Fordham University Press

William Seraile uncovers the history of the colored orphan asylum, founded in New York City in 1836 as the nation’s first orphanage for African American children. It is a remarkable institution that is still in the forefront aiding children. Although no longer an orphanage, in its current incarnation as Harlem-Dowling West Side Center for Children and Family Services it maintains the principles of the women who organized it nearly 200 years ago.

The agency weathered three wars, two major financial panics, a devastating fire during the 1863 Draft Riots, several epidemics, waves of racial prejudice, and severe financial difficulties to care for orphaned, neglected, and delinquent children. Eventually financial support would come from some of New York’s finest families, including the Jays, Murrays, Roosevelts, Macys, and Astors.

While the white female managers and their male advisers were dedicated to uplifting these black children, the evangelical, mainly Quaker founding managers also exhibited the extreme paternalistic views endemic at the time, accepting the advice or support of the African American community only grudgingly. It was frank criticism in 1913 from W. E. B. Du Bois that highlighted the conflict between the orphanage and the community it served, and it wasn’t until 1939 that it hired the first black trustee.

More than 15,000 children were raised in the orphanage, and throughout its history letters and visits have revealed that hundreds if not thousands of “old boys and girls” looked back with admiration and respect at the home that nurtured them throughout their formative years.

Weaving together African American history with a unique history of New York City, this is not only a painstaking study of a previously unsung institution of black history but a unique window onto complex racial dynamics during a period when many failed to recognize equality among all citizens as a worthy purpose.

The first and only book devoted to the landscape Frederic Church designed at Olana – what he considered his greatest work of art – timed to coincide with the bicentennial of his birth

Modelled on her acclaimed On the High Line (now in its third edition from Fordham University Press), Composing Olana unfolds as a series of walks along the seven carriage roads Frederic Edwin Church built here in 1860s-1880s. Along the way, LaFarge unpacks the history of everything we see, and much that we don’t, in the greater landscape, from the Ice Age geology that created it to the artists and conservationists who preserved it. We learn about lesser-known women painters of the Hudson River School; the Native Peoples who lived here before the Europeans arrived; and the mentorship of Church’s only teacher, Thomas Cole.

Archival letters, diaries, and historic accounts reveal Church’s vital role in preserving Niagara Falls; his contributions to Central Park and the Metropolitan Museum of Art; and his engagement with music, photography, and global exploration throughout the second half of the 19th century.

Published to coincide with the 200th anniversary of his birth, Composing Olana enables readers to finally comprehend Church’s vital, and still not properly recognized, place in the American story. Illustrated with dozens of historic and contemporary photographs, it is both a guidebook and a meditation on American art, landscape, and preservation.

An innovative companion website, OlanaBook.com, provides hundreds of photos, audio clips from the soundscape, and an interactive version of the specially created “Rambler’s Map.” Designed as an accessible and lively companion for armchair readers and park visitors, Composing Olana shows why this landscape, still intact today, matters so profoundly in the history of American art and public parks.

Dive into the electrifying tale of a Brooklyn-born patriot turned radical activist, in an era when America was torn by its ideological extremes

In the shadow of recent turmoil, Join the Conspiracy transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era’s tumultuous spirit. From his roots as a concerned citizen wary of his country’s leftward tilt, Demmerle’s journey takes a dramatic turn as he delves into the heart of radical activism.

Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle’s story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman, and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant.

Join the Conspiracy reveals Demmerle’s complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art—more than a hundred of which are included in the book—not only charts Demmerle’s saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos.

As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a move­ment that sought to reshape America.

UNTAPPED NEW YORK: THE BEST NYC BOOKS OF ALL TIME

The neglected histories of 19th-century NYC’s maligned working-class fortune tellers and the man who set out to discredit them

Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City’s tenements and slums. When his articles were published in book form in 1858, they catalyzed a series of arrests that both scandalized and delighted the public. But Mortimer was guarding some secrets of his own, and in many ways, his own life paralleled the lives of the women he both visited and vilified. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while also detailing Mortimer Thomson’s peculiar and complicated biography.

Living primarily in the poor section of the Lower East Side, nineteenth-century fortune tellers offered their clients answers to all questions in astrology, love, and law matters. They promised to cure ailments. They spoke of loved ones from beyond the grave. Yet Doesticks saw them as the worst of the worst evil-doers. His investigative reporting aimed to stop unsuspecting young women from seeking the corrupt soothsaying advice of these so-called clairvoyants and to expose the absurd and woefully inaccurate predictions of these “witches.”

Marie Carter views these stories of working-class, immigrant women with more depth than Doesticks’s mocking articles would allow. In her analysis and discussion, she presents them as three-dimensional figures rather than the caricatures Doesticks made them out to be. What other professions at that time allowed women the kind of autonomy afforded by fortune-telling? Their eager customers, many of whom were newly arrived immigrants trying to navigate life in a new country, weren’t as naive and gullible as Doesticks made them out to be. They were often in need of guidance, seeking out the advice of someone who had life experience to offer or simply enjoying the entertainment and attention.

Mortimer and the Witches offers new insight into the neglected histories of working-class fortune tellers and the creative ways that they tried to make a living when options were limited for them.

WINNER, 2025 NATIONAL INDIE EXCELLENCE AWARD, MULTICULTURAL NON-FICTION
WINNER, 2025 IPPY AWARD, MULTICULTURAL NON-FICTION - ADULT (GOLD)
WINNER, 2024 BEST INDIE BOOK AWARD, CULINARY MEMOIR
WINNER, 2024 LIVING NOW BOOK AWARD, INSPIRATIONAL MEMOIR - MALE (BRONZE)

A NEW YORK PUBLIC LIBRARY & FOREWORD REVIEWS BOOK OF THE DAY • NAMED A BEST BOOK OF 2023 BY ZED BOOK CLUB & INDIA CURRENTS • LA WEEKLY BOOK PICK • RECOMMENDED BY BOOK RIOT & ELECTRIC LITERATURE

A timely self-examination of the “mixed” American experience featuring exclusive recipes and photographs from the author’s multicultural family.

As citizens continue to evolve and diversify within the United States, the ingredients that make up each flavorful household are waiting to be discovered and devoured. In Colorful Palate, author Raj Tawney shares his coming-of-age memoir as a young man born into an Indian, Puerto Rican, and Italian-American family, his struggles with understanding his own identity, and the mouthwatering flavors of the melting pot from within his own childhood kitchen.

While the world outside can be cruel and unforgiving, it’s even more complicated for a mixed-race kid, unsure of his place in the world. Turning to his mother and grandmother for guidance, Tawney assists in the kitchen, providing intimate moments and candor as he listened to the tales behind each culinary delicacy and the women who perfected it. Each lovingly prepared meal offered another opportunity to learn more about his extraordinary heritage. The ability to create delicious fare with his family wasn’t just a duty for the grand ladies who raised him; it was a survival tactic for navigating new and unknown cultures, not always willing to accept them at first or even a hundredth glance. As Tawney examines both himself and his loved ones through the formative stages of his life, from boyhood through adulthood, he begins to realize, through all of the chaos and confusion, just how “American” he actually was.

In this contemporary coming-of-age tale, Tawney tackles personal hot-button issues about race and identity through poignant, heartfelt moments centered on delicious meals. From succulent tandoori chicken to delectable arroz con habichuelas to scrumptious spaghetti and meatballs, Tawney shares his family recipes along with the intimate stories he overheard in the kitchen as he played sous chef to hundreds of recipes that not only span continents but also come with their own personal histories attached. Colorful Palate is a tale of the mixed experience, one of the millions that rarely get told, undefined by a single group or birthright and unapologetic about its lack of classification.

WINNER, 2025 ASSOCIATION OF UNIVERSITY PRESSES BOOK, JACKET, AND JOURNAL SHOW IN THE JACKETS & COVERS CATEGORY

A captivating memoir of New York’s Historic Upper West Side at a time when community and unity defined the neighborhood

Step into the world of Just City and embark on a poignant journey to a time when ideals were woven into the very fabric of a neighborhood. Jennifer Baum’s evocative storytelling brings to life an era in New York City’s history where affordable housing wasn’t just a concept, but a reality that defined the essence of community.

Within the pages of this captivating memoir, you’ll find yourself transported to the historic Upper West Side—a place where diversity flourished and a shared belief in the importance of a home for all bound the residents together. Through personal anecdotes and heartfelt accounts, Baum illuminates her own upbringing alongside the stories of those who shared her neighbor­hood. She describes how as an adult, she came to appreciate that being raised in an integrated collective was a unique and exceptional experience. As she moves around the world for school, a husband, and work, she tells the story of her search for a home that would embody the values and community she grew up with.

Just City goes beyond the physicality of housing; it unveils the emotional tapestry of housing for an entire generation. As you immerse yourself in the stories of rallies, grassroots efforts, and the sense of kinship that defined this era, you’ll witness a generation that stood united for justice and fairness. The book captures not just moments, but the ethos of a time when the city was a testament to the power of community.

Celebrate the legacy of an era when a city was truly a home, when principles of social respon­sibility thrived. Just City isn’t just a memoir—it’s an invitation to revive the spirit of unity and create a city where everyone belongs. So open its pages and let its words rekindle the flame of a just and inclusive city once more.

A deeply moving memoir of love, resilience, and identity, chronicling one family’s journey through adoption, caregiving, and the profound connections that define us

Twice Blessed is a beautifully written memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.

From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.

Engaging and deeply moving, Twice Blessed speaks to anyone who has ever questioned their place in the world or searched for a deeper understanding of family. This book will resonate with fans of personal memoirs, adoption narratives, and heartfelt stories about love that transcends boundaries.

A trailblazing journalist who took on New York’s Gilded-Age injustices

Zoe Anderson Norris was a woman ahead of her time. A Kentucky-born belle turned fearless Manhattan journalist, she used her pen as a weapon in the fight for justice. From exposing slumlords and corrupt politicians to advocating for impoverished immigrants, she captured the injustices of her era with a wit and tenacity that still resonate today. In this first biography of Norris, independent scholar Eve Kahn restores her legacy, illuminating her work as a novelist, magazine publisher, and social reformer who challenged the powerful and gave voice to the oppressed.

A prolific writer and editor, Norris chronicled the struggles of Lower East Side immigrants in her self-published periodical, The East Side, often going undercover to report on the harsh realities of tenement life. She documented tragedies such as the Triangle Shirtwaist Factory Fire, publicly denounced predatory men, and advised women on seizing control of their destinies. With her bohemian spirit, she led the Ragged Edge Klub, a gathering of artists, writers, and social critics who rejected the status quo.

But Norris’s courage came at a personal cost. Her life was marked by tumultuous relationships, family estrangement, and battles against the very injustices she exposed. She endured financial struggles, unfaithful or deadbeat husbands, and social ostracization for her refusal to remain silent. In her final issue of The East Side, she eerily predicted her own death, an uncanny premonition that made national headlines before she faded into obscurity.

With meticulous research and captivating storytelling, Kahn brings Norris’s extraordinary life back into the spotlight. Drawing on newly uncovered archival materials, including Norris’s own writings, letters, and investigative reports, Queen of Bohemia Predicts Own Death sheds light on a fearless journalist whose influence on investigative reporting and social justice continues to be felt today. This biography is a compelling testament to the power of the written word in the fight for truth and equity.

A stunning exploration of New York’s most enchanting fountains

New York City’s fountains are more than just decorative features—they are historical landmarks, cultural icons, and dynamic works of art that shape the city’s landscape. In Fabulous Fountains of New York, award-winning author and native New Yorker Stephanie Azzarone takes readers on a captivating journey through the artistry, history, and hidden stories behind these remarkable waterworks.

From the grandeur of Central Park’s Bethesda Fountain to the sleek modern cascades of the Unisphere in Queens, this beautifully illustrated book showcases more than fifty fountains across all five boroughs. Alongside these celebrated landmarks, Azzarone uncovers lesser-known gems, such as Triumph of the Human Spirit and the long-forgotten temperance fountains, revealing how they reflect the city’s evolving cultural and political landscape.

With vivid storytelling, she traces the work of the architects and artists who shaped these fountains, exploring the historical events they commemorate and the scandals, controversies, and tragedies that surround them. Whether serving as refreshing retreats on hot summer days, symbols of civic pride, or gathering places for contemplation and protest, New York’s fountains have played a vital role in the city’s life.

Accompanied by breathtaking photography by Robert F. Rodriguez, Fabulous Fountains of New York captures the beauty and movement of these dynamic waterworks—from classical bronze and stone sculptures to contemporary interactive installations. Perfect for history buffs, architecture enthusiasts, and urban explorers, this book invites readers to rediscover New York through its most mesmerizing fountains.

A visionary look at Central Park’s creation as an urban success story inspiring bold climate action

Climate change is the existential crisis of our time. With extreme heatwaves, wildfires, hurricanes, and floods displacing millions, many wonder: What can I do? Ten Thousand Central Parks challenges the despair of inaction, using the history of Central Park as an unlikely yet urgent environmental parable.

Created in the years immediately before, during, and after the Civil War, Central Park is a radical experiment in urban renewal, transforming a chaotic and polluted terrain into an 843-acre refuge. More than a scenic landmark, it was a visionary public project that provided jobs, green space, and a lasting environmental legacy. Designed by Frederick Law Olmsted and Calvert Vaux, the park was America’s first large-scale public works project, undertaken at a time of national crisis and built almost entirely by immigrants. Its creation offers a powerful lesson: Even in turbulent times, cities can be reimagined, and large-scale ecological transformations are possible.

With over half of the world’s population living in cities today, predicted soon to reach nearly 70%, urban green spaces are more crucial than ever. Morris argues that Central Park is not just an artifact of the past but a model for the future. Its 18,000 trees sequester nearly a million pounds of carbon dioxide annually, proving that ambitious, nature-based solutions can improve the quality of life while addressing environmental challenges.

Written with urgency and optimism, Ten Thousand Central Parks offers a fresh perspective on the climate crisis, rejecting doom in favor of possibility. We need projects on the scale of Central Park— thousands of them—to meet today’s environmental challenges. This book—a boundary-crossing work of narrative nonfiction—is an invitation to think big, act boldly, and embrace radical hope.

A captivating portrait of Westbeth, the legendary artists’ residence that shaped contemporary art, activism, and New York’s cultural landscape for over fifty years

In 1970, the former Bell Telephone Laboratories in Manhattan was transformed into Westbeth, an ambitious experiment in urban renewal that became the world’s largest and longest-running art­ists’ residence. Home to generations of visual artists, musicians, writers, dancers, and performers, Westbeth has fostered creativity, community, and activism for over fifty years.

From legendary photographer Diane Arbus and conceptual artist Hans Haacke to avant-garde theater pioneers like Joe Chaikin and Gloria Miguel, Westbeth has nurtured some of the most influential voices in contemporary art. Beyond its creative legacy, the residence has been a hub for social change. Its artists played leading roles in the anti-Vietnam protests, LGBTQ+ rights movements, feminist art collectives, and urban preservation efforts.

In Creative Ozone, Miriam Chaiken offers a rare insider’s look at this extraordinary community. Drawing on intimate interviews with multiple generations of Westbeth residents, including those who grew up in the building as “feral children” immersed in art from birth, Chaiken captures the spirit of a place where creativity and activism are inseparable. She explores how Westbeth artists have weathered gentrification, economic upheavals, and major historical events, from 9/11 and Hurricane Sandy to the ongoing pandemic, revealing the resilience of this one-square-block artistic village. Blending vivid storytelling with cultural history, Creative Ozone is a tribute to the artists who shaped, and were shaped by, New York City.

Rich with character-driven narratives, this book will captivate art lovers, history buffs, and anyone fascinated by the creative life. Whether you’re drawn to the bohemian legends of Greenwich Vil­lage, the evolution of urban spaces, or the intersection of art and activism, Creative Ozone offers an unforgettable portrait of a community like no other.

Explores four centuries of colonization, land divisions, and urban development around this historic landmark neighborhood in West Harlem

It was the neighborhood where Alexander Hamilton built his country home, George Gershwin wrote his first hit, a young Norman Rockwell discovered he liked to draw, and Ralph Ellison wrote Invisible Man. Through words and pictures, Hamilton Heights and Sugar Hill traces the transition of this picturesque section of Harlem from lush farmland in the early 1600s to its modern-day growth as a unique Manhattan neighborhood highlighted by stunning architecture, Harlem Renaissance gatherings, and the famous residents who called it home.

Stretching from approximately 135th Street and Edgecombe Avenue to around 165th, all the way to the Hudson River, this small section in the Heights of West Harlem is home to so many significant events, so many extraordinary people, and so much of New York’s most stunning architecture, it’s hard to believe one place could contain all that majesty. Author Davida Siwisa James brings to compelling literary life the unique residents and dwelling places of this Harlem neighborhood that stands at the heart of the country’s founding. Here she uncovers the long-lost history of the transitions to Hamilton Grange in the aftermath of Alexander Hamilton’s death and the building boom from about 1885 to 1930 that made it one of Manhattan’s most historic and architecturally desirable neighborhoods, now and a century ago. The book also shares the story of the LaGuardia High School of Music & Art, one of the fi rst in the nation to focus on arts and music. The author chronicles the history of the James A. Bailey House, as well as the Morris-Jumel Mansion, Manhattan’s oldest surviving residence and famously known as George Washington’s headquarters at the start of the American Revolution.

By telling the history of its vibrant people and the beautiful architecture of this lovely, well-maintained historic landmark neighborhood, James also dispels the misconception that Harlem was primarily a ghetto wasteland. The book also touches upon the Great Migration of Blacks leaving the South who landed in Harlem, helping it become the mecca for African Americans, including such Harlem Renaissance artists and luminaries as Thurgood Marshall, Count Basie, Duke Ellington, Mary Lou Williams, Paul Robeson, Regina Anderson Andrews, and W. E. B. Du Bois.

WINNER, AMERICAN BOOK AWARD

Chronicles a Black Puerto Rican man’s odyssey and transformation from an incarcerated gang member to the Co-Founder of the Young Lords Party.

