Little Infinite Poetry Shop

Aurora Leigh (1856) is an epic poem by English Romantic poet Elizabeth Barrett Browning. Described by Browning as “a novel in verse,” Aurora Leigh is primarily the story of its titular heroine, an intelligent woman and ambitious poet whose talent is matched only by her skill for self-doubt. Although it is narrated in the first person, the poem also concerns itself with the character Marian Erle, a woman rescued from a life on the streets by Aurora’s cousin Romney, who loves both women in complex and varying ways. Recognized as one of the most important poems of the nineteenth century, Aurora Leigh is notable for its use of the epic form—traditionally masculine, and concerned with subjects such as war, history, and the gods—in order to tell a story centered on talented and uniquely independent women.

Born in Florence to a Tuscan mother and English father, and encouraged from a young age to study the classics and learn Latin and Greek, Aurora Leigh develops not only the desire to become a famous poet, but the talent and intelligence to achieve her dream. What she has in ambition and skill, however, she lacks in confidence, and, after moving to England as a teenager, Aurora struggles to make a name for herself in the competitive literary environment of London. While in England, she meets her cousin Romney Leigh, a dedicated and idealistic social worker who dreams of using his inheritance and family estate—Leigh Hall—to alleviate the suffering of the lower classes. Aurora Leigh is a dramatic tale of romance involving Marian Erle, Lady Waldemar—a beautiful aristocrat—and Aurora herself. As each of these women navigates their relationship with Romney, and as Romney tries and fails to bring meaningful aid to the poor, Aurora finds that her art means nothing if she cannot learn to love herself as much as she loves others.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Written with tremendous urgency and ferocious candor, the prose poems of Book of Potions captures a woman caught in the middle of life: no longer young, not yet old, trapped between generations, locked in stereotyped roles and stultifying social norms, confined by other people’s expectations and their projections of what a woman should be.

By turns enraged, funny, frustrated, astute and joyful, these short hybrid pieces (potion = poem + fiction) combine the lyric compression of poetry with the narrative expansiveness of prose. Readers will meander, spellbound, through a wildly imaginative dream world of fairy-tale landscapes, allegorical insights, social satire, thought experiments and vivid surreal imagery, scenes of otherworldly strangeness and haunting beauty. These potions are elixirs in language, some healing, some poisonous, all magical.

In Earth House, Matthew Hollis evokes the landscape, language and ecology of the isles of Britain and Ireland to explore how our most intimate moments have resonance in the wider cycle of life. Beginning in the slate waters of the north, the book revolves around the cardinal points and the ancient elements: through the wide skies of the east and the terrain of a southern city, to the embers of places lost to us, to which we can no longer return. 

What emerges is a moving meditation on time and the transformative phases of nature that calls many forces into its presence – the wisdoms of Anglo-Saxon verse, the metamorphoses of Norse and Celtic myth, the stoicism of classical thought and the far east – unforgettably phrased by a writer who, in the words of the TLS, ‘makes the language of his poetry an event in itself’. Subtly attuned to the rhythms of the turning world, these poems open with the passing of an old life and culminate in the birth of a new one. They bravely work the seam between the present and the past, between destruction and renewal, humanity and our environment, and make Earth House a timeless exploration of our timed encounter with the remarkable lives of our planet.

Earth House is Matthew Hollis’s long awaited follow up to Ground Water (2004), shortlisted for the Guardian First Book Award, the Forward Prize for Best First Collection and the Whitbread Poetry Award. He is the author of Now All Roads Lead to France: The Last Years of Edward Thomas and The Waste Land: A Biography of a Poem, recipients of the Costa Award for Biography and Sunday Times Biography of the Year.

Covering the most productive period of J.H. Prynne's career, this new volume collects all of the recent poetry of Britain’s leading late Modernist poet. Prynne's austere yet playful poetry challenges our sense of the world, not by any direct address to the reader but by showing everything in a different light, enacting slips and changes of meaning through shifting language. Not since the late work of Ezra Pound and the Maximus series of Charles Olson have the possibilities of poetry been so fundamentally questioned and extended as they are in the life work of J.H. Prynne. 

When his Poems was first published in 1999, it was immediately acclaimed as a landmark in modern poetry. Four further collections were added to the second edition of Poems in 2005, followed by a further seven along with a group of uncollected poems to the third edition of Poems (2015).

The decade since Poems (2015) has been the most productive period of Prynne’s life, with over thirty limited editions published between 2017 and 2024. To have added these to a fourth edition of Poems would have more than doubled the size of that volume. Poems 2016–2024 is therefore a separate, supplementary edition of his later work, including, except for minor corrections, the mostly unchanged contents of 36 texts written since Poems (2015), from Each to Each (2017) to Alembic Forest (2024), as well as the corrected 2023 text of At Raucous Purposeful (2022). The 26 Impromptus comprising Memory Working, originally published by Face Press in three separate editions in 2020 and 2021, appear here as a complete sequence.

