Fiction

A Gothic Horror novel about severe mental distress and punk rock. The novel is written in the form of a diary kept by a psychiatrist, Dr. Rodney H. Dweller, concerning his patient, Nathaniel Snoxell, brought to him in 1979 because of several attempted suicides. Snoxell gets involved in the nascent UK anarcho-punk scene, recording EPs and playing gigs in squatted Anarchy Centers. In 1985, the good doctor himself “goes insane” and disappears.

This semi-autobiographical novel from Rudimentary Peni singer, guitarist, lyricist, and illustrator Nick Blinko, plunges into the worlds of madness, suicide, and anarchist punk. Lovecraft meets Crass in the squats and psychiatric institutions of early ‘80s England. This new edition collects Blinko”s long sought after artwork from the three previous incarnations.

What happens when a popular and young emperor suddenly dies, and the only person available to succeed him is his sister? How can people in an island country survive as climate change and martial law are eroding more and more opportunities for local sustainability and mutual aid? And what can be done to challenge the rise of a new authoritarian political leadership at a time when the general public is obsessed with fears related to personal and national “security”? These and other provocative questions provide the backdrop for this powerhouse novel about young adults embroiled in what appear to be more private matters—friendships, sex, a love suicide, and struggles to cope with grief and work.

PM Press is proud to bring you this first English translation of a full-length novel by the award-winning author Tomoyuki Hoshino.

Widely acclaimed as a novelist, here Nicola Griffith displays her power, precision, and clarity of thought in multiple modes and forms.

Known for her gorgeously supple prose that soars effortlessly over genre boundaries, Griffith is also an incisive essayist whose ground-breaking, data-driven work on gender bias in the literary ecosystem sparked self-searching conversations worldwide. In this heady mélange of essays, poems, art, and stories—some seen here for the first time—the author makes foundational assertions about love versus ownership (“Wife”), advocates for the writer as explorer (“Branding: It Burns”), and points out the gaping hole in our literary landscape where we’d expect to find disability fiction (“Overwriting the Old Story”). These and other public-facing essays are followed by four powerfully intimate poems. Returning to prose, Griffith immerses us so seamlessly in her viscerally imagined fiction that we feel how it is to be hurled like light through the stars in “Glimmer,” hunted through the urban alleys of “Cold Wind” during a holiday blizzard, swept along irresistible currents of “Down the Path of the Sun,” and, in “Many Things in Dumnet,” a novella published here for the first time, brought ashore as a stranger to land where something is very wrong.

Finally, “Otherwise Unremarkable,” series editor Nisi Shawl's interview with the author, teases out sometimes startling and always satisfying answers to questions on power, activism, immigration, cognitive poetics, and art.

“Elison offers a troubling yet hopeful vision of the future.”
—Los Angeles Review of Books

“A strikingly powerful story of one woman’s physical and emotional resourcefulness under the most dire of circumstances. An apocalyptic page-turner that picks up where Margaret Atwood’s The Handmaid’s Tale left off.”
—Jackie Hatton, Tor.com

“I could talk about female empowerment, body positivity, and gender flexibility. But those terms are wholly inadequate for Meg Elison’s clear-eyed satire in the guise of fantasy and science fiction. Powered by rage, incandescent with a deep understanding of injustice, angry for all the right reasons, yet still essentially optimistic, these are the stories I need to keep me warm through the long dark night. Compelling and fierce and unstoppable.”
—Pat Murphy, World Fantasy Award winner

“Meg Elison’s stories will raise blisters on your conscience. Her politics are smart, her prose is like a razor, and her characters will break your heart. Read at your own risk.”
—Annalee Newitz, author of Autonomous

“Meg Elison’s work is visceral and compelling. A voice that doesn’t so much demand attention as it 100 percent deserves every ounce of it.”
—Elsa Sjunneson-Henry, Hugo-winning writer and editor

23 Shades of Black is socially conscious crime fiction. It takes place in New York City in the early 1980s, i.e., the Reagan years, and was written partly in response to the reactionary discourse of the time, when the current thirty-year assault on the rights of working people began in earnest, and the divide between rich and poor deepened with the blessing of the political and corporate elites. But it is not a political tract, it’s a kick-ass novel that was nominated for the Edgar and the Anthony Awards, and made Booklist’s Best First Mysteries of the Year.

The heroine, Filomena Buscarsela, is an immigrant who experienced tremendous poverty and injustice in her native Ecuador, and who grew up determined to devote her life to helping others. She tells us that she really should have been a priest, but since that avenue was closed to her, she chose to become a cop instead. The problem is that as one of the first Latinas on the NYPD, she is not just a woman in a man’s world, she is a woman of color in a white man’s world. And it’s hell. Filomena is mistreated and betrayed by her fellow officers, which leads her to pursue a case independently in the hopes of being promoted to detective for the Rape Crisis Unit.

Along the way, she is required to enforce unjust drug laws that she disagrees with, and to betray her own community (which ostracizes her as a result) in an undercover operation to round up undocumented immigrants. Several scenes are set in the East Village art and punk rock scene of the time, and the murder case eventually turns into an investigation of corporate environmental crime from a working class perspective that is all-too-rare in the genre.

And yet this thing is damn funny, too.

Julia is an American medical doctor fleeing her own privileged background to find a new life delivering health care to African villages, where her skills can make a difference. Carl is also an American, whose very different experiences as a black man in the United States have driven him into exile in West Africa, where he is an international NGO expat. The two come together as colleagues (and then more) as Liberia is gripped in a brutal civil war. Child soldiers kidnap Julia on a remote jungle road, and Carl is evacuated against his will by U.S. Marines. Back in the United States he finds Julia’s mentor, Levin, a Rhode Island MD whose Sixties idealism has been hijacked by history. Then they meet the thief. Then they meet the smuggler. And the dangerous work of finding and rescuing Julia begins.

An unforgettable thriller grounded in real events.

Rachel Pollack is a sorceress, a wizard with words who spins together the spiritual, the political, and the passionate in her unique, indeed inimitable, tales. An award-winning SF and Fantasy author, she is also an esteemed Tarot Grand Master with devotees and students around the world. A progressive voice in the transgender community and a trusted guide to the ancient traditions of shamanism, she writes of shimmering and dangerous worlds that have never been imagined before—much less explored. Her queer cult favorite “The Beatrix Gates” draws on magic realism, quantum science, memoir, and myth to tell the story of a girl born not in the wrong body but in the wrong universe.

Plus… “Trans Central Station,” written especially for this volume, is Pollack’s personal and penetrating take on the transgender experience then and now—and tomorrow? “Burning Beard” is a fiercely revisionist Old Testament tale of plague and prophecy told through a postmodern prose of, shall we say, many colors. “The Woman Who Didn’t Come Back” is about just what it says it’s about.

And Featuring: Our Outspoken Interview, which tells us all about comics history, the automotive origins of Tarot, the benefits of Nerd celebrity, and why the Sun exists. It will be on the test.

The title novella, “The Atheist in the Attic,” appearing here in book form for the first time, is a suspenseful and vivid historical narrative, recreating the top-secret meeting between the mathematical genius Leibniz and the philosopher Spinoza caught between the horrors of the cannibalistic Dutch Rampjaar and the brilliant “big bang” of the Enlightenment.

Plus: equal parts history, confession, complaint, gossip, and personal triumph, Delany’s “Racism and Science Fiction” combines scholarly research and personal experience in the unique true story of the first major African American author in the genre. And featuring: a bibliography, an author biography, and our candid, uncompromising, and customary Outspoken Interview.

Birth of Our Power is an epic novel set in Spain, France, and Russia during the heady revolutionary years 1917–1919. Serge’s tale begins in the spring of 1917, the third year of mass slaughter in the blood-and-rain-soaked trenches of World War I. When the flames of revolution suddenly erupt in Russia and Spain, Europe is “burning at both ends.” Although the Spanish uprising eventually fizzles, in Russia the workers, peasants, and common soldiers are able to take power and hold it.

Serge’s “tale of two cities” is constructed from the opposition between Barcelona, the city “we” could not take, and Petrograd, the starving, beleaguered capital of the Russian Revolution besieged by counter-revolutionary Whites. Between the romanticism of radicalized workers awakening to their own power in a sun-drenched Spanish metropolis to the grim reality of workers clinging to power in Russia’s dark, frozen revolutionary outpost. From “victory in defeat” to “defeat in victory.”

The novel was composed a decade after the revolution in Leningrad, where Serge was living in semicaptivity because of his declared opposition to Stalin’s dictatorship over the revolution.

“The Ecuadorian Andes is one of the few places on earth where you can get a sunburn and freeze to death at the same time.“

When New York City PI Filomena Buscarsela takes her teenaged daughter, Antonia, to see their extended family in Ecuador, it’s more than a homecoming. Filomena hasn’t been back in years, and the trip brings back memories of her previous life as a revolutionary.

Before she’s even had time to adjust to her new surroundings, a priest is murdered, a man who, years ago, saved her life and helped her escape to the United States. She owed him her life; now it’s time for the debt to be repaid, and she vows to find his killer. It’s an election year, and the dirty hands of politics seem to be everywhere, perhaps even in this senseless death. Filomena’s investigation promises to lead her back to the very people she escaped, all those years ago.

As the country is wracked by natural and man-made disasters—landslides, floods, food shortages, protests, crackdowns—Filomena becomes a fugitive from the law, racing across the country toward a climactic confrontation in the Amazon jungle. Wishnia provides a novel rich with the sights, sounds—and dangers—of Ecuador, and a compelling look at the provenance of one of mystery fiction’s most dynamic heroines.

Marge Piercy carries her portrait of the American experience back into the Fifties—that closed, repressive time in which forces for the upheavals of the Sixties ticked away underground. Spanning twenty years, and teeming with vivid characters, Braided Lives tells the powerful, unsentimental story of two young women coming of age.

Jill, fiercely independent, dark, Jewish, an intellectual with Detroit street smarts, is a poet, curious, avid of life—a “professional student” and sometime thief. Donna, Jill’s cousin and closest friend, is blond, pretty, and alluring. Together, they grow and change at college in Ann Arbor, where the life of poets and painters contrasts sharply with the working-class neighborhood where Jill’s family lives.

In Michigan, and afterward in New York City, the two women taste love and betrayal, friendship and pain, independence and fear as they reach a deepening understanding that to control their lives they must fight. And though their fates differ as widely as their personalities, both reflect the danger that sex posed at a time when abortions were illegal and an affair could destroy a woman’s life, making the outcome of a chance encounter or a night of love a matter of life and death.

Braided Lives is an enduring portrait of the past that has led to our tenuous present. In her new introduction to this edition, Marge Piercy reflects on both the most autobiographical of her novels, and the ongoing battles to ensure the hard-fought victories of the Sixties and Seventies, particularly around sex and reproductive rights.

Meet Maxim Arturovitch Pyatnitski, also known as Pyat. Tsarist rebel, Nazi thug, continental conman, and reactionary counterspy: the dark and dangerous anti-hero of Michael Moorcock’s most controversial work

Published in 1981 to great critical acclaim—then condemned to the shadows and unavailable in the U.S. for thirty years—Byzantium Endures, the first of the Pyat Quartet, is not a book for the faint-hearted. It’s the story of a cocaine addict, sexual adventurer, and obsessive anti-Semite whose epic journey from Leningrad to London connects him with scoundrels and heroes from Trotsky to Makhno, and whose career echoes that of the 20th century’s descent into Fascism and total war.

