NYU Press

Radical alternatives to consent and trauma

Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future.

Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.

How deviant materials figure resistance

Yeast ferments, gelatin jiggles, drugs and alcohol froth and bubble, and flesh from animals and plants actively molds and rots. These materials morph through multiple states and phases, and their movement is imbued with a liveliness that is suggestive of volition.

Deviant Matter examines four aesthetic and material categories— gelatinousness, fermentation, putrefaction, and intoxication—to theorize how the modern state seeks to manage deviant populations across multiple scales, from the level of the single cell up to the affective and aesthetic imperatives of the state and its bureaucratic projects. Kyla Wazana Tompkins deploys a new materialist engagement with the history of race and queer life, making an argument for queer of color method as political and disciplinary critique. Deviant Matter delves into a vast archive that includes nineteenth-century medical and scientific writing; newspaper comic strips and early film; the Food and Drug Act of 1906; the literature of Martin Delany, Louisa May Alcott and Herman Melville; and twenty-first century queer minoritarian video, installation, and performance art.

Drawing from the genealogy of Black feminist and queer of color critique, in Deviant Matter rot, jelly, ferment and intoxicating materials serve as figures for thinking about how matter, art, politics, and affect can be read across multiple scales, ranging from the intimate and molecular everyday to the vast print production and inner workings of the state. Tompkins demonstrates that we are moved by our encounters with the materials in Deviant Matter, producing feelings and sensations that she links to a system of social value where these sensations come to be understood as productive, exciting, disgusting, intoxicating, or even hallucinatory. Moving through multiple states and phase changes, falling apart and reforming again, ferment, rot, intoxicants and jelly energize and choreograph both themselves and human behavior. At the same time, these materialities come to signify exactly those populations whose energy escapes the extractive efforts of capitalism and the state.

Tort law regulates most human activities: from driving a car to using consumer products to providing or receiving medical care. Injuries caused by dog bites, slips and falls, fender benders, bridge collapses, adverse reactions to a medication, bar fights, oil spills, and more all implicate the law of torts. The rules and procedures by which tort cases are resolved engage deeply-held intuitions about justice, causation, intentionality, and the obligations that we owe to one another. Tort rules and procedures also generate significant controversy—most visibly in political debates over tort reform.

The Psychology of Tort Law explores tort law through the lens of psychological science. Drawing on a wealth of psychological research and their own experiences teaching and researching tort law, Jennifer K. Robbennolt and Valerie P. Hans examine the psychological assumptions that underlie doctrinal rules. They explore how tort law influences the behavior and decision-making of potential plaintiffs and defendants, examining how doctors and patients, drivers, manufacturers and purchasers of products, property owners, and others make decisions against the backdrop of tort law. They show how the judges and jurors who decide tort claims are influenced by psychological phenomena in deciding cases. And they reveal how plaintiffs, defendants, and their attorneys resolve tort disputes in the shadow of tort law.

Robbennolt and Hans here shed fascinating light on the tort system, and on the psychological dynamics which undergird its functioning.

2024 Daniel E. Griffiths Research Award Winner

2024 Outstanding Academic Title, given by Choice Reviews

An expansive volume presenting crip approaches to writing, research, and publishing.

Crip Authorship: Disability as Method is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media.

Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published.

The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars.

Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on mad Black writing; Alison Kafer on the reliance of the manifesto genre on disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access and aesthetic technique.

What queer modes of resilience and care can teach us about enduring environmental collapse

What does it mean to live at the end of life, the end of a family line, the end of a species, or the end of the future itself? When faced with unfurling catastrophes, environmentalists often limit the conversation by focusing on the future. Activists work for the welfare of future generations, while scientists labor over projections of future outcomes. In Queer Lasting, Sarah Ensor asks what this emphasis on the future makes unthinkable. She looks to queer scenes of futurelessness to consider what ecocriticism can learn from queer theory, which imagines and inhabits the immanent ethical possibilities of a terminal present. While living “at the last” is often a terrifying prospect, queer culture reminds us that “to last” is itself also one way to go on.

Defining queerness as a mode of collective life in which these paradigms of lasting—ending and persisting—are constitutively intertwined, Ensor turns to two periods of queer extinction for models of care, continuance, and collective action predicated on futurelessness: the 1890s, in which existing forms of erotic affiliation were extinguished through the binary of homo/heterosexuality, and the 1980s, in which the spread of the AIDS epidemic threatened the total loss of gay lives and of specific erotic ways of life. Through readings that trace unexpected formal resonances across the works of Sarah Orne Jewett, Willa Cather, Melvin Dixon, Essex Hemphill, Allen Barnett, and Samuel Delany, Queer Lasting maintains that queer writing, in its intimacy with death and loss, offers a rich archive for imagining new ways of thinking through environmental collapse. Whether confronting the epidemic contours of the AIDS crisis, theorizing the temporary encounters of cruising, or reckoning with the lives of non-reproductive subjects, this book about futurelessness is also a book about persistence. It demonstrates how, far from giving up in the face of the terminal paradigms that environmentalism fears, queer culture has instead predicated its living—and its lasting—upon them.

Winner of the 2023 Ángel David Nieves Book Award, given by the American Studies Association

The internet origins of the American transgender movement

The Two Revolutions explores how the rise of the internet shaped transgender identity and activism from the 1980s to the present. Through extensive archival research and media archeology, Avery Dame-Griff reconstructs the manifold digital networks of transgender activists, cross-dressing computer hobbyists, and others interested in gender nonconformity who incited the second revolution of the title: the ascendance of “transgender” as an umbrella identity in the mid-1990s.

Dame-Griff argues that digital communications sparked significant momentum within what would become the transgender movement, but also further cemented existing power structures. Covering both a historical period that is largely neglected within the history of computing, and the poorly understood role of technology in queer and trans social movements, The Two Revolutions offers a new understanding of both revolutions—the internet’s early development and the structures of communication that would take us to today’s tipping point of trans visibility politics. Through a history of how trans people online exploited different digital infrastructures in the early days of the internet to build a community, The Two Revolutions tells a crucial part of trans history itself.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association

Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association

How the female body has been racialized for over two hundred years

There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago.

Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority.

The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

Winner, 2021 PROSE Award in the Cultural Anthropology & Sociology Category

Finalist, 2021 Lambda Literary Award in LGBTQ Studies

A troubling account of heterosexual desire in the era of #MeToo

Heterosexuality is in crisis. Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness.

In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships.

Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”

Winner of the 2023 National Book Critics Circle Award for Criticism
Winner of the 2023 ASAP Book Prize, given by the Association for the Study of the Arts of the Present

Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production

Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life.

Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness’s deadpan aesthetic within and beyond black embodiments, including Young Jean Lee’s The Shipment and Branden Jacobs-Jenkins’s Neighbors, as well as Buster Keaton’s signature character and Steve McQueen’s restitution of the former’s legacy within the continuum of Black cultural production.

Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility.

Uncovers the inherently religious structure of the criminalization of Black, Indigenous, and dispossessed peoples

Most popular critical accounts of mass criminalization interpret police and prisons as purely social or political phenomena. While such accounts have been indispensable in moving millions into collective action and resistance, the carceral state remains as pervasive as ever.

White Property, Black Trespass argues that understanding why we have police and prisons, and building a world of safety and abundance beyond them, requires that we acknowledge the inherently religious function that criminalization fulfills for a colonial and racial capitalist order that puts its faith in cops and cages to save it from the existential threat of disorder that its own structural violence creates.

The story of criminalization, Krinks shows, begins with the eurochristian aspiration to become God at the expense of all others—an aspiration that gives rise to the pseudo-sacred powers of whiteness and property, and, by extension, the police power that exists to serve and protect them. Tracing the historical continuity and religiosity of the color line, the property line, and the thin blue line, Krinks reveals police power as the pseudo-divine power to exile nonwhite and dispossessed trespassers to carceral hell.

At once incisive and expansive, this groundbreaking work deepens understanding of racial capitalism and mass criminalization by illuminating the religious mythologies that animate them. It concludes with thoughts on what might be entailed in a religion rooted in rejection of the religious idolatry of mass criminalization—a religion of abolition.

Offers a big picture analysis of American Catholicism

The Catholic Church is at a crossroads. In the United States alone there are many challenges facing the church that are both internal and external to the institution. With the rise of the growing Gen Z population and the diminishing of the pre-Vatican II generation, gone are the days of a patriarchal, “father knows best” religious obedience. Indeed, as issues of gender, race, reproductive rights, and non-nuclear families have risen in prominence, the Catholic Church has had to adapt to keep pace with the times.

The latest in a series of important sociological overviews drawing on nation-wide surveys administered every six years, Catholicism at a Crossroads charts this new era of Catholic worship, belonging, and identity in America today. Augmenting the survey data for the first time with over fifty interviews with lay and ordained US Catholic leaders, the book illustrates how the church has adapted to Pope Francis’s modern papacy, the rise of religious non-affiliation, and various demographic changes including an increasing Hispanic population. Addressing how the church is responding to recent cultural challenges presented by political polarization, racial unrest, and threats to democracy, Catholicism at a Crossroads offers an up-to-date, nuanced, and definitive portrait of American Catholicism in the twenty-first century while also providing discussions of how the findings may be relevant for the study of American religion more broadly.

A 10th anniversary edition of this field defining work—an intellectual inspiration for a generation of LGBTQ scholars

Cruising Utopia arrived in 2009 to insist that queerness must be reimagined as a futurity-bound phenomenon, an insistence on the potentiality of another world that would crack open the pragmatic present. Part manifesto, part love-letter to the past and the future, José Esteban Muñoz argued that the here and now were not enough and issued an urgent call for the revivification of the queer political imagination.

On the anniversary of its original publication, this edition includes two essays that extend and expand the project of Cruising Utopia, as well as a new foreword by the current editors of Sexual Cultures, the book series he co-founded with Ann Pellegrini 20 years ago. This 10th anniversary edition celebrates the lasting impact that Cruising Utopia has had on the decade of queer of color critique that followed and introduces a new generation of readers to a future not yet here.

Winner of the 2024 Eileen Basker Memorial Prize from the Society for Medical Anthropology

How embryo adoption advances the Christian Right’s political goals for creating a Christian nation

In 1997, a group of white pro-life evangelical Christians in the United States created the nation’s first embryo adoption program to “save” the thousands of frozen human embryos remaining from assisted reproduction procedures, which they contend are unborn children. While a small part of US fertility services, embryo adoption has played an outsized role in conservative politics, from high-profile battles over public investment in human embryonic stem cell research to the overturning of Roe v. Wade. Based on six years of ethnographic research with embryo adoption staff and participants, Risa Cromer uncovers how embryo adoption advances ambitious political goals for expanding the influence of conservative Christian values and power.

Conceiving Christian America is the first book on embryo adoption tracing how this powerful social movement draws on white saviorist tropes in their aims to reconceive personhood, with drastic consequences for reproductive rights and justice. Documenting the practices, narratives, and beliefs that move embryos from freezers to uteruses, this book wields anthropological wariness as a tool for confronting the multiple tactics of the Christian Right. Timely and provocative, Conceiving Christian America presents a bold and nuanced examination of a family-making process focused on conceiving a Christian nation.

A call to place disability at the center of climate and disaster responses

Every disaster is a disability disaster, argues Angela Frederick. Disabled Power tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Based on 58 in-depth interviews with disabled Texans and parents of disabled children, Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail. She argues that the vulnerability people with disabilities experienced during this disaster was not an inevitable consequence of individual disabled bodies. Rather, disability vulnerability was “produced” by policies that “disabled” vital infrastructure.

Frederick also emphasizes another meaning of the phrase “disabled power:” the individual and collective resilience and creativity Texans with disabilities exercised to survive the disaster. Despite common perceptions of people with disabilities as passive victims, Frederick shows how many found strategies to survive and to provide and receive care within their communities. Ultimately, the implications of this disaster extend far beyond Texas and underscore our increased vulnerability to infrastructural failures as extreme weather events become more common. Disabled Power offers a blueprint for reimagining vulnerability and resilience to center people with disabilities in disaster research and emergency response.

Winner, 2021 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association

Winner, 2021 Harry Levin Prize, given by the American Comparative Literature Association

Winner, 2021 Lambda Literary Award in LGBTQ Studies

Argues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the human

Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically anti-Blackness, is indispensable to future thought on matter, materiality, animality, and posthumanism.

Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of Blackness—the process of imagining the Black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of Blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."

How Black women’s visual work functions in an era of new racial and gender meaning

In the wake of contemporary art’s post-Black turn and the mainstreaming of intersectionality, Undesirability and Her Sisters charts a new genealogy of Black women’s art that exposes the unfinished project of racial and gender empowerment in the twenty-first century. Tiffany Barber argues that Black women’s social positions at the intersection of race, gender, sexuality, and class are inherently queer, thus spurring unexpected aesthetic strategies that throw into high relief the ethical terrain of what it means to be Black and a woman now.

