KM Press LLC

Since we imagine something intentional about a community both in its formation and its function as a new entity, there is something both baffling and attractive about the idea of a “plant community.” Do plants know what they’re doing? Some claim our attention: good to eat, good to smell, get stuck to your clothes. For a majority, plants or plant communities arouse a restricted admiration: lawn. A lawn can be a plant community, an atrocious one to be sure. But I’m thinking of plant communities in the eyes of God, where the plants foregather in ancient times and set out toward infinity. These deserve the word community, and the individuals who make them up are original in the extreme, as they must be: they live in a tough town.

It is our luck that the eternal aspects of these daredevils have fallen to the eye of artist Lindy Smith who has used the sun in ways known best to her to reveal the souls of plants as lives, as archetypes, as semaphore. Their shapes seem to belong to dreams while for all their unexpectedness they are no more accidental than dreams. What we see emerges from the lives they’ve lived in deep time; their importance hangs over them as an aura. 

We long to say their names: milkweed, mullein, bulrush, fescue, rush, yarrow. Or, on the other hand, sumpweed, pigweed, spurge. They belong to the things we see for the first time while recognizing we’ve known them always, hence the longing to absorb their eternal forms. Creation—we have it by our fingertips, just. Smith’s images Smith has discovered the souls of so many plants I thought I knew and left their essential signatures on my mind that I will never see them in the same way again, or more to the point, forget them again. I wish I knew enough about the process to understand what help the sun has been in finding these plants out. But here they are, seen by an artist, and what help it is.—from the Preface by Tom McGuane

An unforgettable memoir about the turmoil of antidepressant withdrawal and the work it takes to unravel the stories we tell ourselves to rationalize our suffering. 

Brooke Siem was among the first generation of minors to be prescribed antidepressants. Initially diagnosed and treated in the wake of her father’s sudden death, this psychiatric intervention sent a message that something was pathologically wrong with her and that the only “fix” was medication. As a teenager, she stepped into the hazy world of antidepressants just at the time when she was forming the foundation of her identity. For the following fifteen years, every situation she faced was seen through the lens of brokenness.

 A decade and a half later, still on the same cocktail of drugs, Brooke found herself hanging halfway out her Manhattan high-rise window, calculating the time it would take to hit the ground. As she looked for breaks in the pedestrian traffic patterns, a thought dawned on her: “I’ve spent half my life—and my entire adult life—on antidepressants. Who might I be without them?”

 Unfurled against a global backdrop, May Cause Side Effects is the gripping story of what happened when, after fifteen years and 32,760 pills, Brooke was faced with a profound choice that plunged her into a year of excruciating antidepressant withdrawal and forced her to rebuild her entire life.

 An illuminating memoir for those who take, prescribe, or are considering psychiatric drugs, May Cause Side Effects is an honest reminder that the road to true happiness is not mapped on a prescription pad. Instead, Brooke’s story reveals the messy reality of how healing begins at the bottomless depth of our suffering, in the deep self-work that pushes us to the edges of who we are.  

An indispensable, compassionate end-of-life resource

After four decades of training volunteers to offer comfort at the bedsides of the dying, psychologist and Shanti founder Charles Garfield has created an essential guide for friends, family, and healthcare professionals who want to ease someone's final days but don't know how to begin.

Dr. Garfield presents practical advice about finding connection, honesty, and peace while being of the greatest service to those at the end of life. By focusing on the reciprocal and healing relationship between the living and the dying, which continues until the last breath, he offers a path toward clarity and wholeness, and even growth. Life's Last Gift is an emotional lifeline for anyone who feels lost and filled with grief during this final stage of life.

In his exceptionally thought-provoking and moving memoir, neurosurgeon Joseph D. Stern explores how personal loss influences the way physicians relate to patients and their families.

How does a doctor who deals with the death of patients on a regular basis confront his own loss when his beloved sister is living out her last days?

Despite a career as a neurosurgeon, Joseph Stern learned more about the nature of illness and death after his younger sister, Victoria, developed leukemia than his formal medical training ever taught him. Her death broke down the self-protective barriers he had built to perform his job and led to a profound shift in his approach to medicine.

During the year of his sister’s illness, Dr. Stern developed a greater awareness of the needs of patients and their families; of the burdens they carry; of the importance of connection, communication, and gratitude; and of what it means to ask the right questions.

Grief Connects Us bridges the gap between patients and doctors, providing a window into their shared concerns. Interspersing reflections from Victoria's journal, stories of patients and colleagues, and insights from experts, Dr. Stern has orchestrated a symphony of voices guiding us toward greater mutual understanding and appreciation of the beauty and fragility of life.

