Name: The Teutonic Knights in the Holy Land, 1190-1291
Brand: Nicholas Morton
Price: 120.0 USD
Availability: InStock

Nicholas Morton

The Teutonic Knights in the Holy Land, 1190-1291

$120.00

A detailed study of the Teutonic Knights in the Holy Land, covering both their military and administrative affairs.

The Teutonic Order was founded in 1190 to provide medical care for crusaders in the kingdom of Jerusalem. In time, it assumed a military role and played an important part in the defence of the Christian territories in the EasternMediterranean and in the Baltic regions of Prussia and Livonia; in the Levant, it fought against the neighbouring Islamic powers, whilst managing their turbulent relations with their patrons in the papacy and the German Empire. Asthe Order grew, it colonised territories in Prussia and Livonia, forcing it to address how it distributed its resources between its geographically-spread communities. Similarly, the brethren also needed to develop an organisational framework that could support the conduct of war on frontiers that were divided by hundreds of miles.
This book - the first comprehensive analysis of the Order in the Holy Land - explores the formative years of this powerful international institution and places its deeds in the Levant within the context of the wider Christian, pagan and Islamic world. It examines the challenges that shaped its identity and the masters who planned its policies.

Dr NICHOLAS MORTON is Lecturer in History at Nottingham Trent University.

The Teutonic Knights in the Holy Land, 1190-1291

Linda Clark

A Verray Parfit Praktisour

$85.00

Essays reflecting the interests and scholarship of one of our most important and influential historians.

For almost four decades Carole Rawcliffe has been a towering figure among historians of the later Middle Ages. Although now best known for her pioneering contributions to medical history, including major studies of hospitals, leprosy and public health, her published works range far more broadly to encompass among other subjects the English nobility, Members of Parliament, the regional history of East Anglia and myriad aspects of political and social interaction. The essays collected in this festschrift, written by a selection of her colleagues, friends and former students, cover a wide spectrum of themes and introduce such diverse characters as an estranged queen, a bankrupt aristocrat, a female apothecary, a flute-playing Turkish doctor and a medieval "Dad's Army" conscripted to defend England's coasts.

Linda Clark is Editor of the 1422-1504 section of the History of Parliament; Elizabeth Danbury is an Honorary Senior Research Fellow at the Institute of English Studies, School of Advanced Study, University of London, and Honorary Research Fellow at the Department of Information Studies, University College London.

Contributors: Jean Agnew, John Alban, Brian Ayers, Caroline Barron, Christopher Bonfield, Carole Hill, Peregrine Horden, Hannes Kleineke, Nicholas Vincent.

John Hines

Frisians and their North Sea Neighbours

$130.00

An investigation into the mysterious Frisians, drawing together evidence from linguistic, textual and archaeological sources.

From as early as the first century AD, learned Romans knew of more than one group of people living in north-western Europe beyond their Empire's Gallic provinces whose names contained the element that gives us modern "Frisian". These were apparently Celtic-speaking peoples, but that population was probably completely replaced in the course of the convulsions that Europe underwent during the fourth and fifth centuries. While the importance of linguisticallyGermanic Frisians as neighbours of the Anglo-Saxons, Franks, Saxons and Danes in the centuries immediately following the fall of the Roman Empire in the West is widely recognized, these folk themselves remain enigmatic, the details of their culture and organization unfamiliar to many.
The Frisian population and their lands, including all the coastal communities of the North sea region and their connections with the Baltic shores, form the focal pointof this volume, though viewed often through comparison with, or even through the eyes of, their neighbours. The essays present the most up-to-date discoveries, research and interpretation, combining and integrating linguistic, textual and archaeological evidence; they follow the story of the various Frisians through from the Roman Period to the next great period of disruption and change introduced by the Viking Scandinavians.

John Hines is Professor of Archaeology at Cardiff University; Nelleke IJssennagger is Curator of Archaeological and Medieval Collections at the Museum of Friesland.

Contributors: Elzbieta Adamczyk, Iris Aufderhaar, Pieterjan Deckers, Menno Dijkstra, John Hines, Nelleke Ijssennagger, Hauke Jöns, Egge Knol, Jan de Koning, Johan Nicolay, Han Nijdam, Tim Pestell, Peter Schrijver, Arjen Versloot, Gaby Waxenberger, Christiane Zimmermann.

Adrian Green

Economy and Culture in North-East England, 1500-1800

$130.00

A rich picture of the complexities of early industrial development in the north-east of England.

Historians increasingly emphasise that, in order to understand the industrial revolution fully as an economic, social and political process, the subject is best viewed from a regional, rather than a national, perspective. This book applies such an approach to the north-east of England in the early modern period, when, it is argued, the region experienced an early industrial revolution. Putting forward several new research findings and much new thinking, and covering many aspects of the economy of north-east England in the period, the book shows how rich and varied it was, and how vital the interplay of social, political and cultural forces was for industrial development. The book demonstrates that the economy of north-east England was not dominated by coal alone, and that previous historians' focus on 'the working class' misrepresents the full complexities of society in the period. Overall, the book has much to offer economic and social historians and historians of regional development generally, not just those interested in north-east England.

ADRIAN GREEN is Lecturer in History at Durham University. He is co-editor ofRegional Identities in North-East England, 1300-2000 (The Boydell Press, 2007).

BARBARA CROSBIE is Assistant Professor in History at Durham University, and is completing a study of The Rising Generations: AgeRelations and Cultural Change in Eighteenth-Century England.

Contributors: A. T. BROWN, JOHN BROWN, ANDY BURN, BARBARA CROSBIE, ADRIAN GREEN , MATTHEW D. GREENHALL, LINDSAY HOUPT-VARNER, GWENDA MORGAN, PETER RUSHTON, LEONA SKELTON, PETER D. WRIGHT, KEITH WRIGHTSON

Economy and Culture in North-East England, 1500-1800

Paul Watt

Ernest Newman

$95.00

Examines the genesis of Ernest Newman's major publications in the context of prevailing intellectual trends in history, criticism and biography.

Ernest Newman (1868-1959) left an indelible mark on British musical criticism in a career spanning more than seventy years. His magisterial Life of Richard Wagner, published in four volumes between 1933 and 1946, is regarded as his crowning achievement, but Newman wrote many other influential books and essays on a variety of subjects ranging from early music to Schoenberg. In this book, the geneses of Newman's major publications are examined in thecontext of prevailing intellectual trends in history, criticism and biography. Newman's career as a writer is traced across a wide range of subjects including English and French literature, evolutionary theory and biographical method, and French, German and Russian music. Underpinning many of these works is Newman's preoccupation with rationalism and historical method. By examining particular sets of writings such as composer-biographies and essays from leading newspapers such as the Manchester Guardian and the Sunday Times, this book illustrates the ways in which Newman's work was grounded in late nineteenth-century intellectual paradigms that made him a unique and at times controversial figure.

PAUL WATT is Senior Lecturer in Musicology in the Sir Zelman Cowen School of Music at Monash University.

Andrew J. Boyle

Delius and Norway

$65.00

The first detailed study of the vital role that Norway played in the life and work of Frederick Delius

This is a study of the vital role that Norway played in the life and work of Frederick Delius. Norway was a primary source of inspiration for Delius: 20 summers of his adult life were spent there, and almost 40 works express his experiences of Norwegian nature or were composed to Norwegian texts. Yet, although his attachment to Norway was at the core of his creative life, this book is the first in-depth study of the influence the country and its artists had on the composer. It includes significant new material regarding Delius's friendships with Edvard Munch, Edvard Grieg and Knut Hamsun. Previously unknown visits to Norway are detailed, as are close ties to a whole raft of Norwegian artists and political figures that have never previously been documented. For the first time, Delius's alter ego is uncovered, several mythologies regarding the composer are clarified, and the Norwegian background to some of his most well-known works is considered. The Delius that emerges from these pages is little known, even to most enthusiasts of his music: a driven and energetic personality and an artist searching for a language with which to express the existential crisis facing modern man in the early twentieth century.

ANDREW J. BOYLE is an author and musician. He gained his PhD on the music of Frederick Delius from the University of Sheffield.

Guilhem Pepin

Anglo-Gascon Aquitaine: Problems and Perspectives

$120.00

The political union between England and Gascony or Aquitaine lasted from the early thirteenth century until 1453, and the long series of Gascon Rolls in the National Archives record some of the business of Aquitaine during the union. These are currently being calendared, and this volume reflects some of the research which resulted, both on the administration and record production of the Anglo-Gascon officials, and the English government of the region.

The political union between England and Gascony or Aquitaine lasted from the early thirteenth century until 1453, and the long series of Gascon Rolls in the National Archives record some of the business of Aquitaine during the union. These are currently being calendared, and this volume reflects some of the research which resulted. The administration and record production of the Anglo-Gascon officials, and their relationship with the English, including its social and political implications is directly connected to the calendars. New light is shed on the origins of the war of Saint-Sardos in 1323, and on the recruitment recruitment of English criminals in Edward II's army when waractually broke out. From 1361 onwards, Edward prince of Wales (the Black Prince) was also prince of Aquitaine, and two essays are concerned with the period of his rule, which ended disastrously in 1369. The French campaign to retake Gascony dates from this year, and allegiances both in Gascony and in the neighbouring principalities are studied using the material in the rolls. Matters were further complicated by the great papal schism, when French and English backed different candidates for the papacy, and the political division became a religious one as well.

Guilhem Pépin received his doctorate from the University of Oxford. He is an active researcher in The Gascon Rolls Project based at the University of Southampton and has published extensively on Anglo-Gascon Aquitaine, particularly on its institutions and identity, military operations and the principality under the Black Prince.

Contributors: Robert Blackmore, Frédéric Boutoulle, Guilhem Ferrand, Simon Harris, Andy King, Françoise Lainé, Guilhem Pépin, Pierre Prétou, Nicolas Savy, Covagonda Valdaliso.

Anglo-Gascon Aquitaine: Problems and Perspectives

Karl Bell

The Legend of Spring-Heeled Jack

$75.00

An intriguing study of a unique and unsettling cultural phenomenon in Victorian England.

WINNER of the 2013 Katharine Briggs Award

NEW LOWER PRICE
This book uses the nineteenth-century legend of Spring-Heeled Jack to analyse and challenge current notions of Victorian popular cultures. Starting as oral rumours, this supposedly supernatural entity moved from rural folklore to metropolitan press sensation, co-existing in literary and theatrical forms before finally degenerating into a nursery lore bogeyman to frighten children. A mercurial and unfixed cultural phenomenon, Spring-Heeled Jack found purchase in both older folkloric traditions and emerging forms of entertainment.
Through this intriguing study of a unique and unsettling figure, Karl Bell complicates our appreciation of the differences, interactions and similarities between various types of popular culture between 1837 and 1904. The book draws upon a rich variety of primary source material including folklorist accounts, street ballads, several series of "penny dreadful" stories (and illustrations), journals, magazines, newspapers, comics, court accounts, autobiographies and published reminiscences. The Legend of Spring-Heeled Jack is impressively researched social history and provides a fascinating insight into Victorian cultures. It will appeal to anyone with an interest in nineteenth-century English social and cultural history, folklore or literature.

Karl Bell is Senior Lecturer in History at the University of Portsmouth.

Vicki Stroeher

Benjamin Britten Studies: Essays on An Inexplicit Art

$190.00

Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.

Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.

VICKI P. STROEHER is Professor of Music History at Marshall University.

JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.

Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell

Benjamin Britten Studies: Essays on An Inexplicit Art

Professor Mark Knights

The Power of Laughter and Satire in Early Modern Britain

$130.00

Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them.

This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances.
Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, andchart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period.

MARK KNIGHTS is Professor of History at the University of Warwick.

ADAM MORTON is Lecturer in the History of Britain at the University of Newcastle.

Contributors: ANDREW BENJAMIN BRICKER, MARK KNIGHTS, FIONA MCCALL, ANDREW MCRAE, ADAM MORTON, SOPHIE MURRAY, ROBERT PHIDDIAN, MARK PHILP, CATHY SHRANK.

The Power of Laughter and Satire in Early Modern Britain

Thea Tomaini

The Corpse as Text: Disinterment and Antiquarian Enquiry, 1700-1900

$120.00

Between 1700 and 1900, the subject of disinterment (exhumation) attracted the attention of antiquaries, who constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past.

Between 1700 and 1900, the sixteenth and seventeenth centuries were stereotyped, idealised, and held as a standard by which the present time could be measured. Various figures in politics, academia, and the church pointed to historical persons such as Henry VIII, Shakespeare, Charles I, and Oliver Cromwell as icons whose lives, deaths and corpses illustrated the victories of English Protestantism, the values of Monarchism (or Republicanism), and the superiority of the English culture and its language. In particular, the subject of disinterment (exhumation) attracted the attention of antiquaries. They constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. These 'texts' accompanied and enhanced the traditional texts of chronicle, literature, and epitaph.
This study explores the cooperation of ideology and aesthetic, the paradox of allure and revulsion, and the uncanny attraction to death. In each case there is a desire for the dead to speak in a contemporary voice; each historical personage becomes symbolic of larger aspects of the contemporary culture. The discourse of the noble body in death is reconfigured to validate English nationalist ideals and to establish the past as a Golden Era of unimpeachable superiority. It was not enough simply to study the lives and deaths of historical figures. Itwas necessary to disinter the corpses, engage physically with the dead, and experience the discourse of validation.

THEA TOMAINI is Associate Professor of English (Teaching) at the University of Southern California.

The Corpse as Text: Disinterment and Antiquarian Enquiry, 1700-1900

Anthony Boden

The Three Choirs Festival: A History

$60.00

Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015.

Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015. Rotating each summer between the English cathedral cities of Hereford, Gloucester and Worcester, the Festival is a week-long programme of choral and orchestral concerts, cathedral services, solo and chamber music recitals, master classes, talks, theatre and exhibitions. At the heart of the modern festival are the daily services of Choral Evensong, representing the tradition of Anglican music and liturgy, and the large-scale evening concerts featuring established favourites of the British classical choral tradition with works drawn from a broader, more international musical canvas. Many special commissions and other works, including compositions by British composers such as Jonathan Harvey, James Macmillan, Judith Bingham and John McCabe, and composers from abroad, such as Gerard Schurmann, Jackson Hill and Torsten Rasch, have received their first performances at Three Choirs.
Originally published in 1992, this revised edition bringsthe history of the oldest surviving non-competitive music festival in Britain thoroughly up to date. It traces the development of the Festival from its origins in the early eighteenth century to its tercentenary in 2015, along the way touching on many musical milestones - premieres by Parry, Elgar, Vaughan Williams, Saint-Saëns, Holst, and Howells, among others - and luminaries - Sullivan, Stanford, Dvorák, Delius, Bax, and Britten, to name but a few - associated with it. British music enthusiasts especially will find this new edition invaluable.

ANTHONY BODEN is a writer with particular interests in music and literature. In 1989 he was appointed as Administrator of theGloucester Three Choirs Festival, a post he held until his retirement in 1999. In 1995 he became the founding Chairman of the Ivor Gurney Society, of which he was elected President in 2015. His other books include Thomas Tomkins: The Last Elizabethan (2004) and The Parrys of the Golden Vale (1998).

PAUL HEDLEY is a partner in Exart Performances, an Associate Fellow at the Saïd Business School, University of Oxford, has a PhD in theoretical linguistics, and spent five years as Chief Executive of the Three Choirs Festival.

Sylvia Shorto

British Houses in Late Mughal Delhi

$95.00

Demonstrates, through an investigation of material culture, the complexity of the relationship between rulers and ruled in early nineteenth-century British India.

This book explores ambivalence in the domestic building activities of a group of East India Company officials in Delhi in the fifty years following British occupation in 1803. Arguing that houses, their location and their contentsdirectly or subliminally reveal the values and beliefs of the individuals who commissioned and lived in them, it uses houses to examine the changing ways the British manipulated power, both relating to and resisting the pre-existing spatial layout of the city. The re-use of palaces and of monumental religious structures as dwellings, as well as new houses that appeared formally classical but concealed adaptations to local ways of living, show that despitean apparent desire to maintain cultural separation, there was both complexity and contradiction in the interrelationship of the British authority and the failing Mughal polity. The book also shows how room sequencing and functiondemonstrate a lack of rigid distinction between the official and individual roles played by Company officials. Household objects have multiple meanings depending on their use and context. As the taste and choices made in these houses were primarily those of men, the book also contributes to our understanding of competing models of manhood in British India.

