D Giles Limited

An accessible, softcover volume which takes up the unfinished conversation about what it is to be a descendent member of the Black Community in Newport, RI, and beyond, today.

The Newport Center for Black History is housed in the city’s oldest documented home at the Wanton-Lyman-Hazard House (ca. 1697). The title, Echoes from the Attic, comes from the discovery of a nkisi, a spirit bundle found under the floorboards of the house during its restoration; the bundle is the springboard for this new publication which features contributions from scholars, and from members of the Descendent Community in Newport. Moving beyond the the Gilded Age and stories of Black wealth and enterprise, there are also stories of slavery, of resistance—Newport was a haven for those escaping enslavement on the Underground Railroad—and of regeneration and persistence.

Packed with fascinating facts, compelling images, and little-known nuggets of information, this new go-to illustrated guide to the history of the Library of Congress will appeal to history buffs and general readers alike. It distils over two hundred years of history into an engaging read that makes a Washington icon relevant today.

A Caravaggio "first", this accessible and attractive illustrated volume focuses on one of the famous artist's most iconic artworks, Victorious Cupid.

Usually housed at the Gemäldegalerie in Berlin, Victorious Cupid (1601-02) by Michelangelo Merisi da Caravaggio (1571-1610) is the centrepiece in a new focus exhibition at The Wallace Collection. Caravaggio’s painting, also known as Amor Vincit Omnia, shows Cupid, the Roman god of desire, as a young boy, in an animated pose while wearing dark eagle wings and holding two arrows. It was the last allegorical work Caravaggio painted in Rome. The music manuscript on the floor shows a large V in the margin of the right-hand page which is believed to acknowledges Marchese Vincenzo Giustiniani (1564-1537), who commissioned the painting, and is said to have prized Victorious Cupid above all other works in his collection.

This richly illustrated softcover print publication features an introduction by the director of The Wallace Collection, Xavier Bray, followed by five illustrated chapters by the volume’s principal author, Helen Langdon. A description of the painting and summary of Caravaggio’s early life, present Victorious Cupid against the background of his artistic development and the intellectual interests of his patrons, and within the broader context of the theme of "love conquers all". Langdon examines the meaning of the painting, and considers how Caravaggio brings the subject to earth, from the heavens to the bedroom, mocking the idealisations of renaissance art.

Publication accompanies an exhibition at The Wallace Collection, London.

This book explores the long and fruitful collaborations between the artist Robert Rauschenberg and Donald J. Saff, founder of Graphicstudio in 1968.

Out of the Real World: Robert Rauschenberg at USF Graphicstudio is the first comprehensive and scholarly publication to explore the significance of Robert Rauschenberg’s work at Graphicstudio, University of South Florida’s renowned atelier. Contributors detail Rauschenberg’s collaborative projects at Graphicstudio that pushed boundaries and redefined our understanding of printmaking. The legacy of the Rauschenberg Overseas Culture Interchange (ROCI) project, operationally headquartered at USF Graphicstudio and overseen by Saff as artistic director, is examined and reconsidered both geopolitically and through the lens of its resonance with host countries.

This tenth volume in the Double Exposure series presents a diverse range of photographs that feature the American flag.

The American flag carries multiple meanings across generations and cultures of people, a symbol of complex histories, representing the ideals of liberty, as well as the horrors of oppression. This volume explores both ideas. While some images celebrate the nuances of patriotism and the pride of national identities, others reflect a different portrait of America that disrupts the myths and ideals of Americanism with the evidence of somber realities.

The book presents photographs that date from the Civil War to the present day and include photographers ranging from Gordon Parks, Sheila Pree Bright, and Anthony Barboza to Maurice Sorrell, Platon, and civil rights photographer James Karales. Rather than presenting photographs by chronology, theme, or photographer, the book pairs photographs in a sequence that reflects the range and diversity of images that provoke thought on the myths and complexities of Americanism and the flag as a symbol of freedom and justice.

A vital new volume exploring the history of Virginia’s free Black population prior to emancipation.