A coming-of-age narrative, Leaving Biddle City details one Filipina American speaker’s experience of growing up amid a white, Midwestern suburbia mythologized as “Biddle City.” Through prose poems, pantoums, ballads, flattened haikus, and thematic autobiographies, Chan maps a territory of intergenerational conflict, racial alienation, and memory and forgetfulness. What’s achieved is a work of play and meticulous beauty, a collection that reframes how we may understand ourselves, our histories, and the places where we are from.

Love Poems and Others by D.H Lawrence features thirty-two poems of various lengths. With themes of love, marriage, gender, sexuality and emotional health, Lawrence’s work is both relatable and revolutionary. Separated into three sections, Love Poems and Others addresses an eclectic variety of human struggles. The first section, Love Poems explores how gender changes the expectations of love and sex. Through the portrayal of the search for love, this section examines the almost violent human need for connection, pondering how society both enables and prevents this instinctual need. The next section, Dialect reproduces and preserves the language and concerns of the people in Nottinghamshire, England, a county in the East Midlands in which D.H Lawrence spent most of his youth. Through the honest depiction of this region, modern-day readers are afforded the privileged understanding of this historic area as Lawrence portrays the intricacies of the people who once lived there. The final section of Love Poems and Others is titled Schoolmaster. Following the narrative of a schoolmaster, this section explores themes of masculinity and youth. Each of the thirty-two poems featured in Love Poems and Others is crafted with masterful rhythm, vivid imagery, and tender sentiment. Through the use of accessible language and relatable themes, Lawrence explores the taboo and unspoken in his poetry, provoking strong reactions. Including provocative perspectives, honest depictions, and representation of a local culture and dialect, Love Poems and Others proves to be as insightful as it is beautiful. Originally published over one-hundred years ago in 1915, D.H Lawrence’s Love Poems and Others simultaneously preserves the culture and customs of his time while also addressing social issues that modern society still struggles with, attesting to the timelessness of the human spirit..

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Men, Women, and Ghosts is an agile and promising work from a pioneering poet of the early twentieth century. In “Patterns,” the collection’s opening poem, Lowell displays an economy of language and clarity of vision that would define the imagist school, in which she would prove an essential figure: “I walk down garden paths, / And all the daffodils / Are blowing, and the bright blue squills. / […] / I too am a rare / Pattern. As I wander down / The garden paths.” As the speaker of the poem laments the loss of her lover, she remarks: “the man who should loose me is dead, / Fighting with the Duke in Flanders, / In a pattern called a war. / Christ! What are patterns for?” As a poet indebted to tradition and yet interested in the prospect of a modern poetry, as a lesbian and bohemian figure from a prominent Boston family, Lowell was keenly aware of the dangers inherent to “patterns.” Her poems, unique and experimental, are an essential contribution to one of humanity’s oldest art forms. Men, Women, and Ghosts is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. This edition Amy Lowell’s Men, Women, and Ghosts is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A vulnerable and honest collection of poems exploring lineage, love, and the pandemic, from one of the most acclaimed poets of his generation.

“You are told to believe in one paradise / and then there is the paradise you come to know,” begins Rick Barot. What follows is an account of the rich and thorny valley between those poles. Moving the Bones dwells in liminal spaces—of love and memory, the pandemic’s singular domesticity, a serene cemetery of ancestral plots, dawn. In precise and tender verse, Barot captures the particularities of being in the middle of one’s life, reflecting on the joys and sorrows of the past and confronting the inevitabilities that lie ahead.

For Barot, this presence of mind is an art of being lost in thought. “My mind has a slow metabolism, it is slow / to understand what anything means,” he confides, “but understands that if you look at something / long enough, it will have something / to say to you.” Appreciating a Rembrandt, standing in a Goodwill, watching a boy with a flower behind his ear—we encounter ephemeral murmurs of meaning everywhere, but only by slowing down, listening. If we take time to notice the enduring insights of daily moments, if we praise cherry blossoms, lungs, and crying, we might find it easier to bear the loss of a loved one, the sting of solitude, the body’s decline.

By laying bare his own experiences, Barot brings us close enough to witness the lyrical work of consciousness. Patient and attentive, this collection illuminates the everyday and invites us to find pleasure in doing the same, at every stage of life.

In her second collection, My Infinity, Didi Jackson continues her exploration of the paradoxical meaning of a world where joy and sorrow simultaneously coexist.