SYLVIA SHORTO, an independent scholar, was Associate Professor in the Department of Architecture and Design at the American University of Beirut until the end of 2017. She writes on architecture as material culture in colonial contexts, crossing scales from urban environments to individual objects contained in domesticsettings.

Professor Lorraine Byrne Bodley

Music in Goethe's Faust

$170.00

Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.

That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attractedthe attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Faust set to musicand considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting ofGoethe's Faust to Alfred Schnittke's Faust opera (1993).
This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike.

LORRAINE BYRNE BODLEY is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland.

Contributors: Mark Austin, Lorraine Byrne Bodley, NicholasBoyle, John Michael Cooper, Siobhán Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor

Robin Netherton

Medieval Clothing and Textiles 13

$95.00

The best new research on medieval clothing and textiles, drawing from a range of disciplines.

Three of the essays in this collection focus on Italy, with contributions on footwear in Lucca based on documentary evidence of the fourteenth century; aristocratic furnishings as described in a royal letter of the fifteenth century, along with its first translation into English; and Boccaccio's treatment of disguise involving Christian/Islamic identity shifts in his Decameron. The Bayeux Tapestry is discussed as a narrative artwork that adopts various costumes for semiotic purposes. Another chapter considers surviving artefacts: a detailed study of a piece of quilted fabric armour, one of two such items surviving in Lübeck, Germany, reveals how it was made and suggests reasons for some of the unusual features. The volume also includes an investigation of the commercial vocabulary related to the medieval textile and fur industries: the terms used in Britain for measuring textile and fur are listed and discussed, especially the unique use of Anglo-French "launces" in a document of 1300.

Contributors: Jane Bridgeman, Mark C. Chambers, Jessica Finley, Ana Grinberg, Christine Meek, Gale R. Owen-Crocker

Deborah Heckert

Composing History

$120.00

A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods

This study explores the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods. Its focus is on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically inflected popular entertainments. The masque operated as an "invented tradition", in the sense theorized by EricHobsbawm, and was used to connect the modern nation of Britain to its historical past. As conceptions of national identity became increasingly dependent on the image of "Merrie England" located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century.

DEBORAH HECKERT is a Lecturer at Stony Brook University and has taughtat the University of Virginia, Utah State University, and Brooklyn College-CUNY.

Mark Hagger

Norman Rule in Normandy, 911-1144

$240.00

A magisterial survey of Normandy from its origins in the tenth century to its conquest some two hundred years later.

In around 911, the Viking adventurer Rollo was granted the city of Rouen and its surrounding district by the Frankish King Charles the Simple. Two further grants of territory followed in 924 and 933. But while Frankish kings mightgrant this land to Rollo and his son, William Longsword, these two Norman dukes and their successors had to fight and negotiate with rival lords, hostile neighbours, kings, and popes in order to establish and maintain their authority over it.
This book explores the geographical and political development of what would become the duchy of Normandy, and the relations between the dukes and these rivals for their lands and their subjects' fidelity. It looks, too, at the administrative machinery the dukes built to support their regime, from their toll-collectors and vicomtes (an official similar to the English sheriff) to the political theatre of their courts and the buildings in which they were staged. At the heart of this exercise are the narratives that purport to tell us about what the dukes did, and the surviving body of the dukes' diplomas. Neither can be taken at face value, and both tell usas much about the concerns and criticisms of the dukes' subjects as they do about the strength of the dukes' authority. The diplomas, in particular, because most of them were not written by scribes attached to the dukes' households but rather by their beneficiaries, can be used to recover something of how the dukes' subjects saw their rulers, as well as something of what they wanted or needed from them. Ducal power was the result of a dialogue, and this volume enables both sides to speak.

Mark Hagger is a senior lecturer in medieval history at Bangor University.

Michel Balard

The Sea in History - The Medieval World

$220.00

An assessment of how important the sea was in the middle ages.

How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development.
The Sea in History - The Medieval World covers the period from the end of the Roman Empire in the West up to around the year 1500. It demonstrates that for many peoples and states in this period the sea was central to theirexistence - the Vikings, the Hanse, Venice, Genoa, the Normans - and it shows also how important the sea was for states which are not normally thought of as maritime powers, such as Byzantium, the Crusader states and the Mongol Empire. The book is global in its coverage, including material on East and Southeast Asia, Latin America and the Caribbean and Africa, with particularly interesting material on China's extensive voyages of exploration in the fifteenth century, the role of the Vikings in the early formation of Russia, and on the building of ships, appropriate to local conditions, in different parts of the world.

40 of the contributions are in English; 34 are inFrench.

MICHEL BALARD is Emeritus Professor at the University Paris 1 - Panthéon Sorbonne. CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

Philip de Souza, Pascal Arnaud, Christian Buchet

The Sea in History - The Ancient World

$220.00

An assessment of how important the sea was in the development of the ancient world.

How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development.
The Sea in History - The Ancient World ranges very widely in its coverage, beginning with pre-historical maritime activity and going on to cover not only the classical Greek and Roman Mediterranean and Near Eastern worlds but also Africa, Asia and the Americas. Fascinating subjects covered include the migration of the Taíno people in the pre-historic Caribbean, the Athenian maritime empire at its height, the port of Alexandria in classical times, andships, sailors and kingdoms in ancient Southeast Asia.

25 of the contributions are in English; 18 are in French.

PHILIP DE SOUZA is Associate Professor of Classics at University College Dublin.

PASCAL ARNAUD is Professor of the History of the Roman World at the University of Lyon II, Senior Fellow at Institut Universitaire de France and co-director of the ERC-funded Grant Portus-Limen. CHRISTIAN BUCHET is Professor ofMaritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

Joan Abela

Hospitaller Malta and the Mediterranean Economy in the Sixteenth Century

$130.00

Demonstrates that Malta was much more than a military strongpoint in the Christian-Muslim divide but rather a major centre of international exchange.

Malta in the sixteenth century is usually viewed in military terms: the great bulwark of Christendom against Islam, the island ruled by the crusader Knights of St John - the Hospitallers - with its vast fortifications and its famous siege of 1565. This book, however, which examines the development of the economy of Malta and its place in the wider Mediterranean economy in the period, paints a much more complex picture. It shows how Malta was the hub of alarge, complicated trading network, with Christians of various denominations, as well as Jews and Muslims, participating in commercial activity, and with well-developed instruments of trade and commercial law in place to supportthis network. It demonstrates that trade was not just in grain, a necessary commodity for Malta as a barren island with insufficient agriculture, but in a much wider range of goods, including even the sale and ransom of slaves. The book pays particular attention to the important commercial role of women, to safe conducts, which enabled Christians to trade in Muslim lands and vice versa, and to credit arrangements, which facilitated payments, even across the Christian-Muslim divide. Overall, rather than a key strong-point in a closed frontier, Malta is shown to have been a major centre of international exchange.

JOAN ABELA is Senior Lecturer in the Legal History and Methodology Department at the University of Malta, President of the Notarial Archives Resource Council and past Secretary of the Malta Historical Society. She was the winner of the 2014 Boydell and Brewer Prize for the best doctoral thesis in maritime history.

Cover image for Hospitaller Malta and the Mediterranean Economy in the Sixteenth Century, isbn: 9781783272112

David Charlton

The Music of Simon Holt

$170.00

Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015.

British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano musicand opera. Holt is a composer who demands unusual commitment from his interpreters - the intricate sound-worlds he creates often contain complex, rich textures, offset by 'still centres' - for the purpose of making music which speaks with extraordinary power.
Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt's work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt's inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt's compositions, drawn up together with the composer. It reveals that the last twenty years have seen no slowing-up in his rate of creative production, notwithstanding that the nature of his writing has changed during this time.
DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London.

Contributors: JULIA BARDSLEY, DAVID BEARD, DAVID CHARLTON, THIERRY FISCHER, ANTHONY GILBERT, STEPHEN GUTMAN, MELINDA MAXWELL, RICHARD MCGREGOR, STEPH POWER, PHILIP RUPPRECHT, SIMON SPEARE, REBECCA THUMPSTON, EDWARD VENN

Diana Walters

Heritage and Peacebuilding

$130.00

Case-studies of whether and how heritage can be used to bring about reconciliation.

This volume explores one of the most critical issues of our time: whether heritage can contribute to a more peaceful society and future. It reflects a core belief that heritage can provide solutions to reconciling peoples and demonstrates the amount of significant work being carried out internationally. Based round the core themes of new and emerging ideas around heritage and peace, heritage and peace-building in practice, and heritage, peace-building andsites, the twenty contributions seek to raise perceptions and understanding of heritage-based peace-building practices. Responding to the emphasis placed on conflict, war and memorialization, they reflect exploratory yet significant steps towards reclaiming the history, theory, and practice of peacebuilding as serious issues for heritage in contemporary society. The geographical scope of the book includes contributions from Europe, notably the Balkans andNorthern Ireland, the Middle East, and Kenya.

Diana Walters is an International Heritage Consultant and Honorary Senior Research Fellow at the University of Exeter; Daniel Laven is Associate Professor of Human Geography, Department of Tourism Studies and Geography/European Tourism Research Institute (ETOUR), Mid Sweden University; Peter Davis is Emeritus Professor of Museology, Newcastle University. Contributors: Tatjana Cvjeticanin, PeterDavis, Jonathan Eaton, David Fleming, Seth Frankel, Timothy Gachanga, Alon Gelbman, Felicity Gibling, Will Glendinning, Elaine Heumann Gurian, Lejla Hadzic, Feras Hammami, Lotte Hughes, Bosse Lagerqvist, Daniel Laven, Bernadette Lynch, Elena Monicelli, Yongtanit Pimonsathean, Saleem H. Ali, Sultan Somjee, Peter Stone, Michèle Taylor, Peter van den Dungen, Alda Vezic, Jasper Visser, Diana Walters.

Nigel Bryant

The Song of Bertrand du Guesclin

$190.00

Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him.

Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur.
His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English.
Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis.

NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chrétien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.

Michael Braddick

Popular Culture and Political Agency in Early Modern England and Ireland

$130.00

An outstanding collection, bringing together some of the leading historians of this period with some of the field's rising stars, which examines key issues in popular politics, the negotiation of power, strategies of legitimation,and the languages of politics.

One of the most notable currents in social, cultural and political historiography is the interrogation of the categories of 'elite' and 'popular' politics and their relationship to each other, as well as the exploration of why andhow different sorts of people engaged with politics and behaved politically. While such issues are timeless, they hold a special importance for a society experiencing rapid political and social change, like early modern England.No one has done more to define these agendas for early modern historians than John Walter. His work has been hugely influential, and at its heart has been the analysis of the political agency of ordinary people. The essays in thisvolume engage with the central issues of Walter's work, ranging across the politics of poverty, dearth and household, popular political consciousness and practice more broadly, and religion and politics during the English revolution. This outstanding collection, bringing together some of the leading historians of this period with some of the field's rising stars, will appeal to anyone interested in the social, cultural and political history of early modern England or issues of popular political consciousness and behaviour more generally.

MICHAEL J. BRADDICK is professor of history at the University of Sheffield. PHIL WITHINGTON is professor of history at the Universityof Sheffield.

CONTRIBUTORS: Michael J. Braddick, J. C. Davis, Amanda Flather, Steve Hindle, Mark Knights, John Morrill, Alexandra Shepard, Paul Slack, Richard M. Smith, Clodagh Tait, Keith Thomas, Phil Withington, Andy Wood, Keith Wrightson.

Popular Culture and Political Agency in Early Modern England and Ireland

Michelle Brown

Graphic Devices and the Early Decorated Book

$95.00

Examinations of the use of diagrams, symbols etc. found as commentary in medieval texts.

In our electronic age, we are accustomed to the use of icons, symbols, graphs, charts, diagrams and visualisations as part of the vocabulary of communication. But this rich ecosystem is far from a modern phenomenon. Early medievalmanuscripts demonstrate that their makers and readers achieved very sophisticated levels of "graphicacy". When considered from this perspective, many elements familiar to students of manuscript decoration - embellished charactersin scripts, decorated initials, monograms, graphic symbols, assembly marks, diagrammatic structures, frames, symbolic ornaments, musical notation - are revealed to be not minor, incidental marks but crucial elements within the larger sign systems of manuscripts.
This interdisciplinary volume is the first to discuss the conflation of text and image with a specific focus on the appearance of various graphic devices in manuscript culture. By looking attheir many forms as they appear from the fourth century to their full maturity in the long ninth century, its contributors demonstrate the importance of these symbols to understanding medieval culture.

Michelle P. Brown FSA is Professor Emerita of Medieval Book History at the School of Advanced Study, University of London and was formerly the Curator of Illuminated Manuscripts at the British Library; Ildar Garipzanov is Professor of Early Medieval History at the Department of Archaeology, Conservation and History at the University of Oslo; Benjamin C. Tilghman is Assistant Professor of Art History at Washington College.

Contributors: Tina Bawden, Michelle P.Brown, Leslie Brubaker, David Ganz, Ildar H. Garipzanov, Cynthia Hahn, Catherine E. Karkov, Herbert L. Kessler, Beatrice Kitzinger, Kallirroe Linardou, Lawrence Nees, Eric Palazzo, Benjamin C. Tilghman.

Graphic Devices and the Early Decorated Book

Marc D. Moskovitz, R. Larry Todd

Beethoven's Cello: Five Revolutionary Sonatas and Their World

$39.95

Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.

Winner of the 2018 CHOICE Outstanding Academic Title Award

In 1796 the young Beethoven presented his first two cello sonatas, Op. 5, at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style.
In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural contexts. Also addressed arethe three variation sets and, in a series of interludes, the cellos owned by Beethoven, the changing nature of his pianos, the cello-centric 'Triple' Concerto and the arrangements for cello and piano of other works. Featuring a preface by renowned cellist Steven Isserlis and concluding with the reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.

MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. He has recorded the music of virtuoso cellists David Popperand Alfredo Piatti for the VAI label, and his American premiere of Zemlinsky's Cello Sonata was heralded by the Washington Post as 'an impassioned performance'. Moskovitz has contributed to the New Grove Dictionary of Music and Musicians; and his biography, Alexander Zemlinsky: A Lyric Symphony, was published by Boydell & Brewer in 2010.

Recognized as 'Mendelssohn's most authoritative biographer' (The New Yorker), R. LARRY TODD is Arts and Sciences Professor at Duke University. He is the author of Mendelssohn: A Life in Music, named Best Biography in 2003 by the Association of American Publishers, and Fanny Hensel: The Other Mendelssohn, awarded the ASCAP Nicholas Slonimsky Award for outstanding biography in music. As a pianist, he has recorded with Nancy Green the complete cello works of Mendelssohn and Fanny Hensel for JRI Recordings.

Beethoven's Cello: Five Revolutionary Sonatas and Their World

Michael Maul

Bach's Famous Choir

$95.00

The musical, social and political history of the renowned St Thomas School and Church

In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall?
The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caughtbetween the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system.
Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be ofinterest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice.

MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.

Natasha Loges

Brahms and His Poets

$95.00

Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music.

Johannes Brahms's much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.A substantial introduction explores the multiple meanings song-poetry held for Brahms and challenges the widely held opinion that he responded only to the general mood of a poem. It is followed by alphabetically organised essays on the forty-six poets whose verses he set. Each summarises the settings, Brahms's links to the poet, interconnections between the poets, and offers further context situating the poet within a wider literary, cultural and politicallandscape. The poets are revealed to be part of a deeply collegial cultural community of which Brahms was an active part.
Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a wayof understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs.

NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.

Beatrice Moring, Richard Wall

Widows in European Economy and Society, 1600-1920

$130.00

A deeply researched and geographically wide-ranging study that reveals that widows were much more economically and socially active than is often thought.