On the eve of the Civil War, around 60,000 Black men, women, and children lived free in the state of Virginia, often alongside enslaved neighbours. This volume is a history documenting the richness and variety of their lives. Although many stayed in Virginia, living, working, and thriving despite serious threats to their lives, some moved north or, further still, across the Atlantic to Liberia. In studying the lives of free Black Virginians prior to emancipation, this volume explores an under-told and inspirational story of Virginia’s past.

By delving into collections across the Commonwealth, whether the records of the state or testimonies left by free Black people themselves, this new volume fills a critical gap in our understanding of Virginia’s Black history.

The first volume in a major new series which offers a compelling glimpse into the transformative and revolutionary world of HBCUs, to uncover the complex stories that their collections tell us.

This book, featuring objects from the museums and archives at five HBCUs—Jackson State, Tuskegee, Florida A&M, Clark Atlanta, and Texas Southern Universities, attests to the aesthetic value of African American cultural production on university campuses, the persistent development and expansion of HBCU academic programs, and the dynamics of student-led activism on campuses and throughout surrounding communities. Organized into four main sections, focusing on the partner institutions, arts, academics, and activism, this remarkable assembly of images will inspire readers to engage with, reflect on, and examine the unforgettable stories they represent.

Of the five HBCUs included, each one’s museum or archives tell a unique story, from detailed community histories and accounts of civil-rights era activism to premiere collections of African American art. Together, these institutions paint a powerful and multifaceted picture of African American academia and beyond.

Based on previously unpublished documents, this book traces the life in Paris of Countess Olga von Hohenfelsen, later known as Princess Paley, the morganatic wife of Grand Duke Paul of Russia, uncle of the last emperor Nicholas II.

While immersing the reader in the world of Marcel Proust (most of Princess Paley’s social contacts had fed the writer’s imagination), the book explores the couple’s day-to-day life, highlighting their relationships with leading suppliers such as couturiers Worth and Paquin and the jeweler Cartier. It also provides an overview of the Parisian art market, and studies the development of the couple’s successive residences from Paris to St. Petersburg. For a time in the aftermath of the Russian Revolution, the significant collection and the palace built to house it were shown to the public as the Museum of French Art and History. Dispersed during the 1920s by the Soviet authorities, the collection is studied as a whole here for the first time.

First published in French in 2018, this updated English version includes an additional chapter on Princess Natalie Paley, the couple’s youngest child. She continued her family’s legacy of contributing to culture and the arts well into the twentieth century while living in Paris and the United States, where she was a muse to writers, designers, photographers, and artists.

A signature souvenir volume celebrating the 250th anniversary of the American Revolution and exploring its legacy in Virginia.

This highly illustrated publication marks the origins of a revolutionary new nation, focusing on the years 1775 and 1776, the events that preceded and followed, and the people who contributed to its formation. The book recognizes Virginians who have become famous for their role in shaping the new nation, including Washington, Jefferson, Madison, and spotlights the multitude of ordinary people who were living and acting in those extraordinary times. Combining compelling modes of presentation with historic artifacts, artwork, and documents, the volume acknowledges the central notion that Virginia’s history is America’s story: complex, diverse, and inspiring.

Publication accompanies an exhibition at the Virginia Museum of History & Culture, and the American Revolution Museum, Yorktown, VA.

This volume, coinciding with the opening of permanent Art of the Americas galleries at the Walters Art Museum in 2025, examines how, for people in the Indigenous Americas, materials had and continue to have a life of their own.

Ancient and modern craftspeople shaped jade, gold, feathers, and clay into exquisite artworks, but the meanings of those objects are intertwined with the living essence of the raw materials themselves.

Thirty-five highlights, ancient to contemporary, provide a window into the spiritual and intellectual context in which these objects were understood by the Indigenous people who made and used them.

Este tomo, que coincide con la apertura de las galerías permanentes Arte de las Américas en 2025, examina cómo, para los pueblos indígenas de las Américas, los materiales tenían y siguen teniendo vida propia.

Al igual que lo hacían los artesanos de la antigüedad, los de hoy dan forma al jade, al oro, a las plumas o a la arcilla para crear exquisitas obras de arte cuyo significado en tanto objetos está entrelazado también con la esencia viva de las propias materias primas.

Son 35 las piezas destacadas de la colección de las Américas, tanto antiguas como contemporáneas, que permiten apreciar el contexto espiritual e intelectual en el que fueron concebidos estos objetos por los pueblos indígenas que los fabricaron y emplearon.

