Manchester University Press

A daring investigation into how women are recruited by the far right online.

As the far right has gained popularity and acceptance around the world, its ranks have swelled with an unlikely category of members: women.

Women play significant roles in far-right movements, acting as propagandists, prizes to be won and mother-warriors of the nation. But up to now their activities have been largely overlooked. In Pink-pilled, journalist Lois Shearing interviews leading experts and infiltrates communities of tradwives and femtrolls to provide a cutting-edge account of how the far right uses the internet to recruit women. Shining a light on women’s experiences within these movements, Shearing reveals horrifying examples of misogyny and violence.

Understanding how and why women join movements that explicitly aim to restrict their autonomy is essential if we want to fight back. Pink-pilled offers key insights for countering women’s radicalisation and building communities resistant to far-right thought.

This is the first comprehensive history of goth music and culture. Across more than 500 pages, John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era.

Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned the culture, alongside political and social conditions. He also reaches back further to key historic events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the romantic poets, European folk tales, Gothic art and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature and music.

The art of darkness features interviews with Andrew Eldritch, Killing Joke, Bauhaus, The Cult, The Banshees, The Damned, Einstürzende Neubauten, Johnny Marr, Trent Reznor, Adam Ant, Laibach, The Cure, Nick Cave and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen.

The myth of good AI offers a bold new approach to understanding artificial intelligence and its implications for human security. Dismantling the ‘good AI’ narrative pedalled by tech giants, the book exposes the full extent of AI’s nefarious impact on society.
Drawing on a wide range of literature, the book provides a gripping synthesis of debates in philosophy, medicine, media, psychology, international affairs, economics and politics. It charts the full spectrum of AI-related themes and explores what implications AI has for our future, while equipping the reader with strategies for survival.

The book presents an in-depth and theoretically-grounded analysis of urban gardening practices (re)emerging worldwide as new forms of bottom-up socio-political participation. By complementing the scholarly perspectives through posing real cases, it focuses on how these practices are able to address – together with environmental and planning questions – the most fundamental issues of spatial justice, social cohesion, inclusiveness, social innovations and equity in cities. Through a critical exploration of international case studies, this collection investigates whether, and how, gardeners are willing and able to contrast urban spatial arrangements that produce peculiar forms of social organisation and structures for inclusion and exclusion, by considering pervasive inequalities in the access to space, natural resources and services, as well as considerable disparities in living conditions.
This book is relevant to United Nations Sustainable Development Goal 16, Peace, justice and strong institutions

The amazing story of the home studio that helped launch some of Britain’s most beloved bands.

The Sheffield space age began in 1961, when local mechanic Ken Patten won a tape-recording competition by recreating the sound of a rocket launch using a pencil and a bicycle pump.

In the decades that followed, the makeshift home studio he constructed became the launch pad for a group of young musicians who would shape the futuristic sound of 1980s pop. The Human League, Heaven 17, Pulp, ABC and others made their early recordings with Ken, whose DIY ethic was the perfect fit for a city facing industrial decline but teeming with ideas.

Studio Electrophonique tells the story of a generation seeking new frontiers in music, using everything they could lay their hands on – from science fiction novels to glam rock, Dada art and cheap electronics – to get there. Drawing on original interviews with Jarvis Cocker, Martyn Ware, Mark White and others, it brings to light a world of humour, charm, creativity and unfounded yet undaunted self-belief.

The Island Book of Records brings the early years of this iconic record label to life.

A fifteen-year labour of love, the volumes will fully document the analogue era of Island. Offering a comprehensive archive of album cover design and photography, together with the voices of the musicians, designers, photographers, producers, studio engineers and record company personnel that worked on each project, the volumes show in unique depth the workings of the label, covering every LP.

Featuring material from recent interviews and from media interviews of the time, and each including a comprehensive discography of 45s, the books are lavishly illustrated with gig adverts (very many at venues which no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera.

