Fiction

Winner of the inaugural Neukom Institute Literary Arts Award

These are the best Americans, the worst Americans. In these stories (these cities, these people) there are labyrinths, rivers, wildernesses. Voices sound slightly different than expected. There's humor, but it's going to hurt.

In "On Paradise," a petshop manager flies with his cat to Las Vegas to meet his long-lost mother and grandmother, only to find that the women look exactly like they did forty years before. In "The Spooky Japanese Girl is There For You," the spooky Japanese girl (a ghost) is there for you, then she is not.

These refreshing and invigorating stories of displacement, exile, and identity, of men who find themselves confused by the presence or absence of extraordinary women, jump up, demand to be read, and send the reader back to the earth changed: reminded from these short stories how big the world is.

New edition with 16 interior illustrations by Wesley Allsbrook.

This first collection by award-winning author Kelly Link takes fairy tales and cautionary tales, dictators and extraterrestrials, amnesiacs and honeymooners, revenants and readers alike, on a voyage into new, strange, and wonderful territory. The girl detective must go to the underworld to solve the case of the tap-dancing bank robbers. A librarian falls in love with a girl whose father collects artificial noses. A dead man posts letters home to his estranged wife. Two women named Louise begin a series of consecutive love affairs with a string of cellists. A newly married couple become participants in an apocalyptic beauty pageant. Sexy blond aliens invade New York City. A young girl learns how to make herself disappear.

These eleven extraordinary stories are quirky, spooky, and smart. They all have happy endings. Every story contains a secret prize. Each story was written especially for you.

Stories from Stranger Things Happen have won the Nebula, Tiptree, and World Fantasy Award. Stranger Things Happen was a Salon Book of the Year, one of the Village Voice‘s 25 Favorite Books, and was a Firecracker Award finalist.

The Liminal People is the first of Ayize Jama-Everett's Liminal novels.

Membership in the razor neck crew is for life. But when Taggert, who can heal and hurt with just a touch, receives a call from the past he is honor bound to try and help the woman he once loved try to find her daughter. Taggert realizes the girl has more power than even he can imagine and has to wrestle with the nature of his own skills, not to mention risking the wrath of his enigmatic master and perhaps even the gods, in order keep the girl safe. In the end, Taggert will have to delve into the depths of his heart and soul to survive.

After all, what really matters is family.

New Author Foreword.
The fourth and final Liminal novel, Heroes of an Unknown World, will be published in February 2023.

In the third Liminal Novel Taggert's adopted daughter disappears so he only has one option: find her.

When Taggert's adopted daughter goes missing he suspects the hand of an old enemy. He gathers friends, family, and even those who don't quite trust that he has left his violent past behind. But their search leads them to an unexpected place, the past, and the consequences of their journey have a price that is higher than they can afford.

In Ayize Jama-Everett's second Liminal novel, a young martial artist finds there's more to the world than she can kick, more than she can see.

Chabi doesn’t realize her martial arts master may not be on the side of the gods. She does know he’s changed her from being an almost invisible kid to one that anyone — or at least anyone smart — should pay attention to. But attention from the wrong people can mean more trouble than even she can handle. Chabi might be emotionally stunted. She might have no physical voice. She doesn’t communicate well with words, but her body is poetry.

"A gut punch of a book in the style of Le Guin, Atwood, and Butler. Claire G. Coleman’s debut novel blazes with truth.”
— Kelly Link, author of Get in Trouble

Terra Nullius (def): land belonging to no one; no man’s land

“Jacky was running. There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.”

The Natives of the Colony are restless. The Settlers are eager to bring peace to their new home, and they have a plan for how to achieve it. They will tear Native families apart and provide re-education to those who do not understand why they should submit to their betters.

Peace and prosperity are worth any price, but who will pay it? This rich land, Australia, will provide for all if only the Natives can learn their place.

Jacky has escaped the Home where the Settlers sent him, but where will he go? The Head of the Department for the Protection of Natives, known to Settlers and Natives alike as the Devil, is chasing Jacky. And when the Devil catches him, Sister Bagra, who knows her duty to the ungodly, will be waiting for Jacky back at Home.

An incendiary, timely, and fantastical debut from an essential Australian Aboriginal writer, Claire G. Coleman.

Do you recognize this story? Look again.

This is not Australia as we know it. This is not the Australia of our history books. This Terra Nullius — shortlisted for the 2018 Stella Prize and Highly Commended for the Victorian Premiers Literary Awards — is something new, but all too familiar.

Philip K. Dick Award finalist

Praise for Vandana Singh:

“A most promising and original young writer.”—Ursula K. Le Guin

“Lovely! What a pleasure this book is . . . full of warmth, compassion, affection, high comedy and low.”—Molly Gloss, author of The Hearts of Horses

“Vandana Singh’s radiant protagonist is a planet unto herself.”—Village Voice

“Sweeping starscapes and daring cosmology that make Singh a worthy heir to Cordwainer Smith and Arthur C. Clarke.”—Chris Moriarty, Fantasy & Science Fiction

“I’m looking forward to the collection . . . everything I’ve read has impressed me—the past and future visions in ‘Delhi’, the intensity of ‘Thirst’, the feeling of escape at the end of ‘The Tetrahedron’…” —Niall Harrison, Vector (British Science Fiction Association)

“…the first writer of Indian origin to make a serious mark in the SF world … she writes with such a beguiling touch of the strange.” —Nilanjana Roy, Business Standard

In her first North American collection, Vandana Singh’s deep humanism interplays with her scientific background in stories that explore and celebrate this world and others and characters who are trying to make sense of the people they meet, what they see, and the challenges they face. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past. In "Requiem," a major new novella, a woman goes to Alaska to try and make sense of her aunt’s disappearance.

Singh's stories have been performed on BBC radio, been finalists for the British SF Association award, selected for the Tiptree award honor list, and oft reprinted in Best of the Year anthologies. Her dives deep into the vast strangeness of the universe without and within and with her unblinking clear vision she explores the ways we move through space and time: together, yet always apart.

Previously published as North American Lake Monsters. Monsterland is a new anthology TV series from Hulu based on Nathan Ballingrud’s striking, bleak, and luminous debut collection, starring Kaitlyn Dever, Kelly Marie Tran, Jonathan Tucker, and Taylor Schilling, and more.

Ballingrud’s Shirley Jackson Award winning collection of gothic and uncanny stories investigates the loneliest and darkest corners of contemporary American life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves. Sometimes they wear the faces of parents, lovers, brothers, ex-wives—or the faces we see in our mirrors.

The people in these stories, ex-cons, single parents, unemployed laborers, kids seduced by extremism, are stranded by life, driven to desperate acts by love and a longing for connection. Sometimes they’re ruined; sometimes redeemed. They are always recognizably, wonderfully, terrifyingly human, even at their most monstrous.

In the final novel of the Liminals, a found family of Black superheroes has one last chance to save the world.

After traveling back in time to rescue his fostered daughter, Taggert has returned to the present and found himself in his favorite place: up against the wall. But the world they’ve returned to is not the one they left: everything is slightly grayer, the music is boring, joy is just out of reach. The liminals’ entropic enemies, the Alters, are trying to bring about the end of the world by sucking the life—literally—out of enough people to tip the balance their way.