A celebration of the Public Art Initiative at the Buffalo AKG Art Museum, a unique initiative in the museum landscape of North America.

This initiative launched in 2013 as the Buffalo AKG (then the Albright-Knox Art Gallery) became the first and only museum in North America to act as a producer of art for shared civic (non-museum) public spaces. The results over the past 10 years have been wide-ranging, including more than 60 installations, interventions, collaborations, and commissions with more than 80 artists to date. These dynamic installations are now among the most recognizable elements of the landscape of the Western New York region.

In this expansive and lavishly illustrated volume, curator of Public Art Aaron Ott and long-time project coordinators Zack Boehler and Eric Jones offer their insights on critical moments in the initiative’s development, crucial interactions with community collaborators, and the various means by which the initiative supports artists to realize their works. An introduction by Peggy Pierce Elfvin Director Janne Sirén provides additional context about the genesis of the initiative, which relates to his experiences stewarding a public art program in Helsinki, Finland.

As the Buffalo AKG Art Museum continues to be a ground-breaking leader in the production of a wide range of public works over vast geographies and communities, this book reflects on the most significant works during that period. Each project over the course of the initiative’s 10-year existence is included in the book, making use of the incredible archive of photographic documentation the museum has undertaken. In addition, a dozen participating artists offer their own reflections, personal insights, and memories about their work with the Buffalo AKG.

An accessible, lightweight, and affordable guide showing the breadth of the Chrysler’s collections through forty masterworks that are consistently on view in the museum’s galleries.

The Chrysler Museum of Art’s expansive collection contains more than 30,000 objects across history and the globe. This compelling new guide offers a snapshot of the collection through forty key works consistently on view in the Museum’s galleries in Norfolk, Virginia. Lusciously illustrated, each object is accompanied by entries by the Museum’s curators offering compelling insights into their history, makers, and meaning. Chrysler Museum of Art: 40 Works is perfect for those who want something to guide their visit throughout the galleries, or to take home with them as a souvenir of their experiences.

This cleverly designed book about Katsushika Hokusai’s The Sazaidō of Gohyakurakanji and James McNeill Whistler's Variations in Flesh Colour and Green - The Balcony, also includes drawing, collage, coloring and press-out activities.

With a presentation that divides the book into two equal parts, A Tale of Two Balconies investigates the elements that make each of these artworks—both in the collection of the National Museum of Asian Art, Smithsonian Institution—unique. Exploring the depicted locations of each (in Edo Japan and Victorian England) enables deeper insight as the authors examine the idea of the balcony itself as a construct at once both private and public – creating a view and juxtaposing the different cultural domains both within and beyond the balcony railing.

This stunning book is double-fronted, so readers can begin reading from either side. A carefully-designed centre section includes immersive creative activities in which readers actively engage with the themes of perspective and recollection through their own art-making activities – collage, drawing, colouring, or building a pop-out Hokusai diorama and Victorian Whistler toy theatre.

A wide-ranging study of the intertwined notions of home and homeland that were central to the art and material culture of Denmark, Norway, Sweden, and Finland in the second half of the nineteenth century.

The arts played a crucial role in reinforcing a shared sense of belonging amongst Nordic countries as they strove to identify and celebrate authentic local and national identities. “Home” was a central metaphor in the nation building activities of each country. The links between land, landscape, handicraft and domestic dwellings as dimensions of home are embedded in this survey which brings the extensive collection of David and Susan Werner into public view for the first time.

The catalogue encompasses an impressive range of paintings, drawings, furniture, textiles, glass, metalwork, and ceramics. Highlights include rare tapestries and a wooden cabinet by Norwegian artist Gerhard Munthe, Finnish ceramics by Alfred William Finch, landscape paintings by Hilma af Klint, Akseli Gallen-Kallela, Gustav Fjaestad and Pekka Halonen, and functional objects by outstanding handicraft artists covering embroidery, metalwork and wooden implements.

Ninth volume in the Double Exposure series draws upon photographs in the NMAAHC’s collection to explore the dynamic ways sports influence the social, political, and cultural life of African Americans.

