Fiction

Four women, soldier, scholar, poet, and socialite are caught up on different sides of a violent rebellion. As war erupts and their families are torn apart, they fear they may disappear into the unwritten pages of history. Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history.

Here is the much-anticipated companion novel to Sofia Samatar’s award-winning debut, A Stranger in Olondria. The Winged Histories is the saga of an empire—and a family: their friendships, their enduring love, their arcane and deadly secrets. Samatar asks who makes history, who endures it, and how the turbulence of historical change sweeps over every aspect of a life and over everyone, no matter whether or not they choose to seek it out.

Praise for The Winged Histories:

“Like an alchemist, Sofia Samatar spins golden landscapes and dazzling sentences.... a fantasy novel for those who take their sentences with the same slow, unfolding beauty as a cup of jasmine tea, and for adventurers like Tav, who are willing to charge ahead into the unknown.”—Shelf Awareness (starred review)

“A highly recommended indulgence.”
—N.K. Jemisin, New York Times Book Review

“Above all, it’s a story about love—the terrible love that tears lives apart. Doomed love; impossible love; love that requires a rewriting of the rules, be it for a country, a person, or a story.”—Jenn Northington, Tor.com

“An imaginative, poetic, and dark meditation on how history gets made.”
—Hello Beautiful

Washington Post Notable Books: "A charming and funny sequel to Kenneth Grahame’s Wind in the Willows."

In this delightful dive into the bygone world of Kenneth Grahame’s The Wind in the Willows staunch Mole, sociable Water Rat, severe Badger, and troublesome and ebullient Toad of Toad Hall are joined by a young mole lady, Beryl, and her dear friend, Rabbit. There are adventures, kidnappings, lost letters, and family secrets—lavishly illustrated throughout by award-winning artist Kathleen Jennings.

Praise for Kij Johnson:

“The Fox Woman immediately sets the author in the front rank of today’s novelists.” —Lloyd Alexander

“Johnson has a singular vision and I’m going to be borrowing (stealing) from her.” —Sherman Alexie

“Johnson’s language is beautiful, her descriptions of setting visceral, and her characters compellingly drawn.” —Publishers Weekly (starred re-view)

“Johnson would fit quite comfortably on a shelf with Karen Russell, Erin Morgen-stern and others who hover in the simultaneous state of being both “literary” and “fantasy” writers.” —Shelf Awareness

Kij Johnson’s stories have won the Sturgeon, World Fantasy, and Nebula awards. She has taught writing and has worked at Dark Horse, Microsoft, and Real Networks. She has run bookstores, worked as a radio announcer and engineer, edited cryptic crosswords, and waitressed in a strip bar.

Kathleen Jennings was raised on fairytales in western Queensland. She trained as a lawyer and filled the margins of her notes with pen-and-ink illustrations. She has been nominated for the World Fantasy award and has received several Ditmar Awards. She lives in Brisbane, Australia.

A sparkling debut collection from one of the hottest writers in science fiction: her stories have received the Nebula Award the last two years running. These stories feature cats, bees, wolves, dogs, and even that most capricious of animals, humans, and have been reprinted in The Year's Best Fantasy & Horror, Best Science Fiction and Fantasy of the Year, and The Secret History of Fantasy.

At the Mouth of the River of Bees
26 Monkeys, Also the Abyss
The Horse Raiders
Spar
Fox Magic
Names for Water
Schrodinger’s Cathouse
My Wife Reincarnated as a Solitaire
Chenting, in the Land of the Dead
The Bitey Cat
The Empress Jingu Fishes
Wolf Trapping
The Man Who Bridged the Mist
Ponies
The Cat Who Walked a Thousand Miles
The Evolution of Trickster Stories Among the Dogs of North Park After the Change

Kij Johnson's stories have won the Sturgeon and World Fantasy awards. She has taught writing; worked at Tor, Dark Horse, and Microsoft; worked as a radio announcer; run bookstores; and waitressed in a strip bar.

Praise for Elizabeth Hand:

"Fiercely frightening yet hauntingly beautiful."—Tess Gerritsen, author of The Silent Girl

"A sinful pleasure."—Katherine Dunn, author of Geek Love

No one is innocent, no one unexamined in award-winner Elizabeth Hand's new collection. From the summer isles to the mysterious people next door all the way to the odd guy one cubicle over, Hand teases apart the dark strangenesses of everyday life to show us the impossibilities, broken dreams, and improbable dreams that surely can never come true.

Elizabeth Hand's novels include Shirley Jackson Award–winner Generation Loss, Mortal Love, and Available Dark.

Shortlisted for the Neukom Institute Literary Arts Awards

There are ten stories here including one readers have waited ten long years for: in new novel-la The Border State Rowe revisits the world of his much-lauded story The Voluntary State. Competitive cyclists twins Michael and Maggie have trained all their lives to race internationally. One thing holds them back: their mother who years before crossed the border … into Tennessee.

Praise for Christopher Rowe:

“Rowe’s stories are the kind of thing you want on a cold, winter’s night when the fire starts burning low. Terrific.”
—Justina Robson (Glorious Angels)

“As good as he is now, he’ll keep getting better. Read these excellent stories, and see what I mean.”—Jack Womack (Going, Going, Gone)

“Rowe’s work might remind you of that of Andy Duncan. Both exemplify an archetypically Southern viewpoint on life’s mysteries, a worldview that admits marvels in the most common of circumstances and narrates those unreal intrusions in a kind of downhome manner that belies real sophistication.”— Asimov’s

“As smooth and heady as good Kentucky bourbon.”— Locus

Christopher Rowe’s stories have been finalists for the Hugo, Nebula, World Fantasy, and Theodore Sturgeon awards, frequently reprinted, translated into a half-dozen languages, praised by the New York Times Book Review, and long listed in the Best American Short Stories. He holds an MFA from the Bluegrass Writer’s Studio. Rowe and his wife Gwenda Bond co-write the Supernormal Sleuthing Series for children, and reside in a hundred-year-old house in Lexington, Kentucky.

"Stinson reads the natural world as well as Scripture, searching for meaning. But instead of the portents of an angry god, what she finds there is something numinous, complicated, and radiantly human."—Alison Bechdel, author of Fun Home

"Through an ardent faith in the written word Susan Stinson is a novelist who translates a mundane world into the most poetic of possibilities."—Alice Sebold, author of The Lovely Bones

"Wonderfully fuses the historic and the imaginative."—Kenneth Minkema, executive director, Jonathan Edwards Center

Jonathan Edwards is considered America's most brilliant theologian. He was also a slave owner. This is the story of the years he spent preaching in eighteenth century Northampton, Massachusetts.

In his famous sermon "Sinners in the Hands of an Angry God," Edwards compared a person dangling a spider over a hearth to God holding a sinner over the fires of hell. Here, spiders and insects preach back. No voice drowns out all others: Leah, a young West African woman enslaved in the Edwards household; Edwards's young cousins Joseph and Elisha, whose father kills himself in fear for his soul; and Sarah, Edwards's wife, who is visited by ecstasy. Ordinary grace, human failings, and extraordinary convictions combine in unexpected ways to animate this New England tale.

Susan Stinson is the author of three novels and a collection of poetry and lyric essays and was awarded the Lambda Literary Foundation's Outstanding Mid-Career Novelist Prize. Writer in Residence at Forbes Library in Northampton, Massachusetts, she is also an editor and writing coach.

