Milkweed Editions

Winner of the Reading the West Book Award

Winner of the Pacific Northwest Book Award

A People Best Memoir of the Year

A Kirkus Reviews Best Nonfiction of the Year Selection

A Book Riot Best Book of the Year

“I’m in awe of Chris La Tray’s storytelling. Becoming Little Shell creates a multilayered narrative from threads of personal, family, community, tribal, and national histories.”—Robin Wall Kimmerer, author of Braiding Sweetgrass

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother’s consistent mention of their Chippewa heritage.

When La Tray attended his grandfather’s funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. “Who were they?” he wondered, and “Why was I never allowed to know them?” Combining diligent research and compelling conversations with authors, activists, elders, and historians, La Tray embarks on a journey into his family’s past, discovering along the way a larger story of the complicated history of Indigenous communities—as well as the devastating effects of colonialism that continue to ripple through surviving generations. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition. 

Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray’s remarkable journey is both revelatory and redemptive.

Winner of the Southern Book Prize
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay

From the author of the bestselling #ReadWithJenna/TODAY Show book club pick Late Migrations: A Natural History of Love and Loss

For the past four years, Margaret Renkl’s columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling new collection.

“People have often asked me how it feels to be the ‘voice of the South,’” writes Renkl in her introduction. “But I’m not the voice of the South, and no one else is, either.” There are many Souths—red and blue, rural and urban, mountain and coast, Black and white and brown—and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.

In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.

From a writer who “makes one of all the world’s beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.

From New York Times contributing opinion writer Margaret Renkl comes an unusual, captivating portrait of a family—and of the cycles of joy and grief that inscribe human lives within the natural world.

Growing up in Alabama, Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver.

And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.”

Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut.

Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages. 

Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a deckled edge and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book—gentle, simple, tactile, beautiful, even sacred—and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants. 

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we’ve forgotten how to hear their voices. In a rich braid of reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

From the New York Times bestselling author of Dear Committee Members, a collection of wryly funny stories about ordinary women—in all their complexity, fallibility, and humanity.  

An unsuspecting couple is treated to a luxury vacation by their deceased neighbor. After begrudgingly agreeing to volunteer at a nursing home, a middle school girl gambles over games of bridge with elderly residents. A single mother struggles to understand the unique bond between her autistic son and his dying grandmother. Four friends experience decades of highs and lows as pawns in The Game of Life. A professional gynecology patient runs into a high school flame while at work, undressed, on the job.

In this irreverent collection, celebrated novelist Julie Schumacher balances sorrow against laughter. Here, we experience story not only as narrative, but as syllabus and as board game. Each protagonist—ranging from girlhood to senescence—receives her own indelible voice as she navigates social blunders, generational misunderstandings, and the absurdity of the human experience. Exquisitely honest and expertly crafted, Patient, Female renders—with dark humor and wit—the foibles of human behavior and our endearing imperfections. 

An observant, lyrical memoir exploring what owls can teach us about nature, chronic illness, and ourselves—so long as we are quiet enough to listen. 

“Let me tell you about my neighbors, the owls,” writes Polly Atkin in this love letter to the clutch of tawny owlets residing near her Lake District home. Circumscribed by a chronic illness to her cottage and the surrounding area, she turns to the trees and the animals among them for companionship—especially the owl siblings who surprise and delight her. As Atkin watches the owls grow from curious fledglings into sleek raptors, she contemplates the act of survival and our place within it: When should a human intervene? When should nature take its course? What do the owls know that we do not? 

The owls encourage her to think differently about solitude and community, individuality and belonging, rest and retreat. And with them as her companions, she weighs the many types of company we keep—in our relationships, in the darkness, and in our entanglement with the digital world that connects us across continents.

A call to find joy in unexpected places, The Company of Owls teaches us to listen when all around us seems like clamor and noise. 

An essential collection spanning nearly twenty years of emphatic, fearlessly original poetry from one of America’s most celebrated living writers.

Drawing from six previously published books—including widely acclaimed collections The Hurting Kind, The Carrying, and Bright Dead Things—as well as vibrant new work,  Startlement exalts the mysterious. With a tender curiosity, Limón wades into potent unknowns—the strangeness of our brief human lives, the ever-changing nature of the universe—and emerges each time with new revelations about our place in the world.

Both a lush overview of her work and a powerful narrative of a poet’s life, this curation embodies Limón’s capacity for “deep attention,” her “power to open us up to the wonder and awe that the world still inspires” (The New York Times). From the chaos of youthful desire, to the waxing of love and loss, to the precarity of our environment, to the stars and beyond, Limón’s poetry bears witness to the arc of all we know with patient lyricism and humble wonder.

“A poet of ecstatic revelation” (Tracy K. Smith), Limón encourages us to meet our shared futures with open and hungry hearts, assuring “What we are becoming, we are / becoming together.”

A beautifully rendered debut memoir of family, legacy, conservation, the natural world—and those who inhabit it.

As a civil engineer, Sangamithra Iyer knows about resilience from studying soils and water. As an animal rights activist, she advocates for a revolution in how we value and relate to other species. And as the child of immigrants from India, she searches for submerged histories.

Animated by a series of questions—How do we disentangle ourselves from systems of harm? Is it possible to grasp the scale of planetary sorrow and emerge with truth and love as our guides, rather than despair? What is the relationship between individual action and systemic change?—this memoir takes the form of three meandering rivers, each written as a letter. Addressing the first of them to her grandfather, Iyer assembles the story of a man who embraced Gandhi’s philosophy and went to work developing wells in Tamil Nadu. In a second letter, addressed to her father, she explores their shared interest in cultivating compassion for all beings. And then in a final letter, addressed to readers, she braids these explorations of her familial past with her own experiences as a woman of color and citizen of the world, always seeking ways to move beyond resignation and restore flow.

A lyrical story of lineages and an urgently needed reckoning with the ways bodies are both controlled and liberated, Governing Bodies is a timeless work with profoundly timely relevance.

In the last years of his life, Henry David Thoreau created something new. Part blueprint for a major new work, part scientific chart, and part re-envisioning of the way we experience the passage of time, Thoreau’s Kalendar was more a tool than a text. Comprised of six multipage charts of “general phenomena,” the Kalendar was an instrument for recording not just natural and weather-related phenomena, but also the hidden relations among them—between the skies of one June and the skies of past and future Junes—relations we often feel but can’t quite hold, rooted as we typically are in our own brief moment of linear time. 

Combining reproductions of Thoreau’s hand-drawn charts with transcriptions of the Kalendar’s text and essays by acclaimed poet and scholar Kristen Case, this gorgeously crafted volume illuminates the final project of one of America’s most treasured writers and naturalists and offers a timeless, transformative vision of how to live harmoniously with the living world around us.  

An Esquire "Best Books of Summer 2025"

“Helen Whybrow is a to-the-bone writer, and this is a to-the-bone book—beautiful, real, full of life.”—Bill McKibben, author of The End of Nature

Set in Vermont's Green Mountains, a profoundly moving meditation on the lessons and wisdom that come from raising a family, tending sheep, and living close to the land.

In the heart of Vermont’s Green Mountains, Helen Whybrow and her partner set out to restore an old two-hundred-acre farm. Knowing that “belonging more than anything requires participation,” they begin to intertwine their lives with the land. But soon after releasing a flock of Icelandic sheep onto the worn-out fields, Whybrow realizes that the art of shepherding extends far beyond the flock and fences of Knoll Farm.

In prose both vivid and lean, The Salt Stones offers an intimate and profoundly moving story of what it means to care for a flock and truly inhabit a piece of land. The shepherd’s life unfolds for Whybrow in the seasons and cycles of farming and family—birthing lambs, fending off coyotes, rescuing lost sheep in a storm, and raising children while witnessing her mother’s decline. Exploring the interdependence of animals, as well as of the earth and ourselves, Whybrow reflects on the ways sheep connect her to place and to the ancient practice of shepherding. 

Evocative, affectionate, and illuminating, The Salt Stones sings of a way of life that is at once ancient and entirely contemporary, inspiring us all to seek greater intimacy and a sense of belonging wherever our home place may be.

“The Way Around is the kind of book my soul perpetually yearns for. It reshaped how I see the world.”—Robert Moor, author of On Trails: An Exploration

Growing up in northern California, in a family of high-achieving athletes, Nicholas Triolo was imbued with a particularly acute form of our intensely goal-oriented culture. “Do the reps,” he internalized. “Commit to the work. Grind for your dreams.” Shortly after graduating from college, he embarked on a solo circumnavigation of the globe. And then after returning to the States, he threw himself into ultrarunning, all to combat a deepening discontent.

While traveling around the world, it was in Kathmandu that Triolo first encountered kora, a form of moving prayer in which pilgrims walk in circles around a sacred site or object—a kind of “ritualized remembering” birthed by place. Unable to shake this initial encounter with circumambulation, he sets out here on three such extended walks. First, he completes the sacred thirty-two-mile revolution around Tibet’s Mount Kailash, in search of a cultural counter to Western linearity. Then, following his mother’s diagnosis with breast cancer, he returns home to California and takes part in an annual circuit of Mount Tamalpais, tracing a route made famous by Beat poets Gary Snyder, Philip Whalen, and Allen Ginsberg. And then finally, he meets up with a quirky hydrogeologist in Butte, Montana, and joins his walk around the Berkeley Pit Complex, the largest Superfund site in the country.