Undesirability and Her Sisters collates what Barber terms “undesirable” representations of Black female bodies in recent American sculpture, collage, photography, and dance-based performance art by Kara Walker, Wangechi Mutu, Xaviera Simmons, and Narcissister. These works not only engage the visual senses but also incorporate olfactory, haptic, and sonic experiences that challenge traditional interpretations of Blackness and womanhood in art history, Black Studies, feminist and gender studies, dance and performance studies, and queer studies. Instead of transcendental beauty, wholeness, and individual and collective becoming, the perverse Black female figures profiled here eschew sublimation and synthesis as necessary responses to racial and gender subjugation in the past, present, and future.

Through its unique, groundbreaking analysis, this book contributes to the ongoing discussions on the ethics of representation—the capacity to speak and act for oneself, to have significance and impact, and ultimately, to reject acknowledgment.

Reimagines photography through the long history of ideas of expression

The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.

The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.

The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.

How Latinx artists engage in sonic subcultures to reject neoliberal definitions of belonging

What is the connection between the British rock star Morrissey and the Latinx culture of transnational “unbelonging”? What is the relevance of “dyke chords” in Chicana feminist punk and lesbian dissolution? In what ways can dissonant sounds challenge systems of dominance?

Unbelonging answers these questions and more through an exploration into Mexican and US-based Latinx artists’, writers’, and creators’ use of the discordant sounds of punk, metal, and rock to give voice to the aesthetic of “unbelonging,” a rejection of consumerist and nationalist mentalities. Iván A. Ramos argues that racial identity and belonging have historically required legible forms of performance. Sound has been the primary medium that amplifies and is used to assign cultural citizenship and, for Latinx individuals, legibility is essential to music perceived as traditional and authentic to their national origins. In the context of twentieth-century neoliberal policies, which cemented the concept of “citizen” within logics of consumerism and capitalism, Ramos turns to focus on Latinx artists, writers, and audiences, who produce experimental and often “inauthentic” performances and installations in sonic subcultures to reject new definitions of economic citizenship.

Organized around studies of a number of artists, all whom are explored through the methodological frameworks of sound studies, performance studies, and queer theory, Unbelonging unearths how their very different genres of music share a unifying theme of dissonance. With the backdrop of neoliberalism’s attempt to define citizenship in relation to economic and cultural legibility, Unbelonging offers an urgent analysis of how these oft-overlooked queer and feminist performers and fans used sonic illegibility to challenge gender norms, official definitions of citizenship, and narratives of assimilation. Ultimately, these forms of inauthenticity move beyond negation and become ways to imagine alternative realities.

A courtside view of how women athletes’ identities are policed, on and off the court

Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.

A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.

A riveting portrait of an elite basketball program, Denied will forever change our understanding of women athletes and the sports they play.

A revealing look at how negative biases against women of color are embedded in search engine results and algorithms

Run a Google search for “Black girls”—what will you find? “Big Booty” and other sexually explicit terms are likely to come up as top search terms. But, if you type in “white girls,” the results are radically different. The suggested porn sites and un-moderated discussions about “why Black women are so sassy” or “why Black women are so angry” presents a disturbing portrait of Black womanhood in modern society.

In Algorithms of Oppression, Safiya Umoja Noble challenges the idea that search engines like Google offer an equal playing field for all forms of ideas, identities, and activities. Data discrimination is a real social problem; Noble argues that the combination of private interests in promoting certain sites, along with the monopoly status of a relatively small number of Internet search engines, leads to a biased set of search algorithms that privilege whiteness and discriminate against people of color, specifically women of color.

Through an analysis of textual and media searches as well as extensive research on paid online advertising, Noble exposes a culture of racism and sexism in the way discoverability is created online. As search engines and their related companies grow in importance—operating as a source for email, a major vehicle for primary and secondary school learning, and beyond—understanding and reversing these disquieting trends and discriminatory practices is of utmost importance.

An original, surprising and, at times, disturbing account of bias on the internet, Algorithms of Oppression contributes to our understanding of how racism is created, maintained, and disseminated in the 21st century.

A cutting-edge volume on current trends in sex work, from sugar relationships and cyber brothels to financial domination, sex worker activism, and feminist porn

Sex is for sale in more ways than ever. It can be bought and sold online, in sex clubs, on the street, and around the world. As with many industries, discrimination, exploitation, and inequality persist in sex work. Yet it also offers autonomy, job satisfaction, and even pleasurable experiences for those involved. Sex Work Today explores these contradictions, offering an intimate look at the benefits and challenges of sex work across geographic contexts.

Featuring thirty-one original essays by sex workers, advocates, researchers, and activists, Sex Work Today is the first compilation of research on new forms of digital sex such as camming, sugar dating, and AI sex dolls. Providing a lens to understand contemporary labor dynamics and the nature of sex work itself, this collection captures formerly ignored aspects of the sex industry including: fatphobia and disability; transmasculine and nonbinary sex workers; racialized emotional labor in the digital sex industry; high job satisfaction among professional dominatrixes; and sex worker scholars.

With federal policies ostensibly aimed at combating sex trafficking–affecting all sex workers–understanding this industry is more vital than ever. Decentering Western, white, cisgender voices, Sex Work Today underscores the global repercussions of these misaligned policies, which make sex work more challenging and less safe, and provides valuable insights for those seeking to shape policies, challenge prejudices, and foster a safer and more equitable world for all.

Explores the religious activism of the Stop Shopping Church performance group

Since the dawn of the new millennium, the grassroots performance activist group the Stop Shopping Church has advanced a sophisticated anti-capitalist critique in what they call “Earth Justice.” Led by co-founders, Reverend Billy and Savitri D, the Church of Stop Shopping have sung with Joan Baez and toured with Pussy Riot and Neil Young. They performed at festivals around the world, and been the subject of the nationally released documentary, What Would Jesus Buy? They opposed the forces of consumerism on the global stage, and taken on the corporate practices of Disney, Starbucks, J.P. Morgan Chase Bank, Walmart, Amazon, and many others.

While the Church maintains an anti-consumerism stance at its core–through performances, street actions, and social activism–the community also prioritizes work for racial justice, queer liberation, justice and sanctuary for immigrants, First Amendment issues, the reclaiming of public space, and in an increasingly central way, environmental justice. In The Church of Stop Shopping and Religious Activism, George González draws on interviews, participant observation, and digital ethnography to offer insight into the Church, its make up, its activities, and in particular, how it has shifted over time from parody to a deep and serious engagement with religion. Reverend Billy and the Church of Stop Shopping maintain that corporations and their celebrity spokespeople operate in much the same way churches do. González uses the group’s performance activism to showcase the links between religion, the culture of capitalist consumerism, and climate catastrophe and to analyze the ways in which consumers are ritualized into accepting capitalism and its consequences. He argues that the members and organizers of the Church of Stop Shopping are serious theorizers and users of religion in their own right, and that they offer keen insights into our understanding of ritualistic consumerism and its indelible link to the rising sea levels that threaten to engulf us all.

