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Places and Spaces of Crime in Popular Imagination
Regular price $40.00 Save $-40.00The publication Places and Spaces of Crime in Popular Imagination is part of the Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English Series. The text reflects growing interest in popular literary genres not only among the readers, but mainly in literary research. This still rather under-researched area is now representing fertile grounds for various theoretical approaches. As the publication mainly declares its interest in crime-related genres, its focus on place is justifiable: it reflects the postmodern “spatial turn”, manifested in an increased emphasis on the location of crime, not necessarily in the sense of the crime scene itself, but as a socio-geographical place and space.
The setting of crime has a specific and well-defined role in the traditional crime genres, but this role has been redefined in the modern versions of crime-related fiction. ranging from educating the reader in certain areas, bringing up current problems, deepening the psychological aspect of individual characters etc. The published volume brings forth various aspects of this new role of place in popular genres centering on crime and gives space to its deeper analysis. It is not the researchers´ objective to provide overviews of the history of the theoretical discussion of place and space in literature in general. Instead, although the essays do employ a variety of critical approaches, the collection strives to show practically how place and space is employed in the specific material of the selected works.
The seven chapters are written by scholars from the Czech Republic, Poland and Slovakia. Two essays represent London as a topos and a chronotope in the works by contemporary British writers of crime fiction. The selection is to show how varied the literary London can be, albeit in the often rather formulaic popular genre. The essays also document a shift from the country setting typical for the British Golden Age of detective fiction to the more recent urban focus. One contribution focuses on the genre of spy novel to show how rendering of place and space can contribute to the genre’s typical atmosphere of suspense, secrets and disquiet. Four more essays analyze a variety of places and spaces in American crime fiction, crime comics and crime film. All of the places are in some way specific to American milieu – the suburbia, the university campus, the wilderness, a holiday resort with a state park. These essays are designed to show the contemporary variety of places where crime literature (or film) is set and to document a shift from the traditional urban setting of American hard-boiled fiction to a far greater recent diversity.
The volume brings together most recent central European research on the topic of place and community in popular imagination. Thus, it represents a unique insight into this growing phenomenon, which can no longer be overlooked by the academic community.
Faces of Crisis in 20th- and 21st-Century Prose
Regular price $45.00 Save $-45.00Faces of Crisis in 20th-and 21st-Century Prose. An Anthology of Criticism offers a unique overview of the motif of crisis tackled by 20th-and 21st-century novelists. In one way or another, crisis has always been an inevitable part of our lives and it is still a central aspect of the contemporary world, in which we are constantly inundated with information about economic, environmental, and health threats.
The anthology is divided into three parts pertaining to the main themes of the articles. The first section “Selves in Crisis” is concerned with personal and identity crisis. The second part “Bonds in Crisis” is devoted to interpersonal relationships and family ties. The third section “Worlds in Crisis” deals with threats on a global scale, both in the present and in the future. Focused on the main theme, literary scholars from different European universities tackle the problem of crisis from various perspectives, analysing works by authors such as James Joyce, Vita Sackville-West, Charles Hamilton Sorley, Daphne du Maurier, D.H. Lawrence, B.S. Johnson, Ann Quin, Zoë Wicomb, Rachel Seiffert, Sarah Waters, Diane Setterfield, Boualem Sansal, Philip K. Dick, and Suketu Mehta.
The anthology opens with the article “Literature as Crisis” written by Dr Richard Brown from the University of Leeds, UK. Other articles are authored by young scholars representing universities both in Poland and abroad.
Romantic Dialogues and Afterlives
Regular price $55.00 Save $-55.00Romantic writers often asserted their individuality, but this assertion tended to take the form of positioning themselves in relation to other authors and literary texts. Thus they implicitly acknowledged the rich network of broadly understood poetic dialogue as an important and potent source for their own creativity. When in 1816 John Keats wrote “Great spirits now on earth are sojourning,” he celebrated the originality of his contemporaries and the historical significance of his times, pointing to deep interest in “the hum of mighty works” in all the fields of human activity, to which “the nations” ought to listen. Keats’s sonnet suggests not only stimulating exchanges between poets, artists and social thinkers in the same language, but also the idea of transnational appreciation and dialogue.
The volume takes up this idea and explores the dialogues of Romantic authors within the wide scope of European and American cultures. Essays by scholars from Germany, Britain, Bulgaria, Poland, Canada and the United States of America examine Romantic writers’ responses to their contemporaries, explore their dialogues with the culture of the past, and their interactions across the arts and sciences. They also scrutinize the Romantics’ far-reaching influence on later writers and artists, and thus extend the network of artistic exchange to modern times. The volume offers a rich tapestry of interconnections that span across time and space, interlace languages and cultures, and link Romantic writers and artists with their predecessors and successors across Europe and America. The essays in the collection invite the reader to join ongoing dialogues between writers and their audiences, of the past and present.
The Poet and Existence
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At the Roots of the Modern Novel
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Oriental Languages and Civilisations
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Drama of the Mind [in Polish and English]
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Englishness Revisited
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Modern Literature of the United Arab Emirates
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Without Jews?
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Shakespeare in Europe
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Genres Rediscovered
Regular price $45.00 Save $-45.00A reader of the epyllion by Dracontius, the elegy by Maximianus, and the epigram by Luxorius should not expect that these works—and these new embodiments of the 'old' genres—will be wholly identical with their 'archetypes'. Were it so, it would mean that we read but second-rate versifiers, indeed.
