writings.

Percy Grainger [1882-1961] was a pianist, composer, ethnographer, essayist, and much more. The Australian-American musician aspired to the condition of a polymath, with strong interests in language, culture, ecology and technology. In an age of increasing specialisation Grainger held to a breathless all-roundedness.
This book looks at the scrabbling diversity of Grainger's life through the eyes of others. Family and friends, pupils, musical associatesand chance acquaintances recall their experiences of Percy Grainger from his boyhood in colonial Australia, through his conservatorium years in Germany, on to his early professional years in London, and further to the zenith of his career and then years of decline in the United States. In the final chapter, Grainger himself explains the driving passions of his life. Fifty illustrations, including architectural drawings, scores and machine plans, vividly depict the enthusiasms described in over ninety recollections of Grainger.
A composer of over four hundred compositions and virtuoso performer in some three thousand concerts, Grainger left a large legacy. He was an importantinfluence upon the folk-song movement in Britain, and, through such masterworks as Lincolnshire Posy, he was enduringly popular with the band movement in America. On a personal level, his development of the language of "blue-eyed English" was stillborn, and his muscular style of pianism found few adherents among the next generation of performers. His frankly expressed views on sexual licence were also many decades ahead of their time. Today, however, Grainger the musician is again in the ascendant. His more innovative works are gaining a belated hearing, while his standards, such as Country Gardens, remain firm favorites.

Malcolm Gillies and David Pear areco-editors of Grainger on Music and 'The All-Round Man': Selected Letters of Percy Grainger, 1914-1961

Lawrence Archbold

French Organ Music from the Revolution to Franck and Widor

$36.95

Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.

Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked.

Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith

French Organ Music from the Revolution to Franck and Widor

Stanislaus A. Blejwas

The Polish Singers Alliance of America 1888-1998

$110.00

A history of an American ethnic cultural organization and its close ties to the cause of Polish sovereignty.

This book examines the history of the Polish Singers Alliance of America [PSAA] as an ideological organization. As a case study of an immigrant cultural organization that evolved demographically into an ethnic organization of thesucceeding generations, it documents the extent to which the politics of the homeland engaged an immigrant and ethnic community over a century. This is a study of immigrant nationalism, as articulated by immigrant and ethnic singing societies. The survival of the Polish Singers Alliance as an ideological organization suggests considerations about the ability of an immigrant and ethnic culture to resist and to adapt to America's assimilative powers.
The Alliance was a federalism of amateur choirs. Its history cannot be understood without reference to the political fate of modern Poland over the last two centuries. This book situates the origins of the PSAA within the history ofPoland during the partitions, as well as its commitment to Polish independence and to the preservation and propagation of culture through song. As the children and grandchildren of the immigrants succeeded them, the Alliance subsequently evolved into an ethnic organization with numerous American-born individuals. After the recovery of Polish sovereignty, which by coincidence occurred in 1989 when the Alliance celebrated its centennial, questions arose about the role of such an ideological organization in the new political context.

The late Stanislaus A. Blejwas was CSU University Professor of History at Central Connecticut State University.

The Polish Singers Alliance of America 1888-1998

James S. Fleming

Window on Congress

$55.00

An analysis of the congressional career of Barber B. Conable, Jr., one of the most-respected legislators of modern times.

Barber B. Conable Jr. served as a Republican congressman from western New York from 1965 to 1985. He is recognized as one of the most respected members of the House of Representatives in recent years. This biography explores his twenty-year congressional career, focusing on his remarkable educational abilities as a gifted teacher-legislator. Using excerpts from Conable's private journal, his newsletters and news columns, and from personal interviews, JamesS. Fleming has crafted a book that enables readers to appreciate why Conable was held in high regard by his constituents, his colleagues, the press, and congressional scholars. Political scientist Charles O. Jones expressed the opinion of many when he observed that "Barber Conable was just about everybody's idea of what a congressman should be."
Recognizing the importance of Conable's western New York heritage, James Fleming traces Conable's story from his childhood in Warsaw, New York, to his election to the historic Eighty-ninth Congress of 1965-1966. Fleming's chronicle of Conable's subsequent legislative career offers a window on Congress and on an historic period in American history. As the fourth-ranking Republican leader in the House, Conable played a critical role in the Watergate investigation that led to the resignation of President Richard M. Nixon. As the ranking Republican leader of the Ways and Means Committee, he was a key contributor to the tax legislation passed during the Ford, Carter, and Reagan administrations. The highlight of his legislative career was his crucial work in solving the 1983 Social Securitycrisis. Fleming concludes the biography with a look at Conable's service as World Bank President and his retirement to his beloved western New York home.