Growing up fatherless and poor, Felipe Luciano didn’t yearn for wealth or dream of becoming a famous actor or athlete. He was tired of being poor and ached to be a man, to reach that point of sagacity, courage, and independence that would signal to the world that he was now a warrior, ready to fight the battle for truth and justice, to slay the dragon of evil, whatever that might be. In Flesh and Spirit, Luciano paints a vivid portrait of his life in New York City as a member of the city’s Latino community as well as his pivotal role in the Young Lords and The Last Poets.

Luciano’s memoir begins when as a teenage Brooklyn gang member he is convicted of man­slaughter. This pivotal moment changes the trajectory of his life. The American kid raised on Davy Crockett and Superman TV tales emerged from the womb of prison into a harsh, new monochromatic black/white world without the benefit of rose-colored glasses. It was a painful shattering of all his childhood beliefs and the realization that he was a poor Black Puerto Rican in white America clutching onto values that didn’t work. The only flotsam in this churning sea of ’60s social turmoil was college, poetry, revolutionary activity, and sometimes God. After getting an education, Luciano went on to become an acclaimed poet and political activist who advocates for the Latino population of New York City, for the kids growing up in the same circumstances he did.

Sparing no one—not the revolutionaries, the Revolution, nor the author himself—Flesh and Spirit is written with honesty and humility to help guide young people of color and other Americans through the labyrinths of ideology, organization, missteps, false paths, and phony societal promises.

Featuring archival photographs by Michael Abramson reproduced from Palante: Voices and Photographs of the Young Lords, 1969-1971 © 2011 Haymarket Books.

Discover New York’s poignant memorials through powerful photographs capturing everything from fleeting tributes to enduring monuments

The photographs in Here Down on Dark Earth document the many ways New Yorkers express their intertwined feelings of loss and remembrance. The famous and the unknown, the rich and the poor, meet the same fate, but how they are mourned and remembered varies greatly. New York City’s monuments and memorials are large and small, civic and personal, traditional and vernacular, planned and spontaneous. Some commemorate a significant event such as the terrorist attack on the World Trade Center, others the death of a single child hit by a stray bullet. A memorial of stone and steel dedicated to deceased WWII veterans from a church parish may outlast a painted Rest-In-Peace (RIP) memorial wall for a slain teenager. Still, both grow out of the feeling of loss and a desire to preserve the memory of departed loved ones.

As Racioppo traveled throughout New York City, he became increasingly aware of the impermanence of these memorials. The paint eventually peels, and the image gradually disappears. Sanitation workers remove the rotted toys and flowers. Small and personal, or large and communal, created by professionals or amateurs, the memorials in Here Down on Dark Earth express a powerful sense of loss and connection. Throughout the book, the author’s contextual notes accompany the poignant photographs depicting these expressions of remembrance.

Explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more

Alice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.

When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.

Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality.

WINNER, IPPY BOOK AWARDS, LGBTQ+ FICTION

WINNER, 2023 BEST INDIE BOOK AWARD, LGBTQ2 FICTION

SHORT LIST, VCU CABELL FIRST NOVELIST AWARD

ON LAMBDA LITERARY REVIEW'S SEPTEMBER MOST ANTICIPATED LIST

ONE OF QUEER FORTY'S BEST PRIDE READS FOR SUMMER 2023!

Three gay men in pre-Stonewall New York City find their fates thrown together in the police raid of a Village bar.

Roger Moorhouse is a Wall Street banker and Westchester family man with a preciously guarded secret. As the shouting begins and flashlights blaze in his face, the life he’s carefully curated over the years—a fancy new office overlooking lower Broadway, a house in Beechmont Woods, his wife and children—is about to come crashing down around him.

Columbia literature professor Julian Prince lives a comparatively uncloseted life when he finds his first committed relationship tested to its limits. How could he explain to Gus, a fearless young artist, that he couldn’t stay with him that weekend because the woman who was still technically Julian’s fiancée would be visiting? But when Gus is struck unconscious by a police baton, Julian comes out of hiding to protect him, even if exposure means losing everything.

For Danny Duffy, an Irish kid from the Bronx with a sassy mouth and a diverse group of friends, the raid is a galvanizing, Spartacus moment. Danny doesn’t have too much left to lose; his family has just disowned him. But once his name appears in the newspaper, he’ll be fired from his job at Sloan’s Supermarket, where he’s risen to assistant manager of produce, and begin a journey that veers between political enlightenment and violent revenge.

The three men find themselves in a police wagon together, their hidden lives threatened to be revealed to the world. Blackmail, a private investigator, Gus’s disappearance, and Danny’s quest for retribution propel Disorderly Men to its piercing conclusion, as each man meets the boundaries of his own fear, love, and shame. The stakes for each are different, but all of them confront a fundamental question: How much happiness is he allowed to have . . . and what share of it will he lay claim to?

Discover the vibrant journey of music from New York’s melting pot to the mystical shores of the Bosphorus

From the Bronx to the Bosphorus explores the vibrant, yet largely concealed, musical culture of New York, tracing its origins to a period when the city served as a crucible for immigrants and their diverse musical expressions. Walter Zev Feldman chronicles his journey through the musical landscapes of post–WWII New York—from the declining world of East European immigrant klezmorim to the dynamic environments of Greek, Armenian, and Caucasian musicians.

These experiences culminate in the klezmer revitalization movement of the late 1970s. Feldman, whose father emigrated from Bessarabia—a region known for its rich interactions among Jewish, Roma, and Greek musicians—connects various musical worlds. From the local Turkish Sephardi synagogue and the Greek Orthodox cathedral in Washington Heights to the lively Armenian and Greek nightclubs of Manhattan, his interactions with a diverse group of musicians, including an Armenian virtuoso who once performed for Stalin and the Shah of Iran, enhance his understanding and appreciation of these interconnected cultures.

Finally, at age twenty-five, in a sense he returned to his father’s shtetl and studied with Dave Tarras, the greatest living klezmer in America, who had learned his key musical lessons in that very same Bessarabian town following World War I. From the Bronx to the Bosphorus is not just a chronicle of music but a poignant examination of the power of music to connect cultures, transcend borders, and preserve the echoes of a nearly vanished world.

Winner, Victorian Society in America Book Award

A colorful tale of a singular New York City neighborhood and the personalities who make it special

To outsiders or East Siders, Riverside Park and Riverside Drive may not have the star status of Fifth Avenue or Central Park West. But at the city’s westernmost edge, there is a quiet and beauty like nowhere else in all of New York. There are miles of mansions and monuments, acres of flora, and a breadth of wildlife ranging from Peregrine falcons to goats. It’s where the Gershwins and Babe Ruth once lived, William Randolph Hearst ensconced his paramour, and Amy Schumer owns a penthouse. Told in the uniquely personal voice of a longtime resident, Heaven on the Hudson is the only New York City book that features the history, architecture, and personalities of this often overlooked neighborhood, from the eighteenth century through the present day.

Combining an extensively researched history of the area and its people with an engaging one-on-one guide to its sights, author Stephanie Azzarone sheds new light on the initial development of Riverside Park and Riverside Drive, the challenges encountered—from massive boulders to “maniacs”—and the reasons why Riverside Drive never became the “new Fifth Avenue” that promoters anticipated. From grand “country seats” to squatter settlements to multi-million-dollar residences, the book follows the neighborhood’s roller-coaster highs and lows over time. Readers will discover a trove of architectural and recreational highlights and hidden gems, including the Drive’s only freestanding privately owned villa, a tomb that’s not a tomb, and a sweet memorial to an eighteenth-century child. Azzarone also tells the stories behind Riverside’s notable and forgotten residents, including celebrities, murderers, a nineteenth-century female MD who launched the country’s first anti-noise campaign, and an Irish merchant who caused a scandal by living with an Indian princess.

While much has been written about Central Park, little has focused exclusively on Riverside Drive and Riverside Park until now. Heaven on the Hudson is dedicated to sharing this West Side neighborhood’s most special secrets, the ones that, without fail, bring both pleasure and peace in a city of more than 8 million.

Reimagining our cities for a sustainable and human-centric future

In her groundbreaking book Wonder City, Lynn Ellsworth delves deep into the heart of modern urban life, casting a critical eye on the transformative changes sweeping through cities like New York. This compelling journey into the world of urban development goes beyond the usual narra­tive, serving as a passionate call to action that encourages readers to actively participate in shaping the future of their cities.

Ellsworth expertly navigates through complex themes such as affordable housing, urban plan­ning, historic preservation, and architecture. With a focus on major cities undergoing significant transformations, Wonder City offers an insightful examination of the challenges and opportunities that define contemporary urban life.

At the core of this engaging narrative is a striking critique of the real estate industry’s influence over urban landscapes. Ellsworth reveals how historic and culturally rich urban settings are increas­ingly being overshadowed by the rise of impersonal glass towers, a trend she argues is driven by the industry’s grip on politicians and technocrats. This analysis is both eye-opening and unsettling, shedding light on the forces reshaping our urban environments.

Wonder City is more than a critique, however. Ellsworth provides a pragmatic blueprint for revitalizing urban spaces. She champions the need for affordable housing, sustainable urban plan­ning, and architecture that respects and enhances the human experience. Her arguments challenge the prevailing economic theories behind housing supply and question the architectural ideologies that often justify the demolition of historic urban assets.

This book is an essential read for urban planners, policymakers, and anyone interested in the future of urban living. Ellsworth’s clear, accessible insights into complex issues make Wonder City a vital contribution to the discourse on urban development, appealing to a broad audience that cares about the dynamics and future of city life.

WINNER, 2025 GOTHAM BOOK PRIZE

InsideHook: The 10 Books You Should Be Reading This November

A gripping account of how the automobile has failed NYC and how mass transit and a revitalized streetscape are vital to its post-pandemic recovery

In 1969, as all students of New York City history think they have learned, master builder Robert Moses lost his long battle to urbanist Jane Jacobs over his planned Lower Manhattan Expressway. The ten-lane elevated expressway would have sliced across SoHo and Little Italy, demolishing historic build­ings, and displacing thousands of families and businesses. Jacobs and her neighbors defeated Moses, and as a result, New York became the only major American city with no interstate highway running through its core. Like many global cities, though, New York had spent fifty years during the first half of the twentieth century trying and failing to tame its heavily populated landscape to fit the private automobile. New York has now spent more than fifty years trying to undo those mistakes, wresting back city space for people, not cars.

Movement: New York’s Long War to Take Back Its Streets from the Car chronicles the earlier, less-known battles that preceded the cancellation of the Lower Manhattan Expressway: Jacobs became an example for generations of urban planners, but whose example did Jacobs emulate in an earlier victory that saved Washington Square Park? Moses may serve handily as New York’s uber-villain now, but who, before him, was responsible for destroying a critical part of New York’s transit system?

A well respected urban writer who has focused on New York’s transportation system for more than a decade, author Nicole Gelinas resumes the story where Robert Caro’s landmark The Power Broker ended. Movement explores how, in the half-century leading up to the COVID- 19 pandemic, New York’s re-embracement of its mass-transit system and a livable streetscape helped save the city. Gelinas tackles the 1970s environmental movement, the 1980s rebuilding of the subways, and more contemporary battles, from Mayor Bloomberg's push for more pedestrian plazas and bike lanes in the early 2000s, to transportation advocates' protests to prevent traffic deaths in the Mayor de Blasio era of the 2010s, to how New York’s stewardship of its streets and subways have played a critical role during the 2020 pandemic and subsequent recovery.

Introducing a cast of transportation heroes to rival Jane Jacobs (Shirley Hayes, Hazel Henderson, Richard Ravitch, Nilka Martell) and puncturing the myth of Moses as New York’s anti-hero, Movement explores how New York City has helped redefine what it means to be a global city: not a place that is easy to drive through, but a place where people can take transit, walk, and bike to work, to school, or just for fun.

In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball.

Cross Bronx is Peter Quinn’s one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories.

Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn’s trilogy of historical detective novels as “generous and agile and profound.” Quinn has now seized the time and inspiration afforded by “the strange interlude of the pandemic” to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms:

“In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne’s bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do.” (from the Prologue)

From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo’s landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider’s view of high-powered politics and high-stakes corporate intrigue.

Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

Dive into the electrifying tale of a Brooklyn-born patriot turned radical activist, in an era when America was torn by its ideological extremes

In the shadow of recent turmoil, Join the Conspiracy transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era’s tumultuous spirit. From his roots as a concerned citizen wary of his country’s leftward tilt, Demmerle’s journey takes a dramatic turn as he delves into the heart of radical activism.

Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle’s story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman, and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant.

Join the Conspiracy reveals Demmerle’s complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art—more than a hundred of which are included in the book—not only charts Demmerle’s saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos.

As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a move­ment that sought to reshape America.

Winner, "Gold" Independent Publishing Award (IPPY) for LGBTQ+ Nonfiction
Winner, The Randy Shilts Award for Gay Nonfiction, 34th Annual Triangle Awards
2023 Lammy Finalist, Gay Memoir/Biography

A coming-of-age memoir of life on the front lines of the AIDS crisis with ACT UP New York.

From the moment Ron Goldberg stumbled into his first ACT UP meeting in June 1987, the AIDS activist organization became his life. For the next eight years, he chaired committees, planned protests, led teach-ins, and facilitated their Monday night meetings. He cruised and celebrated at ACT UP parties, attended far too many AIDS memorials, and participated in more than a hundred zaps and demonstrations, becoming the group’s unofficial “Chant Queen,” writing and leading chants for many of their major actions. Boy with the Bullhorn is both a memoir and an immersive history of the original New York chapter of ACT UP, the AIDS Coalition to Unleash Power, from 1987 to 1995, told with great humor, heart, and insight.

Using the author’s own story, “the activist education of a well-intentioned, if somewhat naïve nice gay Jewish theater queen,” Boy with the Bullhorn intertwines Goldberg’s experiences with the larger chronological history of ACT UP, the grassroots AIDS activist organization that confronted politicians, scientists, drug companies, religious leaders, the media, and an often uncaring public to successfully change the course of the AIDS epidemic.

Diligently sourced and researched, Boy with the Bullhorn provides both an intimate look into how activist strategies are developed and deployed and a snapshot of life in New York City during the darkest days of the AIDS epidemic. On the occasions where Goldberg writes outside his personal experience, he relies on his extensive archive of original ACT UP documents, news articles, and other published material, as well as activist videos and oral histories, to help flesh out actions, events, and the background stories of key activists. Writing with great candor, Goldberg examines the group’s triumphs and failures, as well as the pressures and bad behaviors that eventually tore ACT UP apart.

A story of ordinary people doing extraordinary things, from engaging in outrageous, media-savvy demonstrations, to navigating the intricacies of drug research and the byzantine bureaucracies of the FDA, NIH, and CDC, Boy with the Bullhorn captures the passion, smarts, and evanescent spirit of ACT UP—the anger, grief, and desperation, but also the joy, camaraderie, and sexy, campy playfulness—and the exhilarating adrenaline rush of activism.

The tale of New York’s Young Reds—a riveting journey through the YPA’s rise and influence

Young Reds in the Big Apple: The New York YPA, 1923–1934 by Jack Hodgson is a compelling historical account that delves into the heart of American communism through the lens of New York City’s Young Pioneers of America (YPA). This meticulously researched book sheds light on a neglected aspect of American history, revealing the intricate details of the YPA’s formation, ideologies, and activities from 1923 to 1934.

Hodgson illustrates the YPA’s journey, from its early days as a branch of the Communist Party USA, intended for youth aged 8–16, to its eventual disbandment. The book explores the organization’s unique structure, ethos, and activities, showcasing how it became a formidable force in New York’s political landscape. He vividly portrays the YPA members’ involvement in public protests, education reform, and their bold stance against prevailing social norms, including racial and gender issues.

The narrative goes beyond mere historical recounting, offering deep insights into the internal dynamics of the YPA, its relationship with the adult Communist Party, and its interactions with other political entities. Hodgson’s analysis of the YPA’s impact on its young members and the broader community is both insightful and thought-provoking.

Young Reds in the Big Apple stands out for its rigorous approach to a controversial subject, avoiding partisanship to provide a balanced view of the YPA’s legacy. This book is not just a histori­cal account; it’s an exploration of youthful activism, political movements, and the complexities of American communism during a pivotal era.

The tale of New York’s Young Reds—a riveting journey through the YPA’s rise and influence

Young Reds in the Big Apple: The New York YPA, 1923–1934 by Jack Hodgson is a compelling historical account that delves into the heart of American communism through the lens of New York City’s Young Pioneers of America (YPA). This meticulously researched book sheds light on a neglected aspect of American history, revealing the intricate details of the YPA’s formation, ideologies, and activities from 1923 to 1934.

Hodgson illustrates the YPA’s journey, from its early days as a branch of the Communist Party USA, intended for youth aged 8–16, to its eventual disbandment. The book explores the organization’s unique structure, ethos, and activities, showcasing how it became a formidable force in New York’s political landscape. He vividly portrays the YPA members’ involvement in public protests, education reform, and their bold stance against prevailing social norms, including racial and gender issues.

The narrative goes beyond mere historical recounting, offering deep insights into the internal dynamics of the YPA, its relationship with the adult Communist Party, and its interactions with other political entities. Hodgson’s analysis of the YPA’s impact on its young members and the broader community is both insightful and thought-provoking.

Young Reds in the Big Apple stands out for its rigorous approach to a controversial subject, avoiding partisanship to provide a balanced view of the YPA’s legacy. This book is not just a histori­cal account; it’s an exploration of youthful activism, political movements, and the complexities of American communism during a pivotal era.

The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall

For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works.

For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade.

Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.

UNTAPPED NEW YORK: THE BEST NYC BOOKS OF ALL TIME

The neglected histories of 19th-century NYC’s maligned working-class fortune tellers and the man who set out to discredit them

Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City’s tenements and slums. When his articles were published in book form in 1858, they catalyzed a series of arrests that both scandalized and delighted the public. But Mortimer was guarding some secrets of his own, and in many ways, his own life paralleled the lives of the women he both visited and vilified. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while also detailing Mortimer Thomson’s peculiar and complicated biography.

Living primarily in the poor section of the Lower East Side, nineteenth-century fortune tellers offered their clients answers to all questions in astrology, love, and law matters. They promised to cure ailments. They spoke of loved ones from beyond the grave. Yet Doesticks saw them as the worst of the worst evil-doers. His investigative reporting aimed to stop unsuspecting young women from seeking the corrupt soothsaying advice of these so-called clairvoyants and to expose the absurd and woefully inaccurate predictions of these “witches.”