2017 CHOICE Outstanding Academic Title

"A terrific piece of work". JANE HUMPHRIES, Professor of Economic History and Fellow of All Souls College, University of Oxford

Widows are often viewed as being marginalised in society, struggling to make a living and in need of financial and other support. However, as this extensively researched and wide-ranging book reveals, widows did, in fact, engage very effectively in economic activity, often being in charge of families, households and commercial enterprises. The book outlines how extensive widowhood was; examines the provisions made for the support of widows, including in the form of marriage contracts, dowries andcharitable assistance; and provides numerous examples of widows being economically active, paying their way and involving themselves energetically in society - one notable example being Barbe-Nicole Clicquot, who established a very successful company producing La Veuve Clicquot champagne. Using statistical analysis and individual case studies, the book contrasts the situation in different parts of Europe, and between rural and urban areas, and shows how provision for widows both in law and in practice evolved over time. Overall, it contributes a great deal to women's history, helping to correct the image that women were victims of male society, and to family history, showing thatexceptions to the "ideal" nuclear family were very common.

BEATRICE MORING is Associate Professor in the Department of Political and Economic Studies at the University of Helsinki.

RICHARD WALL was a Senior Research Fellow in the Department of History at the University of Essex.

Widows in European Economy and Society, 1600-1920

Sara Slinn

The Education of the Anglican Clergy, 1780-1839

$130.00

This study of recruitment to the ministry of the Church of England in the late eighteenth and early nineteenth centuries overturns many long-standing assumptions about the education and backgrounds of the clergy in late HanoverianEngland and Wales.

This study of recruitment to the ministry of the Church of England in the late eighteenth and early nineteenth centuries overturns many long-standing assumptions about the education and backgrounds of the clergy in late HanoverianEngland and Wales. It offers insights into the nature and development of the profession generally and into the role that individual bishops played in shaping the staffing of their dioceses. In its exploration of how it was possible for boys of relatively humble social origins to be promoted into the pulpits of the established Church, it throws light on mechanisms of social mobility and shows how aspirant clergy went about fashioning a credible social andprofessional identity.
By examining how would be clergymen were educated and professionally formed, the book shows that, alongside the well-known route through the universities, there was an alternative route via specialist grammar schools. Prospective ordinands might also seek out clerical tutors to help them to study for the academic parts of ordination exams and to prepare for the spiritual and pastoral aspects of their role. These alternativemethods of ordination preparation were sometimes under the cognizance of bishops, and occasionally under their control, but they were generally authored by parish clergy and were small-scale, self-supporting, bottom-up solutions to the needs of upcoming generations of clergy.
This book has much to interest historians of religion, culture, class and education, and illustrates how in-depth prosopographical study can offer fresh perspectives.

SARA SLINN is Research Fellow at the School of History & Heritage, University of Lincoln.

The Education of the Anglican Clergy, 1780-1839

Edgar Vincent

A.E. Housman

$60.00

A.E. Housman (1859-1936) was an English classical scholar and poet who had an enormous influence on many British poets and musicians.

A.E. Housman (1859-1936) was both a celebrated poet and the foremost classicist of his day. His poetry was set to music by numerous composers including Arthur Somervell, Ralph Vaughan Williams, George Butterworth, Ivor Gurney, John Ireland and Samuel Barber. Housman's painstaking vocation, to restore classical manuscripts by correcting textual errors, took up virtually the whole of his working life. A seemingly inaccessible, aloof man, he never set out tobe a professional poet, yet poetry poured out of him and became his monument.
His renowned A Shropshire Lad and Last Poems were born of an inner crisis, sparked by a profound but unreciprocated attachment fora fellow undergraduate. To be sexually different in the time of Oscar Wilde was to invite ostracism and disgust. This fact, allied with his secretiveness and penchant for irony, reinforced his reticence on personal matters. Untilnow, he has remained a hidden personality, held in the public mind as prim and grim.
This biography reveals by contrast a man of many facets, one companionable in small groups, generous to a fault, and always on the lookout for humour and fun; a master of English prose; a witty and compelling after-dinner speaker; an occasional writer of nonsense verse; a frequenter of the music hall; an intrepid early traveller by air; and a connoisseur of food and wine. Drawing on Housman's published letters and on 81 significant new finds, Edgar Vincent conjures up a new Housman, created out of his reactions to the events of his life as he experienced them. It weaves together his scholarly life and the biographical elements in his poetry to examine his emotional and sexual needs with dispassion and empathy and to uncover his hidden sensibilities and creative world.

EDGAR VINCENT read English at St Catherine's College, Oxford. Following Oxford he was commissioned in the Navy, spending most of his time with the Royal Marines. Subsequently he worked for Imperial Chemical Industries for thirty years. He then fulfilled a life-longambition to write his book Nelson: Love & Fame, published by Yale University Press in 2003. The book was shortlisted for the BBC 4 Samuel Johnson Prize for non-fiction, was a New York Times Notable Book and was named one ofAtlantic Monthly's Books of the Year.

Evan Wilson

A Social History of British Naval Officers, 1775-1815

$130.00

Who were the men who officered the Royal Navy in Nelson's day?

This book explores the world of British naval officers at the height of the Royal Navy's power in the age of sail. It describes the full spectrum of officers, from commissioned officers to the unheralded but essential members of every ship's company, the warrant officers. The book focusses on naval officers' social status and its implications for their careers. The demands of life at sea conflicted with the expectations of genteel behaviour and backgroundin eighteenth-century Britain, and the ways officers grappled with this challenge forms a key theme. Drawing on a large database of more than a thousand officers, the book argues that, contrary to the prevailing view, officers were mostly from the middling sort, not the landed elite. It shows how the navy attracted hordes of hopeful commissioned officers, how unemployment was common for the majority even in wartime, and how only a select group managed to gain promotion to post-captain. The book corrects our understanding of the men who lived and served in the wardrooms of the Royal Navy and refocusses our attention away from those who won fame and fortune and onto ordinary naval officers.

EVAN WILSON is Associate Director of International Security Studies and Lecturer in History at Yale University.

A Social History of British Naval Officers, 1775-1815

Andrew D. Buck

The Principality of Antioch and its Frontiers in the Twelfth Century

$130.00

An investigation into how Antioch maintained itself as an independent principality during a period of considerable challenges.

Situated in northern Syria, on the eastern-most frontier of Latin Christendom, the principality of Antioch was a medieval polity bordered by a host of rival powers, including the Byzantine Empire, the Armenian Christians of Cilicia, the rulers of the neighbouring Islamic world and even the other crusader states, the kingdom of Jerusalem and the counties of Edessa and Tripoli. Coupled with the numerous Christian, Muslim and Jewish communities who populatedthe region, Antioch's Frankish settlers - initially installed into power by the military successes of the First Crusade - thus faced numerous challenges to their survival.
This book examines how the ruling elites of the principality sought to manage these competing interests in order to maintain Antioch's existence during the troubled twelfth century, particularly following the death of Prince Bohemond II in 1130. His demise helped to spark renewed interest from Byzantium and the kingdom of Jerusalem, and came at a time of both Islamic resurgence under the Zengids of Aleppo and Mosul, as well as Armenian power growth under the Rupenids. An examination of Antioch's diplomatic and military endeavours, its internal power structures and its interaction with indigenous peoples can therefore help to reveal a great deal about how medieval Latins adapted to the demands of their frontiers.

ANDREW BUCK is an Associate Lecturer at Queen Mary University of London, from where he received his PhD in 2014.

The Principality of Antioch and its Frontiers in the Twelfth Century

Alexander D. Campbell

The Life and Works of Robert Baillie (1602-1662)

$130.00

First full study of the life and career of the Glaswegian minister Robert Baillie, establishing his significance and influence.

From 1637 to 1660, the Scots witnessed rapid and confused changes in government and violent skirmishing, whilst impassioned religious disputes divided neighbours, friends and family. One of the most vivid accounts of this period may be found in the letters of the Glaswegian minister, Robert Baillie; but whilst his correspondence has long featured in historical accounts of the period, the man behind these writings has largely been forgotten.
This biography draws together for the first time an analysis of Baillie's career and writings, establishing his significance as a polemicist, minister, theologian, and contemporary historian. It is based on the first, systematic reading ofBaillie's extensive surviving manuscripts, comprising thousands of leaves of correspondence, treatises, sermons, and notebooks. Chapters address Baillie's writings on monarchy, church government, Reformed theology, liturgical change, Biblical scholarship, and Baillie's practice of record-keeping. Overall, the book challenges prevalent understandings of the intellectual landscape of Covenanted Scotland, situating Baillie and his contemporaries on the peripheries of a dynamic, European Republic of Letters.

Alexander D. Campbell is Social Sciences and Humanities Research Council of Canada Post-Doctoral Fellow, Queen's University, Canada.

The Life and Works of Robert Baillie (1602-1662)

Jonathan Fitzgibbons

Cromwell's House of Lords

$130.00

The final years of the Cromwellian Protectorate are usually written off as a brief interlude on the inevitable road to Restoration. This book galvanises this forgotten period of Interregnum studies by providing the first thoroughstudy of the Cromwellian 'Other House' - a new upper parliamentary chamber of nominated life peers created in 1657.

Despite the execution of Charles I and the establishment of a kingless republic, the period of the English Civil Wars and their aftermath is rarely described as one of constitutional revolution. The notion that the 1650s were politically conservative is exemplified by the tendency of historians to fixate upon the offer of kingship to Oliver Cromwell and his increasingly monarchical appearance. This book rethinks the political history of the 1640s and 1650sby focusing instead upon the upper parliamentary chamber. Besides exploring changing attitudes towards the House of Lords during the Civil Wars, and the circumstances that led to its abolition in 1649, it provides the first thorough study of the Cromwellian "Other House" - a new upper parliamentary chamber of nominated life peers created in 1657. Jonathan Fizgibbons demonstrates how the Other House was much more integral to Cromwell's aims for a lasting post-war settlement than the offer of the Crown. More broadly, this book reconceptualises the political and constitutional history of the 1640s and 1650s by looking beyond outward forms of government and visual culture. It argues that radical shifts in political thought were concealed by apparent continuities in forms of government. Even though the new Cromwellian upper chamber had the familiar appearance of a House of Lords, the very meaning of the House of Lords was contested and transformed by the experience of the Civil Wars and their aftermath.

JONATHAN FITZGIBBONS is Lecturer in Early Modern History at the University of Lincoln.

Clare Brant

Balloon Madness

$39.95

In this sparkling account, Brant uses the brief moment of balloon madness as a way into a wide-ranging exploration of Enlightenment sensibility in Britain.

All the world is mad about balloons observers recorded during the craze in Britain that lasted from 1783 to 1786. Excitement about the new invention spread rapidly, inspiring hopes, visions, fashions, celebrations, satires, imaginary heroics and real adventures. In this sparkling account, Brant uses the brief moment of balloon madness as a way into a wide-ranging exploration of Enlightenment sensibility in Britain.

She follows the craze as it travelled around the country, spread through crowds and shaped the daily lives and dreams of individuals. From the levity of fashion, political satire and light verse inspired by balloons, she shows how wonders of air and speed alsoconnected with the deeper preoccupations and anxieties of eighteenth-century Britain. An aerial 'view from above' provided new moral perspectives on the place of humans in the universe and the nature of their aspirations; while the success of the French, leaders in aeronautics, unsettled national identity with visions of a new world order.

The practical limitations of balloons soon put an end to one set of possibilities, but their effect on popularculture was more enduring, with meaning even today. With a cast including kings, politicians, charlatans, pickpockets, the beau monde, duellists and animals, Balloon Madness celebrates the excitement and fun of this briefbut world-changing episode of history and its long afterlife in our imagination.

CLARE BRANT is Professor of Eighteenth-Century Literature and Culture at King's College London.

David Simpkin

The English Aristocracy at War

$120.00

A new appraisal of the military careers and activities of soldiers from elite medieval families.

In 1277 the recently crowned king of England, Edward I, invaded Wales; his army, large for the time, was none the less modest by his later standards. Most of his countrymen had not been on active service outside the realm for twenty years and more, if at all, yet over the course of the following four decades, up to the battle of Bannockburn in 1314, they would be called upon to fight in four different theatres of war: in Wales, Gascony, Flanders and Scotland.
Although the identities of many of the men who fought in these wars, particularly those of the thousands of peasant foot soldiers, will never be known, the names of a large proportion of the men-at-arms can be located inthe records of central government. This book utilises these sources - pay-rolls, horse inventories, wardrobe books and others - to examine the military careers and activities of these men-at-arms, focusing on five main themes: mobilisation; military command; service patterns among the gentry; retinues and their composition; and 'feudal' service.

Dr DAVID SIMPKIN is Research Associate at the University of Reading.

Rachel Moore

Performing Propaganda: Musical Life and Culture in Paris during the First World War

$120.00

In the First World War, civilian life played a fundamental part in the war effort; and music was no exception.

Performing Propaganda looks at musical life in Paris during the First World War. This conflict was one in which civilian life played a fundamental part in the war effort; and music was no exception. The book examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. It situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. Drawing on a diverse range of archival material, including concert and operatic programmes, the musical and daily press, documents detailing government involvement in musical activity, and police records, it explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. This book will be of interest to musicologists, to cultural historians working on early twentieth-century France, and to scholars of the First World War,as well as to a more general readership with an interest in music during times of adversity.

RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.

Performing Propaganda: Musical Life and Culture in Paris during the First World War

Jonathan Arnold

Music and Faith

$49.95

How do contemporary audiences engage with sacred music and what are its effects?

This book explores examples of how the Christian story is still expressed in music and how it is received by those who experience that art form, whether in church or not. Through conversations with a variety of writers, artists, scientists, historians, atheists, church laity and clergy, the term post-secular emerges as an accurate description of the relationship between faith, religion, spirituality, agnosticism and atheism in the west today. In this context, faith does not just mean belief; as the book demonstrates, the temporal, linear, relational and communal process of experiencing faith is closely related to music.
Music and Faith is centred on those who, by-and-large, are not professional musicians, philosophers or theologians, but who find that music and faith are bound up with each other and with their own lives. Very often, as the conversations reveal, the results of this 'binding' are transformative, whether it be in outpourings of artistic expression of another kind, or greater involvement with issues of social justice, or becoming ordained to serve within the Church. Even those who do not have a Christianfaith find that sacred music has a transformative effect on the mind and the body and even, to use a word deliberately employed by Richard Dawkins, the 'soul'.

JONATHAN ARNOLD is Dean of Divinity and Fellow of MagdalenCollege, Oxford. Before being ordained, he was a professional singer and made numerous recordings with The Sixteen, Polyphony, the Gabrielli Consort and The Tallis Scholars, among others. He has previously published Sacred Music in Secular Society (2014), The Great Humanists: An Introduction (2011) and John Colet of St. Paul's: Humanism and Reform in Pre-Reformation England (2007).

Jia Wei

Commerce and Politics in Hume's History of England

$120.00

Illuminates the relationship between Hume the political thinker, Hume the historian, and Hume the political economist and highlights the social, economic and institutional changes which he wove into an innovative theory of causation

David Hume's six-volume History of England: From the Invasion of Julius Caesar to the Revolution in 1688 (1754-61) is probably his most important work as a constitutional historian and political theorist. Jia Wei's book shows that the History can be understood in two ways: firstly, as Hume's own narrative of England's state formation, and secondly, as his answer to the question of how eighteenth-century Britain could cope with the challengesof commercial revolution. It illuminates the relationship between Hume the political thinker, Hume the historian, and Hume the political economist and highlights the social, economic and institutional changes which he wove into aninnovative theory of causation.
The first part of the book considers Hume's account of the fundamental rationale of maritime trade and England's unique approach to liberty in the modern era. The second part looks at his views concerning the profound impact of maritime trade on English politics. From his perspective, the problem of how to cope with the challenges posed by the commercial revolution in eighteenth-century Britain was closely linked tothe question of how transoceanic trade had fundamentally recast English politics from the sixteenth century onwards. This study shows how these two narratives were interwoven into Hume's History and will be of interest to scholars and students not only of David Hume and political theory but of historiography, eighteenth-century British history and Enlightenment studies.

JIA WEI received her PhD from the University of Cambridge.