In his foreword the renowned congressional scholar, Richard F. Fenno Jr. writes, "Barber Conable was an especially admirable United States Representative; and Jim Fleming has written an especially admirable congressional biography. This book is, therefore, a special gift."

Alan Schwerin

Apartheid's Landscape and Ideas

$99.00

An historical and artistic account of the rise of apartheid in South Africa, using source documents and original photographs of the South Africa landscape.

Apartheid's Landscape and Ideas: A Scorched Soul is an historical and artistic exploration of the culture of racism that gave rise to apartheid. This work represents twelve years of extensive archival research conducted throughout South Africa. A mosaic of intriguing first-hand historical accounts of the country, its people, significant events, and moral and political predicaments, these accounts have been culled from diaries and correspondence fromearly missionaries, soldiers, politicians, laborers, and ordinary settlers. These historical documents display the prejudices, fears and character of the sojourners in South Africa. The text presents a unique view of the seeds ofthe racism that would later constitute the lifeblood of apartheid.
In addition to the fascinating historical accounts, Alan Schwerin has compiled a set of his own black and white photographs of the South African landscape --a landscape that can be viewed as the current physical manifestation of the painful past racist perceptions that were inflicted on the indigenous people of South Africa. These striking photographs are artistic counterpoints to the sentiments articulated by the documents.

Alan Schwerin completed his doctorate at Rice University and is currently Chair of the Department of Political Science and Philosophy at Monmouth University [New Jersey]. Bornin Johannesburg, South Africa, he taught philosophy in the impoverished homeland known as the Transkei, before immigrating to the United States with his family in 1985. In 1978 he won both first and second prizes in South Africa'snational photographic competition for university students.

Dennis Plaisted

Leibniz on Purely Extrinsic Denominations

$90.00

An examination of the philosopher Gottfried Leibniz's views on extrinsic denominations [relational properties], which argues that they are in fact the properties of the things they denominate.

The philosopher Gottfried Leibniz said that one of his most important doctrines, and in fact one of the most important doctrines in all of philosophy as well as theology, is that there are no purely extrinsic denominations [NPE hereafter]. The prevailing interpretation of his views is that all extrinsic denominations [roughly relational properties] reduce to intrinsic denominations [roughly non-relational properties]. According to this reductionist view, things only have intrinsic denominations as properties; extrinsic denominations are not genuine properties of things. This book, however, takes a completely different view, arguing that NPE is actually the claim that extrinsicdenominations are properties of the things they denominate. To establish his view, the author examines numerous texts in which Leibniz derives NPE from other of his well-known doctrines, such as his predicate-in-subject principleof truth, the interconnection of all things and the identity of indiscernibles. Plaisted also investigates Leibniz's use of NPE as a premise to establish his claim that each monad expresses the universe. The result is that the author's reading of NPE allows for far more plausible and natural reconstructions of these arguments than does its reductionist counterpart. Finally, by exploring the inferential connections between NPE and these other important Leibnizian doctrines, this work also displays the central place that NPE occupies in Leibniz's philosophy as a whole. Dennis Plaisted received his Ph.D. in philosophy from the University of California at Santa Barbara and his J.D.from the University of Southern California Law School. He is currently Visiting Professor of Philosophy at the Rochester Institute of Technology.

Leibniz on Purely Extrinsic Denominations

Thomas M. Daniel, Frederick C. Robbins

Polio

$29.95

The story of polio in the words of its victims, doctors, and research scientists concerned with the means of eradicating it.

Polio - infantile paralysis -was until recently a greatly feared disease, but is now preventable by a vaccine, which has largely eradicated it from the Western Hemisphere; a global eradication campaign is underway. This book tellsthe storyof polio in fascinating and personal detail, through a series of essays written by those who experienced the disease: its victims, those who cared for them, and those who worked to eliminate it altogether.

Theopening chapter recounts the history of polio from its earliest depiction in Egyptian art to the present day; it is followed by accounts of the experiences of patients who were paralysed in youth by polio, but went on to build successful lives. The challenges of caring for polio sufferers are described by two physicians who worked on polio wards at the height of the epidemic. The story of the cultivation of poliovirus and the testing of the vaccines is related by two research scientists from the laboratories where the breakthroughs were achieved. The final essays describe the public health vaccination campaigns which successfully eradicated polio from the Americas, as experiencedby those who directed them.