Marie Carter views these stories of working-class, immigrant women with more depth than Doesticks’s mocking articles would allow. In her analysis and discussion, she presents them as three-dimensional figures rather than the caricatures Doesticks made them out to be. What other professions at that time allowed women the kind of autonomy afforded by fortune-telling? Their eager customers, many of whom were newly arrived immigrants trying to navigate life in a new country, weren’t as naive and gullible as Doesticks made them out to be. They were often in need of guidance, seeking out the advice of someone who had life experience to offer or simply enjoying the entertainment and attention.

Mortimer and the Witches offers new insight into the neglected histories of working-class fortune tellers and the creative ways that they tried to make a living when options were limited for them.

WINNER, 2025 ASSOCIATION OF UNIVERSITY PRESSES BOOK, JACKET, AND JOURNAL SHOW IN THE JACKETS & COVERS CATEGORY

A captivating memoir of New York’s Historic Upper West Side at a time when community and unity defined the neighborhood

Step into the world of Just City and embark on a poignant journey to a time when ideals were woven into the very fabric of a neighborhood. Jennifer Baum’s evocative storytelling brings to life an era in New York City’s history where affordable housing wasn’t just a concept, but a reality that defined the essence of community.

Within the pages of this captivating memoir, you’ll find yourself transported to the historic Upper West Side—a place where diversity flourished and a shared belief in the importance of a home for all bound the residents together. Through personal anecdotes and heartfelt accounts, Baum illuminates her own upbringing alongside the stories of those who shared her neighbor­hood. She describes how as an adult, she came to appreciate that being raised in an integrated collective was a unique and exceptional experience. As she moves around the world for school, a husband, and work, she tells the story of her search for a home that would embody the values and community she grew up with.

Just City goes beyond the physicality of housing; it unveils the emotional tapestry of housing for an entire generation. As you immerse yourself in the stories of rallies, grassroots efforts, and the sense of kinship that defined this era, you’ll witness a generation that stood united for justice and fairness. The book captures not just moments, but the ethos of a time when the city was a testament to the power of community.

Celebrate the legacy of an era when a city was truly a home, when principles of social respon­sibility thrived. Just City isn’t just a memoir—it’s an invitation to revive the spirit of unity and create a city where everyone belongs. So open its pages and let its words rekindle the flame of a just and inclusive city once more.

Explores four centuries of colonization, land divisions, and urban development around this historic landmark neighborhood in West Harlem

It was the neighborhood where Alexander Hamilton built his country home, George Gershwin wrote his first hit, a young Norman Rockwell discovered he liked to draw, and Ralph Ellison wrote Invisible Man. Through words and pictures, Hamilton Heights and Sugar Hill traces the transition of this picturesque section of Harlem from lush farmland in the early 1600s to its modern-day growth as a unique Manhattan neighborhood highlighted by stunning architecture, Harlem Renaissance gatherings, and the famous residents who called it home.

Stretching from approximately 135th Street and Edgecombe Avenue to around 165th, all the way to the Hudson River, this small section in the Heights of West Harlem is home to so many significant events, so many extraordinary people, and so much of New York’s most stunning architecture, it’s hard to believe one place could contain all that majesty. Author Davida Siwisa James brings to compelling literary life the unique residents and dwelling places of this Harlem neighborhood that stands at the heart of the country’s founding. Here she uncovers the long-lost history of the transitions to Hamilton Grange in the aftermath of Alexander Hamilton’s death and the building boom from about 1885 to 1930 that made it one of Manhattan’s most historic and architecturally desirable neighborhoods, now and a century ago. The book also shares the story of the LaGuardia High School of Music & Art, one of the fi rst in the nation to focus on arts and music. The author chronicles the history of the James A. Bailey House, as well as the Morris-Jumel Mansion, Manhattan’s oldest surviving residence and famously known as George Washington’s headquarters at the start of the American Revolution.

By telling the history of its vibrant people and the beautiful architecture of this lovely, well-maintained historic landmark neighborhood, James also dispels the misconception that Harlem was primarily a ghetto wasteland. The book also touches upon the Great Migration of Blacks leaving the South who landed in Harlem, helping it become the mecca for African Americans, including such Harlem Renaissance artists and luminaries as Thurgood Marshall, Count Basie, Duke Ellington, Mary Lou Williams, Paul Robeson, Regina Anderson Andrews, and W. E. B. Du Bois.

The stories of 18 immigrant families from East Harlem and their experiences with one of New York’s deeply-rooted organizations

On any given weekday, people stream in and out of Little Sisters of the Assumption Family Health Service’s bright, airy building on 115th Street. They are mostly mothers who find their way to LSA, sometimes only weeks after crossing the border from Mexico, having heard of the support that las hermanitas (“the little sisters”) offer. Opening a window into the world of New York’s Spanish-speaking newcomers, Mutuality in El Barrio combines oral histories with archival research of the history, spirituality, and ministry of LSA to present how this well-established organization serves vulnerable populations with a unique approach they call “mutuality.”

LSA is part of a network of East Harlem’s powerful grassroots organizations that draws from the remarkable strengths of local families in its community. It is a place of healing and empowerment focused on the overall holistic health of resident families. Long-term relationships are cultivated here rather than quick fixes, and it is a place that nurtures people’s full potential as leaders, parents, and advocates for themselves. In Mutuality in El Barrio, eighteen mothers share how, through the help of LSA, they managed to navigate a strange city and an unfamiliar language in a neighbor­hood that has long been a site of incredible challenges and extraordinary strength, creativity, and cultural vitality.

These personal accounts of mothers, long-time LSA staff, and nuns reveal how these women found solidarity, accompaniment, care, neighborhood transformation, and binding connections through mutuality that helped them grow and connect in East Harlem. Their stories shine a light on an organization that began as a small community of vowed nuns who, like these mothers, also trace their origins abroad.

The stories of 18 immigrant families from East Harlem and their experiences with one of New York’s deeply-rooted organizations

On any given weekday, people stream in and out of Little Sisters of the Assumption Family Health Service’s bright, airy building on 115th Street. They are mostly mothers who find their way to LSA, sometimes only weeks after crossing the border from Mexico, having heard of the support that las hermanitas (“the little sisters”) offer. Opening a window into the world of New York’s Spanish-speaking newcomers, Mutuality in El Barrio combines oral histories with archival research of the history, spirituality, and ministry of LSA to present how this well-established organization serves vulnerable populations with a unique approach they call “mutuality.”

LSA is part of a network of East Harlem’s powerful grassroots organizations that draws from the remarkable strengths of local families in its community. It is a place of healing and empowerment focused on the overall holistic health of resident families. Long-term relationships are cultivated here rather than quick fixes, and it is a place that nurtures people’s full potential as leaders, parents, and advocates for themselves. In Mutuality in El Barrio, eighteen mothers share how, through the help of LSA, they managed to navigate a strange city and an unfamiliar language in a neighbor­hood that has long been a site of incredible challenges and extraordinary strength, creativity, and cultural vitality.

These personal accounts of mothers, long-time LSA staff, and nuns reveal how these women found solidarity, accompaniment, care, neighborhood transformation, and binding connections through mutuality that helped them grow and connect in East Harlem. Their stories shine a light on an organization that began as a small community of vowed nuns who, like these mothers, also trace their origins abroad.

The most comprehensive, up-to-date, and acclaimed guide to the High Line by the leading expert on the history of the park—now in a fully revised edition

Built atop a former freight railroad, the “park in the sky” is regularly cited as one of the premiere examples of adaptive reuse and quickly became one of New York’s most popular destinations, attracting more than 8 million visitors a year. This updated Third Edition of On the High Line— published to coincide with the fifteenth anniversary of the park’s opening—remains the definitive guide to the park that transformed an entire neighborhood and became an inspiration to cities around the globe.

In short entries organized by roughly two city block sections, the guide provides rich details about everything in view on both sides of the park. Illustrated with more than 110 black & white photographs, it covers historic and modern architecture; plants and horticulture; and important industries and technological innovations that developed in the neighborhoods the park traverses, from book publishing and food distribution to the introduction of cold storage and the development of radar, the elevator, and talking movies. Updated to include newly opened sections of the park, this edition also features a new conversation pertaining to the more controversial side of the High Line’s story and how it became a poster child for the most grievous manifestations of gentrification and inequity in public spaces. Author Annik LaFarge provides a frank discussion on how the park’s leadership created a platform for discussing these issues and for advising other projects on how to work more inclusively and from a social justice and equity perspective.

On the High Line serves as an educated travel companion, someone invisibly perched on a visitor’s shoulder who can answer every question, including what was here before, moving back in time through the early 20th century, the Industrial Revolution, and the colonial and pre-European times when this stretch of what we call Manhattan was home to the Lenape people and much of it was covered by the waters of the Hudson River. A companion website with more than 650 photos—historic, contemporary, rooftop and aerial—can be viewed at HighLineBook.com.

Devil’s Mile tells the rip-roaring story of New York’s oldest and most unique street

The Bowery was a synonym for despair throughout most of the 20th century. The very name evoked visuals of drunken bums passed out on the sidewalk, and New Yorkers nicknamed it “Satan’s Highway,” “The Mile of Hell,” and “The Street of Forgotten Men.” For years the little businesses along the Bowery—stationers, dry goods sellers, jewelers, hatters—periodically asked the city to change the street’s name. To have a Bowery address, they claimed, was hurting them; people did not want to venture there.

But when New York exploded into real estate frenzy in the 1990s, developers discovered the Bowery. They rushed in and began tearing down. Today, Whole Foods, hipster night spots, and expensive lofts have replaced the old flophouses and dive bars, and the bad old Bowery no longer exists.

In Devil’s Mile, Alice Sparberg Alexiou tells the story of the Bowery, starting with its origins, when forests covered the surrounding area, and through the pre–Civil War years, when country estates of wealthy New Yorkers lined this thoroughfare. She then describes the Bowery’s deterioration in stunning detail, starting in the post-bellum years. She ends her historical exploration of this famed street in the present, bearing witness as the old Bowery buildings, and the memories associated with them, are disappearing.

The first comprehensive treatment in seventy years of the American Art-Union's remarkable rise and fall

For over a decade, the New York-based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country's first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works.

For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable U.S. artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members' names were entered in a drawing for hundreds of original paintings and sculptures by most of the era's best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union's downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century U.S. art. Dr. Kimberly A. Orcutt draws from the American Art-Union's records as well as in-depth contextual research to track the organization's decisive impact that set the direction of the country's paintings, sculpture, and engravings for well over a decade.

​​Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union's demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization's activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.

The incredible story of the man and legend who has come to symbolize the continuing pursuit of justice for Blacks in the United States

Through the 1980s, the mainstream press portrayed the Reverend Al Sharpton as a buffoon, a fake minister, a hustler, an opportunist, a demagogue, a race traitor, and an anti-Semite. Today, Sharpton occupies a throne that would have shocked the white newspaper reporters who covered him forty years ago. A mesmerizing story of astounding transformation, craftiness, and survival, King Al follows Reverend Sharpton’s life trajectory, from his early life as a boy preacher to his present moment as the most popular Black American activist/minister/cable news host.

In the 1980s, Rev. Al created controversies that would have doomed a lesser man to the dustbin of history. Among these controversies were his work with the FBI as the agency attempted to locate Black Liberation Army leader Assata Shakur; and his involvement in the 1987 Tawana Brawley episode. Regarding the Brawley matter, a white prosecutor sued Sharpton, successfully, for falsely accusing him of having raped the then-fifteen-year-old Brawley.

It was the white press, in its glory days, that created the podium from which Sharpton became both famous and infamous. Those reporters would joke that the most dangerous place in New York was between Al Sharpton and a television camera. But it was those reporters who made Sharpton the media figure he is today.

Today, as host of MSNBC’s PoliticsNation news program, Sharpton has more news viewers than those reporters ever had readers.

The Reverend Al’s rise to respectability is a testament to an endurance and boldness steeped in Black American history. Born in Brooklyn to parents from the old slave-holding South, he transformed himself into one of the most respected and politically influential Blacks in the United States.

In his in-depth coverage, author Ron Howell tells the stories of Sharpton’s ascendance to the throne. He tells us about the glory years of American newspapers, when Sharpton began his rise. And he tells us about the politicians who intersected with Sharpton as he climbed the ladder.

King Al is an engaging read about the late-twentieth-century history of New York City politics and race relations, as well as about the remarkable staying power of the colorful, politically skillful, and enigmatic Sharpton.

WINNER, IPPY BOOK AWARDS, LGBTQ+ FICTION

WINNER, 2023 BEST INDIE BOOK AWARD, LGBTQ2 FICTION

SHORT LIST, VCU CABELL FIRST NOVELIST AWARD

ON LAMBDA LITERARY REVIEW'S SEPTEMBER MOST ANTICIPATED LIST

ONE OF QUEER FORTY'S BEST PRIDE READS FOR SUMMER 2023!

Three gay men in pre-Stonewall New York City find their fates thrown together in the police raid of a Village bar.

Roger Moorhouse is a Wall Street banker and Westchester family man with a preciously guarded secret. As the shouting begins and flashlights blaze in his face, the life he’s carefully curated over the years—a fancy new office overlooking lower Broadway, a house in Beechmont Woods, his wife and children—is about to come crashing down around him.

Columbia literature professor Julian Prince lives a comparatively uncloseted life when he finds his first committed relationship tested to its limits. How could he explain to Gus, a fearless young artist, that he couldn’t stay with him that weekend because the woman who was still technically Julian’s fiancée would be visiting? But when Gus is struck unconscious by a police baton, Julian comes out of hiding to protect him, even if exposure means losing everything.

For Danny Duffy, an Irish kid from the Bronx with a sassy mouth and a diverse group of friends, the raid is a galvanizing, Spartacus moment. Danny doesn’t have too much left to lose; his family has just disowned him. But once his name appears in the newspaper, he’ll be fired from his job at Sloan’s Supermarket, where he’s risen to assistant manager of produce, and begin a journey that veers between political enlightenment and violent revenge.

The three men find themselves in a police wagon together, their hidden lives threatened to be revealed to the world. Blackmail, a private investigator, Gus’s disappearance, and Danny’s quest for retribution propel Disorderly Men to its piercing conclusion, as each man meets the boundaries of his own fear, love, and shame. The stakes for each are different, but all of them confront a fundamental question: How much happiness is he allowed to have . . . and what share of it will he lay claim to?

Photographer Barbara Mensch’s rediscovered photo archives and interview tapes capture symbolic transformations of Lower Manhattan.

Many of these images are published here for the first time. The photographs evoke the passage of time by dividing the images into three parts: the 1980s, the 1990s, and the new millennium (2000 and beyond). The photographer shares with the viewer:

“I would shoot ruins of buildings, the demolition of famous waterfront saloons, ancient alleyways, and, in some cases, nineteenth-century buildings destroyed by mysterious fires. There were images of floods and other calamities/catastrophes in Lower Manhattan, culminating with 9/11.

These photos captured what had been, what no longer exists. They served as my visual timeline. What did the passage of the many decades reveal to me? What dynamics were in my images of the same streets I repeatedly walked for years?”

The author’s images from the Fulton Fish Market in the 1980s document the generations of immigrants and their children pursuing a gritty American Dream next to the Brooklyn Bridge.

Photos from the 1990s present images of floods and fires that paralyzed the area, juxtaposed with continued bulldozing to clear the way for luxury housing. Politics reshaped Manhattan’s skyline by encouraging new commercial shopping, food, and restaurant destinations. This restructuring marked the beginning of the end of downtown’s blue-collar origins and white-collar replacements, challenging us to ask, “What was lost?”

The seminal event of the 2000s, September 11, 2001, reinforced downtown’s rebirth as the global economic engine with no room for the past. Also included in this section is an interview with an insider privy to the Mafia leadership of the Fulton Fish Market during Mayor Rudolph Giuliani’s opportunistic crusade against them in the 1980s.

Dan Barry, Pulitzer Prize–winning journalist, offers a poetic and insightful tribute to the artist and photographer.

“Definitions: ‘falling off’ suggests a decline in quality or quantity, ‘falling off’ suggests the passage of time or changes over time, ‘falling off’ suggests a detachment, an alternative path to a questionable destination, ‘falling off’ suggests a separation, ‘falling off’ suggests something that comes to pass.”

A micro-biography of horror fiction’s most influential author and his love–hate relationship with New York City.

By the end of his life and near financial ruin, pulp horror writer Howard Phillips Lovecraft resigned himself to the likelihood that his writing would be forgotten. Today, Lovecraft stands alongside J. R. R. Tolkien as the most influential genre writer of the twentieth century. His reputation as an unreformed racist and bigot, however, leaves readers to grapple with his legacy. Midnight Rambles explores Lovecraft’s time in New York City, a crucial yet often overlooked chapter in his life that shaped his literary career and the inextricable racism in his work.

Initially, New York stood as a place of liberation for Lovecraft. During the brief period between 1924 and 1926 when he lived there, Lovecraft joined a creative community and experimented with bohemian living in the publishing and cultural capital of the United States. He also married fellow writer Sonia H. Greene, a Ukrainian-Jewish émigré in the fashion industry. However, cascading personal setbacks and his own professional ineptitude soured him on New York. As Lovecraft became more frustrated, his xenophobia and racism became more pronounced. New York’s large immigrant population and minority communities disgusted him, and this mindset soon became evident in his writing. Many of his stories from this era are infused with racial and ethnic stereotypes and nativist themes, most notably his overtly racist short story, “The Horror at Red Hook,” set in Red Hook, Brooklyn. His personal letters reveal an even darker bigotry.

Author David J. Goodwin presents a chronological micro-biography of Lovecraft’s New York years, emphasizing Lovecraft’s exploration of the city environment, the greater metropolitan region, and other locales and how they molded him as a writer and as an individual. Drawing from primary sources (letters, memoirs, and published personal reflections) and secondary sources (biographies and scholarship), Midnight Rambles develops a portrait of a talented and troubled author and offers insights into his unsettling beliefs on race, ethnicity, and immigration.