Traveling from Jamaica to London to Indonesia to the heart of the whirlwind in the desert at the heart of all deserts, Taggert and his found family of liminals and supporters have to find a way to bring back the joy before they’re all ground down into the gray dust.

Believer Book Award finalist

Cass Neary made her name in the 1970s as a photographer embedded in the burgeoning punk movement in New York City. Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption. Generation Loss is the Shirley Jackson Award winning novel that launched Elizabeth Hand’s ex-punk photographer Cass Neary into the world.

“Elizabeth Hand’s Cass Neary series began in 2008 with Generation Loss, a startling and addictive novel that introduced a protagonist fueled by drugs and post-punk irreverence.”
— Danielle Trussoni, New York Times Book Review

“Sharp, clear, and mercilessly lean. Not only did that style fit Cass, it fit Hand: The author, roughly the same age as her character, was also a part of the punk scene in her youth. Generation Loss rasps with gritty authenticity, from the copious references to artists like Iggy Pop and the Ramones to the way Cass’ hardcore attraction to damage and destruction propels her deep into the book’s maze of murder and secrets.”
— Jason Heller, NPR

“Although it moves like a thriller, it detonates with greater resound. A dark and beautiful novel.”
—Washington Post Book World

“Cass is a marvel, someone with whom we take the difficult journey toward delayed adulthood, wishing her encouragement despite grave odds.” —Los Angeles Times

Lu Beiping is one of 20 million young adults the Chinese government uproots and sends far from their homes for agricultural re-education. And Lu is bored and exhausted. While he pines for romance, instead he’s caught up in a forbidden religious tradition and married off to the foreman’s long-dead daughter so that her soul may rest. The foreman then sends him off to cattle duty up on Mudkettle Mountain, far away from everyone else.

On the mountain, Lu meets an outcast polyamorous family led by a matriarch, Jade, and one of her lovers, Kingfisher. They are woodcutters and practice their own idiosyncratic faith by which they claim to placate the serpent-demon sleeping in the belly of the mountains. Just as the village authorities get wind of Lu’s dalliances with the woodcutters, a typhoon rips through the valley. And deep in the jungle, a giant serpent may be stirring.

The Invisible Valley is a lyrical fable about the shapes into which human affection can be pressed in extreme circumstances; about what is natural and what is truly deviant; about the relationships between the human and the natural, the human and the divine, the self and the other.

World Fantasy Award finalist

In the tales gathered in An Agent of Utopia: New and Selected Stories you will meet a Utopian assassin, an aging UFO contactee, a haunted Mohawk steelworker, a time-traveling prizefighter, a yam-eating Zombie, and a child who loves a frizzled chicken—not to mention Harry Houdini, Zora Neale Hurston, Sir Thomas More, and all their fellow travelers riding the steamer-trunk imagination of a unique twenty-first-century fabulist.

From the Florida folktales of the perennial prison escapee Daddy Mention and the dangerous gator-man Uncle Monday that inspired "Daddy Mention and the Monday Skull" (first published in Mojo: Conjure Stories, edited by Nalo Hopkinson) to the imagined story of boxer and historical bit player Jess Willard in World Fantasy Award winner "The Pottawatomie Giant" (first published on SciFiction), or the Ozark UFO contactees in Nebula Award winner "Close Encounters" to Flannery O’Connor’s childhood celebrity in Shirley Jackson Award finalist "Unique Chicken Goes in Reverse" (first published in Eclipse) Duncan’s historical juxtapositions come alive on the page as if this Southern storyteller was sitting on a rocking chair stretching the truth out beside you.

Duncan rounds out his explorations of the nooks and crannies of history in two irresistible new stories, "Joe Diabo's Farewell" — in which a gang of Native American ironworkers in 1920s New York City go to a show — and the title story, "An Agent of Utopia" — where he reveals what really (might have) happened to Thomas More’s head.

“One of noir’s great anti-heroes”—Katherine Dunn, author of Geek Love

Fleeing Reykjavik and a cluster of cult murders, punk photographer Cass Neary lands in London to rendezvous with her longtime lover Quinn, a person of interest to both Interpol and the Russian mob.

Only Quinn doesn’t show up. Alone in London and fearing the worst, Cass hooks up with a singer-songwriter with her own dark past, who brings her to the wrong party. Cass becomes entangled with the party’s host, Mallo Tierney, an eccentric gangster with a penchant for cigar cutters and neatly-wrapped packages, and a trio of dissolute groupies connected to a notorious underground filmmaker.

Forced to run Mallo’s contraband, Cass is suddenly enmeshed in a web of murder, betrayal, and artistic and sexual obsession that extends from London to the stark beauty of England’s Land’s End Peninsula, where she uncovers an archeological enigma that could change our view of human history―if she survives.

Strobe-lit against an apocalyptic background of rock and roll, rave culture, fast drugs and transgressive photography, Hard Light continues the breathless, breathtaking saga of Cassandra Neary which began in Generation Loss and Available Dark.

From Kim Scott, two-times winner of the Miles Franklin Literary Award, comes a work charged with ambition and poetry, in equal parts brutal, mysterious and idealistic, about a young woman cast into a drama that has been playing for over two hundred years . . .

Taboo takes place in the present day, in the rural South-West of Western Australia, and tells the story of a group of Noongar people who revisit, for the first time in many decades, a taboo place: the site of a massacre that followed the assassination, by these Noongar's descendants, of a white man who had stolen a black woman. They come at the invitation of Dan Horton, the elderly owner of the farm on which the massacres unfolded. He hopes that by hosting the group he will satisfy his wife's dying wishes and cleanse some moral stain from the ground on which he and his family have lived for generations.

But the sins of the past will not be so easily expunged.

We walk with the ragtag group through this taboo country and note in them glimmers of re-connection with language, lore, country. We learn alongside them how countless generations of Noongar may have lived in ideal rapport with the land. Taboo won four literary awards, was longlisted for four and shortlisted for three more. It is a novel of survival and renewal, as much as destruction; and, ultimately, of hope as much as despair.

"Available Dark works well as a thriller, but it’s Cass who makes the book extraordinary." — Time Magazine

A searing and iconoclastic crime novel in which photographer Cass Neary, introduced in the underground classic Generation Loss, finds herself drawn into the shadowy world of crime in Scandinavia’s coldest corners.

As this riveting tour-de-force opens, the police already want to talk to Cass about a mysterious death she was involved with previously, but before they can bring her in, Cass accepts a job offer from overseas and hops on a plane.

In Helsinki, she authenticates a series of disturbing but stunning images taken by a famous fashion photographer who has cut himself off from the violent Nordic music scene where he first made his reputation. Paid off by her shady employer, she buys a one-way ticket to Reykjavik, in search of a lover from her own dark past.

But when the fashion photographer’s mutilated corpse is discovered in Finland, Cass finds herself sucked into a vortex of ancient myth betrayal, vengeance and serial murder, set against a bone-splintering soundtrack of black metal and the terrifying beauty of the sunless Icelandic wilderness. This is where Cass's worst fears are confirmed: it’s always darkest before it turns completely black.