At once uncommonly humble and thrillingly transcendent, blurring the boundaries of inner and outer landscapes, The Way Around models what it means to experience a true revolution of heart and home—for the flourishing of all.

A Lit Hub Most Anticipated Book of 2025

A Kirkus Starred Review

“A cunning writer with masterful timing and an outrageous sense of humor.”—Gary Shteyngart

An irreverent, darkly comic novel dissecting the misjudgments, hypocrisies, and occasional good motives that drive our politics and our journalism, as well as our most intimate personal relations. 

At his desk one day, prominent Washington commentator Adam Zweig receives a text message. “Btw want to give you a heads-up abt some breaking news,” it reads. “Call soonest.” These are the early rumblings of an eventual media storm generated by small-town reporter Valerie Iovine, who has gone public with her account of sexual harassment at the hands of esteemed editor and liberal icon Max Lieberthol. Twenty years have passed since the incident, and though Adam wasn’t directly involved, he quickly finds himself implicated and entangled, his career under imminent threat.

Adam has never forgotten his history with Valerie: as former colleagues, their workplace collaboration had gradually tipped into a mutual romantic attraction. Or so he believed. Confronted by the claims against his former boss and a growing awareness of rampant sexism in his industry, Adam, who had always thought of himself as progressive, is forced to challenge his own assumptions over the years. What once seemed incidental becomes sinister; what once seemed like a blundering encounter helped derail a young woman’s promising career.

Sly and ironic, A Hole in the Story explores one imperfect man’s dilemmas as he tries to keep his feet in a shifting moral landscape. 

“Marginlands is a tour de force, a magnificent first book about India’s marginalized landscapes and inhabitants, written with compassion, compressed elegance of observation, and urgent political force.”—Robert Macfarlane

As a child growing up in Mumbai, Arati Kumar-Rao’s parents instilled in her an abiding love for the natural world and a passion for storytelling. Years later, adrift in a corporate job and concerned by the unbridled development of her country, she asked herself, “When will you stop doing what you can do and start doing what you really want to do?”

Animated by an instinctive sense that our fate is bound to that of the earth and the more-than-human world, Kumar-Rao sets out on a journey across India, listening along the way to stories the land and its people share with her. In the Thar Desert, often reduced to the value of extractable commodities, she learns about ancient methods of harvesting rainwater from shepherds with deep ancestral memories. In the delta formed by the confluence of the Ganges, Brahmaputra, and Meghna Rivers at the Bay of Bengal, she walks ancient shorelines and mangrove forests with a marine biologist, exploring tidepools and learning of the extent to which this astonishingly diverse ecology is increasingly endangered by commercial trawlers and overfishing. And on India’s northernmost plateau, surrounded by the Himalaya and home to snow leopards, ibex, and numerous endangered species of eagles and owls, she finds glaciers disappearing at an alarming rate and meets with inhabitants who play little role in creating climate change but now bear the brunt of it.

Richly illustrated with the author’s photographs and drawings, Marginlands is a vibrant and compelling account of the changes reshaping India today. Engaging and urgent, infused with wonder and profound empathy, this is a work of love and hope, inspiring readers across the world to preserve and protect the world around us.

Chosen by Louise Glück for the Max Ritvo Poetry Prize, this engrossing debut interrogates history, identity, and the power of poetry to elucidate both.

Motherlands opens with a child drawn early to poetry. “In summer I write. Two lines at a time, two vying souls / running up the wall.” The collection follows this speaker-poet through a childhood in post-Maoist China and an eventual move to the United States, laying bare cultural and linguistic tensions in both historical and modern settings. He cites Chinese laborers toiling in American factories—an echo of the brutalities endured by those who constructed the Transatlantic Railroad—and speaks to anxieties around belonging, assimilation, and identity. “If I forget one character a day,” he writes. “I will have forgotten Chinese / by the end of 2042.”

In these attentive, imaginative poems, Weijia Pan questions the artist’s duty—his duty—as a chronicler of truth, especially through issues of displacement and global injustice. What can the poet do but observe? And yet, in unpacking ancestral traumas connected to Maoist China and modern-day bigotry exacerbated by the COVID-19 pandemic, he still finds himself turning to art as a way to understand both the self and the world at large. Through elegant juxtapositions, Pan crafts an emotional world that is at once regional and universal—Li Bai and Du Fu sit alongside Glenn Gould and Sviatoslav Richter, pepper used to bless new roads is repurposed in the mace used against protesters, two languages compete on a single tongue. Lyrical and visionary, this collection embodies poetry’s capacity to ground us, teach us, and change us.

“Deep down, there is just something that draws us to the land, to wild places. We were there to listen to the land.”

When National Geographic Adventurers of the Year Amy and Dave Freeman marry, they set out on an unusual honeymoon: a three-year, 12,000-mile journey across North America. From Alaska’s Inside Passage to Florida’s Key West, they traverse the continent by kayak, canoe, dogsled, and skis, encountering wildlife, sublime landscapes, and harrowing challenges.

Along the way, the Freemans also bear witness to environmental degradation and climate change—from plastic-covered beaches to forest fires to retreating glaciers. And as they engage with Native and rural communities most impacted by the changes resulting from modern industrial society and meet individuals and organizations dedicated to protecting the natural world, their adventure deepens in ways they never imagined.

From the white-knuckle rush of paddling white water to the wonderment of dogsledding across a frosted landscape where caribou and wolves roam, North American Odyssey is a celebration of our interconnectedness to the natural world and to each other. Beautifully written, engagingly told, and inspiring throughout, Amy and Dave Freeman’s story is a clarion call for change in the way we live.

NATIONAL BESTSELLER
A 2025 National Endowment for the Arts Big Reads Selection
A 2024 NPR "Books We Love" Selection

"Whoever you are, you will find yourself and your own world in the expansiveness of this collection."
-Margaret Renkl, New York Times

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about "nature poetry," illuminating the myriad ways our landscapes-both literal and literary-are changing.

You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author's local landscape-be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop-offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.

Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what "nature" and "poetry" are today, inviting readers to experience both anew.

From the acclaimed author of Thin Places, a luminous day book about an unexpected year and finding home.

Two days after the winter solstice in 2019, Kerri and her partner moved to a remote cottage in the heart of Ireland. They were looking for a home, somewhere to settle into a stable life. Then the pandemic arrived and their secluded abode became a place of enforced isolation. What was meant to be the beginning of an enriching new chapter was instead marked by uncertainty and fear. The seasons still passed, the swallows returned, the rhythms of the natural world went on, but in many ways 2020 was unlike any year we had seen before. And for Kerri there would be one more change: a baby, longed for but utterly, beautifully unexpected.

Intensely lyrical, fragmentary in subject and form, Cacophony of Bone is an ode to a year, a place, and a love that transformed a life. When the pandemic came, time seemed to shapeshift; in Kerri’s elegant prose, we can trace its quickening, its slowing. She maps the circle of a year—a journey from one place to another, field notes of a life—from one winter to the next, telling of a changed life in a changed world, as well as all that stays the same. All that keeps on living and breathing, nesting and dying. This is a book for the reader who wants to slow down, guided by a voice that is utterly singular, “rich and strange,” (Robert Macfarlane). A book about home—the deepening of family, the connections that sustain us.

Winner of the Montana Book Award

From the award-winning author of Perma Red comes a devastatingly beautiful novel that challenges prevailing historical narratives of Sacajewea.

“In my seventh winter, when my head only reached my Appe’s rib, a White Man came into camp. Bare trees scratched sky. Cold was endless. He moved through trees like strikes of sunlight. My Bia said he came with bad intentions, like a Water Baby’s cry.”

Among the most memorialized women in American history, Sacajewea served as interpreter and guide for Lewis and Clark’s Corps of Discovery. In this visionary novel, acclaimed Indigenous author Debra Magpie Earling brings this mythologized figure vividly to life, casting unsparing light on the men who brutalized her and recentering Sacajewea as the arbiter of her own history.

Raised among the Lemhi Shoshone, in this telling the young Sacajewea is bright and bold, growing strong from the hard work of “learning all ways to survive”: gathering berries, water, roots, and wood; butchering buffalo, antelope, and deer; catching salmon and snaring rabbits; weaving baskets and listening to the stories of her elders. When her village is raided and her beloved Appe and Bia are killed, Sacajewea is kidnapped and then gambled away to Charbonneau, a French Canadian trapper.

Heavy with grief, Sacajewea learns how to survive at the edge of a strange new world teeming with fur trappers and traders. When Lewis and Clark’s expedition party arrives, Sacajewea knows she must cross a vast and brutal terrain with her newborn son, the white man who owns her, and a company of men who wish to conquer and commodify the world she loves.

Written in lyrical, dreamlike prose, The Lost Journals of Sacajewea is an astonishing work of art and a powerful tale of perseverance—the Indigenous woman’s story that hasn’t been told.

It is 2027. August Helm is thirty years old. A biochemist working in a lab at the University of Chicago, he is swept off his feet by the beautiful and entirely self-assured Amanda Clark. Animated by August’s consuming desire, their relationship quickly becomes intimate. But when he stumbles across a liaison between the director of his lab and a much younger student, his position is eliminated and his world upended.