WINNER, AMERICAN BOOK AWARD

Chronicles a Black Puerto Rican man’s odyssey and transformation from an incarcerated gang member to the Co-Founder of the Young Lords Party.

Growing up fatherless and poor, Felipe Luciano didn’t yearn for wealth or dream of becoming a famous actor or athlete. He was tired of being poor and ached to be a man, to reach that point of sagacity, courage, and independence that would signal to the world that he was now a warrior, ready to fight the battle for truth and justice, to slay the dragon of evil, whatever that might be. In Flesh and Spirit, Luciano paints a vivid portrait of his life in New York City as a member of the city’s Latino community as well as his pivotal role in the Young Lords and The Last Poets.

Luciano’s memoir begins when as a teenage Brooklyn gang member he is convicted of man­slaughter. This pivotal moment changes the trajectory of his life. The American kid raised on Davy Crockett and Superman TV tales emerged from the womb of prison into a harsh, new monochromatic black/white world without the benefit of rose-colored glasses. It was a painful shattering of all his childhood beliefs and the realization that he was a poor Black Puerto Rican in white America clutching onto values that didn’t work. The only flotsam in this churning sea of ’60s social turmoil was college, poetry, revolutionary activity, and sometimes God. After getting an education, Luciano went on to become an acclaimed poet and political activist who advocates for the Latino population of New York City, for the kids growing up in the same circumstances he did.

Sparing no one—not the revolutionaries, the Revolution, nor the author himself—Flesh and Spirit is written with honesty and humility to help guide young people of color and other Americans through the labyrinths of ideology, organization, missteps, false paths, and phony societal promises.

Featuring archival photographs by Michael Abramson reproduced from Palante: Voices and Photographs of the Young Lords, 1969-1971 © 2011 Haymarket Books.

WINNER, 2025 NATIONAL INDIE EXCELLENCE AWARD, MULTICULTURAL NON-FICTION
WINNER, 2025 IPPY AWARD, MULTICULTURAL NON-FICTION - ADULT (GOLD)
WINNER, 2024 BEST INDIE BOOK AWARD, CULINARY MEMOIR
WINNER, 2024 LIVING NOW BOOK AWARD, INSPIRATIONAL MEMOIR - MALE (BRONZE)

A NEW YORK PUBLIC LIBRARY & FOREWORD REVIEWS BOOK OF THE DAY • NAMED A BEST BOOK OF 2023 BY ZED BOOK CLUB & INDIA CURRENTS • LA WEEKLY BOOK PICK • RECOMMENDED BY BOOK RIOT & ELECTRIC LITERATURE

A timely self-examination of the “mixed” American experience featuring exclusive recipes and photographs from the author’s multicultural family.

As citizens continue to evolve and diversify within the United States, the ingredients that make up each flavorful household are waiting to be discovered and devoured. In Colorful Palate, author Raj Tawney shares his coming-of-age memoir as a young man born into an Indian, Puerto Rican, and Italian-American family, his struggles with understanding his own identity, and the mouthwatering flavors of the melting pot from within his own childhood kitchen.

While the world outside can be cruel and unforgiving, it’s even more complicated for a mixed-race kid, unsure of his place in the world. Turning to his mother and grandmother for guidance, Tawney assists in the kitchen, providing intimate moments and candor as he listened to the tales behind each culinary delicacy and the women who perfected it. Each lovingly prepared meal offered another opportunity to learn more about his extraordinary heritage. The ability to create delicious fare with his family wasn’t just a duty for the grand ladies who raised him; it was a survival tactic for navigating new and unknown cultures, not always willing to accept them at first or even a hundredth glance. As Tawney examines both himself and his loved ones through the formative stages of his life, from boyhood through adulthood, he begins to realize, through all of the chaos and confusion, just how “American” he actually was.

In this contemporary coming-of-age tale, Tawney tackles personal hot-button issues about race and identity through poignant, heartfelt moments centered on delicious meals. From succulent tandoori chicken to delectable arroz con habichuelas to scrumptious spaghetti and meatballs, Tawney shares his family recipes along with the intimate stories he overheard in the kitchen as he played sous chef to hundreds of recipes that not only span continents but also come with their own personal histories attached. Colorful Palate is a tale of the mixed experience, one of the millions that rarely get told, undefined by a single group or birthright and unapologetic about its lack of classification.

Winner, The David R. Coffin Publication Grant

A vibrant exploration of the everyday life of one of the most diverse places in the world: Queens, New York.

Remade by decades of immigration, Queens, New York, has emerged as an emblematic space of social mixing and encounters across multiple lines of difference. With its expansive subdivisions, tangled highways, and centerless form, it is also New York’s most enigmatic borough. It can feel alternately like a big city, a tight-knit village, a featureless industrial zone, or a sprawling suburban community. Through more than 200 contemporary photographs, Joseph Heathcott captures this multifaceted borough and one of the most diverse places in the United States.

Drawn from more than a decade of roaming around Queens and snapping photos, Heathcott conveys the juxtaposition of the ordinary and the extraordinary, the mundane and the surprising, and the staggering social diversity that best characterizes Queens. At the heart of the story are two separate but entwined histories: the rapid expansion of the borough’s built environment through the twentieth century, and the millions of people who have traveled from near and far to call Queens home. Newcomers have had to confront discrimination, white racial hostility, legal challenges, and language barriers. They have had to struggle to find adequate housing, places to worship, and jobs that pay enough to survive. And they have done all of this in the borough’s jumbled collection of neighborhoods, housing types, civic and religious institutions, factories and warehouses, commercial streets, and strip malls.

Heathcott makes primary use of documentary photography to bring these social and spatial realities of everyday life into relief. He also draws on demographic data, archival sources, planning documents, news stories, and reports. The result is a visual meditation on Queens that provides clues about an urban future where notions of citizenship and belonging are negotiated across multiple lines of difference, but where a sense of ”getting along”—however roughly textured and unfinished—has taken hold in the everyday life of the streets.

A comprehensive history and insider’s account of the Garifuna in New York City from 1943 to the present day.

In recent years, Latinos—primarily Central American migrants—crossing the southern border of the United States have dominated the national media, as the legitimacy of their detention and of U.S. immigration policy in general is debated by partisan politicians and pundits. Among these migrants seeking economic opportunities and fleeing violence from gangs and drug traffickers are many Central American Garifuna. This fascinating book is the long-overdue account—written by a Garifuna New Yorker—of the ways that Garifuna immigrants from Guatemala, Belize, and Honduras have organized themselves and become a vibrant presence in New York City, from the time of their first arrivals in the 1940s to the present.

The author documents four generations of Garifuna people in New York City who were active in the organizations at the heart of their community. Garifuna organizations have expanded and diversified over time from being primarily concerned with simply providing a space to gather for social events and some self-help groups for seamen (who were the first migrants) to a wide variety of organizations today that range from those focused on culture—music, dance, religion, language, sports, media—to those concentrating on economic development, political engagement and representation, immigration issues, health concerns, and transnational projects related to the situation of Garifuna in their Central American communities. As the Garifuna population grew, their organized entities simultaneously increased. The legacy of the Garifuna ethnic group is one of heroic resilience: They challenged colonial European suppression and grew from an estimated population of 2,000 to a growing 600,000 in the present day. After wars defending their original settlement on the Caribbean island of St. Vincent, the remaining Garifuna were rounded up and expelled from the territory to Central America, and from there they eventually immigrated to the United States. In New York City, an estimated 200,000 Garifuna live in the five boroughs, with their largest population in the Bronx. Having overcome numerous challenges, this Black/ Indigenous ethnic group is now known for its significant involvement in both Central American as well as U.S. societies.

The Garifuna are integrated into the fabric of New York City as a distinctive Afro-Latinx/African Diaspora ethnic group known for its cultural and political impact. Garifuna organizations are at once concerned with creating alliances with a diversity of many other groups and also focused on dealing with issues specific to the unique culture, history, and situation of the Garifuna. They provide an interesting case study on whether and how Black ethnic groups assimilate with African Americans. And awareness of this group, its culture, and its contribution to American society is essential to understanding a growing segment of the expanding diverse Latino presence in the United States.

A comprehensive history and insider’s account of the Garifuna in New York City from 1943 to the present day.

In recent years, Latinos—primarily Central American migrants—crossing the southern border of the United States have dominated the national media, as the legitimacy of their detention and of U.S. immigration policy in general is debated by partisan politicians and pundits. Among these migrants seeking economic opportunities and fleeing violence from gangs and drug traffickers are many Central American Garifuna. This fascinating book is the long-overdue account—written by a Garifuna New Yorker—of the ways that Garifuna immigrants from Guatemala, Belize, and Honduras have organized themselves and become a vibrant presence in New York City, from the time of their first arrivals in the 1940s to the present.

The author documents four generations of Garifuna people in New York City who were active in the organizations at the heart of their community. Garifuna organizations have expanded and diversified over time from being primarily concerned with simply providing a space to gather for social events and some self-help groups for seamen (who were the first migrants) to a wide variety of organizations today that range from those focused on culture—music, dance, religion, language, sports, media—to those concentrating on economic development, political engagement and representation, immigration issues, health concerns, and transnational projects related to the situation of Garifuna in their Central American communities. As the Garifuna population grew, their organized entities simultaneously increased. The legacy of the Garifuna ethnic group is one of heroic resilience: They challenged colonial European suppression and grew from an estimated population of 2,000 to a growing 600,000 in the present day. After wars defending their original settlement on the Caribbean island of St. Vincent, the remaining Garifuna were rounded up and expelled from the territory to Central America, and from there they eventually immigrated to the United States. In New York City, an estimated 200,000 Garifuna live in the five boroughs, with their largest population in the Bronx. Having overcome numerous challenges, this Black/ Indigenous ethnic group is now known for its significant involvement in both Central American as well as U.S. societies.

The Garifuna are integrated into the fabric of New York City as a distinctive Afro-Latinx/African Diaspora ethnic group known for its cultural and political impact. Garifuna organizations are at once concerned with creating alliances with a diversity of many other groups and also focused on dealing with issues specific to the unique culture, history, and situation of the Garifuna. They provide an interesting case study on whether and how Black ethnic groups assimilate with African Americans. And awareness of this group, its culture, and its contribution to American society is essential to understanding a growing segment of the expanding diverse Latino presence in the United States.

NEW IN PAPERBACK!

BOOKS ARE MAGIC 2023 HOLIDAY GIFT BOOK

With humor and grace, the memoir of a first-generation Chinese American in New York City.

Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene.

In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole.

As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.

Finalist, 2021 Wall Award (Formerly the Theatre Library Association Award)

The untold story behind one of America’s greatest dramas.

In early 1957, a low-budget black-and-white movie opened across the United States. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view.
Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics, beloved by the public, and widely performed as a stage play, touching audiences around the world. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict and widely taught for its depiction of group dynamics and human relations. Few twentieth-century American dramatic works have had the acclaim and impact of 12 Angry Men.

Rosenzweig’s 12 Angry Men tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day—from racial prejudice to juvenile delinquency to civil liberties—and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age and set the standard for legal dramas. This book brings Reginald Rose’s long and successful career, its origins and accomplishments, into view at long last.

By placing 12 Angry Men in its historical and social context—the rise of television, the blacklist, and the struggle for civil rights—Rosenzweig traces the story of this brilliant courtroom drama, beginning with the chance experience that inspired Rose, to its performance on CBS’s Westinghouse Studio One in 1954, to the feature film with Henry Fonda. The book describes Sidney Lumet’s casting, the sudden death of one actor, and the contribution of cinematographer Boris Kaufman. It explores vari­ous drafts of the drama, with Rose settling on the shattering climax only days before filming began.

Drawing on extensive research and brimming with insight, this book casts new light on one of America’s great dramas—and about its author, a man of immense talent and courage.

Author royalties will be donated equally to the Feerick Center for Social Justice at Fordham Law School and the Justice John Paul Stevens Jury Center at Chicago-Kent College of Law.

A compelling, action-packed account of the only officially sanctioned I.R.A attack ever conducted on American soil.

In 1922, three of the Irish Republican Army’s top gunmen arrived in New York City seeking ven­geance. Their target: “Cruxy” O’Connor, a young Irishman who kept switching sides as revolution swept his country in the wake of World War I. Cruxy’s last betrayal dealt a stunning blow to Ireland’s struggle for independence: Six of his IRA comrades were killed when he told police the location of their safe house outside Cork. A year later, the IRA gunned him down in a hail of bullets before a crowd of horrified New Yorkers at the corner of 84th Street and Central Park West.

Based primarily on first-hand accounts, most of them never before published, Ambush at Central Park is a cinematic exploration of the enigma of “Cruxy” O’Connor: Was he really a decorated war hero who became a spy for Britain? When he defected to the IRA, did his machine gun really jam in a crucial attack? When captured, did he give up his IRA comrades only under torture? Was he a British spy all along? Or was he pursuing a decades-old blood feud between his family and that of one of his comrades?

A longtime editor at The New York Times, author Mark Bulik delved through Irish government archives, newspaper accounts, census data, and unpublished material from the families of the main actors. Together they add to the sensational story of a rebel ambush, a deadly police raid, a dinner laced with poison, a daring prison break, a boatload of tommy guns on the Hoboken waterfront, an unlikely pair of spies who fall in love, and an audacious assassination plot against the British cabinet.

Gravely wounded and near death, Cruxy refused to cooperate with the detectives investigating the case. And so, the spy who stopped spying and the gunman who stopped shooting became the informer who wouldn’t inform, even at death’s door. Here is a forgotten chapter of Irish and New York history: the story of the only officially authorized IRA attack on American soil.

An immersive journey into the past, present, and future of a region many consider the Northeast’s wilderness backyard.

Out of all the rural areas of the United States, including those in the West, which are bigger and propped up by more pervasive myths about adventure and nation and wilderness and freedom, the Adirondacks has accumulated a well-known identity beyond its boundaries. Untouched, unspoiled, it is defined by what we haven’t done to it. Combining author Matt Dallos’s personal observations with his thorough research of primary and secondary documents, In the Adirondacks rambles through the region to understand its significance within American culture and what lessons it might offer us for how we think about the environment. In vivid prose, Dallos digs through the region’s past and present to excavate a series of compelling stories and places: a moose named Harold, a hot dog mogul’s rustic mansion, an ecological restoration on an alpine summit, a hermit who demanded a helicopter ride, and a millionaire who dressed up as a Native American to rob a stagecoach. Along the way, Dallos listens to locals and tourists, visits wilderness areas and souvenir shops, and digs through archives in museums and libraries.

In the Adirondacks blends lively history and immersive travel writing to explore the Adirondacks that captivated Dallos’s childhood imagination while presenting a compelling and entertaining story about America’s largest park outside of Alaska. The result is an inquisitive journey through the region’s bogs and lakes and boreal forests and the lives of residents and tourists. Dallos turned toward the region to understand why he couldn’t shake it from his mind. What he learned is that he’s not the only one.

In the Adirondacks explores the history and future of the most complicated, contested park in North America, raising important questions about the role of environmental preservation and the great outdoors in American history and culture.

WINNER, VICTORIAN SOCIETY IN AMERICA BOOK AWARD
WINNER, 2024 PUBLICATION PRIZE, FRIENDS OF THE UPPER EAST SIDE HISTORIC DISTRICTS

Reveals new and previously unknown biographical material about an important figure in nineteenth-century American architecture and music.

Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City archi­tecture. Yet he was one-third of the party responsible for the early development of the city’s Central Park. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this nineteenth-century American architect and musical genius.

Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed “the Church of the Holy Zebra,” it was the first building in America to display the mix of colorful materials and medieval Italian inspira­tion that was characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould’s spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC’s revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875 to 1879, he worked for Henry Meiggs, the “Yankee Pizarro,” in Lima, Peru.

Resting on the foundation of Central Park docent Lucille Gordon’s heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music.

Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

An honest and gripping memoir of one man’s life-altering experience teaching at Rikers Island.

When Brandon Dean Lamson first accepted the teaching position at Horizon Academy, a court-mandated academic program for eighteen- to twenty-year-old prisoners at Rikers Island, even he had to question his own motivation. Why was he risking his life every day at a prison notorious for being one of the most dangerous places to work? Was it his small way of making amends for the blatant and pervasive racism he witnessed every day growing up in his small Southern town? Or was it to prove he wasn’t afraid to go where his own father, a prominent District Court judge, had sent both the innocent and guilty alike? In Caged, Lamson provides an intimate view of his transformative experience teaching inmate students on Rikers Island.

Rikers Island resonates as a place of horrific violence and inescapable punishment, one of the last places in America that truly invoke overwhelming, universal fear. Set in the late 1990s—a time when the city was rapidly changing into an increasingly corporatized and policed space—Caged exposes a criminal justice system designed to thwart efforts to rehabilitate and educate the incar­cerated. Lamson’s first-hand account illustrates how penitentiaries too often use prison education as another means of control.

Written in a gripping, confessional narrative, Caged explores the consequential impact of Lamson’s move to New York City, his childhood experiences with racial justice, and his journey working in four prisons over the course of three years. Lamson provides glimpses into his own self-destructive behavior as parallels emerge between his life on Rikers and his personal life, his white privilege, and how his behavior progressively entraps him in ways that resonate with the challenges faced by his students. The book intimately captures how incarceration changes both prisoner and educator alike as Lamson struggles to integrate into life outside prison after his departure from Horizon Academy.

The first detailed study of “Neo-Antique” architecture applies an archaeological lens to the study of New York City’s structures

Since the city’s inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers’ and Sailors’ Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century.

Contextualizing New York’s Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city’s new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences—intellectually, conceptually, and chronologically—among the reception of these different architectural traditions.

This fundamentally interdisciplinary project draws upon all available evidence and archival materials—such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines—to provide a lively multi-dimensional analysis that examines not only the city’s ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances—whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City’s skyline throughout its history.

With humor and grace, the memoir of a first-generation Chinese American in New York City.

Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene.

In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole.

As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.