The Adventures of an Ugly Girl (1893) is a novel by Elizabeth Burgoyne Corbett. While she is mostly remembered today for New Amazonia, a feminist utopian novel which depicts the emergence of an advanced society of women in the not-so-distant future, Corbett was also a pioneering romance and detective novelist. While little is known about Corbett, her surviving novels and stories suggest she was a passionate campaigner for women’s suffrage in an era of conservative politics and traditional values. “‘Why, what does it matter how your hair is dressed, or what sort of a gown you put on? You may just as well spare your pains, for unfortunately nothing that you can do seems to mitigate your ugliness. I’m sure I cannot think where you get it.’” Dora Courtenay is moments away from meeting her new stepmother, but can’t find anything proper to wear for the occasion. Despite her sister Belle’s constant bullying, she finds the confidence to get herself dressed and, with her brother Jerry’s encouragement, goes downstairs to finish preparing the dining room for their guest. As her father and his new bride wait in the next room, Dora, unaware of their presence, makes a crude joke about Lady Elizabeth, only to discover that her insult, however innocent, was overheard. Despite this blunder, the two start off on even ground, leading Dora to believe that she could grow to admire her new stepmother. Soon, however, her step grandfather the Earl of Greatlands makes a surprising request: he would like to marry her, making Dora a Countess.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Romantic and Horrific Stories (2021) is a collection of short fiction by Bram Stoker. Although he is largely remembered as the author of Dracula (1897), one of the greatest horror novels of all time, Stoker was a versatile writer whose gift for transmitting terror is matched by his ability to craft convincing and moving tales of love.

“The Crystal Cup,” first published in London Society in 1872, is the story of an artist who is forced to create a flawless crystal vase for the king. Having left his wife and home behind, he suffers under a series of constraints and grueling demands. “The Chain of Destiny” is a bestselling epistolary tale featuring hypnotism, magic, and supernatural elements that first appeared in The Shamrock in 1875. In Stoker’s 1898 tale “Bengal Roses,” A teenager from the country falls for a beautiful young woman, but soon discovers she loves an older cavalry officer. First published in Lloyd’s Weekly Newspaper in 1899, “A Yellow Duster” is the story of two old men whose lifelong friendship is threatened by a mysterious secret. Curious about a dust rag found in his friend’s display case, the story’s protagonist asks the collector of rare and priceless objects why he has preserved something so seemingly worthless.

Other stories collected herein include “Our New House,” published in the Boston Herald in 1895, as well as “The Burial of the Rats” and “A Dream of Red Hands,” both of which appeared in Dracula’s Guest and Other Stories (1914). Romantic and Horrific Stories compiles a dozen works of short fiction by Bram Stoker, the secretive and vastly underrated creator of Dracula, one of history’s greatest villains. This edition of Bram Stoker’s Romantic and Horrific Stories is a classic of Irish literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Unveiling a Parallel (1893) is a novel by Alice Ilgenfritz Jones and Ella Merchant. Alongside Mary E. Bradley Lane’s Mizora (1890) and Elizabeth Corbett’s New Amazonia (1889), Unveiling a Parallel is an important early work of feminist utopian science fiction. “Having launched my aeroplane on the current of attraction which flows uninterruptedly between this world and that, traveling was as swift as thought. My impression is that my speed was constantly accelerated until I neared my journey’s end, when the planet’s pink envelope interposed its soft resistance to prevent a destructive landing. I settled down as gently as a dove alights, and the sensation was the most ecstatic I have ever experienced.” A nineteenth century voyager travels by aircraft to the planet Mars, where he encounters two advanced civilizations of Martians. In Paleveria, women have taken control over men by adopting their tactics for violence and oppression. Their capitalist society is highly stratified, allowing wealthy women to hold all financial and political power. In Caskia, men and women have learned to live in harmony. Unlike their neighbors, they value egalitarianism, art, and intellectual advancement over wealth and power. Before returning to Earth, the voyager learns as much as he can about these Martian civilizations, speaking with their leaders to gain a better understanding of the values that guide their progress.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Conquest: The Story of a Negro Pioneer (1913) is a novel by Oscar Micheaux. Before he became the first Black movie mogul in American history, Micheaux was a homesteader-turned novelist whose passion for storytelling and business acumen were born from a youth of hard work and struggle. The son of a former slave, Micheaux dedicated his life to countering the dominant narratives of American history while inspiring and empowering Black people around the world. “The heavy rains washed the loam from the hills and deposited it on these bottoms. Years ago, when the rolling lands were cleared, and before the excessive rainfall had washed away the loose surface, the highlands were considered most valuable for agricultural purposes, equally as valuable as the bottoms now are.” A Black homesteader named Oscar Devereaux reflects on a life of perseverance. Raised alongside twelve siblings in rural Illinois, he leaves home and family behind to seek a life of fortune and independence. Never one to set limits, Devereaux discovers that no dream is beyond his reach. Dedicated to educator and orator Booker T. Washington, The Conquest was described by its author as the “true story of a negro who was discontented and [of] the circumstances that were the outcome of that discontent.” This edition of Oscar Micheaux’s The Conquest: The Story of a Negro Pioneer is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Available in English for the first time, Joaquim Amat-Piniella’s searing Catalan novel, K.L. Reich, is a central work of testimonial literature of the Nazi concentration camps. Begun immediately after Amat-Piniella’s liberation in 1945, the book is based on his own four-year internment at Mauthausen.
“When the war is over, remember all this. Remember me,” implores one of the book’s characters on his deathbed, and it is this call to bear witness that Amat-Piniella takes up in his account of the Spanish Republican fighters who were exiled in France at the end of the Spanish Civil War in 1939 and soon swept up into the German concentration camp system. As an already organized anti-fascist army, they played an important role as a nucleus of resistance within the camps, and their story is little known to English-language readers.
Because of the length of his internment, his decision to write his book as fiction, and his staggering powers of observation and recollection, Amat-Piniella’s portrayal of life in the camps is unmatched in scope and detail. It is also a compelling study of three powerful ideological movements at work at the time: anarchism, communism, and fascism, all within the desperate and brutal world of the camps.
“My book does not seek to deepen wounds or differences, but to unite people before cruelty,” said Amat-Piniella. This is an essential text as we ponder the twentieth century and its meaning to us today. This edition includes a new preface, annotations, and a translators’ note.

Lexi, a young Mennonite woman from Saskatchewan, comes to work as housekeeper and nanny for a doctor’s family in Waterloo, Ontario, during the Great Depression.

Dr. Gerald Oliver is a handsome philanderer who lives with his neurotic and alcoholic wife, Cammy, and their two children. Lexi soon adapts to modern conveniences, happily wears Cammy’s expensive cast off clothes, and is transformed from an innocent into a chic urban beauty. When Lexi is called home to Saskatchewan to care for her dying mother, she returns a changed person.

At home, Lexi finds a journal written by her older brother during the family’s journey from Russia to Canada. In it she reads of a tragedy kept secret for years, one hat reconciles her early memories of her mother as joyful and loving with the burdened woman she became in Canada. Lexi returns to Waterloo, where a crisis of her own, coupled with the knowledge of this secret, serves as the catalyst for her realization that, unlike her mother, she must create her own destiny.

Watermelon Syrup is a classic bildungsroman: the tale of a naive young woman at the crossroads of a traditional, restrictive world and a modern one with its freedom, risks, and responsibilities.