An irreverent look at the love-hate relationship between queer viewers and mainstream family TV shows like Gilmore Girls and This Is Us

After personal loss, political upheaval, and the devastation of the COVID-19 pandemic, many of us craved a return to business as usual, the mundane, the middlebrow. We turned to TV to find these things. For nearly forty years, network television has produced a constant stream of “cry-along” sentimental-realist dramedies designed to appeal to liberal, heterosexual, white America. But what makes us keep watching, even though these TV series inevitably fail to reflect who we are?

Revisiting soothing network dramedies like Parenthood, Gilmore Girls, This Is Us, and their late-80s precursor, thirtysomething, Normporn mines the nuanced pleasures and attraction-repulsion queer viewers experience watching liberal family-centric shows. Karen Tongson reflects on how queer cultural observers work through repeated declarations of a “new normal” and flash lifestyle trends like “normcore,” even as the absurdity, aberrance, and violence of our culture intensifies. Normporn allows us to process how the intimate traumas of everyday life depicted on certain TV shows—of love, life, death, and loss—are linked to the collective and historical traumas of their contemporary moments, from financial recessions and political crises to the pandemic.

Normporn asks, what are queers to do—what is anyone to do, really—when we are forced to confront the fact of our own normalcy, and our own privilege, inherited or attained? The fantasies, the utopian impulses, and (paradoxically) the unreality of sentimental realist TV drama creates a productive tension that queer spectators in particular take pleasure in, even as—or precisely because—it lulls us into a sense of boredom and stability that we never thought we could want or have. .

Winner, 2024 George Freedley Memorial Award, given by the Theatre Library Association
Winner, Labriola National American Indian Data Center 2025 National Book Award
Winner, 2025 Outstanding Book Award (for Scholarly Achievement), given by the Association for Theatre in Higher Education
Finalist, 2025 John W. Frick Book Award, given by the American Theatre and Drama Society

Considers the character of the “Stage Indian” in American theater and its racial and political impact

Redface unearths the history of the theatrical phenomenon of redface in nineteenth- and twentieth-century America. Like blackface, redface was used to racialize Indigenous peoples and nations, and even more crucially, exclude them from full citizenship in the United States. Arguing that redface is more than just the costumes or makeup an actor wears, Bethany Hughes contends that it is a collaborative, curatorial process through which artists and audiences make certain bodies legible as “Indian.” By chronicling how performances and definitions of redface rely upon legibility and delineations of race that are culturally constructed and routinely shifting, this book offers an understanding of how redface works to naturalize a very particular version of history and, in doing so, mask its own performativity.

Tracing the “Stage Indian” from its early nineteenth-century roots to its proliferation across theatrical entertainment forms and turn of the twenty-first century attempts to address its racist legacy, Redface uses case studies in law and civic life to understand its offstage impact. Hughes connects extensive scholarship on the “Indian” in American culture to the theatrical history of racial impersonation and critiques of settler colonialism, demonstrating redface’s high stakes for Indigenous and non-Indigenous alike. Revealing the persistence of redface and the challenges of fixing it, Redface closes by offering readers an embodied rehearsal of what it would mean to read not for the “Indian” but for Indigenous theater and performance as it has always existed in the US.

Winner of the 2023-2024 CLAGS Fellowship Award

Illuminates an irreverent queer cultural strategy for grappling with and remaking abject histories of violence

Extravagant Camp takes as its point of critical departure the multiple valences of the word “camp”: the camp, as a geopolitical space and process of concentrating racialized populations, and the campy as a mode of queer expressiveness. Engaging its double meaning, Chris A. Eng explores how camp and encampment have contoured the figure of the Asian American.

The book follows campy performances that imaginatively restage the camps that have been central to dominant narratives of Asian American history: Chinese railroad labor, Japanese American incarceration, Vietnam War refugee resettlement, and counterinsurgency camps across US imperial entanglements in the Philippines. Illuminating an eclectic ensemble of performances that grapple with Asian American history—from classical works in the Asian American literary tradition to emerging works of theater and film—Extravagant Camp uncovers Asian American camp as a prevalent yet underappreciated cultural strategy for contesting accounts of Asian American racialization that overly rely on terms of abjection.

Theorizing Asian American camp as both a performance strategy and reading practice, Eng examines how artists drag up the maligned racial roles of the coolie, the internee, the refugee, and the diva to make different sense of these histories. Extravagant Camp shows how Asian American camp takes on queerness as a resource to enliven modes of joy, beauty, and pleasure within structures of constraint, revealing the types of power camp retrieves for racialized communities in the face of abjection. Geared toward the extravagant, Asian American camp demands a recognition of queer abjection not as the basis for our undoing, but rather the grounds for a more radical social remaking.

Illustrates how the children of immigrants use art to grapple with issues of citizenship, state violence, and belonging

Young immigrant children often do not have the words to express how their lives are shaped by issues of immigration, legal status, and state-sanctioned violence. Yet they are able to communicate its effects on them using art.

Based on ten years of work with immigrant children as young as six years old in Arizona and California— and featuring an analysis of three hundred drawings, theater performances, and family interviews—Silvia Rodriguez Vega provides accounts of children’s challenges with deportation and family separation during the Obama and Trump administrations. While much of the literature on immigrant children depicts them as passive, when viewed through this lens they appear as agents of their own stories.

The volume provides key insights into how immigrant children in both states presented creative, out-of-the-box, powerful solutions to the dilemmas that anti-immigrant rhetoric and harsh immigration laws present. Through art, they demonstrated a righteous indignation against societal violence, dehumanization, and death as a tool for navigating a racist, anti-immigrant society.

When children are the agents of their own stories, they can reimagine destructive situations in ways that adults sometimes cannot, offering us alternatives and hope for a better future. At once devastating and revelatory, Drawing Deportation provides a roadmap for how art can provide a safe and necessary space for vulnerable populations to assert their humanity in a world that would rather divest them of it.

