Hoaki Books

A handbook for clothing designers, stylists and fashionistas, this dashing publication uses beautiful illustrations and drawings to highlight the design and key details of various forms of contemporary clothing, such as coats, jackets, shirts, tops, blouses, dresses, trousers, shorts and skirts. Traditional and contemporary materials, colors and textures for different styles are also listed. This atlas will help designers in their work, no matter which creative method of costume design they choose: inversion, analogy, empathy, fantasy, creating new combinations and problem-solving. It is meant to be a source of inspiration and a useful tool for artists and designers working with clothing, and will be of interest to anyone who is passionate about fashion and style.

An exploration of 20th century fashion featuring archival documents, personal insights, and practical advice that guides readers in incorporating vintage pieces into modern wardrobes while debunking myths about vintage fashion

Step into the fascinating world of vintage fashion with Authentic Vintage, an enlightening exploration of 20th-century fashion that goes beyond the runway and relates it to our everyday style. A passport to the past, this book guides you through decades of Western fashion focusing on the trends that shaped ordinary lives, not just haute couture. Through a mix of archival documents, personal insights from the author’s popular YouTube channel, and stunning illustrations, this book demystifies vintage fashion, shedding light on both the glamorous and the everyday. The author, a young fashion enthusiast, invites readers to explore the fashion of the 20th century, from the glamorous gowns of Hollywood to the clothing worn by ordinary people in their day-to-day lives, unraveling the stories woven into every piece. Perfect for fashion students, collectors, or those interested in exploring history through the evolution of societal trends, this book is a superbly illustrated archive of decades gone by. Each chapter ends with advice on how to incorporate vintage pieces into modern wardrobes, along with a list of must-visit shops and brands. Whether you’re looking to create a period-perfect look or just want to add a vintage touch to your style, this book is the ultimate guide to embracing the timeless charm of fashion’s past.

Designers and students and top creatives can find in this book fresh trends, inspiring content and new sources of inspiration in the world of typography.

The World’s Best Typography: The Yearbook of the Type Directors Club of NY (published for the first time 1980) is a bible of inspiration for typography practitioners and enthusiasts. Within its pages, top creatives as well as publishers and students can find role models, fresh trends, inspiring content and new sources of inspiration. Readers will be inspired by the intersection of craftsmanship and creation, of classical skills and trailblazing innovations. Here, trends are identified and set, as the around 750 illustrations, 203 awarding-winning designs from 41 countries and 37 new fonts presented clearly illustrate. From kinetic typography to motion design, from packaging to magazines, from corporate design to architectural communication: the world's most creative people compete against each other here and the winning works are breathtaking. Previously divided into two competitions, one each for Communications Design and Typeface Design, the program is now a single competition consisting of three disciplines: Type Design, Typography and Lettering. This edition also includes a special index listing the principal typefaces used and the names of their designers. The Judges’ Choices section features the winning entries that have been singled out as each judge’s personal favorite; these pieces are accompanied not only by the judges’ comments but also by designer statements. The Award for Typographic Excellence is the ticket to the best agencies in the world. The yearbook also reflects the latest typography trends, sets standards, is a collector’s item and distinguishes its owners as visual thought leaders.

JURY MEMBERS

TDC70 Communication Design Jury
Maria Asare-Boadi: Art Director at Meta, New York, San Francisco, Washington D.C.
Andy Chen: Partner at Isometric Studio, NYC (US), Taipei, Karachi
Mark De Winne: Creative Director at Relay Room / Multitudes, Singapore
Manija Emran: Co-Founder & Creative Director at Me & the Bootmaker, Los Angeles, London, Montreal & Paris
Emily Oberman: Partner at Pentagram, New York City
Tala Safie: Graphics and Multimedia Editor at The New York Times, New York, Lebanon
Yoshihisa Shirai: Graphic Designer, Professor, at Shirai Design Studio, Musashino Art University Tokyo