These LP-sized editions are a collector’s dream, offering a truly unparalleled resource for those interested in music history and a perfect gift for any music lover.

Surrealist women’s writing: A critical exploration is the first sustained critical inquiry into the writing of women associated with surrealism. Featuring original essays by leading scholars of surrealism, the volume demonstrates the extent and the historical, linguistic, and culturally contextual breadth of this writing. It also highlights how the specifically surrealist poetics and politics of these writers’ work intersect with and contribute to contemporary debates on, for example, gender, sexuality, subjectivity, otherness, anthropocentrism, and the environment.

Drawing on a variety of innovative theoretical approaches, the essays in the volume focus on the writing of numerous women surrealists, many of whom have hitherto mainly been known for their visual rather than their literary production. These include Claude Cahun, Leonora Carrington, Kay Sage, Colette Peignot, Suzanne Césaire, Unica Zürn, Ithell Colquhoun, Leonor Fini, Dorothea Tanning, and Rikki Ducornet.

Public understanding of, and outcry over, the dire state of the climate and environment is greater than ever before. Parties across the political spectrum claim to be climate leaders, and overt denial is on the way out. Yet when it comes to slowing the course of the climate and nature crises, despite a growing number of pledges, policies and summits, little ever seems to change. Nature is being destroyed at an unprecedented rate. We remain on course for a catastrophic 3°C of warming. What's holding us back?

In this searing and insightful critique, Adrienne Buller examines the fatal biases that have shaped the response of our governing institutions to climate and environmental breakdown, and asks: are the ‘solutions’ being proposed really solutions? Tracing the intricate connections between financial power, economic injustice and ecological crisis, she exposes the myopic economism and market-centric thinking presently undermining a future where all life can flourish. The book examines what is wrong with mainstream climate and environmental governance, from carbon pricing and offset markets to 'green growth', the commodification of nature and the growing influence of the finance industry on environmental policy. In doing so, it exposes the self-defeating logic of a response to these challenges based on creating new opportunities for profit, and a refusal to grapple with the inequalities and injustices that have created them. Both honest and optimistic, The Value of a Whale asks us – in the face of crisis – what we really value.
This book is relevant to United Nations Sustainable Development Goal 11, Sustainable cities and communities

Many disenchanted Kashmiris continue to demand independence or freedom from India. Written by a leading authority on Kashmir’s troubled past, this book revisits the topic of independence for the region (also known as Jammu and Kashmir, or J&K), and explores exactly why this aspiration has never been fulfilled. In a rare India-Pakistan agreement, they concur that neither J&K, nor any part of it, can be independent.

Charting a complex history and intense geo-political rivalry from Maharaja Hari Singh’s leadership in the mid-1920s to the present, this book offers an essential insight into the disputes that have shaped the region. As tensions continue to rise following government-imposed COVID-19 lockdowns, Snedden asks a vital question: what might independence look like and just how realistic is this aspiration?

This edited collection brings together essays presenting an interdisciplinary dialogue between theatre and performance and the fields of care ethics, care studies, health and social care. The book advances our understanding of performance as a mode of care, challenging existing debates in this area by re-thinking the caring encounter as a performed, embodied experience and interrogating the boundaries between care practice and performance. Through an examination of a wide range of different care performances drawn from interdisciplinary and international settings, the book interrogates how performance might be understood as caring or uncaring, careless or careful, and correlatively how care can be conceptualised as artful, aesthetic, authentic or even ‘fake’ and ‘staged’.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinéma and Eloge de l’amour.

Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard's work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films.

Numerous sequences from Godard's films are singled out for close analysis, demonstrating how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right.

The book will be essential to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought.

This anthology aims to challenge stereotypes of women travellers. Rather than simply presenting writings by Victorian women who travelled bravely around the world disregarding social convention and danger, the editors present a range of writing and possible ways of being a woman traveller.