"An exceptionally versatile author."—St. Louis Post-Dispatch

In her moving and elegant new collection, New York Times bestseller Karen Joy Fowler writes about John Wilkes Booth’s younger brother, a one-winged man, a California cult, and a pair of twins, and she digs into our past, present, and future in the quiet, witty, and incisive way only she can.

The sinister and the magical are always lurking just below the surface: for a mother who invents a fairy-tale world for her son in “Halfway People”; for Edwin Booth in “Booth’s Ghost,” haunted by his fame as “America’s Hamlet” and his brother’s terrible actions; for Norah, a rebellious teenager facing torture in the World Fantasy and Shirley Jackson Award winner “The Pelican Bar” as she confronts Mama Strong, the sadistic boss of a rehabilitation facility; for the narrator recounting her descent in “What I Didn’t See.”

With clear and insightful prose, Fowler’s stories measure the human capacities for hope and despair, brutality and kindness. This collection, which includes two Nebula Award winners and stories which have been significantly rewritten since first publication, is sure to delight readers, even as it pulls the rug out from underneath their feet.

“Fabulous tales.”—The Washington Post

“No unblinkered, gloveless reader can resist the stream of associations unleashed by Ford’s story and the rest of Trampoline: influences as disparate as science fiction, magic realism, pulp, and Twilight Zone morality plays.”—The Village Voice

Twenty astounding stories by Karen Joy Fowler, Glen Hirshberg, Samantha Hunt, Shelley Jackson, Rosalind Palermo Stevenson, Greer Gilman, and more.

Don't rush Trafalgar Medrano when he starts telling you about his latest intergalactic sales trip. He likes to stretch things out over precisely seven coffees. No one knows whether he actu-ally travels to the stars, but he tells the best tall tales in the city, so why doubt him? Trafalgar is Angélica Gorodischer's second novel to be translated into English. Her first, Kalpa Imperial, was selected for the New York Times summer reading list.

Angélica Gorodischer lives in Rosario, Argentina. She has received many awards, most recently the World Fantasy Lifetime Achievement Award.

Praise for John Crowley:

"Like a magus, John Crowley shares his secrets generously, allowing us to believe that his book is revealing the true and glorious nature of the world and the reader's own place within it."—Village Voice

"[Crowley] transforms the lead of daily life into seriously dazzling artistic gold."—Newsday

Often de-scribed as an alchemical allegory, John Crowley instead decided this is "the first science fiction novel." After all "it's fiction; it's about the possibilities of a science; and it's a novel." No matter what else it might be, it's definitely "one of the great outlandish stories in Western literature." With eight appropriately weird and fascinating black and white woodcuts by Theo Fadel.

John Crowley was born in Presque Isle, Maine, in 1942. He moved to New York City after college in Indiana to make movies, and did find work in docu-mentary films, an occupation he still pursues. He has published many novels including the Ae-gypt quartet and Little, Big. He teaches creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. He finds it more gratifying that almost all his work is still in print.

Theo Fadel has a BA in Archeology (Bryn Mawr) and a Master of Architecture from Co-lumbia University. Currently her studio is in Easthampton, and she's been in Massachusetts less than a hundred years. This is the first book she has illustrated.

* Philip K. Dick Award Winner
* Best of the Year: Locus, Village Voice, San Francisco Chronicle, Book Magazine
* Nominated for the Impac Award

Charley is an athlete. He wants to grow up to be the fastest runner in the world, like his father. He wants to be painted crossing the finishing line, in his racing silks, with a medal around his neck. Charley lives in a stable. He isn't a runner, he's a mount. He belongs to a Hoot: The Hoots are alien invaders. Charley hasn't seen his mother for years, and his father is hiding out in the mountains somewhere, with the other Free Humans. The Hoots own the world, but the humans want it back. Charley knows how to be a good mount, but now he's going to have to learn how to be a human being.

* Philip K. Dick Award finalist
* Locus Recommended Reading

Here are 33 weird, wonderful stories concerning men, women, teleportation, wind-up cats, and brown paper bags. By turns whimsical and unsettling—frequently managing to be both—these short fictions describe family relationships, bad breakups, and travel to outer space.
    Vukcevich's loopy, fun-house mirror take on everyday life belongs to the same absurdist school of work as that of George Saunders, David Sedaris, Ken Kalfus, and Victor Pelevin, although there is no one quite like him. Try one of these stories, it won't take you long, but it will turn your head inside out.

"What other writer could make you start laughing halfway down the first page of a story about a man putting on a sweater? Thurber maybe, a long time ago. Buy this book."
—Damon Knight

"These stories cannot be compared to anyone else's. There is no one in the same class as Ray Vukcevich. The stories are uniquely, splendidly, brilliantly original, a surprise in each and every one, and brimming with wit and laugh-out-loud humor. A stunning collection."
—Kate Wilhelm

"The absurd and the profound are seamlessly joined through fine writing. Meet Me in the Moon Room is a first-rate collection.
—Jeffrey Ford

"The 33 brief stories in Meet Me in the Moon Room defy categorization genre. A few toy with the conventions of science fiction; others branch off from trails blazed by Donald Barthelme. Moon Room will delight those who appreciated the risks Don DeLillo took in Ratner's Star."
—Hartford Courant

"Eccentric short stories, which frequently give everyday life a loopy twist."
—Book Magazine

"Ray Vukcevich is a master of the last line. Almost every one of his stories has a zinger at the end, but not the kind of zinger that chocks the reader or causes annoyance. Often it's a perfect line of dialogue that opens up the whole story.... Vukcevich is ingenious with the short-story form. Although the stories read as playful vignettes, Vukcevich covertly works in ideas of self, identity, destiny, and obsession. And occasionally, the dangers of outer space."
—Review of Contemporary Fiction

"Vukcevich is a master of radical recombinations, drawing from (amongst others) the Brothers Grimm, Dickens, Lewis Carroll, Kafka, O. Henry, Dali, Asimov, pulpish space opera, and the latest in nanotech to produce works that are all his own. Sometimes in as little as four or five pages, he deftly juggles so many ideas, emotions, and perspectives, it produces a curiously refreshing sense of vertigo—a high with no hangover to follow.... It would be...a great mistake to ignore the extraordinary talent of Ray Vukcevich."
—Locus

"Vukcevich is a very slick writer, an authentic sprinter in an era of milers and all-out stayers.... Vukcevich can do punchlines, but he does not rely on them. Indeed, his extraordinarily light touch when it comes to narrative closure is his most distinctive feature. Anyone who considers bizarre surrealism and casual absurdity—the main stocks-in-trade of the fantastic ultrashort story writer—easy clay to mold into narrative form has not given serious consideration to the matter of finishing."
—New York Review of Science Fiction

"These stories niftily propel their characters down the blurred line between fantasy and psychosis, with effects spanning the gamut from melancholy to goofy, from plaintive to outraged.... This is Vukcevich's gloriously mad world, and we are lucky to share it."
—Asimov's

