Language Arts & Disciplines

The acclaimed author of Sins of My Father shares the secrets of writing a new, transformative kind of memoir.

Into being is an essential guide to writing memoir in a radical and empowering way. Drawing on her experience as a memoirist and a teacher of creative writing, Lily Dunn presents the ground-breaking idea that the craft of memoir itself can offer a form of transformation.

Dunn demystifies the memoirist’s art, helping readers to find meaning in raw experience and elevate the personal to the universal. She considers intriguing questions, from why our memories give greater significance to certain events to how we can write honestly without intruding too far into the lives of our loved ones. She also explores how writers are extending the memoir form to create something hybrid, playful and subversive.

In an age of social media, filled with confessions, re-inventions and distortions of the self, the question of what it means to be an individual is more urgent than ever. Into being shows readers how to turn writing memoir into a journey of discovery – one that can be shared with the whole world.

John le Carré said the best place to start a crime novel is as near to the end of the story as possible. But how do you know what the story is?

As writers, we all have different experiences and skills to draw upon, and this book will help you identify the right beginning, middle and end for your own crime novel.

Whether you are writing a police procedural or a psychological thriller, you will need to consider the basic elements of a gripping narrative. Within these pages, you'll learn to master the art of storytelling, from creating a compelling plot that keeps readers on the edge of their seats to choosing the perfect point of view to bring your characters to life. Dive into the depths of suspense, mystery, and surprise, as you unravel the intricacies of crafting a crime novel that captivates and entertains.

This guide will help any new or experienced writer to navigate the writing journey, uncovering the core principles that will make your crime fiction truly exceptional.

This monograph provides an innovative methodology for investigating how China has been conceptualised historically by tracing the development of four key cultural terms (filial piety, face, fengshui, and guanxi) between English and Chinese. It addresses how specific ideas about what constitutes the uniqueness of Chinese culture influence the ways users of these concepts think about China and themselves.

Adopting a combination of archival research and mining of electronic databases, it documents how the translation process has been bound up in the production of new meaning.

In uncovering how both sides of the translation process stand to be transformed by it, the study demonstrates the dialogic nature of translation and its potential contribution to cross-cultural understanding. It also aims to develop a foundation on which other area studies might build broader scholarship about global knowledge production and exchange.

This book provides an outline history of English spelling from the Anglo-Saxon’ adoption of the Roman alphabet to the present day. It shows the respective influences on modern usage of native French and Latin orthographies and attempts a definition of the manner in which spelling stabilised. A final chapter traces changing notions of correctness in spelling during the last four centuries, and also gives a summary of the principle movements for its reform in favour of a more consistent and phonetic system of notion.

Students in higher education specialising in English or linguistics and also those studying other languages at an advanced level should find this a useful book. The general reader with an interest in the history of his language or the question of spelling will find it most readable

Television and press systems in Western Europe are currently undergoing revolutionary changes, raising profound questions for public policy. This comparative, textbook analysis explores how mass media systems across Europe have been shaped by technology, economics and politics. Peter Humphreys argues that whilst both states and markets can constrain progress towards the goals of media freedom and pluralism, public policy can also promote a diverse media system across Europe. He explores the impact of public regulation and private commercial activity, and argues that threats to pluralism can arise from either political interference or from the concentration of media ownership and markets. Another key concern of the book is to explore the political impact of the new media technologies - notably transfrontier satellite broadcasting - in Western Europe. The author explores the implications of the commercialization of national broadcasting systems, and the media policies of the European Union in the age of transfrontier media operations.

‘A really fun idea for a book - and full of great stuff.’
Greg Jenner, Public Historian

This is the perfect guide for any writer who wants to recreate the Roman world accurately in their fiction. It will aid any novelist, screenwriter, games designer or re-enactor in populating their story with authentic characters and scenes, costumes and locations.

Written from a historian’s perspective, this guide pulls back the curtain to show the reader what life in Ancient Rome was really like: what they wore, what they ate, and how they spent their time at work, at home, at war, and at play. Individual chapters focus on different aspects of Romans’ lives, to give you specific knowledge of what they looked like and how they behaved, as well as a broad appreciation of what held their civilisation together, from religion, to the economy, to law and order. You may wish to work your way through the book from cover to cover, or focus specifically on individual chapters as you hone your creative writing skills.

Covering the period between 200 BCE and 200 CE, A writer’s guide to Ancient Rome surveys the vast amount of sources and scholarship on the Classical world so you don’t have to! It outlines current scholarly debates and changing interpretations, suggests further reading, and recommends particular resources to mine for each topic. It gives you plenty to consider while you construct your own Roman world.

There’s more to writing a successful fantasy story than building a unique world or inventing a new type of magic. From the writing of strong, action-packed scenes to the creation of dynamic, multi-dimensional characters, fantasy author Deborah Chester guides novices and intermediate writers through a step-by-step process of story construction. Whether offering tips on how to test a plot premise or survive what she calls the dark dismal middle, Chester shares the techniques she uses in writing her own novels. Examples drawn from both traditional and urban fantasy illustrate her nuts-and-bolts approach to elemental story design.

With a foreword by New York Times best-selling author Jim Butcher, who studied writing in Chester’s classes at the University of Oklahoma, The fantasy fiction formula delivers a practical, proven approach to writing fantasy like a pro.