No matter which side of the patient-doctor relationship you find yourself on, listening with empathy, a willingness to be vulnerable, and emotional agility are skills we can all develop to improve how we meet difficult, unavoidable challenges.

The definitive history of writing and producing the"Big Book" of Alcoholics Anonymous, told through extensive access to the group's archives.

Alcoholics Anonymous is arguably the most significant self-help book published in the twentieth century. Released in 1939, the “Big Book,” as it’s commonly known, has sold an estimated 37 million copies, been translated into seventy languages, and spawned numerous recovery communities around the world while remaining a vibrant plan for recovery from addiction in all its forms for millions of people. While there are many books about A.A. history, most rely on anecdotal stories told well after the fact by Bill Wilson and other early members—accounts that have proved to be woefully inaccurate at times. Writing the Big Book brings exhaustive research, academic discipline, and informed insight to the subject not seen since Ernest Kurtz’s Not-God, published forty years ago.

Focusing primarily on the eighteen months from October 1937, when a book was first proposed, and April 1939 when Alcoholics Anonymous was published, Schaberg’s history is based on eleven years of research into the wealth of 1930s documents currently preserved in several A.A. archives. Woven together into an exciting narrative, these real-time documents tell an almost week-by-week story of how the book was created, providing more than a few unexpected turns and surprising departures from the hallowed stories that have been so widely circulated about early A.A. history.

Fast-paced, engaging, and contrary, Writing the Big Book presents a vivid picture of how early A.A. operated and grew and reveals many previously unreported details about the colorful cast of characters who were responsible for making that group so successful.

In Legal Briefs: The Ups and Downs of Life in the Law, editor Roger Witten takes us behind the scenes of some of the most fascinating court cases of the last few decades, while introducing us to the sometimes strange, and sometimes comical situations these lawyers have experienced during their long careers.

 

This collection features twenty lawyers of varying backgrounds and expertise writing with pizzazz, humor, and passion about such significant events as the Watergate break-in; the 9/11 Commission; the Iranian hostage crisis, and more. They write of tackling issues concerning money in politics and Citizens United; same-sex parental custody rights; and the contempt charge against Martin Luther King Jr. And we are also treated to intimate portraits of some unique clients and towering figures in the legal world.

 

This book will delight all readers, not just those with a specific interest in the law. As Roger Witten writes in the introduction, these stories “reveal the ups and downs of a life in the law by telling stories that are dramatic, moving, and/or amusing Some are tongue-in-cheek. Others are serious but never dull.”

 

In more than five decades as a reporter, editor and publisher, Peter Osnos has had an especially good view of momentous events and relationships with some of the most influential personalities of our time.

As a young journalist for I.F. Stone's Weekly, one of the leading publications of the turbulent 1960s and in 18 years at The Washington Post , he covered the war in Vietnam and Cambodia, the Soviet Union at the height of Kremlin power, Washington D.C. as National Editor, "Swinging London" in the 60s and Thatcher's Britain in the 1980s.

At Random House and the company he founded, PublicAffairs, he was responsible for books by four presidents -Carter, Clinton, Obama and Trump; celebrated Washington figures including Robert McNamara, House Speaker Tip O'Neill and Vernon Jordan, first ladies Rosalynn Carter and Nancy Reagan, the billionaire George Soros, basketball superstars Kareem Abdul Jabbar and Magic Johnson, legendary spies, political dissidents and the writers, Molly Ivins and Peggy Noonan, among many others.

In this unusually wide-ranging memoir, Osnos uses a reporter's skills to portray historic events and encounters beginning with his parents' extraordinary World War II experiences escaping Europe to India, where he was born, to the present day. He shares unique portraits of the famous people he worked with and an insider's perspective of the news and publishing businesses. As he charts the evolution of his career and recent history, he also explores the influence and impact of family, character, curiosity, luck, resilience, a well-pressed suit and some unexpected wrinkles.

Also featuring a "virtual attic" of photographs, documents and video at anespeciallygoodview.com.

In Doing More with One Life, best-selling author Piasecki welcomes the reader into his home, revealing the heart-breaking early death of his father, and his deep respect and love for the women in his life, especially his mother, who devoted her life to her children, both foster and biological. He explores the life-shaping moments in his personal history and imagines what is to come next in a series of well-wrought vignettes.

Piasecki’s upbringing was laced with poverty and trauma. He began reading at an early age, seeking out the wisdom and relevance from the “magical clan of writers” who helped him strengthen his writing muscle and feed into his creative hunger. Bruce’s journey to becoming a writer is spiritual and practical, as he discovers and uncovers what is truly valuable in a life. As well as being a writer, Piasecki is also an environmentalist, a speaker on climate and society, and AHC Group founder. He has also founded the family-endowed Creative Force Foundation. 