WINNER, THE VICTORIAN SOCIETY NEW YORK, 2022 BOOK AWARD

How a prolific yet little-known architect changed the face of education in New York City

As Superintendent of School Buildings from 1891 to 1922, architect Charles B. J. Snyder elevated the standards of school architecture. Unprecedented immigration and Progressive Era changes in educational philosophy led to his fresh approach to design and architecture, which forever altered the look and feel of twentieth-century classrooms and school buildings. Students rich or poor, immigrant or native New Yorker, went from learning in factory-like schools to attending classes in schools with architectural designs and enhancements that to many made them seem like palaces. Spanning three decades, From Factories to Palaces provides a thought-provoking narrative of Charles Snyder and shows how he integrated his personal experiences and innovative design skills with Progressive Era school reform to improve students’ educational experience in New York City and, by extension, across the nation.

During his thirty-one years of service, Snyder oversaw the construction of more than 400 New York City public schools and additions, of which more than half remain in use today. Instead of blending in with the surrounding buildings as earlier schools had, Snyder’s were grand and imposing. “He does that which no other architect before his time ever did or tried: He builds them beautiful,” wrote Jacob Riis. Working with the Building Bureau, Snyder addressed the school situation on three fronts: appearance, construction, and function. He re-designed schools for greater light and air, improved their sanitary facilities, and incorporated quality-of-life features such as heated cloakrooms and water fountains.

Author and educator Dr. Jean Arrington chronicles how Snyder worked alongside a group of like-minded, hardworking individuals—Building Bureau draftsmen, builders, engineers, school administrators, teachers, and custodians—to accomplish this feat.

This revelatory book offers fascinating glimpses into the nascent world of modern education, from the development of specialty areas, such as the school gymnasium, auditorium, and lunchroom, to the emergence of school desks with backs as opposed to uncomfortable benches, all housed in some of the first fireproofed schools in the nation. Thanks to Snyder, development was always done with the students’ safety, well-being, and learning in mind. Lively historical drawings, architectural layouts, and photographs of school building exteriors and interiors enhance the engaging story.

Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball.

Cross Bronx is Peter Quinn’s one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories.

Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn’s trilogy of historical detective novels as “generous and agile and profound.” Quinn has now seized the time and inspiration afforded by “the strange interlude of the pandemic” to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms:

“In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne’s bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do.” (from the Prologue)

From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo’s landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider’s view of high-powered politics and high-stakes corporate intrigue.

Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

The incredible story of the man and legend who has come to symbolize the continuing pursuit of justice for Blacks in the United States

Through the 1980s, the mainstream press portrayed the Reverend Al Sharpton as a buffoon, a fake minister, a hustler, an opportunist, a demagogue, a race traitor, and an anti-Semite. Today, Sharpton occupies a throne that would have shocked the white newspaper reporters who covered him forty years ago. A mesmerizing story of astounding transformation, craftiness, and survival, King Al follows Reverend Sharpton’s life trajectory, from his early life as a boy preacher to his present moment as the most popular Black American activist/minister/cable news host.

In the 1980s, Rev. Al created controversies that would have doomed a lesser man to the dustbin of history. Among these controversies were his work with the FBI as the agency attempted to locate Black Liberation Army leader Assata Shakur; and his involvement in the 1987 Tawana Brawley episode. Regarding the Brawley matter, a white prosecutor sued Sharpton, successfully, for falsely accusing him of having raped the then-fifteen-year-old Brawley.

It was the white press, in its glory days, that created the podium from which Sharpton became both famous and infamous. Those reporters would joke that the most dangerous place in New York was between Al Sharpton and a television camera. But it was those reporters who made Sharpton the media figure he is today.

Today, as host of MSNBC’s PoliticsNation news program, Sharpton has more news viewers than those reporters ever had readers.

The Reverend Al’s rise to respectability is a testament to an endurance and boldness steeped in Black American history. Born in Brooklyn to parents from the old slave-holding South, he transformed himself into one of the most respected and politically influential Blacks in the United States.

In his in-depth coverage, author Ron Howell tells the stories of Sharpton’s ascendance to the throne. He tells us about the glory years of American newspapers, when Sharpton began his rise. And he tells us about the politicians who intersected with Sharpton as he climbed the ladder.

King Al is an engaging read about the late-twentieth-century history of New York City politics and race relations, as well as about the remarkable staying power of the colorful, politically skillful, and enigmatic Sharpton.

Winner, "Gold" Independent Publishing Award (IPPY) for LGBTQ+ Nonfiction
Winner, The Randy Shilts Award for Gay Nonfiction, 34th Annual Triangle Awards
2023 Lammy Finalist, Gay Memoir/Biography

A coming-of-age memoir of life on the front lines of the AIDS crisis with ACT UP New York.

From the moment Ron Goldberg stumbled into his first ACT UP meeting in June 1987, the AIDS activist organization became his life. For the next eight years, he chaired committees, planned protests, led teach-ins, and facilitated their Monday night meetings. He cruised and celebrated at ACT UP parties, attended far too many AIDS memorials, and participated in more than a hundred zaps and demonstrations, becoming the group’s unofficial “Chant Queen,” writing and leading chants for many of their major actions. Boy with the Bullhorn is both a memoir and an immersive history of the original New York chapter of ACT UP, the AIDS Coalition to Unleash Power, from 1987 to 1995, told with great humor, heart, and insight.

Using the author’s own story, “the activist education of a well-intentioned, if somewhat naïve nice gay Jewish theater queen,” Boy with the Bullhorn intertwines Goldberg’s experiences with the larger chronological history of ACT UP, the grassroots AIDS activist organization that confronted politicians, scientists, drug companies, religious leaders, the media, and an often uncaring public to successfully change the course of the AIDS epidemic.

Diligently sourced and researched, Boy with the Bullhorn provides both an intimate look into how activist strategies are developed and deployed and a snapshot of life in New York City during the darkest days of the AIDS epidemic. On the occasions where Goldberg writes outside his personal experience, he relies on his extensive archive of original ACT UP documents, news articles, and other published material, as well as activist videos and oral histories, to help flesh out actions, events, and the background stories of key activists. Writing with great candor, Goldberg examines the group’s triumphs and failures, as well as the pressures and bad behaviors that eventually tore ACT UP apart.

A story of ordinary people doing extraordinary things, from engaging in outrageous, media-savvy demonstrations, to navigating the intricacies of drug research and the byzantine bureaucracies of the FDA, NIH, and CDC, Boy with the Bullhorn captures the passion, smarts, and evanescent spirit of ACT UP—the anger, grief, and desperation, but also the joy, camaraderie, and sexy, campy playfulness—and the exhilarating adrenaline rush of activism.

The first book devoted to this landmark of architecture, urban planning, and social engineering

Situated in the borough of Queens, New York, Sunnyside Gardens has been an icon of urbanism and planning since its inception in the 1920s. Not the most beautifully planned community, nor the most elegant, and certainly not the most perfectly preserved, Sunnyside Gardens nevertheless endures as significant both in terms of the planning principles that inspired its creators and in its subsequent history. Why this garden suburb was built and how it has fared over its first century is at the heart of Sunnyside Gardens.

Reform-minded architects and planners in England and the United States knew too well the social and environmental ills of the cities around them at the turn of the twentieth century. Garden cities gained traction across the Atlantic before the Great War, and its principles were modified by American pragmatism to fit societal conditions and applied almost as a matter of faith by urban planners for much of the twentieth century. The designers of Sunnyside— Clarence Stein, Henry Wright, Frederick Ackerman, and landscape architect Marjorie Cautley—crafted a residential community intended to foster a sense of community among residents.

Richly illustrated throughout with historic and contemporary photographs as well as architectural plans of the houses, blocks, and courts, Sunnyside Gardens first explores the planning of Sunnyside, beginning with the English garden-city movement and its earliest incarnations built around London. Chapters cover the planning and building of Sunnyside and its construction by the City Housing Corporation, the design of the homes and gardens, and the tragedy of the Great Depression, when hundreds of families lost their homes. The second section examine how the garden suburbs outside London have been preserved and how aesthetic regulation is enforced in New York. The history of the preservation of Sunnyside Gardens is discussed in depth, as is the controversial proposal to place the Aluminaire House, an innovative housing prototype from the 1930s, on the only vacant site in the historic district.

Sunnyside Gardens pays homage to a time when far-sighted and socially conscious architects and planners sought to build communities, not merely buildings, a spirit that has faded to near-invisibility

2022 PROSE Awards Category Winner - Biography & Autobiography
Foreword INDIES Book of the Year Awards - 2021 BRONZE Winner for Biography

The fascinating biography of Eunice Hunton Carter, a social justice and civil rights trailblazer and the only woman prosecutor on the Luciano trial

Eunice Hunton Carter rose to public prominence in 1936 as both the only woman and the only person of color on Thomas Dewey’s famous gangbuster team that prosecuted mobster Lucky Luciano. But her life before and after the trial remains relatively unknown. In this definitive biography on this trailblazing social justice activist, authors Marilyn S. Greenwald and Yun Li tell the story of this unknown but critical pioneer in the struggle for racial and gender equality in the twentieth century.

Carter worked harder than most men because of her race and gender, and Greenwald and Li reflect on her lifelong commitment to her adopted home of Harlem, where she was viewed as a role model, arts patron, community organizer, and, later, as a legal advisor to the United Nations, the National Council of Negro Women, and several other national and global organizations.

Carter was both a witness to and a participant in many pivotal events of the early and mid– twentieth century, including the Harlem riot of 1935 and the social scene during the Harlem Renaissance.

Using transcripts, letters, and other primary and secondary sources from several archives in the United States and Canada, the authors paint a colorful portrait of how Eunice continued the legacy of the Carter family, which valued education, perseverance, and hard work: a grandfather who was a slave who bought his freedom and became a successful businessman in a small colony of former slaves in Ontario, Canada; a father who nearly single-handedly integrated the nation’s YMCAs in the Jim Crow South; and a mother who provided aid to Black soldiers in France during World War I and who became a leader in several global and domestic racial equality causes.

Carter’s inspirational multi-decade career working in an environment of bias, segregation, and patriarchy in Depression-era America helped pave the way for those who came after her.

The untold story of African-born migrants and their vibrant African influence in Harlem.

From the 1920s to the early 1960s, Harlem was the intellectual and cultural center of the Black world. The Harlem Renaissance movement brought together Black writers, artists, and musicians from different backgrounds who helped rethink the place of Black people in American society at a time of segregation and lack of recognition of their civil rights. But where is the story of African immigrants in Harlem’s most recent renaissance? Africans in Harlem examines the intellectual, artistic, and creative exchanges between Africa and New York dating back to the 1910s, a story that has not been fully told until now.

From Little Senegal, along 116th Street between Lenox Avenue and Frederick Douglass Boulevard, to the African street vendors on 125th Street, to African stores, restaurants, and businesses throughout the neighborhood, the African presence in Harlem has never been more active and visible than it is today. In Africans in Harlem, author, scholar, writer, and filmmaker Boukary Sawadogo explores Harlem’s African presence and influence from his own perspective as an African-born immigrant. Sawadogo captures the experiences, challenges, and problems African émigrés have faced in Harlem since the 1980s, notably work, interaction, diversity, identity, religion, and education. With a keen focus on the history of Africans through the lens of media, theater, the arts, and politics, this historical overview features compelling character-driven narratives and interviews of longtime residents as well as community and religious leaders.

A blend of self-examination as an immigrant member in Harlem and research on diasporic community building in New York City, Africans in Harlem reveals how African immigrants have transformed Harlem economically and culturally as they too have been transformed. It is also a story about New York City and its self-renewal by the contributions of new human capital, creative energies, dreams nurtured and fulfilled, and good neighbors by drawing parallels between the history of the African presence in Harlem with those of other ethnic immigrants in the most storied neighborhood in America.

How the famous and not-so-famous like-minded citizens all gave their time, expertise, and money to build a park legacy of incomparable benefit

The Palisades park and historic site system in New York and New Jersey is a significant anchor-point for the spread of national and state parks across the nation. The challenge to protect these treasures began with a brutal blast of dynamite in the late nineteenth century and continues to this day. Palisades: The People’s Park presents the story of getting from zero protected acres to the rich tapestry that is today’s Palisades park system, located in the nation’s most densely populated metropolitan region. This is an account of huge determination, moments of crisis, caustic resistance to the very idea of conservation, glorious philanthropy, a steep learning curve, and responsibilities for guardianship passed with care from one generation to the next.

Despite the involvement of men of great wealth and fame from its earliest beginnings, the Palisades Interstate Park Commission faced an early and ongoing struggle to arrange financial support from both the New York and New Jersey state governments for a park that would cross state lines. The conflicts between developers and conservationists, industrialists and wilderness enthusiasts, with their opposing views regarding the uses of natural resources required the commissioners of the PIPC to become skilled negotiators, assiduous fundraisers, and savvy participants in the political process. The efforts to create Palisades Interstate Park was prodigious, requiring more than 1,000 real estate transactions to establish Sterling Forest, to save Storm King Mountain, to preserve Lake Minnewaska, to protect Stony Point Battlefield and Washington’s headquarters, to open Bear Mountain and Harriman state parks, and to add the other sixteen parks to the Palisades Interstate Park System.

Beginning with the efforts of Elizabeth Vermilye of the New Jersey Federation of Women’s Clubs, who enlisted President Theodore Roosevelt’s support to stop the blasting and quarrying of Palisades rock, author Robert Binnewies traces the story of the famous, including J. P. Morgan, the Rockefellers, and the Harrimans, as well as the not-so-famous men and women whose donations of time and money led to the preservation of New York and New Jersey’s most scenic and historic lands. The park experiment, begun in 1900, still stands as a dynamic model among the nation’s major environmental achievements.

How the South Bronx and Puerto Rican migration defined Fr. Neil Connolly’s priesthood as he learned to both serve and be part of his community

South Bronx, 1958. Change was coming. Guidance was sorely needed to bridge the old and the new, for enunciating and implementing a vision. It was a unique place and time in history where Father Neil Connolly found his true calling and spiritual awakening. The Kingdom Began in Puerto Rico captures the spirit of the era and the spirit of this great man.

Set in historical context of a changing world and a changing Catholic Church, The Kingdom Began in Puerto Rico follows Fr. Neil Connolly’s path through the South Bronx, which began with a special Church program to address the postwar great Puerto Rican migration. After an immersion summer in Puerto Rico, Fr. Neil served the largest concentration of Puerto Ricans in the Bronx from the 1960s to the 1980s as they struggled for a decent life. Through the teachings of Vatican II, Connolly assumed responsibility for creating a new Church and world. In the war against drugs, poverty, and crime, Connolly created a dynamic organization and chapel run by the people and supported Unitas, a nationally unique peer-driven mental health program for youth. Frustrated by the lack of institutional responses to his community’s challenges, Connolly challenged government abandonment and spoke out against ill-conceived public plans. Ultimately, he realized that his priestly mission was in developing new leaders among people, in the Church and the world, and supporting two nationally unique lay leadership programs, the Pastoral Center and People for Change.

Discovering the real mission of priesthood, urban ministry, and the Catholic Church in the United States, author Angel Garcia ably blends the dynamic forces of Church and world that transformed Fr. Connolly as he grew into his vocation. The book presents a rich history of the South Bronx and calls for all urban policies to begin with the people, not for the people. It also affirms the continuing relevance of Vatican II and Medellin for today’s Church and world, in the United States and Latin America.

Finalist, 2021 Wall Award (Formerly the Theatre Library Association Award)

The untold story behind one of America’s greatest dramas

In early 1957, a low-budget black-and-white movie opened across the United States. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view.

Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics, beloved by the public, and widely performed as a stage play, touching audiences around the world. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict and widely taught for its depiction of group dynamics and human relations. Few twentieth-century American dramatic works have had the acclaim and impact of 12 Angry Men.

Reginald Rose and the Journey of “12 Angry Men” tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day—from racial prejudice to juvenile delinquency to civil liberties—and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age and set the standard for legal dramas. This book brings Reginald Rose’s long and successful career, its origins and accomplishments, into view at long last.

By placing 12 Angry Men in its historical and social context—the rise of television, the blacklist, and the struggle for civil rights—author Phil Rosenzweig traces the story of this brilliant courtroom drama, beginning with the chance experience that inspired Rose, to its performance on CBS’s Westinghouse Studio One in 1954, to the feature film with Henry Fonda. The book describes Sidney Lumet’s casting, the sudden death of one actor, and the contribution of cinematographer Boris Kaufman. It explores the various drafts of the drama, with characters modified and scenes added and deleted, with Rose settling on the shattering climax only days before filming began.

Drawing on extensive research and brimming with insight, this book casts new light on one of America’s great dramas—and about its author, a man of immense talent and courage.

Author royalties will be donated equally to the Feerick Center for Social Justice at Fordham Law School and the Justice John Paul Stevens Jury Center at Chicago-Kent College of Law.

Audubon Park’s journey from farmland to cityscape

The study of Audubon Park’s origins, maturation, and disappearance is at root the study of a rural society evolving into an urban community, an examination of the relationship between people and the land they inhabit. When John James Audubon bought fourteen acres of northern Manhattan farmland in 1841, he set in motion a chain of events that moved forward inexorably to the streetscape that emerged seven decades later. The story of how that happened makes up the pages of The Neighborhood Manhattan Forgot: Audubon Park and the Families Who Shaped It.

This fully illustrated history peels back the many layers of a rural society evolving into an urban community, enlivened by the people who propelled it forward: property owners, tenants, laborers, and servants. The Neighborhood Manhattan Forgot tells the intricate tale of how individual choices in the face of family dysfunction, economic crises, technological developments, and the myriad daily occurrences that elicit personal reflection and change of course pushed Audubon Park forward to the cityscape that distinguishes the neighborhood today.

A longtime evangelist for Manhattan’s Audubon Park neighborhood, author Matthew Spady delves deep into the lives of the two families most responsible over time for the anomalous arrangement of today’s streetscape: the Audubons and the Grinnells. Buoyed by his extensive research, Spady reveals the darker truth behind John James Audubon (1785–1851), a towering patriarch who consumed the lives of his family members in pursuit of his own goals. He then narrates how fifty years after Audubon’s death, George Bird Grinnell (1849–1938) and his siblings found themselves the owners of extensive property that was not yielding sufficient income to pay taxes, insurance, and maintenance. Like the Audubons, they planned an exit strategy for controlled change that would have an unexpected ending.

