Music

Arising from the street corners and underground clubs, Rebel Music: Resistance through Hip Hop and Punk, challenges standardized schooling and argues for equity, peace, and justice. Rebel Music is an important, one-of-a-kind book that takes readers through fun, radical, educational chapters examining Hip Hop and Punk songs, with each section addressing a particular social issue. Rebel Music values the experiences found in both movements as cultural capital that is de-valued in the current oppressive, standard, test-driven, rule-bound, and corporate schooling experience, making youth “just another brick in the wall.” This collection is a “rebel yell” to administrators, teachers, parents, police, politicians, and counselors who demonize Hip Hop and Punk to listen up and respect youth culture. Finally, Rebel Music is a celebration of radical voices and an organizing tool for those who use music to challenge oppression.

This volume aims to stimulate interest in the under-researched role of silent partners (SPs) in multicultural education. Silent partners include formal and informal places-spaces in schools (e.g. architecture, classroom facilities, libraries, corridors, playgrounds, canteens), objects (e.g. teaching aids, furniture, wall decorations and overall interior design), interactive technologies (use of devices and applications) but also often taken-for-granted and not immediately visible patterns of thought, ideologies and assumptions.

People involved in education all engage and work with a number of SPs that contribute to the delivery of curricula, but also to social life and well-being in and out of schools. The way places-spaces, objects and technologies influence the school community’s experiences of learning, well-being and social justice is rarely observed and problematised in education – hence the adjective ‘silent’ in the term ‘silent partners’.

“Beautifully written… a riveting account of how melodies and rhythms connect us, and help us deal with alienation and anxiety.”—Dr. Bessel van der Kolk, author of The Body Keeps the Score

In this captivating blend of science and memoir, a health journalist and former cellist explores music as a source of health, resilience, connection, and joy.

Music isn’t just background noise or a series of torturous exercises we remember from piano lessons. In the right doses, it can double as a mild antidepressant, painkiller, sleeping pill, memory aid—and enhance athletic performance while supporting healthy aging. Though music has been used as a healing strategy since ancient times, neuroscientists have only recently discovered how melody and rhythm stimulate core memory, motor, and emotion centers in the brain. But here’s the catch: We can tune into music every day and still miss out on some of its potent effects.

Adriana Barton learned the hard way. Starting at age five, she studied the cello for nearly two decades, a pursuit that left her with physical injuries and emotional scars. In Wired for Music, she sets out to discover what music is really for, combing through medical studies, discoveries by pioneering neuroscientists, and research from biology and anthropology. Traveling from state-of-the-art science labs to a remote village in Zimbabwe, her investigation gets to the heart of music’s profound effects on the human body and brain. Blending science and story, Wired for Music shows how our species’ age-old connection to melody and rhythm is wired inside us.

“In this illuminating debut, Marshall offers an outsider’s look into Japanese culture via its music . . . Throughout, her sharp observations are interspersed with moving moments of introspection . . . This transportive work is a thrilling escape.” —Publishers Weekly

Fulbright and mtvU sponsored scholar Jillian Marshall offers honest and often humorous vignettes that delve far beyond Western stereotypes of Japanese culture to portray a society’s deep relationship with music, and what it means to listen and understand as a cultural outsider.

Following a decade of back-and-forth across the Pacific while researching her doctoral thesis in ethnomusicology, JAPANTHEM author Jillian Marshall reveals contemporary Japan through a prism of magic, serendipity, frustration, unique underground culture, learning life lessons the hard way, and an insatiable curiosity for the human spirit. The book’s twenty vignettes — including what it’s like to be subtly bullied by your Buddhist dance teacher, go to a secret rave in woods near Mt. Fuji, meet a pop star at a basement club while tipsy, and experience a nuclear disaster unfold by the minute — are based off first-hand experience, and illustrate music’s fascinating relationship to (Japanese) society with honesty, intelligence, and humor. JAPANTHEM offers a uniquely nuanced portrayal of life in the Land of the Rising Sun — while encouraging us to listen more deeply in (and to) Japan in the process.

In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock’s treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial.

Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda. To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock’s original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock’s collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers. Thanks to the Research Centre for the Study of Music Media and Place, a video of the launch event, held in St.John's, Newfoundland, is available at https://www.youtube.com/watch?v=ghj6E6-QiLI&t=21s.

Published in English.

Music Traditions, Cultures, and Contexts is a tribute to the ethnomusicologist Beverley Diamond in recognition of her outstanding scholarly accomplishments. The volume includes essays by leading ethnomusicologists and music scholars as well as a biographical introduction.
The book’s contributors engage many of the critical themes in Diamond’s work, including musical historiography, musical composition in historical and contemporary frameworks, performance in diverse contexts, gender issues, music and politics, and how music is nested in and relates to broader issues in society. The essays raise important themes about knowing and understanding musical traditions and music itself as an agent of social, cultural, and political change. Music Traditions, Cultures, and Contexts will appeal to music scholars and students, as well as to a general audience interested in learning about how music functions as social process as well as sound.

Audio Files located on Soundcloud Essential Song: Three Decades of Northern Cree Music, a study of subarctic Cree hunting songs, is the first detailed ethnomusicology of the northern Cree of Quebec and Manitoba. The result of more than two decades spent in the North learning from the Cree, Lynn Whidden’s account discusses the tradition of the hunting songs, their meanings and origins, and their importance to the hunt. She also examines women’s songs, and traces the impact of social change—including the introduction of hymns, Gospel tunes, and country music—on the song traditions of these communities.

The book also explores the introduction of powwow song into the subarctic and the Crees struggle to maintain their Aboriginal heritage—to find a kind of song that, like the hunting songs, can serve as a spiritual guide and force.

Including profiles of the hunters and their songs and accompanied (online) by original audio tracks of more than fifty Cree hunting songs, Essential Song makes an important contribution to ethnomusicology, social history, and Aboriginal studies.

Musicians on Twitch: Creativity, Challenges, and the Reality Behind Live Streaming unpacks the untold stories of musicians who have turned to Twitch as a platform to share their art, engage with audiences and seek financial stability. While on the surface Twitch appears as a hub for creativity and innovation, this book reveals a dichotomous reality where opportunities and challenges are in constant tension.
Through interviews with this new breed of ‘musician-streamers’ and extensive observation of their mediated, online lives, this book explores what it takes to succeed – or simply survive – on a platform originally built for gaming but now home to a vibrant music community.
The journey begins by examining Twitch’s evolution from a gaming-centric site to a space where live music performances have gained traction. Whether driven by creative freedom, financial aspirations or a desire to connect with global audiences, this book examines who these musicians are and what draws them to the platform. Throughout this chapter, key concepts and terms are introduced to provide readers with a clear and accessible framework for understanding and analysing the evolving landscape of online live music.
Building on the exploration of Twitch as a platform for creativity and opportunity, this book also sheds light on the difficult realities faced by musicians on the platform. Beneath Twitch’s innovative and appealing surface lies a stark and often challenging environment. From the ‘happy-few-take-all’ dynamic, where only a small elite garners the majority of audience attention and earnings, to the gamified, attention-driven ecosystem that creates relentless pressure to remain ‘always on’, many musicians are flirting with their breaking point. These challenges are even more pronounced for female streamers and those from minority groups, who often contend with persistent harassment, amplifying the psychological toll in an already demanding, high-pressure environment.
Musicians on Twitch provides a nuanced, unfiltered, at times brutal, exploration of Twitch’s promises and pitfalls for musicians. It is an important read for anyone curious about the intersection of music, technology and creative labour, and what it really means to be a musician today.