This is Moorcock at his audacious, iconoclastic best: a grand sweeping overview of the events of the last century, as revealed in the secret journals of modern literature’s most proudly unredeemable outlaw. This authoritative U.S. edition presents the author’s final cut, restoring previously forbidden passages and deleted scenes

It’s 1992 and three people’s lives are about to collide against the flaming backdrop of the Rodney King riots in Los Angeles. Vietnam vet Harry Hudson is a journalist fleeing his past: the war, a failed marriage, and a fear-ridden childhood. Rootless, he stutters, wrestles with depression, and is aware he’s passed the point at which victim becomes victimizer. He explores the city’s lowest dives, the only places where he feels at home. He meets Mama Thuy, a Vietnamese woman struggling to run a Navy bar in a tough Long Beach neighborhood, and Kelly Crenshaw, an African-American prostitute whose husband is in prison. They give Harry insight that maybe he can do something to change his fate in a gripping story that is both a character study and thriller.

The euphoric idealism of grassroots reform and the tragic reality of revolutionary failure are at the center of this speculative novel that opens with a real historical event. On October 2, 1968, 10 days before the Summer Olympics in Mexico, the Mexican government responds to a student demonstration in Tlatelolco by firing into the crowd, killing more than 200 students and civilians and wounding hundreds more. The Tlatelolco massacre was erased from the official record as easily as authorities washing the blood from the streets, and no one was ever held accountable.

It is two years later and Nestor, a journalist and participant in the fateful events, lies recovering in the hospital from a knife wound. His fevered imagination leads him in the collection of facts and memories of the movement and its assassination in the company of figures from his childhood. Nestor calls on the heroes of his youth—Sherlock Holmes, Doc Holliday, Wyatt Earp, and D’Artagnan among them—to join him in launching a new reform movement conceived by his intensely active imagination.

Paul Park is one of modern fiction’s major innovators. With exotic settings and characters truly alien and disturbingly normal, his novels and stories explore the shifting interface between traditional narrative and luminous dream, all in the service of a deeper humanism.

“Climate Change,” original to this volume, is an intimate and erotic take on a global environmental crisis. “A Resistance to Theory” chronicles the passionate (and bloody) competition between the armed adherents of postmodern literary schools. “A Conversation with the Author” gives readers a harrowing look behind the curtains of an MFA program. In “A Brief History of SF” a fan encounters the ruined man who first glimpsed the ruined cities of Mars. “Creative Nonfiction” showcases a professor’s eager collaboration with a student intent on wrecking his career. The only nonfiction piece, “A Homily for Good Friday,” was delivered to a stunned congregation at a New England church.

Plus: Our candid and colorful Outspoken Interview with one of today’s most accomplished and least conventional authors, in which personal truth is evaded, engaged, and altered, all in one shot.

Cazzarola! is a gripping, epic, political, historical, and romantic novel spanning 130 years in the life of the Discordias, a fictional family of Italian anarchists. It details the family’s heroic, multigenerational resistance to fascism in Italy and their ongoing involvement in the anarchist movement. From early 20th-century factory strikes and occupations, armed anarchist militias, and attempts on Mussolini’s life, to postwar student and labor protest, and confronting the newest wave of contemporary neofascist violence sweeping Europe, the Discordias navigate the decades of political, economic, and social turmoil. Against this historical backdrop, Antonio falls in love with Cinka, a proud but poverty-stricken Romani refugee from the “unwanted people,” without a country or home, forced to flee again and again searching for peace. Theirs becomes a life-changing and forbidden relationship. Both are forced to reevaluate their lives and contend with cultural taboos, xenophobia, and the violent persecution of Romani refugees in Italy today.

A radical activist, Luba Gold, makes the difficult decision to go underground to support the Puerto Rican independence movement. When Luba’s collective is targeted by an FBI sting, she escapes with her baby but leaves behind a sensitive envelope that is being safeguarded by a friend. When the FBI come looking for Luba, the friend must decide whether to cooperate in the search for the woman she loves. Ten years later, when Luba emerges from clandestinity, she discovers that the FBI sting was orchestrated by another activist friend who had become an FBI informant. In the changed era of the 1990s, Luba must decide whether to forgive the woman who betrayed her.

Told from the points of view of five different women who cross paths with Luba over four decades, Clandestine Occupations explores the difficult decisions that activists confront about the boundaries of legality and speculates about the scope of clandestine action in the future. It is a thought-provoking reflection on the risks and sacrifices of political activism as well as the damaging reverberations of disaffection and cynicism.

Marge Piercy’s debut collection of short stories, The Cost of Lunch, Etc., brings us glimpses into the lives of everyday women moving through and making sense of their daily internal and external worlds. Keeping to the engaging, accessible language of Piercy’s novels, the collection spans decades of her writing along with a range of locations, ages, and emotional states of her protagonists. From the first-person account of hoarding (“Saving Mother from Herself”) to a girl’s narrative of sexual and spiritual discovery (“Going over Jordan”) to a recount of a past love affair (“The Easy Arrangement”) each story is a tangible, vivid snapshot in a varied and subtly curated gallery of work. Whether grappling with death, familial relationships, friendship, sex, illness, or religion, Piercy’s writing is as passionate, lucid, insightful, and thoughtfully alive as ever.

Edge City, from the author of Low Bite, takes place in an every-noir-city (a thinly veiled portrait of San Francisco’s North Beach), and its newest resident is Reno, an angry fledgling just hatched out of prison. Getting out is like a weird dream, and the streets of the City are a muddle of sensations pooling around her.

First there’s the bustle—everybody busy with mysterious businesses—an amplifying racket of choices. Staggering out onto the late night streets of the City, Reno ends up at the infamous Istanbul Club: dim lights, Arabic music and the sensual Su’ad dancing. Music, booze, babes and drugs: what more could a felonious girl want?

She encounters Huntington, the poisonous charmer who lives above the Club—perverse and powerful in the way only the wealthy can be. Eddie, the underage bartender, is happy to chemically enhance every waking moment. Slowmotion, the sound light technician, huge and darkly mysterious, has connections to people and places that Reno didn’t even know existed. Slowmotion’s elegant friend, Poppy, offers mental transport to realms beyond Xanadu; in her little valise there’s everything necessary for any trip, including the hallucinogenic “Teeth of Idi Amin.”

The owner of the club, handsome gambler Sinclair, hires Reno to waitress. Grumbling, drinking, snarling, and swearing, Reno bangs her way through everyone else’s complicated plans, entangling herself in a byzantine labyrinth of betrayal, revenge, general mayhem, and yes, good times.

Marge Piercy’s debut collection of short stories, The Cost of Lunch, Etc., brings us glimpses into the lives of everyday women moving through and making sense of their daily internal and external worlds. Keeping to the engaging, accessible language of Piercy’s novels, the collection spans decades of her writing along with a range of locations, ages, and emotional states of her protagonists. From the first-person account of hoarding (“Saving Mother from Herself”) to a girl’s narrative of sexual and spiritual discovery (“Going over Jordan”) to a recount of a past love affair (“The Easy Arrangement”) each story is a tangible, vivid snapshot in a varied and subtly curated gallery of work. Whether grappling with death, familial relationships, friendship, sex, illness, or religion, Piercy’s writing is as passionate, lucid, insightful, and thoughtfully alive as ever.

The paperback edition contains two additional short stories and a new introduction from the author.

Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela, the Tower of David. In this fictional version, six hundred “damnificados”—vagabonds and misfits—take over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a rag-tag defensive militia. Their always heroic (and often hilarious) struggle for survival and dignity pits them against corrupt police, the brutal military, and the tyrannical “owners.”

Taking place in an unnamed country at an unspecified time, the novel has elements of magical realism: avenging wolves, biblical floods, massacres involving multilingual ghosts, arrow showers falling to the tune of Beethoven’s Ninth, and a trash truck acting as a Trojan horse. The ghosts and miracles woven into the narrative are part of a richly imagined world in which the laws of nature are constantly stretched and the past is always present.

Originally published in 1970, Marge Piercy’s second novel follows the lives of four teenagers, in a near-future society, as they rebel against a military draft and “the system.” The occupation of Franklin High School begins, and with it, the open rebellion of America’s youth against their channeled, unrewarding lives and the self-serving, plastic society that directs them.

From the disillusionment and alienation of the young at the center of the revolt, to their attempts to build a visionary new society, the nationwide following they gain and the brutally complete repression that inevitably follows, this is a future fiction without a drop of fantasy. As driving, violent, and nuanced today as it was 40 years ago, this anniversary edition includes a new introduction by the author reflecting unapologetically on the novel and the times from which it emerged.

Hand, Elizabeth, or Liz as she’s known to her colleagues, students, and devoted fans, is a maverick in modern fiction: a fearless literary sojourner whose award-winning novels and short stories mix murder and magic, high fantasy and post-punk noir in extravagant and unforgettable new ways.

The title story, “Fire.”—written especially for this volume—is a harrowing postapocalyptic adventure in a world threatened by global conflagration. Based on Hand’s real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires.

“The Woman Men Didn’t See” is an expansion of Hand’s acclaimed critical assessment of author Alice Sheldon, who wrote award-winning SF as “James Tiptree, Jr.” in order to conceal identity from both the SF community and her CIA overlords. Another nonfiction piece, “Beyond Belief,” recounts her difficult passage from alienated teen to serious artist.

Also included are “Kronia,” a poignant time-travel romance, and “The Saffron Gatherers,” two of Hand’s favorite and less familiar stories. Plus: a bibliography and our candid and illuminating Outspoken Interview with one of today’s most inventive authors.

On November 7, 1938, a small, slight seventeen-year-old Polish-German Jew named Herschel Grynszpan entered the German embassy in Paris and shot dead a consular official. Three days later, in supposed response, Jews across Germany were beaten, imprisoned, and killed, their homes, shops, and synagogues smashed and burned—Kristallnacht, the Night of Broken Glass.

Based on the historical record and told through his “letters” from German prisons, the novel begins in 1936, when fifteen-year-old Herschel flees Germany. Penniless and alone, he makes it to Paris where he lives hand-to-mouth, his shadow existence mixing him with the starving and the wealthy, with hustlers, radicals, and seamy sides of Paris nightlife.

In 1938, the French state rejects refugee status for Herschel and orders him out of the country. With nowhere to go, and now sought by the police, he slips underground in immigrant east Paris.

Soon after, the Nazis round up all Polish Jews in Germany—including Herschel’s family—and dump them on the Poland border. Herschel’s response is to shoot the German official, then wait calmly for the French police.

June 1940, Herschel is still in prison awaiting trial when the Nazi army nears Paris. He is evacuated south to another jail but escapes into the countryside amid the chaos of millions of French fleeing the invasion. After an incredible month alone on the road, Herschel seeks protection at a prison in the far south of France. Two weeks later the French state hands him to the Gestapo.

The Nazis plan a big show trial, inviting the world press to Berlin for the spectacle, to demonstrate through Herschel that Jews had provoked the war. Except that Herschel throws a last-minute wrench in the plans, bringing the Nazi propaganda machine to a grinding halt. Hitler himself postpones the trial and orders that no decision be made about Herschel’s fate until the Führer personally gives an order—one way or another.

It’s 1959 in socialist Virginia. The Deep South is an independent Black nation called Nova Africa. The second Mars expedition is about to touch down on the red planet. And a pregnant scientist is climbing the Blue Ridge in search of her great-great grandfather, a teenage slave who fought with John Brown and Harriet Tubman’s guerrilla army.

Long unavailable in the U.S., published in France as Nova Africa, Fire on the Mountain is the story of what might have happened if John Brown’s raid on Harper’s Ferry had succeeded—and the Civil War had been started not by the slave owners but the abolitionists.

Fired from a job he hated at a company he loved, videogame designer Paul Reynolds is drowning his sorrows in late-morning margaritas when he meets an alluring, pink-haired conwoman named Chloe. With her gang of technopirate friends, Chloe helps Paul not only take revenge on his former employers, but also extort a small fortune from them in the process. What more could a recently unemployed, over-worked videogame designer in Silicon Valley ask for?

In return for Chloe’s help, Paul agrees to create counterfeit comic books for one of her crew’s criminal schemes. In the process he falls in for their fun loving, drug fueled “off the grid” lifestyle almost as fast as he falls head over heels for Chloe. Wary of the Crew’s darker side, but eager to impress both the girl and the gang, Paul uses his game design expertise to invent a masterful con of his own. If all goes according to plan, it will be one for the ages. But can he trust any of them, or is he the one who’s really being conned?