As well as the ‘eccentric’ woman traveller, the editors have included writings by those who might be seen as failed travellers, cautious and conventional travellers and those who did not conform to the adventurous heroine stereotype. Because travelling as a woman and writing as a woman presents the author with a number of textual problems which must be negotiated, Foster and Mills have chosen to include writings which confronted these problems and which resolved them (or did not resolve them) in different ways.

These textual problems include the depiction of other women, the representation of spatial relations, the negotiations undertaken in relation to the adventure heroine narrative and character and the position taken by the author in relation to the representation of knowledge. These issues are all crucial in relation to travel writing by women , and the women, whose writing has been collected together in this anthology have made bold decisions in relation to them.

This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible.

This collection of writings, essays, interviews and artworks by many of today’s most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music.

This is an extraordinarily rich collection and is sure to be a benchmark for many years.

Making contemporary theatre reveals how some of the most significant international contemporary theatre is actually made.

The book opens with an introductory chapter which contextualises recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualise and analyse the theatre-making practices of eleven different companies and directors, including Japan’s Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off ‘asides’, giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite’s 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading.

Making contemporary theatre is a rich resource for the theatre-making student and the theatre-goer alike, full of diverse examples of how the most exciting theatre is actually made.

This groundbreaking study explores the role of those involved in various aspects of the care, comfort and appearance of the body in seventeenth and early eighteenth-century Italy, bringing to light the strong cultural affinities and social ties between barber-surgeons and the apparently distant trades of jeweller, tailor, wigmaker and upholsterer.

Drawing on contemporary understandings of the body, the author shows that shared concerns about health and well-being permeated the professional cultures of these medical and non-medical occupations. At the same time the detailed analysis of the life-course, career patterns and family experience of ‘artisans of the body’ offers unprecedented insight into the world of the urban middling sorts.

The book will represent essential reading for scholars and students of gender, family and urban history in the early modern age, and will equally appeal to historians of the body and of the medical occupations.

Healthy living in the Alps examines the relationship between the search for relief from respiratory diseases, such as tuberculosis, in high alpine resorts and the development in the same places of winter sports tourism.

The first winter visitors to the Swiss Alps began to arrive in the 1860s and were encouraged to take outdoor exercise as part of their cure regime. They also had healthy visitors and companions who sought recreation while the invalids were resting as part of the sanatoria routine. Demonstrating that this is not just part of the history of Switzerland but of Britain too, biographical backgrounds of British visitors to the resorts give depth and context to a history of health and winter sports tourism by looking at the kind of people who would spend months of the year in the Alps. A discussion of the application of modern technologies creates an overall view of the growth of health and sports tourism in Switzerland.

An inspiring group biography of thirteen intrepid women who challenged the status quo in interwar Britain.

What did it mean to be a ‘rebel woman’ in the interwar years? Historian Sarah Lonsdale traces the struggles, passions and achievements of a set of fearlessly determined women who stopped at nothing to make their mark in the traditionally masculine environments of mountaineering, politics, engineering and journalism.

From the motorist Claudia Parsons to the ‘star’ reporter Margaret Lane, the mountaineer Dorothy Pilley and the journalist Shiela Grant Duff, the women charted in this book challenged the status quo in all walks of life, alongside writing vivid, eye-witness accounts of their adventures.

Recovering their voices across a range of texts, including novels, poems, journalism and diaries, Rebel women between the wars reveals the inch-by-inch gains these women won through courageous and sometimes controversial acts.

An acclaimed biography of poet, pacifist and political firebrand Eva Gore-Booth.

The Irish poet and activist Eva Gore-Booth (1870–1926) led a life defiantly at odds with her aristocratic origins. Choosing to live and work among the poor of Manchester, she campaigned on behalf of barmaids, circus performers, flower sellers and pit-brow lasses, her partner, Esther Roper, at her side.

Gore-Booth was tireless in her pursuit of justice. She was a militant pacifist during the First World War, a champion of Irish independence and a pioneering thinker on gender and sexuality. She was also a prolific author, publishing nineteen volumes of poetry and prose that reflect the full force of her radical convictions.