Beginning with the Audubons’ return to America in 1839, The Neighborhood Manhattan Forgot follows the many twists and turns of the area’s path from forest to city, ending in the twenty-first century with the Audubon name re-purposed in today’s historic district, a multiethnic, multi-racial urban neighborhood far removed from the homogeneous, Eurocentric Audubon Park suburb.

Nearly 600 captivating stories of notable former residents of Manhattan’s Upper West Side, some famous, some forgotten

What do Humphrey Bogart and Patty Hill (co-author of “Happy Birthday,” the most popular song of all time) have in common? Both of them once lived in the neighborhood of Morningside Heights and Bloomingdale, a strip of land that runs from the 90s to 125th Street, between the Hudson River and Central Park. Spanning hundreds of years, Notable New Yorkers of Manhattan’s Upper West Side is a compilation of stories of nearly 600 former residents who once called Manhattan’s Upper West Side home.

Profiling a rare selection of wildly diverse people who shaped the character of the area, author Jim Mackin introduces readers to its fascinating residents—some famous, such as George and Ira Gershwin and Thurgood Marshall, and some forgotten, such as Harriet Brooks, Augustus Meyers, and Elinor Smith. Brief biographies reveal intriguing facts about this group, which include scientists, explorers, historians, journalists, artists, entertainers, aviators, public officials, lawyers, judges, and some in a category too unique to label. This collection also promotes accomplished women who have been forgotten and spotlights The Old Community, a tight-knit African American enclave that included such talented and accomplished residents as Marcus Garvey, Billie Holiday, and Butterfly McQueen.

The book is divided into five geographical sections: the West 90s, the West 100s, the West 110s, the West 120s, and Riverside Drive. Addresses are arranged in ascending order within each section, first by street number and then by street address number. While the focus is on people, the book includes an eclectic collection of interesting facts and colorful stories about the neighborhood itself, including the 9th Avenue El, Little Coney Island, and, notoriously, one of the most dangerous streets in the city, as well as songs and movies that were written and filmed in the neighborhood. Notable New Yorkers of Manhattan’s Upper West Side provides a unique overview of the people who shaped the neighborhood through their presence and serves as a guide to those who deserve to be recognized and remembered.

The first book devoted to this landmark of architecture, urban planning, and social engineering

Situated in the borough of Queens, New York, Sunnyside Gardens has been an icon of urbanism and planning since its inception in the 1920s. Not the most beautifully planned community, nor the most elegant, and certainly not the most perfectly preserved, Sunnyside Gardens nevertheless endures as significant both in terms of the planning principles that inspired its creators and in its subsequent history. Why this garden suburb was built and how it has fared over its first century is at the heart of Sunnyside Gardens.

Reform-minded architects and planners in England and the United States knew too well the social and environmental ills of the cities around them at the turn of the twentieth century. Garden cities gained traction across the Atlantic before the Great War, and its principles were modified by American pragmatism to fit societal conditions and applied almost as a matter of faith by urban planners for much of the twentieth century. The designers of Sunnyside— Clarence Stein, Henry Wright, Frederick Ackerman, and landscape architect Marjorie Cautley—crafted a residential community intended to foster a sense of community among residents.

Richly illustrated throughout with historic and contemporary photographs as well as architectural plans of the houses, blocks, and courts, Sunnyside Gardens first explores the planning of Sunnyside, beginning with the English garden-city movement and its earliest incarnations built around London. Chapters cover the planning and building of Sunnyside and its construction by the City Housing Corporation, the design of the homes and gardens, and the tragedy of the Great Depression, when hundreds of families lost their homes. The second section examine how the garden suburbs outside London have been preserved and how aesthetic regulation is enforced in New York. The history of the preservation of Sunnyside Gardens is discussed in depth, as is the controversial proposal to place the Aluminaire House, an innovative housing prototype from the 1930s, on the only vacant site in the historic district.

Sunnyside Gardens pays homage to a time when far-sighted and socially conscious architects and planners sought to build communities, not merely buildings, a spirit that has faded to near-invisibility

How the famous and not-so-famous like-minded citizens all gave their time, expertise, and money to build a park legacy of incomparable benefit

The Palisades park and historic site system in New York and New Jersey is a significant anchor-point for the spread of national and state parks across the nation. The challenge to protect these treasures began with a brutal blast of dynamite in the late nineteenth century and continues to this day. Palisades: The People’s Park presents the story of getting from zero protected acres to the rich tapestry that is today’s Palisades park system, located in the nation’s most densely populated metropolitan region. This is an account of huge determination, moments of crisis, caustic resistance to the very idea of conservation, glorious philanthropy, a steep learning curve, and responsibilities for guardianship passed with care from one generation to the next.

Despite the involvement of men of great wealth and fame from its earliest beginnings, the Palisades Interstate Park Commission faced an early and ongoing struggle to arrange financial support from both the New York and New Jersey state governments for a park that would cross state lines. The conflicts between developers and conservationists, industrialists and wilderness enthusiasts, with their opposing views regarding the uses of natural resources required the commissioners of the PIPC to become skilled negotiators, assiduous fundraisers, and savvy participants in the political process. The efforts to create Palisades Interstate Park was prodigious, requiring more than 1,000 real estate transactions to establish Sterling Forest, to save Storm King Mountain, to preserve Lake Minnewaska, to protect Stony Point Battlefield and Washington’s headquarters, to open Bear Mountain and Harriman state parks, and to add the other sixteen parks to the Palisades Interstate Park System.

Beginning with the efforts of Elizabeth Vermilye of the New Jersey Federation of Women’s Clubs, who enlisted President Theodore Roosevelt’s support to stop the blasting and quarrying of Palisades rock, author Robert Binnewies traces the story of the famous, including J. P. Morgan, the Rockefellers, and the Harrimans, as well as the not-so-famous men and women whose donations of time and money led to the preservation of New York and New Jersey’s most scenic and historic lands. The park experiment, begun in 1900, still stands as a dynamic model among the nation’s major environmental achievements.

NAMED A BEST BOOK OF THE WEEK BY THE NEW YORK POST

ALSO AVAILABLE AS AN AUDIOBOOK

A from-the-trenches view of New York Daily News and New York Post runners and photographers as they stop at nothing to break the story and squash their tabloid arch-rivals.

When author Mike Jaccarino was offered a job at the Daily News in 2006, he was asked a single question: “Kid, what are you going to do to help us beat the Post?” That was the year things went sideways at the News, when the New York Post surpassed its nemesis in circulation for the first time in the history of both papers. Tasked with one job—crush the Post—Jaccarino here provides the behind-the-scenes story of how the runners and shooters on both sides would do anything and everything to get the scoop before their opponents.

The New York Daily News and the New York Post have long been the Hatfields and McCoys of American media: two warring tabloids in a town big enough for only one of them. As digital news rendered print journalism obsolete, the fight to survive in NYC became an epic, Darwinian battle. In America’s Last Great Newspaper War, Jaccarino exposes the untold story of this tabloid death match of such ferocity and obsession its like has not occurred since Pulitzer– Hearst.

Told through the eyes of hungry “runners” (field reporters) and “shooters” (photographers) who would employ phony police lights to overcome traffic, Mike Jaccarino’s memoir unmasks the do-whatever-it-takes era of reporting—where the ends justified the means and nothing was off-limits. His no-holds-barred account describes sneaking into hospitals, months-long stakeouts, infiltrating John Gotti’s crypt, bidding wars for scoops, high-speed car chases with Hillary Clinton, O.J. Simpson, and the baby mama of a philandering congressman—all to get that coveted front-page story.

Today, few runners and shooters remain on the street. Their age and exploits are as bygone as the News–Post war and American newspapers, generally. Where armies once battled, often no one is covering the story at all.

Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

Audubon Park’s journey from farmland to cityscape

The study of Audubon Park’s origins, maturation, and disappearance is at root the study of a rural society evolving into an urban community, an examination of the relationship between people and the land they inhabit. When John James Audubon bought fourteen acres of northern Manhattan farmland in 1841, he set in motion a chain of events that moved forward inexorably to the streetscape that emerged seven decades later. The story of how that happened makes up the pages of The Neighborhood Manhattan Forgot: Audubon Park and the Families Who Shaped It.

This fully illustrated history peels back the many layers of a rural society evolving into an urban community, enlivened by the people who propelled it forward: property owners, tenants, laborers, and servants. The Neighborhood Manhattan Forgot tells the intricate tale of how individual choices in the face of family dysfunction, economic crises, technological developments, and the myriad daily occurrences that elicit personal reflection and change of course pushed Audubon Park forward to the cityscape that distinguishes the neighborhood today.

A longtime evangelist for Manhattan’s Audubon Park neighborhood, author Matthew Spady delves deep into the lives of the two families most responsible over time for the anomalous arrangement of today’s streetscape: the Audubons and the Grinnells. Buoyed by his extensive research, Spady reveals the darker truth behind John James Audubon (1785–1851), a towering patriarch who consumed the lives of his family members in pursuit of his own goals. He then narrates how fifty years after Audubon’s death, George Bird Grinnell (1849–1938) and his siblings found themselves the owners of extensive property that was not yielding sufficient income to pay taxes, insurance, and maintenance. Like the Audubons, they planned an exit strategy for controlled change that would have an unexpected ending.

Beginning with the Audubons’ return to America in 1839, The Neighborhood Manhattan Forgot follows the many twists and turns of the area’s path from forest to city, ending in the twenty-first century with the Audubon name re-purposed in today’s historic district, a multiethnic, multi-racial urban neighborhood far removed from the homogeneous, Eurocentric Audubon Park suburb.

Magnificent art complements an unvarnished history of the Statue of Liberty and its relationship to immigration policy in the United States throughout the years.

What began in 1865 in Glatigny, France, at a dinner party hosted by esteemed university professor Édouard René de Laboulaye and attended by, among others, a promising young sculptor, Frédéric Auguste Bartholdi, was the extravagant notion of creating and giving a monumental statue to America that celebrated the young nation’s ideals. Bartholdi, and later civil engineer Alexandre-Gustave Eiffel, caught the spirit of the project and thus began the epic struggle to create, build, transport, and pay for the monument. Although The Statue of Liberty was to be a gift from France, the cost of its creation was meant to be shared with America. To the Lady’s creators and supporters, America offered liberty and the right to live one’s life unencumbered—that is, without fear and with a rule of law and a government that derived its power from the consent of the people it governed. Yet, in America, fundraising for the Lady dragged. Had it not been for publisher Joseph Pulitzer’s flashy fundraising campaign in his newspaper the World, the entire project likely would have collapsed.

The tale, abundant with lively and interesting stories about the Statue of Liberty’s creators, is also told in the context of America’s immigration policies—past and present. Explored, too, is the American immigrant experience and how it viscerally connects to the Lady. Also integral to the tale is poetry—a sonnet—written by a then–largely unknown Jewish poet, Emma Lazarus, who moved a nation and gave a deeply rich and fresh meaning and purpose to the statue.

In addition to the prose, Lady Liberty includes thirty-three elegant, full-page stirring paintings by celebrated artist Antonio Masi. Lady Liberty, a smart, timely, entertaining, and nonpartisan jewel of a book, is written for every American—young and old.

Lady Liberty also speaks to the millions who dream of one day becoming Americans.

Dim and Masi offer this book now because the Statue of Liberty, as a symbol of American beneficence, has never been more relevant . . . or more in jeopardy.

How the South Bronx and Puerto Rican migration defined Fr. Neil Connolly’s priesthood as he learned to both serve and be part of his community

South Bronx, 1958. Change was coming. Guidance was sorely needed to bridge the old and the new, for enunciating and implementing a vision. It was a unique place and time in history where Father Neil Connolly found his true calling and spiritual awakening. The Kingdom Began in Puerto Rico captures the spirit of the era and the spirit of this great man.

Set in historical context of a changing world and a changing Catholic Church, The Kingdom Began in Puerto Rico follows Fr. Neil Connolly’s path through the South Bronx, which began with a special Church program to address the postwar great Puerto Rican migration. After an immersion summer in Puerto Rico, Fr. Neil served the largest concentration of Puerto Ricans in the Bronx from the 1960s to the 1980s as they struggled for a decent life. Through the teachings of Vatican II, Connolly assumed responsibility for creating a new Church and world. In the war against drugs, poverty, and crime, Connolly created a dynamic organization and chapel run by the people and supported Unitas, a nationally unique peer-driven mental health program for youth. Frustrated by the lack of institutional responses to his community’s challenges, Connolly challenged government abandonment and spoke out against ill-conceived public plans. Ultimately, he realized that his priestly mission was in developing new leaders among people, in the Church and the world, and supporting two nationally unique lay leadership programs, the Pastoral Center and People for Change.

Discovering the real mission of priesthood, urban ministry, and the Catholic Church in the United States, author Angel Garcia ably blends the dynamic forces of Church and world that transformed Fr. Connolly as he grew into his vocation. The book presents a rich history of the South Bronx and calls for all urban policies to begin with the people, not for the people. It also affirms the continuing relevance of Vatican II and Medellin for today’s Church and world, in the United States and Latin America.

One of Hyperallergic's Top Ten Art Books for 2021

Approximately 300 daily and weekly newspapers flourished in New York before the Civil War. A majority of these newspapers, even those that proclaimed independence of party, were motivated by political conviction and often local conflicts. Their editors and writers jockeyed for government office and influence. Political infighting and their related maneuvers dominated the popular press, and these political and economic agendas led in turn to exploitation of art and art exhibitions. Humbug traces the relationships, class animosities, gender biases, and racial projections that drove the terms of art criticism, from the emergence of the penny press to the Civil War.

The inexpensive “penny” papers that appeared in the 1830s relied on advertising to survive. Sensational stories, satire, and breaking news were the key to selling papers on the streets. Coverage of local politicians, markets, crime, and personalities, including artists and art exhibitions, became the penny papers’ lifeblood. These cheap papers, though unquestionably part of the period’s expanding capitalist economy, offered socialists, working-class men, bohemians, and utopianists a forum in which they could propose new models for American art and society and tear down existing ones.

Arguing that the politics of the antebellum press affected the meaning of American art in ways that have gone unrecognized, Humbug covers the changing politics and rhetoric of this criticism. Author Wendy Katz demonstrates how the penny press’s drive for a more egalitarian society affected the taste and values that shaped art, and how the politics of their art criticism changed under pressure from nativists, abolitionists, and expansionists. Chapters explore James Gordon Bennett’s New York Herald and its attack on aristocratic monopolies on art; the penny press’s attack on the American Art-Union, an influential corporation whose Board purchased artworks from living artists, exhibited them in a free gallery, and then distributed them in an annual five-dollar lottery; exposés of the fraudulent trade in Old Masters works; and the efforts of socialists, freethinkers, and bohemians to reject the authority of the past.

NAMED A BEST BOOK OF THE WEEK BY THE NEW YORK POST

ALSO AVAILABLE AS AN AUDIOBOOK

A from-the-trenches view of New York Daily News and New York Post runners and photographers as they stop at nothing to break the story and squash their tabloid arch-rivals.

When author Mike Jaccarino was offered a job at the Daily News in 2006, he was asked a single question: “Kid, what are you going to do to help us beat the Post?” That was the year things went sideways at the News, when the New York Post surpassed its nemesis in circulation for the first time in the history of both papers. Tasked with one job—crush the Post—Jaccarino here provides the behind-the-scenes story of how the runners and shooters on both sides would do anything and everything to get the scoop before their opponents.

The New York Daily News and the New York Post have long been the Hatfields and McCoys of American media: two warring tabloids in a town big enough for only one of them. As digital news rendered print journalism obsolete, the fight to survive in NYC became an epic, Darwinian battle. In America’s Last Great Newspaper War, Jaccarino exposes the untold story of this tabloid death match of such ferocity and obsession its like has not occurred since Pulitzer– Hearst.

Told through the eyes of hungry “runners” (field reporters) and “shooters” (photographers) who would employ phony police lights to overcome traffic, Mike Jaccarino’s memoir unmasks the do-whatever-it-takes era of reporting—where the ends justified the means and nothing was off-limits. His no-holds-barred account describes sneaking into hospitals, months-long stakeouts, infiltrating John Gotti’s crypt, bidding wars for scoops, high-speed car chases with Hillary Clinton, O.J. Simpson, and the baby mama of a philandering congressman—all to get that coveted front-page story.

Today, few runners and shooters remain on the street. Their age and exploits are as bygone as the News–Post war and American newspapers, generally. Where armies once battled, often no one is covering the story at all.

Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists.

The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science.

Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium.

Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists.

Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.

One of Hyperallergic's Top Ten Art Books for 2021

Approximately 300 daily and weekly newspapers flourished in New York before the Civil War. A majority of these newspapers, even those that proclaimed independence of party, were motivated by political conviction and often local conflicts. Their editors and writers jockeyed for government office and influence. Political infighting and their related maneuvers dominated the popular press, and these political and economic agendas led in turn to exploitation of art and art exhibitions. Humbug traces the relationships, class animosities, gender biases, and racial projections that drove the terms of art criticism, from the emergence of the penny press to the Civil War.

The inexpensive “penny” papers that appeared in the 1830s relied on advertising to survive. Sensational stories, satire, and breaking news were the key to selling papers on the streets. Coverage of local politicians, markets, crime, and personalities, including artists and art exhibitions, became the penny papers’ lifeblood. These cheap papers, though unquestionably part of the period’s expanding capitalist economy, offered socialists, working-class men, bohemians, and utopianists a forum in which they could propose new models for American art and society and tear down existing ones.

Arguing that the politics of the antebellum press affected the meaning of American art in ways that have gone unrecognized, Humbug covers the changing politics and rhetoric of this criticism. Author Wendy Katz demonstrates how the penny press’s drive for a more egalitarian society affected the taste and values that shaped art, and how the politics of their art criticism changed under pressure from nativists, abolitionists, and expansionists. Chapters explore James Gordon Bennett’s New York Herald and its attack on aristocratic monopolies on art; the penny press’s attack on the American Art-Union, an influential corporation whose Board purchased artworks from living artists, exhibited them in a free gallery, and then distributed them in an annual five-dollar lottery; exposés of the fraudulent trade in Old Masters works; and the efforts of socialists, freethinkers, and bohemians to reject the authority of the past.