"The same antic spirit that imbued Vukcevich's mystery novel The Man of Maybe Half-a-Dozen Faces moves playfully through this first collection of fantastic fiction, whose 33 helium-filled stories achieve just the right absurdist life to escape the gravity of their themes. "By the Time We Get to Uranus" offers a peculiarly affecting take on terminal illness: the afflicted grow buoyant spacesuits that force them to leave loved ones behind. The mysteries of parenthood manifest amusingly in "Poop," about a couple who discover that their newborn's diaper fills variously with birds, mice, and symphonic music. Though deceptively simple in their pared-down style, the vignettes show meticulous care in the crafting of oddball metaphors to express the moods of their estranged spouses, exasperated lovers, competitive children, and disgruntled employees. The willingness with which the author's characters accept the incongruity of their situations often yields profoundly moving insights into the human condition. In the poignant title tale, for example, a man does not find it at all strange that a lover from decades past has summoned him to a simulated moon landscape at a theme park, reflecting that the meaning of life really is "nothing more than a couple of people huddling close for comfort in a cold universe." Inventive and entertaining, these stories yield more emotional truth than much more comparatively realistic fiction.
Forecast: With blurbs from Damon Knight, Kate Wilhelm and Jeffrey Ford, this collection is a quality item that should benefit from good word of mouth."
—Publishers Weekly

"A man pulls the sweater his girlfriend made him over his head and nearly gets lost inside it. Rescued from the arctic ice, the dying Victor (Frankenstein) tells a story that leaves little doubt that the monster is James Joyce or Stephen Dedalus or Finn (again). Tim saves the world from a comet by having his family put paper bags over their heads. What? What?! What?!! Calm down. This is just the world according to Ray Vukcevich, sf-ish enough to get him into The Magazine of Fantasy & Science Fiction and Asimov's, but also resembling the fantastic milieus of Gogol, Kafka, and Looney Toons. Whether you cotton to it depends on how you feel about cartoons made of words and prisons made of logic: are you afraid of amused? Actually, either reaction works for appreciating Vukcevich's outlandish virtuosity. Sf fans with long memories will note Vukcevich's deadpan delivery and jokey-creepy aura, recall the wonder-workings of Fredric Brown (see From These Ashes [BKL Ap 15 01] and smile."
—Booklist

"Ray Vukcevich should be as revered as Donald Barthelme or Salvador Dali in the pantheon of modern surrealists. Unjustly deprived of such honors, he should at least be allowed a few weeks in a time-share vacation condo with Don Webb, Rick DeMarinis, Mark Leyner and James Blaylock, literary peers whose absurdist take on existence Vukcevich shares. Did I mention that the condo would occupy an abandoned ICBM silo, as in Ray's creepily twisted ghost story, "Pretending"? Or perhaps the luxury beach house would perch on a few square inches of the scalp of the barbershop patron who boasts a monkey-filled jungle in his hair, in "The Barber's Theme". The writers' relaxathon could also take place in the outer reaches of our Solar System, once the lucky vacationers grow their organic spacesuits, as average folks do in "By the Time We Get to Uranus." Or as a last choice, the writers might congregate in the mysterious highway median of "Fancy Pants", where metamorphoses that would baffle Ovid occur.
Wherever the greats hold their Beach Blanket Oulipo, Vukcevich will doubtlessly be the life of the party. Alternately melancholy and boisterous, plaintive and assertive, sensitive and outrageous, serious and goofy, Vukcevich's stories portray a universe not only stranger than the average person imagines, but stranger than he or she can imagine! It's an uncommon, even scary intellect and vision and talent that can make us believe in wisdom out of a baby's butt ("Poop") o

“Combines the cruel humor of Candide with the allegorical panache of Animal Farm.”—Entertainment Weekly

"Carol is the most unappreciated great writer we've got. Carmen Dog ought to be a classic in the colleges by now . . . It's so funny, and it's so keen."
—Ursula K. Le Guin

“A rollicking outre satire.... full of comic leaps and absurdist genius.”—Bitch

“A wise and funny book.”—The New York Times

"This trenchant feminist fantasy-satire mixes elements of Animal Farm, Rhinoceros and The Handmaid's Tale.... Imagination and absurdist humor mark [Carmen Dog] throughout, and Emshwiller is engaging even when most savage about male-female relationships."—Booklist

"Her fantastic premise allows Emshwiller canny and frequently hilarious insights into the damaging sex-role stereotypes both men and women perpetuate."
—Publishers Weekly

The debut title in our Peapod Classics line, Carol Emshwiller’s genre-jumping debut novel is a dangerous, sharp-eyed look at men, women, and the world we live in.

Everything is changing: women are turning into animals, and animals are turning into women. Pooch, a golden setter, is turning into a beautiful woman—although she still has some of her canine traits: she just can't shuck that loyalty thing—and her former owner has turned into a snapping turtle. When the turtle tries to take a bite of her own baby, Pooch snatches the baby and runs. Meanwhile, there's a dangerous wolverine on the loose, men are desperately trying to figure out what's going on, and Pooch discovers what she really wants: to sing Carmen.

Carmen Dog is the funny feminist classic that inspired writers Pat Murphy and Karen Joy Fowler to create the James Tiptree Jr. Memorial Award.

“This just absolutely rocks.”—Audrey Niffenegger

“Raunchy, funny, and disturbing.”—Chicago Reader

“Deeply charming.”—The Washington Post

A tender, joyful, raunchy, radiant novel. Imagine The Metamorphoses or A Midsummer Night’s Dream transported to the woods of Illinois. When a development company cuts down a beloved tree, and tries to drive out Raedawn Summer’s family, strange things start to happen.

“If this is your first taste of Howard, I envy you.”—From the Introduction by George R.R. Martin

Acclaimed cult author Waldrop's stories are sophisticated, magical recombinations of the stuff our pop-culture dreams are made of. Open this book and encounter jazz singers, robotic cartoon ducks, nosferatu, angry gorillas, and, of course, the dodo.

The first paperback (and twentieth anniversary) edition of a landmark debut collection.  Waldrop’s capacious, encyclopedic knowledge of superheroes, baseball players, world wars, long-dead film stars, Mexican wrestlers, pulp serials, and fairy tales is put to good use in these sophisticated re-combinations of oddball television shows, radio plays, scientific expeditions, extinct species, knock-knock jokes, and questions like these:

    * What if the dodo wasn't extinct after all?
    * What if sumo wrestlers could defeat their opponents with the power of the mind?
    * What if Izaak Walton and John Bunyan went fishing for Leviathan in the Slough of Despond?

Never published in paperback, long out of print, and extremely collectible, Howard Who? was Waldrop's seminal debut collection. If you haven't read Waldrop before, you're in for a treat.

"The best Waldrops tend to mix the humorous and wistful.... Italo Calvino once said that he was "known as an author who changes greatly from one book to the next. And in these very changes you recognize him as himself." Much the same could be said of Howard Waldrop. You never know what he'll come up with next, but somehow it's always a Waldrop story. Read the work of this wonderful writer, a man who has devoted his life to his art -- and to fishing."
—Michael Dirda, Washington Post

"A charming collection."
—Los Angeles Times

"Back in print after so many years, Howard Who? remains a terrific collection of short stories. There is nobody else alive writing stories as magnificently strange, deliriously inventive, and utterly wonderful as Howard Waldrop."
—Metrobeat

Table of Contents

    Introduction by George R. R. Martin.
    The Ugly Chickens
    Der Untergang des Abendlandesmenschen
    Ike at the Mike
    Dr. Hudson's Secret Gorilla
    . . . the World, as we Know't
    Green Brother
    Mary Margaret Road-Grader
    "Save A Place in the Lifeboat for Me
    Horror, We Got
    Man-Mountain Gentian
    God's Hooks
    Heirs of the Perisphere

Praise for Howard Waldrop:

"Clever, humorous, idiosyncratic, oddball, personal, wild, and crazy."
—Library Journal

"Wise and funny."
—Publishers Weekly

"An authentic master of gonzo sf and fantasy."
—Booklist

"Erudite and gonzo."
—Science Fiction Weekly

"Waldrop subtly mutates the past, extrapolating the changes into some of the most insightful, and frequently amusing, stories being written today, in or out of the science fiction genre."
—The Houston Post/Sun

"The man's a national treasure!"
—Locus

"The resident Weird Mind of his generation, he writes like a honkytonk angel."
—Washington Post Book World

About the Author:

Howard Waldrop, born in Mississippi and now living in Austin, Texas, is an American iconoclast. His highly original books include Them Bones and A Dozen Tough Jobs, and the collections All About Strange Monsters of the Recent Past, Night of the Cooters, and Going Home Again. He won the Nebula and World Fantasy Awards for his novelette "The Ugly Chickens."