In Writing Surfaces, derek beaulieu and Lori Emerson present a collection of John Riddell’s work. Riddell’s poems and short stories are a remarkable mix of largely typewriter-based concrete poetry mixed with fiction and drawings. Riddell’s oeuvre fell out of popular attention, but it has recently garnered interest among poets and critics engaged with media studies (especially studies of the typewriter) and experimental writing.
Riddell is best known for his short fiction pieces “H” and “Pope Leo: El Elope,” a pair of graphic fictions written in collaboration with, or dedicated to, bpNichol. However, his work moves well beyond comic strips into a series of radical fictions.
Riddell’s work embraces game play, unreadability and illegibility, procedural work, non-representational narrative, photocopy degeneration, collage, handwritten texts, and gestural work. His self-aware and meta-textual short fiction challenges the limits of machine-based composition and his reception as a media-based poet.
With media studies increasingly turning to “media archaeology” and the reading and study of antiquated, analogue-based modes of composition (as typified by the photocopier and the fax machine as well as the typewriter), Riddell is a perfect candidate for further appreciation and study by new generations of readers, authors, and scholars.

The Foreigner (1909) tells the story of Kalman Kalmar, a young Ukrainian immigrant working in rural Saskatchewan. It addresses the themes of male maturation, cultural assimilation, and a form of “muscular Christianity” recurring in Connor’s popular Western tales. Daniel Coleman’s afterword considers the text’s departure from Connor’s established fiction formulas and provides a unique framework for understanding its depiction of difference.

Painted Fires, first published in 1925, narrates the trials and tribulations of Helmi Milander, a Finnish immigrant, during the years approaching the First World War. The novel serves as a vehicle for McClung’s social activism, especially in terms of temperance, woman suffrage, and immigration policies that favour cultural assimilation. In her afterword, Cecily Devereux situates Painted Fires in the context of McClung’s feminist fiction and her interest in contemporary questions of immigration and “naturalization.” She also considers how McClung’s representation of Helmi Milander’s story draws on popular culture narratives.

Debate still rages on about who invented baseball. But one thing is certain...it was alive and fractious in southwestern Ontario in the summer of 1949. Charlie Hodge, just finishing his last year of high school, has made the Galt Terriers’ roster and will be riding the bench with a star-studded team, many of whom had played with the major leagues.
When those seasoned pros arrive in town, big things are expected, and they don’t disappoint. There is the towering home run that Goody Rosen hits into the Grand River; the frozen baseball scheme that backfires; and the busload of promotional cooking oil hijacked just before game time. It all comes down to Game 7 in the Terriers’ semi-final series with the Brantford Red Sox, when a convicted gambler, playing centre field that night, makes one of the most controversial plays ever seen at Dickson Park.
Based on exhaustive research and extensive interviews, David Menary recreates that post-war season in Terrier Town through the eyes of Charlie Hodge. While Charlie is a fictional character, the other players are not. This is a story that will resonate with young and old alike, baseball fans or not. This is a team that became a vital part of the town, and the town an elemental part of the team. This is a time rapidly fading from memory — a summer of myths and legends.

Originally published in 1935, Frederick Niven’s The Flying Years tells the history of Western Canada from the 1850s to the 1920s as witnessed by Angus Munro, a young Scot forced to emigrate to Canada when his family is evicted from their farm. Working in the isolated setting of Rocky Mountain House, Angus secretly marries a Cree woman, who dies in a measles epidemic while he is on an extended business trip. The discovery, fourteen years later, that his wife had given birth to a boy who was adopted by another Cree family and raised to be “all Indian” confirms Angus’s sympathies toward Aboriginal peoples, and he eventually becomes the Indian Agent on the reserve where his secret son lives. Angus’s ongoing negotiation of both the literal and symbolic roles of “White Father” takes place within the context of questions about race and nation, assimilation and difference, and the future of the Canadian West. Against a background of resource exploitation and western development, the novel queries the place of Aboriginal peoples in this new nation and suggests that progress brings with it a cost.
Alison Calder’s afterword examines the novel’s depiction of the paternalistic relationship between the Canadian government and Aboriginal peoples in Western Canada, and situates the novel in terms of contemporary discussions about race and biology.

From the pen of Gilbert Parker comes one of the most popular Canadian novels of the late nineteenth century. First published simultaneously in Canada and the United States in 1896, The Seats of the Mighty is set in Quebec City in 1759, against the backdrop of the conflict between the English and the French over the future of New France. Written and published after Parker's move to England, the novel attempts to romanticize French Canada without alienating his English and American readership. The novel’s enduring popularity led to a stage version in 1897 and a silent film in 1914.

Cristina Peri Rossi is one of the most acclaimed and personal voices in Hispanic letters. This volume of short stories, Panic Signs, first published in 1970 in Montevideo, Uruguay, presages the atrocities that would come with dictatorship in 1972.

The premonitory dimension is one of the striking characteristics in all the stories — a sense of impending catastrophe, sometimes hallucinatory and often graphic, leads us to undetermined places where the horrors of censorship, torture, and human bondage take place. At the same time, the stories expose the shackles that incapacitate us and deny us the acceptance of ourselves.

This elegy for freedom mourns the loss of liberty and justice while seducing us into questioning what we hold true. The metaphorical procession of images, and the craftsmanship of a narrative that continually engage us, motivate us to explore our own uncertainties and values, and offer an unquestionable opportunity to reassess today’s global conditions. Peri Rossi succeeds in creating a whirlwind of despair and self-discovery, impelling us to assess our own panic signs and so avoid being entrapped by those who hold power over us.
The translation of this powerful text will help English-speaking readers attain a more profound understanding of the complexities of Latin America’s cultural and socio-political issues.

A young girl falls asleep in the Joseph Schneider Haus and wakes up in the 1850s. At the same time, a tramp boy seeks sanctuary from a cruel master. Caught in the past, the young girl, Elizabeth Salisbury, is thrust into the drama of the tramp boy’s struggle to remain free.

Robert Fulford called it “a remarkable glimpse of the underbelly of Toronto,” but the reviews that greeted the publication of Cabbagetown Diary in 1970 were decidedly mixed. The novel’s rowdy concoction of grit and violence and rooming-house sleaze had a strongly polarizing effect on its readers. Many admired the frankness of Butler’s depiction of a sordid environment, and others deplored the obscenity of the language and the dangerous and careless ways in which his characters behave, bent as they are on downward self-transcendence. But Cabbagetown Diary was undeniably a promising debut by a young writer whose brash tone and pungent subject matter were unique in Canadian writing at that time.
The novel takes the form of a diary written by a disaffected young Toronto bartender, Michael, over the course of his four-month liaison with Terry, a naive teenager who is new to the city. Michael introduces her to his friends and his inner-city haunts, to drink and drugs, and to the nihilist politics espoused by some in his circle. With hard-bitten cynicism and flashes of dark humour, Michael relates the vicissitudes of their summer together.
This reissue of Cabbagetown Diary includes a biographical sketch by Charles Butler and an afterword by Tamas Dobozy.