A collection of movement flashpoints and insurgent visions for Asian American activism

In the late 1960s, Asian American political activism emerged to unite disparate Asian diasporic communities living in the United States behind a radical political identity shaped by the Black Power and anti-imperialist movements of their times. Today, Asian Americans are more diverse, and, at times, more politically divided than ever before. In media and electoral politics, Asian Americans are celebrated as the fastest-growing racial demographic in the United States and claimed as evidence of racial progress. Yet the “rise” of Asian America rarely centers the coordinated forms of grassroots political organizing that Asian Americans have used to shape their place in society.

In Asian America Rising, Diane Wong and Mark Tseng-Putterman bring together an interdisciplinary group of established and emerging scholars of Asian American activism and politics, community organizers, artists, archivists, and others to highlight the diversity of twenty-first century Asian American political movements across a number of critical areas. Based on deep collaborations between scholars and frontline organizers, contributors like Diane Fujino, Vichet Chhuon, Lakshmi Sridaran, and Kim Compoc examine different facets of the Asian American political experience, including the impact of immigrant detention and deportation; the emergence of conservative Chinese American opposition to affirmative action in higher education; abolitionist perspectives on the Stop Asian Hate movement; and transnational resistance to U.S. economic and military dominance in Hawai‘i, the Philippines, and Okinawa.

Ultimately, Wong and Tseng-Putterman show important shifts and emergent directions for Asian American politics in the twenty-first century. Focusing on grassroots mobilization and bold interventions beyond the formal political sphere, they shine a light on the diversity and power of Asian American political activism, cultural work, community building, mutual aid, and multiracial issue-based organizing.

Reveals the Christian foundations of CrossFit

CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit, Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture.

Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time.

A collection of insightful and personal essays on the role of food in our lives

In an age of mass factory farming, processed and pre-packaged meals, and unprecedented food waste, how does one eat ethically?

Featuring a highly diverse ensemble of award-winning writers, chefs, farmers, activists, educators, and journalists, Good Eats invites readers to think about what it means to eat according to individual and collective values. These essays are not lectures about what you should eat, nor an advertisement for the latest diet. Instead, the contributors tell stories of real people—real bellies, real bodies—including the writers themselves, who seek to understand the experiences, cultures, histories, and systems that have shaped their eating and their ethics.

A wide array of themes, topics, and perspectives inform the selections within Good Eats, contributing to an enhanced understanding of how we eat as individuals and in groups. From factory farming and the exploitative labor practices surrounding chocolate production, to Indigenous foodways and home and community gardens, the topics featured in this collection describe the wider context of sustenance and ethical choices.

Good Eats will encourage you to become more mindful of what and how you eat—and to consider the larger systems and cultures that shape that eating. These essays turn mundane meals into remarkable symbols of how we live, encouraging each of us to find food that is both sustaining and sustainable.

Contributors include Ross Gay, DeLyssa Begay, Lynn Z. Bloom, Michael P. Branch, Nikky Finney, Shirley Geok-lin Lim, Barbara J. King, Aimee Nezhukumatathil, Leah Penniman, Adrienne Su, Ira Sukrungruang, Tina Vasquez, Nicole Walker, Thérèse Nelson, Lisa Knopp, Jane Brox, Maureen Stanton, Taté Walker, and many others.

An examination of hysterectomy and the struggle for bodily and reproductive autonomy

At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.

Get It Out weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Andréa Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.

Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality.

Finalist, 2025 PROSE Awards: Literature

A new history of manhood, race, and hierarchy in American childhood

Like Children argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.

Like Children recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, Like Children displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.

An introduction to the burgeoning field of food studies

Popular and intellectual interest in food is on the rise. The breadth of concerns surrounding food ranges from animal welfare and climate change’s impact on food production to debates on the healthfulness of carbohydrates and fats, and fair compensation for restaurant and farm workers. Not only is there an expanding conversation about the ways in which we produce and consume our food, but there is growing attention being placed on the myriad ways in which food expresses and shapes shifting identities.

Practicing Food Studies details the turn of the twenty-first century development and flourishing of food studies as a multidisciplinary field, focusing on its establishment at New York University. Food studies scholars have come from various fields such as history, sociology, economics, political science, nutrition, or public policy, but often felt limited by the conventions of their traditional discipline. Many gravitated to food studies to be able to describe and critically examine their specific areas of interest beyond the borders of academic disciplines. This volume explores the history of knowledge in which NYU Food Studies emerged, providing the opportunity to reflect on how academic fields are created and evolve as a response to institutional constraints and opportunities, the landscape of ideas, social movements, and public conversations.

Practicing Food Studies is a compelling collection of essays compiling the research, ideas, and experiences of faculty members and graduates of the NYU Food Studies program—mapping the paths for intellectual and social engagement with food systems and its most urgent issues.

WINNER, 2024 Pauli Murray Book Prize, given by the African American Intellectual History Society

Finalist, 2025 J.B. Jackson Book Prize, given by The UVA Center for Cultural Landscapes

A history of Black urban placemaking and politics in Philadelphia from the Great Migration to the era of Black Power

In this book, author J.T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly—dark agoras—in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city’s social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them.

Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city’s underground—its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city’s set apart—its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics.

Finalist, 2025 Barnard Hewitt Award for Outstanding Research in Theatre History, given by American Society for Theatre Research
Winner, 2025 Lilla A. Heston Award for Outstanding Scholarship in Interpretation and Performance Studies, given by the National Communication Association
Winner, Gay, Lesbian, Bisexual, Transgender, and Queer Communication Studies Division Book of the Year, given by the National Communication Association
Winner, 2025 C.L.R. James Award, awarded by the Working-Class Studies Association
Special Mention, 2025 David Bradby Monograph Prize, given by the Theatre and Performance Research Association
Shortlisted, 2025 Outstanding Book Award, given by the Association for Theatre in Higher Education
Finalist, 2025 PROSE Awards: Music and the Performing Arts
Finalist, 2025 John W. Frick Book Award, given by the American Theatre and Drama Society

A cultural history of disability, performance, and work in the modern United States

In 1967, the US government funded the National Theatre of the Deaf, a groundbreaking rehabilitation initiative employing deaf actors. This project aligned with the postwar belief that transforming bodies, minds, aesthetics, and institutions could liberate disabled Americans from economic reliance on the state, and demonstrated the growing optimism that performance could provide job opportunities for people with disabilities.

Disability Works offers an original cultural history of disability and performance in modern America, exploring rehabilitation’s competing legacies. The book highlights an unexpected alliance of rehabilitation professionals, deaf teachers, policy makers, disability activists, queer artists, and religious leaders who championed performance’s rehabilitative potential. At the same time, some disabled artists imagined a different political itinerary for theatrical practice. Rather than acquiescing to the terms of productive citizenship, these artists recuperated rehabilitation as a creative resource for imagining and building a world beyond work. Using previously unexplored archives, Disability Works portrays the history of disabled Americans’ performance labor as both a national aspiration and a national problem. The book reveals how disabled artists and activists ingeniously used rehabilitative resources to fuel their performance practices, breaking free from the grasp of rehabilitation and fostering more just institutions.