TDC70 Lettering Jury
Alanna Flowers: Lettering Artist & Designer at AGF Design Studio, New York City
Ricardo González Contreras: Artist/Designer at IT’S A LIVING, New York, Mexico City, Tokyo
Ilana Griffo: Co-owners at Goodtype (GOODTYPE), New York, Rochester, Austin
Ben Johnston: Artist & Designer, Cape Town / Toronto / New York
Ken-Tsai Lee: Associate professor, at ken-tsai lee design Lab/Taiwan TECH. Taipei
Lygia Pires: Lettering Artist, Illustrator and Graphic Designer at Lygia Pires Studio São Paulo
Arley Torsone: Letterer, Designerer, Illustratorer at Ladyfingers Letterpress, Colorado Springs, Providence, New York

TDC70 Type Design Jury
Nada Abdallah: Assistant Professor at College of Fine Arts and Design, University of Sharjah, Sharjah, Dubai and Beirut
Elí Castellanos: Font developer at CocijoType, Queretaro, London, Oaxaca
Jo De Baerdemaeker: Typeface designer, font developer and scholar at studio type, Antwerp, Lhasa and Hohhot
Cyrus Highsmith: Creative Director at Occupant Fonts, Providence, Tokyo, Osaka
Carolina Laudon: MFA Graphic Designer, Type Designer and Type Director at Laudon Design AB, Gothenburg, Stockholm
Sammy Or: Type Director at VMType, Hong Kong
Isao Suzuki: Director, Type Director at Type Project Inc., Tokyo

Graphic design software is constantly evolving, allowing designers to meet specific printing specifications. Print Finishes is a reference book that showcases design projects from all over the world and focuses on the processes that were used to print them. The book opens with a thorough introduction of printing history, from the primitive seal rolls used in Mesopotamia more than 5,000 years ago to today's digital technology. The projects are structured according to their printing specifications, which include cutting and folding, printing and varnishing, UV ink, thermography printing, thermochromic ink, screen printing, abrasive ink, solid colour-gold/silver ink, embossing and debossing and foil stamping. In recent years, with the help of new software tools, designers have incorporated printing finishes into their work. The result is incredibly sophisticated and daring effects applied to a wide variety of items, from business cards to record sleeves, books, posters and art. Print Finishes is a wonderful journey into distinctive design and surprising creativity and will serve as a remarkable source of inspiration for graphic design and printing sector professionals.

In Illustrators on Creative Processes, readers will find a treasure chest of images by 26 diverse illustrators from 12 different countries that the author has gathered, selected and curated for the book. The types of images and styles vary, ranging from the child-like and naïve to the poignant, suggestive and truly masterly. In addition to the 270 images, the book contains 110 drawings and pages from notebooks and sketchbooks that take the reader deeper into the nature of each artist’s work. The visual elements are complemented by revealing interviews with each artist in which they discuss what compelled them to become illustrators, their inspirations, and the research, methods, personal philosophies and work processes that allow them to transform a creative impulse or an emotion into an idea, and an idea into a work of art. We learn about what drives and inspires them as well as the origins of their ideas and creativity, from an innocent curiosity about shapes and colors to the desire to share something fascinating and wonderful with others in a unique and original way.

ILLUSTRATORS FEATURED. ARGENTINA: Isol Misenta. BELGIUM: Tom Schamp. BRASIL: Flavio Morais. CANADA: Anita Kunz. FRANCE: Serge Bloch, Delphine Durand, Martin Jarrie, Hervé Tullet. IRELAND: Chris Haughton. ITALY: Simone Rea, Valerio Vidali. JAPAN: Yoshiko Hada. PORTUGAL: Ana Biscaia, Carolina Celas. SPAIN: Elisa Arguilé, Pablo Auladell , Pep Carrió , Jesús Cisneros , Isidro Ferrer , Manuel Marsol , M.A. Pérez Arteaga. SWITZERLAND: Fanny Dreyer. USA: Gary Baseman (Los Angeles, CA), Katie Benn (San Francisco, CA), Lisa Congdon (Portland, OR), Elizabeth Haidle (Portland, OR).