* Story Prize finalist.
* A Book Sense Notable Book.

Nancy Pearl selected Mothers & Other Monsters as a "Books for a Rainy Day" on Morning Edition on NPR.

In her luminous, long-awaited debut collection, award-winning novelist Maureen F. McHugh wryly and delicately examines the impacts of social and technological shifts on families. Using beautiful, deceptively simple prose, she illuminates the relationship between parents and children and the expected and unexpected chasms that open between generations.

— A woman introduces her new lover to her late brother.
— A teenager is interviewed about her peer group's attitudes toward sex and baby boomers.
— A missing stepson sets a marriage on edge.
— Anthropologists visiting an isolated outpost mission are threatened by nomadic raiders.

McHugh's characters—her Alzheimers-afflicted parents or her smart and rebellious teenagers—are always recognizable: stubborn, human, and heartbreakingly real.

This new trade paperback edition has added material for book clubs and reading groups, including an interview with the author, book club questions and suggestions, and a reprint of Maureen's fabulous essay, "The Evil Stepmother."

Table of Contents

* Ancestor Money
* In the Air
* The Cost to Be Wise
* The Lincoln Train
* Interview: On Any Given Day
* Oversite
* Wicked
* Laika Comes Back Safe
* Presence
* Eight-Legged Story
* The Beast
* Nekropolis
* Frankenstein's Daughter

Reading Group Guide

* The Evil Stepmother: An Essay
* Author Interview
* Talking Points          

Reviews

"Gorgeously crafted stories."
—Nancy Pearl (Book Lust) on Morning Edition, "Books for a Rainy Day"

"My favorite thing about her is the wry, uncanny tenderness of her stories. She has the astonishing ability to put her finger on the sweet spot right between comedy and tragedy, that pinpoint that makes you catch your breath. You're not sure whether to laugh out loud or cry, and you end up doing both at once."
—Dan Chaon

"When I first read China Mountain Zhang many years ago, Maureen McHugh instantly became, as she has remained, one of my favorite writers. This collection is a welcome reminder of her power—they are resonant, wise, generous, sharp, transporting, and deeply, deeply moving. McHugh is enormously gifted; each of these stories is a gift."
—Karen Joy Fowler

"Wonderfully unpredictable stories, from the very funny to the very grim, by one of our best and bravest imaginative writers."
—Ursula K. Le Guin

"Enchanting, funny and fierce by turns —a wonderful collection!"
—Mary Doria Russell

"All the gorgeously crafted stories in Maureen McHugh's Mothers & Other Monsters have in common a profound understanding of the intricacies of human relationships, to which McHugh adds a touch of the fantastical. But here the fantastical seems so normal, so part of our everyday experience, that we simply accept McHugh's premises, odd as they might be when you consider them independently of the tales themselves. The adjective that best represents this collection is 'unsettling'. How else to describe stories in which a young woman meets a man she's attracted to at a dog obedience class and discovers that she dreads introducing him to her dead brother ("In the Air"); "Ancestor Money," in which a bequest entices a woman to leave her comfortable home in the afterlife for a visit to China; or "Laika Comes Back Safe," the story of two teenagers who are drawn together by the fact that both have unhappy home lives, but whose friendship is doomed because one is a werewolf. Whether it's alternative history that seems so real you start to question your own knowledge of the past ("The Lincoln Train") or a tale of the horrifying end of a utopian colony ("The Cost To Be Wise"), McHugh shows that what many people might dismiss initially as genre fiction can become transcendent in the right hands.
I was so impressed by these stories that I immediately went back and read McHugh's first novel, China Mountain Zhang, which I had somehow missed, and enjoyed it thoroughly."
—Nancy Pearl (Book Lust) on Morning Edition, "Books for a Rainy Day"

"Unpredictable and poetic work."
—Cleveland Plain Dealer (Recommended Summer Reading)

"[McHugh] cherry-picks subtle magical or futuristic elements from the expansive genre library."
—Angle

"McHugh's prose style is unique."
—Louisville Eccentric Observer

"McHugh is enormously talented.... [She] has a light touch, a gentle sense of a humor, and a keen wit."
—Strange Horizons

"There's not a single story that isn't strong, and most are brilliant."
—Ideomancer

"Clear, bright, and honest."
—New York Review of Science Fiction

"Each story in this collection meditates in its own, odd way on the dynamics of families and the vagaries of being human. "Ancestor Money"" considers the demands of the afterlife and the expectations of the living; "The Lincoln Train" describes an alternate ending to the U.S. Civil War, in which former slave owners are shipped westward on crowded trains. "Nekropolis," the germ of McHugh's novel of the same title, gives a slightly different flavor to the origins of the story common to both versions. Other stories occur in settings closer to the known world and the tensions of families in it. In "Eight-Legged Story," a stepmother comes to terms with being a replacement parent, and in "Frankenstein's Daughter," a woman deals with the health problems of her daughter's clone, while her teenage son tries to show off to his friends by shoplifting. McHugh's stories are hauntingly beautiful, driven by the difficult circumstances of their characters' lives—slices of life well worth reading and rereading."
—Booklist

"The 13 stories in McHugh's debut collection offer poignant and sometimes heartwrenching explorations of personal relationships and their transformative power. In "Presence," a woman helps her husband through an experimental therapy for his Alzheimer's disease and, by the story's end, is less his spouse than a nurturing mother to his developing personality. "In the Air" bridges three generations with its account of the different emotions a woman wrestles with as she anxiously tracks her wandering senile mother and her rebellious teenage daughter by means of biologically implanted homing devices. "Laika Comes Back Safe" represents so believably the feelings two school friends share about their lives in dysfunctional families that the revelation that one occasionally transforms into a werewolf seems entirely within the realm of possibility. Whether writing an alternate Civil War history in "The Lincoln Train" or a tale of extraterrestrial anthropology in "The Cost to Be Wise," McHugh (Nekropolis) relates her stories as slices of ordinary life whose simplicity masks an emotional intensity more often found in poetry. The universality of these tales should break them out to the wider audience they deserve."
—Publishers Weekly

"In this collection of stories, Maureen F. McHugh explores the subject of technology and identity, demonstrating that technology can only be a lens for what defines us as human, that is, our intimate relationship with the world around us and all the beings with whom we share that world. It is not technology which transforms us into monsters, but the danger of losing our s

Selected as a Must-Read by the Massachusetts Book Awards.

