Comics & Graphic Novels

By seeing through the eyes of the world's darkest souls, we humanize them. As these stories infiltrate the mind in a kaleidoscope of pop colors, the reality of the worlds of the dregs of humanity comes ever-clearer.

These are the stories of the hated: drug addicts bathes in nuclear science, futuristic gang members, scifi terrorists, interspecies sex workers, and beyond. In seeing reality through a prism of science fiction we are able to better see ourselves and to cultivate understanding. Once we understand, we can empathize even with those we hate, and when we empathize we may even fall in love with the unlovable.

Only with love can we transform the world.

A narrative of enslavement, a satire on colonialism, and a court battle for justice by those tortured and detained during the fight for independence from colonial rule: three comics depict key moments in African history. 

Three unique narratives depicted in comic-book form introduce readers to African historical narratives. In one, readers are offered a translation of a short story, turned into a comic, that satirizes the colonization of Africa by depicting Europeans as cats and Africans as mice. The cats wish to feast on the mice and so create an elaborate ruse by proclaiming that they can turn the inferior mice into cats via education and medication, a ruse that is finally discovered by the mice, who rise up against the cats. In a second, readers are offered a deconstruction of a slave narrative, The Interesting Narrative of Olaudah Equiano. Several historians weigh in to evaluate the memoirs of Olaudah Equiana and decipher whether his claims are true or false; nevertheless, despite some problematic aspects of his narrative and questions that remain as to its veracity, the effect it had on the abolitionist movement is without question. And finally, the third comic details how ordinary Kenyans who had been tortured and abused by the British government during the Kenyan fight for independent from colonial rule were able to obtain justice, decades later, from a British court of law. 

Winner, CODE’s 2016 Burt Award for First Nation, Inuit and Métis Literature

In this important graphic novel, two brothers surrounded by poverty, drug abuse, and gang violence, try to overcome centuries of historic trauma in very different ways to bring about positive change in their lives.

Pete, a young Indigenous man wrapped up in gang violence, lives with his younger brother, Joey, and his mother who is a heroin addict. One night, Pete and his mother’s boyfriend, Dennis, get into a big fight, which sends Dennis to the morgue and Pete to jail. Initially, Pete keeps up ties to his crew, until a jail brawl forces him to realize the negative influence he has become on Joey, which encourages him to begin a process of rehabilitation that includes traditional Indigenous healing circles and ceremonies.

Powerful, courageous, and deeply moving, The Outside Circle is drawn from the author’s twenty years of work and research on healing and reconciliation of gang-affiliated or incarcerated Indigenous men.

2016 Governor General's Literary Award Finalist

2017 Kobo Emerging Writer Prize Winner

2017 Joe Shuster Award Nominee

Teva Harrison was diagnosed with metastatic breast cancer at the age of 37. In this brilliant and inspiring graphic memoir, she documents through comic illustration and short personal essays what it means to live with the disease. She confronts with heartbreaking honesty the crises of identity that cancer brings: a lifelong vegetarian, Teva agrees to use experimental drugs that have been tested on animals. She struggles to reconcile her long-term goals with an uncertain future, balancing the innate sadness of cancer with everyday acts of hope and wonder. She also examines those quiet moments of helplessness and loving with her husband, her family, and her friends, while they all adjust to the new normal.

Ultimately, In-Between Days is redemptive and uplifting, reminding each one of us of how beautiful life is, and what a gift.

The twentieth-anniversary edition of Nick Craine’s searing graphic novel about a legendary Canadian punk band, based on the feature film by Bruce McDonald and the novel by Michael Turner.

Joe Dick, Billy Tallent, John Oxenburger, and Pipefitter are Hard Core Logo — Vancouver’s legendary, but now defunct, punk band.

Joe Dick coaxes his former bandmates to overcome personal differences and reunite for a benefit concert for their ageing punk mentor, Bucky Haight, who has been shot. But the concert’s not enough for Joe; he wants the band to hit the road again. For the Hard Cores this means the beginning of the end, and they come to realize that they can neither relive nor alter the past.

From the pen of hugely talented Canadian comic artist and illustrator Nick Craine comes a searing rendition of those Hard Core days and nights. In this graphic take on the story originally conceived by Michael Turner and made into a critically acclaimed film by Bruce McDonald, Craine pits the legendary Hard Cores against a collage-like backdrop of bars, hotel rooms, the road, and the Canadian Prairies.

Featuring a new introduction by Lynn Crosbie and a tear-out guitar chord book, Hard Core Logo: Portrait of a Thousand Punks weaves together a patchwork narrative of found art, dialogue, songs, and incidental bystanders. Craine skillfully renders his own unique cover-version of this cult film classic in graphic novel form.

La versión de Pictoline, 100% ilustrada y adaptada al siglo XXI, del gran clásico del estoicismo: Meditaciones, de Marco Aurelio.

Descubre, de la mano (patita) del adorable Gato Aurelio, cómo controlar tus prejuicios, juicios y reacciones, ver cada contratiempo como una oportunidad y aprender a procurar lo que de verdad importa para ser feliz.

Para gatitos y gatitas estoicas.

ENGLISH DESCRIPTION

The Pictoline version, 100% illustrated and adapted for the 21st century, of the great stoic classic: Meditations by Marcus Aurelius.

Discover, from the hand (paw) of the adorable Gato Aurelio, how to control your biases, judgments, and reactions, see every setback as an opportunity, and learn to focus on what truly matters to be happy.

For stoic kittens and cats.

The A Word provides a feminist perspective on the history of abortion, working to end the taboos that surround this procedure—and the word itself.
The A Word champions the women advocating for free and legal access to the seventy-three million abortions performed around the world every year, more than half of which require women to resort to underground procedures that put their lives at risk. This global history defines the term and the practice of abortion as it exists today and tells the stories of women all over the world engaged in the fight to take back control of their bodies.

From the Indigenous use of abortive plants before colonization to the complicated legacy of Margaret Sanger, to modern advocates like Maria Antonieta Alcalde Castro, Wendy Davis, and Simone Veil, the book shines a light on pivotal moments and figures of the abortion struggle and asks: Why do poor women fare worse when trying to access abortion? How was abortion criminalized? Who profits from its illegality?

The A Word reflects on how the struggle for reproductive justice became a movement that has defined our time. It is a fight that has united feminists across continents and decades to secure safe access to a choice that recent history has shown we cannot take for granted.

Llega el bestseller de los exitosos dibujantes de @dinosaurcouch

Terapia para dinosaurios es mucho más que un libro de humor gráfico. A través de estas viñetas llenas de ternura, los dinosaurios nos enseñan, de forma original y divertida, cómo enfrentarnos a las paradojas de la vida moderna. En este libro podrás reflexionar sobre el estrés, la soledad o la ansiedad desde un prisma diferente, pero también te reirás con los irónicos comentarios de los dinosaurios sobre problemas comunes a cualquier ser humano.

Terapia para dinosaurios te hará pensar, reír y sentir. Aprenderás a afrontar los aspectos negativos de la vida con esperanza y sentido del humor, y a recibir los positivos sin cinismo y con el corazón abierto. Además, te recordará la importancia de cuidar nuestra salud mental y de hablar de ello sin tapujos. Sin duda, algo necesario en estos tiempos tan complicados. Únete a los dinosaurios en esta aventura terapéutica y disfruta de la vida con humor y sabiduría.

ENGLISH DESCRIPTION

Presenting the bestseller from the successful illustrators of @dinosaurcouch

Dinosaur Therapy  is much more than a graphic humor book. Through these heartwarming cartoons, the dinosaurs teach us, in an original and fun way, how to face the paradoxes of modern life. In this book, you can reflect on stress, loneliness, or anxiety from a different perspective, but you'll also laugh at the dinosaurs' ironic comments on problems common to any human being.

Dinosaur Therapy  will make you think, laugh, and feel. You'll learn to face the negative aspects of life with hope and a sense of humor, and to receive the positive ones without cynicism and with an open heart. Moreover, it will remind you of the importance of taking care of our mental health and talking about it openly. Undoubtedly, something necessary in these complicated times. Join the dinosaurs on this therapeutic adventure and enjoy life with humor and wisdom.

This is the century of homeland security. 

The federal government created a monster. They said it would keep us safe. The monster hatched in November 2002. It was named the Department of Homeland Security (DHS). An appetite for control and conquest was in its DNA. Its early influences, in the years after 9/11, were paranoia and vengeance. 