This book, organized around key periods in the history of African American sports from the turn of the twentieth century to today, looks at the role of athletes and sports and their impact on American culture both on and off the field. While the major sports in which African Americans participate most frequently—football, basketball, baseball, and boxing—are prominently featured, the book also includes images of male and female athletes, amateur and professional, competing in gymnastics, track and field, skiing, golf, tennis, and other sports. Photographers include Ernest C. Withers, Roderick J. Lyons, Walter Iooss Jr., Maurice Sorrell, and Moneta Sleet Jr., among others.

Images of iconic moments in sports history—Jack Johnson vs. Jim Jeffries during the 1910 “Fight of the Century,” Jackie Robinson stealing home in 1952, and Colin Kaepernick taking a knee in 2016—are featured alongside photographs of more personal moments, including Larry Doby teaching his son how to hold a bat, Wilt Chamberlain in class at the University of Kansas, Wilma Rudolph standing outside her foundation, Muhammad Ali in conversation with Fannie Lou Hammer, and a young Venus Williams smiling after a practice session.

Pattern and Paradox reveals the astonishing creativity, design innovation, and skill of Amish women from communities across the United States, through fifty premier quilts made between 1880 and 1940.

Pattern and Paradox: The Quilts of Amish Women is an inspirational, lavishly illustrated book which will appeal to quilt enthusiasts, quilters and crafters, scholars and art lovers alike, with photography detailing fronts, backs and stitching of fifty breath-taking quilts from the Faith and Stephen Brown collection of Amish Quilts at the Smithsonian American Art Museum. Assembled over the span of nearly five decades, these extraordinary examples expand our understanding of the distinctive aesthetics that Amish women shaped within and for their communities. They situate Amish quilts within the larger scope of quilts in America as well as within the American art story.

In the main essay, Janneken Smucker—professor, historian and scholar of Amish quilts and culture—explains what unites and distinguishes the Amish and their arts and describes the sometimes fine line between personal artistry and communal practice. Her insightful text illuminates the ways in which Amish quilt patterns overlap and diverge from community to community. Through a series of discursive entries, Smucker considers “visual clues” for reading and interpreting Amish quilts, which are often more complex and curious than they might first appear.

This is a timely, visual, exploration of the fascinating life and lasting legacy of sculptor Augusta Savage (1892-1962), who overcame poverty, racism, and sexual discrimination to become one of America's most influential twentieth-century artists. Her story is one of community-building, activism, and art education.

Born just outside Jacksonville, Florida, Savage left the South to pursue new opportunities and opened a studio in Harlem, New York City, offering free art classes. She co-founded the Harlem Artists’ Guild in 1935 and became the first director of the federally-supported Harlem Community Art Center. Through her leadership there, Savage played an instrumental role in the development of many artists: William Artis, Gwendolyn Knight, Gwendolyn Bennett, Norman Lewis, Jacob Lawrence, Robert Blackburn, Romare Bearden, among many others.

This ground-breaking volume features fifty works by Savage, and those she mentored or influenced, as well as correspondence and period photographs.

New volume in the Cleveland Masterwork Series focuses on a studio of important late nineteenth through early twentieth-century Japanese ceramic artists.

This is the first comprehensive look in English at the Seifū Yohei Ceramic Studio in Kyoto, from the Meiji period (1868–1912) to the mid Shōwa period (1926–89), the James and Christine Heusinger Collection at the Cleveland Museum of Art as its core material. The principal essay provides a biography of Seifū Yohei III, the star of the studio and the first ceramist to be named an Imperial Household Artist, as well as an overview of the studio that contextualises it in the world of literati painting, sencha (steeped green tea) and international trade. A second essay offers a brief history of porcelain production in Kyoto, as well as a discussion of objects produced by the Seifū studio for sencha. This catalogue of a hundred works examines the wide variety of forms, decorative techniques and glazes that made the studio’s works unique.

A thoughtful selection of works which celebrates the opening of the new Buffalo AKG Art Museum, and provides a flavor of one of the world’s most extraordinary collections of modern and contemporary art.

With nearly 400 pages, this entirely new collection handbook presents over 330 works by 265 artists, arranged alphabetically rather than chronologically, and is the premier souvenir publication for museum visitors and art lovers alike.