Commerce and Politics in Hume's <I>History of England</I>

Graham Sadler

The Rameau Compendium

$105.00

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764)

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular,the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau'stheoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information.

GRAHAM SADLER is Professor Emeritus at the University of Hull, Research Professor at Birmingham Conservatoire and Research Fellow at the University of Oxford. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.

Edited by Richard Barber

The Marlborough Mound

$65.00

The Marlborough Mound has recently been recognised as one of the most important monuments in the group around Stonehenge. It was also a medieval castle and a feature in a major 17th century garden. This is the first comprehensive history of this extraordinary site.

Marlborough Mound, standing among the buildings of Marlborough College, has attracted little attention until recently. Records showed it to be the motte of a Norman castle, of which there were no visible remains. The local historians and archaeologists who had investigated it had found very little in the way of archaeological evidence beyond a few prehistoric antler picks, the odd Roman coin, and a scatter of medieval pottery.
It was to be archaeology which provided the most dramatic discovery after the Mound Trust began to restore the mound in 2003. English Heritage were investigating Silbury Hill, and arranged to take cores from the Mound for dating purposes. The results were remarkable, as they showed that the Mound was almost a twin of Silbury Hill and therefore belonged to the extraordinary assembly of prehistoric monuments centred on Stonehenge.
For the medieval period, this book brings together for the ﬁrst time all that we know about the castle from the royal records and from chronicles. These show that it was for a time one of the major royal castles in the land. Most of the English kings from William I to Edward III spent time here. For Henry III and his queen Eleanor of Provence, it was their favourite castle after Windsor. It marks the end of the ﬁrst stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research.
As to its ﬁnal form as a garden mound next to the house of the dukes of Somerset, in the eighteenth century, this emerges from letters and even poems, and from the recent restoration. Much of this has been slow and painstaking work, however, involving the removal of the trees which endangered the structure of the Mound, the recutting of the spiral path and the careful replanting of the whole area with suitable vegetation. By doing this, the shape of the Mound as a garden feature has re-emerged, and can now be seen clearly.
This book marks the end of the ﬁrst stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research.

Leif Inge Ree Petersen

Journal of Medieval Military History

$120.00

Essays on strategic thinking and practice in medieval warfare.

This special edition of the Journal aims to respond to the lively debate in recent years as to whether medieval military history was characterized by particular types of strategy, be it Grand, Vegetian or Battle-Seeking. Itbrings together many of the pre-eminent military historians active today to examine a number of cases that display the complexity and diversity of strategic realities, as well as exploring new models and methodological avenues inevaluating medieval strategies. Material ranges chronologically from the late Roman Empire to the late Middle Ages, and geographically from the Baltic and the British Isles to Iberia and the Crusader States, while the topics explored include the Viking Wars, the English long bow, and the economies of conquest.

LEIF INGE REE PETERSEN is Associate Professor of Late Antique and Early Medieval History at the Norwegian University of Science and Technology, Trondheim; MANUEL ROJAS GABRIEL is Professor of Medieval History at the University of Extremadura, Cáceres.

Contributors: Richard Abels, Bernard S. Bachrach, Matthew Bennett, John France, Luis García-Guijarro Ramos, John Gillingham, Dolores Oliva García, Leif Inge Ree Petersen, Manuel Rojas Gabriel.

Keith Stringer

Northern England and Southern Scotland in the Central Middle Ages

$170.00

First full-length survey of the fluid relationship between these two areas at a time of rapid change.

This book provides the first comprehensive analysis of the development of northern England and southern Scotland in the formative era of the twelfth and thirteenth centuries. How did "middle Britain" come to be divided between twoseparate unitary kingdoms called "England" and "Scotland"? How, and how differently, was government exercised and experienced? How did people identify themselves by their languages and naming practices? What major themes can be detected in the development of ecclesiastical structures and religious culture? What can be learned about the rural and the emerging urban environments in terms of lordly exploitation and control, settlement patterns and how the landscape itself evolved? These are among the key questions addressed by the contributors, who bring to bear multi-faceted approaches to medieval "middle Britain". Above all, by pursuing similarities and differences from a comparative "transnational" perspective it becomes clearer how the "old" interacted with the "new", what was exceptional and what was not, and how far the histories of northern England and southern Scotland point to common or not so commonfoundations and trajectories.

KEITH STRINGER is Professor Emeritus of Medieval British History at Lancaster University; ANGUS WINCHESTER is Professor Emeritus of Local and Landscape History at Lancaster University.

Contributors: Richard Britnell, Dauvit Broun, Janet Burton, David Ditchburn, Philip Dixon, Piers Dixon, Fiona Edmonds, Richard Oram, Keith Stringer, Chris Tabraham, Simon Taylor, Angus J.L. Winchester.

Northern England and Southern Scotland in the Central Middle Ages

Lisa Jakelski, Nicholas Reyland

Lutoslawski's Worlds

$85.00

Witold Lutoslawski (1913-1994) was one of the most important composers of the twentieth century. His significance extends far beyond his native Poland: his classical music was premiered by internationally renowned performers likethe LaSalle Quartet and Krystian Zimerman, and his symphonies, concertante, chamber, instrumental and vocal music are produced by the leading labels of the recording industry. Lutoslawski's vita is just as captivating as his compositionally path-breaking music. He lived through the Second World War and brutal German oppression of Poland, negotiated the challenges of Soviet influence and fluctuating local politics during Poland's post-war transition to communism, and finally strove for a new voice in the post-Stalin Thaw of the mid-1950s.
Lutoslawski's Worlds is a landmark volume which looks at the multi-faceted spheres that informed the composer's life and works andrepresents a new departure in the study of his music. Throughout his life, he steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention tothe many other spheres of creative activity - popular music, theatre music, film scoring, propaganda music, and educational music - that occupied him. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music.
LISA JAKELSKI is Associate Professor of Musicology at the Eastman School of Music, University of Rochester.

NICHOLAS REYLAND is Head of Undergraduate Programmes at the Royal Northern College of Music.

Contributors: STANISLAW BEDKOWSKI, ANDREA F. BOHLMAN, DANUTA GWIZDALANKA, LISA JAKELSKI, MICHAEL L. KLEIN, IWONA LINDSTEDT, WIOLETA MURAS, KATARZYNA NALIWAJEK-MAZUREK, NICHOLAS REYLAND, ZBIGNIEW SKOWRON, STEVEN STUCKY, ADRIAN THOMAS, DAVID TOMPKINS, LISA COOPER VEST

Andrew Spencer

Thirteenth Century England XVI

$120.00

Fruits of the most recent research into the "long" thirteenth century.

The idea of uncertainty forms a major theme throughout the essays collected here; they tackle aspects of religious, intellectual, political and social history, highlighting how uncertainty, in many and varied forms, was conceptualized, negotiated and exploited in the particular conditions of the long thirteenth century. A number of the contributions explore understandings of the cosmos and personal salvation, probing the search for certainties on the partof ecclesiastical reformers, practitioners of scriptural exegesis and writers of confessional handbooks; there is also an investigation of the exploitation of ambiguities around the fate of excommunicates. Other pieces turn to politics and society, examining strategies of political legitimation and resistance, the unstable politics of identity, gendered experience and means used to regulate social order. As a whole, the collection thus opens up diverse perspectives on, and approaches to, the experience of uncertainty during a period of rapid and often disorienting change.

Andrew M. Spencer is an Affiliated Lecturer in Medieval History at Cambridge University and a Fellowof Murray Edwards College; Carl Watkins is University Senior Lecturer in Central Medieval History at Cambridge University.

Contributors: Emily Corran, Kenneth Duggan, Lucy Hennings, Felicity Hill, Adrian Jobson, Frédérique Lachaud, Amanda Power, Jessica Nelson, Andrew Spencer, Alice Taylor,

Rhianydd Biebrach

Church Monuments in South Wales, c.1200-1547

$85.00

The first full-scale study of the medieval funerary monuments of South Wales.

South Wales is an area blessed with an eclectic, but largely unknown, monumental heritage, ranging from plain cross slabs to richly carved effigial monuments on canopied tomb-chests. As a group, these monuments closely reflect theturbulent history of the southern march of Wales, its close links to the West Country and its differences from the 'native Wales' of the north-west. As individuals, they offer fascinating insights into the spiritual and secular concerns of the area's culturally diverse elites.
Church Monuments in South Wales is the first full-scale study of the medieval funerary monuments of this region offering a much-needed Celtic contribution to the growingcorpus of literature on the monumental culture of late-medieval Europe, which for the British Isles has been hitherto dominated by English studies. It focuses on the social groups who commissioned and were commemorated by funerary monuments and how this distinctive memorial culture reflected their shifting fortunes, tastes and pre-occupations at a time of great social change.

Rhianydd Biebrach has taught medieval history at the universities ofSwansea, Cardiff and South Wales and edited the journal Church Monuments. She currently works for Amgueddfa Cymru-National Museum Wales.

Church Monuments in South Wales, c.1200-1547

Natasha R. Hodgson

Women, Crusading and the Holy Land in Historical Narrative

$130.00

Women's role in crusades and crusading examined through a close investigation of the narratives in which they appear.

Narratives of crusading have often been overlooked as a source for the history of women because of their focus on martial events, and perceptions about women inhibiting the recruitment and progress of crusading armies. Yet women consistently appeared in the histories of crusade and settlement, performing a variety of roles. While some were vilified as "useless mouths" or prostitutes, others undertook menial tasks for the army, went on crusade with retinuesof their own knights, and rose to political prominence in the Levant and and the West.
This book compares perceptions of women from a wide range of historical narratives including those eyewitness accounts, lay histories andmonastic chronicles that pertained to major crusade expeditions and the settler society in the Holy Land. It addresses how authors used events involving women and stereotypes based on gender, family role, and social status in writing their histories: how they blended historia and fabula, speculated on women's motivations, and occasionally granted them a literary voice in order to connect with their audience, impart moral advice, and justify the crusade ideal.

Dr NATASHA R. HODGSON teaches at Nottingham Trent University.

Women, Crusading and the Holy Land in Historical Narrative

Michael Talbot

British-Ottoman Relations, 1661-1807

$130.00

A richly sourced account of diplomatic practice in the British mission to Istanbul from 1661 to 1807.

The British Embassy in Istanbul was unique among other diplomatic missions in the long eighteenth century in being financed by a private commercial monopoly, the Levant Company. In this detailed study, Michael Talbot shows how theintimate relation between commercial interest and diplomatic practice played out across the period, from the arrival of an ambassador from the restored British crown in 1661 to the sudden evacuation of his successor and the outbreak of the first Ottoman War in 1807. Using a rich variety of sources in English, Ottoman Turkish and Italian, some of them never before examined, including legal documents, financial ledgers and first-hand accounts from participants, he reconstructs the detail of diplomatic practice in rituals of gift-giving and hospitality within the Ottoman court; examines the at times very different meanings that they held for the British and Ottoman participants; andtraces the ways in which the declining fortunes of the Levant company directly affected the ability of the embassy to perform effectively within Ottoman conventions, at a time when rising levels of British violence in and around the Ottoman realm marked the journey towards British imperialism in the region.

MICHAEL TALBOT is Lecturer in History at the University of Greenwich.

Moira Coleman

Household Inventories of Helmingham Hall, 1597-1741

$49.95

Edition of extremely rich household inventories provides a wealth of information about life at the time.

It is rare to find a sequence of household inventories surviving on the site they record; and rarer still when that house has been occupied continuously by generations of the family who built it circa 1510. The four inventories are dated 1597, 1626, 1708 and 1741 but some were updated and annotated for years beyond. They list over 4,500 items by room, working space or outdoor area. Entries are rich with evidence of recycling and upcycling, dimensions and design, fabric and textile, construction and colour, and sometimes provenance or provider. A numerical reference has been added to each entry in the transcriptions and this, in turn, is cited in all main and cross-references in theIndex and Glossary of Household Goods which is a substantial part of the volume.
During the span of these inventories, the Tollemaches rose from the status of gentry to earldom: their household possessions reflect this transition vividly and an appendix traces the parallel development of Helmingham Hall. Removals from the Hall equipped the family's 17th-century home at Fakenham Magna in Suffolk and a further appendix is devoted to this property.Compilation of a household inventory was never a statutory requirement, and the introduction answers a question fundamental to any study of these records: why were the inventories compiled?

Moira Coleman is the author of Fruitful Endeavours: the 16th-century household secrets of Catherine Tollemache at Helmingham Hall. She is an Open University graduate, an independent scholar, now retired from a career in adult education.

Household Inventories of Helmingham Hall, 1597-1741

R. J. Arnold

Musical Debate and Political Culture in France, 1700-1830

$120.00

The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.

In the eighteenth and early nineteenth centuries, French cultural life seethed with debates about the proper nature and form of musical expression, particularly in opera. Expressed in a flood of pamphlets, articles, letters and poems as well as in the actual disruption of performances, these so-called querelles were seen at the time as a distinctively French phenomenon and have been mined by scholars since for what they can tell us about French politics and culture in the revolutionary period.

This is the first full-length treatment of the entire history of this phenomenon, from its beginnings in the last years of Louis XIV to the 1820s when the new musical challenges of Berlioz and Wagner put an end to this particular form of debate. Arnold analyses the individual querelles, showing how they reflected and played their part in wider political and cultural events. At the same time, hetraces themes common in varying degrees to them all - questions of authority, the issue of national prestige, and the relation of language to music. Where some scholars have characterised these disputes as simply politics by proxy, Arnold paints a more nuanced picture, showing that music itself was taken seriously beyond artistic circles because it was seen as having great, potentially limitless, power over popular sentiment and thus implicitly power to reform society and change the world.

R.J. Arnold is an honorary research fellow at Birkbeck, University of London

Musical Debate and Political Culture in France, 1700-1830

Simon Desbruslais

The Music and Music Theory of Paul Hindemith

$170.00

A detailed study of the well-known, yet poorly understood, music theory of composer Paul Hindemith (1895-1963).

The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationship to existing acoustic music theories. By examining different Unterweisung-versions, it charts the evolution of Hindemith's use of language and mode of communication, including his reference to polytonality, atonality, Fuxian species counterpoint, and avoidance of existing music for his examples. It also elaborates the source material on which the theory is based, using a reconstruction of Hindemith's personal library.
Central to the book is the relationship of Hindemith's Unterweisung to his compositional practice. Hindemith's fascination with the challenges of music theory falls into a middle period in his oeuvre, enabling profitable comparisons with his compositional practice both before and after his theory-making. The book also comprises a detailed discussion of Hindemith's theoretical and compositional legacy. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith's theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt.

SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull and an internationally acclaimed trumpet soloist.

The Music and Music Theory of Paul Hindemith

Benjamin Wilkie

The Scots in Australia, 1788-1938

$120.00

The experience of immigration to Australia from Scotland is outlined here, from daily life and occupation, to interactions with the indigenous inhabitants.

Despite their significant presence, Scots have often been invisible in histories of Australian migration. This book illuminates the many experiences of the Scots in Australia, from the first colonists in the late-eighteenth century until the hopeful arrivals of the interwar years. It explores how and why they migrated to Australia, and their lives as convicts, colonists, farmers, families, workers, and weavers of culture and identity. It also investigatestheir encounters with the Australian continent, whether in its cities or on the land, and their relationship with its first peoples; and their connections to one another and with their own collective identities, looking at diversity and tension within the Scottish diaspora in Australia. It is also a book about the challenges of finding a place for oneself in a new land, and the difficulties of creating a sense of belonging in a settler colonial society.

Dr Benjamin Wilkie is a Lecturer in Australian Studies and Early Career Development Fellow at Deakin University, Australia.

Catherine A Bradley

The Montpellier Codex

$130.00

The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.