From state-funded “sign-mime” to Black modern dance, community theatre to Stanislavskian actor training, speculative activism to epistolary performance, Disability Works recovers an expansive repertoire of aesthetic and infrastructural investigations into the terms of how disability works in modern American culture.

Honorable Mention, 2025 AAAS Book Awards: Social Sciences Category

How race continues to shape the citizenship and everyday lives of later-generation Japanese
Americans

Japanese Americans are seen as the “model minority,” a group that has fully assimilated and excelled within the US. Yet third- and fourth-generation Japanese Americans continue to report feeling marginalized within the predominantly white communities they call home. Japanese Americans and the Racial Uniform explores this apparent contradiction, challenging the way society understands the role of race in social and cultural integration.

To explore race and the everyday practices of citizenship, Dana Y. Nakano begins at an unlikely site, Japanese Village and Deer Park, a now defunct Japan-themed amusement park in suburban Southern California. Drawing from extensive interviews with the park’s Japanese American employees as well as photographic imagery, Nakano shows how the employees' race acted as part of their work uniform and magnified their sense of alienation from their white peers and the park’s white visitors. While the racial perception of Japanese Americans as forever foreigners made them ideal employees for Deer Park, the same stigma continues to marginalizes Japanese Americans beyond the place and time of the amusement park. Into the present day, third and fourth generation Japanese Americans share feelings of racialized non-belonging and yearning for community. Japanese Americans and the Racial Uniform pushes us to rethink the persistent recognition of racial markers—the racial body as a visible, ever-present uniform—and how it continues to impact claims on an American identity and the lived experience of citizenship.

Co-Winner of the 2023 Latino/a Section Best Book Award, given by the American Sociological Association

Honorable Mention, 2024 Best Book Award, given by the Asia and Asian America section of the American Sociological Association

The stories of second-generation immigrant gay men coming of age in Los Angeles

Growing up in the shadow of Hollywood, the gay sons of immigrants featured in Brown and Gay in LA could not have felt further removed from a world where queerness was accepted and celebrated. Instead, the men profiled here maneuver through family and friendship circles where masculinity dominates, gay sexuality is unspoken, and heterosexuality is strictly enforced. For these men, the path to sexual freedom often involves chasing the dreams while resisting the expectations of their immigrant parents—and finding community in each other.

Ocampo also details his own story of reconciling his queer Filipino American identity and those of men like him. He shows what it was like for these young men to grow up gay in an immigrant family, to be the one gay person in their school and ethnic community, and to be a person of color in predominantly White gay spaces. Brown and Gay in LA is an homage to second-generation gay men and their radical redefinition of what it means to be gay, to be a man, to be a person of color, and, ultimately, what it means to be an American.

A new edition of a seminal text in Critical Race Theory

Since the publication of the third edition of Critical Race Theory: An Introduction in 2017, the United States has experienced a dramatic increase in racially motivated mass shootings and a pandemic that revealed how deeply entrenched medical racism is and how public disasters disproportionately affect minority communities. We have also seen a sharp backlash against Critical Race Theory, and a president who deemed racism a thing of the past while he fanned the flames of racial intolerance and promoted nativist sentiments among his followers. Now more than ever, the racial disparities in all aspects of
public life are glaringly obvious.

Taking note of all these developments, this fourth edition covers a range of new topics and events and addresses the rise of a fierce wave of criticism from right-wing websites, think tanks, and foundations, some of which insist that America is now colorblind and has little use for racial analysis and study. Award-winning authors Richard Delgado and Jean Stefancic also address the rise in legislative efforts to curtail K–12 teaching of racial history.

Critical Race Theory, Fourth Edition, is essential for understanding developments in this burgeoning field, which has spread to other disciplines and countries. The new edition also covers the ways in which other societies and disciplines adapt its teachings and, for readers wanting to advance a progressive race agenda, includes new readings and questions for discussion aimed at outlining practical steps to achieve this objective.

Assembles texts, performances, and personae from American culture to assert the elemental nature
of style

While “style” is equated with fashion or convention in common parlance, Style: A Queer Cosmology defines the term as a mode of expression that makes us more like ourselves and less like everyone else. Taylor Black’s interdisciplinary conceptual analysis assembles texts, performances, and personae from American culture that engage in ethical, creative, and performative modes of what he terms “abundant revelation.” Moving back and forth through time, this book sketches American cosmologies cultivated by iconic and subterranean American artists like Edgar Allan Poe, Flannery O’Connor, Nikki Giovanni, and Bob Dylan. Presiding throughout is the book’s conceptual guide: latter-day American and notorious homosexual Quentin Crisp, resurrected here as a philosopher of style.

As a scholarly intervention, Style participates in the critical work of revival and attunement—revitalizing figures, terms, and ideas that have become too familiar. Returning to viewing the critic as a stylist, Style: A Queer Cosmology leans into the study of things and qualities that are immanent and elude paraphrase or social scientific categorization. Style is about the possible rather than the probable, singularity over universals, personality instead of identity, the emergent and not the new—the mystery of becoming.

Illuminates how the preservation of slavery was a motivating factor for the Revolutionary War

The successful 1776 revolt against British rule in North America has been hailed almost universally as a great step forward for humanity. But the Africans then living in the colonies overwhelmingly sided with the British. In this trailblazing book, Gerald Horne shows that in the prelude to 1776, the abolition of slavery seemed all but inevitable in London, delighting Africans as much as it outraged slaveholders, and sparking the colonial revolt.

Prior to 1776, anti-slavery sentiments were deepening throughout Britain and in the Caribbean, rebellious Africans were in revolt. For European colonists in America, the major threat to their security was a foreign invasion combined with an insurrection of the enslaved. It was a real and threatening possibility that London would impose abolition throughout the colonies—a possibility the founding fathers feared would bring slave rebellions to their shores. To forestall it, they went to war.

The so-called Revolutionary War, Horne writes, was in part a counter-revolution, a conservative movement that the founding fathers fought in order to preserve their right to enslave others. The Counter-Revolution of 1776 brings us to a radical new understanding of the traditional heroic creation myth of the United States.