The DHS is the only new department the United States has spawned in this century. With its birth, issues that were previously seen as separate—immigration control, policing, and counter-terrorism—were brought into a single, sprawling entity. Twenty-two preexisting agencies were absorbed into what became the nation’s third largest government department. Today it has a budget of over $100 billion and employs a quarter of a million people. Every danger is now conceived of as a threat to “homeland security,” and as the 9/11 Commission said in 2003, “the American homeland is the planet.”

This gripping graphic novel tells the story of the 1891 Coal Creek War—one of the most significant yet overlooked labor and abolitionist uprisings in the history of the United States.

Told through the eyes of a young Welsh immigrant, Trouble! at Coal Creek is the epic story of a cross-racial struggle to abolish the system of convict-leasing in the mines. Austin Sauerbrei's evocative black-and-white illustrations and masterful storytelling show the personal battles and motivations that led thousands of miners to repeatedly take up arms against the powerful companies, their militias, and politicians.

Lured by coal companies’ promises of good pay, stability, and opportunity, the narrator’s father brought their family across the Atlantic Ocean for work in the mine. The job, however, was deadly, and life grew unbearable as the coal companies immiserated miners and their families. Meanwhile, slavery, the Civil War, Reconstruction, racist terror, and the birth of the Ku Klux Klan were still fresh memories for most. Coal companies relied increasingly on the forced labor of mostly Black prisoners who were loaned out from the state, an extremely profitable continuation of the old system of racist brutality. As Ida B. Wells noted at the time, "The Convict Lease System and Lynch Law are twin infamies which flourish hand in hand."

The miners of Coal Creek, however, set fire to the edifice of convict-leasing and inspired similar rebellions throughout the South. In this captivating graphic novel, Saurbrei brings their overlooked story to life for new generations of organizers.

Anarchy in the Big Easy is an anarchist graphic history of the quest for freedom in radical and revolutionary New Orleans.

The story begins with the anarchic forces of nature creating the land and the cooperative indigenous communities that thrived before the European conquest. Next we see the revolt against domination through the Enslaved Peoples’ Uprising of 1811, the rise of maroon communities, the work of figures such as anarchist geographer Elisée Reclus and utopian revolutionary Joseph Déjacque, and the moving history of labor militancy—exemplified by the First International, the General Strike of 1892, and the rise of the Industrial Workers of the World. The anarchic aspects of jazz are explored, including its birthplace, the famous red-light district of Storyville. Other episodes recount the history of the Black Panthers, including the legendary shootout in the Desire Project, and the important role anarchists played in the grassroots recovery after Hurricane Katrina. The often-subversive People’s Carnival is depicted, from the history of the Mardi Gras Indians through today’s anarchist marching Krewes. The book concludes with the recent struggle to take down the confederate monuments, and the growth of a decentralized, autonomous mutual aid movement.

These stories are recounted by surregionalist writer Max Cafard and brought vividly to life through the striking images of comix artist Vulpes.

Down by Law: Criminalization, Solidarity, and Survival in Europe is a collaborative graphic novel by ethnographers, artists, and activists that starkly and honestly illuminates people’s stories of those whose lives have been shaped by the social and political implications of criminalization across Europe.

The near-total ban on abortion in Poland, new hate speech laws across Europe, a de facto ban of sea rescue in the Mediterranean, and the criminalization of sex work—these trends toward a harsher politics of criminalization, securitization, and threat are spreading throughout the continent. In eight moving, illustrated vignettes, readers encounter everyday people involved in search-and-rescue activism, sex work, internet content moderation, abortion activism, drug use. We set sail with civilians who take action to save the lives of migrants at sea who face increasingly militarized borders, follow the journey of a woman jailed for a bus fare she couldn’t pay, see the impact of state neglect and violence on people who use drugs in Poland, and follow a migrant woman navigating the challenges of sex work policing who finds resilience in her community, and more.

These ethnographic stories not only bring to life alarming insights into criminalization across Europe but the hope and solidarity of everyday people in the face of increasing repression. The criminalized don’t stay put. They adapt, resist, and survive. Their personal stories are rarely seen or heard, until now.

With contributions from Agata Chełstowska, Agata Dziuban, Aleksandra “Sasza” Stachowska, Asia Bordowa, Beate Binder, Friederike Faust, Florian Krynicki, Carmen Grimm, H-P Lehkonen, Janita-Marja Juvonen, Jan Peukert, Jérémy Geeraert, Joris Bas Backer, Justyna Struzik, Juulia Kela, Katarzyna Urbaniak, Monique Horstmann, Salla Sariola, Sylvain Adam, Todd Sekuler, Valerie Assmann.

In the early-20th century, strikes and union battles were common in industrial centers throughout the US. But nothing compared to the class warfare of the West Virginia Mine Wars. The origins of this protracted rebellion were in the dictatorial rule of the coal companies over the proud, multi-racial, immigrant and native-born miners of Appalachia.

Our illustrated history begins with Mary Harris “Mother” Jones's arrival at the turn of the century. White-haired, matronly, and fiercely socialist, Jones became known as the “miners’ angel,” and helped turn the fledgling United Mine Workers into the nation’s most powerful labor union. “Pray for the dead and fight like hell for the living,” was her famous battle cry.

In 1912, miners led by stubborn Frank Keeney struck against harsh conditions in the work camps of Paint and Cabin Creeks. Coal operators responded by enlisting violent Baldwin-Felts guards. The ensuing battles and murderous events caused the governor to declare and execute martial law on a scale unprecedented in the US.

On May 19, 1920, in response to evictions by coal company agents, gunshots rang through the streets of a small-town in “Bloody Mingo” county. In an event soon known as the “Matewan Massacre”; the pro-union, quick-draw chief of police Smilin’ Sid Hatfield became an unexpected celebrity—but also a marked man.

Events climax with the dramatic Battle of Blair Mountain that pitched the spontaneous Red Neck Army of 10,000 armed strikers against a paid army of gun thugs in the largest labor uprising in US history and the largest armed uprising since the American Civil War.

This graphic interpretation of people’s history features unforgettable main characters while also displaying the diverse rank and file workers who stood in solidarity during this struggle.

Addicted to War takes on the most active, powerful, and destructive military in the world.

Hard-hitting, carefully documented and heavily illustrated, it reveals why the United States has been involved in more wars in recent years than any other country. Read Addicted to War to find out who benefits from these military adventures, who pays and who dies. Over 450,000 copies of the previous editions are in print.

This edition is substantially reworked and fully updated including Barack Obama's drone wars, Chelsea Manning and WikiLeaks, statistics on military spending, and the ongoing costs and consequences of the wars in Iraq and Afghanistan.

The explosive tale of Peterloo, told through the voices of those who were there. This is a vivid, original and historically accurate 'comic book' visual account of the 1819 Manchester massacre, to be published as part of the 200th anniversary commemorations. More than 15 people died and 600 were severely wounded by sabre-wielding troops at a peaceful pro-democracy rally.

The entire narrative is drawn exclusively from the direct testimony of the time (letters, memoirs, journalist's accounts, spies' reports, courtroom evidence...) carefully woven together by rich, vivid, graphic-novel style illustrations created by professional cartoonist, illustrator and graphic novelist Polyp.

This a vital record of working-class history by Manchester-based authors and artists who have been central in reviving the long-suppressed memory of this shocking and world-changing event.

Before the Golden Age of comic books, there was Mr. Block: a bumbling, boss-loving, anti-union blockhead, brought to life over a hundred years ago by subversive cartoonist Ernest Riebe.

A dedicated labour activist and member of the Industrial Workers of the World, Riebe dreamed up his iconic, union-hating anti-hero to satirize conservative workers’ faith in the capitalist system that exploits them. This wickedly funny anthology of Riebe’s writings and comics is a treasure trove of radical 20th-century art and an essential addition to the bookshelves of comics lovers, historians, and labour activists alike.

As income inequality skyrockets and the collective power of the working class is undermined, the lessons from Mr. Block’s misadventures and misbeliefs are as relevant today as ever. Building the new world from the ashes of the old demands many tools—and laughter will always be one of them.

Before the Golden Age of comic books, there was Mr. Block: a bumbling, boss-loving, anti-union blockhead, brought to life over a hundred years ago by subversive cartoonist Ernest Riebe.

A dedicated labour activist and member of the Industrial Workers of the World, Riebe dreamed up his iconic, union-hating anti-hero to satirize conservative workers’ faith in the capitalist system that exploits them. This wickedly funny anthology of Riebe’s writings and comics is a treasure trove of radical 20th-century art and an essential addition to the bookshelves of comics lovers, historians, and labour activists alike.