The gramophone was thought to be perverse because it allowed people to listen to music on their own. Rock ‘n’ Roll was the devil’s music. Home taping supposedly killed music. Copyright piracy is not a victimless crime. Downloading music is stealing. Spotify doesn’t adequately pay artists. YouTube remuneration creates a value gap for artists. Mp3s make music sound flat. TikTok shortens songs. AI steals ideas.
With each new music distribution technology, the powerful corporate interests of the moment try to make people afraid to use it. In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok, Dr. David Arditi examines how the major record labels single-out new technologies as if they will bring an end to recorded music. They use what he calls the “piracy panic narrative”—a narrative in which new technologies threaten the very existence of recorded music. The piracy panic narrative is a rhetorical construct that helps to hide the material reality of the recording industry by positioning major record labels and their recording artists as the victims of widespread crime in the form of piracy.
Now, divorced from piracy, the recording industry continues to use the panic narrative to dissuade fans from specific practices and to lobby the government for particular policies. Each time, they use the narrative to change public sentiment, the law, and policy to strengthen their profits. It works because fans feel a connection with their favorite artists. Fans want their artists to be paid a fair wage. But at every moment what gets ignored is labels are the primary exploiter of musicians. Asking why YouTube underpays artists is the wrong question because streaming platforms pay labels. The question that never gets asked: why don’t labels pay artists a livable wage?

The On Record series presents rare archival images and insightful interviews by long-time popular-music journalist and radio personality G. Brown.

"In his On Record series, G. Brown makes stories of recorded music come alive by digging into the experiences of the artists – and through his writing, he reveals their humanity. What a gift these books are to music lovers.” – Jesse Colin Young, singer, songwriter and founding member of the Youngbloods

In Volume 12 – 1996 of G. Brown’s extraordinary On Record series, G. chronicles the biggest artists in pop music (Celine Dion, Kenny G, the Artist Formerly Known as Prince), legacy-defining records from alternative rockers (Beck, Weezer, Sublime, Rage Against the Machine) and a wealth of up-and comers (Dave Matthews Band, the Roots, Wilco), in addition to the year’s top releases in hip-hop, classic rock, country, jazz and new age genres.

Interview-based profiles of more than 100 artists and bands include:

• Beck
• Weezer
• Fiona Apple
• The Roots
• The Cardigans
• Marilyn Manson
• Jamiroquai
• Eels
• Wilco
• Social Distortion
• Tool
• Rage Against the Machine
• Kula Shaker
• Cibo Matto
• Stone Temple Pilots
• Tori Amos
• Tony Toni Tone
• New Edition
• Counting Crows
• Celine Dion

About the Series:

Colorado Music Experience founding director and author G. Brown covered popular music at The Denver Post for 26 years, interviewing well over 3,200 musicians, including Paul McCartney, Bruce Springsteen, Mick Jagger, and Kurt Cobain, all of whom recounted their escapades and reminisced about what their time on the charts meant to them personally and musically. Over the decades, G. also amassed an archive of close to 15,000 rare promotional photos.

Each volume of the On Record series presents nearly 200 rare archival images and 100 interviews with an array of performers from that year. To date, Colorado Music Experience has released 10 volumes in this year-by-year, comprehensive look at the evolution of popular music from 1978 to 1998. 

Proceeds from book sales benefit Colorado Music Experience.

This book will provide an exploration of how popular songs have been analysed in the past, before detailing how an interdisciplinary approach is necessary to appreciate the multimodal format of the medium. Beginning by examining what we can gain from staying ‘inside’ the song, it will explore the role the listener has in determining meaning within a song, before moving on to how, through their lyrics, songwriters can persuade their audience to react in the desired ways. Lyrical storytelling will also be analysed, in terms of the narratives we find within individual songs, but also through ‘song sequences’ where the story spans multiple songs across different projects, and also the ‘concept album’ format. As we move ‘outside’ the song, we see what can be offered in terms of cultural significance, the difference between real events and their lyrical representations, how the format we listen to music in influences our readings, and to what extent visual materials affect our relationships with songs.

The Insider's Guide to Making Money in the Music Business is the industry bible and the ultimate guide to making money in the music business.

Music is a business of money, contracts, decisions and making the most of every opportunity. To succeed—to make money—to have a career—you have to know what you are doing in both music and business.

This invaluable book tells you how the business works, what you must know to succeed, and how much money you can make in films, television, video games, ASCAP, BMI and SESAC, record sales, downloads and streams, advertising, ringtones and ringbacks, interactive toys and dolls, Broadway, new media, scoring contracts and synch licenses, music publishing, foreign countries, and much more.