Inspired by author Rick Dakan’s own eventful experiences in the videogame and comic book industries, Geek Mafia, satisfies the hunger in all of us to buck the system, take revenge on corporate America, and live a life of excitement and adventure.

The Football Factory is driven by its two main characters—late-twenties warehouseman Tommy Johnson and retired ex-soldier Bill Farrell. Tommy is angry at his situation in life and those running the country. Outside of work, he is a lively, outspoken character, living for his time with a gang of football hooligans, the excitement of their fights and the comradeship he finds with his friends. He is a violent man, at the same time moral and intelligent.

Bill, meanwhile, is a former Second World War hero who helped liberate a concentration camp and married a survivor. He is a strong, principled character who sees the self-serving political and media classes for what they are. Tommy and Bill have shared feelings, but express their views in different ways. Born at another time, they could have been the other. As the book unfolds both come to their own crossroads and have important decisions to make.

The Football Factory is a book about modern-day pariahs, people reduced to the level of statistics by years of hypocritical, self-serving party politics. It is about the insulted, marginalised, unseen. Graphic and disturbing, at times very funny, The Football Factory is a rush of literary adrenalin.

Carol is a small-time cocaine dealer in 1987 London. She’s on her own with a young daughter, a good mother who is especially careful in her working life. For some punters, this involves being Simone. One of these customers is Phil, a financial analyst in the City who, with his longtime pal and fellow analyst Jack, fantasizes a cocaine futures market while on a coke binge. They look at it as they would look at any other commodity.

At the top of the wholesale business are Gordon Murray and his brothers, who have an “in” with the Drug Squad and are prepared to shop anyone to keep it that way, on top of the violence they use as and when needed.

When the cocaine futures market becomes a reality, Carol has an opportunity to go for the big deal that could get her out of the business altogether. Meanwhile, a stock market crash creates havoc, and a once-in-a lifetime hurricane sweeps across London, ripping down trees and the communication systems of the stock market itself. Carol must make her choice, as three very different worlds are about to collide.

Ex-NYPD cop Filomena Buscarsela—the irrepressible urban crime fighter of 23 Shades of Black and Soft Money—is back. This time, the tough-talking, street-smart Latina heroine sets her sights on seemingly idyllic suburbia, where an endless sea of green lawns hides a toxic trail of money… and murder.

But something is rotten on Long Island. When Filomena discovers that a high-tech Long Island factory is spewing poisons into the water supply, she’s sure that the contaminator is none other than her nemesis, a cutthroat industrial polluter with an airtight financial empire. Armed only with an ax to grind, the gutsy Filomena knows she’ll have to play dirty to clean up the neighborhood.

Her search for justice introduces her to the unfamiliar scent of privilege—from the state-of-the-art chemistry lab of a local university to the crumbling ruins of a beachfront estate, from a glittering high-society party to an intimidating high-security chemical plant—and immerses her in the all-too-familiar stench of political corruption and personal greed. Once again, Filomena’s nose for trouble has drawn her into a case that’s more than a little hazardous to her health. As the action heats up, she must juggle the dangers of the investigation with the demands of her three-year-old daughter and the delights of a surprising new romance.

Since his debut in Terry Carr’s legendary Ace Specials of the 1980s, Carter Scholz has occupied an enviable, if demanding, position on the cutting edge of modern speculative literature (vulgarly called SF).

Proudly debuting in this volume, Gypsy is his first major work since his 2002 nuclear thriller Radiance. An interstellar adventure grounded in the hard science of accurate physics and biology, Gypsy soars far beyond the heliosphere of conventional science fiction. Jettisoning the easy warp-drives of fantasy and space opera, Scholz chronicles with chilling realism the epic voyage of a team of far-seeing scientists, who crowdsource a secret starship and abandon the doomed Earth for the Alpha Centauri system, our nearest stellar neighbor and last desperate chance. Heartbreak and hope collide in this moving and visionary tale.

Plus...
An epistolary story about a story, “The Nine Billion Names of God,” uses a classic SF text to deconstruct literary deconstruction itself, with hilarious results. In the wickedly droll “Bad Pennies,” a spy tasked with trashing a foreign economy testifies before a complacent Congress. Quietly furious, “The United States of Impunity” is an alarming look under the tent of today’s political sideshow. Adults only.

And Featuring: “Gear. Food. Rocks.”—our Outspoken Interview, in which a postmodern Renaissance man charts the synergies and dissonances of a career that embraces both literary and musical composition, reveals the hidden link between winemaking and deep space astronomy, and tells you how to steal his car.

Inspired by author Rick Dakan’s own eventful experiences in the video game and comic book industries, the Geek Mafia series satisfies the hunger in all of us to buck the system, take revenge on corporate America, and live a life of excitement and adventure.

Key West—southernmost point in the United States, Mile Zero on Highway 1; and as far as you can run away from your past troubles without swimming to Cuba. Key West—originally Cayo Huesos or Isle of Bones, for centuries a refuge for pirates, wreckers, writers, scoundrels, drunks, and tourists. Now home to a Crew of techno geek con artists who’ve turned it into their own private hunting ground. Paul and Chloe have the run of the sun-drenched island, free to play and scam far from the enemies they left behind in Silicon Valley. But that doesn’t mean they can’t bring a little high tech know how to the paradise. They and their new Crew have covered the island with their own private Big Brother style network—hidden cameras, RFID sensors, and a web of informers that tip them off about every crime committed and tourist trapped on the island. But will all the gadgets and games be enough when not one but three rival crews of con artists come to hold a top-secret gang summit? And when one of them is murdered, who will solve the crime?

Ken MacLeod is one of the brightest and most progressive of Britain’s “Hard SF” stars who navigate exciting new futures to the delight of legions of fans around the world. His works combine cutting-edge scientific speculation, socialist and anarchist themes, and a deeply humanistic vision. Described by fans and adversaries alike as a “techno-utopian socialist,” MacLeod thrusts his characters into uncanny encounters that have included AI singularities, divergent human evolution, and posthuman cyborg-resurrection.

In his novella The Human Front, a young Scottish guerrilla fighter is drawn into low-intensity sectarian war in a high-intensity dystopian future, and the arrival of an alien intruder (complete with saucer!) calls for new tactics and strange alliances. Its companion piece, “Other Deviations,” first published in this edition, reveals the complex origins of MacLeod’s alternate history.

Plus: “The Future Will Happen Here, Too,” in which a Hebridean writer celebrates the landscapes that shaped his work, measures Scotland’s past against humanity’s future, and peers into the eyes of an eel.

And Featuring: our irreverent Outspoken Interview, a candid and often cantankerous conversation that showcases our author’s deep erudition and mordant wit.

Cory Doctorow burst on the SF scene in 2000 like a rocket, inspiring awe in readers (and envy in other writers) with his bestselling novels and stories, which he insisted on giving away via Creative Commons. Meanwhile, as coeditor of the wildly popular blog Boing Boing, he became the radical new voice of the Web, boldly arguing for internet freedom from corporate control.

Doctorow’s activism and artistry are both on display in this Outspoken Author edition. The crown jewel is his novella The Great Big Beautiful Tomorrow, the high-velocity adventures of a transhuman teenager in a toxic post-Disney dystopia, battling wireheads and wumpuses (and having fun doing it!) until he meets the “meat girl” of his dreams, and is forced to choose between immortality and sex.

Plus a live transcription of Cory’s historic address to the 2010 World SF Convention, “Creativity vs. Copyright,” dramatically presenting his controversial case for open-source in both information and art.

Also included is an international Outspoken Interview (Skyped from England, Canada, and the U.S.) in which Doctorow reveals the surprising sources of his genius.

Jewish Noir is a unique collection of new stories by Jewish and non-Jewish literary and genre writers, including numerous award-winning authors such as Marge Piercy, Harlan Ellison, S.J. Rozan, Nancy Richler, Moe Prager (Reed Farrel Coleman), Wendy Hornsby, Charles Ardai, and Kenneth Wishnia. The stories explore such issues as the Holocaust and its long-term effects on subsequent generations, anti-Semitism in the mid- and late-twentieth-century United States, and the dark side of the Diaspora (the decline of revolutionary fervor, the passing of generations, the Golden Ghetto, etc.). The stories in this collection also include many “teachable moments” about the history of prejudice, and the contradictions of ethnic identity and assimilation into American society.

Stories include:
“A Simkhe” (A Celebration), first published in Yiddish in the Forverts in 1912 by one of the great unsung writers of that era, Yente Serdatsky. This story depicts the disillusionment that sets in among a group of Russian Jewish immigrant radicals after several years in the United States. This is the story’s first appearance in English.

“Trajectories,” Marge Piercy’s story of the divergent paths taken by two young men from the slums of Cleveland and Detroit in a rapidly changing post-World War II society.

“Some You Lose,” Nancy Richler’s empathetic exploration of the emotional and psychological challenges of trying to sum up a man’s life in a eulogy.

“Her Daughter’s Bat Mitzvah,” Rabbi Adam Fisher’s darkly comic profanity-filled monologue in the tradition of Sholem Aleichem, the writer best known as the source material for Fiddler on the Roof (minus the profanity, that is).

“Flowers of Shanghai,” S.J. Rozan’s compelling tale of hope and despair set in the European refugee community of Japanese-occupied Shanghai during World War II.

“Yahrzeit Candle,” Stephen Jay Schwartz’s take on the subtle horrors of the inevitable passing of time.

Headhunters is the story of five friends. Carter USM is a live wire who lives on the edge and tries not to think too much; Mango can’t stop thinking, has made money but is weighed down by family tragedy; Harry is a beer-lover and dreamer; Balti is his drinking partner, out of work and hoping for a fresh start; while Will is the quiet romantic, a voice of reason as the lives of the others become increasingly chaotic and veer towards disaster.

Headhunters is also a story of London. The novel is rooted in its streets, workplaces, pubs and music, but a parallel society exists, where the planet’s wealthy are able to buy and sell whatever they like. This is a world from which the Londoners of this novel are excluded, resentment too often directed against their own kind. The Unity is the boys’ local pub and it is here that they form a tongue-in-cheek Sex Division to celebrate a new year. Based on the idea of a football league, the most Woman can offer Man is four points—unless she leaves her handbag unattended.

Carter is the Unstoppable Sex Machine and soon leads the table, while Mango breaks the rules and buys success. Harry and Balti are overweight and hard up, know they have little to offer apart from their personalities, turn to cold lager and hot curries instead of sex. Will falls in loves and retires. Recognition of the affinities between the sexes soon becomes clear. Background is more important than gender.

Headhunters mixes humor and longing as the real feelings of these men break through, moving beyond expectations. A missing brother, prophetic visions, genuine romance and a tit-for-tat confrontation draw the characters out into the open—revealing the individuals behind the words and their craving for respect. Events run out of control, but several happy endings seem possible.

Clay Blackburn has two jobs. Most of the time he’s your average bisexual book scout in Berkeley. Some of the time he’s… not quite a private detective. He doesn’t have a license, he doesn’t have a gun, he doesn’t have a business card—but people come to him for help and in helping them he comes across more than his fair share of trouble. And trouble finds him seeking the fountain of youth, the myth of paradise, the pie in the sky…The Incredible Double.

Clay fights his way through corporate shills, Berkeley loonies, and CEO thugs on his way to understanding the secret of The Double. Follow his journey to a state of Grace, epiphanies, perhaps the meaning of life. This follow-up to The Chandler Apartments, red meat to charter members of the Clay Blackburn cult, is also an excellent introduction to the series. Hill brings back Blackburn’s trusty, if goofy sidekicks: Marvin, best friend and lefty soldier of fortune; Bailey Dao, ex-FBI agent; Dino Centro, as smarmy as he is debonair. He also introduces a new cast of bizarre characters: drug casualty turned poet Loose Bruce, conspiracy theorist Larry Sasway, and Grace, the Tallulah Bankhead of Berkeley. Together—and sometimes not so together—they team up to foil Drugstore Wally, the CEO with an evil plan.