As income inequality skyrockets and the collective power of the working class is undermined, the lessons from Mr. Block’s misadventures and misbeliefs are as relevant today as ever. Building the new world from the ashes of the old demands many tools—and laughter will always be one of them.

2020 Bram Stoker Awards Finalist

“Spectre Deep 6 is awesome! Horror, science-fiction, great characters, devious twists, rampant weirdness and a heck of a lot of fun! Highly recommended!” -Jonathan Maberry, New York Times bestselling author of V-Wars, Rot & Ruin and Black Panther: Doomwar”

In the vein of Flatliners and Ghost meets The Bourne Identity and La Femme Nikita, a diverse team of black ops “Spectres”—elite soldiers who died in the line of duty only to be reanimated by military scientists and brought back as actual ghosts—carry out illicit missions for the United States government in exchange for day passes to haunt their old lives and fulfill their unfinished business.

Spectre Deep 6 is a paranormal sci-fi graphic novel that centers on six reanimated spectres who have the tactical precision and paranormal abilities to carry out the most important and clandestine missions for our government. Missions that are too dangerous, illegal, and secretive to leave any trace—assassinations, regime toppling, technology theft, halting nuclear weapons programs, and more.

When the Spectre Team assassinates a target, they literally scare the victim to death, making it look like they had a stroke or heart attack, so the target appears to die from natural causes. Then they ghost from the scene, leaving no trace they were ever there. They’re the perfect weapons. The downside to spectre soldiers? They’re like batteries that need to be recharged, or they’ll disperse and pass on. That’s why they have to stay locked in containment most of the time, a glorified ghost prison located in a secret military bunker under Area 51 and powered by a nuclear reactor (it takes a lot of energy to charge a ghost). Oh, and ghost soldiers can get a bit … testy. They don’t always get along or follow orders. After all, they didn’t ask to be brought back.

A Kirkus Reviews Best YA Book of 2022 

A USBBY 2023 Outstanding International Book

A 2022 Foreword INDIES Bronze Winner (Graphic Novels & Comics Category)

Honorable mention, 2023 Children's Africana Book Awards

2022 VLA Graphic Novel Diversity Award Overfloweth honoree

Nominated for the TLA Maverick List

 All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country’s colonial government in the years leading up to Apartheid. In six parts—each of which is illustrated by a different South African artist—All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations.

This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories—true stories of grit, compassion, and hope, now being told for the first time in print.

A graphic novel that confronts our habits, narratives, and fantasies head-on to help
break our petroleum dependency

What if the biggest barriers to responding to climate change are not technological or governmental but, rather, cultural? In other words, what if we ourselves could help to enact change through a deeper understanding of our petroleum dependency? In a provocative graphic format that draws widely from history, critical theory, and popular culture, Gasoline Dreams explores and challenges the ways fossil fuels have shaped our identities, relationships, and our ability to imagine sustainable, equitable futures.

As our rapidly warming planet is pushed toward ecological collapse, we might often feel helpless or paralyzed by the enormity of the challenges confronting us. However, reflecting upon the cultural dimensions of our predicament helps reveal the great potential for social transformation inherent in the multiplying crises. Author and artist Simon Orpana engages with contemporary scholarship in the emergent field of Energy Humanities to confront the habits, narratives, and fantasies that support our attachment to fossil fuels. By revealing the many ways petroculture repeatedly fails to deliver on its promises of “the good life,” Gasoline Dreams calls us to the difficult work of waking up from the fantasies that inhibit us from working toward a global transition to renewable energy.

Written in an engaging graphic format that makes relevant historical, cultural, and political analyses of global warming and petrol dependency important to a wide audience, Gasoline Dreams refutes the progress narratives that depict contemporary, energy-intensive societies as the inevitable product of human history. By revealing the contingencies, coercions, and compulsions this myth disguises, the book allows us to imagine truly progressive alternatives. Rather than casting climate change as a problem for technological elites to solve, the book confronts the everyday realities that reinforce our dependence on fossil fuels, offering a space of hope and engagement from which concerned people can work to build a more sustainable future.

On the threshold of the single greatest transformation the human species has yet faced, Gasoline Dreams challenges us to start living, working, and dreaming differently to become less culturally dependent on petroleum.

Can Alison play with fire without getting burned? From two comics superstars comes an explosive, high school noir romance for everyone with a mind of their own. 

Everyone hates Darren, the firebug, the bad boy trouble follows everywhere. Alison finds a warmth to Darren, a spark everyone's missing. Alison knows what she's doing, but after tonight's fireworks, she'll find out who knows best. 

Palefire, the first collaboration between writer MK Reed and artist Farel Dalrymple, takes us back to high school for a hot date to the party of the year. When you're not a girl, and not yet a woman, the last thing you want is advice. The road to hell may be paved with good intentions, but everyone deserves a second chance—even if it goes up in flames..

In the summer of 2012 the Kurdish people of northern Syria set out to create a multiethnic society in the Middle East. Persecuted for much of the 20th century, they dared to try to overcome social fragmentation by affirming social solidarity among all the region’s ethnic and religious peoples. As Syria plunged into civil war, the Kurds and their Arab and Assyrian allies established a self-governing polity that was not only multiethnic but democratic. And women were not only permitted but encouraged to participate in all social roles alongside men, including political and military roles.

To implement these goals, Rojava wanted to live in peace with its neighbors. Instead, it soon faced invasion by ISIS, a force that was in every way its opposite. ISIS attacked its neighbors in Iraq and Syria, imposing theocratic, tyrannical, femicidal rule on them. Those who might have resisted fled in terror. But when ISIS attacked the mostly Kurdish city of Kobane and overran much of it, the YPG and YPJ, or people's militias, declined to flee. Instead they resisted, and several countries, seeing their valiant resistance, formed an international coalition to assist them militarily. While the YPG and YPJ fought on the ground, the coalition coordinated airstrikes with them. They liberated village after village and in March 2019 captured ISIS’s last territory in Syria.

Around that time, two UK-based filmmakers invited the author to spend a month in Rojava making a film. She accepted, and arrived to explore the society and interview people. During that month, she explored how the revolution had progressed and especially the effects of the war on the society. She found that the war had reinforced social solidarity and welded together the multiethnic, gender-liberated society. As one man in Kobane told her, “Our blood got mixed.”

Wildcat Anarchist Comics collects the drawings of Donald Rooum, mostly (but by no means entirely) from the long-running “Wildcat” cartoon series that has been published in Freedom newspaper since 1980. Rooum does not just purvey jokes but makes the drawings comical in themselves, “getting the humour in the line,” provoking laughter even in those who do not read the captions or speech balloons.

The chief characters in the strip are the Revolting Pussycat, a short-fused anarchist who is furious and shouty; and the Free-Range Egghead, an intellectual who would like anarchism to be respectable but sometimes appears foolish. Governments, bosses, and authoritarians are presented as buffoons, and quite often so are anarchists. This thoughtful and delightful collection includes strips from The Skeptic and many more, all beautifully colored for the first time by Jayne Clementson.

The book also includes a lively autobiographical introduction that discusses Rooum’s role in the 1963 “Challenor case,” in which a corrupt police officer planted a weapon on Rooum at a demonstration, ultimately resulting in Rooum’s acquittal.

Actions speak louder than words.

It’s said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast. It’s this premise that lies at the core of The System, a wordless graphic novel created and fully painted by award-winning illustrator Peter Kuper. From the subway system to the solar system, human lives are linked by an endless array of interconnecting threads. They tie each of us to our world and it to the universe. If every action has an equal and opposite reaction, get ready to run for cover!

A sleazy stockbroker is lining his pockets. A corrupt cop is shaking down drug dealers. A mercenary bomber is setting the timer. A serial killer is stalking strippers. A political scandal is about to explode. The planet is burning. And nobody’s talking.

Told without captions or dialogue, The System is an astonishing progression of vivid imagery, each brilliantly executed panel containing a wealth of information, with layer upon layer forming a vast and intricate tour of an ominous world of coincidences and consequences.

“Underground comix,” an artistic expression of rambunctious rebellion in the Vietnam War era, were exploding in 1969 when Radical America, a journal affiliated with Students for a Democratic Society, published a memorable comic art edition. Its principal artist and editor, Gilbert Shelton, whose Fabulous Furry Freak Brothers would be enjoyed in many editions across the world, brought to the project his Texas pals Frank Stack and Jack Jackson. Also on hand, among others, were Chicago comics innovators Jay Lynch and Skip Williamson. Together, these and other contributors issued a veritable artistic manifesto: a new vernacular art had arrived!