Featuring a new preface that situates Gore-Booth’s life and work in the context of our current political climate, this biography reclaims her place as a significant figure of Anglo–Irish letters and an unsung hero of LGBT+ history.

A thoughtful exploration of the work of this unique comedian and writer.

Caroline Aherne was one of the most influential and beloved of British comedians. In this book David Scott explores Aherne’s comedic artistry and creative legacy, focusing on her iconic characters and ground-breaking TV shows.

Scott dives into Aherne’s most beloved creations, from the sharp-tongued Mrs Merton to the quietly revolutionary The Royle Family. Drawing on the tales of collaborators and telling behind-the-scenes stories, he provides an intimate glimpse into the creative processes that brought these iconic works to life. At the same time, he examines the social and cultural influences that shaped Aherne’s work, from the rich traditions of Northern working-class humour to the experiences of Irish migrants.

Aherne’s work is celebrated for its sharp wit, warmth and ability to find comedy in adversity. This book offers an exploration and celebration of one of comedy’s most inventive minds, revealing how she reshaped the British comedy landscape.

A powerful exposé of how finance turns our basic human needs into assets.

We have entered a new era of turbo-charged financial extraction. Having amassed huge reserves, global finance capital is seeking out fresh areas for profitable investments. Nothing and no one is safe.

In Privatising humanity, Kate Bayliss shows how investment banks and hedge funds target our essential services, while simultaneously extending their reach into lower-income countries. When it comes to investments in these sectors, shareholder profits are funded by us, the end-users and tax-payers who simply wish to meet our basic human needs for water, warmth and shelter. We have no alternative but to pay into these structures that generate massive returns for the rich.

Unpacking the details of these processes in three sectors in the UK – water, energy and housing – Bayliss exposes the devastating consequences of this model, which is driving inequality to levels not seen in a century.

The globe-trotting tales of five women who fought for the right to enjoy the wild places of the earth.

For millennia the ‘wild’ was a place heroic men went on epic quests. Women were prevented from joining them, either through physical control or powerful myths about what would happen if they ventured beyond the city wall or village boundary. So how did women claim their place in the remote and lovely parts of our planet?

In Wildly different, historian Sarah Lonsdale traces the lives of five women who fought for the right to work in, enjoy and help to save the earth’s wild places. We’ll meet Mina Hubbard, who outraged the exploration community when she stepped into a canoe in northern Labrador. Evelyn Cheesman, who became the first female keeper of insects at London Zoo. Dorothy Pilley, who shocked polite society by donning men’s climbing breeches. Ethel Haythornthwaite, who helped make the Peak District Britain’s first National Park. And Wangari Maathai, who started a movement to plant millions of trees across sub-Saharan Africa.

Drawing on interviews with Sir David Attenborough, Wangari Maathai’s daughter and others, Lonsdale recounts the women’s adventures across five continents. Evocative and inspiring, this book shows how women can be ‘wildly different’.

A compelling tour of Shakespeare’s England that makes a powerful contribution to the 'authorship question'.

How do we know Shakespeare was Shakespeare? Could a glover’s son who left school at fifteen really be the author behind such masterpieces as Hamlet, King Lear and The Tempest?

Yes! says historian Susan Amussen. She transports readers back to early modern England, to travel the path that carried William Shakespeare from humble origins in Stratford to literary greatness on the London stage. This was a society undergoing rapid change. Grammar schools made education in Latin and Greek available to commoners, while touring players brought the latest dramatic productions to the masses. And in London, a metropolis filled with European visitors, ordinary people had the opportunity to see courtly life up close.

No serious historian doubts that Shakespeare was the author of the plays that bear his name. Susan Amussen shares what they know: that Shakespeare’s England was a complex and cosmopolitan place, with everything a talented young playwright needed to develop his craft and furnish his imagination.