The Montpellier Codex (Bibliothèque interuniversitaire, Section Médecine, H.196) occupies a central place in scholarship on medieval music. This small book, packed with gorgeous gold leaf illuminations, historiated initials, and exquisite music calligraphy, is one of the most famous of all surviving music manuscripts, fundamental to understandings of the development of thirteenth- and fourteenth-century polyphonic composition. At some point in its historyan eighth section (fascicle) of 48 folios was appended to the codex: when and why this happened has long perplexed scholars. The forty-three works contained in the manuscript's final section represent a collection of musical compositions, assembled at a complex moment of historical change, straddling the historiographical juncture between the thirteenth and fourteenth centuries.
This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex's final fascicle. It explores the manuscript's production, dating, function, and notation, offering close-readings of individual works, which illuminate compositionally progressive features of therepertoire as well as its interactions with existing musical and poetic traditions, from a variety of perspectives: thirteenth- and fourteenth-century music, art history, and manuscript culture.

CATHERINE A. BRADLEY isan Associate Professor at the University of Oslo; KAREN DESMOND is Assistant Professor of Music at Brandeis University.

Contributors: Rebecca A. Baltzer, Edward Breen, Sean Curran, Rachel Davies, Margaret Dobby, Mark Everist, Solomon Guhl-Miller, Anna Kathryn Grau, Oliver Huck, Anne Ibos-Augé, Eva M. Maschke, David Maw, Dolores Pesce, Alison Stones, Mary Wolinski

Gwilym Dodd

Fourteenth Century England X

$120.00

The fruits of new research on the politics, society and culture of England in the fourteenth century.

Drawing on a diverse range of documentary, literary and material evidence, the essays collected here consider a wide range of important issues for the period. Political and institutional history is addressed in essays on Edward II's personal expenditure and the development and workings of parliament, including an analysis of those neglected "parliamentarians" of the period, the parliamentary proctors. Important new insights into the social history of the fourteenth century are provided by chapters on marriage and the accumulation of lay estates, the brokerage of royal wardship and the important and difficult subject of sexual violence towards under-age girls. Another chapter considers the enormously costly and complex task of feeding and supplying medieval armies across the "long" fourteenth century, while two final pieces offer important new insights into the material culture of the age, focusing in turn on St Stephen's Chapel, Westminster, and the phenomenon of royal reburial. Richly textured with personal and local detail, these new studies provide numerous insights into the lives of great and small in this fascinating period ofmedieval history.

GWILYM DODD is Associate Professor of Medieval History at the University of Nottingham.

Contributors: Elizabeth Biggs, Anna M. Duch, Bridget Wells-Furby, Alan Kissane, Ilana Krug, Alison K.McHardy, Seymour Phillips, Laura Tompkins, Kathryn Warner.

Robin Griffith-Jones, Eric Fernie

Tomb and Temple

$190.00

Essays exploring the influence of the sacred buildings of Jerusalem on architecture worldwide.

Jerusalem - earthly and heavenly, past, present and future - has always informed the Christian imagination: it is the intersection of the divine and human worlds, of time and eternity. Since the fourth century, it has been the site of the round Church of the Holy Sepulchre, built over the empty tomb acknowledged by Constantine as the tomb of Christ. Nearly four hundred years later, the Sepulchre's rotunda was rivalled by the octagon of the Dome of the Rock. The city itself and these two glorious buildings within it remain, to this day, the focus of pilgrimage and of intense devotion.
Jerusalem and its numinous buildings have been distinctively re-imagined and re-presented in the design, topography, decoration and dedications of some very striking and beautiful churches and cities in Western Europe, Russia, the Caucasus and Ethiopia. Some are famous, others are in the West almost unknown. The essays Inthis richly illustrated book combine to do justice to these evocative buildings' architecture, roles and history.
The volume begins with an introduction to the Sepulchre itself, from its construction under Constantine to theCrusaders' rebuilding which survives to this day. Chapters follow on the Dome of the Rock and on the later depiction and signifcance of the Jewish Temple. The essays then move further afeld, uncovering the links between Jerusalemand Byzantium, the Caucasus, Russia and Ethiopia. Northern Europe comes finally into focus, with chapters on Charlemagne's chapel at Aachen, the role of the military orders in spreading the form of the Sepulchre, a gazetteer of English rounds, and studies of London's New Temple.

ROBIN GRIFFITH-JONES is Master of the Temple at the Temple Church in London and Senior Lecturer (Theology and Religious Studies) at King's College London. He co-edited The Temple Church in London with David Park (2010). ERIC FERNIE is Director Emeritus of The Courtauld Institute of Art, London.

Contributors: Alan Borg, Antony Eastmond, David Ekserdjian, Eric Fernie, Jaroslav Folda, Emmanuel Fritsch, Michael Gervers, Robin Griffith-Jones, Nicole Hamonic, Cecily Hennessy, Robert Hillenbrand, Catherine E. Hundley, Philip J. Lankester, Robin Milner-Gulland, Robert Ousterhout, David W. Phillipson, Denys Pringle, Sebastian Salvadó.

Adrian R Bell

The Soldier Experience in the Fourteenth Century

$120.00

Essays throwing fresh light on what it was like to be a medieval soldier, drawing on archival research.

The "long" fourteenth century saw England fighting wars on a number of diverse fronts - not just abroad, in the Hundred Years War, but closer to home. But while tactics, battles, and logistics have been frequently discussed, the actual experience of being a soldier has been less often studied. Via a careful re-evaluation of original sources, and the use of innovative methodological techniques such as statistical analysis and the use of relational databases, the essays here bring new insights to bear on soldiers, both as individuals and as groups. Topics addressed include military service and the dynamics of recruitment; the social composition of the armies; the question of whether soldiers saw their role as a "profession"; and the experience of prisoners of war.

Contributors: Andrew Ayton, David Simpkin, Andrew Spencer, David Bachrach, Iain MacInnes, Adam Chapman, Michael Jones, Guilhem Pepin, Remy Ambuhl, Adrian R. Bell

The Soldier Experience in the Fourteenth Century

Leonie James

'This Great Firebrand': William Laud and Scotland, 1617-1645

$120.00

Presents Scotland as a case study for a fresh interpretation of Archbishop William Laud, his career and his working partnership with Charles I.

William Laud, Archbishop of Canterbury (1633-45), remains one of the most controversial figures in British ecclesiastical and political history. His rise to prominence under Charles I, his contribution to the shaping and implementation of contentious religious policies and his subsequent and catastrophic downfall are fundamental to our understanding of the religious and political developments which led to the collapse of royal authority in all three of theStuart kingdoms. Events in Scotland were central to this chain of events, and this book presents Scotland as a case study for a fresh interpretation of Laud, his career and his working partnership with Charles I. Casting new andmuch-needed light on Laud's engagement in Scottish affairs, this book reveals that his agency in Scotland was broadly consistent with - although differing in detail from - his approach in England and Ireland. It represents a majorcontribution to key debates on the nature of religion and politics in the 1630s and early 1640s and enhances current thinking on the role of both prince and prelate in the formulation of ecclesiastical policy, the 'British problem', and, indeed, the causes of the British Civil Wars.

LEONIE JAMES is Lecturer in History at the University of Kent, Canterbury.

'This Great Firebrand': William Laud and Scotland, 1617-1645

Susan Pearce

Charles Robert Cockerell in the Mediterranean

$75.00

Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century.

Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Cockerell's travelsin the eastern Mediterranean between 1810 and 1817 were the formative experience of his life. His forty letters from this period, held in the archives of the Royal Institute of British Architects and published here for the first time, give crucial day-to-day insights into his actions, thoughts and feelings in relation to the intricate histories of the re-discovery and sales of the Aegina and Bassae marbles and, equally importantly, illuminate his hugely significant work on temple architecture and sculpture in mainland Greece, the great cities of Asia Minor, and the significant temples of Sicily.
Drawing on these letters, and on some 150 unpublished letters sent by his friends while they were all in Greece and now held in the British Museum, this book elucidates what Cockerell did and why by analyzing his methods of work and their significance. It discusses Cockerell's aesthetic and conceptual development during his time abroad, particularly his influential part in the changing vision of Greek sculpture and architecture, from Winkelmann's static ideal to one rooted in dramatic tension and contextual contingency. The book unravels the emergence of Cockerell's crucial historical perspective and shows how he arrived at a new view of the ancient Greek past as made up of real lived lives, rather than just existing as a back drop to the present. By offeringa complete edition of the RIBA letters, this book fills a significant gap in our understanding of the thought and work of one of the formative spirits of nineteenth century visual historical culture.

SUSAN PEARCE is Professor Emeritus of Museum Studies, University of Leicester.

THERESA ORMROD has extensive experience in archival research, manuscript transcription and editing.

Charles Robert Cockerell in the Mediterranean

Roger Allen

Wilhelm Furtwängler

$39.95

A pathbreaking, new intellectual biography of the composer and conductor Wilhelm Furtwängler.

Wilhelm Furtwängler (1886-1954) has entered the historical memory as a renowned interpreter of the canon of Austro-German musical masterworks. His extensive legacy of recorded performances of Beethoven, Brahms, Bruckner and Wagneris widely regarded as unsurpassed. Yet more than sixty years after his death he remains a controversial figure: the complexities and equivocacy of his high-profile position within the Third Reich still cast a long shadow over hisreputation.
This book builds an intellectual biography of Furtwängler, probing this ambiguity, through a critical examination of his extensive series of essays, addresses and symphonies. It traces the development of his thought from its foundations in late nineteenth-century traditions of Bildung and associated discourses of conservative-minded nationalism, through the turbulent years of the Weimar Republic and the cultural and moral dilemmasof the Nazi period, to the post-World War II years of Bundesrepublik reconstruction, in which the beleaguered idealist found himself adrift in an alien cultural environment overshadowed by the unfolding narrative of the Nazi holocaust. The book will be of interest not only to music scholars but to cultural and intellectual historians as well.

ROGER ALLEN is a Fellow of St Peter's College, Oxford and author of Richard Wagner's Beethoven (1870): A New Translation (Boydell Press, 2014)

Katharina Uhde

The Music of Joseph Joachim

$85.00

Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be thestandard work on the music of Joseph Joachim for many years to come.

Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim wasalso a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity.
Katharina Uhde follows Joachim's compositionalpath through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yetseasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style.
Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim'saesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, andemerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come.

KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.

Lynette Olson

St Samson of Dol and the Earliest History of Brittany, Cornwall and Wales

$120.00

New essays shed light on the mysterious St Samson of Dol and his Vita.

The First Life of St Samson of Dol (Vita Prima Samsonis) is a key text for the study of early Welsh, Cornish, Breton and indeed west Frankish history. In the twentieth century it was the subject of unresolved scholarly controversy that tended to limit its usefulness. However, more recent research has firmly re-established its significance as a historical source.
This volume presents the results of new, multi-disciplinary, assessment of the textand its context. What emerges from the studies collected here is a context of greater plausibility for the First Life of St Samson of Dol as an early and essentially historical text, potentially at the centre of early British Christianity and its influence on the Continent. The landscape of that Christianity is gradually emerging from the shadows and it is a landscape in which the career of St Samson, the first Insular peregrinus, is shown to be of considerable importance.

LYNETTE OLSON is an Honorary Associate of the Department of History, University of Sydney.

Contributors: Caroline Brett, Karen Jankulak, Constant J. Mews, Lynette Olson, Joseph-Claude Poulin, Richard Sowerby, Ian N. Wood, Jonathan M. Wooding.

St Samson of Dol and the Earliest History of Brittany, Cornwall and Wales

Anthony Musson

Courts of Chivalry and Admiralty in Late Medieval Europe

$130.00

A multi-disciplinary approach to two of the most important legal institutions of the Middle Ages.

The wars waged by the English in France during the fourteenth and fifteenth centuries led to the need for judicial agencies which could deal with disputes that arose on land and sea, beyond the reach of indigenous laws. This led to the jurisdictional development of the Courts of Chivalry and Admiralty, presiding over respectively heraldic and maritime disputes. They were thus of considerable importance in the Middle Ages; but they have attracted comparatively little scholarly attention.
The essays here examine their officers, proceedings and the wider cultural and political context in which they had jurisdiction and operated in later medieval Western Europe. They reveal similarities in personnel, institutions and outlook, as well as in the issues confronting rulers in territories across Europe. They also demonstrate how assertions of sovereignty and challenges to judicial competence were inextricably linked to complex political agendas; and that both military and maritime law were international in reach because they were underpinned by trans-national customs and the principles and procedures of Continental civil law. Combininglaw with military and maritime history, and discussing the art and material culture of chivalric disputes as well as their associated heraldry, the volume provides fresh new insights into an important area of medieval life and culture.

ANTHONY MUSSON is Head of Research at Historic Royal Palaces; NIGEL RAMSAY is Honorary Senior Research Associate in the Department of History at University College London.

Contributors: Andrew Ayton, Richard Barber, John Ford, Laurent Hablot, Thomas K. Heebøll-Holm, Julian Luxford, Ralph Moffat, Philip Morgan, Bertrand Schnerb, Anne F. Sutton, Lorenzo Tanzini.

Courts of Chivalry and Admiralty in Late Medieval Europe

Kate Kennedy

Literary Britten

$190.00

Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself.

Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language andhistory scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works.

KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature.

Contributors:JOANNA BULLIVANT, PHILIP ROSS BULLOCK, NICHOLAS CLARK, MERVYN COOKE, DAVID FULLER, JOHN FULLER, PETER HAPPÉ, J. P. E. HARPER-SCOTT, JOHN HOPKINS, KATE KENNEDY, ADRIAN POOLE, HANNA ROCHLITZ, PHILIP RUPPRECHT, REBEKAH SCOTT, VICKISTROEHER, JUSTIN VICKERS, LUCY WALKER, BRIAN YOUNG

Trevor Dean

Faith, Place and People in Early Modern England

$120.00

A collection that celebrates the research of Margaret Spufford, a "game-changing" historian who shifted the focus away from the political and social elite in urban communities to the "other 98%" in local and rural areas.

This collection celebrates and evaluates the seminal research of Margaret Spufford, a leading historian of early modern English social and economic history. Spufford played a crucial role in the broadening of English social and cultural history, shifting the focus away from the political and social elite in urban communities to the "other 98%" in local and rural areas and challenging assumptions about the limited intellectual worlds of rural people. She was also an early historian of consumption patterns, whose work on the clothing trade remains the authoritative history of this industry and its consumers.
Faith, Place and People in Early Modern England reassesses Spufford's contribution to the shape of historical study. Each chapter rethinks a key aspect of her work on local and rural communities: the value of particular historical records; the interactions between religious conformists anddissenters; social and religious change; credit and finance; clothing and consumption. Throughout, the contributors develop Spufford's model of integrating close community studies into a broader picture, while retaining an awareness of the singularity of individuals and localities. In doing so, the book indicates how far "Spuffordian" approaches can continue to shape the future direction of early modern history .

TREVOR DEAN is Professor of History at the University of Roehampton; GLYN PARRY is Professor of Early Modern History at the University of Roehampton; EDWARD VALLANCE is Professor of Early Modern British political culture at the University of Roehampton.

Contributors: ADRIAN AILES, DAVID CRESSY, TREVOR DEAN, CATHERINE FERGUSON, HENRY FRENCH, STEVE HINDLE, CHRISTOPHER MARSH, GLYN PARRY, WILLIAM SHEILS, PETER SPUFFORD, DANAE TANKARD, EDWARD VALLANCE, PATRICIA WYLLIE

Faith, Place and People in Early Modern England

Danielle E.A. Park

Papal Protection and the Crusader

$120.00

Those on Crusade needed their interests at home to be protected; this volume looks at how this could be achieved, in both theory and practice.

On taking the cross, crusaders received a diverse set of privileges designed to appeal to both spiritual and more temporal concerns. Among these was the papal protection granted to them and extended over their families and possessions at home.
This book is the first full length investigation of this protection. It begins by examining the privilege from its inception in around 1095, and its development and consolidation through to 1222. It then moves on to illustrate how this privilege operated in practice through the appointments of regency governments and close communication with both the papacy and local ecclesiastical officials, centring on the rich crusading evidence fromFlanders, Champagne and the Kingdom of France. While the protection privilege has been seen as unwieldy and over ambitious, close analysis of particular cases and individuals reveals that not only were regents well aware of theirprivileged status, but that the papacy could directly intervene when its protection was contravened.

DANIELLE PARK is Lecturer in Medieval History at the University of York.