August sets out to visit his parents in Words, an unincorporated village in the heart of Wisconsin’s Driftless Area. Here, he reconnects with several characters from his past: Ivan Bookchester, who now advocates for “new ways of living” in an age of decline; Hanh, formerly known as Jewelweed, who tends her orchard and wild ginseng, keenly attuned to new patterns of migration resulting from climate change and habitat destruction; and Lester Mortal, the aging veteran and fierce pacifist who long ago rescued her from Vietnam. Together, the old friends fall back into a familiar closeness.

But much as things initially seem unchanged in the Driftless, when August is hired to look after Tom and April Lux’s home in Forest Gate, he finds himself in the midst of an entirely different social set, made up of wealthy homeowners who are mostly resented by the poorer surrounding communities, and distanced in turn by their fear of the locals. August soon falls head over heels for April, and different versions of his self collide: one in which the past is still present in tensions and dreams, another in which he understands his desire as genetically determined and chemically induced, and then a vaguely hoped-for future with April. When Lester is diagnosed with liver cirrhosis, Ivan comes clean on a ghastly past episode, and April makes a shocking revelation, a series of events ensues that will change all involved forever.   

As approachable as it is profound in exploring the human condition and our shared need for community, this is a story for our times.

Winner of the Max Ritvo Poetry Prize, Jackson Holbert’s Winter Stranger is a solemn record of addiction and the divided affections we hold for the landscapes that shape us.

In the cold, seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

Punctuated by recollections of loved ones consumed by their addictions, Winter Stranger also questions the capricious nature of memory, and poetry’s power to tame it. “I can make it all sound so beautiful. / You’ll barely notice that underneath / this poem there is a body / decaying into the American ground.” Meanwhile, the precious realities vanish—“your hair, your ears, your hands.”—leaving behind “the fucked up / trees,” the “long, cold river.” In verse both bleak and wishful, Holbert strikes a fine balance between his poetic sensibilities and the endemic cynicism of modern life.

“It is clear now that there are no ends,” Holbert writes, “Just winters.” Though his poems bloom from hills heavy with springtime snow, his voice cuts through the cold, rich with dearly familiar longings: to not be alone, to honor our origins, to survive them.

The Winter Stranger audiobook read by Jackson Holbert is available everywhere you listen to audiobooks. 

A Vulture 2023 Best Book of the Year

John Cotter was thirty years old when he first began to notice a ringing in his ears. Soon the ringing became a roar inside his head. Next came partial deafness, then dizziness and vertigo that rendered him unable to walk, work, sleep, or even communicate. At a stage of life when he expected to be emerging fully into adulthood, teaching and writing books, he found himself “crippled and dependent,” and in search of care. 

 When he is first told that his debilitating condition is likely Ménière’s Disease, but that there is “no reliable test, no reliable treatment, and no consensus on its cause,” Cotter quits teaching, stops writing, and commences upon a series of visits to doctors and treatment centers. What begins as an expedition across the country navigating and battling the limits of the American healthcare system, quickly becomes something else entirely: a journey through hopelessness and adaptation to disability. Along the way, hearing aids become inseparable from his sense of self, as does a growing understanding that the possibilities in his life are narrowing rather than expanding. And with this understanding of his own travails comes reflection on age-old questions around fate, coincidence, and making meaning of inexplicable misfortune. 

 A devastating memoir that sheds urgent, bracingly honest light on both the taboos surrounding disability and the limits of medical science, Losing Music is refreshingly vulnerable and singularly illuminating—a story that will make readers see their own lives anew.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?

With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.

Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

An NPR Best Book of the Year
Winner of the CLMP Firecracker Award in Creative Nonfiction

“The Quickening is a book of hope.”—Elizabeth Kolbert, author of Under a White Sky

An astonishing, vital work about Antarctica, climate change, and community.

In 2019, fifty-seven scientists and crew set out onboard the Nathaniel B. Palmer. Their destination: the ominous Thwaites Glacier at Antarctica’s western edge. Their goal: to learn as much as possible about this mysterious place, never before visited by humans. And with them is author Elizabeth Rush, who seeks, among other things, the elusive voice of the ice.

Rush shares her story of a groundbreaking voyage punctuated by both the sublime—the tangible consequences of our melting icecaps; the staggering waves of the Drake Passage; the torqued, unfamiliar contours of Thwaites—and the everyday moments of living and working in community. A ping-pong tournament at sea. Long hours in the lab. All the effort that goes into caring for the human and more-than-human worlds. Along the way, Rush takes readers on a personal journey around a more intimate question: What does it mean to create and celebrate life in a time of radical planetary change?

What emerges is a new kind of Antarctica story, one preoccupied not with flag planting and heroism but with the collective and challenging work of imagining a better future. With understanding the language of a continent where humans have only been present for two centuries. With the contributions and concerns of women, who were largely excluded from voyages until the last few decades, and of crew members of color, whose labor has often gone unrecognized. Urgent, brave, and vulnerable, The Quickening is an absorbing account of hope from one of our most celebrated and treasured contemporary authors.

A sweeping and richly evocative debut novel of a family bound by memory and legacy, love and loss, and a homeland forever changed.

Lahore, British India. 1943. As resentment of colonial rule grows, so do acts of rebellion. Seduced by idealistic visions, at seventeen Chhote Nanu is imprisoned for planting a bomb on behalf of the resistance, leaving his brother Barre to fight for his freedom. But Chhote is consumed not by thoughts of family and liberation, but by the beautiful half-English woman he met before his arrest. Who was she really, and who was the child with her?

Kanpur, India. 2002. Karan Khati is studying in the States when his younger sister, Ila, informs him that their grandfather Barre Nanu has died, and asks that he return home. When he arrives, he finds their estranged mother at odds with their embittered granduncle, Chhote. As hard truths and harmful legacies of familial and religious prejudice resurface, an already-fractured family must learn to heal after being driven apart by years of contentious secrets and unresolved heartache.  

Spanning generations, Shilpi Suneja’s House of Caravans is a masterfully told and moving portrayal of a family and a nation divided by the lasting consequences of colonialism.

A Firecracker Award Finalist in Creative Nonfiction
An Electric Literature Favorite Nonfiction Book of the Year
A Kirkus Best Book of the Month

From poet Victoria Chang, a collection of literary letters and mementos on the art of remembering across generations.

For Victoria Chang, memory “isn’t something that blooms, but something that bleeds internally.” It is willed, summoned, and dragged to the surface. The remembrances in this collection of letters are founded in the fragments of stories her mother shared reluctantly, and the silences of her father, who first would not and then could not share more. They are whittled and sculpted from an archive of family relics: a marriage license, a letter, a visa petition, a photograph. And, just as often, they are built on the questions that can no longer be answered.

Dear Memory is not a transcription but a process of simultaneously shaping and being shaped, knowing that when a writer dips their pen into history, what emerges is poetry. In carefully crafted collages and missives on trauma, loss, and Americanness, Victoria Chang grasps on to a sense of self that grief threatens to dissipate.

In letters to family, past teachers, and fellow poets, as the imagination, Dear Memory offers a model for what it looks like to find ourselves in our histories. 

"How grateful I am for the chance to join this generous author’s lyrical, intimate, and revelatory conversations with birds!” —Sy Montgomery, author of The Soul of an Octopus

“Birds are my almanac. They tune me into the seasons, and into myself.”

Finalist for the 2023 Minnesota Book Award

A sublimely elegant, fractured reckoning with the legacy and inheritance of suicide in one American family.

In 2009, Juliet Patterson was recovering from a serious car accident when she learned her father had died by suicide. His death was part of a disturbing pattern in her family. Her father’s father had taken his own life; so had her mother’s. Over the weeks and months that followed, grieving and in physical pain, Patterson kept returning to one question: Why? Why had her family lost so many men, so many fathers, and what lay beneath the silence that had taken hold?

In three graceful movements, Patterson explores these questions. In the winter of her father’s death, she struggles to make sense of the loss—sifting through the few belongings he left behind, looking to signs and symbols for meaning. As the spring thaw comes, she and her mother depart Minnesota for her father’s burial in her parents’ hometown of Pittsburg, Kansas. A once-prosperous town of promise and of violence, against people and the land, Pittsburg is now literally undermined by abandoned claims and sinkholes. There, Patterson carefully gathers evidence and radically imagines the final days of the grandfathers—one a fiery pro-labor politician, the other a melancholy businessman—she never knew. And finally, she returns to her father: to the haunting subjects of goodbyes, of loss, and of how to break the cycle.

A stunning elegy that vividly enacts Emily Dickinson’s dictum to “tell it slant,” Sinkhole richly layers personal, familial, political, and environmental histories to provide not answers but essential, heartbreaking truth.

“We are matter and long to be received by an Earth that conceived us, which accepts and reconstitutes us, its children, each of us, without exception, every one. The journey is long, and then we start homeward, fathomless as to what home might make of us.” —from The River You Touch

When Chris Dombrowski burst onto the literary scene with Body of Water, the book was acclaimed as “a classic” (Jim Harrison) and its author compared with John McPhee. Dombrowski begins the highly anticipated The River You Touch with a question as timely as it is profound: “What does a meaningful, mindful, sustainable inhabitance on this small planet look like in the anthropocene?”