From Manchester’s backstreets to global dancefloors – the untold story of a musical pioneer.

Beginning on the night in November 1963 when his mum took him to see the Beatles live at Manchester’s ABC Cinema, Mike Pickering takes the reader through sixty years of clubs, clothes, gigs, record labels, football matches and politics.

Pickering has lived through decades of rapid change in popular music. As an influential DJ he introduced house music into the legendary Haçienda. He signed Happy Mondays and James to Factory Records before working with Kasabian, Gossip and Calvin Harris at Sony. His Mercury Prize-winning, multi-million-selling group M People transformed the music industry's attitude to dance music. As he tells his remarkable story he introduces an array of friends and collaborators, many of whom would become important – and sometimes notorious – figures in music history.

Manchester must dance is a revelatory insider’s account that moves from the cramped back streets of 1950s north Manchester on a journey deep into music, the city and the wider world. It features forewords from some of those Pickering inspired: Martin Fry, Johnny Marr, Noel Gallagher and Calvin Harris.

The irresistible story of a one-man cultural phenomenon.

Minister for the Counterculture, Mancunian mainstay and alternative national treasure John Robb has lived a life in music. In this book he charts his adventures on the cultural frontline, chronicling the making of a DIY icon.

Robb’s quest began in his hometown of Blackpool – where punk was a battle against the odds – and went international when he toured the world with his band. The first person to interview Nirvana, he also discovered The Stone Roses for weekly newspaper Sounds and did early interviews with The Jesus and Mary Chain and The Manics, before moving on to legends such as Mark E. Smith, Nick Cave and Patti Smith. Along the way, he became an on-screen commentator and author of bestselling books.

Robb’s memoir tells of deep friendships with figures from Poly Styrene to Chris Packham. Packed with riotous stories, it provides an alternative account of British musical and cultural history and a triumphant blueprint for a punk rock life.

A profound exploration of the connection between poetry and suicide.

‘Suicides have a special language’, Anne Sexton wrote in her 1964 poem ‘Wanting to Die’. But is it a language we can learn to read?

In The poetry of suicide, J. T. Welsch interweaves stories of poets who took their own lives with the long history of suicide in his own family, searching for a new way of understanding these difficult deaths. Beginning with Hamlet’s ‘To be or not to be?’, he delves into the work of Dante, Sylvia Plath, Vladimir Mayakovsky, and others, asking what it can teach us about suicide’s messy reality.

Suicide is more like poetry than we realise, Welsch argues. Both are filled with ambiguities, contradictions, and unknowable intentions. Both demand and resist interpretation. Recovering the personal dimension often lost in our medicalised public discourse, Welsch finds practical ways of confronting suicide’s poem-like difficulties.

A forensic analysis of ethical failures in the British government.

Boris Johnson’s tenure as prime minister was marked by a series of scandals that severely eroded trust in the government. From questionable PPE tenders to the ‘partygate’ fiasco, every aspect of public life seemed tainted. How did this downward spiral begin, and what can be done to reverse it?

John Bowers KC presents a fearless examination of the decline in ethical standards before, during and after the Johnson government. Through interviews with insiders, he reveals how the institutions responsible for holding the government to account have been bypassed, and shines a light on a culture of favouritism, where standards are upheld based on little more than the assumption those in power can be trusted to behave.

The Labour victory in July 2024 marked a changing of the guard, but the system remains vulnerable to abuse. Downward spiral presents concrete proposals for creating an alternative that is more transparent and accountable.

A writer's quest to understand the deep past and uncertain future of his homeland.

After inheriting the miner's safety lamp that belonged to his great-grandfather, Jake Morris-Campbell sets out on a pilgrimage across his homeland. Travelling from the Holy Island of Lindisfarne to Durham Cathedral, he asks what new ways might be made through the old north.