”I will admit I was lured into temptation during the twenties and thirties, and I blame no one for what happened then, least of all myself.”

Unmistakably, this is the voice of Colonel Pyat, addict, inventor, and bizarre Everyman for the twentieth century. In Jerusalem Commands, the third of the Pyat quartet, our hero schemes and fantasises his way from New York to Hollywood, from Cairo to Marrakech, from cult success to the utter limits of sexual degradation, leaving a trail of mechanical and human wreckage in his wake as he crashes towards an inevitable appointment with the worst nightmare this century has to offer.

It is Michael Moorcock’s extraordinary achievement to convert the life of Maxim Pyatnitski into epic and often hilariously comic adventure. Sustained by his dreams and profligate inventions, his determination to turn his back on the realities of his own origins, Pyat runs from crisis to crisis, every ruse a further link in a vast chain of deceit, suppression, betrayal. Yet, in his deranged self-deception, his monumentally distorted vision, this thoroughly unreliable narrator becomes a lens for focusing, through the dimensions of wild farce and chilling terror, on an uneasy brand of truth.

It is 1988. Judit Klemmer is a filmmaker who is assembling a fortieth-anniversary official documentary about the birth of Judenstaat, the Jewish homeland surrendered by defeated Germany in 1948. Her work is complicated by Cold War tensions between the competing U.S. and Soviet empires and by internal conflicts among the “black-hat” Orthodox Jews, the far more worldly Bundists, and reactionary Saxon nationalists who are still bent on destroying the new Jewish state.

But Judit’s work has far more personal complications. A widow, she has yet to deal with her own heart’s terrible loss—the very public assassination of her husband, Hans Klemmer, shot dead while conducting a concert.

Then a shadowy figure slips her a note with new and potentially dangerous information about her famous husband’s murder.

For fifteen-year-old Joe Martin, growing up on the outskirts of West London, the summer of 1977 means punk rock, busy pubs, disco girls, stolen cars, social-club lager, cutthroat Teddy Boys and a job picking cherries with the gypsies. Life is sweet—until he is attacked by a gang of youths and thrown into the Grand Union Canal with his best friend Smiles.

Fast forward to 1988, and Joe is travelling home on the Trans-Siberian Express after three years away, remembering the highs and lows of the intervening years as he comes to terms with tragedy. Fast forward to 2000, and life is sweet once more. Joe is earning a living selling records and fight tickets, playing his favourite 45s as a punk DJ, but when a face from the past steps out of the mist he is forced to relive that night in 1977 and deal with the fallout.

Human Punk is the story of punk, a story of friendship, a story of common bonds and a shared culture—sticking the boot in, sticking together.

Cuando Filomena Buscarsela, detective privado trabajando en Nueva York, lleva a su hija adolescente Antonia a Ecuador para que conozca a sus familiares, la visita se trastoca en más que un simple regreso a casa. Filomena no ha pisado Ecuador en años, y este viaje le devuelve episodios de su vida pasada en los que fue una revolucionaria. Ni siquiera logra tener tiempo de adaptarse a su nuevo entorno cuando es asesinado el sacerdote que, años atrás, le salvó la vida y la ayudó a escapar hacia Estados Unidos.

La investigación que emprende Filomena sobre dicho asesinato la lleva a reencontrarse con las personas de las que tuvo que escapar en el pasado. Mientras el país está atormentado por desastres naturales y sociales—deslizamiento de tierras, inundaciones, escasez de alimentos, protestas, represiones—Filomena se convierte en una fugitiva de la ley que atraviesa el país para tener un enfrentamiento culminante en la selva amazónica. Wishnia construye una novela rica en paisajes, sonidos y peligros de Ecuador, además provee una mirada irresistible sobre las raíces de una de las heroínas más dinámicas del género ficción criminal.

The six women of the Knitting Circle meet every week to chat, eat cake, and make fabulous sweaters. Until the night they realize that they’ve all survived rape—and that not one of their assailants has suffered a single consequence. Enough is enough. The Knitting Circle becomes the Knitting Circle Rapist Annihilation Squad. They declare open season on rapists, with no licenses and no bag limits. With needles as their weapons, the revolution begins.

A cop is stabbed through a doughnut hole and into his heart. A country-western singer is found with knitting needles jammed into both ears and his no-means-yes hit song playing. A pedophile priest is killed in the sacristy. As the Circle swells, perpetrators learn to shudder at the sight of business women with knitted briefcases, students with knitted backpacks, roller derby queens with knitted kneepads. They also push back, as organizations of men—from the Chamber of Commerce to the Department of Agriculture to the Autonomous Federated Association of Coalitions of Anarchists for Spontaneous Insurrectionary Sexual Freedom (the AFACASISF, with their unique musical style: deathvomitnoise)—issue statements against the Knitting Circle. More sinister is MAWAR (Men Against Women Against Rape), with their Bible Scrabble and their beefcake Jesus calendar—and a plot to stop the Knitting Circle.

Will the Knitting Circle triumph? Or will Officer Flint learn to knit in time to infiltrate it? Will Nick the male ally brave Daisy’s Craft Barn to secure more weapons for the women? Will Marilyn put down her teenage attitude and pick up her knitting needles? Will Circle member Jasmine find true love with MAWAR’s Zebediah?

Hugo and Nebula award-winner Terry Bisson is best known for his short stories, which range from the southern sweetness of “Bears Discover Fire” to the alienated aliens of “They’re Made Out of Meat.” He is also a 1960’s New Left vet with a history of activism and an intact (if battered) radical ideology.

The Left Behind novels (about the so-called “Rapture” in which all the born-agains ascend straight to heaven) are among the bestselling Christian books in the United States, describing in lurid detail the adventures of those “left behind” to battle the Anti-Christ. Put Bisson and the born-agains together, and what do you get? The Left Left Behind—a sardonic, merciless, tasteless, take-no-prisoners satire of the entire apocalyptic enterprise that spares no one—predatory preachers, goth lingerie, Pacifica Radio, Indian casinos, gangsta rap, and even “art cars” at Burning Man.

Plus: “Special Relativity,” a one-act drama that answers the question: When Albert Einstein, Paul Robeson, and J. Edgar Hoover are raised from the dead at an anti-Bush rally, which one wears the dress? As with all Outspoken Author books, there is a deep interview and autobiography: at length, in-depth, no-holds-barred and all-bets off: an extended tour through the mind and work, the history and politics of our Outspoken Author. Surprises are promised.

When President Thomas Jefferson sent Lewis and Clark to explore the West, he told them to look especially for mammoths. Jefferson had seen bones and tusks of the great beasts in Virginia, and he suspected—he hoped!—that they might still roam the Great Plains. In Eleanor Arnason’s imaginative alternate history, they do: shaggy herds thunder over the grasslands, living symbols of the oncoming struggle between the Native peoples and the European invaders. And in an unforgettable saga that soars from the badlands of the Dakotas to the icy wastes of Siberia, from the Russian Revolution to the AIM protests of the 1960s, Arnason tells of a modern woman’s struggle to use the weapons of DNA science to fulfill the ancient promises of her Lakota heritage.

PLUS: “Writing SF During World War III,” and an Outspoken Interview that takes you straight into the heart and mind of one of today’s edgiest and most uncompromising speculative authors.

Maxim Arturovitch Pyatnitski, that charming but despicable mythomaniac who first appeared in Byzantium Endures, is back. Having fled Bolshevik Russia in late 1919, Pyat’s progress is a series of leaps from crisis to crisis, as he begins affairs with a Baroness and a Greek prostitute while undertaking schemes to build flying machines in Europe and the United States. His devotion to flamboyantly racist, particularly anti-Semitic doctrines—like his devotion to cocaine—remains unabated, and he both sings the praises of Mussolini and lectures across America for the Ku Klux Klan. (His best kept secret is of course, the fact that he is Jewish.) As the novel ends, Pyat is in Hollywood—his new Byzantium—hobnobbing with movie stars and dreaming of making films like those of his hero, D.W. Griffith.

Engineer, braggart, addict, Pyat is a magnificent invention, a genius of innocent vituperation: his finest achievement (and that of the author) is that his own warped and deluded vision is powerful enough to redefine reality. This authoritative edition presents the first time this work has been available in paperback in the U.S., along with a new introduction by Alan Wall.

Zelmont Raines has slid a long way since his ability to jook, to outmaneuver his opponents on the field, made him a Super Bowl–winning wide receiver, earning him lucrative endorsement deals and more than his share of female attention. But Zee hasn’t always been good at saying no, so a series of missteps involving drugs, a paternity suit or two, legal entanglements, shaky investments, and recurring injuries have virtually sidelined his career.

That is until Los Angeles gets a new pro franchise, the Barons, and Zelmont has one last chance at the big time he dearly misses. Just as it seems he might be getting back in the flow, he’s enraptured by Wilma Wells, the leggy and brainy lawyer for the team—who has a ruthless game plan all her own. And it’s Zelmont who might get jooked.

Low Bite: Sin Soracco’s prison novel about survival, dignity, friendship, and insubordination. The view from inside a women’s prison isn’t a pretty one, and Morgan, the narrator, knows that as well as anyone. White, female, 26, convicted of nighttime breaking and entering with force, she works in the prison law library, giving legal counsel of more-or-mostly-less usefulness to other convicts. More useful is the hooch stash she keeps behind the law books.

And she has plenty of enemies—like Johnson, the lesbian-hating warden, and Alex, the “pretty little dude” lawyer who doesn’t like her free legal advice. Then there’s Rosalie and Birdeye—serious rustlers whose loyalty lasts about as long as their cigarettes hold out. And then there’s China: Latina, female, 22, holding U.S. citizenship through marriage, convicted of conspiracy to commit murder—a dangerous woman who is safer in prison than she is on the streets. They’re all trying to get through without getting caught or going straight, but there’s just one catch—a bloodstained bank account that everybody wants, including some players on the outside.

Low Bite: an underground classic reprinted at last and the first title in the new imprint from The Green Arcade.

A former policeman, now a major in the Spanish Republican Army, is sent to Madrid to investigate the circumstances in which the legendary anarchist, Buenaventura Durruti, was killed. In his search for the truth he interviews key witnesses and uncovers a number of contradictory accounts. Nobody tells the same story in quite the same way, but as an experienced police officer, he knows it is not inconceivable that they are all telling the truth. But it is also possible that some of them are lying, that some are trying to hide what they know, and more sinisterly, that some may be seeking to sabotage his investigation for darker political ends.

Making imaginative and ingenious use of the detective novel as a literary device, Pedro de Paz explores various hypotheses and scenarios that could at least provide us, seventy years on, with believable explanations about the chain of events leading to the death of a truly remarkable man. Also included are numerous photographs of Durruti and his funeral, and a lengthy afterword by Stuart Christie, putting his life, times, and untimely death into the context of Spanish anarchism, the social revolution, and civil war.

At the heart of a city, a river is dying, children have cancer, and people are burning with despair. From the safe distance that wealth buys, a corporation called Vexcorp counts these lives as another expense on a balance sheet. But that distance is about to collapse.

Malia is an activist who has fiercely fought the everyday atrocities of environmental racism. After years of watching countless children die, she’s lost faith in the possibility of systemic reform. Dennis is a lawyer who still believes that if enough people have the correct information they will do the right thing. Dujuan is a young street thug torn by a chaos of grief and rage at his little sister’s death. And Larry Gordon is Vexcorp’s CEO.