He answers this fundamental question of our time initially by listening lovingly to rivers and the land they pulse through in his adopted home of Montana. Transplants from the post-industrial Midwest, he and his partner, Mary, assemble a life based precariously on her income as a schoolteacher, his as a poet and fly-fishing guide. Before long, their first child arrives, followed soon after by two more, all “free beings in whom flourishes an essential kind of knowing […], whose capacity for wonder may be the beacon by which we see ourselves through this dark epoch.” And around the young family circles a community of friends—river-rafting guides and conservationists, climbers and wildlife biologists—who seek to cultivate a way of living in place that moves beyond the mythologized West of appropriation and extraction.

Moving seamlessly from the quotidian—diapers, the mortgage, a threadbare bank account—to the metaphysical—time, memory, how to live a life of integrity—Dombrowski illuminates the experience of fatherhood with intimacy and grace. Spending time in wild places with their children, he learns that their youthful sense of wonder at the beauty and connectivity of the more-than-human world is not naivete to be shed, but rather wisdom most of us lose along the way—wisdom that is essential for the possibility of transformation.

As a farmer with decades spent working in fields, Scott Chaskey has been shaped by daily attention to the earth. A leader in the international Community Supported Agriculture (CSA) movement, he has combined a longstanding commitment to food sovereignty and organic farming with a belief that humble attention to microbial life and diversity of species provides invaluable lessons for building healthy human communities.  

Along the way, even while planning rotations of fields, ordering seeds, tending to crops and their ecosystems, Chaskey was writing. And in this lively collection of essays, he explores the evolution of his perspective—as a farmer and as a poet. Tracing the first stage in his development back to a homestead in Maine, on the ancestral lands of the Abenaki, he recalls learning to cultivate plants and nourish reciprocal relationships among species, even as he was reading Yeats and beginning to write poems. He describes cycling across Ireland, a surprise meeting with Seamus Heaney, and, later, farming in Cornwall’s ancient landscape of granite, bramble, and windswept trees. He travels to China for an international conference on Community Supported Agriculture, reading ancient wilderness poetry along the way, and then on to the pueblo of Santa Clara in New Mexico, where he joins a group of Indigenous women harvesting amaranth seeds. Closer to home on the Southfork of Long Island, he describes planting redwood saplings and writing verse under the canopy of an American beech.

“Enlivened by decades of work in open fields washed by the salt spray of the Atlantic”—words that describe his prose as well as his vision of connectedness—Scott Chaskey has given us a book for our time. A seed of hope and regeneration.

From “an important writer in every sense” (David Foster Wallace), a novel that imagines a future in which sweeping civil conflict has forced America’s young people to flee its borders, into an unwelcoming world.

An Indie Next Selection for April 2022

An Indies Introduce Selection for Winter/Spring 2022

A Junior Library Guild Selection

An Essence Most Anticipated Book of Fall 2021

A Bustle Most Anticipated Book of September 2021

Blending mythology and memory, Saga Boy follows a young Black immigrant’s vibrant personal metamorphosis.

Growing up as a clever, willful boy in a tiny village in the tropical forests of Trinidad — raised by his indomitable grandmother, Miss Excelly, and her King James Bible — Antonio Michael Downing is steeped in the legacies of his scattered family, the vibrant culture of the island, and the weight of its colonial history. But following Miss Excelly’s death, everything changes. The eleven-year-old Downing seems to fall asleep in the jungle and to wake up in a blizzard: he is sent to live with his devoutly evangelical Aunt Joan in rural Canada, where they are the only Black family in a landscape starkly devoid of the warm lushness of his childhood.

Isolated and longing for home, Downing begins a decades-long journey to transform himself through music and performance. A reunion with his birth parents, whom he has known only through story, closes more doors than it opens. Instead, Downing seeks refuge in increasingly extravagant musical personalities: “Mic Dainjah,” a boisterous punk rapper; “Molasses,” a soul crooner; and, finally, an eccentric dystopian-era pop star clad in leather and gold, “John Orpheus.” In his mid-thirties, increasingly addicted to escapism, attention, and sex, Downing realizes he has become a “Saga Boy”—a Trinidadian playboy archetype—like his father and grandfather before him. When his choices land him in a jail cell, Downing must face who he has become.

Harnessing the lyricism of an evangelical childhood into a flourishing and unforgettable prose all its own, Saga Boy is a poignant journey of overcoming, belonging, and becoming one’s own self.

A BuzzFeed "Best Book of June 2021"

From sixteen-year-old Dara McAnulty, a globally renowned figure in the youth climate activist movement, comes a memoir about loving the natural world and fighting to save it.

Diary of a Young Naturalist chronicles the turning of a year in Dara’s Northern Ireland home patch. Beginning in spring―when “the sparrows dig the moss from the guttering and the air is as puffed out as the robin’s chest―these diary entries about his connection to wildlife and the way he sees the world are vivid, evocative, and moving.

As well as Dara’s intense connection to the natural world, Diary of a Young Naturalist captures his perspective as a teenager juggling exams, friendships, and a life of campaigning. We see his close-knit family, the disruptions of moving and changing schools, and the complexities of living with autism. “In writing this book,” writes Dara, “I have experienced challenges but also felt incredible joy, wonder, curiosity and excitement. In sharing this journey my hope is that people of all generations will not only understand autism a little more but also appreciate a child’s eye view on our delicate and changing biosphere.”

Winner of the Wainwright Prize for UK nature writing and already sold into more than a dozen territories, Diary of a Young Naturalist is a triumphant debut from an important new voice.

A Book Riot and Shelf Awareness “Best Book of 2021

“Places do not belong to us. We belong to them.”

The child of South Asian migrants, Kazim Ali was born in London, lived as a child in the cities and small towns of Manitoba, and made a life in the United States. As a man passing through disparate homes, he has never felt he belonged to a place. And yet, one day, the celebrated poet and essayist finds himself thinking of the boreal forests and lush waterways of Jenpeg, a community thrown up around the building of a hydroelectric dam on the Nelson River, where he once lived for several years as a child. Does the town still exist, he wonders? Is the dam still operational?

When Ali goes searching, however, he finds not news of Jenpeg, but of the local Pimicikamak community. Facing environmental destruction and broken promises from the Canadian government, they have evicted Manitoba’s electric utility from the dam on Cross Lake. In a place where water is an integral part of social and cultural life, the community demands accountability for the harm that the utility has caused.

Troubled, Ali returns north, looking to understand his place in this story and eager to listen. Over the course of a week, he participates in community life, speaks with Elders and community members, and learns about the politics of the dam from Chief Cathy Merrick. He drinks tea with activists, eats corned beef hash with the Chief, and learns about the history of the dam, built on land that was never ceded, and Jenpeg, a town that now exists mostly in his memory. In building relationships with his former neighbors, Ali explores questions of land and power―and in remembering a lost connection to this place, finally finds a home he might belong to.

Winner of the 2022 Governor’s Arts Award
A 2022 Reading the West Award Finalist
A Refinery29 Best New Book to Read in 2021

From Deirdre McNamer, a masterful exploration of the rich and hidden facets of human character, as illuminated by the mysterious connections among the residents of a senior residence in Montana.

At the deteriorating Pheasant Run, the occupants keep their secrets and sadnesses locked tight behind closed apartment doors. Kind Leo Umberti, formerly an insurance agent, now quietly spends his days painting abstract landscapes and mourning a long-ago loss. Down the hall, retired professor Rydell Clovis tries desperately to stay fit enough to restart a career in academia. Cassie McMackin, on the same floor, has seemingly lost everything—her husband and only child dead within months of each other—leaving her loosely tethered to this world. And a few doors away, her friend, Viola Six, is convinced of a criminal conspiracy involving the building’s widely disliked manager, Herbie Bonebright. Cassie and Viola dream of leaving their unhappy lives behind, but one woman’s plan is interrupted—and the other’s unexpectedly set into motion—when a fire breaks out in Herbie’s apartment.

Called to investigate is the city’s chief fire inspector. With a gift and a passion for sorting out the mysteries of flame, Lander Maki finds the fire itself, and the circumstances around it, highly suspicious. Viola has disappeared. So has Herbie. And a troubled teen, Clayton Spooner, was glimpsed fleeing the scene. In trying to fit together the pieces of this complicated puzzle, Lander finds himself learning more than expected about human nature and about personal and corporate greed as it is visited upon the vulnerable.

Beautifully written and long awaited, from a writer “with extraordinary emotional acuity and with a keen sense of the small detail that says it all” (Chicago Tribune), Aviary weaves a compelling tapestry of crisis, grief, and the mysteries of memory and old age.

From the author of Good Night, Mr. Wodehouse and The Cape Ann comes a new tale of resilient womanhood in Harvester, Minnesota.

Growing up in early twentieth-century Illinois, Ruby Drake is a happy child. But one winter’s night, her beloved parents perish in an accident—and suddenly Ruby finds herself penniless and nearly alone in the world. Her new path eventually takes her to Harvester, where she is lucky enough to find work on the welcoming Schoonover farm. Kind Emma, forward-thinking Henry, and their hired men—ambitious Dennis and reserved Jake—soon become a second family to the orphaned teenager.