A guide to oxide finishes in ceramics, including 740 tested recipes, practical techniques, and creative insights, emphasizing hands-on experimentation and providing expert advice to help ceramicists hone their craft, replicate formulas, and create unique works of art

This book is an essential guide for ceramicists eager to refine their craft and explore the artistic potential of oxide decoration techniques. Written by a passionate expert, it provides an accessible approach to a specialized and often overlooked method in ceramics, emphasizing hands-on exploration over complex chemistry. The author shares over 740 tested recipes using 33 oxides and 17 ceramic base products. These results are beautifully illustrated through test tiles, giving readers a practical visual reference. Whether you’re looking for “turnkey” recipes, which can be easily replicated after reading the "In practice" chapter, or seeking inspiration to begin your own creative exploration, this manual provides the tools you need. You’ll learn about the choice of clay, the classification and dosage of oxides, and methods of application. The book guides you through both the challenges—such as unpredictable results and limited color ranges—and the creative opportunities offered by oxides. This invaluable resource demystifies the techniques behind oxide decoration, empowering you to experiment, create, and expand your artistic horizons. Whether you wish to replicate the author's formulas or dive into your own experiments, this manual provides the knowledge and inspiration needed to succeed.

This handbook - the product of a master tailor’s lifetime of work - is a valuable resource for mastering the principles and techniques of traditional bespoke tailoring.

An essential tool for understanding and applying artisanal techniques to contemporary bespoke tailoring. Based on the practice and teaching experience of a master tailor, this thoroughly detailed book contains the fundamental principles of traditional sartorial garment construction: the art of designing, cutting, fitting, and finishing made-to-measure menswear. Constituting a return to precision in hand-crafted tailoring and a valuable practical guide for fashion students, professionals, tailoring lovers and sewing fans, it brings together a wealth of techniques that have been honed by three generations of this family of artisan tailors practicing their craft from 1915 to the present day. This comprehensive treatise includes chapters dedicated to body and garment measurements, how to craft patterns (including different techniques to adapt to the physical characteristics of each client), and how to create a wide range of classic styles of jackets, waistcoats, trousers and coats.

This inspiring guide takes the reader on a journey deep into the fascinating world of the art of origami books. 

Packed with illustrative examples by renowned international artists and paper folders, we are introduced to different folding and cutting techniques for constructing such as origami, kirigami, leporello and the Turkish map fold while a wealth of practical easy-to-follow folding templates and diagrams motivate us to try them ourselves. This repertoire of shapes and structures is intended for artists, visual artists and teachers, as well as for lovers of handmade objects, scrapbooking and creative hobbies. Here you will find useful tools at the service of your imagination, as well as detailed explanations of the methods and creative processes of sixty working artists and creators from all over the world. With more than one hundred models, many of them previously unpublished, the book is a synthesis of classic origami and kirigami folds and arrangements of folds used for creating unusual books and booklets without binding, as well as the folding and cutting techniques that made them possible. While the models shown often use traditional origami and kirigami bases such as square and preliminary triangle bases and lotus and diamond folds, the reader is also exposed to ones that have been customized and reinvented. Jean-Charles Trebbi, author of The Art of Folding and The Art of the Cutting, takes the reader on an instructive tour of the various approaches of creators whose impressive artistry and craft have resulted in surprising, beautiful, eclectic and effective book forms. We learn about Masahiro Chatani, the inventor of Origamic Architecture; Shuzo Fujimoto, one of the pioneers of origami tessellation; and a host of contemporary masters including Martin Wall, Paul Jackson, David Brill, Bruno Munari, Katsumi Komagata, Ed Hutchins, Paul Johnson, Hedi Kyle, Werner Pfeiffer, Alisa Golden, Joan Michaels Paque, and many others. With numerous templates for copying, the Art of Origami Books will inspire you to handle paper in new and inventive ways while exploring the many exciting possibilities of this ancient craft yourself.  

Artists included. 