Michael Allis

Granville Bantock's Letters to William Wallace and Ernest Newman, 1893-1921

$130.00

Granville Bantock's letters to the Scottish composer William Wallace and the music critic Ernest Newman provide a fascinating window into British music and musical life in the early twentieth century and the 'dawn' of musical modernism.

British music and musical life before the Great War have been relatively neglected in discussions of the idea of the 'modern' in the early twentieth century. This collection of almost 300 letters, written by Granville Bantock (1868-1946) to the Scottish composer William Wallace (1860-1940) and the music critic Ernest Newman (1868-1959) places Bantock and his circle at the heart of this debate. The letters highlight Bantock's and Wallace's development of the modern British symphonic poem, their contribution (with Newman) to music criticism and journalism, and their attempts to promote a young generation of British composers - revealing an early frustration with the musical establishment. Confirming the impact of visits to Britain by Richard Strauss and Sibelius, Bantock offers opinions on a range of composers active around the turn of the twentieth century, identifying Elgar and Delius as the future for English music. Along with references to conductors, entertainers and contemporary writers (Maeterlinck, Conrad), there are fascinating details of the musical culture of London, Liverpool and Birmingham - including programming strategies at the Tower, New Brighton, and abortive plans to relaunch the New Quarterly Musical Review. Fully annotated, the letters provide a fascinating window into British music and musical life in the early twentieth century and the 'dawn' of musical modernism.
MICHAEL ALLIS is Professor of Musicology at the School of Music, University of Leeds.

Granville Bantock's Letters to William Wallace and Ernest Newman, 1893-1921

Nancy November

Cultivating String Quartets in Beethoven's Vienna

$130.00

The first detailed contextual study of chamber music in Beethoven's Vienna, at a time when the string quartet reigned supreme among the different chamber genres

This book is the first detailed contextual study of string quartets in Beethoven's Vienna, at a time when that genre reigned supreme among the different chamber genres. Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the 'private' sphere of music-making, it explores the 'cultivation' of string quartets by composers, critics, listeners, performers, publishers and patrons. The book highlights these parties' interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising at this time.
We gain fresh insights into publishing and marketing, performance venues and practices, review culture, listening theories and practices, and composition in early nineteenth-century Vienna. Until now, the unique theatricality of chamber music, and the 'social' nature of its discourse, has been poorly appreciated. Cultivating String Quartets in Beethoven's Vienna addresses this misconception and enriches our understanding of this crucial period of change, in which concert life began and previously 'private' music was moved out onto the stage.

NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland.

Cultivating String Quartets in Beethoven's Vienna

Chris Ewers

Mobility in the English Novel from Defoe to Austen

$120.00

A lively exploration of the relation between the arrival of the novel, the literary form that uses life-as-a-journey as its master trope, and the transport revolution in eighteenth-century Britain.

In 1700 the fastest coach from London to Manchester took five days. By 1790 the development of the turnpike road system across England had reduced this figure to twenty-seven hours, and both the landscape and the ways in which people experienced it had been radically transformed.

This revolution in transport came at the same time as the emergence of the novel as a dominant literary form in Britain. In this highly original reading of some of themajor novelists of the long eighteenth century - Defoe, Fielding, Smollett, Sterne and Austen - Chris Ewers shows how these two developments interacted. He argues that this reconfiguration of local geography and the new experience of moving through space at speed had a profound effect upon the narrative and form of the novel, leaving its mark on genre, prose technique, the depiction of class and gender relations and the way texts are structured. It is noaccident, he concludes, that the arrival of the novel, the literary form that uses life-as-a-journey as a master trope, is roughly co-terminous with the revolution of internal transport in Britain.

CHRIS EWERS is a lecturer in Eighteenth Century Literature at the University of Exeter

Mobility in the English Novel from Defoe to Austen

John D. Grainger

The British Navy in the Mediterranean

$130.00

A comprehensive overview of the activities of the British navy in the Mediterranean from the earliest times until the present.

This book presents a comprehensive overview of the activities of the British navy in the Mediterranean Sea from the earliest times until the twentieth century. It traces developments from Anglo-Saxon times, through the Crusades,and to the seventeenth century, when the Barbary corsairs became a major problem. It outlines Britain's involvement in the wars of the long eighteenth century, when Britain obtained bases at Gibraltar, Minorca and Malta and repeatedly defeated the French and Spanish navies. It examines the navy's activities during the First and Second World Wars, when the Mediterranean was again of crucial strategic significance and a major theatre of war, and goes on toconsider Britain's withdrawal from the Mediterranean in the later twentieth century. Throughout, the book relates naval activity to patterns of trade, including the rise and decline of the Levant Company, and to wider international politics.

JOHN D. GRAINGER is the author of numerous books for a variety of publishers, including seven previously published books for Boydell and Brewer, including The British Navy in the Baltic, Dictionaryof British Naval Battles and The First Pacific War: Britain and Russia, 1854-56.

William Anthony Hay

Lord Liverpool

$39.95

Shaped by eighteenth-century assumptions, Liverpool nonetheless laid the foundations for the nineteenth-century Britain that emerged from the Reform era.

Robert Banks Jenkinson (1770-1828), 2nd Earl of Liverpool, was Britain's longest serving prime minister since William Pitt the Younger. Liverpool's tenure in office oversaw a series of seismic events including the War of 1812 withthe United States, the endgame of the Napoleonic Wars and the Congress of Vienna, the Corn Laws, the Peterloo Massacre, and escalating contention over the issue of Catholic Emancipation. However, Liverpool's overall standing within British political history has been overshadowed by contemporaries such as Castlereagh and Canning, and his reputation and achievements were downplayed by the Reform period that followed.
This new political biography explores Liverpool's career and puts his efforts at resisting change into context, bringing this period of transformation into sharp focus. It shows Liverpool as a defender of the eighteenth-century British constitution, documentinghis efforts at adapting institutions to the challenges of war and then the very different post-1815 world. Shaped by eighteenth-century assumptions, Liverpool nonetheless laid the foundations for the nineteenth-century Britain that emerged from the Reform era. This book uses his career and outlook as a way of exploring the crucial transition from the Georgian to the Victorian era.

WILLIAM ANTHONY HAY is Associate Professor of history at Mississippi State University and a fellow of the Royal Historical Society.

Elisabeth M C van Houts

Anglo-Norman Studies XXXIX

$120.00

Anglo-Norman Studies is nothing if not wide-ranging. One opens each new volume expecting to find the unexpected - new light on old arguments, new material, new angles. MEDIUM AEVUM

This year's volume continues to demonstrate the vitality of scholarship in this area, across a variety of disciplines. Topics include the forging of the Battle Abbey Chronicle; warring schoolmasters in eleventh-century Rouen; theimpact of the Conquest on England; the circulation of manuscripts between England and Normandy; and Earl Harold and the Foundation of Waltham Holy Cross.

Contributors: Julie Barrau, Christopher Clark, Laura Cleaver, Stefan de Jong, Simon Keynes, Tom Licence, Brigitte Meijns, Thomas O'Donnell, Alheydis Plassman, Elisabeth Ridel, Chris Whittick, Ann Williams

Elisabeth M C van Houts

Anglo-Norman Studies XL

$120.00

A series which is a model of its kind. Edmund King, History

The wide-ranging articles collected here represent the cutting edge of recent Anglo-Norman scholarship. Topics include English kingship, legends of the Battle of Bouvines, ideas of empire, the practicalities of child kingship, and female rulership in Brittany. The volume continues in its proud tradition of source analysis: there are studies of northern French urban franchises, and Norman charters and a logistical take on the making of the Domesday Book, while narrative sources are represented in the vernacular by a study of Herman of Valenciennes' Bible and in Latin by the historiography of Robert of Torigni and Ralph Niger. Further contributions focus on the twelfth-century ecclesiastical officers Abbot Peter the Venerable and Archbishop Thomas Becket, and the volume is completed with an analysis of the concept of economic resources with respect to Normandy.

Contributors: Mathieu Arnoux, JamesBarnaby, Dominique Barthelemy, Thomas Bisson, Scott G. Bruce, Francis Gingras, Frédérique Lachaud, Anne E. Lester, C.P. Lewis, Amy Livingstone, Fanny Madeline, Nicholas Vincent, Emily Ward

Mark J. Crowley

Home Fronts - Britain and the Empire at War, 1939-45

$130.00

Examines the "home front" war effort from an overall imperial perspective, assessing the contribution of individual imperial territories.

There is increasing interest in the "home front" during the Second World War, including issues such as how people coped with rationing, how women worked to contribute to the war effort, and how civilian morale fluctuated over time. Most studies on this subject are confined to Britain, or to a single other colonial territory, neglecting the fact that Britain controlled a large Empire and that there were numerous "home fronts", each of which contributed greatly to the war effort but each in slightly different ways. This book considers "home fronts" from an overall imperial perspective and in a broad array of territories - Australia, India, South Africa, Ceylon, Palestine and Kenya aswell as Britain. It examines many aspects of wartime life - food, communications, bombing, volunteering, internment and more, and discusses important themes including identity, gender, inequality, and the relationship between civilians and the state. Besides case studies outlining the detail of the situation in different territories and in different areas of life, the book assesses "home fronts" across the Empire in a comprehensive way, setting the case studies in their wider context, and placing the subject in, and advancing, the historiography.

MARK J. CROWLEY is Associate Professor of History at Wuhan University, China.

SANDRA TRUDGEN DAWSON is an Instructor in the Department of History at the University of Maryland.

Contributors: NUPUR CHAUDHURI, MARK J. CROWLEY, SANDRA TRUDGEN DAWSON, NADJA DURBACH, ASHLEY JACKSON, RITIKA PRASAD, LINSEY ROBB, SHERENE SEIKALY, JEAN SMITH,ANDREW STEWART, PETER THORSHEIM, CHRISTINE WINTER

Home Fronts - Britain and the Empire at War, 1939-45

Michael D.J. Bintley

Trees in the Religions of Early Medieval England

$120.00

Drawing on sources from archaeology and written texts, the author brings out the full significance of trees in both pagan and Christian Anglo-Saxon religion.

Author won the Faculty Research Award from the Faculty of Arts and Humanities, Canterbury Christ Church University.

Trees were of fundamental importance in Anglo-Saxon material culture - but they were also a powerful presence in Anglo-Saxon religion before and after the introduction of Christianity. This book shows that they remained prominentin early English Christianity, and indeed that they may have played a crucial role in mediating the transition between ancient beliefs and the new faith. It argues that certain characteristics of sacred trees in England can be determined from insular contexts alone, independent of comparative evidence from culturally related peoples. This nevertheless suggests the existence of traditions comparable to those found in Scandinavia and Germany. Tree symbolismhelped early English Christians to understand how the beliefs of their ancestors about trees, posts, and pillars paralleled the appearance of similar objects in the Old Testament. In this way, the religious symbols of their forebears were aligned with precursors to the cross in Scripture. Literary evidence from England and Scandinavia similarly indicates a shared tradition of associations between the bodies of humans, trees, and other plant-life. Though potentially ancient, these ideas flourished amongst the abundance of vegetative symbolism found in the Christian tradition.

Michael Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University.

Trees in the Religions of Early Medieval England

Philip MacDougall

Islamic Seapower during the Age of Fighting Sail

$130.00

Shows how extensive the naval power of Islamic states was, charts the rise and fall of Islamic navies, and outlines the various wars and campaigns in which Islamic navies were involved.

Studies of the "Age of Fighting Sail" have tended to focus on the British or American navies, or sometimes on those of France or Spain. However, there were also at this time very significant navies built by the Islamic powers: theNorth African Barbary states, whose ships, allegedly pirates, plagued Mediterranean shipping and raided even as far as Cornwall and the south coast of Ireland; the Ottoman Empire, which built some of the largest sailing warshipsever; the navies of Arabian and Indian rulers and of Persia, which were forces to be reckoned with in the Indian Ocean; and more. This book presents a comprehensive survey of Islamic seapower from about the beginning of the seventeenth century until the middle of the nineteenth century, charting the rise and fall of different Islamic navies. It focuses on strategy, examining the development and implementation of naval policy and exploring the technology that supported it. It considers the wars Islamic navies participated in, covers all the areas in which Islamic navies operated, and relates Islamic naval power to wider international power politics. The book highlights in particularthe importance of the large Ottoman navy, which influenced and gave a lead to other Islamic naval powers.

PHILIP MACDOUGALL was formerly a Lecturer in the Department of Economic History at the University of Kent. He isthe author and editor of several books on maritime history, including The Naval Mutinies of 1797 (Boydell, 2011) and Naval Resistance to Britain's Growing Power in India, 1660-1800 (Boydell, 2014).

Islamic Seapower during the Age of Fighting Sail

Clive Burgess

'The Right Ordering of Souls'

$190.00

The relationship between people and parish in the late medieval ages illuminated by this study of a remarkable survival from the period.

In the two centuries preceding the Reformation in England, economic, political and spiritual conditions combined with constructive effect. Endemic plague prompted a demonstrative piety and, in a world enjoying rising disposable incomes, this linked with current teachings - especially the doctrine of Purgatory - to sustain a remarkable devotional generosity. Moreover, political conditions, and particularly war with France, persuaded the government to summonits subjects' assistance, including responses encouraged in England's many parishes. As a result, the wealthier classes invested in and worked for their neighbourhood churches with a degree of largesse - witnessed in parish buildings in many localities - hardly equalled since.
Buildings apart, the scarcity of pre-Reformation parish records means, however, that the resonances of this response, and the manner in which parishioners organised their worship, are ordinarily lost to us. This book, using the remarkable survival of records for one parish - All Saints', Bristol, in the later fifteenth and early sixteenth centuries - scrutinises the investment that the faithful made. Ifnot necessarily typical, it is undeniably revealing, going further than any previous study to expose and explain parishioners' priorities, practices and achievements in the late Middle Ages. In so doing, it also charts a world that would soon vanish.

Dr CLIVE BURGESS holds a Senior Lectureship in late medieval history at Royal Holloway, University of London.

Steve Poole, Nicholas Rogers

Bristol from Below

$170.00

Captures the substance and scale of popular politics and protest in Bristol over the course of the long eighteenth century.

Bristol from Below captures the substance and scale of popular politics and protest in Bristol over the course of the long eighteenth century. It charts the lives of ordinary Bristolians in the making of their city and devotes particular attention to their relationship with the mercantile elites who dominated the city's governing institutions. While not ignoring the contribution of the middling sort to the cultural and political life of the city, the book focusses upon the interaction between authority and plebeian sentiment as a way of analysing the complexities of popular interventions in politics and society. It casts new light on the social dynamics of Bristol's 'goldenage' and how it is remembered in today's city. It also addresses the general themes of class, authority, custom and law that have long engaged eighteenth-century historians. Bristol From Below will have a broad appeal to scholars and students of eighteenth-century social, economic and political history as well as to urban and regional historians and to those interested in the time when Bristol was England's 'Second City'.

STEVE POOLE is Professor of History and Heritage at the University of the West of England, Bristol.

NICHOLAS ROGERS is Distinguished Research Professor in History at York University, Toronto.

Adrian Wright

Must Close Saturday

$39.95

The first book to deal exclusively with British musical flops, Must Close Saturday presents a rolling panorama of the good, the bad and the ugly, reassessing their place in theatrical history.

The ominous announcement "Must Close Saturday" too often heralded the demise of British musicals. Looking forward from the vantage point of Lionel Bart's spectacularly successful Oliver! in 1960, Adrian Wright's authoritative chronicle of the commercially unsuccessful British musical of the last half a century uncovers a wealth of fascinating material. In the wake of the resurgence that briefly blew through the British musical at the end of the 1950s with verismo works such as Fings Ain't Wot They Used T'Be and Expresso Bongo, the British musical was shaken by Bart's adaptation of Dickens, but was quickly left floundering in the face of constant critical complaint and financial failure. The first book to deal exclusively with British musical flops, Must Close Saturday presents a rolling panorama of the good, the bad and the ugly, reassessing their place in theatrical history.Wright reveals a consistent striving at invention, with subjects including the electric chair, the Holocaust, the Virgin Mary, social inequality and Trade Unionism, sexual problems and murder, as well as biographical treatments of Hollywood stars, French painters, tragic novelists, royalty, and the Rector of Stiffkey. Discursive and provoking, Must Close Saturday at last prises open the neglected history of the British musical flop up to 2016.