Dr. Thomas M. Daniel is Professor Emeritus of Medicine and International Health and Director of the Center for International Health at Case Western Reserve University.
Dr. Frederick C. Robbins is University Professor and Dean Emeritus of the School of Medicine at Case Western Reserve University.
Contributors: Thomas M. Daniel, Frederick C. Robbins, Michael W. R. David, Ann L. McLaughlin, Ruth E. Frischer, Robert M. Eiben, Martha Lipson Lepow, Joao Batista Risi Jr, Ciro De Quadros

Toyin Falola

The Power of African Cultures

$39.95

An analysis of the ties between culture and every aspect of African life, using Africa's past to explain present situations.

This book focuses on the modern cultures of Africa, from the consequences of the imposition of Western rule to the current struggles to define national identities in the context of neo-liberal economic policies and globalization.The book argues that it is against the backdrop of foreign influences that Africa has defined for itself notions of identity and development. African cultures have been evolving in response to change, and in other ways solidly rooted in a shared past. The book successfully deconstructs the last one hundred and fifty years of cultures that have been disrupted, replaced, and resurrected. The Power of African Cultures challenges many preconceived notions, such as male dominance and female submission, the supposed unity of ethnic groups, and contemporary Western stereotypes of Africans.
It also shows the dynamism of African cultures to adapt to foreign imposition: even as colonial rule forced the adoption of foreign institutions and cultures, African cultures appropriated these elements. Traditions were reworked, symbols redefined, and the past situated in contemporary problems in order to accommodate the modern era.

Toyin Falola is a Fellow of the Nigerian Academy of Letters and Fellow of the Historical Society of Nigeria. He is the recipient of the 2006 Cheikh Anta Diop Award for Exemplary Scholarship in AfricanStudies, and the 2008 Quintessence Award by the Africa Writers Endowment. He holds an honorary doctorate from Monmouth University and he is University Distinguished Teaching Professor at the University of Texas at Austin where heis also the Jacob and Frances Sanger Mossiker Chair in the Humanities. His books include Nationalism and African Intellectuals and Violence in Nigeria, both from the University of Rochester Press.

Shifra Shvarts

The Workers' Health Fund in Eretz Israel

$170.00

The first study to research the history of the health funds established by Jewish laborers in Israel.

The history of Kupat Holim, the health organization of workers in Israel, began at the 2nd Convention of Jewish agricultural workers in Judea in December 1911. Due to the lack of health services within the economic means of the workers, and the refusal of the farmer-employers to extend health services to their employees, the Jewish agricultural workers in Eretz-Israel -- at that time, a distant province of the far-flung Ottoman empire -- decided to establish a workers' health fund [kupat holim in Hebrew]. In the years 1912-15, two funds similar to the ones in Judea were also established in the north and center of the country. In the first years, the health funds did not provide workers with medical assistance on their own. Only in 1913, with the outbreak of the First World War, were the health funds transformed from insuring organizations into ones that provided medical assistance services themselves.
With the establishment of the General Federation of Labor [1920], the health funds were amalgamated into a single organization -- the Federation's Kupat Holim [1921]. The unification of Kupat Holim ultimately determined theorganization's future -- transforming it from a small, local, temporary body with a few dozen members into a national entity and a key factor in health services in Israel to this day. This volume seeks to describe the growth of Kupat Holim up to the point where it was transformed into a central health organization in Israel; its relationship with its parent-organization, the General Federation of Labor and its rivalry with its competitor in the health field, Hadassah; its evolution from an organization solely for laborers to one open to all; the efforts on the part of Kupat Holim during the British Mandate [1918-1948] to bring about legislation for a compulsory health insurance law; and the formulation of the basic principle that underlie the work of Kupit Holim to this day -- the principle of national and social responsibility for the provision of equal health services to all.

Dr. Shifra Shvarts is the head of the Health Systems Management Department of the Faculty of Health Sciences and School of Management at Ben-Gurion University.

The Workers' Health Fund in Eretz Israel

Maija Jansson

Proceedings in the Opening Session of the Long Parliament

$150.00

The volumes of Proceedings in the Opening Session of the Long Parliament present the records of proceedings in the House of Commons [5 volumes] and the House of Lords [3 volumes] beginning in November 1640. Volume 2 of theHouse of Commons debates continues the records of debates begun in Volume 1 that lead to the beginning of the impeachment trial of the Earl of Strafford for High Treason.