At a historical moment when young women are expected to be focused on courtship and marriage, the industrious, bright Ruby searches for opportunities to expand her horizons at every step. Mastering her responsibilities on the farm. Learning to smoke cigarettes. Borrowing books from the local lending library, reading devotedly and expansively: mythology, romance, poetry. And falling in love with her married neighbor, Roland: “the most beautiful man—maybe in the world.” But when Ruby is asked to care for Roland’s wife in the wake of tragedy, she is torn between duty and passion, between what has been her lot and what could be.

Jane Eyre set in Faith Sullivan’s “reliably inviting world” (Wall Street Journal), Ruby & Roland is a story of relationships—friendship, romance, and the families we are born with and create—and of one woman’s journey of selfhood on the prairie.

Finalist for the 2021 Housatonic Book Award in Poetry

Winner of the 2019 Max Ritvo Poetry Prize, The Clearing is “a lush, lyrical book about a world where women are meant to carry things to safety and men leave decisively” (Henri Cole).

Luminous and electric from the first line to the last, Allison Adair’s debut collection navigates the ever-shifting poles of violence and vulnerability with a singular incisiveness and a rich imagination. The women in these poems live in places that have been excavated for gold and precious ores, and they understand the nature of being hollowed out. From the midst of the Civil War to our current era, Adair charts fairy tales that are painfully familiar, never forgetting that violence is often accompanied by tenderness. Here we wonder, “What if this time instead of crumbs the girl drops / teeth, her own, what else does she have”?

The Clearing knows the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before…from a similar injury or kiss.”

There is a dark beauty in this work, and Adair is a skilled stenographer of the silences around which we orbit. Described by Henri Cole as “haunting and dirt caked,” her unromantic poems of girlhood, nature, and family linger with an uncommon, unsettling resonance.

“A wonderful place to start if you’ve never read Wagamese, a must-read if you have, and an indispensable read for everyone.” —LITERARY HUB

“We may not relight the fires that used to burn in our villages, but we can carry the embers from those fires in our hearts and learn to light new fires in a new world.”

Ojibwe tradition calls for fathers to walk their children through the world, sharing the ancient understanding “that we are all, animate and inanimate alike, living on the one pure breath with which the Creator gave life to the Universe.” In this new entry in the Seedbank series, an intimate series of letters to the six-year-old son from whom he was estranged, Richard Wagamese fulfills this traditional duty with grace and humility, describing his own path through life—separation from his family as a boy, substance abuse, incarceration, and ultimately the discovery of books and writing—and braiding this extraordinary story with the teachings of his people, in which animals were the teachers of human beings, until greed and a desire to control the more-than-human world led to anger, fear, and eventually profound alienation.  

At once a deeply moving memoir and a fascinating elucidation of a rich indigenous cosmology, Walking the Ojibwe Path is an unforgettable journey.

“Hands-down one of the most beautiful books of the year.” —NPR

From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction—a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.

As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted—no matter how awkward the fit or forbidding the landscape—she was able to turn to our world’s fierce and funny creatures for guidance.

“What the peacock can do,” she tells us, “is remind you of a home you will run away from and run back to all your life.” The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world’s gifts.

Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.

Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. These are poems of frequent swerves and transformations, which never stray far from an engagement with science, geography, art, and aesthetics, nor from the dream logic that motivates their incessant investigations.

Indeed, while John James begins with the biographical—the haunting loss of a father in childhood, the exhausted hours of early fatherhood—the questions that emerge from his poetic synthesis are both timely and universal: what is it to be human in an era where nature and culture have fused? To live in a time of political and environmental upheaval, of both personal and public loss? How do we make meaning, and to whom—or what—do we turn, when such boundaries so radically collapse?

“A full-bodied literary achievement bustling with sweat, regret, and sound.” —KIESE LAYMON

Ndiya Grayson returns to her childhood home of Chicago as a young professional, but even her high-end job in a law office can’t protect her from half-repressed memories of childhood trauma. One evening, vulnerable and emotionally disarrayed, she goes out and meets her equal and opposite:

Shame Luther, a no-nonsense construction worker by day and a self-taught piano player by night. The love story that ensues propels them on an unforgettable journey from Chicago’s South Side to the coast of Kenya as they navigate the turbulence of long-buried pasts and an uncertain future.

A stirring novel tuned to the clash between soul music’s vision of our essential responsibility to each other and a world that breaks us down and tears us apart, Another Kind of Madness is an indelible tale of human connection.

“Even present tense has some of the grace of past tense, / what with all the present tense left to go.” From Max Ritvo—selected and edited by Louise Glück—comes a final collection of poems fully inscribed with the daring of his acrobatic mind and the force of his unrelenting spirit.

Diagnosed with terminal cancer at sixteen, Ritvo spent the next decade of his life pursuing poetry with frenetic energy, culminating in the publication of Four Reincarnations. As with his debut, The Final Voicemails brushes up against the pain, fear, and isolation that accompany a long illness, but with all the creative force of an artist in full command of his craft and the teeming affection of a human utterly in love with the world.

The representation of the end of life resists simplicity here. It is physical decay, but it is also tedium. It is alchemy, “the breaking apart, / the replacement of who, when, how, and where, / with what.” It is an antagonist—and it is a part of the self. Ritvo’s poems ring with considered reflection about the enduring final question, while suggesting—in their vibrancy and their humor—that death is not merely an end.

The Final Voicemails is an ecstatic, hopeful, painful—and completely breathtaking—second collection.

A KIRKUS BEST BOOK OF 2018

In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer.

Over the next four years—in which Ritvo’s illness returned and his health declined, even as his productivity bloomed—the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. “We’ll always know one another forever, however long ever is,” Ritvo writes. “And that’s all I want—is to know you forever.”

Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife.

Since its establishment as a federally protected wilderness in 1964, the Boundary Waters has become one of our nation’s most valuable—and most frequently visited—natural treasures. When Amy and Dave Freeman learned of toxic mining proposed within the area’s watershed, they decided to take action—by spending a year in the wilderness, and sharing their experience through video, photos, and blogs with an audience of hundreds of thousands of concerned citizens.

This book tells the deeper story of their adventure in northern Minnesota: of loons whistling under a moonrise, of ice booming as it forms and cracks, of a moose and her calf swimming across a misty lake.

With the magic—and urgent—message that has rallied an international audience to the campaign to save the Boundary Waters, A Year in the Wilderness is a rousing cry of witness activism, and a stunning tribute to this singularly beautiful region.

When acclaimed author Deni Béchard first learned of the last living bonobos—matriarchal great apes that are, alongside the chimpanzee, our closest relatives in the animal kingdom—he was completely astonished. How could the world possibly accept the extinction of this majestic species?

Béchard discovered one relatively small NGO, the Bonobo Conservation Initiative (BCI), which has done more to save bonobos than many far larger organizations. Based on the author’s extensive travels in the Congo and Rwanda, this book explores BCI's success, offering a powerful, truly postcolonial model of conservation. In contrast to other traditional conservation groups Béchard finds, BCI works closely with Congolese communities, addressing the underlying problems of poverty and unemployment, which lead to the hunting of bonobos. By creating jobs and building schools, they gradually change the conditions that lead to the eradication of the bonobos.

This struggle is far from easy. Devastated by the worst military conflict since World War II, the Congo and its forests continue to be destroyed by aggressive logging and mining. Béchard's fascinating and moving account—filled with portraits of the extraordinary individuals and communities who make it all happen offers a rich example of how international conservation must be reinvented before it's too late.

It's 1942, just a month after the United States entered World War II. Lark, her mother Arlene, and Aunt Betty are in a station changing trains, leaving their lives in Harvester, Minnesota behind, and waiting for the train going to Los Angeles. Young men—soldiers—swarm the platform, heading off to war.

Against this dramatic backdrop, Gardenias revisits Faith Sullivan’s most beloved characters from The Cape Ann, taking them from their hometown to new lives, new dreams, and new risks. Arlene has left her husband behind after he gambled away the money she'd saved to finally build the Cape Ann house of her and Lark's Depression-era dreams. As a new life takes shape in San Diego in a wartime housing project full of neighbors they know little about, Lark wonders, as does the reader, if a dream means losing everything of value or finally finding it.

“Short, sharp, devastating, The Farther Shore is a literary machine gun . . . a winning debut that happens to be a war novel.” —Kansas City Star

A small unit of soldiers from the US Army is separated from their command and left for dead. Their only option is to keep moving, in hope that they’ll escape the marauding gangs and clansmen who appear to rule the city. Josh, a young soldier, and his “battle buddies” are left to wander in this hostile territory. A series of nightmarish, often violent encounters leaves only a few of them alive. The Farther Shore is a short, stark war novel in which the characters are both haunting and inhuman, natives and invaders alike. The emerging story reflects a new kind of military engagement, with all the attendant horrors and difficulties of fighting in a strange new postmodern battlefield. In his unforgettable debut novel, Matthew Eck puts readers inside the mind of a confused young soldier caught in the fog of unexpected warfare.