Their lives converge when Dujuan mugs Malia. Her scornful comparison of Dujuan to Vexcorp triggers a storm inside him. That storm only clears when he identifies the real agent of his pain: Larry Gordon. Injury requires justice, so Dujuan kidnaps Gordon and assembles a rough court to try him for murder. He picks Malia to be the judge because she knows the facts and because, as Dujuan says, “You want this as bad as me.” As bystanders become involved and time runs out, Malia is forced to make grueling moral decisions between survival and loyalty, safety and courage, agency and despair.

Derrick Jensen has written a novel as compelling as it is necessary: with our planet under serious threat, Malia’s decisions face us all.

As the editor of London’s revolutionary New Worlds magazine in the swinging sixties, Michael Moorcock has been credited with virtually inventing modern Science Fiction: publishing such figures as Norman Spinrad, Samuel R. Delany, Brian Aldiss and J.G. Ballard.

Moorcock’s own literary accomplishments include his classic Mother London, a romp through urban history conducted by psychic outsiders; his comic Pyat quartet, in which a Jewish antisemite examines the roots of the Nazi Holocaust; Behold The Man, the tale of a time tourist who fills in for Christ on the cross; and of course the eternal hero Elric, swordswinger, hellbringer and bestseller.

And now Moorcock’s most audacious creation, Jerry Cornelius—assassin, rock star, chronospy and maybe-Messiah—is back in Modem Times 2.0, a time-twisting odyssey that connects 60s London with post-Obama America, with stops in Palm Springs and Guantanamo. Modem Times 2.0 is Moorcock at his most outrageously readable—a masterful mix of erudition and subversion.

Plus: The non-fiction essay “My Londons” and an Outspoken Interview with literature’s authentic Lord of Misrule.

“Everything in this book is fictional and everything is true,” wrote Victor Serge in the epigraph to Men in Prison. “I have attempted, through literary creation, to bring out the general meaning and human content of a personal experience.”

The author of Men in Prison served five years in French penitentiaries (1912–1917) for the crime of “criminal association”—in fact for his courageous refusal to testify against his old comrades, the infamous “Tragic Bandits” of French anarchism. “While I was still in prison,” Serge later recalled, “fighting off tuberculosis, insanity, depression, the spiritual poverty of the men, the brutality of the regulations, I already saw one kind of justification of that infernal voyage in the possibility of describing it. Among the thousands who suffer and are crushed in prison—and how few men really know that prison!—I was perhaps the only one who could try one day to tell all… There is no novelist’s hero in this novel, unless that terrible machine, prison, is its real hero. It is not about ‘me,’ about a few men, but about men, all men crushed in that dark corner of society.”

Ironically, Serge returned to writing upon his release from a GPU prison in Soviet Russia, where he was arrested as an anti-Stalinist subversive in 1928. He completed Men in Prison (and two other novels) in “semi-captivity” before he was rearrested and deported to the Gulag in 1933. Serge’s classic prison novel has been compared to Dostoyevsky’s House of the Dead, Koestler’s Spanish Testament, Genet’s Miracle of the Rose, and Solzhenitsyn’s One Day in the Life of Ivan Denisovitch both for its authenticity and its artistic achievement.

This edition features a substantial new introduction by translator Richard Greeman, situating the work in Serge’s life and times.

A Moment of Doubt is at turns hilarious, thrilling, and obscene. Jim Nisbet’s novella is ripped from the zeitgeist of the ’80s, and set in a sex-drenched San Francisco, where the computer becomes the protagonist’s co-conspirator and both writer and machine seem to threaten the written word itself.

The City as whore provides a backdrop oozing with drugs, poets and danger. Nisbet has written a madcap meditation on the angst of a writer caught in a world where the rent is due, new technology offers up illicit ways to produce the latest bestseller, and the detective and other characters of the imagination might just sidle up to the bar and buy you a drink in real life. The world of A Moment of Doubt is the world of phone sex, bars and bordellos, AIDS, and the lure of hacking. Coming up against the rules of the game—the detective genre itself—has never been such a nasty and gender-defying challenge.

Plus: An interview with Jim Nisbet, who is “Still too little read in the United States, it's a joy for us that Nisbet has been recognized here...” Regards: Le Mouvement des Idées

Combining dazzling speculation with a profoundly humanist vision, Kim Stanley Robinson is known as not only the most literary but also the most progressive (read “radical”) of today’s top rank SF authors. His bestselling Mars Trilogy tells the epic story of the future colonization of the red planet, and the revolution that inevitably follows. The Years of Rice and Salt is based on a devastatingly simple idea: If the medieval plague had wiped out all of Europe, what would our world look like today? His novel Galileo’s Dream is a stunning combination of historical drama and far-flung space opera, in which the ten dimensions of the universe itself are rewoven to ensnare history’s most notorious torturers.

“The Lucky Strike,” the classic and controversial story Robinson has chosen for PM’s Outspoken Authors series, begins on a lonely Pacific island, where a crew of untested men are about to take off in an untried aircraft with a deadly payload that will change our world forever. Until something goes wonderfully wrong …

Plus: “A Sensitive Dependence on Initial Conditions,” in which Robinson dramatically deconstructs “alternate history” to explore what might have been if things had gone differently over Hiroshima that day. As with all Outspoken Author books, there is a deep interview and autobiography: at length, in-depth, no-holds-barred, and all-bets-off: an extended tour though the mind and work, the history and politics of our Outspoken Author. Surprises are promised.

In a candid and intimate new collection of essays, poems, memoirs, reviews, rants, and railleries, Piercy discusses her own development as a working-class feminist, the highs and lows of TV culture, the ego-dances of a writer’s life, the homeless and the housewife, Allen Ginsberg and Marilyn Monroe, feminist utopias (and why she doesn’t live in one), why fiction isn’t physics; and of course, fame, sex, and money, not necessarily in that order. The short essays, poems, and personal memoirs intermingle like shards of glass that shine, reflect—and cut. Always personal yet always political, Piercy’s work is drawn from a deep well of feminist and political activism.

Also featured is our Outspoken Interview, in which the author lays out her personal rules for living on Cape Cod, finding your poetic voice, and making friends in Cuba.

Fifteen years ago, Kate Ryan and her daughter Ruby moved to the secluded village of Zamora in northern New Mexico to find a quiet life off the grid. But when Kate invites the wrong drifter home for the night, the delicate peace of their domain is shattered.

Troy Mason manages to hang onto Kate for a few weeks, though his charm increasingly fails to offset his lies and delusions of grandeur. It is only a matter of time before the lies turn abusive, igniting a chain reaction of violence and murder. Not even a bullet in the leg will keep Troy from seeking revenge as he chases the missing Ruby over back roads through the Sangre de Cristo Mountains, down the River of No Return, and to a white supremacy enclave in Idaho’s Bitterroot Wilderness. Nearly Nowhere explores the darkest places of the American West, emerging with only a fragile hope of redemption in the maternal ties that bind.

Originally published by Gallimard’s la Serie noire as Presque nulle part.

Monsters is an illustrated collection of wild, weird, and whimsical tales with a twist. These stories are not about mythical creatures; here, the creatures speak for themselves. There’s an orc who hates Tolkien, a young demon awash in teenage angst, an angel abandoned by Jesus who finds the Fates. Jensen creates a world both delicately dreamlike and all too real, where the villain is sometimes the victim and evil is not always what we thought.

If stories teach us how to be human, then the stories in Monsters are the ones we need now. These are fractured fairy tales for grown-ups, where the roots of sadism are laid bare and the horrors of human supremacism are firmly faced. But as in all of Jensen’s work, love is both always possible and also a call to action. By turns macabre, melancholy, and magical, these stories and their accompanying images will leave you wondering who the real monsters are and how they can be defeated.

Arguably (and who doesn’t like to argue?) the world’s bestselling cult author, Joe R. Lansdale is celebrated across several continents for his dark humor, his grimly gleeful horror, and his outlaw politics. Welcome to Texas. With hits like Bubba Ho-Tep and The Drive-In the Lansdale secret was always endangered, and the spectacular new Hap and Leonard Sundance TV series is busily blowing whatever cover Joe had left.

Backwoods noir some call it; others call it redneck surrealism. Joe’s signature style is on display here in all its grit, grime, and glory, beginning with two (maybe three) previously unpublished Hap and Leonard tales revealing the roots of their unlikely partnership.

Plus…
A hatful and a half of Joe’s notorious Texas Observer pieces that helped catapult him from obscurity into controversy; and “Miracles Ain’t What They Used to Be,” Lansdale’s passionately personal take on the eternal tussles between God and Man, Texas and America, racism and reason—and religion and common sense.

And Featuring: Our Outspoken Interview, in which piney woods dialect, Bible thumpery, martial arts, crime classics and Hollywood protocols are finally awarded the attention they deserve. Or don’t.

Mixing outlaw humor, SF adventure, and cutting social criticism, Shirley draws upon his entire arsenal of narrative and commentary. The title essay, “New Taboos” is his prescription for a radical revisioning of America. A new novella, A State of Imprisonment, is a horrifying and grimly hilarious look at the privatization of the prison industry. “Why We Need Forty Years of Hell,” Shirley’s 2011 TEDx address, presents his proudly contrarian view of the near future.

Also featured is our Outspoken Interview showcasing the author’s transgressive sensibility, deep humanity, and mordant wit.

The first anthology of its kind, On the Fly! brings forth the lost voices of Hobohemia. Dozens of stories, poems, songs, stories, and articles produced by hoboes are brought together to create an insider history of the subculture’s rise and fall. Adrenaline-charged tales of train hopping, scams, and political agitation are combined with humorous and satirical songs, razor sharp reportage and unique insights into the lives of the women and men who crisscrossed America in search of survival and adventure.

From iconic figures such as labor martyr Joe Hill and socialist novelist Jack London through to pioneering blues and country musicians, and little-known correspondents for the likes of the Hobo News, the authors and songwriters contained in On the Fly! run the full gamut of Hobohemia’s wide cultural and geographical embrace. With little of the original memoirs, literature, and verse remaining in print, this collection, aided by a glossary of hobo vernacular and numerous illustrations and photos, provides a comprehensive and entertaining guide to the life and times of a uniquely American icon. Read on to enter a world where hoboes, tramps, radicals, and bums gather in jungles, flop houses, and boxcars; where gandy dancers, bindlestiffs, and timber beasts roam the rails once more.

Upending and recombining familiar genres with fearless abandon, Nick Mamatas is known for his wicked satires in which Horror rides shotgun with SF as they power through Fantasy’s rush-hour traffic. Lanes are crossed, speed limits exceeded, and minds often blown.

Our title piece, original to this volume, is something entirely new. Trust me. “The Planetbreaker’s Son” is a starship novella in which interstellar emigrants maintain their stadium-sized vessel with dreams and play. On the fly. Think Pinocchio meets Ender’s Game.

“Ring, Ring, Ring, Ring, Ring, Ring, Ring” is a cautionary tale about the perilous interface between ancient wizardry and modern ringtones. And it’s for you. “The Term Paper Artist” is Nick’s celebrated and hilarious how-to on embellishing the academic establishment with equal parts imitation and duct tape. Based on a true story of lies.

And Featuring: of course, our casually candid Outspoken Interview, in which Greek sailors, Japanese manga mavens, Doc Martens, Lovecraft, Grandma, and Kerouac mingle and mix. Care to dance?

First she was a beat cop, then she was unemployed. Now, Kenneth Wishnia’s dynamic Filomena Buscarsela has apprenticed herself to a New York City PI firm to put in the three years necessary to get her own PI license, which she needs to earn enough money to support herself and her daughter. Trouble is, she often agrees to take on sticky neighborhood cases pro bono—like the group of squatters restoring an abandoned building in the neighborhood—rather than handle the big-bucks clients her bosses would prefer.

While helping out her more “senior” colleagues with her own superior investigative techniques bred from years on the beat, Fil agrees to look into the disappearance of a young immigrant. Then, witnessing the arrest of a neighbor on marijuana-possession charges that nearly turns into a shoot-out with the police, Fil is roped into finding out what went wrong. Trying to balance charity cases like these with bread-and-butter cases, not to mention single motherhood, Fil is quickly in over her head dodging bullish cops, aggressive businessmen, and corrupt landlords in their working-class Queens neighborhood.