This indispensable reference is written by industry insiders Todd Brabec, Educator, Entertainment Law Attorney and former ASCAP Executive Vice President and Worldwide Director of Membership, and Jeff Brabec, Vice President of Business & Legal Affairs, BMG.

The Rare Record Price Guide 2026 is the EIGHTEENTH edition.

Launched in 1986 and published bi-annually, it is edited for the first time by long term Record Collector contributor, author and DJ Daryl Easlea – and compiled with dealers, collectors, shops and auction houses, and, of course, the expert staff and contributors of Record Collector, the world's leading magazine in the field.

Whether you’ve been with us from the very beginning or want a guide for survival in the vinyl revival, The Rare Record Price Guide is THE undisputed key text detailing values for a huge array and range of vinyl. From Aaliyah to ZZ Top, rock’n’roll to northern soul, art-pop to hip-hop, 70s jazz funk to 80s post-punk, rap to trap, there are hundreds of collectable bands and artists from the 1950s to the present day. RRPG26 features every musical genre from rock, pop, soul, punk, blues, jazz, northern, disco, acid house, techno, reggae, dance, rock’n’roll, metal, NWOBHM, prog, psych, indie, country, folk, exotica, soundtracks, easy listening and more besides. The Rare Record Price Guide 2026 is a sense check, a voice of reason in the often excitable, hectic world of collecting.

With over 100,000 entries, the 1200+ page publication provides an A-to-Z guide to rare and collectable UK releases with catalogue numbers, b-sides and current mint values for every UK LP, single, EP, 12", worth over £15 as well as other collectable formats such as 10" LPs, CDs, flexi and picture discs. The Rare Record Price Guide 2026 is the book no serious music fan and collector should be without.

It is the undisputed key text detailing pricings for a huge array and range of vinyl, from familiar classics to lost, underground albums of yesteryear. Launched in 1987 and published bi-annually - the Rare Record Price Guide 2024 is the SEVENTEENTH edition of the World's most comprehensive guide to prices of UK releases from 1950 to the current day.

Compiled by the expert staff and contributors of Record Collector, the World's leading magazine in the field, The Guide spans every musical genre from Rock, Pop, Soul, Punk, Blues, Jazz, Disco, Acid House, Techno, Hip-Hop, Reggae, Dance, Rock ‘n' Roll, Metal, Progressive, Psych, Indie, Country, Folk, Exotica, Soundtracks and M.O.R.

With over 100,000 entries, the 1400+ page publication provides an A to Z guide to rare and collectable releases with catalogue numbers, B-sides and current mint values

Rest assured that no matter how obscure your taste you'll find the most sought-after items here whether your obsession is Progressive rock, Dance, 70's Jazz Funk, Soul, 80's Post-Punk, Hip-Hop, Reggae, NWOBHM, Northern Soul and collectable bands and artists from the 1950's to the present day. Whether you are a seasoned collector, record dealer, or new to the world of vinyl this book is an essential purchase.

“A giant case study with hundreds of micro-scenarios that can be used and further developed as narratives in coaching and training!”—Sabine Baer, Executive Coach, Brussels, coaching .sabinebaer @gmail .com

Missing Music: Voices from Where the Dirt Roads End details Grammy-winning music producer and author Ian Brennan’s ongoing quest to provide musical platforms for underrepresented nations and populations around the world.

In a compact and quick-read format, Missing Music collects the latest narratives from Brennan’s field-recording treks. This edition features a greater emphasis on storytelling and an even greater abundance of photos from his wife, Italian-Rwandan photographer/filmmaker Marilena Umuhoza Delli.

Together, they meet the elderly shamans of the world’s most musical language, Taa, a tongue that sadly is dying, with fewer than 2,500 speakers left. The duo traveled the most remote roads of Botswana to find the formally nomadic people now relegated to small desert towns.

In Azerbaijan, Brennan and Delli ascended to the mountainous Iranian border to record centenarians in scattered villages of the Talysh minority, where the world’s oldest man reportedly reached the age of 168. The result is the only record ever released to feature the voices of singers over one-hundred years of age.