W. Donald Wilson and Paul G. Socken’s translation of Aaron, by Québécois author Yves Thériault, makes this fine novel available in English for the first time.
An exploration of “otherness,” the story centres on Moishe, an Orthodox Jew and refugee from Russia, who is raising his grandson, Aaron, alone in Montreal, following the deaths of Aaron’s parents. Poverty-stricken, Moshe works as a tailor, maintains his strict adherence to Orthodoxy, and educates Aaron to follow in his path. Aaron becomes increasingly estranged from his grandfather’s ways, however, and his meeting with the militantly secular Jewish girl Viedna confirms his decision to embrace modernity, secularism, and materialism and to reject his faith entirely. The story portrays a tragically polarized situation in which neither side is able to communicate or to build an alternative world view that incorporates both tradition and modernity. Possibly Thériault’s finest novel, Aaron is a parable of our modern world and a poignant cautionary tale.

The Traditional History and Characteristic Sketches of the Ojibway Nation (1850) was one of the first books of Indigenous history written by an Indigenous author. The book blends nature writing and narrative to describe the language, religious beliefs, stories, land, work, and play of the Ojibway people. Shelley Hulan's afterword considers Copway's rhetorical strategies in framing a narrative—she considers it a form of "history, interrupted"—for a non-Indigenous readership.

A treasure chest of exceptional stories by one of Canadas classic authorsall now available in one volume.
Ernest Buckler, best known as the author of the Canadian classic, The Mountain and the Valley, never achieved the lasting fame he deserved. His first story was published in Esquire, a significant American literary magazine known for publishing leading writers such as Ernest Hemingway, F. Scott Fitzgerald, and Sinclair Lewis. Over the years, nearly forty more of Buckler’s short stories were published in several popular magazines, including Maclean’s where his story “The Quarrel” won first prize for fiction.
In Thanks for Listening: Stories and Short Fictions by Ernest Buckler, Marta Dvořák gathers together many of those stories as well as some previously unpublished pieces. At times she has chosen to include the fuller, original versions, and has reinstated some of the lost passages that were cut from stories to fit popular magazine requirements.
Ernest Buckler’s writing is rooted in the magic of the ordinary. He celebrates the land and its community, and sensuously recreates a paradise — almost a Garden of Eden. Buckler’s American editors were right in believing that no one evoked the lost world of North Americas agrarian past better than Ernest Buckler.

The King of Elfland’s Daughter (1924). Having established himself as a bestselling author of short fiction, Dunsany published The King of Elfland’s Daughter, his second novel. Recognized as a pioneering author of fantasy and science fiction, Dunsany is a man whose work, in the words of H. P. Lovecraft, remains “unexcelled in the sorcery of crystalline singing prose, and supreme in the creation of a gorgeous and languorous world of incandescently exotic vision.” In accordance with tradition, the Lord of Erl assents to the will of the people, who wish to be ruled by a magical being. In order to fulfill their request, he sends his son Alveric, a trustworthy young man, to the realm of Elfland, where time moves slowly and citizens live long, prosperous lives. There, Alveric falls in love with Lirazel, the daughter of the King, and convinces her to return to Erl as his wife. He arrives triumphantly, but soon Lirazel grows tired of the ways of men. Caught between the demands of tradition and the desires of his heart, Alveric must decide to whom he will remain loyal. Largely forgotten after its publication, The King of Elfland’s Daughter was eventually recognized as a groundbreaking work of high fantasy and fairytale fiction. This edition of Lord Dunsany’s The King of Elfland’s Daughter is a classic of British fantasy fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In The Forest of Bourg-Marie, originally published in 1898, Toronto author and musician S. Frances Harrison draws together a highly mythologized image of Quebec society and the forms of Gothic literature that were already familiar to her English-speaking audience. It tells the story of a fourteen-year-old French Canadian who is lured to the United States by the promise of financial reward, only to be rejected by his grandfather upon his return. In doing so, the novel offers a powerful critique of the personal and cultural consequences of emigration out of Canada.
In her afterword, Cynthia Sugars considers how The Forest of Bourg-Marie reimagines the Gothic tradition from a settler Canadian perspective, turning to a French-Canadian setting with distinctly New-World overtones. Harrison’s twist on the traditional Gothic plotline offers an inversion of such Gothic motifs as the decadent aristocrat and ancestral curse by playing on questions of illegitimacy and cultural preservation.

This evocative narrative draws us into the inner life of a young Chinese peasant girl, May-ping, and her first glimmerings of youthful love and idealism under the Maoist regime in China. As she grows into a mature woman, she becomes increasingly aware of the strife around her.
An intelligent girl born into a Poor-Class family in a small village in rural China, she is, because of the Maoist policy towards such families, able to pursue her dream of going to university. To her surprise, urban snobbery and “student thought-spying” at university make it essential for her to hide her real thoughts. Such self-protection becomes especially necessary once her idealistic boyfriend Dan — a secret boyfriend because young people were forbidden to be romantically involved — is sent to a labour camp for his outspoken ways.
In her village, she learns that everything has value except the lives of girls and women. One of her childhood friends, a landowner’s daughter who because of her family’s Landlord Class, is not allowed to go to university drowns herself when forced to face an arranged marriage. Hua-Hua, a shy and gentle neighbour, hangs herself after her husband beats her brutally for not bearing him a son.
May-ping manages to survive the Cultural Revolution as a member of the Communist party who feels outside the system and keeps her inner self intact. Her story reveals how political change during the Maoist regime left its mark on ordinary people.
Employing stories within stories, the narrator carries the reader to a mythological realm to images of the resilient water lilies and the nurturing lily pond.

First published in 1947, In Due Season broke new ground with its fictional representation of women and of Indigenous people. Set during the dustbowl 1930s, this tersely narrated prize-winning novel follows Lina Ashley, a determined solo female homesteader who takes her family from drought-ridden southern Alberta to a new life in the Peace River region. Here her daughter Poppy grows up in a community characterized by harmonious interactions between the local Métis and newly arrived European settlers. Still, there is tension between mother and daughter when Poppy becomes involved with a Métis lover. This novel expands the patriarchal canon of Canadian prairie fiction by depicting the agency of a successful female settler and, as noted by Dorothy Livesay, was “one of the first, if not the first Canadian novel wherein the plight of the Native Indian and the Métis is honestly and painfully recorded.” The afterword by Carole Gerson and Janice Dowson provides substantial information about author Christine van der Mark and situates her under-acknowledged book within the contexts of Canadian social, literary, and publishing history.

In Italy, as in most Western cultures, the 1960s was a dynamic and turbulent decade of social change. Dacia Maraini, in this short story collection, explores the vexing, tragic, and often humorous experiences of women living in modern urban Italy.
With a style as lean as Samuel Beckett’s, and a love of the absurd that rivals Eugène Ionesco, Maraini’s stories are both poignant and wickedly funny. The writer’s ironic lens zooms in to examining sexual relations, working conditions, women’s issues, and family dynamics, illuminating the lives of an entire generation. With classic existential angst, Maraini’s characters are often profoundly dissatisfied with their situations, but also ill-equipped to initiate any real change. This feminist version of the absurd is deliciously wry and terrible. The stories have a real bite.
Originally published as Mio marito in 1968, this is the first English translation of My Husband.

“Don’t say in the years to come that you would have lived your life differently if only you had heard this story. You’ve heard it now.” —Thomas King, in this volume

Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing.

Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers
like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and “lost“ or underappreciated texts.

In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.