"Ingenious and refreshingly irreverent, Hound is not only a mystery on many levels, but also an intelligent and often funny tour-de-force of the perils and follies of human relationships. McCaffrey has a gift for crafting quirky characters and original dialogue, and the path of our hero, Henry, is always wonderfully unpredictable. I came away from this 'book noir' with a sense of catharsis, but also with a sudden desire to reread and rethink all the great classics to which McCaffrey alludes in his terrific novel."—Anne Fortier, author of Juliet

"As much about books—and love and knowledge and family—as about murder, Hound is the first in McCaffrey's projected trilogy, and book lovers will eagerly await Henry's next outing."—Richmond Times-Dispatch

"McCaffrey, the owner of Boston's legendary Avenue Victor Hugo Bookshop, succeeds in conveying his love of books in his intriguing debut."—Publishers Weekly

Hound is the first of three novels featuring bookhound Henry Sullivan. When an ex-lover is murdered, he mounts an unofficial investigation into her death that leads him through the murky depths of both Boston's literary world and his own past.

Vincent McCaffrey has owned the Avenue Victor Hugo Bookshop for more than thirty years. He has been paid to do lawn work, shovel snow, paint houses, and to be an office-boy, warehouse grunt, dishwasher, waiter, and hotel night clerk. He has chosen at various times to be a writer, editor, publisher, and bookseller. Hound is his first novel.

"Couch hits on an improbable, even fantastic premise, and then rigorously hews to the logic that it generates, keeping it afloat (at times literally) to the end."
—Los Angeles Times

"Delightfully lighthearted writing. . . . Occasionally laugh-out-loud funny, the enthusiastic prose carries readers through sporadic dark moments . . . Parzybok’s quirky humor recalls the flaws and successes of early Douglas Adams."—Publishers Weekly

"The book succeeds as a conceptual art piece, a literary travelogue, and a fantastical quest."
—Willamette Week

"Hundreds of writers have slavishly imitated—or outright ripped off—Tolkien in ways that connoisseurs of other genres would consider shameless. What Parzybok has done here in adapting the same old song to a world more familiar to the reader is to revive the genre and make it relevant again"
—The Stranger

A Spring Summer Indie Next Reading List Pick: Top 10 Reading Group Suggestions
"Couch follows the quirky journey of Thom, Erik, and Tree as they venture into the unknown at the behest of a magical, orange couch, which has its own plan for their previously boring lives. Parzybok's colorful characters, striking humor, and eccentric magical realism offer up an adventuresome read."
—Christian Crider, Inkwood Books, Tampa, FL

A January 2009 Indie Next List Pick

"This funny novel of furniture moving gone awry is a magical realism quest for modern times. Parzybok's touching story explores the aimlessness of our culture, a society of jobs instead of callings, replete with opportunities and choices but without the philosophies and vocations we need to make meaningful decisions."
—Josh Cook, Porter Square Books, Cambridge, MA

"A lot of people are looking for magic in the world today, but only Benjamin Parzybok thought to check the sofa, which is, I think, the place it’s most likely to be found. Couch is a slacker epic: a gentle, funny book that ambles merrily from Coupland to Tolkien, and gives couch-surfing (among other things) a whole new meaning.”
—Paul La Farge

"One of the strangest road novels you'll ever read. It's a funny and fun book, and it's also a very smart book. Fans of Tom Robbins or Christopher Moore should enjoy this."
—Handee Books

"It is an upholstered Odyssey unlike any other you are likely to read. It is funny, confusing in places, wild and anarchic. It is part Quixote, part Murakami, part Tom Robbins, part DFS showroom. It has cult hit written all over it."
—Scott, Me and My Big Mouth

Benjamin Parzybok on tour: http://booktour.com/author/benjamin_parzybok

In this exuberant and hilarious debut reminiscent of The Life of Pi and Then We Came to the End, an episode of furniture moving gone awry becomes an impromptu quest of self-discovery, secret histories, and unexpected revelations.

Thom is a computer geek whose hacking of a certain Washington-based software giant has won him a little fame but few job prospects. Erik is a smalltime con man, a fast-talker who is never quite quick enough on his feet. Their roommate, Tree, is a confused clairvoyant whose dreams and prophecies may not be completely off base. After a freak accident fl oods their apartment, the three are evicted—but they have to take their couch with them. The real problem? The couch—huge and orange—won’t let them put it down. Soon the three roommates are on a cross-country trek along back roads, byways, and rail lines, heading far out of Portland and deep into one very weird corner of the American dream.

Benjamin Parzybok is the creator of Gumball Poetry, a journal published through gumball machines, and the Black Magic Insurance Agency, a city-wide mystery/treasure hunt. He has worked as a congressional page, a ghostwriter for the governor of Washington, a web developer, a Taiwanese factory technical writer, an asbestos removal janitor, and a potato sorter. He lives in Portland, Oregon, with the writer Laura Moulton and their two children.

The celebrated career of Georges-Olivier Châteaureynaud is well known to readers of French literature. This comprehensive collection—the first to be translated into English—introduces a distinct and dynamic voice to the Anglophone world. In many ways, Châteaureynaud is France’s own Kurt Vonnegut, and his stories are as familiar as they are fantastic.

A Life on Paper presents characters who struggle to communicate across the boundaries of the living and the dead, the past and the present, the real and the more-than-real. A young husband struggles with self-doubt and an ungainly set of angel wings in “Icarus Saved from the Skies,” even as his wife encourages him to embrace his transformation. In the title story, a father’s obsession with his daughter leads him to keep her life captured in 93,284 unchanging photographs. While Châteaureynaud’s stories examine the diffidence and cruelty we are sometimes capable of, they also highlight the humanity in the strangest of us and our deep appreciation for the mysterious.

Georges-Olivier Châteaureynaud is the author of eight novels and almost one hundred short stories, and he is a recipient of the prestigious Prix Renaudot and the Bourse Goncourt de la nouvelle. His work has been translated into twelve languages.

Edward Gauvin has published Châteaureynaud’s work in AGNI Online, Conjunctions, Words Without Borders, The Café Irreal, and The Brooklyn Rail. The recipient of a residency from the Banff International Literary Translation Centre, he translates graphic novels for Tokyopop, First Second Books, and Archaia Studios Press.

Publishers Weekly Top 10 Best of the Year

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."—Nancy Pearl, NPR

"Hauntingly beautiful."—Booklist

"Unpredictable and poetic work."—The Plain Dealer

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.

io9 Best SF&F Books of 2011

Tiptree Award Honor List

Philip K. Dick Award finalist

Story Prize Notable Book

Nine new stories from a long-time star of the science fiction field including the Hugo Award winner "The Erdmann Nexus" and Nebula Award winner "The Fountain of Age." These stories have been reprinted in The Year's Best Science Fiction, Best Science Fiction and Fantasy of the Year, and Best of the Web.

Kress unpacks the future the way DNA investigators unravelled the double helix: one gene at a time. In many of these stories gene sculpting is illegal yet commonplace and the effects range between slow catastrophe (“End Game”), cosmic (“First Rites”), and tragic (“Safeguard”). Then there’s the morning when Rochester disappears and Jenny has to rely on “The Kindness of Strangers.” There’s Jill, who is kidnapped by aliens and trying to learn the “Laws of Survival.” And there’s Hope, whose Grandma is regretting the world built “By Fools Like Me.”