A half century after its original appearance, Radical America Komiks retains its rebellious spirit and its rollicking humor. Dopey but also militantly antimilitarist, the comics in this reprinted volume speak to the ideas, sentiments, and artistic experiments of a generation.

Longtime underground artist Jay Kinney, coeditor of the satirical series Young Lust and Anarchy Comics, adds a foreword, and Radical America editor Paul Buhle offers an extensive introduction to the saga of comic art, radical and otherwise.

A quietly powerful graphic novel of hope, separation, and perseverance in the journey to reunite with those you love.

"Set in a near future of apocalyptic threat and space colonization, Fiona Ostby's debut graphic novel, Space Story, is a queer love story full of wistful longing. . . Refreshingly, most characters are women or nonbinary and are matter-of-factly represented as queer. Many particularly touching spreads create parallels: a left-hand panel in red, opposite one in blue, show Leah and Hannah in separate beds, facing each other across an impossible divide. The simple layouts and focus on relationships turn a cosmic dystopia into something universal."
—Shelf Awareness, featured as one of the Best Books of the Week

"This is a story filled with bitter-sweet moments (but with a happy ending), and I am in love with it."
—BookRiot

"Economical and poignantly told, Ostby’s debut graphic novel sets a queer family’s separation drama against an apocalyptic backdrop. . . This is a touching love story for hard times."
—Publishers Weekly

Two women fall in love and start a family on a dying Earth.

Only one escapes to space.

Her family is still on the planet.

They won't give up until they find each other again.

From debut author Fiona Ostby, Space Story weaves an interstellar tale of discovering love and finding strength, courage, and hope—even in the darkest moments.

One standup comedian goes on a journey of self-discovery and explores the pitfalls and power of choosing one's own queer narrative. 

Jackie Locklear is a stand-up comedian who is trans and doesn’t know how to confront that part of himself. His Aunt Sheila’s death spurs Jackie to take a trip to the refuge Sheila built for trans folks, the Chicken Heart Love Commune. The people there represent a range of backgrounds, in contrast with the world where Jackie was raised. But as a city kid still coming to terms with his trans identity, and struggling to process his grief, the bucolic place and its residents don’t make him feel like he fits in. Through the power of humor and acceptance, Jackie is able to make space for himself.

An emotional, powerful story about finding one’s heart and opening up to people who are willing and able to love.

Tarot cards have been used for centuries to help us gain insights into the past, present and future. Now for the first time, Manga Tarot: A Colouring Book brings together three hugely popularly trends in one unique collection.

Made up of the Major Arcana and the Minor Arcana, a tarot deck has a total of 78 cards. Each card contains a beautiful bespoke manga artwork, recreated perfectly for colouring so you can tell your own story.

The Major Arcana, comprising 22 cards, features a range of characters, each representing a different aspect of human existence. The Chariot, for example, represents willpower, while Death represents change. They generally signify longer-lasting phenomena. The Minor Arcana comprises four suits: Swords, Pentacles, Wands, and Coins. are organised like a normal pack of 56 playing cards and generally represent more fleeting, temporary phenomena.

A modern take on a classic tarot deck with a colouring book twist, journey through the world of Manga Tarot with this stunning collection of bespoke artwork, carefully curated for colouring fans.

“What happens within a police force? In his intimate and revealing inside look at France's police culture, journalist Valentin Gendrot depicts his two year undercover investigation. Juxtaposed with playful feline illustrations, this shocking exposé is as relevant as ever.”
—New York Public Library, ‘NYPL Recommends: Best New Comics for Adults’

The story of a French journalist who infiltrated the country's police force, revealing a culture of racism and violence in which officers act with impunity.

What happens behind the walls of a police station? In order to answer this question, undercover journalist Valentin Gendrot puts his life on hold for two years. He decides to undertake training and become a police officer. Several months later, Gendrot is working in a police station in one of the tough northern arrondissements of Paris, where relations between the law and locals are strained.

Gendrot hides nothing. He witnesses police brutality, racism, blunders, and cover-ups. But he also sees the oppressive working conditions that officers endure, and mourns the tragic suicide of a colleague.

Asking important questions about who holds institutional power and how we can hold them to account, Flic is a gripping exposé of a world never before seen by outsiders.

¡320 páginas más llenas de talentoso manga español!

¡El lanzamiento revelación y revolucionario del manga en nuestro país presenta su tercer número! Y lo hace con portada para una serie nueva: Backhome, de Sergio Hernández y Toni Caballero, ¡un trepidante seinen al más puro estilo Naoki Urasawa que empieza con capítulo doble!

A la nueva serie le acompañan nuevos capítulos de Gryphoon (de Luis Montes), Alter Ego (de Ana C. Sánchez), Good Game! (de Blanca Mira y Kaoru Okino), Meadow Queen (de Risu Risu), Wing (de Senshiru) y La historia del manga (de Marc Bernabé, Oriol Estrada y Marian Company), además del penúltimo capítulo de Shion (de Alba Cardona) y el desenlace de Uroboros (de Ernest Sala). La ausencia de Aaron Fire (de Álvaro Jaudenes) se debe a un descanso para planificar los últimos capítulos y volver con más energía en las siguientes entregas.

¡Pero Backhome no es la única novedad de este número! Estrenamos la miniserie de dos capítulos Beastly Circus, de la premiada Kaoru Okino. Y en cuanto a historias cortas, tenemos el regreso de dos de las autoras más celebradas de nuestro primer número: Marta Salmons nos ofrece la historia corta Mr. Lightfeet y Akira Pantsu, por absoluta petición popular, vuelve al universo tan querido de Midoriboshi con una secuela desde el punto de vista de Kiku.

Por si todo esto fuese poco, tendremos nueva entrevista a cargo de Umaru-chan a los autores de Backhome, con diseños inéditos, el 4-koma de Kalathras y Rawder, e ilustraciones de Laia López, Judit Mallol, Santi Casas y la excelente calidad que aporta la incorporación de Inma R. con un dibujo a página doble.

ENGLISH DESCRIPTION

320 more pages packed with amazing Spanish manga talent!

The groundbreaking and buzzworthy launch of manga in our country is back with its third volume! And this time, it features a brand-new series on the cover: Backhome by Sergio Hernández and Toni Caballero—a gripping seinen in the purest Naoki Urasawa style, kicking off with a double-length chapter!

Joining the new series are fresh chapters of Gryphoon (by Luis Montes), Alter Ego (by Ana C. Sánchez), Good Game! (by Blanca Mira and Kaoru Okino), Meadow Queen (by Risu Risu), Wing (by Senshiru), and La historia del manga (by Marc Bernabé, Oriol Estrada, and Marian Company)—plus the penultimate chapter of Shion (by Alba Cardona) and the thrilling finale of Uroboros (by Ernest Sala). Aaron Fire (by Álvaro Jaudenes) is taking a short break to plan its final chapters and will return with renewed energy in upcoming issues.

But Backhome isn’t the only new surprise this time around! We’re debuting the two-part miniseries Beastly Circus by award-winning Kaoru Okino. And in the short story department, two of the most celebrated creators from issue one are back: Marta Salmons brings us her short story Mr. Lightfeet, and by overwhelming popular demand, Akira Pantsu returns to the beloved world of Midoriboshi with a sequel told from Kiku’s perspective.

And as if that weren’t enough, this issue also includes a brand-new interview conducted by Umaru-chan with the creators of Backhome, exclusive character designs, the 4-koma strip by Kalathras and Rawder, and illustrations by Laia López, Judit Mallol, Santi Casas, and the stunning quality that comes with the addition of Inma R.—featuring a gorgeous double-page spread.

"Vermeulen vibrantly, gloriously, unabashedly shares her “imperfect life.”—Starred Review Booklist  

In this graphic memoir, Cape Town artist Karen Vermeulen reflects on the absurdities of contemporary womanhood—from romance and friendship to the ever-elusive “self-care”.

Trust her—Karen is trying really hard to be an adult. Harder than she should probably have to, as a thirty-something with a cat, a flat, and a job. She would have gotten away with it, too, if it weren’t for those meddling influencers, always raising the bar of what it means to be a proper woman.

Accompanied by her trademark quirky artwork and signature wit, Karen pokes fun at her attempts to “grow up”: whether that’s becoming a meditation girlie, getting Botox, faking self-confidence, using dating apps, going to therapy, or living the childfree life (unless you count her feline companion Sir Henry, which, of course, she does.)