Australia: Lisa Giles, Annette Mauer et Melissa Silk; Danemark: Kristine Suhr; France: Brigitte Husson, Catherine et Kimihito Okuyama, Clementine Sourdais, Coco Téxèdre, Elsa Mroziewicz, Emmanuelle Jamme, Eni Looka, Frédérique Le Lous Delpech, Hélène Baumel, Isabelle Faivre, Jacques Desse, Jean-Claude Planchenault, Jean-Jacques Delalandre, Laurence Bucourt, Loig Legrand-Lafoy ; Malica Lestang Philippe Phérivong, Marjon Mudde, Martine Gautier, Nicolas Codron, Patricia Cavrois, Philippe Morlot, Shirley Sharoff; Germany: Gisela Oberbeck; Italy: Pietro Franchi¡; Japan: Humiako Huzita, Miyako Akai; Korea: Kelly Seojung Lee; Netherlands: Jeroen Hillhorst; Russia: Emile Goozairow; UK: Annwyn Dean, Paul Johnson; USA: Béatrice Coron (NY, NY), Carolyn Leigh (Tucson, AZ), Diana Bloomfield (Raleigh, NC), Ed Hutchins (Salem, NY), Gina Pisello (Sequim, WA)), Hedi Kyle (NY, NY), Kenneth Leslie (Northern Vermont), Kevin Steele (Atlanta, GA), Paula Beardell Krieg (NY, NY), Peter D. Gerakaris, Thomas Parker Williams (Philadelphia, PA).

Delicious focuses on the visual identity of the sweetest places in the world: chocolate boutiques, bakeries and confectionaries, and coffee shops. 

Even though it would seem easy for these kinds of businesses to establish a connection with customers, the fiercely growing competition in this field makes it essential for shop owners and designers to shape a unique and unforgettable impression so as to create fidelity and brand awareness. This book presents brand strategies designed by international designers to catch the eye of hungry consumers. The establishments showcased here entice their clients through cohesive identity design that includes interior and graphic design, packaging and stationary, product positioning and every single detail and accessory. Delicious is an excellent source for designers and shop owners working in this field, as well as for readers who love relaxing over a cup of fragrant espresso or revitalizing tea while savouring all sorts of exquisite bites. From a delicate violet macaron to a buttery croissant or carrot cake, an irresistibly gooey brownie, a perfect, bittersweet chocolate bar or some other wickedly delicious extravagance, in a warm, seductive atmosphere.

A representative selection of the work of some of the best ceramic artists and an insightful and visually rich book about ceramics and the origins of creativity.

This book contains a representative selection of the work of some of the best ceramic artists in the world. The 25 featured artists explain, in their own words, the creative processes behind their work, what inspires them, the strategies they use to stay fresh and creative, what distinguishes their work from that of other ceramic artists and how they achieve this. Through examples of their most personal creations—objects capable of affecting us emotionally, surprising us and making us think—the artists reveal important details about their ceramic creations: how it was made, how it was shaped, which glaze and engobe coating they used to give the clay color and texture, the firing temperature of the kiln and the type of kiln chosen. The reader is provided with an illuminating glimpse into each artist’s unique creative world, where they point out the defining features of their work and reveal some of the secrets that characterize their artistic processes. Paragons of exploration, risk and versatility, the extraordinary artists highlighted in this book rediscover thousand-year-old traditions, reinvent perspectives, transcend boundaries, tell stories and rebel from conventional expectations, creating in the process an exhilarating space where art, clay, water, air and fire meet and, ultimately, inspire.

CERAMISTS INCLUDED. ARGELIA: Nathalie Doyen (Belgium). BELGIUM: Ann VanHoey. CHINA: Wan Liya. FRANCE: Monsieur Cailloux. GERMANY: Monika Debus. INDIA: Madhvi Subrahmanian. IRLAND: Nuala O’Donovan. ITALY: Paola Paronetto. JAPAN: Shozo Michikawa, Kaori Kurihara (now France), Yuko Nishikawa (now USA). MEXICO: Gustavo Pérez. NETHERLANDS: Cecil Kemperink. NIGERIA: Ngozi Omeje Ezema. POLAND: Monika Patuszynska. SPAIN: Ícaro Maiterena, Xabier Montsalvaje, María Oriza, Myriam Jiménez Huertas, Ana Felipe, Roger Coll. UK: Alice Walton, Nicholas Lees. USA: Lauren Nauman, Godeleine de Rosamel.