After years of policing and backstreet bloodhounding, Filomena Buscarsela is apprenticing to earn her own private investigator’s license. She pours on her Spanish, her clever tricks, and her battle-tested charms to uncover a labyrinth of deceit, racial prejudice, and impenetrable bureaucracy that not only rocks her neighborhood but also threatens the foundation of the big red house that is this PI’s America.

Douglas Pike is no longer the murderous hustler he was in his youth, but reforming hasn't made him much kinder. He's just living out his life in his Appalachian hometown, working odd jobs with his partner, Rory, hemming in his demons the best he can. And his best seems just good enough until his estranged daughter overdoses and he takes in his twelve-year-old granddaughter, Wendy.

Just as the two are beginning to forge a relationship, Derrick Kreiger, a dirty Cincinnati cop, starts to take an unhealthy interest in the girl. Pike and Rory head to Cincinnati to learn what they can about Derrick and the death of Pike’s daughter, and the three men circle, evenly matched predators in a human wilderness of junkie squats, roadhouse bars, and homeless Vietnam vet encampments

As an ambitious, alienated, and awesomely talented kid from the Bronx, Norman Spinrad rode the revolutionary “New Wave” of 1960s science fiction to fame, if not fortune. His usually angry, often hilarious, and always radical novels changed the field forever. Once devoted to interplanetary adventure, SF began to explore the uneasy intersection between today’s illusions and tomorrow’s dystopian disasters. It grew dark, grew wild, grew up.

An all-new novella designed to take a poke at both Christian fundamentalists and corporate CEOs, Raising Hell is a rousing account of the fight to improve working conditions in Hell, for both demons and the damned, with the help of such deceased immortals as Jimmy Hoffa, John L. Lewis, and César Chávez.

Plus…
“The Abnormal New Normal,” an impolite inquiry into today’s high-finance low-jinks, which unmasks the manipulations of the 1% and proposes a radical fix.

And Featuring: our Outspoken Interview, the usual mix of intimate revelation, gossip, and tales from the front lines of writing and publishing.

Burn, Baby, Burn.

An incendiary mixture of genres and voices, this collection of short stories compiles a unique set of work that revolves around riots, revolts, and revolution. From the turbulent days of unionism in the streets of New York City during the Great Depression to a group of old women who meet at their local café to plan a radical act that will change the world forever, these original and once out-of-print stories capture the various ways people rise up to challenge the status quo and change up the relationships of power. Ideal for any fan of noir, science fiction, and revolution and mayhem, this collection includes works from Sara Paretsky, Paco Ignacio Taibo II, Cory Doctorow, Kim Stanley Robinson, and Summer Brenner.

White ex-convict Cal Winter returns to his home in Oakland, California, one day to find his gorgeous, young, black wife, Prudence, drowned in the swimming pool. Prudence couldn’t swim, and Cal concludes she didn’t go in the water willingly. Though theirs was a marriage of convenience, he takes the murder personally. Along with his prison homie Red Eye, Cal sets out to find out who did Prudence in. His convoluted and often darkly humorous journey takes him deep into the world of the sexual urges of the rich and powerful, and gradually reveals the many layers of his wife’s complex identity. While doing so, Cal and Red Eye must confront their own racially charged pasts if the killer is to be caught.

Author James Kilgore has woven together strands of his own quixotic and complicated life—twenty-seven years as a political fugitive, two decades as a teacher in Africa, and six years in prison—into a heady tale of mystery and consequences.

Nalo Hopkinson has been busily (and wonderfully) “subverting the genre” since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms.

Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in “Report from Planet Midnight,” a historic and controversial presentation to her colleagues and fans.

Plus...
“Message in a Bottle,” a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and “Shift,” a tempestuous erotic adventure in which Caliban gets the girl. Or does he?

And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.

Love. Politics. Parasitic manipulation. Julia Hernandez left her husband, shot a real-estate developer out to gentrify Brooklyn, and then vanished without a trace. Well, perhaps one or two traces were left… With different personal and consumption habits, Julia has slipped out of the world she knew and into the Simulacrum—a place between the cracks of our existence from which human history is both guided and thwarted by the conflict between a species of anarchist wasp and a collective of hyperintelligent spiders. When Julia’s ex-husband Raymond spots her in a grocery store he doesn’t usually patronize, he’s drawn into an underworld of radical political gestures and Internet organizing looking to overthrow a ruling class it knows nothing about—and Julia is the new media sensation of both this world and the Simulacrum.

Told ultimately from the collective point of view of another species, Sensation plays with the elements of the Simulacrum we all already live in: media reports, businessspeak, blog entries, text messages, psychological evaluation forms, and the always fraught and kindly lies lovers tell one another.

Perched on a dry desert mesa, San Judas is a home of last resort for landless peasants who build makeshift homes and a vibrant community on “worthless” land that no one else wants. Or so it seems. Until suddenly, and tragically, everyone wants it for their own. The Road Through San Judas chronicles from the inside the colorful characters struggling to save their village from NAFTA regulations, local Juárez developers, terrifying drug cartels, violent cholo gangs, and corrupt politicians on both sides of the border.

All those interested in the culture and contradictions of modern Mexico—including activists involved in struggles for land, democracy, and justice under international capitalism—will delight in this novel’s revolutionary humor and compassion.

“The Miata jumped the curb and sheared off a light pole. The impact deployed the airbags, but Chainbang was ready. He knifed Klinger’s before it was fully inflated and his own before it could crush the glass pipe in his breast pocket. The six-inch blade went through the nylon like a pit bull through a kindergarten.”

Snitch World takes place in a San Francisco of menacing technology, where the old cons come up short and the crimes of the gritty night have morphed into slick capers pulled off by the glow of a smartphone.

Klinger hangs out at the Hawse Hole, a sordid dive even by Tenderloin standards. All he really wants is enough cash to buy a cup of coffee, some cigarettes, a bug-free hotel room. The simple act of picking a carefully targeted mark’s pocket initiates a series of events that get stranger and more dangerous by the moment. Jim Nisbet, with his characteristic humor and brilliant prose, creates a world where trust, and even cash, are the avatars of a loser’s game.

This is Snitch World, where a nine-dollar app can be as deadly as a dirty needle.

Also included is a recent interview with Jim Nisbet, in conversation with Patrick Marks, owner and publisher of San Francisco’s The Green Arcade, talking about writing, books, and technology.

Widely respected in the so-called “mainstream” for her New York Times bestselling novels, Karen Joy Fowler is also a formidable, often controversial, and always exuberant presence in Science Fiction. Here she debuts a provocative new story written especially for this series. Set in the days of Darwin, “The Science of Herself” is a marvelous hybrid of SF and historical fiction: the almost-true story of England’s first female paleontologist who took on the Victorian old-boy establishment armed with only her own fierce intelligence—and an arsenal of dino bones.

Plus…
“The Pelican Bar,” a homely tale of family ties that makes Guantánamo look like summer camp; “The Further Adventures of the Invisible Man,” a droll tale of sports, shoplifting and teen sex; and “The Motherhood Statement,” a quietly angry upending of easy assumptions that shows off Fowler’s deep radicalism and impatience with conservative homilies and liberal pieties alike.

And Featuring: our Outspoken Interview in which Fowler prophesies California’s fate, reveals the role of bad movies in good marriages, and intimates that girls just want to have fun (which means make trouble).

Even the best cops burn out. 23 Shades of Black’s Filomena Buscarsela returns, having traded in her uniform for the trials of single motherhood. Once a cop, always a cop. She may have left the department, but Filomena’s passion for justice burns as hot as ever. And when the owner of her neighborhood bodega is murdered—just another “ethnic” crime that will probably go unsolved and unavenged—Filomena doesn’t need much prodding from the dead man’s grieving sister to step in. Secretly partnered with a rookie cop, she hits the Washington Heights streets to smoke out the trigger-happy punks who ended an innocent life as callously as if they were blowing out a match.

From the labyrinthine subway tunnels of upper Broadway to the upscale enclaves that house the rich and beautiful, from local barrio hangouts to high-priced seats of power, Filomena follows a trail of dirty secrets and dirtier politics, with some unexpected stops in between. In a town big enough to hold every kind of criminal, crackpot, liar, and thief, from ruthless gangsters to corporate executives drunk on greed and power, she tracks a killer through the city’s danger zones.

Nisi Shawl’s steampunk-flavored alternate history of the “Belgian” Congo, Everfair, has taken the science fiction and fantasy world by storm. No surprise there. Their swift, sure, and savvy short stories had already established them as a cutting-edge Afrofuturist icon whose politically charged fiction is in the grand feminist tradition of Ursula K. Le Guin, Octavia Butler, and Suzy McKee Charnas.

In these previously uncollected stories, Shawl explores the unexpected possibilities and perils opened up by SF&F’s new intersectionality. In Shawl’s side-slippery world, sex can be both commerce and worship, complete with ancient rites, altars, and ointments (“Women of the Doll”); a virtual reality high school is a proving ground for girlpacks and their unfortunate adversaries (“Walk like a Man”); and a British rock singer finds an image in a mirror that reflects both future hits and ancient horrors (“Something More”). Also included is a presentation at a southern university, in which they patiently (and gleefully) deconstructs the academic and arcane intersections between ancient rites and modern tech. Ifa, anyone?

Plus:
Our Outspoken Interview with Shawl, in which unapologetics are proffered, riddles are unraveled, and icons are, as always, clasted.

Sisters of the Revolution gathers a highly curated selection of feminist speculative fiction (science fiction, fantasy, horror, and more) chosen by one of the most respected editorial teams in speculative literature today, the award-winning Ann and Jeff VanderMeer. Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas.

From the literary heft of Angela Carter to the searing power of Octavia Butler, Sisters of the Revolution gathers daring examples of speculative fiction’s engagement with feminism. Dark, satirical stories such as Eileen Gunn’s “Stable Strategies for Middle Management” and the disturbing horror of James Tiptree Jr.’s “The Screwfly Solution” reveal the charged intensity at work in the field. Including new, emerging voices like Nnedi Okorafor and featuring international contributions from Angelica Gorodischer and many more, Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts. Moving from the fantastic to the futuristic, the subtle to the surreal, these stories will provoke thoughts and emotions about feminism like no other book available today.

Contributors include: Angela Carter, Angelica Gorodischer, Anne Richter, Carol Emshwiller, Catherynne M. Valente, Eileen Gunn, Eleanor Arnason, Elizabeth Vonarburg, Hiromi Goto, James Tiptree Jr., Joanna Russ, Karin Tidbeck, Kelley Eskridge, Kelly Barnhill, Kit Reed, L. Timmel Duchamp, Leena Krohn, Leonora Carrington, Nalo Hopkinson, Nnedi Okorafor, Octavia Butler, Pamela Sargent, Pat Murphy, Rachel Swirsky, Rose Lemberg, Susan Palwick, Tanith Lee, Ursula K. Le Guin, and Vandana Singh.

A serial killer stalks the streets of Spokane, acting out a misogynist script from the dark heart of this culture. Across town, a writer named Derrick has spent his life tracking the reasons--political, psychological, spiritual--for the sadism of modern civilization. And through the grim nights, Nika, a trafficked woman, tries to survive the grinding violence of prostitution. Their lives, and the forces propelling them, are about to collide.

Derrick’s current project is a book called Possession, which asks the ontological question of who is responsible for the culture of domination that’s destroying the earth. Who actually benefits from a dead planet, the endgame that’s fast approaching? What if the answer is something way bigger than humans? Meanwhile, with motivations opposite to Derrick’s, the serial killer is asking much the same question of the women he kidnaps as his final act of possession--and Nika is next.