This region, a hub of early Christian Britain and later strongly defined by industry and class, now faces an uncertain future. But it remains a unique and starkly beautiful part of the country, with a deep history that is intimately entwined with the idea of Englishness. Jake’s journey along the ‘Camino of the North’ sees him explore the shifting nature of individual and regional identity across thirteen-hundred years of social change. At the same time, it challenges him to reconsider his own calling as a writer and how it relates to the lives of the people he meets along the way.

Between the salt and the ash asks what stories the North East can tell about itself in the wake of Christianity and coal. Rejecting the damaging trope of ‘left behind’ communities, Jake uncovers neglected seams of culture and history, while offering a heartfelt celebration of the place he calls hyem.

A visionary exploration of what the city might be in a postcapitalist world.

In a world dominated by capitalism, where urban landscapes suffer from inequality, environmental degradation and social strife, a vision for what comes next is vital. Postcapitalist cities guides readers through contemporary urban life, presenting a transformative urban blueprint for a future of equity, sustainability and communal well-being.

Combining vivid case studies with historical analysis and theoretical exploration, the book reveals how capitalism has shaped our cities and uncovers the revolutionary post-capitalist potential within them. From the urban protests of 1968 and the fare strikes in Santiago to urban commoning and the solarpunk movement, this book reveals how communities are planting seeds of radical transformation.

Postcapitalist cities is a poignant critique but also a celebration of emerging urban practices that prioritise human dignity, democracy and social justice. It invites readers to dream, analyse and act. Whether you're an urban planner, activist, scholar or concerned citizen, this book provides the tools and inspiration to build cities where humanity can truly flourish.

The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library’s special collections.

An electronic edition of this issue is freely available under a Creative Commons (CC BY-NC-ND) licence.

A visionary exploration of what the city might be in a postcapitalist world.

In a world dominated by capitalism, where urban landscapes suffer from inequality, environmental degradation and social strife, a vision for what comes next is vital. Postcapitalist cities guides readers through contemporary urban life, presenting a transformative urban blueprint for a future of equity, sustainability and communal well-being.

Combining vivid case studies with historical analysis and theoretical exploration, the book reveals how capitalism has shaped our cities and uncovers the revolutionary post-capitalist potential within them. From the urban protests of 1968 and the fare strikes in Santiago to urban commoning and the solarpunk movement, this book reveals how communities are planting seeds of radical transformation.

Postcapitalist cities is a poignant critique but also a celebration of emerging urban practices that prioritise human dignity, democracy and social justice. It invites readers to dream, analyse and act. Whether you're an urban planner, activist, scholar or concerned citizen, this book provides the tools and inspiration to build cities where humanity can truly flourish.

Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called ‘locker-room banter’ that defined Donald Trump’s 2016 election campaign. What, then, can a turn to humour offer International Relations?

Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour ‘parasitically’ in order to make political claims and demands. In so doing, it not only outlines humour’s political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations.

Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.

Enthusiasm has long been perceived as a fundamental danger to democratic politics, with many regarding it as a source of instability and irrationalism. Such views can make enthusiasm appear as a direct threat to the reason and order on which democracy is thought to rely. But such a desire for a sober and moderate democratic politics is perilously misleading and ignores the emotional basis on which democracy thrives.

Enthusiasm in democracy works to help political actors identify and foster radical changes. We feel enthusiasm at precisely those moments of new beginnings, when politics takes on new shapes and structures. Being clear about how we experience enthusiasm, and how we recognize it, is thus crucial for democracy, which depends on the sharing of power and the alteration of rule.

This book traces the shifting understanding of enthusiasm in modern Western political thought. Poe explores how political actors use enthusiasm to motivate allegiances, how we have come to think on the dangers of enthusiasm in democratic politics, and how else we might think about enthusiasm today. From its inception, democracy has relied on a constant affective energy of renewal. By tracing the way this crucial emotional energy is made manifest in political actions – from ancient times to the present – this book sheds light on the way enthusiasm has been understood by political scientists, philosophers, and political activists, as well as its implications for future democratic politics.