In late 2019 the Albright-Knox Art Gallery broke new ground on the most significant campus expansion and development project in its 160-year history, reopening in 2023 as the Buffalo AKG Art Museum. The Museum’s collections span some of the greatest moments in art through the centuries, beginning with its first acquisition, The Marina Piccola, Capri, 1859, by Albert Bierstadt—both the first painting and the first work gifted by an artist to enter the museum’s collection. Impressionism and post-Impressionism are well represented with works by leading nineteenth-century European artists such as Edgar Degas, Paul Gauguin, Claude Monet, Pierre-Auguste Renoir, and Vincent van Gogh. Cubism, Surrealism, Constructivism, and other movements from the revolutionary early years of the 20th century come to life through significant works by Georges Braque, André Derain, Frida Kahlo, Fernand Léger, Henri Matisse, Joan Miró, Piet Mondrian, Georgia O’Keeffe, Pablo Picasso, and Alexander Rodchenko.

Featuring striking full-color images and new research, this publication from the Hong Kong Palace Museum celebrates some of the most important works of horse art from the Palace Museum, Beijing, and the Louvre Museum.

Five essays and 45 object entries, dating from the Han (206 BCE–220 CE) to Qing (1644–1911) dynasties, explore the horse in art in a way that is accessible to general readers, encouraging them to think through comparisons with works from both institutions. Centered on the question of human connection to the horse across time in China and beyond, the catalogue entries are divided into sections that examine the horse in mythology and religion, military culture, and transnational traversals, providing a means for reflecting on fundamental issues of human creativity, ambition, and tradition. This is a beautifully designed and thought-provoking volume that will find a ready market among those with an interest in Chinese art and culture.

A new collection volume highlighting the strengths, variety and sheer wonder of The Walters Art Museum’s unique Asian and Islamic collections

The Walters Art Museum is among America’s most distinctive museums, forging connections between people and art from cultures around the world and spanning seven millennia. The museum features a stunning array of objects, from richly illuminated Qur’ans and images of the Buddha, to captivating narrative paintings and artfully crafted ceramics and metalworks.

Official publication in March 2023 celebrates the reopening of the Museum's Arts of Asia and Islam collections in the renovated and reinstalled 4th floor of the Centre Street Building. Across Asia and the Islamic World will be the first volume in a series of titles which break away from the traditional academic approach. It is built around themes that transcend period, form, locale and medium, and forms part of the Museum’s wider initiative to focus resources on developing new ways of interpreting its collections.

100 Treasures / 100 emotions celebrates the inauguration of the Macquarie University History Museum Sydney, NSW, Australia. This entirely new volume focuses on 100 works from a vast collection of 15,000 objects, to highlight the new museum’s focus on social history and the human condition beyond the borders of space and time. This story is told through a mixture of short essays and color plates of 100 selected objects drawn from across five continents and over the course of 5,000 years. These objects – ranging from fragments of an ancient Egyptian Book of the Dead, to a WWI era Turkish Star medal – have been chosen by Museum staff and Macquarie scholars to achieve a representative and rigorously researched survey of human experience and creativity over five millennia. Professor Martin Bommas, edits short essays on each of the 100 selected objects by a broad range of academic authors, complemented by entirely new photography of the objects commissioned from award-winning photographer Effy Alexakis.

At the center of this publication is Tilman Riemenschneider’s Saint Jerome and the Lion, one of the masterpieces of the Cleveland Museum of Art.

Riemenschneider’s Saint Jerome is not only one of the artist’s more important early masterpieces, it is also his only alabaster work in a collection in the USA. Said to have come from the Benedictine abbey church of Saint Peter in Erfurt, Germany, this sculpture by Tilman Riemenschneider (c.1460–1531), dated to c. 1495, depicts the church father Saint Jerome as he removes a thorn from the paw of a lion, a legendary account of the saint’s kindness. Following the common iconography of the scene, Jerome is dressed in the traditional robes of a Roman cardinal, with the cowl draped over his tonsured head and the broad-brimmed hat on his right leg. Traces of polychromy and gilding suggest that it was once brightly colored. Drill holes in the hat further indicate that cords and tassels of fabric, typical of a cardinal’s hat, would once have decorated the sculpture. Whether the statue was originally commissioned for an altar in a private chapel or smaller space in the monastery remains unknown.