This remarkable history of a beloved Upper West Side church is in many respects a microcosm of the history of the Catholic Church in New York City.

Here is a captivating study of a distinctive Catholic community on the Upper West Side of Manhattan, an area long noted for its liberal Catholic sympathies in contrast to the generally conservative attitude that has pervaded the archdiocese of New York. The author traces this liberal Catholic dimension of Upper West Side Catholics to a long if slender line of progressive priests that stretches back to the Civil War era, casting renewed light on their legacy: liturgical reform, concern for social justice, and a preferential option for the poor long before this phrase found its way into official church documents. In recent years this progressivism has demonstrated itself in a willingness to extend a warm welcome to LGBT Catholics, most notably at the Church of the Ascension on West 107th Street. Ascension was one of the first diocesan parishes in the archdiocese to offer a spiritual home to LGBT Catholics and continues to sponsor the Ascension Gay Fellowship Group.

Exploring the dynamic history of the Catholic Church of the Ascension, this engaging and accessible book illustrates the unusual characteristics that have defined Catholicism on the Upper West Side for the better part of the last century and sheds light on similar congregations within the greater metropolis. In many respects, the history of Ascension parish exemplifies the history of Catholicism in New York City over the past two centuries because of the powerful presence of two defining characteristics: immigration and neighborhood change. The Church of the Ascension, in fact, is a showcase of the success of urban ethnic Catholicism. It was founded as a small German parish, developed into a large Irish parish, suffered a precipitous decline during the crime wave that devastated the Upper West Side from the 1960s to the 1980s, and was rescued from near-extinction by the influx of Puerto Rican and Dominican Catholics. It has emerged during the last several decades as a flourishing multi-ethnic, bilingual parish that is now experiencing the restored prosperity and prominence of the Upper West Side as one of Manhattan’s most integrated and popular residential neighborhoods.

An estimated 2 billion people around the world watched the catastrophic destruction of the World Trade Center. The enormity of the moment was immediately understood and quickly took on global proportions. What has been less obvious is the effect on the locus of the attacks, New York City, not as a seat of political or economic power, but as a community; not in the days and weeks afterward, but over months and years. New York after 9/11 offers insightful and critical observations about the processes set in motion by September 11, 2001 in New York, and holds important lessons for the future.

This interdisciplinary collection brings together experts from diverse fields to discuss the long-term recovery of New York City after 9/11. Susan Opotow and Zachary Baron Shemtob invited experts in architecture and design, medicine, health, community advocacy, psychology, public safety, human rights, law, and mental health to look back on the aftereffects of that tragic day in key spheres of life in New York City. With a focus on the themes of space and memory, public health and public safety, trauma and conflict, and politics and social change, this comprehensive account of how 9/11 changed New York sets out to answer three questions: What were the key conflicts that erupted in New York City in 9/11’s wake? What clashing interests were involved and how did they change over time? And what was the role of these conflicts in the transition from trauma to recovery for New York City as a whole?

Contributors discuss a variety of issues that emerged in this tragedy’s wake, some immediately and others in the years that followed, including: PTSD among first responders; conflicts and design challenges of rebuilding the World Trade Center site, the memorial, and the museum; surveillance of Muslim communities; power struggles among public safety agencies; the development of technologies for faster building evacuations; and the emergence of chronic illnesses and fatalities among first responders and people who lived, worked, and attended school in the vicinity of the 9/11 site. A chapter on two Ground Zeros –in Hiroshima and New York – compares and historicizes the challenges of memorialization and recovery. Each chapter offers a nuanced, vivid, and behind-the-scenes account of issues as they unfolded over time and across various contexts, dispelling simplistic narratives of this extended and complicated period. Illuminating a city’s multifaceted response in the wake of a catastrophic and traumatic attack, New York after 9/11 illustrates recovery as a process that is complex, multivalent, and ongoing.

Boss of Black Brooklyn presents a riveting and untold story about the struggles and achievements of the first black person to hold public office in Brooklyn. Bertram L. Baker immigrated to the United States from the Caribbean island of Nevis in 1915. Three decades later, he was elected to the New York state legislature, representing the Bedford Stuyvesant section. A pioneer and a giant, Baker has a story that is finally revealed in intimate and honest detail by his grandson Ron Howell.

Boss of Black Brooklyn begins with the tale of one man’s rise to prominence in a fascinating era of black American history, a time when thousands of West Indian families began leaving their native islands in the Caribbean and settling in New York City. In 1948, Bert Baker was elected to the New York state assembly, representing the growing central Brooklyn neighborhood of Bedford Stuyvesant. Baker loved telling his fellow legislators that only one other Nevisian had ever served in the state assembly. That was Alexander Hamilton, the founding father. Making his own mark on modern history, Baker pushed through one of the nation’s first bills outlawing discrimination in the sale or rental of housing. Also, for thirty years, from 1936 to 1966, he led the all-black American Tennis Association, as its executive secretary. In that capacity he successfully negotiated with white tennis administrators, getting them to accept Althea Gibson into their competitions. Gibson then made history as the first black champion of professional tennis. Yet, after all of Baker’s wonderful achievements, little has been written to document his role in black history.

Baker represents a remarkable turning point in the evolution of modern New York City. In the 1940s, when he won his seat in the New York state assembly, blacks made up only 4 percent of the population of Brooklyn. Today they make up a third of the population, and there are scores of black elected officials. Yet Brooklyn, often called the capital of the Black Diaspora, is a capital under siege. Developers and realtors seeking to gentrify the borough are all but conspiring to push blacks out of the city. A very important and long-overdue book, Boss of Black Brooklyn not only explores black politics and black organizations but also penetrates Baker’s inner life and reveals themes that resonate today: black fatherhood, relations between black men and black women, faithfulness to place and ancestry. Bertram L. Baker’s story has receded into the shadows of time, but Boss of Black Brooklyn recaptures it and inspires us to learn from it.

Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists.

The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science.

Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium.

Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists.

Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.

In the late 1980s, a handful of artists priced out of Manhattan and desperately needing affordable studio space discovered 111 1st Street, a former P. Lorillard Tobacco Company warehouse. Over the next two decades, an eclectic collection of painters, sculptors, musicians, photographers, filmmakers, and writers dreamt and toiled within the building’s labyrinthine halls. The local arts scene flourished, igniting hope that Jersey City would emerge as the next grassroots center of the art world. However, a rising real estate market coupled with a provincial political establishment threatened the community at 111 1st Street. The artists found themselves entangled in a long, complicated, and vicious fight for their place in the building and for the physical survival of 111 1st Street itself, a site that held so much potential, so much promise for Jersey City.

Left Bank of the Hudson offers a window into the demographic, political, and socio-economic changes experienced by Jersey City during the last thirty years. Documenting the narrative of 111 1st Street as an act of cultural preservation, author David J. Goodwin’s well-researched and significant contribution addresses the question of the role of artists in economically improving cities. As a Jersey City resident, Goodwin applies his knowledge of the city’s rich history of political malfeasance and corruption, including how auspicious plans for a waterfront arts enclave were repeatedly bungled by a provincial-minded city administration. In writing this story, Goodwin interviewed thirteen artists and residents, two businesses, three government officials, and five non-profits, civic organizations, and community activists. The book chronologically explores the history and business of the P. Lorillard Tobacco Company, its evolution into a bustling arts community, the battle to preserve the warehouse as a historic structure, and the lessons to be drawn from the loss and ultimate demolition of the building in 2007, as well as the present state of the neighborhood.

Setting the facts straight for future generations, Left Bank of the Hudson provides an illustrative lesson to government officials, scholars, students, activists, and everyday citizens attempting to navigate the “rediscovery” of American cities.

Boss of Black Brooklyn presents a riveting and untold story about the struggles and achievements of the first black person to hold public office in Brooklyn. Bertram L. Baker immigrated to the United States from the Caribbean island of Nevis in 1915. Three decades later, he was elected to the New York state legislature, representing the Bedford Stuyvesant section. A pioneer and a giant, Baker has a story that is finally revealed in intimate and honest detail by his grandson Ron Howell.

Boss of Black Brooklyn begins with the tale of one man’s rise to prominence in a fascinating era of black American history, a time when thousands of West Indian families began leaving their native islands in the Caribbean and settling in New York City. In 1948, Bert Baker was elected to the New York state assembly, representing the growing central Brooklyn neighborhood of Bedford Stuyvesant. Baker loved telling his fellow legislators that only one other Nevisian had ever served in the state assembly. That was Alexander Hamilton, the founding father. Making his own mark on modern history, Baker pushed through one of the nation’s first bills outlawing discrimination in the sale or rental of housing. Also, for thirty years, from 1936 to 1966, he led the all-black American Tennis Association, as its executive secretary. In that capacity he successfully negotiated with white tennis administrators, getting them to accept Althea Gibson into their competitions. Gibson then made history as the first black champion of professional tennis. Yet, after all of Baker’s wonderful achievements, little has been written to document his role in black history.

Baker represents a remarkable turning point in the evolution of modern New York City. In the 1940s, when he won his seat in the New York state assembly, blacks made up only 4 percent of the population of Brooklyn. Today they make up a third of the population, and there are scores of black elected officials. Yet Brooklyn, often called the capital of the Black Diaspora, is a capital under siege. Developers and realtors seeking to gentrify the borough are all but conspiring to push blacks out of the city. A very important and long-overdue book, Boss of Black Brooklyn not only explores black politics and black organizations but also penetrates Baker’s inner life and reveals themes that resonate today: black fatherhood, relations between black men and black women, faithfulness to place and ancestry. Bertram L. Baker’s story has receded into the shadows of time, but Boss of Black Brooklyn recaptures it and inspires us to learn from it.

Named a Gift Book for the Discerning New Yorker by The New York Times

In the Shadow of Genius is the newest book by photographer and author Barbara Mensch. The author combines her striking photographs with a powerful first-person narrative. She takes the reader on a unique journey by recalling her experiences living alongside the bridge for more than 30 years, and then by tracing her own curious path to understand the brilliant minds and remarkable lives of those who built it: John, Washington, and Emily Roebling.

Many of Mensch’s photographs were inspired by her visits to the Roebling archives housed at Rutgers University, where she pieced together through notebooks, diaries, letters, and drawings the seminal locations and events that affected their lives. Following in their footsteps, Mensch traveled to Mühlhausen, Germany, the birthplace of John Roebling; to Saxonburg, Pennsylvania, where Roebling established a utopian community in 1831; to Roebling aqueducts and bridges in Pennsylvania, Ohio, and New York; and to the Civil War battlefield in Gettysburg, Pennsylvania, where Washington Roebling, the son of the famous engineer, valiantly served as a Union soldier. The book begins and ends with Mensch’s unique photographs of the Brooklyn Bridge, including never-before-seen images captured deep within the structure. The book creatively fuses contemporary photography with the historical record, giving the reader a new perspective on contemplating the masterwork.

Fernanda Perrone, Curator of Special Collections and the Roebling Family Archive at Rutgers University, has contributed a Foreword.

During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces.

Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces.

Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression.

Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.

No one denies that New York City is unique—but what makes it sui generis? Sam Roberts, a longtime city reporter, has puzzled over this in print and in his popular New York Times podcasts for years. In Only in New York, updated with new tales and fascinating glimpses into uniquely NYC life, he writes about what makes this city tick and why things are the way they are in the greatest of all metropolises on earth. The more than 75 essays in this book cover a variety of topics, including:

-How do New Yorkers react during disasters?
-Maritime history (the Hudson River)
-Crowds, space, and population growth
-1908: a year in History history
-Jewish Daily Forward
-What happens when a neighborhood loses its tony ZIP code?

A winning and informative gift book for every fan of “the city,” Only in New York is elegantly written and solidly reported.

In late summer 1940, as war spread across Europe and as the nation pulled itself out of the Great Depression, an anticommunist hysteria convulsed New York City. Targeting the city’s municipal colleges and public schools, the New York state legislature’s Rapp-Coudert investigation dragged hundreds of suspects before public and private tribunals to root out a perceived communist conspiracy to hijack the city’s teachers unions, subvert public education, and indoctrinate the nation’s youth.

Drawing on the vast archive of Rapp-Coudert records, Bad Faith provides the first full history of this witch-hunt, which lasted from August 1940 to March 1942. Anticipating McCarthyism and making it possible, the episode would have repercussions for decades to come.

In recapturing this moment in the history of prewar anticommunism, Bad Faith challenges assumptions about the origins of McCarthyism, the liberal political tradition, and the role of anticommunism in modern American life. With roots in the city’s political culture, Rapp-Coudert enjoyed the support of not only conservatives but also key liberal reformers and intellectuals who, well before the Cold War raised threats to national security, joined in accusing communists of “bad faith” and branded them enemies of American democracy.

Exploring fundamental schisms between liberals and communists, Bad Faith uncovers a dark, “countersubversive” side of liberalism, which involved charges of misrepresentation, lying, and deception, and led many liberals to argue that the communist left should be excluded from American educational institutions and political life. This study of the Rapp-Coudert inquisition raises difficult questions about the good faith of the many liberals willing to aid and endorse the emerging Red scare, as they sacrificed principles of open debate and academic freedom in the interest of achieving what they believed would be effective modern government based on bipartisanship and a new and seemingly permanent economic prosperity.

Named a Gift Book for the Discerning New Yorker by The New York Times

In a metropolis like New York, homelessness can blend into the urban landscape. For editor Susan Greenfield, however, New York is the place where a community of resilient, remarkable individuals are yearning for a voice. Sacred Shelter follows the lives of thirteen formerly homeless people, all of whom have graduated from the life skills empowerment program, an interfaith life skills program for homeless and formerly homeless individuals in New York. Through frank, honest interviews, these individuals share traumas from their youth, their experience with homelessness, and the healing they have discovered through community and faith.

Edna Humphrey talks about losing her grandparents, father, and sister to illness, accident, and abuse. Lisa Sperber discusses her bipolar disorder and her whiteness. Dennis Barton speaks about his unconventional path to becoming a first-generation college student and his journey to reconnect with his family. The memoirists share stories about youth, family, jobs, and love. They describe their experiences with racism, mental illness, sexual assault, and domestic violence. Each of the thirteen storytellers honestly expresses his or her brokenheartedness and how finding community and faith gave them hope to carry on.

Interspersed among these life stories are reflections from program directors, clerics, mentors, and volunteers who have worked with and in the life skills empowerment program. In his reflection, George Horton shares his deep gratitude for and solidarity with the 500-plus individuals he has come to know since he co-founded the program in 1989. While religion can be divisive, Horton firmly believes that all faiths urge us to “welcome the stranger” and, as Pope Francis asks, “accompany” them through the struggles of life. Through solidarity and suffering, many formerly homeless individuals have found renewed faith in God and community. Beyond trauma and strife, Dorothy Day’s suggestion that “All is grace” is personified in these thirteen stories. Jeremy Kalmanofsky, rabbi at Ansche Chesed Synagogue, says the program points toward a social fabric of encounter and recognition between strangers, who overcome vast differences to face one another, which in Hebrew is called Panim el Panim.

While Sacred Shelter does not tackle the socioeconomic conditions and inequities that cause homelessness, it provides a voice for a demographic group that continues to suffer from systemic injustice and marginalization. In powerful, narrative form, it expresses the resilience of individuals who have experienced homelessness and the hope and community they have found. By listening to their stories, we are urged to confront our own woundedness and uncover our desire for human connection, a sacred shelter on the other side of suffering.

An estimated 2 billion people around the world watched the catastrophic destruction of the World Trade Center. The enormity of the moment was immediately understood and quickly took on global proportions. What has been less obvious is the effect on the locus of the attacks, New York City, not as a seat of political or economic power, but as a community; not in the days and weeks afterward, but over months and years. New York after 9/11 offers insightful and critical observations about the processes set in motion by September 11, 2001 in New York, and holds important lessons for the future.

This interdisciplinary collection brings together experts from diverse fields to discuss the long-term recovery of New York City after 9/11. Susan Opotow and Zachary Baron Shemtob invited experts in architecture and design, medicine, health, community advocacy, psychology, public safety, human rights, law, and mental health to look back on the aftereffects of that tragic day in key spheres of life in New York City. With a focus on the themes of space and memory, public health and public safety, trauma and conflict, and politics and social change, this comprehensive account of how 9/11 changed New York sets out to answer three questions: What were the key conflicts that erupted in New York City in 9/11’s wake? What clashing interests were involved and how did they change over time? And what was the role of these conflicts in the transition from trauma to recovery for New York City as a whole?

Contributors discuss a variety of issues that emerged in this tragedy’s wake, some immediately and others in the years that followed, including: PTSD among first responders; conflicts and design challenges of rebuilding the World Trade Center site, the memorial, and the museum; surveillance of Muslim communities; power struggles among public safety agencies; the development of technologies for faster building evacuations; and the emergence of chronic illnesses and fatalities among first responders and people who lived, worked, and attended school in the vicinity of the 9/11 site. A chapter on two Ground Zeros –in Hiroshima and New York – compares and historicizes the challenges of memorialization and recovery. Each chapter offers a nuanced, vivid, and behind-the-scenes account of issues as they unfolded over time and across various contexts, dispelling simplistic narratives of this extended and complicated period. Illuminating a city’s multifaceted response in the wake of a catastrophic and traumatic attack, New York after 9/11 illustrates recovery as a process that is complex, multivalent, and ongoing.

During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces.

Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces.

Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression.

Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.

In late summer 1940, as war spread across Europe and as the nation pulled itself out of the Great Depression, an anticommunist hysteria convulsed New York City. Targeting the city’s municipal colleges and public schools, the New York state legislature’s Rapp-Coudert investigation dragged hundreds of suspects before public and private tribunals to root out a perceived communist conspiracy to hijack the city’s teachers unions, subvert public education, and indoctrinate the nation’s youth.

Drawing on the vast archive of Rapp-Coudert records, Bad Faith provides the first full history of this witch-hunt, which lasted from August 1940 to March 1942. Anticipating McCarthyism and making it possible, the episode would have repercussions for decades to come.