Latin America–European Union relations in the twenty-first century provides a valuable overview of transatlantic trade agreement negotiations and developments in the first decades of the twenty-first century. This edited collection examines key motivations behind trade agreements, traces the evolution of negotiations and explores some of the initial impacts of new generation trade agreements with the EU on South American countries. The book makes an important contribution to our understanding of relations between these regions by contextualising relations and trade agendas, both in terms of domestic political and economic policies and broader global trends. It demonstrates the importance of a shift toward mega-regional trade agreements in the 2010s, particularly under the Obama administration in the United States, in shaping South American and European agendas for trade agreement negotiations and their outcomes.

Detailed case studies in the book investigate EU relations and negotiations with countries that have successfully negotiated new generation trade agreements with the EU: Mercosur, the Andean states, Chile and Mexico. Other contributions offer a wider overview of EU-Latin American relations, including parliamentary and civil society relations. The net result is a balanced analysis of contemporary EU relations with South America, useful for students and scholars of foreign policy and political economy in both regions.

Over the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past.

The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?

A ground-breaking exploration of how art responds to democratic crisis.

Is democracy over? Did we ever really have it? Most people would agree that today democracy finds itself in crisis. As this crisis has intensified, art has emerged as an important means of experimenting with new democratic processes and possibilities.

In Model collapse, a brilliant group of art historians and theorists investigate the relationship between art and democracy since the 1990s. Exploring a wide range of artistic responses, from interactive public sculptures to autonomous curatorial projects, critical engagement with electoral politics and creative street protest, they offer fresh insights into the limits of representation, the appeal of collaboration and the role of the nation-state in post-national frameworks.

‘Model collapse’ is what happens when large language models start learning from their own generated data and lose all connection to reality. This book examines the multiple, intersecting crises that shape the conditions for artistic practice and define its socio-political aims. It advances our understanding of how art can contribute to one of the most vital political issues of our time.

The films of Bigas Luna is the first comprehensive English-language study of the complete filmography of Spanish filmmaker Bigas Luna, spanning from Tatuaje (1976) to DiDi Hollywood (2010).

Engaging with theoretical frameworks such as haptic cinema, erotic cinema, auteur theory, and studies of gender, sexuality, and national identity, the book situates close readings of Bigas Luna’s films within broader discussions of production and marketing. Fouz Hernández draws on extensive archival research—including original screenplays, press materials, and interviews with industry professionals—while engaging with previous scholarship in multiple languages.

Structured into five thematic chapters, the book explores key concerns in Bigas Luna’s work, including genre, gender representation, Iberian and Mediterranean identities, and meta-cinematic narratives. It can be read as a cohesive study of his oeuvre or as a reference for specific films.

This book provides the first complete English translation of works by the Toledan archbishop Rodrigo Ximénez de Rada (1170–1247 CE). The Minor Histories, serving as supplements to Rodrigo’s much larger Gothic History, covered the Romans, Huns, Vandals, Alans, Suevi, Ostrogoths and Arabs, explaining how these peoples contributed to what he saw as Spain’s tragic history of calamities. The last work in the series – his History of the Arabs – can be regarded as the first surviving Western monograph on Arab and Islamic history, and as such is an essential source for topics of Christian–Muslim relations and Western depictions of Islam, Muslims and Arabs.

In addition to the translation of the Minor Histories, complete with annotations, this work includes a thorough and accessible introduction to the life and works of Rodrigo, who was an important figure in a crucial transition period of Spain’s history that saw the balance of power in the Iberian peninsula shift decisively to the Christian kingdoms. Besides his biography, the introduction provides an in-depth assessment of Rodrigo’s historiography and as such serves as a useful discussion of the use of sources by medieval historical writers.

A ground-breaking exploration of how art responds to democratic crisis.

Is democracy over? Did we ever really have it? Most people would agree that today democracy finds itself in crisis. As this crisis has intensified, art has emerged as an important means of experimenting with new democratic processes and possibilities.