Alabaster was prized for its luster and capacity for fine details from the fourteenth to the sixteenth century. The gleaming stone was used for altarpieces and small sculptures, as well as the tombs of wealthy princes. The book unites works from the medieval collection of the Cleveland Museum of Art and selected masterworks from North American museums and the Louvre in Paris, which allows insight into the characteristics of alabaster sculptures in this period. It is striking that these works are of such a particularly exquisite quality that this material was used especially for high-ranking commissions, such as the tomb of Duke Philip the Bold of Burgundy in Champmol near Dijon. The book is accompanied by several essays that examine the subject of alabaster sculpture from different perspectives.

A richly illustrated volume which features 33 short essays, each taking a single object as a starting point to unravel complex, interconnected, global histories.

In celebration of the centenary in 2023 of the National Museum of Asian Art, this new volume explores a range of artistic, historical, and technical exchanges that shaped the arts of Asia and late nineteenth-century America, through the juxtaposition of object based, localized micro-histories.

Written by curators, scientists, conservators and other museum staff, this multifaceted work explores issues of the circulation of materials, objects and technology which have long predated the contemporary period. This approach encourages readers to appreciate well known masterpieces as well as lesser known and unpublished works from a new perspective and focus on networks of artistic, cultural and historical connections that shaped their meaning and significance.

This publication is a thought-provoking, engaging and accessible volume that will appeal to those with an interest in the arts of Asia, from Turkey to Japan and in all media, as well as those readers with an appreciation for late nineteenth-century American art.

These four centuries encompass slavery and emancipation, segregation and the civil rights movement, the election of the first Black president and the rise of Black Lives Matter. Throughout this complex history, Black people have fought for freedom, justice, and opportunity and against oppression, discrimination, and dehumanization. Their efforts have brought meaningful changes to American society by forcing the nation to define the meaning of its highest ideals of democracy and universal equality.

Arranged chronologically, this book explores 400 years of Black history through the stories of key figures and events in Virginia that shaped the fight for Black equity. A few of the individuals featured include John Punch, whose punishment for attempting to escape bondage in 1640 began the codification of a system of slavery that spread throughout the original Thirteen Colonies, and Nat Turner, who shocked the nation with a slave revolt in 1831 that challenged the institution of slavery. John Mitchell, Jr. was a journalist-editor who championed Black pride and civil rights in the Jim Crow era, and Barbara Johns led a student protest that became part of Brown v. Board of Education (1954), the landmark Supreme Court decision dismantling legalized segregation. A new generation of activists like Zyahna Bryant continues the fight for racial equity today. Illustrations of historical artifacts and images bring to life these and other stories of Black determination and resistance.

Determined focuses on Virginia, yet it tells an American story. Black people have shaped the nation’s economic, political, and cultural identity, and Virginia has played a formative and central role in national race relations. This book provides a timely reckoning with America’s fraught history with race and systemic racism. It fosters a greater understanding of the legacies of slavery, segregation, and white supremacy to meet the challenges of today and forge a better tomorrow.

An important survey of art from a little-studied period of Romanian art history

“It is truly extraordinary to me that so much beauty has sprung from such dark times in Romania, and that is what this book wishes to capture. Art speaks its own language.”—From the Preface

Despite Ceaușescu focuses on 91 works, by 13 artists—Horia Bernea, Ştefan Câlţia, Marin Gherasim, Vasile Gorduz, Marcel Guguianu, Sorin Ilfoveanu, Georgeta Năpăruş, Florin Niculiu, Ion Pacea, Corneliu Petrescu, Silvia Radu, Gheorghe Şaru and Icon workshop—drawn from the 900-work Tyler Collection of Romanian Art at the University of Tasmania. The paintings, sculpture, and ceramics were created by artists during the 1970s and 1980s. 

Fully illustrated throughout in color—with catalogue plates and a checklist—each work of art features an entry with specifications, artist biographical information, stylistic influences, significance and social context, as well as notes.  The photographs are by Lee Ewing, sculpture photographer at the National Gallery of Art, Washington DC.