Drawing is a universal language, but not everybody feels capable of even giving it a go. This is a useful and entertaining book about the pleasure of this activity, showing that through exercises, anybody can draw by learning to see first. Based on the renowned method by Betty Edwards and intended either for beginners or those who need a refresher course, this book is an updated and personal account by the author which will make the fear of drawing disappear to anyone willing to try. This is a completely different drawing school for the gifted, the untalented, the stressed and the completely desperate and a useful and entertaining method for learning to draw by learning to see first. By looking at the world, without the interference of the feelings and what our brain assumes we are looking at, the hand will pick up the skills and abilities to produce a wide array of drawings. Humorous and enlightening, its reading will definitely spark anyone’s creativity.

In this book experienced and well-known graphic designers explain top us the key thoughts behind their concepts and production processes. 

Ideas are not born alone. They come from a process to a large extent organized and rational but sometimes unconscious and magical. In this book we can enjoy and learn from the creative processes of great graphic designers and creative voices around the world. Here we can find impulsive graphic design versus more cerebral design; radical and avant-garde design alongside poetic, childish, commercial, intellectual, subversive and socially oriented graphic design. 26 designers from 15 countries show us their workspaces, their personal notebooks and the creative processes that allow them to break away from established norms and be original while simultaneously adapting to the client's requirements and communicating a clear message to consumers. They teach us the keys to understand what is behind those magnificent works that inspire, thrill, impact or invite us to action. In this book the creative process itself is inspiration, a unique guide to creativity with storytelling and lessons on how to live your best creative life. The book features the work and creative processes of Ralph Bauer (Netherlands/Peru), Susana Blasco (Spain), Tomasz Boguslawski (Poland), Sarah Boris (London), Chelsea Cardinal (USA), Ryan Carl (USA), André Da Loba (Portugal), Isidro Ferrer (Spain), Veronica Fuerte (Spain), Rick Griffith (USA), Sebastian Kubica (Poland), Anette Lenz (France), Jiani Lu (Canada), Alejandro Magallanes (Mexico), Veronica Majluf (Peru), Fanette Mellier (France), Cláudia Mestre (Portugal), Milimbo (Spain), Akinori Oishi (Japan), Alvaro Pecci (Spain), Stefan Sagmeister (NY, USA), Teresa Sdralevich (Belgium), Akiko Sekimoto (Japan), Leonardo Sonnoli (Italy), Cihan Tamti (Germany), Jessica Walsh (USA).

When we read, our brain is decoding a series of abstract symbols and synthesizing the results into complex ideas. Really, then, we see before we read. We recognize the character of a word before we ascertain its meaning. A tailor-made creative type takes advantage of this effect to visualize a specific brand, deliver its image and message and make it stand out among the crowd. To create an optimum type, a designer must understand the brand’s philosophy, communicate with the client, feel with his empathy, and achieve a perfect solution with his professional skills.

This publication features over a hundred custom types created by designers and agencies within diverse cultural contexts. Readers of this book will learn lessons from these creatives’ work processes and be inspired to design types that satisfy their clients and wow their viewers.

Tattoos, perhaps one of the oldest forms of communication or body art, have had and still have different meanings. From healing powers to the identification of criminals, through myths and different beliefs or simply as a form of identification and affirmation of group belonging, tattoos are one of the most characteristic means of expression associated with sailors, soldiers, organized crime, gangs or urban tribes, as well as being a form of body adornment and expression of a lifestyle, philosophy or many people's beliefs.

By way of a clear, insightful text, this publication unveils the meaning of the tattoos that have lived on through the passage of time and that, even today, explain a lot about the person who wears them. After all, a tattoo is much more than a drawing on the skin; it’s a declaration of intent. From drawings that date back to the dawn of civilization to contemporary designs, each tattoo has a hidden story that this book is eager to reveal.