ADRIAN WRIGHT is the author of Foreign Country: The Life of L. P. Hartley (1996), John Lehmann: A Pagan Adventure (1998), The Innumerable Dance: The Life and Work of William Alwyn (Boydell & Brewer, 2008), the novel Maroon (2010) and The Voice of Doom (2016). His previous books on British musical theatre are A Tanner's Worth of Tune: Rediscovering the Post-War British Musical (Boydell & Brewer, 2010) and West End Broadway: The Golden Age of the American Musical in London (Boydell & Brewer, 2012). He lives in Norfolk.

Richard J. Blakemore

The British Civil Wars at Sea, 1638-1653

$120.00

A comprehensive overview of the subject, demonstrating that the maritime aspects of the civil wars were much more important than has hitherto been acknowledged.

NOMINATED FOR THE MILITARY HISTORY MONTHLY BOOK OF THE YEAR AWARD!

The civil wars in England, Scotland and Ireland in the period 1638-1653 are usually viewed from the perspective of land warfare. This book, on the other hand, presents a comprehensive overview of the wars from a maritime perspective. It considers the structure, organisation and manning of the parliamentarian, royalist, and Irish confederate navies, discussing how these changed overthe course of the wars. It also traces the development of the wars at sea, showing that the initial opting for parliament by seamen and officers in 1642 was a crucial development, as was the mutiny and defection of part of the parliamentarian navy in 1648. Moving beyond this it examines the nature of maritime warfare, including coastal sieges, the securing of major ports for parliament, the attempts by royalists to ship arms and other supplies from continental Europe, commerce raiding, and the transportation of armies and their supporters in the invasions of Scotland and Ireland. Overall the book demonstrates that the war at sea was an integral and important part of these dramatic conflicts.

RICHARD J. BLAKEMORE is a Lecturer in the History of the Atlantic World at the University of Reading. ELAINE MURPHY is a Lecturer in Maritime/Naval History at the University of Plymouth and author of Ireland and the War at Sea, 1641-1653 (Boydell Press, 2012).

The British Civil Wars at Sea, 1638-1653

Linda Clark

The Fifteenth Century XV

$120.00

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW

The focus of this volume may be summed up as "The Word". Its essays examine the contents and provenance of manuscripts which were written for polemical purposes, treasured by the duchess of York, and through the new medium of print introduced to a wider public topics of historical interest and illustrations of the geography of the known world. The essays here also consider official records of forest administration, expressed in arcane language; documents preserved in the papal curia which reveal significant facts about the lives of Scottish bishops; archives produced by the English chancery noting the movements of a royal councillor; and letters, poems and songs exposing the political strategy of a German prince. Nor is the spoken word neglected, whether employed in speeches delivered at the start of parliaments, using as their themes scriptures and classical texts to set a political agenda; or as sermons to open-air congregations gathered at St. Paul's Cross, where the oratory of Bishop Alcock stirred his listeners in different ways.

Contributors: Michael Bennett, Julia Boffey, Paul Cavill, J.M. Grussenmeyer, TomJohnson, J.L. Laynesmith, John Milner, Ben Pope, Dan E. Seward, Sarah Thomas

Laura L Gathagan

The Haskins Society Journal 28

$105.00

Fruits of the most recent research on the worlds of the eleventh and twelfth centuries.

The contributions in this volume illuminate critical aspects of the Anglo-Saxon, Anglo-Norman and Angevin worlds - and more. Essays consider the complexities of the Norman administration in North Africa, the Canterbury primacy controversy through the lens of the relics of St Ouen, and the meanings of natura and divinitas in the works of Bernardus Silvestris. Additional chapters explore cross-cultural definitions of masculinity articulated through the biblical figure of David, the social networks and monastic patronage of the female lords of Braine, and the links between legal classifications of adultery and thirteenth-century fabliaux. The Journal continues its focuson source criticism with explorations of two Italian sources -- a Miscellany from the Piedmontese monastery of Novalesa and an overlooked Venetian source for Byzantine imperial history. A re-assessment of the legal and judicial activities of King Henry I rounds out the volume.
Contributors: JASON BAXTER, LUIGI ANDREA BERTO, APRIL HARPER, JOHN HUDSON, RUTH MAZO KARRAS, MATT KING, BRIDGET K. RILEY, EDWARD M. SCHOOLMAN, YVONNE SEALE.

Samantha Owens

The Well-Travelled Musician

$170.00

John Sigismond Cousser, as performer and composer, was a pioneering figure in the musical history of the European Baroque era.

John Sigismond Cousser - born Johann Sigismund Kusser in Pressburg, Hungary in 1660 - was a pioneering figure in the musical history of the Baroque era. Having worked professionally as a performer and composer across Europe over the span of a fifty-year career, this well-travelled and cosmopolitan musician was subsequently acknowledged by Johann Mattheson as having played a key role in the transmission of both the French and Italian musical styles throughout the German-speaking lands.
Following study in Paris, Cousser was employed at a string of German courts, training musicians in the newly fashionable French style. At the court of Duke Anton Ulrich in Wolfenbüttel, he experienced at first hand performances of opera by Italian virtuosos and subsequently introduced countless German musicians and their audiences to the Italian musical style. Yet with the onset of war in 1701, Cousser was forced to seek his fortune elsewhere, moving to London in 1704 before settling permanently in Ireland.
The Well-Travelled Musician expands current knowledge of Cousser's early life and professional career significantly, examining his particular role in the dissemination of music and musical styles throughout the German-speaking lands, as well as in early eighteenth-century London and Dublin. Drawing upon a rich body of primary sources, above all the unparalleled evidence contained in Cousser's so-called commonplace book, it reveals the practicalities of early modern musical exchange at a grass-roots level, from Pressburg (now Bratislava) to Paris, Hamburg to Dublin, and beyond.

SAMANTHA OWENS is Associate Professor of Musicology at Victoria University of Wellington, New Zealand

Ralph Houlbrooke

Love and Dishonour in Elizabethan England

$115.00

An intriguing insight into the politics of gender, family and religion in Elizabethan England.

The marriage of Charles and Elizabeth Forth (c. 1582-1593) offers an intriguing insight into the politics of gender, family and religion in Elizabethan England. In this story, resourceful women play leading roles, sometimes circumventing or subverting patriarchal authority, qualifying our accepted image of the Elizabethan propertied family. Elizabeth's impoverished Catholic father took no part in making her marriage. Instead, Elizabeth and her mother seemingly enticed Charles, sixteen-year-old heir of a solidly Protestant Suffolk JP, into a clandestine match. When the marriage began to fail, Elizabeth turned to her mother and sisters as her principal sources of support and showed greater guile, determination and resilience than her husband in what became a protracted contest. Charles, convinced of his wife's infidelity, finally left England to travel as a voluntary exile, only to die abroad. Elizabeth and her kinsman Henry Jerningham emerged as victors in subsequent prolonged litigation with Charles's father.
Drawing on extensive testimony and decrees in the most fully recorded case of its kind heard by the Court of Requests, as well as a wide range of other material from local record offices and the National Archives, this readable micro-history unravels the tangled story of two very different young people. It establishes the background of the marriage and its failure in the contrasting histories of the families involved and sets the story in its larger political and religious contexts. Anyone with an interest in Elizabethan politics, law and religion, or the family, women and gender, will find it fascinating.

RALPH HOULBROOKE is Professor Emeritus at the University of Reading.

Love and Dishonour in Elizabethan England

Ciaran Arthur

'Charms', Liturgies, and Secret Rites in Early Medieval England

$130.00

A re-evaluation of the mysterious "charms" found in Anglo-Saxon literature, arguing for their place in mainstream Christian rites.

Since its inception in the nineteenth century, the genre of Anglo-Saxon charms has drawn the attention of many scholars and appealed to enthusiasts of magic, paganism, and popular religion. Their Christian nature has been widely acknowledged in recent years, but their position within mainstream liturgical traditions has not yet been fully recognised. In this book, Ciaran Arthur undertakes a wide-ranging investigation of the genre to better understand how early English ecclesiastics perceived these rituals and why they included them in manuscripts were written in high-status minsters. Evidence from the entire corpus of Old English, various surviving manuscript sources, and rich Christian theological traditions suggests that contemporary scribes and compilers did not perceive "charms" as anything other than Christian rituals that belonged to diverse, mainstream liturgical practices. The book thus challenges the notion that there was any such thing as an Anglo-Saxon "charm", and offers alternative interpretations of these texts as creative para-liturgical rituals or liturgical rites, which testify to the diversity of early medieval English Christianity. When considered in their contemporary ecclesiastical and philosophical contexts, even the most enigmatic rituals, previously dismissed as mere "gibberish", begin to emerge as secret, deliberately obscured textswith hidden spiritual meaning.

Ciaran Arthur is a Research Fellow at Queen's University Belfast.

'Charms', Liturgies, and Secret Rites in Early Medieval England

David Lavinsky

The Material Text in Wycliffite Biblical Scholarship

$130.00

Wycliffite's theology and learning examined in the context of their physical appearance in contemporary books and manuscripts.

The reform movement known variously as Wycliffism or Lollardy is now a familiar feature of the premodern intellectual and religious landscape. But even though "heresy" has migrated to the forefront of medieval studies in recent decades, Wycliffite biblical scholarship itself has escaped sustained attention, especially its different tiers of textual form and practice.
This book examines Wycliffism as it moves from late scholastic discourses of academic biblical study to the material contexts of English book and manuscript production; it also considers changing notions of biblical materiality itself. Such a concern is not limited to the empirical analysis of the book-object itself, but extends to scripture's material forms and identites as they were imagined, theorised, and made the subject of far-reaching speculation in textual criticism and hermenutics. In addition to Wycliff's academic writing, the book also addresses the movement's most significant textual assemblages in a major contribution to reframing our understanding of a key moment in English religious and cultural history.

David Lavinsky is Assistant Professor for the Department of English at Yeshiva University.

The Material Text in Wycliffite Biblical Scholarship

Frédérique Lachaud

Absentee Authority across Medieval Europe

$130.00

An interdisciplinary approach to a crucial part of the systems of medieval authority and governance.

In the medieval world, what happened when a figure of recognised authority was absent? What terminology, principles and solutions of proxy authority were developed and adopted? Did these solutions differ and change over time depending on whether the absence was short or long and caused by issues of incapacity, minority, disputed succession, geography or elective absenteeism? Did the models of proxy authority adopted by ruling dynasties and large institutions influence the proxy choices of lesser authority?
The circumstances and consequences of absentee authority, a major aspect of the systems of medieval power, are the focus of this volume. Ranging across the realms of medieval Europe (but with a focus upon the British Isles and France), its essays embrace a wide variety of experience - royal, parliamentary, conciliar, magnatial, military, ecclesiastical (papal to parochial), burghal, household, minoror major, male or female, exiled, captive or infirm - and explore not merely political developments, but the dynastic, diplomatic, financial, ideological, religious and cultural ramifications of such episodes.

Frédérique Lachaud is Professor of medieval history at the Université de Lorraine, France; Michael Penman is Senior Lecturer in history at the University of Stirling, Scotland.

Contributors: James Bothwell Michelle Bubenicek, Léonard Dauphant , Bruno Dumézil, Laurent Hablot, Torsten Hiltmann, Tom Horler-Underwood, Robert Houghton, Olivier de Laborderie, Frédérique Lachaud, Hans Jacob Orning, Michael Penman. Norman Reid

Absentee Authority across Medieval Europe

Jonathan Noble

That Jealous Demon, My Wretched Health

$39.95

Despite much triumph in adversity, illness fuelling composition is a misconception.

The health - and especially deaths - of composers excite controversy. Was Mozart really poisoned? Did Tchaikovsky commit suicide? How did Beethoven lose his hearing? Much good previous scholarship has been sullied by unsubstantiated views, and many composers' reputations have been unfairly tarnished by scandalous commentary, often involving alcoholism or syphilis.
This book, by a Fellow of the Royal College of Surgeons, charts the disturbed physical and mental health of 70 great composers. It attempts to unpick the evidence forensically and to define the cause of death based on the legal paradigm of a balance of probabilities. The author reviews where the composer was when thefinal illness or death overtook him and considers how many of them would have fared with modern treatment. Chapters are organised thematically, by illness; and numerous misconceptions, such as madness fuelling creativity, are challenged. The book relates the nature of composition to composers' suffering, showcasing much triumph in adversity, and, importantly, rehabilitates reputations.

JONATHAN NOBLE is a retired surgeon, who has spent many years researching the illnesses and deaths of composers. He is a Fellow of the Royal College of Surgeons and was President of the British Association of Knee Surgeons as well as the British Orthopaedic Sports Trauma Association. He looked after Test cricketers, Manchester United, and dancers and musicians in the North of England.

Mike Huggins

Horse Racing and British Society in the Long Eighteenth Century

$130.00

Horse racing was the first and longest-lasting of Britain's national sports.

Horse racing was the first and longest-lasting of Britain's national sports. This book explores the cultural world of racing and its relationship with British society in the long eighteenth century. It examines how and why race meetings changed from a marginal and informal interest for some of the elite to become the most significant leisure event of the summer season. Going beyond sports history, the book firmly places racing in its cultural, social, political and economic context. Racing's development was linked to the growth of commercialized leisure in the eighteenth century, a product of rising wealth amongst the middling group; changes in transport; the expansion of the newspaper press; and the new democratic and individualistic spirit of the age, especially the more flexible social codes of the late Georgian and Regency eras.

In this book, horse racing emerges as the first 'proto-modern'sport, with links with the widespread popularity of gaming and betting which forced ever-increasing codification, regulation and event organization. Racing also gave expression to highly nuanced concepts of local, regional, national, class, gender (primarily male) and political identities. Drawing on the fields of social, cultural and sports history and utilizing many hitherto ignored or under-exploited sources, the book revises current histories of eighteenth-century leisure and sport, showing how horse racing links to debates about commercialization, consumer behaviour, the 'urban renaissance' and human-horse relationships. It also sheds new light not only on racehorse ownership,but also on the hitherto hidden world of racing's key professionals: jockeys, trainers, bloodstock breeders, stud grooms and stable hands.

MIKE HUGGINS is Emeritus Professor of Cultural History at the University of Cumbria.

Horse Racing and British Society in the Long Eighteenth Century

Jeffrey L. Forgeng

Pietro Monte's Collectanea

$130.00

First translation into English of a wide-ranging military treatise from the late middle ages.

Pietro Monte's Collectanea is a wide-ranging treatise on the arts of knighthood, focusing on martial arts, athletics, arms and armour, and military practice, but touching on subjects as diverse as diet, zoology and the design of life preservers. Monte, a courtier, soldier and scholar who won the respect of men like Leonardo da Vinci and Baldesar Castiglione, wrote the work in Spanish in the late 1400s, and later produced an expanded Latin translation. The Latin version, published in Milan in 1509, forms the basis of this translation.
Monte describes the techniques of personal combat with various weapons, including the two-handed and one-handed sword, pollaxe, and dagger, as well as wrestling, armored and mounted combat. He also documents the athletic activities used by knights to hone their physical abilities: running, jumping, throwing, and vaulting. Finally, the Collectanea is the solemedieval text to provide extensive discussion of the design of arms and armour.
This translation includes an illustrated introduction to Monte and his technical subject-matter, as well as a translation of Book 5 of Monte's De Dignoscendis Hominibus (1492), which overlaps much of the technical content of the Collectanea.

JEFFREY L. FORGENG is curator of Arms and Armour and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

Susan Tomes

Speaking the Piano

$32.95

This is a book to appeal to a wide range of readers - pianists of every level from beginner to professional, piano teachers, musicians of all kinds, and the broader community of music-lovers.