These poems investigate both sacred and natural spaces. Her poems move grief and emotional suffering to language as a site of recovery and renewal. Much of this collection is ordered around the work of the Swedish visual artist Hilma af Klint. As the first artist to arguably use abstraction, her radical work brims with enigmatic botanical images painted to grasp the seemingly boundless and hermetic realm of the dead. Similarly, Jackson’s poems explore plant life and natural species in the Green Mountains of Vermont, where perceived thresholds blur in acts of spiritual reimagining. This is a book that questions all that is endless, all that has been thought as limiting, and all that remains unknown.

“A brilliant and engaging book on haiku, and on the state of the body and mind required in the million to one shot against producing a good one” —Jim Harrison

First published in 1997, Seeds From a Birch Tree introduced readers to the only form of poetry in all of world literature that makes nature into a spiritual path. Its message was simple: Haiku teaches us to return to nature by following the seasons—seventeen syllables at a time.

With its mix of poetry and memoir, fallen leaves and birdsong, Seeds From a Birch Tree awakens us to what Bashō called “the life of each thing.” Simple instructions guide us to the possibilities for creativity and joy hidden in plain sight in the natural world around us, giving us hope and resilience in the face of life’s challenges.

This Revised & Expanded 25^th Anniversary Edition includes the complete text of the original classic, plus dozens of new haiku and an Afterword by the author discussing haiku for the 21^st century.

Selected Poems (1923) is a collection of poems by American poet Robert Frost. Dedicated to Edward Thomas, a friend of Frost’s and an important English poet who died toward the end of the First World War, Selected Poems is a wonderful sampling of poems from Frost’s early collections, including A Boy’s Will and North of Boston. Known for his plainspoken language and dedication to the images and rhythms of rural New England, Robert Frost is one of America’s most iconic poets, a voice to whom generations of readers have turned in search of beauty, music, and life.

“Mowing” envisions the poet’s work through the prism of rural labor. “There was never a sound beside the wood but one / And that was my long scythe whispering to the ground. / What was it it whispered?” The speaker does not know, but continues his task, hypnotized by its rhythm and simple music. In “After Apple-Picking,” as fall gives over to winter, the poet remembers in dreams how the “Magnified apples appear and disappear, / Stem end and blossom end” as he climbs the ladder into the heart of the tree. Both a symbol for life and a metaphor for the poetic act, apple picking leaves the poet “overtired / Of the great harvest [he himself] desired”, awaiting sleep as he describes “its coming on,” wondering what, if anything, it will bring. “The Road Not Taken,” perhaps Frost’s most famous poem, is a meditation on fate and free will that follows a traveler in an autumn landscape, unsure of which path to take, but certain he cannot stand still.

This edition of Robert Frost’s Selected Poems is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

AUTHOR OF THE INSTANT NATIONAL BESTSELLER, JAMES • AUTHOR OF ERASURE, now adapted for the screen as the OSCAR-WINNING FILM, AMERICAN FICTION • Percival Everett is diving back into poetry with his spellbinding new collection, SONNETS FOR A MISSING KEY

“One of the most profoundly talented writers of all time.”—Robin Coste Lewis, winner of the National Book Award for Poetry • "VERDICT For enthusiasts of Percival's writing."—Library Journal • “Your favorite writer’s writer.”—Entertainment Weekly • “Percival Everett is poised for a big year.”—The Wall Street Journal • Percival Everett puts cherry on top of novels with new book of sonnets.”—Pasadena Star-News • “Wry and epigrammatic.”—Publisher’s Weekly • “A mesmerizing collection that transcends the boundaries of conventional poetry.”—Amsterdam News 

Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett’s sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.

Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.

Sonnets for a Missing Key is a mesmerizing feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.

A ground-breaking collection of poems exploring disability, syntax, and rhythm from a Brooklyn-based Senegalese American writer with cerebral palsy. 

Latif Askia Ba—an acclaimed poet with Choreic Cerebral Palsy—honors all the things that arise from our unique choreographies. Meeting each reader with corporeal generosity, these poems create space to practice a radical reclamation of movement and the body. Together. In dialogue. In disability. At the bodega, in the examination room, on the move. “This way. My body looks like a dancing tattoo.” Here, the drum of the body punctuates thought in unexpected and invigorating time signatures.

These poems are percussive and syncopated, utilizing a polylingual braid of French, Spanish, Jamaican, Fulani, and Wolof, reminding the Anglophone reader: “I am not here to accommodate you.” Because these poems are not so much for you as they are with you, an accompaniment rather than an accommodation, something to be rather than something to own.