This book includes a wealth of typefaces selected by their innovative, aesthetic, or adaptable approach, including a representation of their use in different international projects.  It also features a series of interviews to 5 representative typeface designers who provide an account of the creative process behind designing a typeface, how it was created, and how it displays in design. This book will serve as an inspiration for those who are interested in fonts design and want to create something new. This book would probably be the best way for them to get inspired.

A recognition of graffiti and street art by women from around the world

This book showcases the work of more than 50 female graffiti artists, street artists and muralists from all over the world who are dedicated to reclaiming public space and enriching our urban environments with work that explores personal experience and cultural identity, alongside dreams and aspirations of a better world for all. Alongside stunning imagery, readers are offered interviews with each artist, which tell of their personal experience and offer insight into how these women have fought to find their place in a male-dominated art form and continue to fight to break free of the inequalities that linger in our society today, which continue to affect women’s rights in all aspects of life. Inspiring and thought-provoking, this thoroughly illustrated book will motivate the reader to seek out diverse street art in our cities, pointing towards a fairer world.

PARTICIPANTS. Argentina: Agus Rucula, Hola Pum Pum, K2man, Milu Correch. Australia: Danielle Weber, Vexta. Belarus: Julia Yu Baba. Brazil: Magrela. Canada: Emily Read, Priscilla Yu. Chile: Anis88. Colombia: Ledania, Mugre Diamante. Equador: Mo Vasquez. France: Claire Prouvost, Emyart, Mademoiselle Kat, Wuna (+Canada), Zabou (+UK), Zoia. Finland: Camilla Siren, Anetta Lukjanova (+Spain). Germany: Minas. Italy: Alice Pasquini, Rame13, Vera Bugatti. Mexico: Lourdes Villagómez, Paola Delfín, Tahnee Flor, Triana Parera, Adry del Rocío, Alina Kiliwa, Alegría del Prado (+Spain:). Norway: Missprinted. Peru: Niz (+USA). Poland:  Natalia Rak, Nespoon. Portugal: Tamara Alves. Spain: Btoy, Didi Leona, Elisa Capdevila, Julieta xlf, Lily Brik. The Netherlands: JDL. UK: Helen Bur, Rosie Woods (+Australia). USA: Emily Eldridge (+Germany), Kaz Williams/KAZILLA (Miami, FL), Kee Romano, Nico Cathcart (Richmond, VA), Toofly (+Equador). Venezuela: Sandra Betancort.

A book that takes the reader on a journey to some of the most cutting-edge examples in restaurant design and architecture from around the world

In our fast-paced global economy, people are working increasingly harder, cooking less and, therefore, spending more and more time in restaurants. As a result, the restaurant space has become steadily more important in relation to the restaurant owner’s conceptual vision. As we are told in the preface to Dining Out: The New Restaurant Interior Design Book, “creating a story that connects with people is a key ingredient in creating a good restaurant design”. The book takes the reader on a journey to some of the most cutting-edge examples in restaurant design and architecture from around the world. With a descriptive text for each project, it focuses on the craftmanship, color schemes, decorative details, lighting and furnishings that form the identity of the space, serving as a source of inspiration and reference for professional designers, foodies and other people involved in the restaurant business. Interior and exterior photographs, as well as blueprints of each design, present the reader with a rich range of styles, from modern minimalist spaces to ones defined by bold contemporary colors, a sleek industrial look or designs that look to the past for inspiration. We learn about the importance of the relationship between interior design and branding and how the featured designers use different materials to achieve a specific aesthetic and atmosphere, in addition to the functional features of the space, thereby allowing them to turn their clients’ vision into a reality.   

We use fashion as an outside expression of who we are on the inside. This is why, more than in any other field, branding is essential to the fashion industry. Good branding is storytelling– a consistent message, weaving meaning into every piece.