Doing More with One Life can be read as biography, or inventive memoir, or even as magical realism. Piasecki leaves that choice up to his reader. Readers and followers of Piasecki’s expansive career in environmental and community issues will be deeply moved by his tales of loss and his determination to make himself—and his world—into something profoundly better.

NEW CENTENNIAL EDITION FOR 2020

Scott and Zelda Fitzgerald honeymooned for five months in the summer of 1920 in a modest gray house in Westport, Connecticut. It was an experience that had a more profound impact on both of their collective works than any other place they lived.

It was, for Scott and Zelda, their honeymoon. Having just gotten married and after being kicked out of some of New York city's finest hotels, they were, for the first time, in their very own place, albeit for only five months. It was a time that Scott Fitzgerald called "the happiest year since I was eighteen."He had, after all, just achieved success with his first novel, This Side of Paradise, and was suddenly awash with money.

The Fitzgeralds lived a wild life of drinking, driving and endless partying while living in suburban Connecticut. As it happens, living near the beach, they were neighbors to a larger-than-life reclusive multi-millionaire, F.E. Lewis.

Historian Richard Webb grew up in Westport a few doors down the street from where the Fitzgeralds had lived some forty years earlier. Fascinated with the Fitzgeralds, when Webb learned that author Barbara Probst Solomon, who grew up across the river from the F.E. Lewis estate, proposed in the New Yorker that Westport was the real setting for Fitzgerald's Great Gatsby, he was stirred to actively researching her claim.

Boats Against the Current tells the real story behind the famous novel and its tragic hero, debunking the long-held belief that the book was solely inspired by the Fitzgerald’s time in Great Neck, across the Sound in Long Island, and lays out enough information about the fascinating Mr. Lewis that it is difficult not to believe that author Webb has located the true inspiration for one of the most captivating and iconic characters in American literature, the great Gatsby himself.

Illustrated with a fantastic array of never-before-seen photos from the Lewis family, as well as the scrapbooks of the Fitzgeralds, period newspaper clippings, and a myriad of compelling stories about Scott, Zelda and their fantastically wealthy neighbor.

A companion book to the documentary Gatsby in Connecticut: The Untold Story, Boats Against the Current also recounts Webb’s own journey of making the film with fellow Westporter and filmmaker, Robert Steven Williams.

The Great Gatsby may be one of America's essential novels. Boats Against the Current is an essential document for anyone who has read the book and wondered at the fantastical world whose story it tells.

From French scholar and author Claudine Lesage, comes Edith Wharton in France, an examination of Wharton’s years (1907-1937) in France. Lesage, with her innate knowledge of French culture, uses previously unknown or untranslated sources to provide a unique look into French society and Wharton’s place within it.

Edith Wharton in France chronicles Edith Wharton’s dogged efforts to penetrate the Byzantine levels of French high society, her love for the French and Italian countryside, and her consuming passion for the Mediterranean garden. While Lesage is initially skeptical of Wharton’s ability to “become French,” this work ultimately portrays a woman of indomitable spirit who ultimately succeeds in fashioning a French home of her own making in her beloved adopted country.

Lesage’s work illuminates the intertwined characters and important relationships of Wharton’s life in France, many of them overlooked or minimized in earlier biographies. Prominently featured in the account are the French novelist Paul Bourget and his wife Minnie, whose meticulous diary entries over a 35-year period provide a fresh look at Wharton’s active social life both in Paris and on the French Riviera.

A still more intimate look into Wharton’s French circle is provided by her extensive correspondence with the Frenchman Léon Bélugou, a widely travelled mining engineer, writer and well-known figure in Parisian high society. Spanning more than 25 years, the letters portray a mutual intellectual kinship and devoted friendship. Other newly discovered highlights include letters presented as evidence in Wharton’s French divorce proceedings, a mysterious autobiographical essay written by Wharton’s lover, American journalist Morton Fullerton, and numerous photographs never before published.

The author of multiple works of translation, as well original French texts on Wharton and Conrad, Lesage had access to unexamined and untranslated French sources. She presents Wharton’s life from the perspective of a native French woman, capturing a unique view of Wharton trying to navigate through the ancient layers of French society and master its often maddeningly obscure rules, all the while commenting on the horrors of World War I and the cataclysmic changes in the arts and culture of Paris.

This is a full account of the dazzling Technicolor years that turned the screen from silver to every color of the rainbow. Here in one volume are the films, the stars, the showmen and all the elements behind the phenomenon that changed movies forever. Beautiful film stills and rare behind-the-scenes photos taken on the sets of memorable Technicolor movies highlight the personalities and stories behind the making of the movies. From the long struggle to bring perfect color to motion pictures, to the restoration of classic features and the evolution of digital technologies, Technicolor has redefined the movie-going experience.