In recapturing this moment in the history of prewar anticommunism, Bad Faith challenges assumptions about the origins of McCarthyism, the liberal political tradition, and the role of anticommunism in modern American life. With roots in the city’s political culture, Rapp-Coudert enjoyed the support of not only conservatives but also key liberal reformers and intellectuals who, well before the Cold War raised threats to national security, joined in accusing communists of “bad faith” and branded them enemies of American democracy.

Exploring fundamental schisms between liberals and communists, Bad Faith uncovers a dark, “countersubversive” side of liberalism, which involved charges of misrepresentation, lying, and deception, and led many liberals to argue that the communist left should be excluded from American educational institutions and political life. This study of the Rapp-Coudert inquisition raises difficult questions about the good faith of the many liberals willing to aid and endorse the emerging Red scare, as they sacrificed principles of open debate and academic freedom in the interest of achieving what they believed would be effective modern government based on bipartisanship and a new and seemingly permanent economic prosperity.

Named a Gift Book for the Discerning New Yorker by The New York Times

In a metropolis like New York, homelessness can blend into the urban landscape. For editor Susan Greenfield, however, New York is the place where a community of resilient, remarkable individuals are yearning for a voice. Sacred Shelter follows the lives of thirteen formerly homeless people, all of whom have graduated from the life skills empowerment program, an interfaith life skills program for homeless and formerly homeless individuals in New York. Through frank, honest interviews, these individuals share traumas from their youth, their experience with homelessness, and the healing they have discovered through community and faith.

Edna Humphrey talks about losing her grandparents, father, and sister to illness, accident, and abuse. Lisa Sperber discusses her bipolar disorder and her whiteness. Dennis Barton speaks about his unconventional path to becoming a first-generation college student and his journey to reconnect with his family. The memoirists share stories about youth, family, jobs, and love. They describe their experiences with racism, mental illness, sexual assault, and domestic violence. Each of the thirteen storytellers honestly expresses his or her brokenheartedness and how finding community and faith gave them hope to carry on.

Interspersed among these life stories are reflections from program directors, clerics, mentors, and volunteers who have worked with and in the life skills empowerment program. In his reflection, George Horton shares his deep gratitude for and solidarity with the 500-plus individuals he has come to know since he co-founded the program in 1989. While religion can be divisive, Horton firmly believes that all faiths urge us to “welcome the stranger” and, as Pope Francis asks, “accompany” them through the struggles of life. Through solidarity and suffering, many formerly homeless individuals have found renewed faith in God and community. Beyond trauma and strife, Dorothy Day’s suggestion that “All is grace” is personified in these thirteen stories. Jeremy Kalmanofsky, rabbi at Ansche Chesed Synagogue, says the program points toward a social fabric of encounter and recognition between strangers, who overcome vast differences to face one another, which in Hebrew is called Panim el Panim.

While Sacred Shelter does not tackle the socioeconomic conditions and inequities that cause homelessness, it provides a voice for a demographic group that continues to suffer from systemic injustice and marginalization. In powerful, narrative form, it expresses the resilience of individuals who have experienced homelessness and the hope and community they have found. By listening to their stories, we are urged to confront our own woundedness and uncover our desire for human connection, a sacred shelter on the other side of suffering.

During the Great Depression, young radicals centered in New York City developed a vision of and for America, molded by their understanding of recent historical events, in particular the Great War and the global economic collapse, as well as by the events unfolding both at home and abroad. They worked to make their vision of a free, equal, democratic society based on peaceful coexistence a reality. Their attempts were ultimately unsuccessful but their voices were heard on a number of important issues, including free speech, racial justice, and peace.

A major contribution to the historiography of the era of the Great Depression, Fighting Authoritarianism provides a new and important examination of U.S. youth activism of the 1930s, including the limits of the New Deal and how youth activists continually pushed FDR, Eleanor Roosevelt, and other New Dealers to do more to address economic distress, more inclusionary politics, and social inequality. In this study, author Britt Haas questions the interventionist versus isolationist paradigm in that young people sought to focus on both domestic and international affairs. Haas also explores the era not as a precursor to WWII, but as a moment of hope when the prospect of institutionalizing progress in freedom, equality, and democracy seemed possible.

Fighting Authoritarianism corrects misconceptions about these young activists’ vision for their country, heavily influenced by the American Dream they had been brought up to revere: they wanted a truly free, truly democratic, and truly equal society. That meant embracing radical ideologies, especially socialism and communism, which were widely discussed, debated, and promoted on New York City college campuses. They believed that in embracing these ideologies, they were not turning their backs on American values. Instead, they believed that such ideologies were the only way to make America live up to its promises. This study also outlines the careers of Molly Yard, Joseph Lash, and James Wechsler, how they retracted (and for Yard and Lash, reclaimed) their radical past, and how New York continued to hold a prominent platform in their careers. Lash and Wechsler both worked for the New York Post, the latter as editor until 1980.

Examining the Depression decade from the perspective of young activists highlights the promise of America as young people understood it: a historic moment when anything seemed possible.

In the late 1980s, a handful of artists priced out of Manhattan and desperately needing affordable studio space discovered 111 1st Street, a former P. Lorillard Tobacco Company warehouse. Over the next two decades, an eclectic collection of painters, sculptors, musicians, photographers, filmmakers, and writers dreamt and toiled within the building’s labyrinthine halls. The local arts scene flourished, igniting hope that Jersey City would emerge as the next grassroots center of the art world. However, a rising real estate market coupled with a provincial political establishment threatened the community at 111 1st Street. The artists found themselves entangled in a long, complicated, and vicious fight for their place in the building and for the physical survival of 111 1st Street itself, a site that held so much potential, so much promise for Jersey City.

Left Bank of the Hudson offers a window into the demographic, political, and socio-economic changes experienced by Jersey City during the last thirty years. Documenting the narrative of 111 1st Street as an act of cultural preservation, author David J. Goodwin’s well-researched and significant contribution addresses the question of the role of artists in economically improving cities. As a Jersey City resident, Goodwin applies his knowledge of the city’s rich history of political malfeasance and corruption, including how auspicious plans for a waterfront arts enclave were repeatedly bungled by a provincial-minded city administration. In writing this story, Goodwin interviewed thirteen artists and residents, two businesses, three government officials, and five non-profits, civic organizations, and community activists. The book chronologically explores the history and business of the P. Lorillard Tobacco Company, its evolution into a bustling arts community, the battle to preserve the warehouse as a historic structure, and the lessons to be drawn from the loss and ultimate demolition of the building in 2007, as well as the present state of the neighborhood.

Setting the facts straight for future generations, Left Bank of the Hudson provides an illustrative lesson to government officials, scholars, students, activists, and everyday citizens attempting to navigate the “rediscovery” of American cities.

During the Great Depression, young radicals centered in New York City developed a vision of and for America, molded by their understanding of recent historical events, in particular the Great War and the global economic collapse, as well as by the events unfolding both at home and abroad. They worked to make their vision of a free, equal, democratic society based on peaceful coexistence a reality. Their attempts were ultimately unsuccessful but their voices were heard on a number of important issues, including free speech, racial justice, and peace.

A major contribution to the historiography of the era of the Great Depression, Fighting Authoritarianism provides a new and important examination of U.S. youth activism of the 1930s, including the limits of the New Deal and how youth activists continually pushed FDR, Eleanor Roosevelt, and other New Dealers to do more to address economic distress, more inclusionary politics, and social inequality. In this study, author Britt Haas questions the interventionist versus isolationist paradigm in that young people sought to focus on both domestic and international affairs. Haas also explores the era not as a precursor to WWII, but as a moment of hope when the prospect of institutionalizing progress in freedom, equality, and democracy seemed possible.

Fighting Authoritarianism corrects misconceptions about these young activists’ vision for their country, heavily influenced by the American Dream they had been brought up to revere: they wanted a truly free, truly democratic, and truly equal society. That meant embracing radical ideologies, especially socialism and communism, which were widely discussed, debated, and promoted on New York City college campuses. They believed that in embracing these ideologies, they were not turning their backs on American values. Instead, they believed that such ideologies were the only way to make America live up to its promises. This study also outlines the careers of Molly Yard, Joseph Lash, and James Wechsler, how they retracted (and for Yard and Lash, reclaimed) their radical past, and how New York continued to hold a prominent platform in their careers. Lash and Wechsler both worked for the New York Post, the latter as editor until 1980.

Examining the Depression decade from the perspective of young activists highlights the promise of America as young people understood it: a historic moment when anything seemed possible.

In Brownsville’s twenty-one housing projects, the young cops and the teenagers who stand solemnly on the street corners are bitter and familiar enemies. The Ville, as the Brownsville–East New York section of Brooklyn is called by the locals, is one of the most dangerous places on earth—a place where homicide is a daily occurrence. Now, Greg Donaldson, a veteran urban reporter and a longtime teacher in Brooklyn’s toughest schools, evokes this landscape with stunning and frightening accuracy.

The Ville follows a year in the life of two urban black males from opposite sides of the street. Gary Lemite, an enthusiastic young Housing police officer, charges recklessly into gunfire in pursuit of respect and promotion. Sharron Corley, a member of a gang called the LoLifes and the star of the Thomas Jefferson High School play, is also looking for respect as he tries to survive these streets.

Brilliantly capturing the firestorm of violence that is destroying a generation, waged by teenagers who know at thirty yards the difference between a MAC-10 machine pistol and a .357 Magnum, The Ville is the story of our inner cities and the lives of the young men who remain trapped there. In the tradition of There Are No Children Here, Clockers, and Random Family, The Ville is a vivid and unforgettable contribution to our understanding of race and violence in America today.

In 1940 and 1941 a group of ruthless gangsters from Brooklyn’s Brownsville neighborhood became the focus of media frenzy when they—dubbed “Murder Inc.,” by New York World-Telegram reporter Harry Feeney—were tried for murder. It is estimated that collectively they killed hundreds of people during a reign of terror that lasted from 1931 to 1940. As the trial played out to a packed courtroom, shocked spectators gasped at the outrageous revelations made by gang leader Abe “Kid Twist” Reles and his pack of criminal accomplices.

News of the trial proliferated throughout the country; at times it received more newspaper coverage than the unabated war being waged overseas. The heinous crimes attributed to Murder, Inc., included not only murder and torture but also auto theft, burglary, assaults, robberies, fencing stolen goods, distribution of illegal drugs, and just about any “illegal activity from which a revenue could be derived.” When the trial finally came to a stunning unresolved conclusion in November 1941, newspapers generated record headlines.

Once the trial was over, tales of the Murder, Inc., gang became legendary, spawning countless books and memoirs and providing inspiration for the Hollywood gangster-movie genre. These men were fearsome brutes with an astonishing ability to wield power. People were fascinated by the “gangster” figure, which had become a symbol for moral evil and contempt and whose popularity showed no signs of abating. As both a study in criminal behavior and a cultural fascination that continues to permeate modern society, the reverberations of “Murder, Inc.” are profound, including references in contemporary mass media.

The Murder, Inc., story is as much a tale of morality as it is a gangster history, and Murder, Inc., and the Moral Life by Robert Whalen meshes both topics clearly and meticulously, relating the gangster phenomenon to modern moral theory. Each chapter covers an aspect of the Murder, Inc., case and reflects on its ethical elements and consequences. Whalen delves into the background of the criminals involved, their motives, and the violent death that surrounded them; New York City’s immigrant gang culture and its role as “Gangster City”; fiery politicians Fiorello La Guardia and Thomas E. Dewey and the choices they made to clean up the city; and the role of the gangster in popular culture and how it relates to “real life.” Whalen puts a fresh spin on the two topics, providing a vivid narrative with both historical and moral perspective.

Robert A. Van Wyck, mayor of the greater city of New York, broke ground for the first subway line by City Hall on March 24, 1900. It took four years, six months, and twenty-three days to build the line from City Hall to West 145th Street in Harlem. Things rarely went that quickly ever again. The Routes Not Taken explores the often dramatic stories behind the unbuilt or unfinished subway lines, shedding light on a significant part of New York City’s history that has been almost completely ignored until now.

Home to one of the world’s largest subway systems, New York City made constant efforts to expand its underground labyrinth, efforts that were often met with unexpected obstacles: financial shortfalls, clashing agendas of mayors and borough presidents, battles with local community groups, and much more. After discovering a copy of the 1929 subway expansion map, author Joseph Raskin began his own investigation into the city’s underbelly. Using research from libraries, historical societies, and transit agencies throughout the New York metropolitan area, Raskin provides a fascinating history of the Big Apple’s unfinished business that until now has been only tantalizing stories retold by public-transit experts.

The Routes Not Taken sheds light on the tunnels and stations that were completed for lines that were never fulfilled: the efforts to expand the Hudson tubes into a fullfledged subway; the Flushing line, and why it never made it past Flushing; a platform underneath Brooklyn’s Nevins Street station that has remained unused for more than a century; and the 2nd Avenue line—long the symbol of dashed dreams—deferred countless times since the original plans were presented in 1929. Raskin also reveals the figures and personalities involved, including why Fiorello LaGuardia could not grasp the importance of subway lines and why Robert Moses found them to be old and boring. By focusing on the unbuilt lines, Raskin illustrates how the existing subway system is actually a Herculean feat of countless political compromises.

Filled with illustrations of the extravagant expansion plans, The Routes Not Taken provides an enduring contribution to the transportation history of New York City.

A major social and political phenomenon of how a community overcame overwhelming opposition and obstacles to build the Brooklyn Bridge Park.

Stretching along a waterfront that faces one of the world’s greatest harbors and storied skylines, Brooklyn Bridge Park is among the largest and most significant public projects to be built in New York in a generation. It has transformed a decrepit industrial waterfront into a new public use that is both a reflection and an engine of
Brooklyn’s resurgence in the twenty-first century. Brooklyn Bridge Park unravels the many obstacles faced during the development of the park and suggests solutions that can be applied to important economic and planning issues around the world.

Situated below the quiet precincts of Brooklyn Heights, a strip of moribund structures that formerly served bustling port activity became the site of a prolonged battle. The Port Authority of New York and New Jersey eyed it as an ideal location for high-rise or commercial development. The idea to build Brooklyn Bridge Park came from local residents and neighborhood leaders looking for less intensive uses of the property. Together, elected officials joined with members of the communities to produce a practical plan, skillfully won a commitment of government funds in a time of fiscal austerity, then persevered through long periods of inaction, abrupt changes of government, two recessions, numerous controversies often accompanied by litigation, and a superstorm.

Brooklyn Bridge Park is the success story of a grassroots movement and community planning that united around a common vision. Drawing on the authors’ personal experiences—one as a reporter, the other as a park leader—Brooklyn Bridge Park weaves together contemporaneous reports of events that provide a record
of every twist and turn in the story. Interviews with more than sixty people reveal the human dynamics that unfolded in the course of building the park, including attitudes and opinions that arose about class, race, gentrification, commercialization, development, and government.

Despite the park’s broad and growing appeal, its creation was lengthy, messy, and often contentious. Brooklyn Bridge Park suggests ways other civic groups can address such hurdles within their own communities.

When Ivory Towers Were Black lies at the potent intersection of race, urban development, and higher education. It tells the story of how an unparalleled cohort of ethnic minority students earned degrees from a world-class university. The story takes place in New York City at Columbia University’s School of Architecture and spans a decade of institutional evolution that mirrored the emergence and denouement of the Black Power Movement. Chronicling a surprisingly little-known era in U.S. educational, architectural, and urban history, the book traces an evolutionary arc that begins with an unsettling effort to end Columbia’s exercise of authoritarian power on campus and in the community, and ends with an equally unsettling return to the status quo.

When Ivory Towers Were Black follows two university units that steered the School of Architecture toward an emancipatory approach to education early along its evolutionary arc: the school’s Division of Planning and the university-wide Ford Foundation–funded Urban Center. It illustrates both units’ struggle to open the ivory tower to ethnic minority students and to involve them, and their revolutionary white peers, in improving Harlem’s slum conditions. The evolutionary arc ends as backlash against reforms wrought by civil rights legislation grew and whites bought into President Richard M. Nixon’s law-and-order agenda. The story is narrated through the oral histories of twenty-four Columbia alumni who received the gift of an Ivy League education during this era of transformation but who exited the School of Architecture to find the doors of their careers all but closed due to Nixon-era urban disinvestment policies.

When Ivory Towers Were Black assesses the triumphs and subsequent unraveling of this bold experiment to achieve racial justice in the school and in the nearby Harlem/East Harlem community. It demonstrates how the experiment’s triumphs lived on not only in the lives of the ethnic minority graduates but also as best practices in university/community relationships and in the fields of architecture and urban planning. The book can inform contemporary struggles for racial and economic equality as an array of crushing injustices generate movements similar to those of the 1960s and ’70s. Its first-person portrayal of how a transformative process was reversed can help extend the period of experimentation, and it can also help reopen the door of opportunity to ethnic minority students, who are still in strikingly short supply in elite professions like architecture and planning.

For more than seven decades, New York City and the United Nations have shared the island of Manhattan, living and working together in a bond that has been likened to a long marriage—both tempestuous and supportive, quarrelsome and committed. A Worldly Affair tells the story of this hot and cold romance, from the 1940s when Mayor Fiorello La Guardia was doggedly determined to bring the new world body to New York, to the UN’s flat rejection of the city’s offer, then its abrupt change of course in the face of a Rockefeller gift, and on to some tense, troubling decades that followed.

Racial prejudice and anti-Communist passions challenged the young international institution. Spies, scofflaw diplomats, provocative foreign visitors, and controversial UN-member policy positions tested New Yorkers’ patience. And all the while, the UN’s growth—from its original 51 member states to 193 by 2017—placed demands on the surrounding metropolis for everything from more office space, to more security, to better housing and schools for the international community’s children. As the city worked to accommodate the world body’s needs—often in the face of competition from other locales vying to host at least parts of the UN entity—New Yorkers at times grew to resent its encroachment on their neighborhoods, and at times even its very presence. It was a constituent sentiment that provoked more than one New York mayor to be less than hospitable in dealing with the city’s international guests.

Yet, as the UN moves into its eighth decade in New York—with its headquarters complex freshly renovated and the city proudly proclaiming that the organization adds nearly $4 billion to the New York economy each year—it seems clear the decades-old marriage will last. Whatever the inevitable spats and clashes along the way, the worldly affair is here to stay.