Both an adventure-laced captivity tale and an impassioned denunciation of the marginalization of Indigenous culture in the face of European colonial expansion, Douglass Smith Huyghue’s Argimou (1847) is the first Canadian novel to describe the fall of eighteenth-century Fort Beauséjour and the expulsion of the Acadians. Its integration of the untamed New Brunswick landscape into the narrative, including a dramatic finale that takes place over the reversing falls in Saint John, intensifies a sense of the heroic proportions of the novel's protagonist, Argimou.

Even if read as an escapist romance and captivity tale, Argimou captures for posterity a sense of the Tantramar mists, boundless forests, and majestic waters informing the topographical character of pre-Victorian New Brunswick. Its snapshot of the human suffering occasioned by the 1755 expulsion of the Acadians, and its appeal to Victorian readers to pay attention to the increasingly disenfranchised state of Indigenous peoples, make the novel a valuable contribution to early Canadian fiction.


Situating the novel in its eighteenth-century historical and geographical context, the afterword to this new edition foregrounds the author's skilful adaptation of historical-fiction conventions popularized by Sir Walter Scott and additionally highlights his social concern for the fate of Indigenous cultures in nineteenth-century Maritime Canada.

Quebec author An Antane Kapesh's two books, Je suis une maudite sauvagesse (1976) and Qu'as-tu fait de mon pays? (1979), are among the foregrounding works by Indigenous women in Canada. This English translation of these works, each page presented facing the revised Innu text, makes them available for the first time to a broader readership.


In I Am a Damn Savage, Antane Kapesh wrote to preserve and share her culture, experience, and knowledge, all of which, she felt, were disappearing at an alarming rate because many Elders – like herself – were aged or dying. She wanted to publicly denounce the conditions in which she and the Innu were made to live, and to address the changes she was witnessing due to land dispossession and loss of hunting territory, police brutality, and the effects of the residential school system. What Have You Done to My Country? is a fictional account by a young boy of the arrival of les Polichinelles (referring to White settlers) and their subsequent assault on the land and on native language and culture.


Through these stories Antane Kapesh asserts that settler society will eventually have to take responsibility and recognize its faults, and accept that the Innu – as well as all the other nations – are not going anywhere, that they are not a problem settlers can make disappear.