Praise for the Ægypt sequence:

"With Little, Big, Crowley established himself as America’s greatest living writer of fantasy. Ægypt confirms that he is one of our finest living writers, period."
—Michael Dirda

"A dizzying experience, achieved with unerring security of technique."
—The New York Times Book Review

"A master of language, plot, and characterization."
—Harold Bloom

"The further in you go, the bigger it gets."
—James Hynes

"The writing here is intricate and thoughtful, allusive and ironic. . . . Ægypt bears many resemblances, incidental and substantive, to Thomas Pynchon’s wonderful 1966 novel The Crying of Lot 49."
—USA Today

"An original moralist of the same giddy heights occupied by Thomas Mann and Robertson Davies."
—San Francisco Chronicle

This is the fourth novel—and much-anticipated conclusion—of John Crowley’s astonishing and lauded Ægypt sequence: a dense, lyrical meditation on history, alchemy, and memory. Spanning three centuries, and weaving together the stories of Renaissance magician John Dee, philosopher Giordano Bruno, and present-day itinerant historian and writer Pierce Moffitt, the Ægypt sequence is as richly significant as Lawrence Durrell’s Alexandria Quartet or Anthony Powell’s Dance to the Music of Time. Crowley, a master prose stylist, explores transformations physical, magical, alchemical, and personal in this epic, distinctly American novel where the past, present, and future reflect each other.

"It is a work of great erudition and deep humanity that is as beautifully composed as any novel in my experience."
—Washington Post Book World

"An unpredictable, free-flowing, sui generis novel."
—Los Angeles Times

"With Endless Things and the completion of the Ægypt cycle, Crowley has constructed one of the finest, most welcoming tales contemporary fiction has to offer us."
—Book Forum

"Crowley’s peculiar kind of fantasy: a conscious substitute for the magic in which you don’t quite believe any more."
—London Review of Books 

"A beautiful palimpsest as complex, mysterious and unreliable as human memory."
—Seattle Times

"This year, while millions of Harry Potter fans celebrated and mourned the end of their favorite series, a much smaller but no less devoted group of readers marked another literary milestone: the publication of the last book in John Crowley’s Ægypt Cycle."
—Matt Ruff

"Crowley’s eloquent and captivating conclusion to his Ægypt tetralogy finds scholar Pierce Moffet still searching for the mythical Ægypt, an alternate reality of magic and marvels that have been encoded in our own world’s myths, legends and superstitions. Pierce first intuited the realm’s existence from the work of cult novelist Fellowes Kraft. Using Kraft’s unfinished final novel as his Baedeker, Pierce travels to Europe, where he spies tantalizing traces of Ægypt’s mysteries in the Gnostic teachings of the Rosicrucians, the mysticism of John Dee, the progressive thoughts of heretical priest Giordano Bruno and the “chemical wedding” of two 17th-century monarchs in Prague. Like Pierce’s travels, the final destination for this modern fantasy epic is almost incidental to its telling. With astonishing dexterity, Crowley (Lord Byron’s Novel) parallels multiple story lines spread across centuries and unobtrusively deploys recurring symbols and motifs to convey a sense of organic wholeness. Even as Pierce’s quest ends on a fulfilling personal note, this marvelous tale comes full circle to reinforce its timeless themes of transformation, re-creation and immortality."
—Publishers Weekly

Locus Award finalist

John Crowley was born in the appropriately liminal town of Presque Isle, Maine. His most recent novel is Four Freedoms. He teaches creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. He finds it more gratifying that almost all of his work is still in print.

"Rosenbaum's The Ant King and Other Stories contains invisible cities and playful deconstructions of the form. In "Biographical Notes to 'A Discourse on the Nature of Causality, With Air-Planes,' by Benjamin Rosenbaum"—yes, his name is part of the title—the author imagines a world whose technologies and philosophies differ wildly from ours. The result is a commentary on the state of the art that is itself the state of the art."
—Los Angeles Times Favorite Books of 2008

* "Give him some prizes, like, perhaps, "best first collection" for this book."
—Booklist (Starred review, Top 10 SF Books of the Year)

"Featuring outlandish and striking imagery throughout—a woman in love with an elephant, an orange that ruled the world—this collection is a surrealistic wonderland."
—Publishers Weekly

"Rosenbaum proves he’s capable of sustained fantasy with "Biographical Notes," a steampunkish alternate history of aerial piracy, and "A Siege of Cranes," a fantasy about a battle between a human insurgent and the White Witch that carries decidedly modern undercurrents.... Perhaps none of the tales is odder than "Orphans," in which girl-meets-elephant, girl-loses-elephant."
—Kirkus Reviews

"Urbane without being arch, sweet without being maudlin, mysterious without being cryptic."—Cory Doctorow, Boing Boing

"Lively, bizarre, and funny as well as dark, sinister, and sensual."
—Boston Phoenix

A dazzling, postmodern debut collection of pulp and surreal fictions: a writer of alternate histories defends his patron’s zeppelin against assassins and pirates; a woman transforms into hundreds of gumballs; an emancipated children’s collective goes house hunting.

Benjamin Rosenbaum’s stories have appeared in Asimov’s Science Fiction and McSweeney’s, been translated into fourteen languages, and listed in The Best American Short Stories 2006. Shortlisted for the Hugo and Nebula awards, Rosenbaum’s work has been reprinted in Harper’s and The Year’s Best Science Fiction. He lives in Switzerland with his family.

"Pride and Prometheus," a story in The Baum Plan for Financial Independence involving characters from Jane Austen's Pride and Prejudice and Mary Shelley's Frankenstein, is winner of the 2008 Nebula award for Best Novelette.

A long-awaited collection of fourteen stories that intersect imaginatively with Pride and Prejudice, Frankenstein, The Wizard of Oz, and Flannery O’Connor. Kessel, whose story "A Clean Escape" was filmed as part of ABC's Masters of Science Fiction, ranges through genres with a lean, graceful style that incorporates everything from future autobiography, alternate history, phone sex, perpetual motion, and his modern classic sequence of four stories about life on the moon.

"In his first collection in a decade, Kessel jumps from place to place like a jolty time machine. In "Pride and Prometheus," Frankenstein and Jane Austen intersect in an uncanny Victorian tale of unrequited love, while "A Lunar Quartet" introduces a matriarchal, hypersexual moon colony in the future. But as a group, these stories offer a sustained exploration of the ways gender dynamics can both empower and enslave us. Kessel's wit sparkles throughout, peaking with the most uproariously weird phone-sex conversation you'll ever read ("The Red Phone")." A-
—Entertainment Weekly

"Anyone who thinks genre writing can’t be literary deserves to have Kessel’s hefty new collection of stories dropped on his or her head."
—Time Out Chicago

"Dark, wacky, wide-ranging short stories."
—Charlotte Observer

"A pleasant callback to the days when science-fiction authors read more than just science fiction."
—The Seattle Stranger

"Kessel's blend of dark humor and reality-stretching scenarios is consistently mesmerizing."
—Booklist

"These well-crafted stories, full of elegantly drawn characters, deliver a powerful emotional punch."
—Publishers Weekly

"Kessel proves himself again a master not just of science fiction, but also of the modern short story, crafting compelling characters and following them through plots that never fail to please—or to defy prediction."
—Metro Magazine

"One of the best collections of the year."
—Locus

"Kessel is a deft stylist and a master of all his tools, whose range is nearly limitless."
—SciFi.com

"John Kessel's writing exists at the edge of things, in the dark corner where the fiction section abuts the science-fiction shelves, in the hyphen where magic meets realism. Reading Kessel's wonderful fabulations is like staying out too late partying and seeing strange angels while stumbling home in the dawn's first light. This is one of those too rare short story collections that you can recommend with confidence to both the literary snob and the hard-core computer geek."
—Rich Rennicks, Malaprop's Bookstore, Asheville, NC

"Invest. Invest now…. Your returns will be multitudinous."
—The Fix

John Kessel co-directs the creative writing program at North Carolina State University in Raleigh. A winner of the Nebula, Sturgeon, Locus, and Tiptree awards, his books include Good News from Outer Space, Corrupting Dr. Nice, and The Pure Product, and story collection, Meeting in Infinity (a New York Times Notable Book).
    Most recently, with James Patrick Kelly he edited the anthologies Feeling Very Strange: The Slipstream Anthology, Rewired: The Post-Cyberpunk Anthology, and The Secret History of Science Fiction. He lives in Raleigh, North Carolina.