We may expect rather that thanks to the reading of Dracontius's epyllion, Maximianus's elegy, and Luxorius's epigram our understanding of these very genres may become fuller and deeper than if it was narrowed only to the study of the 'classical phase' of the Roman literature.
Therefore, I have decided to employ in the title of my book the expression genres rediscovered. I have found it fair to emphasize that the poets whose works have been studied here merit appreciation for their creativity, and indeed courage, in reusing and reinterpreting the classical—and truly classic—literary heritage. In addition, I have found it similarly fair to stress that for the students of Latin literature the borderline between the 'classical' and the 'post-classical' is, and should be, flexible. It is not my intention of course to imply that aesthetic and poetological differences should be ignored or blurred. Quite the reverse, these differences are profound and multidimensional and as such must be properly understood and explained. The main issue is the fact that studies of Latin literature—or rather of literature in general – and especially generic studies require a proper, i.e. diachronic, perspective. A description of a certain genre based merely on its most important or generally known representative/representatives will always risk becoming incomplete and limited. In genology, one must be utterly prudent in defining the 'main' and the 'marginal', the 'relevant' and the 'negligible'. In this sense, an insight into a few genres practiced by some 'classical'—and classic—Roman poets from the perspective of their 'post-classical' followers may be, also for a genologist, an intriguing rediscovery.
Studies on the Turkic World
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Unknown Lutsk Karaim Letters in Hebrew Script (19th–20th Centuries)
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Writing Life
Regular price $30.00 Save $-30.00The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts.
The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side. By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.
Eyes to Wonder, Tongue to Praise
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The Art of Literature, Art in Literature
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Authors on Authors
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History, Memory, Trauma in Contemporary British and Irish Fiction
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Online/Offline
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Renaissance and Humanism from the Central-East European Point of View
Regular price $50.00 Save $-50.00This volume shows the panorama of the contemporary studies of the Polish Renaissance, presented here in the Italian and transalpine context, taking into consideration its characteristics. An important aspect of this volume is the specification of the research needs and the definition of new directions of studies and their methodology. A large, multiethnic and multireligious state, which was Polish Lithuanian Commonwealth (Rzeczpospolita Obojga Narodów) shaped its modern identity in the sixteenth century. This period gave rise to the flowering of literature and art, creating the Golden Age of Polish culture. The ideas of Renaissance humanism proved to be vitally attractive for the domestic elites and contributed to the creation of the foundations of the political system of the Commonwealth, becoming its pride—a republic with an elected king, where both passive and active electoral rights were vested in the entire Gentry Nation. The Latin Culture of the Renaissance became also an integrating factor for this multilingual state organism, and Latin, together with Polish was the main medium of communication among nobility (who accounted for about 10 percent of the inhabitants of the Republic).
The disintegration of this commonwealth, the loss of independence for more than a century (1795-1918), and then loss of sovereignty for another half of a century (1939-1989) and then isolation between Poland and the West resulted in the fact that the culture of this area was not included in the studies of the European Renaissance, which were commenced in the nineteenth century. This gap has been seen until today in the Western course books and more general overviews. The purpose of this volume is, at least to a limited degree, to fill in the lack of scientific analyses of the Polish Renaissance in western languages and also to invite foreign scholars to a debate about Polish humanistic literature.
Particular chapters concentrate on the following issues: From the History of the Renaissance Idea; The State of Research on the Renaissance Humanism: Poland Case; Editing of Primary Sources; Old and Contemporary Translation Studies; The Renaissance Genres (Theory and Practice).
Through the Looking Glass
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Comparative Literature
Regular price $55.00 Save $-55.00This book is an attempt to diagnose the condition of (post-)modern comparative literature and to formulate its role in the media society in a multicultural world. Andrzej Hejmej reviews the current situation of an “indiscipline” in the widest possible perspective, taking into account both the first concepts from the nineteenth century, including proposals from the French comparative literary scholars, Goethe's idea of Weltliteratur, and the institutional work of H. Von Meltzl, as well as the latest concepts from the comparative literary scholars from Western Europe and the U.S.
The history of the formation of the main trends of comparative literary studies is explained through the use of metaphors: the Eiffel Tower, the World Trade Center, and the Tower of Babel. Tackling a variety of proposals from comparative literature scholars as well as proposals from researchers into intermedial and intercultural phenomena leads us to a new look at comparative literature and comparative literary studies. As a result, Hejmej understands modern comparative literature not so much as a further extension of the institutional dimension but more as an interpretative practice embedded in everyday life. This intercultural perspective opens new horizons for comparative literary studies in the twenty-first century.
The Politics and Poetics of Friendship
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Liberature
Regular price $45.00 Save $-45.00This book discusses the concept of liberature, a term coined by the Polish poet Zenon Fajfer in 1999 to refer to a kind of writing that fuses text with its material form into a conceptual whole in the space of the book. In her monograph, described by the author as "the fruit of miscegenation between a scholar and a creative writer," Katarzyna Bazarnik explains how liberature is indebted to modernist explorations of the materiality of writing pointed out by Jerome McGann, as well as practices of "presentification" described by Hans Ulrich Gumbrecht. She flags affinities between liberature and related concepts: N. Katherine Hayles's technotexts, Jessica Pressman's bookishness, Lori Emerson's reading-writing interfaces, and Alison Gibbons's analyses of multimodal literature. Finally, reading liberature through contemporary genre theory, she proposes to see it as a multimodal, literary genre bound to the architecture of the material book.
The "Image-Event" in the Early Post-9/11 Novel
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