A Prisoner in Fairyland (1913) is a novel by Algernon Blackwood. Having already established himself as a promising short story writer, Blackwood began publishing novels at the age of 40. A lifelong occultist, Blackwood was interested in the fine line between the human and spiritual realms, often incorporating supernatural elements into his work. A Prisoner in Fairyland is a story of a wealthy retiree’s return to the wonderful imaginative world of his youth. Hoping to spend the rest of his life in service of others, he gets the old Starlight Express up and running again. “For, from boyhood up, a single big ambition had ever thundered through his being—the desire to be of use to others. To help his fellow-kind was to be his profession and career.” Henry Rogers has always been a dreamer. On the brink of retirement, he plans to use his carefully accumulated wealth to fulfill his philanthropic destiny. Initially unsure of the shape of his charitable contribution to society, a trip to his childhood home changes everything. There, he finds the old train carriage where he would spend days at a time immersed in a world of fantasy and adventure. Back on the Starlight Express, Rogers plans to take deserving passengers to the wondrous realm of Fairyland. He soon discovers, however, that his impassioned beliefs—however well-intentioned—risk condemnation and persecution from those whose investments on Earth prevent them from indulging in imaginative excursions into the unknown. A Prisoner in Fairyland is a story for children and adults alike, a novel that poses timeless questions regarding the nature of our existence, both upon earth and beyond. This edition of Algernon Blackwood’s A Prisoner in Fairyland is a classic work of British literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Whom God Hath Sundered (1910-1913) is a trilogy by Oliver Onions. Published toward the beginning of Onions’ career as a leading novelist and short story writer specializing in genre fiction, Whom God Hath Sundered is a largely unknown trilogy of crime novels deemed a forgotten classic by British literary critic Martin Seymour-Smith. From the beginning, In Accordance With the Evidence—the first installment of the trilogy—is as much the story of James Jeffries as it is of Archie Merridew. Unlike Jeffries, who was “atrociously poor…in those days,” Merridew was a young man whose every opportunity seemed to have been ordained at birth: “His folks lived at Guildford; his father paid his rent for him, thirty-eight pounds a year; and his pleasant quarters under the roof had everything that mine hadn't.” As their story unfolds, Jeffries falls for the beautiful Evie Soames, but jealousy and competition with Archie threaten to derail his every move. Unhappy with his low-paying work, luckless in love, Jeffries begins to resent Archie with a near-violent passion. When Archie becomes engaged to Evie, Jeffries is left with no choice. As he looks back on his life from the distance of a dozen or more years, he recounts his path from hardship to murder, laying bare the psychological traumas that led him to commit his crime. In parts two and three, The Debit Account and The Story of Louie, we see the consequences of his heinous act unfold. This edition of Oliver Onions’ Whom God Hath Sundered is a classic of British literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Jimbo: A Fantasy (1909) is a novel by Algernon Blackwood. Having already established himself as a promising short story writer, Blackwood published his debut novel at the age of 40. A lifelong occultist, Blackwood was interested in the fine line between the human and spiritual realms, often incorporating supernatural elements into his work. Jimbo: A Fantasy is a story of a young boy’s out of body experience after sustaining a terrible injury, a narrative that explores the vibrant worlds we wake to in our dreams. “Jimbo had fallen on his head. Inside that head lay the mass of highly sensitive matter called the brain, on which were recorded, of course, the impressions of everything that had yet come to him in life. […] [H]e would have to wander, lost and lonely, through the comparative chaos of disproportioned visions, generally known as the region of delirium, until the doctor, assisted by mother nature, restored him once more to normal consciousness.” Unsupervised, Jimmy wanders into the fields near his home. Charged by an angry bull, he falls and strikes his head, losing consciousness for an indeterminate period of time. As his body struggles to stay alive, his mind creates a world of its own, a haunting realm of dreams both fantastic and somehow realer, more vibrant, then the world he seems to have lost. Jimbo: A Fantasy is a story for children and adults alike, a novel that poses timeless questions regarding the nature of our existence, both upon earth and beyond. This edition of Algernon Blackwood’s Jimbo: A Fantasy is a classic work of British literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Miss Betty (1898) is a novel by Irish author Bram Stoker. Written only a year after the publication of Dracula, Miss Betty helped to establish the Irish master of Gothic horror’s reputation as a leading writer of the early-twentieth century. “Of all the incidents of her early life none had so great or lasting an effect on Betty Pole as those that evening in Cheyne Walk on which she had been accused of breaking the blue china jar.” Following an innocent accident, Betty Pole is berated by her grandfather, who believes she has broken a priceless heirloom. On this day, Betty first learns of her strange ability to sense things before they happen, which proves both a gift and a curse in due time. That night, Betty learns the truth behind her identity and is named the heiress of her grandfather’s fortune. The next morning, he is found dead. As Betty gets older, as England passes from one era into the next, she is forced to hide her ability from the suspicions and intentions of friends and strangers alike. Miss Betty is a gripping work of fantasy and historical romance by Bram Stoker, the secretive and vastly underrated creator of Dracula, one of history’s greatest villains. This edition of Bram Stoker’s Miss Betty is a classic of Irish literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Once on a Time (1917) is a fairy tale by A.A. Milne. Known more for his series of Winnie-the-Pooh stories and poems for children, Milne also wrote novels, fairy tales, and plays, including this entirely original work of fiction inspired by the author’s experience in the Great War. Addressing themes of power, conflict, and moral ambiguity, Once on a Time updates the classic fairy tale format for the twentieth century, and remains a wonderful work of fiction for children and adults alike. >While testing out a pair of magical boots, King Merriwig of Euralia, a jolly and decent ruler, accidentally instigates war with a neighboring kingdom. While he is off fighting with the cruel and egotistical King of Barodia, Merriwig’s daughter, Princess Hyacinth, is left in charge of Euralia. Despite her youth, she possesses both wisdom and a desire to do right by her people. But the Countess Belvane, the king’s mistress, has desires of her own. Jealous of Hyacinth, she hatches a plan to take control of the kingdom, causing mischief for the Princess at every turn. With the help of Prince Udo of Araby—who suffers from a strange enchantment—and his companion Coronel, Princess Hyacinth does her best to take care of Euralia until her father is able to return. This edition of A.A. Milne’s Once on a Time is a classic work of British literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Twelfth Hour (1907) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel to moderate acclaim. Entertaining and effortlessly witty, Leverson’s prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Felicity, Sylvia, and Savile Crofton all feel the pressure placed on upper-class youths to marry wisely. At 25, Felicity appears to have found herself a good husband, a man of wealth and social standing who on closer appearance seems more interested in leisure than love. Determined not to fall into a similarly unhappy marriage, her 20-year-old sister Sylvia hopes to thwart her father’s wish that she marry millionaire Mr. Ridokanski. Although he is only 16, Eton student Savile is deeply in love with a famous opera singer—from a distance—but also feels obliged to entertain the affections of Dolly Clive, a girl his own age. Finding company in their own unique miseries of the heart, the Crofton siblings hatch a plan to achieve happiness for themselves, satisfaction for their father, and whatever it is young people are meant to owe to society. The Twelfth Hour is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson’s The Twelfth Hour is a classic work of British literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Iron Heel (1907) is a novel by American writer Jack London. A groundbreaking work of dystopian science fiction, The Iron Heel was inspired by London’s socialist views and belief in an eventual global upheaval. Although his predictions proved wrong for the United States of the early-twentieth century, London was recognized by such figures as George Orwell for his foresight regarding the rise of fascism in Europe. The novel is told from the perspective of a scholar named Anthony Meredith who lives in the post-revolutionary Brotherhood of Man in the year 2600 AD. Having discovered the “Everhard Manuscript,” a record of the rise of the Oligarchy in twentieth century America that provides the bulk of the narrative, Meredith writes the introduction and extensive footnotes throughout. The Manuscript is the story of Avis Everhard, a young woman who becomes radicalized by the rise of authoritarianism in the United States and eventually leads a failed revolution against the Oligarchy. While the frame narrative provides a sense of hope for the future of humanity, the Manuscript describes a society crushed by the consolidation of economic and political power by a wealthy few, who control all aspects of everyday life and rule with the help of a ruthless mercenary army. As she rises through the ranks of the resistance movement, Everhard comes to understand that the sacrifices required of a hero must be made for a future she holds little hope of seeing. This edition of Jack London’s The Iron Heel is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When William Came (1913) is a novel by Saki. Considered a masterpiece of invasion literature, When William Came indulges in the paranoid atmosphere of the leadup to the Great War to weave a sinister tale of espionage, survival, and conspiracy. Keenly aware of the heightening tensions between Britain and Germany, Saki crafts an entertaining story with a political purpose: to call for national conscription in the event of war. Much has changed in London since Murrey Yeovil left for a hunting trip in Eastern Siberia. War came and went, London fell to German forces, and his wife Cicely found a younger lover. Disembarking from the train, he gets into a cab and gives his address, only to discover his driver speaks German. Slowly, he grows accustomed to the rhythms of life under an occupying force, but it is impossible to ignore how many people have been lost. Of those who survived the war, many fled for the countryside or to colonies and nations overseas. They are the lucky ones, who need not fear a trip to the store or a turn down the wrong street might lead to imprisonment—or worse. Soon, Murrey must decide where his true loyalties lie. This edition of Saki’s When William Came is a classic of British invasion literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Gabriel Samara, Peacemaker (1925) is a novel by E. Phillips Oppenheim. Written at the height of his career as a bestselling author of political thrillers and genre fiction, Gabriel Samara, Peacemaker is a story of romance and international intrigue concerned with the geopolitical realities of its day. A monarchist, Oppenheimer often wrote critically about socialists and anarchists in his novels, fomenting antirevolutionary sentiment in his native England and abroad. On a diplomatic trip to New York, legendary politician Gabriel Samara, a leader from a newly progressive republic of Russia, negotiations are underway to develop stronger relations between the United States and his recovering nation. Seeking assistance in the campaign to demilitarize Russia after the expulsion of the Bolsheviks and Czarists, Samara employs a young typist named Catherine Borans, herself of Russian ancestry. Working as his secretary and translator, she inadvertently saves him from an assassination attempt, forming a strong bond with a man notorious for his no-nonsense personality. When a secret from Borans’ past comes to light, however, their relationship—and the negotiations—risk coming to nothing at all. This edition of E. Phillips Oppenheim’s Gabriel Samara, Peacemaker is a classic of English political fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Worm Ouroboros (1922) is a high fantasy novel by E. R. Eddison. Inspired by the Norse sagas and medieval history, Eddison crafted an epic story of magic, adventure, romance, and war. Praised by New York Times critic Edwin Clark as a novel that “transcends all ordinary life,” The Worm Ouroboros is frequently named among the greatest works of fantasy fiction ever produced. At their palace in Demonland, Lord Juss, his brothers Goldry and Spitfire, and their cousin Brandoch Daha receive an ambassador from Witchland. After a brief introduction, the visiting dwarf reveals his business—King Gorice XI demands their absolute fealty. Rather than submit, however, Lord Juss challenges Gorice to a wrestling match with Goldry, to be held on the neutral Foliot Isles. Knowing the fate of Mercury hangs in the balance, Goldry fights bravely and defeats the wicked King. Through black magic, however, an evil sorcerer condemns Gordry to imprisonment on a mystical mountain peak. Distraught, Juss, Spitfire, and Brandoch return to Demonland to mount an army in order to march on the capital of the Witches, who have joined forces with Lord Gro of Goblinland. The Lords of Demonland break through enemy lines, making their way to the citadel of Carcë, where they mistakenly believe Goldry has been taken. The Worm Ouroboros is a story of bravery and betrayal by a master of high fantasy whose imaginative gifts have influenced generations of devoted readers. This edition of E. R. Eddison The Worm Ouroboros is a classic of British literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