Winner of the Arthur C. Clarke and John W. Campbell Memorial Awards.

"An exuberant celebration of excess set in a resource-poor but defiantly energetic twenty-first century."—The New York Times

"A richly absorbing tale—with a marvelous premise expertly carried out."—Kirkus Reviews

"Excellent. . . . Dark and witty and full of love, closely observed, and sprinkled with astonishing ideas. Science fiction of a very high order."—Greg Bear

"One of the most imaginative accounts of futuristic bioengineering since Greg Bear's Blood Music."—Locus

In a future London, humans photosynthesize, organics have replaced electronics, viruses educate people, and very few live past forty. But Milena is resistant to the viruses. She's alone until she meets Rolfa, a huge, hirsute Genetically Engineered Polar Woman, and Milena realizes she might, just might, be able to find a place for herself after all.

Geoff Ryman is the author of the novels The King's Last Song, Air (a Clarke and Tiptree Award winner), and The Unconquered Country (a World Fantasy Award winner), and the collection Paradise Tales. Canadian by birth, he has lived in Cambodia and Brazil and now teaches creative writing at the University of Manchester in England.

Praise for Joan Aiken:

"Joan Aiken's invention seemed inexhaustible, her high spirits a blessing, her sheer storytelling zest a phenomenon. She was a literary treasure, and her books will continue to delight for many years to come."—Philip Pullman

"Aiken writes with the genius of a born storyteller, with mother wit expanded and embellished by civilized learning, and with the brilliance of an avenging angel."—The New Yorker

Joan Aiken's stories captivated readers for fifty years. They're funny, smart, gentle, and occasionally very, very scary. The stories in The Monkey's Wedding are collected here for the very first time and include six never before published, as well as two previously published under the pseudonym Nicholas Dee. Here you'll find the story of a village for sale . . . or is the village itself the story? There's an English vicar who declares on his deathbed that he might have lived an entirely different life. After his death, a large, black, argumentative cat makes an appearance. . . . This hugely imaginative collection includes introductions by Aiken as well as by her daughter, Lizza Aiken.

Best known for The Wolves of Willoughby Chase, Joan Aiken (1924-2004) wrote over a hundred books and won the Guardian and Edgar Allan Poe awards. After her first husband's death, she supported her family by copyediting at Argosy magazine and an advertising agency before turning to fiction. She went on to write for Vogue, Good Housekeeping, Vanity Fair, Argosy, Women's Own, and many others. Visit her online at: www.joanaiken.com.

No woman will have Ben without a proper bachelor’s suit . . . and the tailor refuses to make him one. Back from war with a nameless enemy, Ben finds that his mother is dead and his family home has been reassigned by the state. As if that isn’t enough, he must now find a wife, or he’ll be made a civil servant and given a permanent spot in one of the city’s oppressive factories.

Meanwhile, Meeks, a foreigner who lives in the park and imagines he’s a member of the police, is hunted by the overzealous Brothers of Mercy. Meeks’ survival depends on his peculiar friendship with a police captain—but will that be enough to prevent his execution at the annual Independence Day celebration?

A dark satire rendered with the slapstick humor of a Buster Keaton film, Julia Holmes’ debut marries the existentialism of Fyodor Dostoevsky’s Notes from Underground to the strange charm of a Haruki Murakami novel. Meeks portrays a world at once hilarious and disquieting, in which frustrated revolutionaries and hopeful youths suffer alongside the lost and the condemned, just for a chance at the permanent bliss of marriage and a slice of sugar-frosted Independence Day cake.

Julia Holmes was born in Dhahran, Saudi Arabia, and grew up in the Middle East, Texas, and New York, where she is currently an assistant editor at Rolling Stone. She is a graduate of Columbia University’s MFA program in fiction.

hese two short novels bookend Poppy Z. Brite’s cheerfully chaotic series starring two chefs in New Orleans. The Value of X introduces G-man and Rickey, who grew up in New Orleans’ Lower Ninth Ward and who are slowly realizing there are only two important things in life: cooking and each other. Rickey’s parents aren’t quite so taken with the boy’s plans and get him an impossible-to-resist place at the Culinary Institute of America.

In D*U*C*K, Rickey and G-man’s restaurant, Liquor, is doing well but there are the usual complications of running a kitchen: egos get bruised, people get fired . . . and then Rickey is jumped in an alley by one of their ex-waiters.

On the mend, Rickey takes a side job to cater the annual Ducks Unlimited banquet, where every course must, of course, include the ducks the hunters have bagged. Rickey’s crew are ready to meet the challenge, but Rickey’s not sure he can do it all and deal with the guest of honor—his childhood hero, former New Orleans Saints quarterback Bobby Hebert.

"Fun foodie fiction, and readers will scarf it down as quickly as a plate of blackened crawfish."—Publishers Weekly

Originally published in limited hardcover editions, these two novels are full of the pure joy of love, hard work, and great food and are a tremendous extension (or introduction) to Brite’s series.

Praise fo the Rickey and G-man stories:

“A high-end restaurant is...a gift that keeps on giving. The heat, the bickerings and intrigue, the pursuit of perfection, the dodgy money keeping it all afloate: the setting spawns plots...Can the [Liquor] franchise sustain itself? The answer is yes.”—New York Times

“World-class satire and perfect New Orleans lit.”—Andrei Codrescu

“Steeped in spicy dialogue and [New Orleans] flavor...a behind-the-swinging-door peek into the world of chefs.”—Entertainment Weekly

Poppy Z. Brite’s fiction set in the New Orleans restaurant world includes Prime, Liquor, and Soul Kitchen. She has also published five other novels and three short story collections. She lives with her husband Chris, a chef, in New Orleans.

World Fantasy Award winner · Shirley Jackson Award winner

Emily Dickinson takes a carriage ride with Death. A couple are invited over to a neighbor's daughter's exorcism. A country witch with a sea-captain's head in a glass globe intercedes on behalf of abused and abandoned children. In July of 1915, in Hardin County, Ohio, a boy sees ghosts. Explore contemporary natural history in a baker's dozen of exhilarating visions.

Praise for Jeffrey Ford:

"Outstanding. . . . Ford uses . . . incongruously lyrical phrases to infuse the everyday with a nebulous magic."—Publishers Weekly, Best Books of the Year(Starred Review)

"For lovers of the weird and fantastic and lovers of great writing, this is a treasure trove of disturbing visions, new worlds and fully realized craft."—Shelf Awareness (Starred Review)

"Properly creepy, but from time to time deliciously funny and heart-breakingly poignant, too."—Kirkus Reviews (Starred Review)

Jeffrey Ford was born on Long Island in New York State in 1955 and grew up in the town of West Islip. He studied fiction writing with John Gardner at S.U.N.Y. Binghamton. He's been a college English teacher of writing and literature for thirty years. He is the author of eight novels including The Girl in the Glass and four short story collections. He has received the World Fantasy, Nebula, Edgar, and Shirley Jackson awards. He lives with his wife Lynn in a century old farm house in a land of slow clouds and endless fields.