How the queer Chicano punks of post-1960s Los Angeles developed a unique politics of style

In this groundbreaking work, Joshua Javier Guzmán explores the queer punk and Chicano/Latino avant-garde art scenes in post-1968 Los Angeles from the rise of Ronald Reagan to the height of the AIDS epidemic. He demonstrates how style–as a cultural form and sensibility–becomes essential to Latino politics at the moment the utopian impulses of the 1960s begin to fade.

Guzmán uncovers how queer Latinos in Los Angeles used performance, underground media, experimental art, and literature to interrogate the limits of Chicano nationalism and the burgeoning politics of gay liberation. These subcultural forms give rise to a theory of what he calls “stylized discontent,” expressed as nausea, lo-fi, ambivalence, and malaise. Each chapter of the book is framed by a specific stylized discontent, demonstrating how they were repurposed by queer punk Latinos as responses to the AIDS crisis and the rise of neoliberalisms.

Dissatisfactions highlights the middle ranges of political agency strategically utilized by queer racialized historical actors to underscore how negative feelings become instrumental to social change. Revealing new forms of activism and art that continue to structure the way we understand systemic violence and survival, Dissatisfactions insists on the significance of both the politics of style and the different styles politics may take.

An overview of the history of American Jewry using primary sources from Latin America, the
Caribbean, Canada, and the United States

Jews Across the Americas is a groundbreaking sourcebook capturing the historical diversity and cultural
breadth of American Jews across Latin America, the Caribbean, Canada, and the United States. Featuring
primary documents as well as scholarly interpretations, Jews Across the Americas builds upon new
developments in Jewish Studies, engaging with transnationalism, race, sexuality, and gender, and
highlighting the lived experiences of those often left out of Jewish history.

Jews Across the Americas features an impressively broad and far-reaching range of historical sources,
including artifacts and objects that have not previously been featured as integral to Jewish history in the
Western hemisphere. Entries teach readers how to understand everything from wills and
advertisements to sermons, and how to interpret photographs, domestic architecture, and comics.
Whether it’s a recipe from Brazil that blends Moroccan and Amazonian foodways, or a text about the
first non-binary Jew to cross the Atlantic in the eighteenth century, each entry broadens our
understanding of Jewish American history.

PROSE Award Winner for Biography and Autobiography

Named one of Library Journal's Best Books of 2023

Winner, Next Generation Indie Book Awards - Women's Nonfiction

Offers thought-provoking theories and life-transforming ways to deal with pain

What can we ask of pain? How can we be more creative and courageous in carrying pain in our lives? In this genre-bending work that is equal parts memoir and scholarly criticism, L. Ayu Saraswati provides thought-provoking theories and life-transforming ways to understand pain, specifically in relation to feminism. Arguing that pain is not merely a state we are in, Scarred reframes pain as a “transnational feminist object,” something that we can carry across international borders. Drawing on her own experience traveling across twenty countries within just over a year, Saraswati aims to bring readers along on her journey so that they might ask themselves, “How can I live with pain differently?”

By using pain as a lens of feminist analysis, Scarred allows us to chart how power produces and operates through pain, and how pain is embodied and embedded in relationships. Saraswati provides a heartfelt and engaging recount of her experiences while also pushing the boundaries of the respective fields her story engages with. She allows for renewed academic and personal insights to blossom by using a blend of transnational feminist theory, travel studies, and pain studies. Ultimately, Scarred invites us to reframe pain and ask how might we carry it in a more humane, life-sustaining, enchanting, and feminist way.

Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation

Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now

Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person’s claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture.

Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith’s slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison’s Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

Explores questions of masculinity, privilege, and identity to explain why some men become feminists while others become men’s rights activists

In the evolving landscape of gender activism in the United States, it is intriguing that four-in-ten American men now identify as feminists. Despite this seemingly positive shift, gender inequality remains deeply rooted in the US. Good Guys, Bad Guys delves into this paradox, unraveling the complexities of men’s feminist allyship and its limitations in propelling genuine progress.

Emily K. Carian masterfully dissects the narratives of two distinct groups of gender activists: feminist men and men who belong to the men's rights movement, which opposes feminism. By engaging directly with the men themselves, Carian constructs a compelling analysis of their journeys into these contrasting social movements.

Surprisingly, Carian finds that both feminist men and men’s rights activists share a common motivation for their engagement in gender activism: the desire to be perceived as “good men.” However, this well-intentioned yet superficial drive hinders feminist men from envisioning concrete and effective strategies to challenge gender inequality. Conversely, it fuels men’s rights activists’ participation in a movement that fosters a virulent misogyny.

Good Guys, Bad Guys exposes how even self-proclaimed feminist men inadvertently perpetuate gender inequality through their attitudes, behaviors, and relationships. As society navigates the complexities of gender activism, this book serves as a valuable resource in guiding the path towards a truly equal and inclusive future.

Heartfelt personal accounts from transgender people fighting for the right to serve in the military

“Prior to coming out as transgender I served the first several years of my career under “Don’t Ask, Don’t Tell,” hiding my sexual orientation out of the constant fear of expulsion. I then found myself in the same predicament as when I first joined, wanting nothing more than to serve my country and do my job, but at the cost of sacrificing a major part of who I am. . . . This time, however, I decided that I could no longer sacrifice my own well-being, my own authentic self.”—Mak Vaden, Warrant Officer 1, U.S. Army National Guard, 2006-present

“I have traveled around the world. . . . I have been on five cutters with eleven years of sea time and commanded the Coast Guard cutter Campbell. I have negotiated treaties and fostered international law enforcement cooperation. I have stopped drug smugglers and seized illegal fishing vessels on the high seas. And, I also have gender dysphoria and identify as a trans woman.”—Allison Caputo, Captain, US Coast Guard, 1995–present

On January 25, 2021, in one of his first acts as President, Joe Biden reversed the Trump Administration’s widely condemned ban on transgender people in the military. In With Honor and Integrity, Máel Embser-Herbert and Bree Fram introduce us to the brave individuals who are on the front lines of this issue, assembling a powerful, accessible, and heartfelt collection of first-hand accounts from transgender military personnel in the United States.

Featuring twenty-six essays from current service members or veterans, these eye-opening accounts show us what it is like to serve in the military as a transgender person. From a religious affairs specialist in the Army National Guard, to a petty officer first class in the Navy, to a veteran of the Marine Corps who became “the real me” at age forty-nine, these accounts are personal, engaging, and refreshingly honest. Contributors share their experiences from before and during President Trump’s ban—what barriers they face at work, why they do or don’t choose to serve openly, and how their colleagues have treated them. Fram, a lieutenant colonel who is serving openly as a transgender woman in the US Space Force, and has advocated for open service policies, shares her experience in the aftermath of Trump’s announcement of the ban on Twitter.