War and Peace (1869) is a novel by Russian writer Leo Tolstoy. Serialized between 1865 and 1867, it was published in book form in 1869 and has since been recognized as a masterpiece of world literature. Notable for its epic scale, War and Peace encompasses hundreds of characters, diligently following its five central families across fifteen years while featuring detailed imaginings of such historical figures as Napoleon Bonaparte. In Books XI-XV, Tolstoy depicts the loss of Moscow, the final struggle against French forces, and the beginning of a new era for Russia, Europe, and the world. French forces under Napoleon Bonaparte leave the Russian military and people with no choice. Not only must they abandon Moscow, they must burn it to the ground in order to slow the Grande Armée’s advance. The Rostov family leaves in a hurry, bringing with them the mortally wounded Prince Andrei, who is nursed by his beloved Natasha. Meanwhile, Pierre hatches a plan to assassinate Napoleon, but is soon captured and threatened with execution. As he awaits his fate in prison, guerrilla fighters manage to repel the French, forcing Napoleon’s disastrous retreat. With its depiction of the brutalities of war on individuals and society alike, Tolstoy’s story brings history to life while reminding us that the past is always closer than we care to think. As ambitious as it is triumphant, Leo Tolstoy’s masterpiece is an epic novel of history and family, a story of faith and the will to persevere in the face of unspeakable catastrophe. War and Peace is a work that transcends both history and description, not just for the scale of its narrative and setting, but for the scope of its philosophical interests. Since its publication, it has been praised as an essential work of literature by Ivan Turgenev, Gustave Flaubert, Thomas Mann, and Ernest Hemingway, and has been adapted for film, theater, and television countless times. This edition of Leo Tolstoy’s War and Peace is a classic of Russian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Miss Million’s Maid (1913) is a romance novel by Berta Ruck. After a decade of publishing stories in literary magazines, Ruck began releasing romance novels to popular acclaim. Miss Million’s Maid is a satirical tale of love, work, and modern life that continues to entertain over a century after it was written. Beatrice Lovelace longs for a social life. Although she was born into a family of London elites, her family’s fortunes turned to leave Beatrice with next to nothing. Living with her frugal Aunt Anastasia, she hears secondhand of events around town she has no opportunity to see for herself. Her only friend, if she could be called such, is her loyal maid Nellie Million, whose name takes on a brand-new meaning when a distant uncle unexpectedly leaves her a massive fortune. Sensing an opportunity, Beatrice volunteers to work as her maid, making something of herself for the first time in her life. Despite their cordiality and good rapport, the two women soon succumb to the pressures of life in a class they had never experienced. Juggling work and wealth, navigating the ways of men, Nellie and Beatrice learn that money and happiness often refuse to mix. Miss Million’s Maid is a comedy of social life, a story of romance and friendship from one of the twentieth century’s most prolific authors. This edition of Berta Ruck’s Miss Million’s Maid is a classic of British romance literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published in 1904, Stella Fregelius: A Tale of Three Destinies centers an unconventional love triangle between a man, his cousin and an unexpected beauty. It’s a complex drama that explores the power of love in the most unusual circumstance. Morris Monk is a young inventor who is engaged to his first cousin, Mary. Even though she is supportive and caring, Morris’s heart belongs to another. He falls in love with Stella Fregelius, the beautiful young daughter of the new church rector. Despite his commitment to Mary, Morris is drawn to Stella with the two establishing an unwavering spiritual connection. When tragedy strikes, his personal and professional relationships are traumatized forcing him to reckon with his past choices. Stella Fregelius: A Tale of Three Destinies is a captivating tale of forbidden romance infused with science fiction and the supernatural. H. Rider Haggard delivers a thrilling story led by a conflicted and often tortured protagonist. With an eye-catching new cover, and professionally typeset manuscript, this edition of Stella Fregelius: A Tale of Three Destinies is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The American Diary of a Japanese Girl (1901) is a novel by Yone Noguchi. Published in New York alongside illustrations by Genjiro Yeto, the novel was styled as a fascinating tell-all written by a young Japanese tourist. Composed with the assistance of Léonie Gilmour and Blanche Partington, The American Diary of a Japanese Girl was Noguchi’s first novel and a major departure from his poetry at the time. An 18-year-old Japanese woman going by the name Miss Morning Glory embarks on a journey from her native country to the United States. Accompanied by her uncle, a wealthy industrialist, Morning Glory arrives in San Francisco via steamship. She soon befriends the American wife of a Japanese diplomat, who introduces her to minstrel shows and vaudeville. Left to her own devices, Morning Glory takes over a local cigar shop in Chinatown and begins to assimilate into American life and culture. When she meets Heine, an older poet from Oakland, Morning Glory is inspired to pursue a career as a writer. As she travels across the expansive American landscape with her uncle, she comments on the people and places she encounters along the way. Through her eyes we see the country in a strange new light, perhaps more truth than fiction. This edition of Yone Noguchi’s The American Diary of a Japanese Girl is a classic of Japanese American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Lord Harrowby visits Lloyds of London and takes out an insurance policy on his future wedding, which guarantees a hefty payout if the ceremony stalls. It’s an odd request that leads to desperate measures from both parties. Lord Allan Harrowby is engaged to marry a wealthy American heiress. Prior to their nuptials, he decides to take out an insurance policy on their wedding. If it doesn’t occur by a certain time, Harrowby will receive a massive claim for his troubles. The insurers, Lloyds of London, sends one of their trusted employees to the wedding locale to make sure it goes off without a hitch. What happens next is a series of unexpected events that attempt to derail the ceremony at every turn.Love Insurance is a screwball comedy that uses the best elements of the genre. It is a fun and entertaining story that leaps off the page. The novel was later adapted for feature film including 1919’s Love Insurance, 1924’s The Reckless Age and 1940’s One Night in the Tropics With an eye-catching new cover, and professionally typeset manuscript, this edition of Love Insurance is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

War and Peace (1869) is a novel by Russian writer Leo Tolstoy. Serialized between 1865 and 1867, it was published in book form in 1869 and has since been recognized as a masterpiece of world literature. Notable for its epic scale, War and Peace encompasses hundreds of characters, diligently following its five central families across fifteen years while featuring detailed imaginings of such historical figures as Napoleon Bonaparte. In Books VI-X, he explores the emotions of his wide cast of characters who, during a period of tenuous peace, attempt to return to a sense of normalcy. Following Napoleon’s defeat of Russian and Austrian forces at the Battle of Austerlitz, the Rostov, Bezukhov, and Bolkonsky families struggle to adapt to a changing world. While Prince Andrei attempts to balance his political obligations with his growing affection for Natasha Rostov, his friend Pierre finds himself at a crossroads. Disillusioned with Freemasonry, obsessed with discovering a way to live ethically, he grows increasingly volatile and despondent. When Natasha is attacked by the vicious Anatole Kuragin, Pierre finds himself in the position of comforting her, and they soon form a strong attachment. After several years, however, Napoleon’s army begins advancing on Russia once more, bringing uncertainty and chaos to its traumatized people. With its juxtaposition of political peace with the private and public turmoil of his characters, Tolstoy’s story brings history to life while reminding us that the past is always closer than we care to think. As ambitious as it is triumphant, Leo Tolstoy’s masterpiece is an epic novel of history and family, a story of faith and the will to persevere in the face of unspeakable catastrophe. War and Peace is a work that transcends both history and description, not just for the scale of its narrative and setting, but for the scope of its philosophical interests. Since its publication, it has been praised as an essential work of literature by Ivan Turgenev, Gustave Flaubert, Thomas Mann, and Ernest Hemingway, and has been adapted for film, theater, and television countless times. This edition of Leo Tolstoy’s War and Peace is a classic of Russian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.