Among other tales, Brennan also updates the saga of the Sheltered Workshop Singers following COVID, including the tragic deterioration of his sister, Jane.

Arising from the more than forty records that Brennan has produced over the past decade from underrepresented nations such as Comoros, Djibouti, Romania, South Sudan, Suriname, and Cambodia, Missing Music serves as the newest suite in the multiverse symphony of the world’s most ignored corners—the places where countries expire and the “forgotten” live.

"In this deeply felt and well-researched meditation, Kalkavage finds the special bond that exists between the world and the power of music." 
—Booklist

“Many people write about the meaning of music, but few can do it as well as Peter Kalkavage does in this marvelous, winsome, and often hauntingly beautiful book. He takes us on a deep dive into the philosophical dimensions of music, through a series of connected essays that demonstrate again and again the ways in which music is intimately connected to the most important questions we wrestle with, about the nature of time, space, and the human condition. It is a book of great learning, but one also brimming over with enthusiasm and love for its subject, a combination that readers will find irresistible.”
—Dr. Wilfred M. McClay, Professor of History, Hillsdale College

Music and the Idea of a World explores the bond between music and world by reflecting on great musical compositions and works by great thinkers from antiquity to the present. World, here, has several meanings. It is the natural world or cosmos, the inner world of feeling and thought, world history, and the world of tones (the musical universe). The book is intended for philosophic-minded readers who are fascinated by music and music lovers who enjoy thinking about the philosophic questions that music raises. 

The seven-chapter journey begins with a contrast between the cosmologies of Plato and Schopenhauer (followed by a discussion of Palestrina’s music and the world of the Bible). It then proceeds to chapters on music and nature in Victor Zuckerkandl’s Sound and Symbol, a love song from Bach’s St. Matthew Passion, a love song from Mozart’s Magic Flute, Wagner’s Tristan and Isolde in relation to Schopenhauer’s cosmology of the will, twelve-tone music as the image of totalitarianism in Thomas Mann’s Doctor Faustus, and the world of the inner life in Francis Poulenc’s Dialogues of the Carmelites.

One of Pitchfork’s 11 Best Music Books of 2021

Recommended book in Rolling Stones June 2021 Issue

With an additional 30,000 words of compelling stories, research, and analysis, music journalist and In Defense of Ska podcast creator/host Aaron Carnes presents the case that ska never died, by jumping headfirst into ska’s “lost years,” i.e., the period after the ’90s third-wave ska boom.

New topics covered include LA’s ongoing vibrant traditional ska scene and how young Latinos are keeping the ska torch aflame, how the devastation of Hurricane Katrina inadvertently kicked off a thriving scene focused on keeping community alive in New Orleans, a deep review of Christian ska group Five Iron Frenzy, who broke a Kickstarter record in the ’10s while making progressive activists out of their fan base, a close inspection of a hipster rocksteady scene in Brooklyn that grew so popular it nearly kicked off a nationwide revival, and more secret ska past revelations with none other than Fall Out Boy lead singer Patrick Stump—who has a story that, up until recently, was carefully guarded.

Plus, the book re-explores several bands featured in the first edition, revealing new layers and more details about all the bands fans love, like Mighty Mighty Bosstones, Operation Ivy, the Slackers, Hepcat, Mephiskapheles, and Reel Big Fish. With 30,000 additional words, this is the complete ska package.

On Impact is the story of a young African American man who works his way through the music business to earn the highest position attainable, and who is now willing to share his life experiences with the public. 

Benny Pough shares his story in On Impact, which is full of lessons on living a life of impact, rising through the leadership ranks, and having to overcome a near-death car crash that almost took it all. Within six parts, Pough breaks down his personal and business experiences through his multi-decade career in entertainment. It is an inspirational and motivational book that offers actionable insights and advice on how to best navigate their varied life experiences, including hardships. On Impact allows readers to see themselves through Pough’s life experiences and use the information they have learned to make the right decisions for the best possible outcomes.