The eighth volume in the Double Exposure series, Movements, Motions, Moments draws upon the visual images in NMAAHC’s collection to explore the dynamic ways religion is engaged and practiced by African Americans.

Movements, Motions, Moments shows how African Americans have negotiated their participation and engagement in religious spaces. The book is divided into three sections—Movements, Motions, and Moments. Images of figures including Rev. Henry Highland Garnett, Noble Drew Ali, Father Divine, Prophet Elijah Muhammad, Rev. Dr. Martin Luther King Jr., Rev. Pauli Murray, Bishop Myokei Cain-Barrett, and others are depicted next to photographs of religious celebrations, ritual practices, and individual moments of faith and spirituality. Photographers include Lola Flash, Chester Higgins, Jason Miccolo Johnson, Jeanne Moutoussamy-Ashe, Kenneth Royster, James Van Der Zee, Milton Williams, Lloyd W. Yearwood, and others.

Photographs in this volume range from the nineteenth, twentieth, and twenty-first centuries and include religious traditions such as Christianity, Islam, Judaism, African indigenous, non-secular, and other religious traditions (Humanism, Atheism, Spiritualism, and others). It also includes photography capturing contemporary events and movements including Black Lives Matter and the global pandemic.

The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work—inspired in part by the illustrated renaissance German manuscript The Book of Miracles -—that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great’s palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett’s work, emphasizing the relationship between nature, culture, the passage of time, and everyday life.

An international team of specialists in the history of art, archaeology, and anthropology place the Cleveland Krishna amid the material traces of a sophisticated population based in the Mekong River delta at the ancient metropolis known as Angkor Borei. They reveal the long-lasting influence and prestige of the site, well into the Angkorian period, more than six hundred years after the creation of the Cleveland Krishna and the gods of Phnom Da. This is the fifth in the Cleveland Masterworks Series.

The Merriweather Post collection offers an enthralling glimpse into one of the most remarkable, and intact, collections of jewelry ever amassed.

Spectacular immerses the reader in jewelry history and design, weaving in seminal moments in Post’s life as one of the most passionate and confident collectors of jewelry of the twentieth century. There are exquisite pieces by Van Cleef and Arpels; numerous examples by Cartier; contemporary commissions from Harry Winston, George Headley, David Webb, and Fulco di Verdura, and historical pieces such as the Marie Louise Diadem, and the legendary earrings worn by Marie Antoinette on the eve of the French Revolution.

Spectacular provides a critical perspective on developments in changing jewelry styles in America and Europe through one woman’s unique collection. Fascinating essays highlight special details of the gems and jewels, as well as their sometimes scandalous history. Full of fabulous images and interesting facts this new volume will appeal to anybody who wants to know the story behind some of the most amazing jewels ever created.

Liana Paredes is director of Collections & chief curator at Hillwood Estate, Museum & Gardens.

Martin D. Fuller is the founder and president of Martin Fuller Appraisals, LLC.

Michael Hall is the curator of ceramics of the Capelain Collection in Jersey, Channel Islands.

Jennifer Levy is a curatorial assistant at Hillwood Estate, Museum & Gardens.

Jeffrey Post is the curator of the U.S. National Gem and Mineral Collection, and chairman of the Department of Mineral Sciences, Smithsonian Institution.

Dr. Wilfried Zeisler is the Hillwood Estate, Museum & Gardens’ curator of Russian and 19th-century Art.

Pictures with Purpose, the seventh volume in the Double Exposure series, explores images from the NMAAHC’s collection of nineteenth and early twentieth-century photography that includes daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet cards, cyanotypes, stereographs, and other early photographic forms. The volume looks at how early photographs of and by African Americans were circulated and used, and considers their meaning, for the sitter, for the photographer, and for the owner of the photograph. Particularly significant is how African Americans used photography to shape their image within and beyond their communities.

Pictures with Purpose features images of unknown African Americans before and after Emancipation—including children, couples, images of young African American soldiers in Civil War-era military uniform, and African American nursemaids with their white charges. Also included are photographs of renowned African Americans such as Harriet Tubman, Frederick Douglass, Booker T. Washington, and Mary Church Terrell. Photographers include J.P. Ball, Cornelius M. Battey, Matthew Brady, Frances B. Johnston, and Augustus Washington.