With startling nuance, The Choreic Period encourages us to “relinquish the things that we have. And mark the thing that we do,” all to see and sing the vital “thing that we be.”

The Emily Dickinson Collection (2021) compiles some of the best-known works of an icon of American poetry. Out of nearly two-thousand poems discovered after her death, less than a dozen appeared in print during Dickinson’s lifetime. Drawn from such influential posthumous volumes as Poems (1902) and The Single Hound (1914), The Emily Dickinson Collection captures the spiritual depths, celebratory heights, and impenetrable mystery of Dickinson’s poetic gift. “Fame is a fickle food / Upon a shifting plate, / Whose table once a Guest, but not / The second time, is set.” Deeply aware of the fleeting nature of fame, Dickinson—whose reputation in life was as a lonely eccentric who rarely, if ever, left home—seems to provide some clarity as to why publication so often eluded her. Having published just ten poems in her lifetime, Dickinson continued to write in solitude until her final years. Her final word on fame is a warning, perhaps, for poets whose fate would differ from her own: “Men eat of it and die.” Despite her admonishing tone, she found space elsewhere to muse on the nature of literary achievement, recognizing that obscurity could incidentally produce the conditions for a poet to produce their most vital work: “Success is counted sweetest / By those who ne’er succeed. / To comprehend a nectar / Requires sorest need.” Throughout her life, Emily Dickinson showed a profound respect for the mysteries of worldly existence. In her poems, this creates an atmosphere of prayer and contemplation, a search for something beyond the simple answers: “Some things that fly there be, — / Birds, hours, the bumble-bee: / Of these no elegy.” Amid such fleeting things, she catches a glimpse of eternity.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from U.S. Poet Laureate and MacArthur Fellow Ada Limón.

"I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?

With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.

Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

Winner of the Jake Adam York Prize, this collection of poems seeks answers about how to live meaningfully in a world saturated by late capitalism.

“The question isn’t / what exists,” writes Sarah V. Schweig in her engrossing and prize-winning collection, “The question is what doesn’t / die with us?” Positioned from within the morass of modern-day living, The Ocean in the Next Room searches for the hard, abiding particles of truth buried beneath our frenzied consumer culture. Stillness. Sunsets. The circadian rhythm of trees. These poems guide us to look past branding, content-creation, and relentless jargon to find meaning in those layers of the world that operate without human intervention.

In verse that is at once inventive and innately familiar, Schweig unpacks the urge to make art, life, and connections even at the risk of becoming further entangled in the Anthropocene. Profound and clear-sighted, this collection urges us to lift our gazes from our screens and really look at the world around us. If we measure our attentions and sharpen our intentions, if we “try again to write / the true things,” we might spy something real on the horizon.

Harold Rhenisch’s poems balance the settler and Indigenous experiences of land and water in the Pacific Northwest
A collection of shanties (songs) laid out in couplets that move between English and Chinook Wawa, The Salmon Shanties celebrates a poetic tradition deeply rooted on the West Coast. Harold Rhenisch explores memories of people, place, and of returning home, speaking the land’s names as a music of its own and creating a series of aural maps.
Imbued with rhythms of Secwepemc grass dances, the colloquial chatter of the Canadian poet Al Purdy, and the voice of poet and historian Charles Lillard, Rhenisch’s work sings of roots to the land lifted up by the sea into the sky—as if Ezra Pound had sung of Cascadia instead of Europe.
Do not be in Mareuil and Périgeux tonight; it is 1912 no longer.
We, the land’s singers, are walking the star road on the long way home
with the crickets of a July evening above Tuc el Nuit,
the burrowing owls of N’kmp,
and the long memories of the dwarf shrews of Nighthawk.
Breath cannot be denied. Poh cannot be forsaken. Ezra, shantie.

A collection full of comfort, vulnerability, rage and inspiration from one of the powerhouses of British poetry and award-winning novelist Salena Godden

With Love, Grief and Fury contains love poems, for people and the planet. Grief poems brimming with compassion, mourning what was and contemplating what could be. And poems of fire and fury that will kick some ass, tell the truth and inspire change and hope.

Over thirty years after she first stormed the UK poetry scene, the trailblazing and award-winning writer Salena Godden has produced her most audacious and definitive collection to date. Like a big sister's arm around your shoulder, With Love, Grief and Fury is important and nourishing for the soul.

NATIONAL BESTSELLER

The #1 bestselling and beloved poetry anthology, now in paperback!

“Whoever you are, you will find yourself and your own world in the expansiveness of this collection.”
 –Margaret Renkl, New York Times

“A lovely book to take with you to read at the end of your next hike.”
–Los Angeles Times

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.  

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing.

You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.

Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.