“Bold, profane, hallucinatory.” —Seattle Post-Intelligencer

“Haunting . . . goes beyond the on-the-ground chaos of battle to capture the physical and psychological disorientation of modern war.” —Publishers Weekly

“Every word in Eck’s first novel is as solid as a stone. Every moment of crisis feels authentic in its terror and tragedy; indeed, Eck served as a soldier in Somalia at age eighteen. Heir to Hemingway, and damn near as powerful as Cormac McCarthy in The Road, Eck has created a contemporary version of The Red Badge of Courage in this tale of one young man’s trial by fire in the pandemonium of war in an age of high-tech weaponry and low-grade morality.” —Booklist (starred review)

“The first great war novel of our generation.” —Salon

The acclaimed short story and novella collection by “a virtuoso of the dismal comedy of Soviet life”—and the basis for the HBO film PU-239 (The New York Times). A PEN/Faulkner Award Finalist. 

Ken Kalfus traverses a century of Russian history in tales that range from hair-raising to comic to fabulous. The astonishing title story follows a doomed nuclear power plant worker as he attempts to hawk plutonium in Moscow’s black market. In “Budyonnovsk,” a young man hopes that the takeover of his town by Chechen rebels will somehow save his marriage. "Salt" is an economic fairy tale, featuring kings, princesses, and swiftly melting currencies. 

Set in the 1920s, “Birobidzhan” is the bittersweet story of a Jewish couple journeying to the Soviet Far East, where they intend to establish the modern world’s first Jewish state. The novella, “Peredelkino,” which closes the book, traces the fortunes of a 1960s literary apparatchik whose romantic intrigues inadvertently become political.

Together, these works of fiction capture the famously enigmatic Russian psyche. They display Kalfus’ ability to imagine a variety of believable yet wholly singular characters whose lives percolate against a backdrop of momentous events.

A moving story of building hope, inspired by the true story of Estrella Children’s Park in central Los Angeles, where kids created the destination they dreamed of.

Having no place to play in their run-down inner city neighborhood, twelve-year-old Arturo and the other kids in his sixth-grade class decide to turn a vacant lot into a playground. At first Arturo thinks his idea might be foolish. Not only do his brother and the other gang members in Los Vatos Locos make fun of him, but even school officials are skeptical of the plan. With their somewhat loopy teacher’s help, however, the kids begin to build community support for the park.

No Place offers inspiration for children—along with good advice about how to take an idea and make it a reality.

“But hell, I do like to write letters. Much easier than writing books.”

And write letters Edward Abbey—“the Thoreau of the American West” (Washington Post)—did. At once incendiary and insightful, cantankerous and profoundly perceptive, Abbey was a singular American writer and cult hero, as famous for books like Desert Solitaire and The Monkey Wrench Gang as he was infamous for the persona of “Cactus Ed.” A true iconoclast with a rich sense of humor, his polemics and salvos—Wallace Stegner once likened Abbey to the “stinger of a scorpion”—were not limited to any one arena.

Abbey’s postcards and letters, legendary during his lifetime, convey the fullness of the man and reveal, along with his wisdom and savage wit, a tender side seldom seen before. For readers new to Abbey, this collection is an awe-inspiring introduction to the man and his works. And for devoted fans, the letters chronicle his evolution as an authentic American voice in the wilderness.

At midlife, Mary Rose O’Reilley writes, we are called to an “archaeology of memory”—turning over a potsherd here, a fragment there—to assemble something whole out of the messiness of experience. Excavating her own life, she traces the middle-class Irish American background that shaped her, with its mix of antic humor, terror, and mysticism, and finds meaning in the seemingly smallest, most transient encounters.

But O’Reilley’s purpose is less to recount these moments than it is to find the language for a different kind of story, in which the narrative of daily life opens to admit the holy and its corollary, the comic. Encouraging all of us to contemplate our own deep story, she calls hers a demo-life, in which the facts of personal history ground a narrative of consciousness and perception.

Earthy and luminous, unconventional and profoundly illuminating, The Love of Impermanent Things offers a threshold ecology for readers of all ages.

Poet, musician, wit, and polemicist—Bill Holm is one of kind. A Minnesotan of Icelandic ancestry, his travels have taken him all over the world, providing material for a number of rich and memorable books.

In this, his most ambitious work to date—a book “as forceful, insightful, and lyrical as ever” (Los Angeles Times)—Holm travels to Brimnes, his fisherman’s cottage on the shore of a fjord in northern Iceland. Looking west from this place of seemingly endless and kaleidoscopic light, and surrounded by little more than the sound of the sea and the birds beyond his windows, he considers America—“my home, my citizenship, my burden.”

In the tradition of Walt Whitman and Henry Thoreau, The Windows of Brimnes offers a singular perspective that is at once incisive and amusing, provocative and congenial.

Every day Christine’s walk to school takes her past a talking alley cat. And every day the cat’s insights invariably give her something to ponder.

One day her teacher asks the eight-year-old why she is always late for school. Frightened, she reveals the secret of the talking cat. Her punishment: she must write two hundred times, “There are no talking cats, and from now on I will arrive at school on time.” But the cat is real, no matter how many lines Christine writes. And she might just as well leave out the “no”—the headmaster won’t even notice, says the clever cat.

That’s what the cat always says—that life is all about being clever. And always looking out for yourself, first and foremost! But Christine isn’t so sure, and she is a little scared of the cat, too. There must be more to life than self-interest, surely? The cat is spiteful and pitiless. And that’s what Christine doesn’t want to be.

An illustrated modern fable, The Cat is a unique book for both children and adults to enjoy.

A stunning story of summertime and loss from German author Jutta Richter.

Anna, Daniel, and Lucas seem to be living a dream. While their parents take care of a castle, they have the run of the grounds, along with the beautiful countryside that surrounds it. When school lets out, their biggest concern is how to catch the mysterious pike that patrols the dark waters of the moat.

But just as their summer begins, Daniel and Lucas’s mother is taken ill, spending nearly all her time in bed. Anna learns that their mother has cancer, and that Daniel and Lucas have not yet been told. Set adrift on the endless summer days, Anna tries to believe her mother’s promise that it will all be better soon. And as those days gradually shorten and the colors of the fields and flowers change, Daniel becomes convinced that catching the pike will bring luck—that it might even cure his mother. When her condition worsens, these three friends must come together and find courage to face the future.

Well-suited for young readers who hover between beginning and intermediate books, this chapter book is about Floramel, a very lonely and bored cow. Rafie, the boy who milks her once a day, is her only company. He sings her calypso songs and talks to her in the morning before he goes off to work in the fish market.

While Rafie is away, Floramel tries to sing the calypso songs, but she can't make the same sounds. But excitement comes when a flock of cattle egrets arrives. The egrets leave Lazy Esteban behind to keep Floramel company and relieve her of the horrid insects on her body. With the help of Esteban and a handful of conch shells, Floramel learns how to make her own calypso music and how she might surprise Rafie with it.

This story, along with Charles Robinson's charming illustrations, is an excellent way to show the symbiotic relationships between animals. As an added bonus, Floramel and Esteban comes with its own version of the song "Calypso Cow," with which children can play and sing along.

Mattie, Ariel, and Nicki are fast friends facing the uncertainty of being thirteen. Mattie’s kitschy pig collection and agoraphobic mother might completely derail her social life. Ariel’s attempts to follow in Rachael Ray’s culinary footsteps have landed her in hot water. And Nicki is carrying a secret that threatens to cut her off from her best friends.

After finding a book of spells, the three girls perform a ritual that will grant each the object of her desire. This requires that they each bury something special: for Ariel, a tiny antique spoon; for Nicki, a thumb-sized leather mother-and-child doll; and for Mattie, a small ceramic pig with real gold inlays. When the magic starts to take effect, the girls’ longed-for wishes carry unintended, and unwelcome, consequences. Several disasters later, the friends fear that their ritual is working against them. Can they break the spell before their problems spiral out of control?

Wonderfully funny and absorbing, Discovering Pig Magic captures the everyday lives of three quirky, engaging girls, and shows that some wishes may be better left unfulfilled.

Reverent and profane, entertaining and bruising, Four Reincarnations is a debut collection of poems that introduces an exciting new voice in American letters.

When Max Ritvo was diagnosed with cancer at age sixteen, he became the chief war correspondent for his body. The poems of Four Reincarnations are dispatches from chemotherapy beds and hospitals and the loneliest spaces in the home. They are relentlessly embodied, communicating pain, violence, and loss. And yet they are also erotically, electrically attuned to possibility and desire, to “everything living / that won’t come with me / into this sunny afternoon.” Ritvo explores the prospect of death with singular sensitivity, but he is also a poet of life and of love—a cool-eyed assessor of mortality and a fervent champion for his body and its pleasures.

Ritvo writes to his wife, ex­-lovers, therapists, fathers, and one mother. He finds something to love and something to lose in everything: Listerine PocketPak breath strips, Indian mythology, wool hats. But in these poems—from the humans that animate him to the inanimate hospital machines that remind him of death—it’s Ritvo’s vulnerable, aching pitch of intimacy that establishes him as one of our finest young poets.

WINNER OF THE MILKWEED PRIZE FOR CHILDREN’S LITERATURE

Eleven-year-old Sebby has found the perfect escape from his crummy house and bickering family—a secret cave he calls “The Hole in the Wall.” It’s all the more beautiful for being in the midst of a devastated mining area behind his home. But soon after Sebby finds the hideaway, his world starts falling apart: his family’s chickens disappear, he falls ill with the mother of all stomachaches, and he finds a special pair of eyeglasses that show him a world where colors come alive and fly through the air.