"[Ryman] has not so much created as revealed a world in which the promise of redemption takes seed even in horror."—The Boston Globe

“Sweeping and beautiful. . . . The complex story tears the veil from a hidden world.”—The Sunday Times

“Inordinately readable . . . extraordinary in its detail, color and brutality.”—The Independent

"Ryman has crafted a solid historical novel with an authentic feel for both ancient and modern Cambodia."
—Washington DC City Paper

“Another masterpiece by one of the greatest fiction writers of our time.”—Kim Stanley Robinson

"Ryman's knack for depicting characters; his ability to tell multiple, interrelated stories; and his knowledge of Cambodian history create a rich narrative that looks at Cambodia's "killing fields" both recent and ancient and Buddhist belief with its desire for transcendence. Recommended for all literary fiction collections."
—Library Journal

Archeologist Luc Andrade discovers an ancient Cambodian manuscript inscribed on gold leaves but is kidnapped—and the manuscript stolen—by a faction still loyal to the ideals of the brutal Pol Pot regime. Andrade’s friends, an ex-Khmer Rouge agent and a young motoboy, embark on a trek across Cambodia to rescue him. Meanwhile, Andrade, bargaining for his life, translates the lost manuscript for his captors. The result is a glimpse into the tremendous and heart-wrenching story of King Jayavarman VII: his childhood, rise to power, marriage, interest in Buddhism, and the initiation of Cambodia’s golden age. As Andrade and Jayavarman’s stories interweave, the question becomes whether the tale of ancient wisdom can bring hope to a nation still suffering from the violent legacy of the last century.

Geoff Ryman is the author of the novels Air (winner of Arthur C Clarke and James Tiptree awards) and The Unconquered Country (a World Fantasy Award winner). Canadian by birth, he has lived in Cambodia and Brazil and now teaches creative writing at the University of Manchester in England.

“Unholy fun, and wholly fun . . . an elegant riposte, dazzlingly executed.”—Gregory Maguire

“Spiced with humor and spot-on period detail.”—Library Journal (starred review)

Sent to live with her uncle, Katherine imagines a rich and luxurious life. Her dreams evaporate when she discovers her uncle wants her to be something never before seen: a swordswoman.

Ellen Kushner is the author of Swordspoint.

"A lovely smooth read."—The Washington Post

"A witty, affectionately nostalgic masterpiece."—The Columbus Dispatch

"As absorbingly readable, as well-written as anything Peter Dickinson has written."—The Times Literary Supplement

Praise for Peter Dickinson's mysteries:

"The works of British Mystery Writer Peter Dickinson are like caviar—an acquired taste that can easily lead to addiction. Dickinson . . . does not make much of the process of detection, nor does he specialize in suspense. Instead, he neatly packs his books with such old-fashioned virtues as mood, character, and research."—Time

"Dickinson (author of engagingly offbeat thrillers and children's books) does splendidly here with atmosphere, with the eccentric supporting characters, with the occasionally bizarre comic touches."—Kirkus Reviews

In 1926 the British government was worried about revolution. Two million people are about to go on strike and class warfare is about to erupt. Tom Hankey is caught between his love for Judy, a bright young thing, and Kate, a fireball agitator. Brought home from Oxford by his father, Tom volunteers to drive a train in the General Strike. When the train is ambushed, Tom is thrust into the darkest and most threatening regions of English politics. Gritty yet sparkling and full of unexpected turnarounds, A Summer in the Twenties resonates and captivates.

Peter Dickinson has twice received the Crime Writers' Association's Gold Dagger. His novels include Death of a Unicorn, The Poison Oracle, and many more. He lives in England and is married to the novelist Robin McKinley.

"If Philip K. Dick is our homegrown Borges (as Ursula K. Le Guin once said), then Waldrop is our very American magic-realist, as imaginative and playful as early Garcia Marquez or, better yet, Italo Calvino. . . . You never know what he'll come up with next, but somehow it's always a Waldrop story."—Michael Dirda, The Washington Post

"Waldrop subtly mutates the past, extrapolating the changes into some of the most insightful, and frequently amusing, stories being written today."—The Houston Post

"The most startling, original, and entertaining short story writer in science fiction today."—George R. R. Martin

"It always feels like Christmas when a new Howard Waldrop collection arrives."—Connie Willis

Howard Waldrop's stories are keys to the secrets of the stories behind the stories . . . or perhaps the stories between the stories everyone else knows. From "The Wolfman of Alcatraz" to a horrifying Hansel and Gretel, from "The Bravest Girl I Ever Knew" to the sixth Marx brother's story of a vaudeville act tracking down the Holy Grail, this new collection is a wunderkammer of strangeness.

Howard Waldrop, born in Mississippi and now living in Austin, Texas, is an American iconoclast. His highly original books include Them Bones and A Dozen Tough Jobs, and the collections Howard Who?, Night of the Cooters, Other Worlds, Better Lives, and Things Will Never Be the Same. He won the Nebula and World Fantasy Awards for his novelette "The Ugly Chickens."

Praise for Ysabeau S. Wilce's previous books:

"This fresh and funky setting is rich with glorious costumes, innovative language, and tantalizing glimpses of history."—Kirkus Reviews, starred review

These inter-connected stories are set in an opulent quasi-historical world of magick and high manners called the Republic of Califa. The Republic is a strangely familiar place—a baroque approximation of Gold Rush era-California with an overlay of Aztec ceremony—yet the characters who populate it are true originals: rockstar magicians, murderous gloves, bouncing boy terrors, blue tinted butlers, sentient squids, and a three-year-old Little Tiny Doom and her vengeful pink plush pig. By turn whimsical and horrific (sometime in the same paragraph), Wilce's stories have been characterized as "screwball comedies for goths" but they could also be described as "historical fantasies" or "fanciful histories" for there are nuggets of historical fact hidden in them there lies.

Ysabeau S. Wilce is the author of Flora Segunda, Andre Norton Award–winner Flora's Dare, and Flora's Fury, and she has published work in Asimov's, Steampunk!, and Fantasy & Science Fiction. She lives in San Francisco, California.

“Beautiful, inventive, ambitious and nuts.”—The Times (London)

“Our nearest contemporary equivalent to Blake, our sweetest-natured screwed-up visionary.”—London Evening Standard

Alasdair Gray’s unique melding of humor and metafiction at once hearken back to Laurence Sterne and sit beside today’s literary mash-ups with equal comfort. Old Men in Love is smart, down-to-earth, funny, bawdy, politically inspired, dark, multi-layered, and filled with the kind of intertextual play that Gray delights in.

As with Gray’s previous novel Poor Things, several partial narratives are presented together. Here the conceit is that they were all discovered in the papers of the late John Tunnock, a retired Glasgow teacher who started a number of novels in settings as varied as Periclean Athens, Renaissance Florence, Victorian Somerset, and Britain under New Labour.

This is the first US edition (updated with the author’s corrections from the UK edition) of a novel that British critics lauded as one of the best of Gray’s long career. Beautifully printed in two colors throughout and featuring Gray’s trademark strong design, Old Men in Love will stand out from everything else on the shelf. Fifty percent is fact and the rest is possible, but it must be read to be believed.

Alasdair Gray is one of Scotland’s most well-known and acclaimed artists. He is the author of nine novels, including Lanark, 1982 Janine, and the Whitbread and Guardian Prize–winning Poor Things, as well as four collections of stories, two collections of poetry, and three books of nonfiction, including The Book of Prefaces. He lives in Glasgow, Scotland.