Derrick’s metaphysical explorations suddenly take on more urgency as visions both terrifying and sacred begin to intrude, and past and future collapse without warning. All Derrick knows is Nika’s name and her impending death. The only person who believes him is his partner Allison, a woman with both strengths and scars, whose past has led her to a commitment to justice no matter what the cost. As the visions intensify and the killer draws nearer, Derrick and Allison are compelled to act, making themselves the next targets. Derrick must learn to negotiate a world of spirits and demons, living and dead, before it’s too late. And what hangs in the balance is not just their lives, but also the fate of life on earth.

With Songs of the Dead, Derrick Jensen has written more than a thriller. This is a story lush with rage and tenderness on its way to being a weapon.

John Crowley's all-new essay “Totalitopia” is a wry how-to guide for building utopias out of the leftovers of modern science fiction. “This Is Our Town,” written especially for this volume, is a warm, witty, and wonderfully moving story about angels, cousins, and natural disasters based on a parochial school third-grade reader. One of Crowley’s hard-to-find masterpieces, “Gone” is a Kafkaesque science fiction adventure about an alien invasion that includes door-to-door leafleting and yard work. Perhaps the most entertaining of Crowley's “Easy Chair” columns in Harper's, “Everything That Rises” explores the fractal interface between Russian spiritualism and quantum singularities—with a nod to both Columbus and Flannery O'Connor. “And Go Like This” creeps in from Datlow's Year's Best, the Wild Turkey of horror anthologies.

Plus: There's a bibliography, an author bio, and of course our Outspoken Interview, the usual cage fight between candor and common sense.

Beginning with a harrowing, high-speed ride through the Upper South (a TVA baby is a good ol’ boy with a Yankee father and a 12-gauge) and ending in a desperate search through New Orleans graveyards for Darwin’s doomsday machine (“Charlie’s Angels”), Terry Bisson’s newest collection of short stories covers all the territory between—from his droll faux-FAQ’s done for Britain’s Science magazine, to the most seductive of his Playboy fantasies (“Private Eye”), to an eerie dreamlike evocation of the 9/11 that might have been (“A Perfect Day”). On the way we meet up with Somali Pirates, a perfect-crime appliance (via PayPal) and a visitor from Atlantis who just wants a burger with fries, please.

Readers who like cigarettes, lost continents, cars, lingerie, or the Future will be delighted. For those who don’t, there’s always Reality TV.

The original “Mad Professor” of cyberpunk, Rudy Rucker (along with fellow outlaws William Gibson and Bruce Sterling) transformed modern science fiction, tethering the “gnarly” speculations of quantum physics to the noir sensibilities of a skeptical and disenchanted generation. In acclaimed novels like Wetware and The Hacker and the Ant he mapped a neotopian future that belongs not to sober scientists but to drug-addled, sex-crazed youth. And won legions of fans doing it.

In his outrageous new story “The Men in the Back Room at the Country Club,” Dr. Rucker infiltrates fundamentalist Virginia to witness the apocalyptic clash between Bible-thumpers and Saucer Demons at a country club barbecue. He shoots erotica into orbit with “Rapture in Space” to explore the future of foreplay in freefall. In his gonzo nonfiction masterpiece “Surfing the Gnarl,” he documents the role of the Transreal in transforming both the personal and the political, distinguishes with mathematical precision between “high gnarl” and “low gnarl” in literature and life, and argues for remaking popular culture as a revolutionary project.

And Featuring: PM’s exclusive Outspoken Interview, in which the author explains Infinity, deconstructs his own outrageous film career, answers one Jeopardy question, and (finally!) reveals the truth about Time. All under oath.

You’ll never be the same. Is that good or bad? Your call.

The innovative novels and stories of Michael Blumlein, MD, have introduced new levels of both terror and wonder into the fiction of scientific speculation. His work as a medical researcher and internist at San Francisco’s UCSF Medical Center informs his tales of biotech, epigenetics, brain science, and what it means to be truly if only temporarily human.

One yellow April morning, a 17 year old girl asks herself, “Do I dare to eat a peach?" Three different answers will send her down three very different paths.

That morning is long past. Now she is 41.

Kitty Trevelyan has been happily married 23 years. Happily enough. Until her professor asks her for coffee and kisses her.

Dr. Katherine North's memory of two lovers chafes her like a hair shirt. After reading one has died, she contacts the other—only to discover that she has been renounced for God.

Ántonia searches the sea-horizon every evening. In the last light, she can glimpse it: a feminist Utopia built on an abandoned oil rig, led by her charismatic and bipolar lover. Her lost Eden made by Eves.

Who are we? Who haven't we been? Have we dared? Three of one woman's possible lives are about to collide.

Ruby James lives life to the full, the state-run hospital where she works as a nurse a microcosm of the community in which she was born and bred. While some outsiders might label the people of this town “white trash,” she knows different, reveling in a vibrant society that values people over money, actions above words.

For Ruby, every person is unique and has a story to tell, whether it is skinhead taxi driver Steve, retired teacher and rocker Pearl, magic-mushroom expert Danny Wax Cap, or former merchant seaman Ron Dawes. She encourages people to tell their tales, thrilled by the images created. Outside of work she drinks, dances, and has fun with her friends, at the same time dealing with her mother’s Alzheimer’s and a vision from the past, aware that physical and mental health are precious and easily lost. The epitome of positive thinking, Ruby sees the best in everyone—until the day true evil comes to call.

A mystery figure roams the corridors of Ruby’s state-run hospital. He carries special medicine and a very different set of values. He tells himself that he wants to help, increase efficiency, but cost-cutting leads to social cleansing as humans are judged according to that white-trash agenda. Excuses and justifications flow as notions of heaven and hell are distorted. Set against a background of pirate radio stations, pink Cadillacs, and freeway dreams, White Trash insists there is no such thing as white trash.

Having grown up in late-sixties South Central Los Angeles, Gary Phillips vividly recalls stories of what happened to brothers who ran afoul of the “polices” of the 77th Division. Small wonder that in his teens he organized against police abuse, later became active in the antiapartheid movement, was down against the contras, did duty as a labor rep, worked for a political action committee, and taught incarcerated youth. So of course matters of race, class, and the social fabric, along with influences of blaxploitation films and Jack Kirby comic books, permeate his crime and mystery stories. The Underbelly is a novella about a semi-homeless Vietnam vet searching for a disabled friend gone missing from Skid Row. It’s a solo sortie where the flashback-prone protagonist must deal with gentrification, kick-ass community organizers, an elderly sexpot, a magical skull, chronic-lovin’ knuckleheads, and the perils of chili-cheese fries at midnight. The Underbelly is illustrated with photos and drawings.

Plus...
A rollicking interview wherein Phillips riffs on Ghetto Lit, politics, noir and the proletariat, the good negroes and bad knee-grows of pop culture, Redd Foxx and Lord Buckley, and wrestles with the future of books in the age of want.

Byzantium Endures, the first volume of Michael Moorcock’s legendary Pyat Quartet, appeared in 1981. The Laughter of Carthage (1984) and Jerusalem Commands (1992) followed. Now the quartet is complete. Pyat keeps his appointment with the age’s worst nightmare.

Born in Ukraine on the first day of the century, a Jewish antisemite, Pyat careered through three decades like a runaway train. Bisexual, cocaine-loving engineer/inventor/spy, he enthusiastically embraces Fascism. Hero-worshipping Mussolini, he enters the dictator’s circle, enjoys a close friendship with Mussolini’s wife and is sent by the Duce on a secret mission to Munich, becoming intimate with Ernst Röhm, the homosexual stormtrooper leader. His crucial role in the Nazi Party’s struggle for power has him performing perverted sex acts with “Alf,” as the Führer’s friends call him.

Pyat’s extraordinary luck leaves him after he witnesses Hitler’s massacre of Röhm and the SA. At last he is swallowed up in Dachau concentration camp. Thirty years later, having survived the Spanish Civil War, he is living in Portobello Road and telling his tale to a writer called Moorcock.

This authoritative edition presents this work for the first time in the United States, along with a new introduction by Alan Wall.

Ursula K. Le Guin is the one modern science fiction author who truly needs no introduction. In the half century since The Left Hand of Darkness, her works have changed not only the face but the tone and the agenda of SF, introducing themes of gender, race, socialism, and anarchism, all the while thrilling readers with trips to strange (and strangely familiar) new worlds. She is our exemplar of what fantastic literature can and should be about.

Her Nebula winner The Wild Girls, newly revised and presented here in book form for the first time, tells of two captive “dirt children” in a society of sword and silk, whose determination to enter “that possible even when unattainable space in which there is room for justice” leads to a violent and loving end.

Plus: Le Guin’s scandalous and scorching Harper’s essay, “Staying Awake While We Read,” (also collected here for the first time) which demolishes the pretensions of corporate publishing and the basic assumptions of capitalism as well. And of course our Outspoken Interview, which promises to reveal the hidden dimensions of America’s best-known SF author. And delivers.

Originally published in 1979, Vida is Marge Piercy’s classic bookend to the ’60s. Vida is full of the pleasures and pains, the experiments, disasters, and victories of an extraordinary band of people. At the center of the novel stands Vida Asch. She has lived underground for almost a decade. Back in the ’60s she was a political star of the exuberant antiwar movement—a red-haired beauty photographed for the pages of Life magazine—charismatic, passionate, and totally sure she would prevail. Now, a decade later, Vida is on the run, her star-quality replaced by stubborn courage. She comes briefly to rest in a safe house on Cape Cod. To her surprise and annoyance, she finds another person in the house, a fugitive, Joel, ten years younger than she, a kid who dropped into the underground out of the army. As they spend the next days together, Vida finds herself warming toward a man for the first time in years, knowing the dangers all too well.

As counterpoint to the underground ’70s, Marge Piercy tells the extraordinary tale of the optimistic ’60s, the thousands of people who were members of SAW (Students Against the War) and of the handful who formed a fierce group called the Little Red Wagon. Piercy’s characters make vivid and comprehensible the desperation, the courage, and the blind rage of a time when “action” could appear to some to be a more rational choice than the vote.

A new introduction by Marge Piercy situates the book, and the author, in the times from which they emerged.

A man and woman find their genders and sexualities brought radically into question when their bodies sprout new parts, seemingly out of thin air…. A man travels from Japan to Latin America in search of revolutionary purpose and finds much more than he bargains for…. A journalist investigates a poisoning at an elementary school and gets lost in an underworld of buried crimes, secret societies, and haunted forests…. Two young killers, exiled from Japan, find a new beginning as resistance fighters in Peru….

These are but a few of the stories told in We, the Children of Cats, a new collection of provocative early works by Tomoyuki Hoshino, winner of the 2011 Kenzaburo Oe Award in Literature and author of the powerhouse novel Lonely Hearts Killer (PM Press, 2009). Drawing on sources as diverse as Borges, Nabokov, Garcia-Marquez, Kenji Nakagami and traditional Japanese folklore, Hoshino creates a challenging, slyly subversive literary world all his own. By turns teasing and terrifying, laconic and luminous, the stories in this anthology demonstrate Hoshino’s view of literature as “an art that wavers, like a heat shimmer, between joy at the prospect of becoming something else and despair at knowing that such a transformation is ultimately impossible…a novel’s words trace the pattern of scars left by the struggle between these two feelings.” Blending an uncompromising ethical vision with exuberant, freewheeling imagery and bracing formal experimentation, the five short stories and three novellas included in We, the Children of Cats show the full range and force of Hoshino’s imagination; the anthology also includes an afterword by translator and editor Brian Bergstrom and a new preface by Hoshino himself.

Nazaré tells the story of a peasants’ revolt in the polyglot city of Balaal. The story begins with a miracle. A homeless boy sees a whale washed up on the beach. He alerts the local fishermen, and soon the whole town is trying and failing to push it back into the ocean. With just the boy left to accompany the whale now in its dying throes, a freak wave pulls the creature back into the sea. This is an omen. Change is coming.