When Sebby sets out to solve these mysteries, he and his twin sister, Barbie, get caught in a wild chase through the tunnels around The Hole in the Wall—all leading them to the mining activities of astrophysicist Stanley Odum, who has been buying up all the land behind Sebby’s home. Exactly what is Mr. Odum mining in his secret facility, and does it have anything to do with these mysterious developments? The answers to these questions take the twins to places they never could have imagined.

Featured in Wall Street Journal's Best Books on Angling

A Top 10 Indie Next Pick

Chris Dombrowski was playing a numbers game: two passions—poetry and fly-fishing; two children, one of them in utero; and an income hovering perilously close to zero. Enter, at this particularly challenging moment, a miraculous email: can’t go, it’s all paid for, just book a flight to Miami.

Thus began a journey that would lead to the Bahamas and to David Pinder, a legendary bonefishing guide. Bonefish are prized for their elusiveness and their tenacity. And no one was better at hunting them than Pinder, a Bahamian whose accuracy and patience were virtuosic. He knows what the fish think, said one fisherman, before they think it.

By the time Dombrowski meets Pinder, however, he has been abandoned by the industry he helped build. With cataracts from a lifetime of staring at the water and a tiny severance package after forty years of service, he watches as the world of his beloved bonefish is degraded by tourists he himself did so much to attract. But as Pinder’s stories unfold, Dombrowski discovers a profound integrity and wisdom in the guide’s life.

“More than forty years of history bookend a lifelong love affair with reading for the resilient heroine of [this] novel set in Harvester, Minnesota.” —Kirkus Reviews

A Wall Street Journal Top 10 Book of the Year

When Nell Stillman’s boorish husband dies soon after they move to the small town of Harvester, Minnesota, Nell is alone, penniless yet responsible for her beloved baby boy, Hillyard. Not an easy fate in small-town America at the beginning of the twentieth century.

In the face of nearly insurmountable odds, Nell finds strength in lasting friendships and in the rich inner life awakened by the novels she reads. She falls in love with John Flynn, a charming congressman who becomes a father figure for Hillyard. She teaches at the local school and volunteers at the public library, where she meets Stella Wheeler and her charismatic daughter Sally. She becomes a friend and confidant to many of the girls in town, including Arlene and Lark Erhardt. And no matter how difficult her day, Nell ends each evening with a beloved book, in this novel that celebrates the strength and resourcefulness of independent women, the importance of community, and the transformative power of reading.

“Sullivan describes small-town life through the eyes of an intelligent, generous narrator who fights off gossip, pettiness and tragedy with compassion, perseverance and forgiveness. Who wouldn’t want to spend a late-summer afternoon or two in the company of such a person?” —Minneapolis Star-Tribune

“Her novels are a reliably inviting world, full of friendly faces and intimate dramas. However you first make your way to Harvester, you’ll want to return.” —The Wall Street Journal

“[An] inspiring novel, which should find its way onto the reading lists of book clubs.” —Publishers Weekly

Beth Dooley arrived in Minnesota from her native New Jersey with preconceptions about the Midwestern food scene. Having learned to cook in her grandmother’s kitchen, shopping at farm stands and making preserves, she couldn’t help but wonder, “Do people here really eat swampy broccoli, iceberg lettuce, and fried chicken for lunch everyday?”

These assumptions quickly faded as she began to explore farmers’ markets and the burgeoning co-op scene in the Twin Cities, and eventually discovered a local food movement strong enough to survive the toughest winter. From the husband and wife who run one of the largest organic farms in the region to Native Americans harvesting wild rice, and from award-winning cheesemakers to Hmong immigrant farmers growing the best sweet potatoes in the country, a rich ecosystem of farmers, artisanal producers, and restaurateurs comes richly to life in this fascinating book. 

In Winter’s Kitchen “personalizes the path from farm to fork with heart and skill” (Wall Street Journal), demonstrating that even in a place with a short growing season, food grown locally and organically can be healthy, community-based, environmentally conscious, and—most of all—delicious.

“A novel about the role of stories in our lives, those we tell ourselves about ourselves and those we agree to live by.” —Globe and Mail

When Franklin Starlight is called to visit his father, he has mixed emotions. Raised by the old man he was entrusted to soon after his birth, Frank is haunted by the brief and troubling moments he has shared with his father, Eldon. When he finally travels by horseback to town, he finds Eldon on the edge of death, decimated from years of drinking.

The two undertake a difficult journey into the mountainous backcountry, in search of a place for Eldon to die and be buried in the warrior way. As they travel, Eldon tells his son the story of his own life—from an impoverished childhood to combat in the Korean War and his shell-shocked return. Through the fog of pain, Eldon relates to his son these desolate moments, as well as his life’s fleeting but nonetheless crucial moments of happiness and hope, the sacrifices made in the name of love. And in telling his story, Eldon offers his son a world the boy has never seen, a history he has never known.

From the screenwriter of the Oscar-nominated House of Sand and Fog, a fierce, elegant, page-turning novel about race, money, and the American Dream

***Finalist for the 2015 Los Angeles Times Book Prize***

Sins of Our Fathers follows small-town banker J.W., who has been caught embezzling funds to support his gambling addiction. J.W. is on the verge of losing everything when his boss offers him a scoundrel's path to redemption: sabotage a competing, Native banker named Johnny Eagle. 

A single father, Eagle recently returned to the reservation, leaving a high-powered job in the hope of simultaneously empowering his community and saving his troubled son. 

When J.W. moves onto the reservation and begins to work his way close to Eagle, hundreds of years of racial animosities rise to the surface, inexorably driving the characters toward a Shakespearean and shattering conclusion.

We all know our planet is in crisis, and that it is largely our fault. But all too often the full picture of change is obstructed by dense data sets and particular catastrophes. Struggling with this obscurity in her role as an editor at Nature, Gaia Vince decided to travel the world and see for herself what life is really like for people on the frontline of this new reality. What she found was a number people doing the most extraordinary things.

During her journey she finds a man who is making artificial glaciers in Nepal along with an individual who is painting mountains white to attract snowfall; take the electrified reefs of the Maldives; or the man who's making islands out of rubbish in the Caribbean. These are ordinary people who are solving severe crises in crazy, ingenious, effective ways. While Vince does not mince words regarding the challenging position our species is in, these wonderful stories, combined with the new science that underpins Gaia's expertise and research, make for a persuasive, illuminating—and strangely hopeful—read on what the Anthropocene means for our future.

From a bar hosting its nightly Sad Hour to the moonlit sandbox of a retired army general, Jim Heynen’s new collection of micro fiction presents character sketches of strange yet fascinating men and women.

Modeled after Theophrastus' Characters—brief, verbal snapshots of people created by the Greek philosopher—Heynen captures not just the quirks and eccentricities of his characters, but also their humanity. Guilty of only ordinary and forgivable sins, these sketches reveal universal human idiosyncrasies as much as they do the individual characters.

Paired with the wonderfully evocative illustrations of renowned illustrator Tom Pohrt, Ordinary Sins will appeal to story lovers and collectors of beautifully made books alike.

Born and raised with the kind of expectations that often accompany privilege, Jim Lenfestey approached his thirtieth birthday in a state of acute anxiety. A young family and a demanding work life on one hand, and a burgeoning love for poetry on the other.

When an independent bookseller discerns Lenfestey’s difficulties, and prescribes for a remedy the poems of a Chinese hermit named Han Shan, Lenfestey’s life is changed forever. After “swallowing the poems like aspirin” for the next thirty years, a spirited embrace of this ancient poet called Cold Mountain—the poet he has come to see as a guiding light in his life—prompts Lenfestey to travel to China on a pilgrim’s search for his cave. Along the way, this quest takes our author first to Tokyo, where he visits with the foremost translator and scholar of eastern poetry, Burton Watson, and from there across China, from the enormous chanting hall of ten thousand Buddhas in Bailin Temple to the birthplace of Confucius.

A singular combination of travel writing, memoir, translation, and poetry, Seeking the Cave is both deeply personal and universally illuminating. “Uniting our brief literary life with the ancient richness of Chinese culture” (Robert Bly), this extraordinary book evokes the transformative power of poetry, and the way it breathes meaning into our lives.

Fifteen-year-old Eugenie de La Roque escapes the French Revolution with little more than her precious dog and the clothes on her back. Along with her family, she sails to America, hoping to find glorious French Azilum amid the wilderness of Pennsylvania. But when they arrive, they discover that the village awaiting them is nothing like the festive balls or carefully manicured gardens they’ve left behind.

Hannah Kimbrell is a young Quaker who has been chosen to help prepare the settlement for the arrival of the aristocrats. But in truth she wants nothing more than to be home with her mother and baby brother. Her homesickness is only deepened by the demands of the newly arrived French nobles, who are dismayed to find that simple log cabins are their only protection against the coming winter.

In this wild place away from home and the memories they hold dear, Eugenie and Hannah find more in common than they first realize. A story of friendship against all odds, Waiting for the Queen is a loving portrait of the values of early America, and a reminder that true nobility is more than a royal title. 

Two misfits embark on a journey to realize their dreams in this timeless tale.

Cosmos and Niner live on the street. It’s not such a bad life, they think, but they dream of going to the sea, where it’s always summer. And to do that they need to raise money. Cosmos knows a woman who might be able to help them. When she asks them to exchange something precious for the money, Niner and Cosmos agree to trade her the most valuable thing either of them possesses—Niner’s guardian angel.