From emotional support pigs to ectopic pregnancies, cuticle care to under-boob chakras, the laugh-out-loud and deeply perceptive illustrated essays in Good Luck To Us All are a testament to these wild and crazy times.

One of the top ten graphic novels for Spring 2022, as chosen by Publishers Weekly

“Khan debuts with a deeply introspective, elegantly rendered graphic memoir about her experiences, faith, and family in the South Asian diaspora community of East London. . . . It's a powerful debut by a singularly penetrative and eloquent voice.” —Starred Review, Publishers Weekly

What do identity, belonging, and memory mean to one young Muslim woman and her family against a backdrop of history?

As a second-generation Pakistani immigrant living in East London, Sabba Khan paints a vivid snapshot of contemporary British Asian life and investigates the complex shifts experienced by different generations within immigrant communities, creating an uplifting and universal story that crosses borders and decades. Race, gender, and class are explored in a compelling personal narrative creating a strong feminist message of self-reflection and empowerment which is illuminated in stunning artwork.

Once, years ago, while walking her dogs in the woods, Elizabeth found a dead body. 

Trauma can make truth hard to find. Have you ever experienced a terror, grief, or confusion so great that when you try to share it you can only find shattered images floating in darkness? You try over and over, but can’t tell the story, to yourself or to anyone else. Look Again presents us with six variations of the same event, seen through the different lenses caused by other life revelations. It explores the fragmenting nature of trauma by tracing the convoluted evolution of the author’s story, a process often experienced by trauma sufferers and their loved ones.

His life belonged to him, only. His books belonged to the public.

B. Traven: Portrait of a Famous Unknown is a graphic biography that tells the larger-than-life story of the German revolutionary, actor, and writer known as B. Traven (1882–1969). Despite his commercial success as a best-selling writer, Traven managed to keep his identity a secret during his lifetime. It is now generally accepted that Traven was in fact “Ret Marut” (another psudonym), a German stage actor and editor of an anarchist newspaper in Germany called Der Ziegelbrenner (The Brickburner). As Marut he was a major participant in the short-lived Bavarian Council Republic of 1919–20. Barely escaping execution, he fled Germany and lived incognito for the remainder of his life. His entire literary work, a great commercial success in its day, combines lively and often humorous storytelling with radical critique of capitalism and nationalism. His best-known work, The Treasure of the Sierra Madre, from 1927, was adapted for film in 1948 by John Huston.

Golo’s account of Traven’s life, rendered with stunning artwork, begins and ends with his ashes being dropped from a plane over the Lacandon jungle in Chiapas, Mexico, just a quarter century before the explosive uprising of the Zapatistas seemed to echo his deepest wishes.

From the winner of the inaugural Myriad First Graphic Novel Competition, here is a darkly funny story of obsession, beautifully crafted in embroidery and lino-cut.

Getting yourself a girlfriend is easy, according to Richard. All you need is papier mache, string, soft material, a balloon, some old fashioned bellows, and a good pair of scissors. The difficult bit is keeping her secret.

Set in an English suburb in the early 1990s, The Black Project by Gareth Brookes is the story of Richard’s all-consuming passion for creating ‘girls’ from household objects. But as his hobby begins to flourish, his real-life friendships and family relationships deteriorate. Richard is an unreliable narrator, and the reader responds to his loneliness and his dogged attempt to find a companion while being horrified by his warped creations. The novel’s focus is on the divide between childhood and adulthood; where sex, perversion, and the grotesque feature in their many forms.

 An extract from COMA was shortlisted for the Myriad First Graphic Novel Competition 2018 and longlisted for LDComics Awards 2019.

Freedom Shall Prevail is the first graphic novel exploring the life and struggle of Abdullah Öcalan, affectionately known as “Apo.”

Highly regarded around the world, Öcalan led the Kurdish freedom struggle as the head of the PKK from its foundation in 1978 until his abduction by the Turkish state in 1999. He has, so far, spent twenty-five years in captivity. In this graphic novel we learn, in his own words, what Öcalan’s childhood was like in the partially Kurdish areas of Eastern Turkey and how his political awareness and commitment grew as a student in the late 1960s and early 1970s. Through the personal struggle of Öcalan we also see the terrible devastation that Kurdish people have suffered and learn about the tumultuous and dramatic history of the relationship between the Kurds and the Turkish state.

The book also dives into the theories developed by Öcalan that continue to influence the ongoing struggle today. Expanding on these, the second part of the book gives us a wider consideration of the issues and policies around women's freedom, democratic confederalism and paints an inspiring picture of one of the most impressive attempts to build a genuinely grassroots democratic system anywhere in the world. The struggle going on in the Autonomous Administration of North and East Syria, also known as Rojava, is one that is directly combating gender and racial discrimination and the abuses of the capitalist economic system—in truly interconnected ways.

This wonderfully illustrated graphic novel is a collaboration between award-winning Scottish writer Sean Michael Wilson and Kurdish artist Keko, with backing and research help from Peace in Kurdistan Campaign and the International Initiative “Freedom for Abdullah Öcalan—Peace in Kurdistan,” groups with long term and impassioned commitment to the cause of Öcalan and the Kurdish people’s freedom.

An eyewitness account of idealism, self-discovery, and loss under one of the twentieth-century's most repressive political regimes

Set against a backdrop of world-changing events during the headiest years of the Cuban Revolution, Goodbye, My Havana follows young Connie Veltfort as her once relatively privileged life among a community of anti-imperialist expatriates turns to progressive disillusionment and heartbreak. The consolidation of Castro's position brings violence, cruelty, and betrayal to Connie's doorstep. And the crackdown that ultimately forces her family and others to flee for their lives includes homosexuals among its targets—Connie's coming-of-age story is one also about the dangers of coming out. Looking back with a mixture of hardheaded clarity and tenderness at her alter ego and a forgotten era, with this gripping graphic memoir Anna Veltfort takes leave of the past even as she brings neglected moments of the Cold War into the present.

An Indie Band’s Record-Breaking Music Tour: A Graphic Novel

“As a touring musician, I absolutely adored this heartfelt, honest, and beautifully illustrated account of the unique pitfalls and victories of DIY touring.” ―Tommy Siegel, cartoonist and guitarist/singer in Jukebox the Ghost

#1 New Release in Biographies and History Graphic Novels

From the indie band Pocket Vinyl and the artists behind the documentary Drive. Play. Sleep. and the popular webcomic The Touring Test, this hilarious artists’ graphic novel memoir chronicles a couple’s road trip across the USA as they break a world record.

A world record smashing music tour through 50 States in 45 Days. Together, Eric Stevenson and Elizabeth Jancewicz perform as the band Pocket Vinyl, where Eric slams on the piano and sings while Elizabeth creates a large oil painting on stage. In these artists’ graphic novel, watch as they take on their biggest challenge yet: to tour the whole nation in just 45 days, breaking the record for the fastest time a band has played in all 50 U.S. states.

A wild road trip of performance highs, self-doubt lows, and determination. As co-author Elizabeth Janceqicz says, “I knew that embarking on such a monstrous adventure would provide me with stories to tell, but I hadn't realized how much those stories would change me... In retrospect, we learned so much: about how our art helps people, how interconnected we all are, and how easily our minds can descend into mental illness without us even realizing it’s happening.”

Inside find:

• A breakneck road trip through the local music scenes across America 
• An unforgettable story of what life is like behind the scenes on an indie band’s record-breaking tour
• A graphic novel on mental health, humor, the love of music and art, and the gifts of human kindness

If you liked It's Lonely at the Centre of the Earth, Marbles, or Can't We Talk about Something More Pleasant? you'll love How to Completely Lose Your Mind. 

Some books take the whole of a lifetime to write.

I Am Only a Foreigner Because You Do Not Understand continues Flocks, L. Nichols’s graphic memoir of growing up trans in the rural South. These comics document L.’s further transition, from living as a man to walking the middle path, facing depression, disease, divorce and death. Healing leaves scars, things fall apart, and pronouns change until there is no I, there is only us.

2022 Skipping Stones Honor Awards Recipient | 2021 NCTAsia Freeman Award Honorable Mention

The true story of how one Japanese village suffered and survived the mercury poisoning of its waters.

A powerful graphic novel/manga that tells the story of "Minamata disease," a debilitating and sometimes fatal condition caused by the Chisso chemical factory's careless release of methylmercury into the waters of the coastal community of Minamata in southern Japan. First identified in 1956, it became a hot topic in Japan in the 1970s and 80s, growing into an iconic struggle between people versus corporations and government agencies.