In Model collapse, a brilliant group of art historians and theorists investigate the relationship between art and democracy since the 1990s. Exploring a wide range of artistic responses, from interactive public sculptures to autonomous curatorial projects, critical engagement with electoral politics and creative street protest, they offer fresh insights into the limits of representation, the appeal of collaboration and the role of the nation-state in post-national frameworks.

‘Model collapse’ is what happens when large language models start learning from their own generated data and lose all connection to reality. This book examines the multiple, intersecting crises that shape the conditions for artistic practice and define its socio-political aims. It advances our understanding of how art can contribute to one of the most vital political issues of our time.

Were it not for authoritarian state censorship, Cecilia Bartolomé’s name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé’s extant filmography, and speculate about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film.
The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-90s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo.

Popular discourse around British Muslims has often been dominated by a focus on Muslim women and their sartorial choices, particularly the hijab and niqab. This book takes a different angle and focuses on Muslim men, examining how factors like the global war on terror influenced and changed their sartorial choices and use of language. The book denaturalises the ubiquitous and deeply problematic security lens through which knowledge of Muslims has been produced in the past two decades.

British Bangladeshi Muslims in the East End offers an alternative reading of these communities and how their political subjectivities emerge. Drawing on historical events, field research and existing academic work, the book aims to address the multiple ways British Bangladeshi Muslim men and women create their relationship with dress and language. This is the first book to empirically examine how dress and language shape the identities of British Bangladeshi Muslims in the East End, using in-depth analysis useful for anyone interested in the study of British Muslims broadly. While the book focuses on a specific Muslim community, the emerging themes demonstrate the interconnectedness of Muslims locally and globally and how they manifest their identities through dress and language.

Cover illustration by Waheeda Rahman-Mair: prints available at https://www.waheeda.co.uk/store

Neither use nor ornament is a book about personal productivity, narrated from the perspective of its obstacles: clutter and procrastination. It offers a challenge to the self-help promise of a clutter-free life, lived in a permanent state of efficiency and flow.

The book reveals how contemporary projections of the good, productive life rely on images of failure. Riffing on the aphorism ‘less is more’ – a dominant refrain in present day productivity advice – it tells stories about streamlining, efficiency and tidiness over a time period of around 100 years.

By focusing on the shadows of productivity advice, Neither use nor ornament seeks to unravel the moral narratives that hold individuals to account for their inefficiencies and muddles.

The heroic story of the invention of antidepressants is a key part of the psychopharmaceutical turn. On Trial revolves around one of its pioneers, psychiatrist Roland Kuhn, who practiced in Münsterlingen, a state-run psychiatric hospital in Switzerland. Kuhn became famous for the ‘discovery’ of the first antidepressant, Tofranil, and more recently notorious for his numerous trials on often unsuspecting patients.

Largely based on the extensive and previously inaccessible sources of Kuhn’s private archive, the book delves into the early days of industry-sponsored clinical research in psychiatry. It examines how the clinic, patients, doctors, nursing staff, corporations, and authorities interacted in the trials.

Conducted from the 1940s to 1980s, the Münsterlingen drug trials are historicised and situated in the period’s evolving landscape of experimentation.

Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s.

The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism.

Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.

This book follows the lives of female Jewish refugees who fled Nazi persecution and became nurses. Nursing was nominally a profession but with its poor pay and harsh discipline, it was unpopular with British women. In the years preceding the Second World War, hospitals in Britain suffered chronic nurse staffing crises. As the country faced inevitable war, the Government and the profession’s elite courted refugees as an antidote to the shortages, but many hospitals refused to employ Continental Jews.
The book explores the changes in the refugees’ status and lives from the war years to the foundation of the National Health Service and to the latter decades of the twentieth century. It places the refugees at the forefront of manoeuvres in nursing practice, education and research at a time of social upheaval and alterations in the position of women.

This remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today.

https://sredmond4.wixsite.com/lonelyroom