Brand Addiction is a compilation of complete visual identity systems designed for fashion shops. From the door sign to the label, these projects take into account every detail of decoration, from labels, stationary, wrapping paper, bags, boxes or gifts, to the trademark colour, furniture, accessories such as hangers or curtains, and all sorts of decorative elements. All these components will contribute to nail a brand’s Identity and will definitely ignite consumers’ wish for belonging, and passion for purchasing. From start-up labels to well-known brands, and from clothing and shoe stores to jewellery and eye-wear shops, Brand Addiction features over 120 extraordinary projects that include fantastic ideas for branding and interior design: a great reference book for designers and store-owners.

This book presents an eclectic selection of a hundred graphic design projects that are drawn from a wide variety of areas and incorporate three-dimensional effects.

Through using 3D tools, each of these sophisticated projects reveals spectacular, hypnotic and dynamic effects that lend depth and visual impact. The volume demonstrates the different possibilities for combining 2D and 3D and for applying those combinations to different graphical elements to communicate a message with fresher and stronger expressiveness. It includes photographs of each of the practical applications of the projects, which range from posters for exhibitions and events to branding and corporate identity, and its descriptive texts cover the applied techniques and details of the graphics processes.

This book demonstrates how proficiency in 3D tools can open up futuristic, agile and fun finishes for projects. It is a guide filled with inspiration and practical ideas for graphic designers and students.

Duotone in Graphic Design explores the possibilities and applications of the duotone printing technique, which applies either two shades of the same colour, black and one tint, or two different colours. This process brings out middle tones and highlights, and its results are vibrant, colourful and stunning. The projects selected for this book cover different design categories, from logos, brochures, posters, packaging materials, book covers, posters and exhibition materials to screen designs for corporate websites and promotional microsites. The wide variety of designs reveals the magic of duotone and how designers and artists make full use of duotone techniques to create dramatic and dynamic compositions. Duotone is the next big trend in graphic design. It enhances readability, it makes the most of minimalist designs without overwhelming the eye, and it’s perfect for effortlessly creating atmospheres.

An inspiring showcase some of the best-known contemporary graphic designers using collage.

Collage Meets Design presents a selection of contemporary graphic design studios, collage artists and artists from other disciplines in whose work design and collage intersect in the most diverse and witty ways. The artists included love the act of cutting with scissors or Photoshop, on paper or on screen and to combine them with the stylistic means used in graphic design. The book features projects in which different languages and techniques mix, dialogue with each other, complement each other, sometimes dilute each other and question their respective limits. Through this showcase of design projects and art pieces and through conversations with their authors, we learn about their unique approaches to the creative process, reflect on ways of understanding their work and investigate the special relationship that design and collage have today.

Artists included:

AUSTRALIA: Lexicon Love (Sydney). FRANCE: Brest Brest Brest (Crest - Paris), MRZYK & Moriceau (Montjean-sur-Loire), Studio Furious (Paris). GERMANY: Jorge Chamorro (Berlin), Fons Hickmann (Berlin), Tibor Horváth (Berlin), Damien Tran (Berlin). GREECE: Jono Boyle (Athens). SPAIN: Susana Blasco (Bilbao), Pep Carrió (Madrid), Isidro Ferrer (Huesca), Javier Jaén (Barcelona), SpY (Madrid), Yinsen (Vila-real). SWEDEN: EKTA (Gotenburg). SWITZERLAND: Beni Bischof (St.Gallen), Studio Feixen (Lucerne), Tashi Brauen (Zürich). THE NETHERLANDS: Guda Koster (Amsterdam), The Rodina (Amsterdam). UK: Dr. Me (Manchester), Julie Cockburn (Suffolk), Anthony Gerace (London), Vanessa Mckeown (London). USA: Olaf Breuning (Upstate New York, NY), John Gall (New Jersey), Brion Nuda Rosch (San Francisco, CA), Stefan Sagmeister (New York, NY), Cecil Touchon (Santa Fe , NM), Mark Wagner (Lancaster , PA), Anthony Zinonos (Fullerton , CA).