This struggle is relevant today, not simply because many people are still living with the disease but also because, in this time of growing concern over the safety of our environment—viz. Flint, Michigan—Minamata gives us as a very moving example of such human-caused environmental disasters and what we can do about them.

The event is also the subject of the 2020 Andrew Levitas directed Johnny Depp film, Minamata.

“…often remarkably judicious.” That’s what Peter Davison, the editor of George Orwell’s Complete Works, said in 1998 about these authors, Orwell for Beginners, contained in this volume 

No twentieth-century writer remains more vividly etched in the public imagination than George Orwell, thanks to Animal Farm and the unforgettable Nineteen Eighty-Four— and thanks, as well, to the persisting power of the logic-defying authoritarianism Orwell warned us about. George Orwell remains relevant because Big Brothers remain as brazen and truthless as ever. 

This book brings Orwell to life as never before. New discoveries—including a human rights manifesto coauthored with Bertrand Russell and Arthur Koestler—help us better understand the worldview behind the words. In part two of this book, Planet Orwell, Orwell’s manifesto appears here for the first time, along with a wealth of fresh biographical and literary insights.

Winner - 2022 Deems Taylor / Virgil Thomson Book Awards in Pop from the American Society of Composers, Authors, and Publishers

Bert Williams—a Black man forced to perform in blackface who challenged the stereotypes of minstrelsy. Eva Tanguay—an entertainer with the signature song “I Don’t Care” who flouted the rules of propriety to redefine womanhood for the modern age. Julian Eltinge—a female impersonator who entranced and unnerved audiences by embodying the feminine ideal Tanguay rejected. At the turn of the twentieth century, they became three of the most provocative and popular performers in vaudeville, the form in which American mass entertainment first took shape.

A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book’s subjects and their world.

This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.

Outrun giants, doppelgängers, angels and a slave-driving cat on an adventure through time to the origin of humanity in Entropy.

Aaron Costain’s Entropy follows a golem with a surprisingly modern sensibility, and an even more modern sense of style, as he backtracks through millennia to understand his own creation. Entropy takes place at the intersection of the world’s cultures. Mythologies and religions cross-pollinate, bleed into one another, and form a new soul from synthesis – or they will if our epic hero can outrun man-eating giants, a vicious army of crows, and one very manipulative cat. Entropy delivers an all-time adventure.

“You are faced with the reality of quitting or doubling down. Guess which one this is.” - Zak Sally, Recidivist

A man searches for his lost teeth to complete his masterwork. Another embraces ghosts in an act of vengeance. Children escape from a ruined house to find a revelation. A wanderer leaves everything behind and discovers the infinite. Part resignation letter, part manifesto, the stories in Zak Sally’s Recidivist IV comprise a medium-defying visual experience of the freedom in obscurity.

If you could talk with the animals, walk with the animals, could you ever go home? Run wild with Kingdom/Order.

Kindgom/Order wordlessly follows a nameless man as he searches for meaning in his life. Through symbols and sounds, he is reminded of his part in the greater, natural world, just as he is slowly divorced from the modern world surrounding him. Mysteriously, our hero discovers he can understand the calls of the animals around him - but how much of this is real, and how much is delusion? Whatever the case, Psaltis will leave you speechless.

Part autobiogrpahy, part mythology and totally beautiful, Theo Ellsworth's much beloved perennial classic, Capacity, returns in a special edition!

Capacity tells the fantastically true and truly fantastic personal history of the artist as a young man. Theo Ellsworth's astonishing drawings, which Pitchfork describes as "a combination of Where the Wild Things Are, a fever dream, a pagan woodland ceremony, and a notebook doodle," give shape to thoughts profound and silly, bringing familiar doubts and hopes to visionary, new life. Just try to remember, this all really happened. Counted among the best books of its original publication year by the Chicago Tribune, the Village Voice, the Huffington Post and dozens of others, Capacity returns in a deluxe, special edition.

A visionary, violent mash-up and retelling of key creation and apocalypse mythologies in wordless, intricate, black and white composition.

Songs of the Abyss, the evolution of Eamon Espey's critically acclaimed Wormdye, advances his obsession with grotesque spirituality. See ancient Egyptian gods giving birth to biblical giants, Santa Claus as the Devil's agent, and a scientist's sadistic experiments in search of enlightenment—all immaculately rendered in Espey's inimitable compositions.

Get Over It! traces the path from heartbreak to happiness, using humor and honesty to describe each break-up milestone.

A few, very long years ago, Corinne Mucha (Freshman: Tales of 9th Grade Obsessions, Revelations, and Other Nonsense, Zest Books) began exploring the strange behaviors of her own broken heart. Both giggle- and cringe- inducing, Get Over It! gives us all the gory, gooey details on the way to wisdom.

Reid Psaltis disturbs the Order of Things: a truly bonkers animal encyclopedia.

Join a worldwide cult phenomenon for a unique, naively erotic, geopolitically savvy adventure with Francine, the most wayward of girls.

With its fascistic imagery, pubescent sexuality, raucous humor, and complex political allegory, the anonymously posted webcomic, slechtemeisjes, became an instant cult phenomenon, hailed as the "Greatest Comic of All Time" by Comic Book Resources. Now, one of the world's most enigmatic, controversial, and provocative webcomic creators, Michiel Budel, delivers his debut graphic novel, Francine. Teens can be deceiving, and Francine is exceptionally so. She murders her bully, fakes her own death, steals her best friend's mother, and makes any situation uncomfortably sexual. She's awful. Everyone loves her. You will, too. Recommended for immature readers only.

Equally humorous and horrific, Monsters explores the physical and emotional traumas of learning to live, and love again, with herpes.

Gabby Schulz, otherwise known as Ken Dahl, cemented his status among the best cartoonists of his generation with Monsters. The multiple Ignatz Award–winning and Eisner Award–nominated graphic novel returns to print in a larger format with a deluxe, stitched binding. Part autobiography, part deranged educational film strip, Monsters is a brutally honest, frankly hilarious account of life with herpes.

This beloved, awkward series draws a truly immaculate, inhumanly perfect line to depict us at our messiest and most human.

Consisting of ten collaborative picture-essays that weave Cindy Milstein’s poetic words within Erik Ruin’s intricate yet bold paper-cut and scratch-board images, Paths toward Utopia suggests some of the here-and-now practices that prefigure, however imperfectly, the self-organization that would be commonplace in an egalitarian society. The book mines what we do in our daily lives for the already-existent gems of a freer future—premised on anarchistic ethics like cooperation and direct democracy. Its pages depict everything from seemingly ordinary activities like using parks as our commons to grandiose occupations of public space that construct do-it-ourselves communities, if only temporarily, including pieces such as “The Gift,” “Borrowing from the Library,” “Solidarity Is a Pizza,” and “Waking to Revolution.” The aim is to supply hints of what it routinely would be like to live, every day, in a world created from below, where coercion and hierarchy are largely vestiges of the past.

Paths toward Utopia is not a rosy-eyed stroll, though. The book retains the tensions in present-day attempts to “model” horizontal institutions and relationships of mutual aid under increasingly vertical, exploitative, and alienated conditions. It tries to walk the line between potholes and potential. Yet if anarchist and other autonomist efforts are to serve as a clarion call to action, they must illuminate how people qualitatively, consensually, and ecologically shape their needs as well as desires. They must offer stepping-stones toward emancipation. This can only happen through experimentation, by us all, with diverse forms of self-determination and self-governance, even if riddled with contradictions in this contemporary moment. As the title piece to this book steadfastly asserts, “The precarious passage itself is our road map to a liberatory society.”

Escaping slavery in the Americas, maroons made miracles in the mountains, summoned new societies in the swamps, and forged new freedoms in the forests. They didn’t just escape and steal from plantations—they also planted and harvested polycultures. They not only fought slavery but proved its opposite, and for generations they defended it with blood and brilliance.

Maroon Comix is a fire on the mountain where maroon words and images meet to tell stories together. Stories of escape and homecoming, exile and belonging. Stories that converge on the summits of the human spirit, where the most dreadful degradation is overcome by the most daring dignity. Stories of the damned who consecrate their own salvation.

With selections and citations from the writings of Russell Maroon Shoatz, Herbert Aptheker, C.L.R. James, and many more, accompanied by comics and illustrations from Songe Riddle, Mac McGill, Seth Tobocman, and others, Maroon Comix is an invitation to never go back, to join hands and hearts across space and time with the maroons and the mountains that await their return.

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege.

When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful 16th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than twenty people dead, including American journalist Brad Will.

This expanded paperback edition includes 32 pages of new material.