After the deal is struck, Cosmos and Niner quickly set out for the shore. But when Niner’s health takes a turn for the worse, Cosmos realizes he needs to get Niner’s guardian angel back. Can he act quickly enough to save his young friend’s life?

Seventeen-year-old Alice Marie Krayenbraak is beautiful, witty, a star student, and a gifted athlete. On the surface, she has it all. But in Alice’s hometown of Dutch Center, Iowa, nothing is as it seems. Behind the façade of order and tidiness, the family farm is failing. Alice’s mother is behaving strangely amid apocalyptic fears of Y2K. And her parents have announced their plans to send her special-needs sister Aldah away. On top of it all, the uniformly Dutch Calvinist town has been rattled by an influx of foreign farm workers.

It’s the fall of senior year, and Alice now finds herself at odds with both family and cultural norms when she befriends and soon falls in love with Nickson Vang, the son of Hmong immigrants. Caught in a period of personal and community transformation, Alice and Nickson must navigate their way through vastly different traditions while fighting to create new ones of their own. Funny and provocative, amusing and unsettling, The Fall of Alice K. marks a watershed moment in the publishing career of author, Jim Heynen.

"Here childhood innocence and dreams meet the reality of day-to-day survival and violence, during Hindu-Muslim riots, forcing choices that should never have to be made. Irani (The Cripple and His Talismans, 2005) is a gifted storyteller, and this book, Dickensian in its plot and its vivid prose, is as beautiful as it is heartbreaking." - Booklist

Abandoned as an infant, ten-year-old Chamdi has spent his entire life in a Bombay orphanage. There he has learned to find solace in his everyday surroundings: the smell of the first rains, the vibrant pinks and reds of the bougainvilleas that blossom in the courtyard, the life-size statue of Jesus, the "beautiful giant," to whom he confides his hopes and fears in the prayer room. Though he rarely ventures outside the orphanage, he entertains an idyllic fantasy of what the city is like – a paradise he calls Kahunsha, "the city of no sadness," where children play cricket in the streets and where people will become one with all the colours known to man.

Chamdi’s quiet life takes a sudden turn, however, when he learns that the orphanage will be shut down by land developers. He decides that he must run away in search of his long-lost father, taking nothing with him but the blood-stained white cloth he was left in as a baby.

Outside the walls of the orphanage, Chamdi quickly discovers that Bombay is nothing like Kahunsha. The streets are filthy and devoid of colour, and no one shows him an ounce of kindness. Just as he’s about to faint from hunger, two seasoned street children offer help: the lovely, sarcastic Guddi and her brother, the charming, scarred, and crippled Sumdi. After their father was crushed by a car before their eyes, the children were left to care for their insane mother and their infant brother. They soon initiate Chamdi into the brutal life of the city’s homeless, begging all day and handing over most of his earnings to Anand Bhai, a vicious underworld don who will happily mutilate or kill whoever dares to defy him.

Determined to escape the desperation, filth, and violence of their lives, Guddi and Sumdi recruit Chamdi into their plot to steal from a temple. But when the robbery goes terribly awry, Chamdi finds himself in an even worse situation. The city has erupted in Hindu-Muslim violence and, held in Anand Bhai’s fierce grip, Chamdi is presented with a choice that threatens to rob him of his innocence forever.

Moving, poignant, and wonderfully rich in the sights and sounds of Bombay, this novel is the story of Chamdi's struggle for survival on the city's dangerous streets.

Growing up in rural British Columbia, Deni Ellis Béchard believes his charismatic father is infallible. Wild, unpredictable, even dangerous, André is worshipped by his young son, who believes that his father can do no wrong.

But when Deni’s mother leaves his father and decamps with her three children to Virginia, the boy learns of his father’s true identity. André Béchard was once a bank robber—and so Deni’s imagination is set on fire. Boyish rebelliousness gives way to fantasies of a life of crime. At once attracted and repelled, Deni can’t escape the sense that his father’s life holds the key to understanding himself, and to making sense of his own passions and longings. Only when he goes off to college, however, does Deni begin to unravel the story of his father’s life, eventually finding the Quebecois family that André left behind long ago.

At once a highly unconventional portrait of the artist as a young man and an extraordinary family story, Cures for Hunger is a deeply affecting memoir by one of the most acclaimed young writers in the world today.

A priest struggling with temptation moves back into his working-class childhood home in this “suspenseful, illuminating, and highly readable saga” (Publishers Weekly, starred review).

Let me begin today, illumined by Thy light, to destroy this part of the natural man which lives in me in its entirety, the obstacle that constantly keeps me from Thy Love . . .

Taught this prayer as a boy by his grandfather, James Dressler recites it each time he’s tempted by earthly desires. Originally drawn to the priesthood by the mystery, purity, and sensual fabric of the Church, as well as by its promise of a safe harbor from his tempestuous home, James nevertheless finds himself — just a few years after his ordination — living at home: saying Mass for his mother at the dining room table; avoiding his pugilistic father; playing basketball; preparing to officiate at his brother’s wedding, and becoming attracted again to his first love, Betty García.

Torn between these opposing desires, and haunted by his familial heritage, James finds himself at a crossroads. Exploring age-old yet urgently contemporary issues in the Catholic Church, and infused throughout with a rich sense of the history and vibrant texture of St. Paul, Minnesota, this is an utterly honest novel filled with “thoughtful themes and lyrical prose” (Booklist).

“Deeply rooted in history, burning with family furies, and told by a narrator-priest you find yourself rooting for (and wondering about), this is a captivating novel, scene by scene.” —Patricia Hampl, author of The Florist’s Daughter

“In my fourteenth year the influenza infected my whole world. . . . Seems as though just as the Great War came to a close, the folks of Downeast Maine set to fighting a war of their own.”

Born into an artistic and eccentric family, Lyza laments that her only talent is carving letters into wood. At least, that is, until the devastating loss of her mother to influenza during the pandemic of 1918. The illness has settled on their small coastal town in Maine, and the funeral marches pass Lyza’s house almost daily. When her unconventional father begins to prepare for the return of his dead wife, Lyza is the only one to protect him from being committed to a nearby work farm. Awash with grief and longing for her mother, Lyza journeys into the thin territory that divides the living from the dead.

Relying on her courage and an undiscovered talent, Lyza must save her father and find her own path. From the celebrated author of Worth, this is a powerful story of love that persists beyond the grave.

Composed in the key of terror, The Tree of the Doves offers an engaging account of Christopher Merrill’s travels to distant parts of the world. From jungle to desert to sea, from cities to ruins, he explores how history is shaped by ceremonies, expeditions, and wars.

He observes the performance of a banned ritual in Malaysia, retraces Saint-John Perse’s epic journey from Beijing to Ulaanbaatar, and tours the Levant in the wake of the American wars in Iraq and Afghanistan. Encountering a wide range of people along the way—artists and politicians, soldiers and refugees—Merrill is as attentive to their individuality as he is attuned to the historical, social, and cultural situations in which they find themselves.

In three extended essays, he poses fundamental but nonetheless provocative questions­­—Where do we come from? Where are we going? What shall we do?—which lead him to conclude that the changes we are witnessing now presage the end of one order and the creation of another.

Lively and insightful, empathetic and illuminating, The Tree of the Doves is an important book, as contemporary as it is timeless.

The author of the acclaimed Montana 1948 “spins charm and melancholy” in this novel of youth and romantic rivalry in 1960s rural Minnesota (Denver Post).

Willow Falls, Minnesota, 1962. The shooting of a young woman on Thanksgiving Day sets off a chain of unsettling events in the life of seventeen-year-old Matthew Garth. A close friend of the prosperous Dunbar family, Matthew is present in Dr. Dunbar’s home office when the victim is brought in. The sight of Louisa Lindahl—beautiful and mortally wounded—makes an indelible impression on the young man.

Fueled by his feverish desire for this mysterious woman and a deep longing for the comfort and affluence that appears to surround the Dunbars, Matthew finds himself drawn into a vortex of greed, manipulation, and ultimately betrayal. Larry Watson’s tale heart-breaking tale “resonates with language as clear and images as crisp as the spare, flat prairie of its Minnesota setting” (Kirkus Reviews).

An Esquire Best Book of 2011

WINNER OF THE PHILLIP D. REED MEMORIAL AWARD FOR OUTSTANDING WRITING ON THE SOUTHERN ENVIRONMENT

Beyond the oil-soaked pelican, beyond the oil-soaked beach, beyond the Deepwater Horizon oil spill entirely, there is a deeper story of sacrifice unfolding in the Gulf of Mexico. Reporters and government officials focused on the smallest part of it: oil gushed into the water for 153 days, then, on September 19, 2010, the well was capped. The story was over. But for David Gessner the unimaginable amount of oil spilled into the ocean was only the beginning.

In The Tarball Chronicles, Gessner eats, drinks, and talks his way into the heart of Gulf country—exploring the region’s birds, sea life, and ecosystems with the oceanographers, activists, and subsistence fishermen who call it home. Just how much, he asks, are we willing to sacrifice to keep living the way we do? Part absurdist travelogue, part manifesto, The Tarball Chronicles is a love song for the Gulf from an author who has “redefined what it means to write about the natural world” (Washington Post).