For those interested in the causes of the breakdown that lead to civil war in mid-seventeenth-century England, the volumes or Proceedings in the Opening Session of the Long Parliament are a good place to begin. The debatesin this session focus on the accumulated problems -- political, social, and religious -- that were the legacy of the years of personal rule of Charles I. During the almost seven months between the dissolution of the Short Parliament in April 1640 and the first session of what came to be called the Long Parliament in November 1640, the King, his advisors, and army commanders were absorbed with the financial and military problems of the Scottish army campedin the north of England. In the Irish parliament in Dublin, reaction against Thomas Wentworth, soon to become the Earl of Strafford, was beginning to crystallize. Throughout the kingdom, religious unrest continued, All of these elements came into play in the Long Parliament. Volume 2 of the House of Commons debates 21 December 21,1640 through March 20, 1641] continues the coverage begun in Volume 1 [November 3 through December 19, 1640], providing the debates that lead up to the beginning of the impeachment trial of the Earl of Strafford for High Treason.

Julia Simon

Beyond Contractual Morality

$99.00

Beyond Contractual Morality looks at current debates over the meaning of liberalism by reexamining their roots in eighteenth-century texts, which demonstrate the historical intertwining of political, legal and moral problems in their extension of social contract theory into various realms of public and private lives. Writers such as Rousseau, Voltaire, Sade, and Montesquieu are discussed.

In light of contemporary debates over liberalism, and informed by the problems of contemporary democratic, pluralistic culture, Beyond Contractual Morality reexamines the roots of these current discussions in eighteenth-century texts. Enlightenment texts demonstrate the historical intertwining of political, legal and moral problems in their extension of social contract theory into various realms of private and public life. Specifically, these textspoint to an over-reliance on the notion of contract to resolve ethical dilemmas. A range of issues and authors is discussed, including: the historical development of social contract theory from Hobbes to Rousseau; conflicting conceptions of education in Rousseau's writings; the rise of professional ethics; the concept of tolerance as discussed by Montesquieu, Voltaire, and Rousseau; the divide between the public and private realms in the writings of Charriere and Sade. Beyond Contractual Morality concludes with a reemphasis on the contemporary context of debate and proposes a defense of a revised version of liberalism that can take account of positive duties without sacrificing individual autonomy.Julia Simon is Associate Professor of French at the Pennsylvania State University.

Mark G. Spencer

David Hume and Eighteenth-Century America

$64.95

A thorough examination of the influence of David Hume's work early American political thought.

This book explores the reception of David Hume's political thought in eighteenth-century America. It presents a challenge to standard interpretations that assume Hume's thought had little influence in early America. Eighteenth-century Americans are often supposed to have ignored Hume's philosophical writings and to have rejected entirely Hume's "Tory" History of England. James Madison, if he used Hume's ideas in Federalist No. 10, it is commonly argued, thought best to do so silently -- open allegiance to Hume was a liability. Despite renewed debate about the impact of Hume's political ideas in America, existing scholarship is often narrow and highly speculative. WereHume's works available in eighteenth-century America? If so, which works? Where? When? Who read Hume? To what avail?
To answer questions of that sort, this books draws upon a wide assortment of evidence. Early American bookcatalogues, periodical publications, and the writings of lesser-light thinkers are used to describe Hume's impact on the social history of ideas, an essential context for understanding Hume's influence on many of the classic texts of early American political thought. Hume's Essays and Treatises on Several Subjects, was readily available, earlier, and more widely, than scholars have supposed. The History of England was read most frequently ofall, however, and often in distinctive ways. Hume's History, which presented the British constitution as a patch-work product of chance historical developments, informed the origins of the American Revolution and Hume's subsequent reception through the late eighteenth century. The 326 subscribers to the first American edition of Hume's History [published in Philadelphia in 1795/96] are more representative of the History's friendly reception in enlightened America than are its few critics. Thomas Jefferson's latter-day rejection of Hume's political thought foreshadowed Hume's falling reputation in nineteenth-century America.

MARK G. SPENCER is Associate Professor of History at Brock University where he holds a Chancellor's Chair for Research Excellence. His books include Hume's Reception in Early America [2002], Utilitarians and Their Critics in America, 1789-1914 [2005], andUlster Presbyterians in the Atlantic World [2006].