Drawn by South African political cartoonists the Trantraal brothers and Ashley Marais, Crossroads: I Live Where I Like is a graphic nonfiction history of women-led movements at the forefront of the struggle for land, housing, water, education, and safety in Cape Town over half a century. Drawing on over sixty life narratives, it tells the story of women who built and defended Crossroads, the only informal settlement that successfully resisted the apartheid bulldozers in Cape Town. The story follows women’s organized resistance from the peak of apartheid in the 1970s to ongoing struggles for decent shelter today. Importantly, this account was workshopped with contemporary housing activists and women’s collectives who chose the most urgent and ongoing themes they felt spoke to and clarified challenges against segregation, racism, violence, and patriarchy standing between the legacy of the colonial and apartheid past and a future of freedom still being fought for.

Presenting dramatic visual representations of many personalities and moments in the daily life of this township, the book presents a thoughtful and thorough chronology, using archival newspapers, posters, photography, pamphlets, and newsletters to further illustrate the significance of the struggles at Crossroads for the rest of the city and beyond. This collaboration has produced a beautiful, captivating, accessible, forgotten, and in many ways uncomfortable history of Cape Town that has yet to be acknowledged.

Crossroads: I Live Where I Like raises questions critical to the reproduction of segregation and to gender and generational dynamics of collective organizing, to ongoing anticolonial struggles and struggles for the commons, and to new approaches to social history and creative approaches to activist archives.

Finally available for the first time in a single book format, Abolish Work combines two influential and well-circulated pamphlets written from the frontlines of the class war. The texts from the anonymous workers at Prole.info offer cutting-edge class analysis and critiques of daily life accompanied by uncensored, innovative illustrations.

Moving from personal thoughts and interactions to large-scale political and economic forces, Abolish Work reads alternately like a worker’s diary, a short story, a psychology of everyday life, a historical account, and an angry flyer someone would pass you on the street.

The classic “Abolish Restaurants” is an illustrated guide to the daily misery, stress, boredom, and alienation of restaurant work, as well as the ways in which restaurant workers fight against it. Drawing on a range of anti-capitalist ideas as well as a heaping plate of personal experience, it is part analysis and part call-to-arms. An additional piece, “Work, Community, Politics, War” is a comic book introduction to modern society, identifying both the oppressive and subversive tendencies that exist today in order to completely remake society.

Glyph Award winner Juliana “Jewels” Smith and illustrator Ronald Nelson have created an unflinching visual and literary tour-de-force on the most pressing issues of the day— including gentrification, police violence, and the housing crisis—with humor and biting satire. (H)afrocentric tackles racism, patriarchy, and popular culture head-on. Unapologetic and unabashed, (H)afrocentric introduces us to strong yet vulnerable students of color, as well as an aesthetic that connects current Black pop culture to an organic reappropriation of hip hop fashion circa the early 90s.

We start the journey when gentrification strikes the neighborhood surrounding Ronald Reagan University. Naima Pepper recruits a group of disgruntled undergrads of color to combat the onslaught by creating and launching the first and only anti-gentrification social networking site, mydiaspora.com. The motley crew is poised to fight back against expensive avocado toast, muted Prius cars, exorbitant rent, and cultural appropriation.

Whether Naima and the gang are transforming social media, leading protests, fighting rent hikes, or working as “Racial Translators,” the students at Ronald Reagan University take movements to a new level by combining their tech-savvy, Black Millennial sensibilities with their individual backgrounds, goals, and aspirations.

Set in a future-adjacent, alternative Los Angeles, this is a story of staggering poverty, drugs, and violence and of an artistic child who finds beauty in the ugly and sublime hope in our conflicts.

HYBRED shows us how in our most marginalized communities lies an astonishing amount of genius which goes unnoticed and is so often tragically wasted. 

Nine-year-old Johnny James lives in The Casque, the poorest neighborhood in Greater Angeles, where he shares a one-room apartment with his mother, stepfather, two brothers, and an army of cockroaches. He spends his days in the sweltering heat of the neighborhood, at the movie theaters, playing tackleball, or drawing – but there’s no money for him to go to school.

As death, addiction, and violence swirl through the neighborhood, Johnny grows up with friends, adventures, and magic around him. And he discovers how to use art, beauty, and personal strength to transcend the forces destined to hold him back.

Part graphic novel, part art book, SURVIVA: A Future Ancestral Field Guide offers readers a view beneath, beyond, and between the lines of Luger's ever-expanding artistic universe. In this ecstatically hybrid work, Luger transforms a 1970s military survival guide through poetic redaction, speculative fiction, and iterative line drawing—deftly surfacing and disrupting the colonial subconscious that haunts this vexed source text. An epic and timely meditation on planetary life in the midst of transformation, SURVIVA boldly presents an earth-based, demilitarized futuredream that foregrounds Indigenous knowledge as critical to humanity’s survival.

SURVIVA is the first title from Aora Books, a publishing imprint dedicated to exploring transformational thought and culture that transcends borders, disciplines, and traditions. Rooted in an ethos of polyvocality and planetary consciousness, Aora publishes works that forge bold connections across time, place, ideas, and beings often seen as separate. 

A timely and inspiring work of comics journalism—the history of unions and why we need them (and a first-hand account of working in an Amazon warehouse).

Workers of the world, unite! From comics journalist Sam Wallman comes a thoughtful plunge into the history of unions. Through distinctive art and sharp-eyed reporting, Wallman ushers us into the hidden aisles of 21st-century labor conditions, and shows us recent labor movements and union triumphs—all while framing current conditions against the history of unions and the earliest rallying cries for worker rights.

It’s an entry point for younger generations, and a reminder for workers who have had their livelihood reduced by capitalist pressures. It’s also a primer for those new to the power of collective action.

From an Amazon warehouse in Melbourne (where Sam worked for a year), to Britain and Bangladesh, to Walmart in China and the New York Taxi Workers Alliance strike against the Trump-era refugee ban of 2017, this book is a highly original and visual exploration of the power of unions.

An original graphic novel based on the IVF stories of its husband-and-wife authors and the 1-in-50 couples around the world like them.

Conrad and Joanne met in their final year of university and have been virtually inseparable since then. For a while, it felt like they had all the time in the world. Yet now, when they are finally ready to have kids, they find that getting pregnant isn’t always so easy.

Ahead of them lies a difficult, expensive, and emotional journey into the world of assisted fertility, where each “successful” implantation is followed by a two-week wait to see if the pregnancy takes. Join Joanne and Conrad, their friends, their family, their coworkers, and a stream of expert medical practitioners as they experience the highs and the lows, the tears and the laughter in this sensitive but unflinching portrayal of the hope and heartbreak offered to so many by modern medicine.

Full of beautiful and heartfelt artwork, this book will be a hit in any graphic health collection.

Nueva rotulación y nueva traducción

Reedición de la obra completa de Moore y Campbell, revisada y complementada con comentarios de Alan Moore. Se trata de una revisitación del mito de Jack el Destripador, a su vez que una disección despiadada de la sociedad victoriana.

Esta famosa novela gráfica ha sido galardonada con los prestigiosos premios Eisner y Harvey en diversas categorías, así como por el premio de la crítica del Festival de Angoulême 2001. Sin duda, una de las obras maestras del genio del cómic Alan Moore (Watchmen, La Liga de los Hombres Extraordinarios, V de Vendetta).

ENGLISH DESCRIPTION

New lettering and new translation

Re-edition of the complete work by Moore and Campbell, revised and complemented with comments by Alan Moore. It is a reinterpretation of the myth of Jack the Ripper, as well as a ruthless dissection of Victorian society.

This famous graphic novel has been awarded the prestigious Eisner and Harvey Awards in various categories, as well as the Critics' Prize at the Angoulême Festival 2001. Undoubtedly, one of the masterpieces of comic book genius Alan Moore (Watchmen, The League of Extraordinary Gentlemen, V for Vendetta).

pero no es recíproco...

«Sé de lo que hablo: Alberto Montt entiende a los gatos y su psicología, porque sabe hablar con ellos. Es más, estoy seguro de que es un gato infiltrado disfrazado de dibujante, de otra manera no se explica este divertido y aterrador viaje dentro de la naturaleza de la especie que realmente gobierna este planeta». Francisco Ortega

Este libro es una guía para entender, amar y cuidar a tu gato, un homenaje a la raza que desde tiempos inmemoriales impulsó la construcción de pirámides, inspiró a dioses, propició memes y acompañó a nuestros solteros y solteras empedernidos hasta el fin de los tiempos. Es un libro lleno de humor y color al mejor estilo del dibujante chileno Alberto Montt.