In Speaking the Piano, renowned pianist Susan Tomes turns her attention to teaching and learning. Teaching music encompasses everything from putting a drum in a child's hands to helping an accomplished musician unlock the meaning and spirit of the classics. At every stage, some fundamental issues keep surfacing. In this wide-ranging book, Susan Tomes reflects on how her own experience as a learner, in different genres from classical to jazz, hasinfluenced her approach to teaching. She tells us how her performing career has given her insight into what young performers need to know, and how discussions with students have fed into her own practice. She describes the brilliant and intriguing teachers whose masterclasses opened her ears to the many ways in which music can be brought alive and communicated. This is a book to appeal to a wide range of readers - pianists of every level from beginnerto professional, piano teachers, musicians of all kinds, and the broader community of music-lovers. In a passionate contribution to the ongoing debate about the place of music in education, Susan Tomes argues that this most inspiring of arts can play a unique role in personal development.

This is a lovely, wise, elegantly written book, filled with tips and anecdotes which could be helpful and encouraging for any pianist, whether a beginner or aprofessional. Above all it is a book in which one senses constantly the deep love the author has for music itself, for its ability to inspire, touch and, indeed, change lives. STEPHEN HOUGH

SUSAN TOMES is a multi-award-winning pianist whose career encompasses solo, duo and chamber music playing; she has been at the heart of the internationally admired ensembles Domus, the Gaudier Ensemble and the Florestan Trio. Her lecture-recitals have enabled many listeners to engage with the classics on a new level. She is the author of four acclaimed books about performance: Beyond the Notes (Boydell Press 2004), A Musician's Alphabet (Faber, 2006), Out of Silence (Boydell Press, 2010), and Sleeping in Temples (Boydell Press, 2014).

Larissa Tracy

Medieval and Early Modern Murder

$190.00

Drawing on a wealth of sources from different disciplines, the essays here provide a nuanced picture of how medieval and early modern societies viewed murder and dealt with murderers.

Murder - the perpetrators, victims, methods and motives - has been the subject of law, literature, chronicles and religion, often crossing genres and disciplines and employing multiple modes of expression and interpretation. As the chapters in this volume demonstrate, definitions of murder, manslaughter and justified or unjustified homicide depend largely on the legal terminology and the laws of the society. Much like modern nations, medieval societies treated murder and murderers differently based on their social standing, the social standing of the victim, their gender, their mental capacity for understanding their crime, and intent, motive and means.
The three parts of this volume explore different aspects of this crime in the Middle Ages. The first provides the legal template for reading cases of murder in a variety of sources. The second examines the public hermeneutics of murder, especially theways in which medieval societies interpreted and contextualised their textual traditions: Icelandic sagas, Old French fabliaux, Arthuriana and accounts of assassination. Finally, the third part focuses on the effects of murder within the community: murder as a social ill, especially in killing kin.

LARISSA TRACY is Professor of Medieval Literature at Longwood University.

Contributors: Dianne Berg, G. Koolemans Beynen, Dwayne C. Coleman, Jeffrey Doolittle, Carmel Ferragud, Jay Paul Gates, Thomas Gobbitt, Emily J. Hutchison, Jolanta N. Komornicka, Anne Latowsky, Matthew Lubin, Andrew McKenzie-McHarg, Ben Parsons, Ilse Schweitzer VanDonkelaar, Hannah Skoda, Bridgette Slavin, Larissa Tracy, Patricia Turning, Lucas Wood

Ralph Stevens

Protestant Pluralism

$120.00

The 1689 Toleration Act marked a profound shift in the English religious landscape. By permitting the public worship of Protestant Dissenters (largely Presbyterian), the statute laid the foundations for legal religious pluralism,albeit limited, and ensured that eighteenth-century English society would be multi-denominational.

The 1689 Toleration Act marked a profound shift in the English religious landscape. By permitting the public worship of Protestant Dissenters, the statute laid the foundations for legal religious pluralism, albeit limited, and ensured that eighteenth-century English society would be multi-denominational. However, the Act was rushed, incomplete and on many issues fundamentally ambiguous. It therefore threw up numerous practical difficulties for the clergy of the Church of England, who were deeply divided about what the legislation implied.
This book explores how the Church reacted to the legal establishment of a multi-denominational religious environment and how it came to terms with religious pluralism. Thanks to the Toleration Act's inherent ambiguity, there was genuine confusion over how far it extended. The book examines how the practicalities of toleration and pluralism were worked out in the decades after 1689. A series of five case studies addresses: political participation; the movement for the reformation of manners; baptism; education; and the use of chapels. These studies illustrate how the Toleration Act influencedthe lived experiences of the clergy and the effects that it had on their pastoral role. The book places the Act in its broader context, at the end of England's 'long Reformation', and emphasises how, far from representing a defining constitutional moment, the Act heralded a process of experimentation, debate and adjustment.

RALPH STEVENS is a Tutor in History at University College Dublin.

Barbara L. Kelly

Music Criticism in France, 1918-1939

$170.00

This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.

Music Criticism in France examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). Drawing upon a rich corpus of critical writings and archival documents, the book uncovers some of the public debates surrounding classical music in the immediate aftermath of the Great War until the eve of World War II. As such, it provides new insights into the priorities, values and challenges that affected the musical milieu of this war-bound generation.
This collection of essays brings together scholars from different areas of musicology and related humanities disciplines; it also draws on different anglophone and francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences.
Focusing on the themes of authority, advocacy and legacy, it shows the contribution of principal critics such as Vuillermoz, Vallas, Prunières, Schloezer and Koechlin to shaping our understanding of music in the first half of the twentieth century in France. We see how criticism contributes to national and transnational preoccupations and agendas, which were of considerable importance throughout the interwar period and continue to have relevance today.

BARBARA L. KELLY is Director of Research and Professor of Musicology at the Royal Northern College of Music, Manchester. CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa. Contributors: PHILIPPE CATHÉ, MICHEL DUCHESNEAU, KIMBERLY FRANCIS, JACINTHE HARBEC, BARBARA L. KELLY, PASCAL LÉCROART, CHRISTOPHER MOORE, RACHEL MOORE, JANN PASLER, CAROLINE RAE, DANICK TROTTIER, MARIANNE WHEELDON

Justin Sturgeon

Text and Image in René d'Anjou's Livre des Tournois [3 volume set]

$275.00

An illustrated manual showing how a medieval tournament was organised, here presented in three volumes with essays on various aspects of the manuscript.

This 3 volume set contains the full text of René d'Anjou's Livre des tournois. This is famous as the most substantial account of the organisation of a medieval tournament that has come down to us. It survives in eight manuscripts, most of which have an almost identical layout; the best of these is a magnificent work of art in its own right. But these manuscripts have a further interest to the historian of culture, because they represent in effect the evidence for one of the first illustrated manuals, in which text and image are complementary, and form a single whole. The copyists understood this, and followed the original because the mise en page was an essential part of the whole. Justin Sturgeon's interdisciplinary study reveals the patterns and relationships which give the manual its very specific character.
The study begins by exploring the relationship between the work's images and text, and brings into focus the author's identity as an authority on the subject matter. Next, the use and depiction of heraldry as essential to the construction of an embedded visual narrative within the work is explored. We then turn to the subject matter and to René's sources for the work and the form of tournament he describes, are examined and the author shows that René was drawing on specific precedents to construct his idealized version of such an event. Analysis of the visual presentation uses spatial and ritual theory to engage with a series of spectacles surrounding the punishment and review of the noble tourneyers.
The last section of the book concentrates on the physical manuscripts.The codicological, textual and visual evidence from all eight known medieval manuscript copies is used to construct a new understanding of the provenance and transmission of the work, before turning to scrutinize the reception of two copies in detail. The conclusion draws together threads of identity, authority, and the importance of the Livre des tournois as a product of the culture and circumstances of its production.
A series of appendices forms the second volume and directly supports the book. These appendices include the first scholarly edition of the source manuscript to make use of all eight medieval manuscripts,with full supporting data.
The third volume contains 300 images of vital comparisons in high resolution close-ups using a special technique developed by the author which highlights important details within images while showing the detail in the context of the whole picture. Three Volume set.

Text and Image in René d'Anjou's <i>Livre des Tournois</i> [3 volume set]

Desmond Desmond Scott

The Cyril Scott Companion

$75.00

This Companion provides a comprehensive analysis and appraisal of all of Scott's available (published and unpublished) music and a broad picture of his entire output in literary, dramatic and philosophical genres.

Cyril Scott (1879-1970) was an English composer, writer and poet. He was a prolific composer-pianist writing over 400 works including four symphonies, three operas and concerti for piano, violin, cello, oboe and harpsichord. Oftenperforming his own compositions he became a pioneer of British piano music, and his music was admired by composers as diverse as Debussy, Strauss, Stravinsky and Percy Grainger, the last a lifelong friend. A true polymath, Scottwas also the author of forty-one books, including two autobiographies and one unpublished memoir, on subjects ranging from music, alternative medicine and humour to occultism, theosophy and Christianity. In addition, he wrote poems and plays and painted watercolours.
This Companion explores the life and work of this remarkably creative man. It provides a comprehensive analysis and appraisal of all the available music and includes a complete catalogue of his musical works, along with a discography. Several works completely unknown to the musical world, both music and literary (such as the memoir 'Near the End of Life'), are here newly catalogued and discussed. Altogether, thevolume gives a broad picture of Scott's entire output in literary, dramatic and philosophical genres.

LEWIS FOREMAN has published many books and articles on music. His Boydell titles include Bax: A Composer and hisTimes (2007), The John Ireland Companion (2011) and with Susan Foreman Felix Aprahamian (2015).
DESMOND SCOTT is the son of Cyril Scott. He was an actor, theatre director and TV writer. He is also a sculptor and past-President of the Sculptors Society of Canada. He has contributed to The New Percy Grainger Companion (Boydell Press, 2010) and has published articles in musical journals on Cyril Scott.
LESLIE DE'ATH isProfessor, Faculty of Music, Wilfrid Laurier University, Waterloo, Canada. He is Associate Editor of the Journal of Singing, a pianist, conductor and opera director. He has recorded Scott's complete solo piano music for Dutton.
Contributors: PETER ATKINSON, MARTYN BRABBINS, LESLIE DE'ATH, PETER DICKINSON, LEWIS FOREMAN, KATHERINE HUDSON, VALERIE LANGFIELD , KURT LELAND, STEPHEN LLOYD, STEVEN MARTIN, ROHINTEN DADDY MAZDA, RICHARD PRICE, EDMUND RUBBRA, DESMOND SCOTT, MARTIN YATES

Stephen Banfield

Music in the West Country

$60.00

The first regional history of music in England.

Music in the West Country is the first regional history of music in England. Ranging over seven hundred years, from the minstrels, waits, and cathedral choristers of the fourteenth century to the Bristol Sound of the late twentieth, the book explores the region's soundscape, from its gateway cities of Bristol and Salisbury in the east to the Isles of Scilly in the west, and examines music-making in tiny villages as well as conditions in important centres such as Bath, Exeter, Plymouth, and Bournemouth. What emerges is both a study of the typical - musical practices which would apply to any English region - and a portrait of the unique - features born of the region's physicalisolation and charm, among them the growth of festival culture, the mythologising of folk music, the late survival of parish psalmody and nonconformist carolling, and the unique continuance, today, of a professional resort orchestra, the Bournemouth Symphony Orchestra.
Banfield's vividly written and extremely readable history of music in the west country considers an array of subjects, firmly centred on people's stories: musical inventions and theidea of tradition, music as cultural capital, the economics of musical employment and the demographics of musicianship, musical networks, the relationship of the hinterlands to the metropolis, the influence of topography, the importance of institutions and events, and the question of how to measure value. A study in prosopography, it shows how people went about their lives with music and explores how things changed for them - or did not.

STEPHENBANFIELD is Emeritus Professor of Music at the University of Bristol.

Nigel Simeone

The Janácek Compendium

$115.00

Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian (and wider Czech) culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist.

One of the greatest and most original composers of the early twentieth century, Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist. His friends and associates included artists, writers, ethnographers and politicians, as well as conductors, singers and instrumentalists. Janácek's many pupils included the conductor Bretislav Bakala and thecomposer Pavel Haas. He had important associations with publishers in Vienna and Prague and with the earliest years of Czech Radio. Janácek was strongly attached to particular places - Hukvaldy, Brno, Luhacovice - and had professional links with Prague, Berlin, London and beyond. The Janácek Compendium includes nearly 300 entries on every aspect of Janácek's life and works, with detailed notes on all his significant compositions - above all the operas - providing the latest information to emerge about some of his most famous pieces. An extensive bibliography supports the entries, which are cross-referenced to enable wider exploration of particular topics.

NIGELSIMEONE is a widely respected writer and lecturer on music, with a lifelong interest in Czech music. His books include Janacek's Works (Oxford University Press, 1997, co-authored with John Tyrrell and Alena Nemcová), TheLeonard Bernstein Letters (Yale University Press, 2013), and Charles Mackerras (Boydell Press, 2015, co-edited with John Tyrrell). He is a regular broadcaster on BBC radio.

Dagmar Schäfer

Threads of Global Desire

$85.00

Considering silk as a major force of cross-cultural interaction, this book examines the integration of silk production and consumption into various cultures in the pre-modern world.

Silk has long been a global commodity that, because of its exceptional qualities, high value and relative portability, came to be traded over very long distances. Similarly, the silk industry - from sericulture to the weaving of cloth - was one of the most important fields of production in the medieval and early modern world. The production and consumption of silks spread from China to Japan and Korea and travelled westward as far as India, Persia and theByzantine Empire, Europe, Africa and the Americas. As contributors to this book demonstrate, in this process of diffusion silk fostered technological innovation and allowed new forms of organization of labour to emerge. Its consumption constantly reshaped social hierarchies, gender roles, aesthetic and visual cultures,as well as rituals and representations of power.

Threads of Global Desire is the first attempt at considering a global history of silk in the pre-modern era. The book examines the role of silk production and use in various cultures and its relation to everyday and regulatory practices. It considers silk as a major force of cross cultural interaction through technological exchange and trade in finished and semi-finished goods. Silks mediated design and a taste for luxuries and were part of gifting practices in diplomatic and private contexts. Silk manufacturing also fostered thecirculation of skilled craftsmen, connecting different centres and regions across continents and linking the countryside to urban production.

DAGMAR SCHÄFER is Director of Department 3 'Artefacts, Action, and Knowledge'at the Max Planck Institute for the History of Science in Berlin and Professor h.c. of the History of Technology at the Technical University, Berlin.

GIORGIO RIELLO is Professor of Global History and Culture at the University of Warwick. He has published extensively on the history of material culture and trade in early modern Europe and Asia and in particular on textiles and fashion.

LUCA MOLA is Professor of Early Modern Europe: History of the Renaissance and the Mediterranean in a World Perspective at the European University Institute in Fiesole.

Contributors: JOSÉ L. GASCH-TOMAS, SURAIYA FAROQHI, KAROLINA HUTKOVA, FUJITA KAYOKO, BEN MARSH, RUDOLPHMATTHEE, LESLEY ELLIS MILLER, DAVID MITCHELL, LUCA MOLA, LISA MONNAS, AMANDA PHILLIPS, GIORGIO RIELLO, DAGMAR SCHÄFER, ANGELA SHENG

Peter Purton

The Medieval Military Engineer

$170.00

Sheds light on the skills and techniques of the medieval military engineer, over a thousand year sweep.

The results of medieval engineering still surround us - cathedrals, castles, stone bridges, irrigation systems. However, the siege artillery, siege towers, temporary bridges, earthwork emplacements and underground mines used for war have left little trace behind them; and there is even less of the engineers themselves: the people behind the military engineering achievements. The evidence for this neglected group is studied here.
The author begins byconsidering the evolution of military technology across centuries, and the impact of new technologies in the context of the economic and social developments which made them possible. He looks at how military engineers obtained their skills, and the possible link with scholastic scientific awareness. With the increased survival of government records from the middle ages, engineers acquire names and individuals can be identified. And the fifteenth century -the age of polymaths such as Leonardo da Vinci - saw a new type of literate military engineer, part of a recognized profession, but with its roots in a thousand years of historical development.

PETER PURTON, D Phil (Oxon), FSA, has written extensively on medieval fortifications and siege warfare; his publications include the comprehensive two-volume history of the medieval siege (Boydell, 2010).