The boy and the washerwoman who adopts him cobble together a ramshackle army of fishermen, shopkeepers, lapsed nuns, anarchist bats, and an itinerant camel. They attempt to end the reign of the dictator who rules over Balaal. Their attempt involves pitched battles, farcical trials, rooftop escapes, and sun-parched wanderings in the wilderness. Looming over the disparate cast of characters is the legend of the giant wave—Nazaré—that will one day annihilate everyone and everything in the city.

Nazaré is an adventure and a parable that pits the oppressed against the oppressor. The work has been likened to that of Gabriel García Márquez and Mario Vargas Llosa in its use of language, its inventiveness, its humor, and its examination of issues of justice.

They call him the Kid. He’s a killer, a dark Latino legend of the Southwest’s urban badlands, “a child who terrifies adults.” They speak of him in whispers in dive bars near closing time. Some claim to have met him. Others say he doesn’t exist, a phantom blamed for every unsolved act of violence, a ghost who haunts every blood-splattered crime scene.

But he is real. He’s a young man with a love of cooking and reading, an abiding loneliness and an appetite for violence. He is a cipher, a projection of the dreams and nightmares of people ignored by Phoenix’s economic boom…and a contemporary outlaw in search of an ordinary life. Love brings him the chance at a new life in the form of Vanjii, a beautiful, damaged woman. But try as he might to abandon the past, his past won’t abandon him. The Kid fights back in the only way he knows – and sets in motion a tragic sequence of events that lead him to an explosive conclusion shocking in its brutality and tenderness.

James Patrick Kelly is known for finding the future unnervingly nearby, and he enters with his deep empathy and dry humor at the ready. A longtime favorite of SF readers is at the top of his game here. In the title story, a college acid trip becomes a window into an unexpected and apparently unavoidable future. In “Itsy Bitsy Spider” a disappointed woman’s robotic girlhood takes her by the hand and leads her back to the destiny that eluded her. Two short plays render alien invasion terrifyingly mundane and death annoyingly impermanent. “The Best Christmas Ever” is celebrated by sims and droids instead of the usual jolly elves. Our Outspoken Interview and a bibliography round out this long-awaited new collection.

A fascinating dramatized fiction of the life and times of Jules Bonnot, his “gang,” and associates, the individualist anarchists of the time, including the young Victor Serge. An affectionate, fast-paced, but historically accurate account of the life of the extraordinary Bonnot—worker, soldier, auto-mechanic, driver to Sir Arthur Conan Doyle—a man with a long-cherished dream of absolute freedom, and the first bank-robber to use a getaway car; an anarchist who felt it his duty to lash out at bourgeois society, staking his all. A tragically romantic hero, Jules Bonnot emerges from these pages as a wounded dreamer who was to deeply affect the lives of so many other unforgettable characters. Beautifully illustrated by Flavio Costantini.

Jewish Noir II is unique collection of twenty-three all-new stories (and one reprint) by Jewish and non-Jewish literary and genre writers, including numerous award-winning authors such as Gabriela Alemán, Doug Allyn, Rita Lakin, Rabbi Ilene Schneider, E.J. Wagner, and Kenneth Wishnia, with a foreword by MWA Grand Master Lawrence Block. The stories explore such issues as the perpetual challenge of confronting resurgent anti-Semitism in the US, the enduring legacy of regional warfare in the land of Israel since biblical times, how the “entitled” behavior of certain ultra-Orthodox communities can fuel anti-Semitic attitudes, Jewish support of the civil rights movement, greedy Jewish businessmen who reinforce negative ethnic stereotypes, the excesses of “golden ghetto” American Jews, the appeal of “tough” Israeli-Jewish soldiers and mercenaries, how real estate fortunes are made, and the consequences of political corruption that feed into an exploitive system, how obsession can lead “good” people to do “bad” things. The stories in this collection include many “teachable moments” about the history of prejudice, and the contradictions of ethnic identity and assimilation into American society.

Nazaré tells the story of a peasants’ revolt in the polyglot city of Balaal. The story begins with a miracle. A homeless boy sees a whale washed up on the beach. He alerts the local fishermen, and soon the whole town is trying and failing to push it back into the ocean. With just the boy left to accompany the whale now in its dying throes, a freak wave pulls the creature back into the sea. This is an omen. Change is coming.

The boy and the washerwoman who adopts him cobble together a ramshackle army of fishermen, shopkeepers, lapsed nuns, anarchist bats, and an itinerant camel. They attempt to end the reign of the dictator who rules over Balaal. Their attempt involves pitched battles, farcical trials, rooftop escapes, and sun-parched wanderings in the wilderness. Looming over the disparate cast of characters is the legend of the giant wave—Nazaré—that will one day annihilate everyone and everything in the city.

Nazaré is an adventure and a parable that pits the oppressed against the oppressor. The work has been likened to that of Gabriel García Márquez and Mario Vargas Llosa in its use of language, its inventiveness, its humor, and its examination of issues of justice.

San Francisco, 1916. The streets roiling: pitched battles between radical workers and the henchmen of industrial barons, and between a vibrant, largely Italian immigrant anarchist milieu and the forces of state and church. All in the looming shadow of Europe’s raging war, and of a fierce struggle over whether the U.S. should commit its might, and human fodder, to the slaughter in the trenches.

Into this maelstrom arrives Kate Jameson, a novice envoy from Washington tasked to secretly investigate the tenor of support for war entry among San Francisco’s business elite. She’s also hoping to glimpse her wayward daughter, Maggie, whose last message to Kate had come from there. And, too, she’s seeking the ghost of her husband Jamey, who fifteen years earlier had landed there upon his return, shattered, from his part in the U.S. occupation of the Philippines.

Arriving back in the city at the same moment is Baldo Cavanaugh, a Sicilian-Irish son of San Francisco whose militant beliefs and special skills have led him time and again to the violent extremes of the city’s turbulent history. And who now must confront the doubts and demons of his own character, which he’d sought to escape by fleeing the city three years before.

This stunning tale explores how these two seemingly disparate characters become engaged with the city’s and nation’s turmoil, and with the complexities of their related pasts in Boston, Dublin, London, Cuba, and the Philippines. A vivid picture of a city and a moment, the novel brilliantly reveals the explosive admixture of the deeply personal and the deeply political.

A little girl who disguises herself as an old man, an addict who collects dollhouse furniture, a crime reporter confronted by a talking dog, a painter trying to prove the non-existence of god, and lovers in a penal colony who communicate through technical drawings—these are just a few of the characters who live among the ruins.

RUIN is both bracingly timely and eerily timeless in its examination of an American state in free-fall, unsparing in its disregard for broken institutions, while shining with compassion for all who are left in their wake. Cara Hoffman’s short fictions are brutal, surreal, hilarious, and transgressive, celebrating the sharp beauty of outsiders and the infinitely creative ways humans muster psychic resistance under oppressive conditions. The ultimate effect of these ten interconnected stories is one of invigoration and a sense of possibilities—hope for a new world extracted from the rubble of the old.

San Francisco, 1916. The streets roiling: pitched battles between radical workers and the henchmen of industrial barons, and between a vibrant, largely Italian immigrant anarchist milieu and the forces of state and church. All in the looming shadow of Europe’s raging war, and of a fierce struggle over whether the U.S. should commit its might, and human fodder, to the slaughter in the trenches.

Into this maelstrom arrives Kate Jameson, a novice envoy from Washington tasked to secretly investigate the tenor of support for war entry among San Francisco’s business elite. She’s also hoping to glimpse her wayward daughter, Maggie, whose last message to Kate had come from there. And, too, she’s seeking the ghost of her husband Jamey, who fifteen years earlier had landed there upon his return, shattered, from his part in the U.S. occupation of the Philippines.

Arriving back in the city at the same moment is Baldo Cavanaugh, a Sicilian-Irish son of San Francisco whose militant beliefs and special skills have led him time and again to the violent extremes of the city’s turbulent history. And who now must confront the doubts and demons of his own character, which he’d sought to escape by fleeing the city three years before.

This stunning tale explores how these two seemingly disparate characters become engaged with the city’s and nation’s turmoil, and with the complexities of their related pasts in Boston, Dublin, London, Cuba, and the Philippines. A vivid picture of a city and a moment, the novel brilliantly reveals the explosive admixture of the deeply personal and the deeply political.

Wry, dark humor burnishes visionary SF in these often prophetic, sometimes troubling, but always fascinating tales that combine and masterfully conflate the disparate worlds of corporate tech and literary art.

“After the Thaw” is a hi-tech take on an ancient idea: immortality. “Terrible Trudy on the Lam” based on actual events, is a modern fable about a zoo escape, a private eye, a vaudeville act and keeping your mouth shut. “Night Shift at NanoGobblers,” written for a NASA website, is about asteroid-altering AIs and their world-weary earthbound handlers. “Transitions” deals with jet lag when your flight is decades late. Gunn’s long-awaited third collection is rounded out by incisive and affectionate portraits of her SF colleagues, mentors, and friends, beginning with Ursula Le Guin. All illuminated of course by our artfully intimate interview.

One of contemporary SF’s most original and compelling voices, Vandana Singh is a professor of physics who weaves the ancient wisdom of her native India and the hard truths of quantum science into stories that speak to the complex wonders of today’s world. This collection includes both her fiction and her report on the Utopian experiments that are finding new ways to save our unraveling dystopia.

A little girl who disguises herself as an old man, an addict who collects dollhouse furniture, a crime reporter confronted by a talking dog, a painter trying to prove the non-existence of god, and lovers in a penal colony who communicate through technical drawings—these are just a few of the characters who live among the ruins. RUIN is both bracingly timely and eerily timeless in its examination of an American state in free-fall, unsparing in its disregard for broken institutions, while shining with compassion for all who are left in their wake. Cara Hoffman’s short fictions are brutal, surreal, hilarious, and transgressive, celebrating the sharp beauty of outsiders and the infinitely creative ways humans muster psychic resistance under oppressive conditions. The ultimate effect of these ten interconnected stories is one of invigoration and a sense of possibilities—hope for a new world extracted from the rubble of the old.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor’s tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a "Banker-Prize-Winning-Author" reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor’s tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a "Banker-Prize-Winning-Author" reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

What do you call 1000 hackers assembled into one hotel for the weekend? A menace to society? Trouble waiting to happen? They call it a computer security conference, or really, a Hacker Con. A place for hackers, security experts, penetration testers, and tech geeks of all stripes to gather and discuss the latest hack, exploits, and gossip. For Paul, Chloe, and their Crew of con artist vigilantes, it’s the perfect hunting ground for their most ambitious plans yet.

After a year of undercover recruiting at hacker cons all over the country, Chloe and Paul have assembled a new Crew of elite hackers, driven anarchist activists, and seductive impersonators. Under the cover of one of the Washington DC’s biggest and most prestigious hacker events, they’re going up against power house lobbyists, black hat hackers, and even the U.S. Congress in order to take down their most challenging, and most deserving target yet. The stakes have never been higher for them, and who knows if their new recruits are up to the immense challenge of undermining “homeland security” for the greater good.

Inspired by years of author Rick Dakan’s research in the hacker community, Geek Mafia: Black Hat Blues, opens a new, self-contained chapter in the techno-thriller series.

James Kelman's inimitable voice brings the stories of lost men to light in these twenty-one tales of down on their luck antiheroes who wander, drink, hatch plans, ponder existence, and survive in an unwelcoming and often comic world.

Keep Moving and No Questions is a collection of the finest examples of Kelman's facility with dialog, stream-of-consciousness narrative, and sharp cultural observation. Class is always central in these brief glimpses of men abiding the hands they've been dealt. An ideal introduction to Kelman's work and a wonderful edition for fans and Kelman completists, this lovely volume will make clear why James Kelman is known as the greatest living modernist writer. Five of the stories collected here are brand new, and the rest have been significantly revised by the author for this definitive edition.