Comics & Graphic Novels

Tales of the vampiric Prince of Darkness have been adapted to every format including a number of graphic novels. But just as Stoker's 1897 novel ever holds its historic place, so too does the original Dracula graphic novel. The premier, 1966 graphic adaptation of Stoker's classic was edited and packaged as a paperback by legendary Creepy magazine founding editor, Russ "Unca' Creepy" Jones.

Creepy launched as a full-sized, uncensored black and white horror comics magazine in 1964. It ran, most-famously adorned with covers by Frank Frazetta, for near 300 issues over two decades, spawning a tsunami of imitators and competing horror magazine lines including from Marvel. From 2008-2019 Dark Horse released a complete library of Creepy Archives hardcovers which often made the New York Times bestseller list.After leaving Creepy magazine, for the landmark Dracula graphic novel, Jones enlisted Supergirl co-creator/writer Otto Binder and Star Trek, Twin Earths and Creepy artist Alden McWilliams to adapt Stoker's novel. Legendary Dracula actor, Christopher Lee even provides an Introduction!

For Halloween 2021, Vanguard has enlarged, revised, and expanded, this historic but long-out-of print classic in a luxurious hardcover edition with a new historic essay by How To Draw Chiller Monsters author, J. David Spurlock, examples of historically related art by Neal Adams, Gene Colan and a new cover by the most celebrated Creepy artist of all, Frank Frazetta.

The package makes a surprisingly tastefully terrifying addition to every library and horror fan's bookshelf.

Definitive collection from the creator and publication that inspired the underground comix movement.

Hall of Fame comics creator Wallace Wood's revolutionary, self-published Witzend (often spelled in all lower case) has always been hard to define—the birth of the pro-zine, underground, independent... Whatever you call it, Wood’s witzend was a mid-'60s milestone event that represented all of the loftiest Fine Art goals of the Underground Movement including art-for-art’s-sake, freedom from censorship, and creator rights. The vast majority of the underground comix movement creators were directly inspired by the EC Comics and Mad work of Wallace Wood and Harvey Kurtzman (as well as psychedelics). Until R. Crumb’s later and eminently notable Zap Comix, no underground had the impact of witzend which combined top-flight comics pros like Wood, Frazetta, Steranko and Ditko side-by-side with up-and-coming Undergrounders like Art Spiegelman (Maus) and Vaughn Bode (Cheech Wizard)