Diviértete con los gatos de Alberto Montt y descubre cómo han dominado a la raza humana.

ENGLISH DESCRIPTION

But it's not mutual...

"I know what I'm talking about: Alberto Montt understands cats and their psychology because he knows how to speak with them. In fact, I'm sure he's an undercover cat disguised as an illustrator—otherwise, there's no way to explain this fun and terrifying journey into the nature of the species that truly rules this planet." —Francisco Ortega

This book is a guide to understanding, loving, and caring for your cat—an homage to the species that, since ancient times, has inspired the construction of pyramids, been worshipped by gods, fueled internet memes, and faithfully accompanied our lifelong bachelors and bachelorettes. It is a book full of humor and color, in the signature style of Chilean illustrator Alberto Montt.

Enjoy Alberto Montt’s cats and discover how they have taken over the human race.

Set in Beirut, Lebanon, a city once known to be a vibrant cultural center of the region. It's 30 years after the end of the civil war, and a few months before the disastrous explosion of August 2020. Samar, a young queer comic book artist, wanders between anguished dreams, childhood memories, romantic experiences, and Beirut’s alternative communities. This abstractly autobiographical story tells of the author's anxiety over living in a complex city of changing colors and moods. Three powerful themes: art, sex, and political uprising, are interwoven in a compelling narrative and an otherworldly color palette.

Starred Review from Kirkus Reviews. “The animated evolution of a queer boy from his strict religious upbringing to a liberated adolescence. . . . Tokyo-based couple Mann and Gatts integrate their illustrative and authorial talents in this debut graphic memoir vividly detailing Mann's coming-of-age while cloaking his burgeoning homosexual feelings.”

One of the Best Graphic Novels for Adults 2024 from the American Library Association

Lonnie's Orthodox Jewish community has always been clear: it's not okay to be gay. Growing up in a devout family and going to school at a yeshiva, he's told by his parents, his teachers, and his friends that being gay is a sin and an abomination. But as he gets older, he realizes that he likes boys, and wonders what kind of life he will be able to live. As Lonnie expands his world beyond the yeshiva to theater camp, college classes, and movie nights, he sees that the life he wants isn't compatible with the life of his parents — and his whole religious community.

This emotional graphic novel explores the fissures between identity and religion and charts Lonnie's journey from a kid who loved the rules of the Orthodox Jewish tradition to becoming increasingly independent and defiant, embracing his gay identity and developing his own chosen family.

A breathtaking and gut-wrenchingly real graphic memoir of the struggles of an adolescent girl processing the trauma of childhood sexual assault. 

An immigrant at the age of six, she arrived in a strange new world. Karina was labeled "different" immediately, and a desire to be invisible was born. The "different" label expanded to "weird" and "freak", terms that she fervently embraced. By taking society's critique, owning it, and taking pride in it, she gained power over it. In a life overshadowed by fear, Karina wanted control. If something was going to ruin her life it would be her and her alone.

Sivan Piatigorsky-Roth is obsessed with Princess Diana, in the specific, laser-focused way an autistic person can be. This book is an unorthodox biography of Diana Spencer told through a particular autistic and transmasculine lens, examining issues of identity and self-determination, and the mythological parallels in the lives of the royal family and the author.

Ype is a gay man living in Amsterdam with his boyfriend Nico. When asked by Nico to accompany him on a work trip to America, Ype must confront his deep fear of flying. While doing so, Ype finds he also has to come to terms with his social and sexual anxieties, his neurotic nature, and a serious case of imposter syndrome. What follows is a moving and deeply personal story, filled with humor as well as drama —surprising, honest, and unforgettable. Ype embarks on an adventure that leads him to his ultimate fantasy: being the last person on earth. Encouraged by a sentient robot vacuum cleaner called Chupi, he finds out what it really means to be true to yourself.

Hellraiser meets Black history as the Box of Bones exacts revenge throughout time and space.

When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," Box of Bones is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora.

Ayize Jama-Everett and John Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (I Am Alfonso Jones), David Brame (MediSIN), Avy Jetter (APB: Artists against Police Brutality), and Tim Fielder (Matty's Rocket).

1931. Bronzeville. Chicago. The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. This graphic novel chronicles three adventures with this tragic conjure man. Watch as "Half Dead" attempts to save his own soul, pay his debt, and help as many people as he can along the way. It's a hard-hitting Hoodoo Noir highball with just a splash of Southern Gothic. Smack-dab in the dark heart of the Windy City. Hold on tight! It's going to be a bumpy ride down Hard Times Road.

Bill Campbell is the founder of Rosarium Publishing and the author the novels Koontown Killing Kaper, My Booty Novel, and Sunshine Patriots as well as the essay collection, Pop Culture: Politics, Puns, and “Poohbutt” from a Liberal Stay-at-Home Dad. He is the coeditor of the anthologies Mothership: Tales from Afrofuturism and Beyond and Stories for Chip: A Tribute to Samuel R. Delany. He lives in Washington, DC. 

Jason Rodriguez is an Eisner and Harvey Award–nominated writer and editor. He is the author of Postcards: True Stories That Never Happened and Try Looking Ahead, and his work has been published by Dark Horse Comics, Random House, and several small publishers. He lives in Arlington, Virginia. 

John Jennings is an associate professor of visual studies at the State University of New York–Buffalo. He is an award-winning graphic novelist and the author of Pitch Black Rainbow: The Art of John Jennings. 

Whit Taylor is a cartoonist, writer, editor, and public health educator from New Jersey. She has a BA in cultural anthropology from Brown University and received an MPH in Social and Behavioral Sciences from Boston University School of Public Health. Her comics have been published by The Nib, The New Yorker, Rosarium Publishing, BOOM!, Sparkplug Books, Kus, Ninth Art Press, Illustrated PEN, and others.

A gritty "voodoo" Western tale about what happens when fighting is all both sides know what to do.

1879. After decades of violence of fleeing, having gone everywhere from Florida to Mexico, a war-weary band of Seminole Blacks led by their sheriff, Desi Leans, and his wise-cracking deputy, Gay Day, have finally settled in the Oklahoma Territory. They have built their dream, Refuge, and they will do whatever it takes to make it work.

But they fear that it may all go up in smoke when a band of renegade buffalo soldiers, The Testimony Gang, and their firebrand leader, Prester John, come to town.

Will Refuge hold true to its promise or will it all be burned to the ground?

Based on the Persian children's classic by Samad Behrangi, this book is about a young fish's courage to question authority and strike out on her own.
 
An inquisitive little fish decided to question authority and leave the safety of her own home to venture out into the expansive sea. The creatures she meets along the way teach her important lessons and make her learn the most valuable treasure in life: freedom.

Bizhan Khodabandeh is a visual communicator who moves freely across the professional boundaries as designer, illustrator, artist, and activist. His works vary from small graphic art projects to major public campaigns. Khodabandeh is particularly fascinated by how art and design can catalyze social change. He has received numerous international and national awards for his work, including: a silver medal from the Society of Illustrators, a silver medal from the International Design Awards, a finalist in the Cross-Cultural Design Competition, and best in show through the American Institute of Graphic Arts. He has received numerous international and national awards for his work as both an illustration and designer through various institutions such as: The American Institute of Graphic Arts, Creativity International, Adbusters, and Creative Quarterly. Khodabandeh has had work featured in publications such as Print, Creativity International, Adbusters, and Comic Bastards among others. Currently Khodabandeh teaches full-time at VCU’s Robertson School of Media & Culture and freelances under the name, Mended Arrow.

Bill Campbell is the author of Sunshine Patriots, My Booty Novel, Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad, and Koontown Killing Kaper. He co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond in addition to Stories for Chip: A Tribute to Samuel R. Delany, APB: Artists against Police Brutality, and Future Fiction. He's also edited the two-volume international science fiction anthology, Sunspot Jungle. 

Damian Duffy is a cartoonist, scholar, writer, curator, lecturer, teacher, a Glyph Comics and Bram Stoker Award-winner, and a New York Times bestselling graphic novelist. He holds a MS and PhD in Library and Information Sciences from the University of Illinois at Urbana-Champaign, where he is on faculty. His many publications range from academic essays (in comics form) on new media and learning to art books about under-representation in comics culture, from editorial comics to a graphic novel adaptation of Kindred by Octavia E. Butler, which was awarded a 2017 Bram Stoker Award. 

David Brame makes comics, some of which can be seen on splitlip.com and henbracomics.com, in numerous anthologies, and in the Action Lab OGN The Trip.