Ultimately, Embser-Herbert and Fram provide an inspiring look at the past, present, and future of transgender military service. At a time when LGBTQ rights are under siege, and the opportunity to serve continues to be challenged, With Honor and Integrity is a timely and necessary read.

Diversity and racial integration efforts are not sufficient to address educational inequality

New York City schools are among the most segregated in the nation. Yet over seven decades after the Brown v. Board of Education decision, New Yorkers continue to argue about whether school segregation matters. Amid these debates, Alexandra Freidus dives deep into the roots of racial inequality in diversifying schools, asking how we can better understand both the opportunities and the limits of school diversity and integration.

Unequal Lessons is based on six years of observations and interviews with children, parents, educators, and district policymakers about the stakes of racial diversity in New York City schools. The book examines what children learn from diversity, exploring both the costs and benefits of school integration. By drawing on students’ first-hand experiences, Freidus makes the case that although a focus on diversity offers many benefits to students, it often reinscribes, rather than diminishes, existing inequalities in school policy and practice. The idea of diversity for its own sake is frequently seen as the solution, with students of color presumed to benefit from their experiences with white students, while schools fail to address structural inequality. Though educators and advocates often focus on diversity out of a real desire to make a positive difference in students’ lives, this book makes clear the gaps between good intentions and educational injustice.

A chronicle of ableism and disability activism in New York City during the COVID-19 pandemic

How to Be Disabled in a Pandemic documents the pivotal experiences of disabled people living in an early epicenter of COVID-19: New York City. Among those hardest hit by the pandemic, disability communities across the five boroughs have been disproportionately impacted by city and national policies, work and housing conditions, stigma, racism, and violence—as much as by the virus itself. Disabled and chronically-ill activists have protested plans for medical rationing and refuted the eugenic logic of mainstream politicians and journalists who “reassure” audiences that only older people and those with disabilities continue to die from COVID-19. At the same time, as exemplified by the viral hashtag #DisabledPeopleToldYou, disability expertise has become widely recognized in practices such as accessible remote work and education, quarantine, and distributed networks of support and mutual aid. This edited volume charts the legacies of this “mass disabling event” for uncertain viral futures, exploring the dialectic between disproportionate risk and the creativity of a disability justice response.

How to Be Disabled in a Pandemic includes contributions by wide-ranging disability scholars, writers, and activists whose research and lived experiences chronicle the pandemic’s impacts in prisons, migrant detention centers, Chinatown senior centers, hospitals in Queens and the Bronx, subways, schools, housing shelters, social media, and other locations of public and private life. By focusing on New York City over the course of three years, the book reveals key themes of the pandemic, including hierarchies of disability "vulnerability," the deployment of disability as a tool of population management, and innovative crip pandemic cultural production. How to Be Disabled in a Pandemic honors those lost, as well as those who survived, by calling for just policies and caring infrastructures, not only in times of crisis but for the long haul.

Reimagines how race, ethnicity, imperialism, and colonialism can be central to social science research
and methods

There is a growing consensus that the discipline of sociology and the social sciences broadly need to engage more thoroughly with the legacy and the present day of colonialism, Indigenous/settler colonialism, imperialism, and racial capitalism in the United States and globally. In Disciplinary Futures, a cross-section of scholars comes together to engage sociology and the social sciences by way of these paradigms, particularly from the influence of disciplines of American, Ethnic, and Indigenous Studies.

With original essays from scholars such as Yến Lê Espiritu, Sunaina Maira, Hōkūlani K. Aikau, Salvador Vidal-Ortiz, Ben Carrington, Yvonne Sherwood, and Gilda L. Ochoa, among others, Disciplinary Futures offers concrete pathways for how the social sciences can expand from the limiting frameworks they traditionally use to study race and racism, namely: the black-white binary, the privileging of the nation-state, the fixation on the US mainland, the underappreciation of post- and settler-colonial studies, the liberal assumptions, and the limited conception of what constitutes data. In turn, the contributors reveal that sociology has many useful questions, methodologies, and approaches to offer scholars of American, Ethnic, and Indigenous Studies. Disciplinary Futuresis an important work, one which renders these disciplines more intellectually expansive and thus better able to tackle urgent issues of injustice.

Finalist, Award for Excellence in the Study of Religion, Constructive-Reflective Studies, given by the American Academy of Religion

Explores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal ways

In Black Buddhists and the Black Radical Tradition, Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.

Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.

The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.

WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association

HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association

Reveals the troubling intimacy between Black women and the making of US global power

The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.”

This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it.

The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.

Examines the significance of sports in the lives of diasporic Filipino Americans

Organized sports have occupied a central place in Filipino American life since US colonialism began in the Philippines in 1898. For Filipino diasporas in the United States, sports are important cultural sites through which men and women cultivate a sense of ethnic community and belonging to the American national fabric.

Sports studies focused on Asian America have tended to focus on East Asians, largely ignoring Filipinos. Thus, we know very little about how sports work as critical arenas to understand larger questions about Filipino identity formations, racialization, gender dynamics, diasporic contours, and post-colonial sporting cultures. This book offers an in-depth ethnographic examination of the significance of sports to the lives of Filipino Americans under the shadow of US empire and neocolonial inequities. Through a close examination of Filipino American sporting
cultures—from boxing and the Manny “Pac-Man” Pacquiao phenomenon to men’s basketball leagues to women’s flag football—this book shows how engagements with sports reveal the shifting nature of Filipino Americanness and Filipino American subjectivity.

Drawing on over four years of data collected in Southern California, Las Vegas, Urbana-Champaign, and Arlington, Constancio R. Arnaldo, Jr. documents the intimate connections among Filipino American sports, transnationalism, and diasporic belonging. Filipino American Sporting Cultures adds an important voice to the body of work using sports as a lens to look at US culture and communities of color.

Explores ways faith communities offer protection and services for Latina/o communities

The New Sanctuary Movement is a network of faith-based organizations committed to offering safe haven to those in danger, often in churches, often outside the law, and often at risk to themselves. The practice of sanctuary, with its capacity to provide safety, shelter, and protection to society's most vulnerable, gained significant prominence after the 2016 presidential election and the ushering in of particularly harsh anti-immigration policies.

Since 2017, Ohio has had some of the highest numbers of public sanctuary cases in the nation. Sanctuary People explores these sanctuary practices in Ohio and locates them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.

Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith.

Proposes a queer way to be in the world and with others

Invoking queer aesthetics, ethics, and politics, Bottoms Up explores a sexual way to be with others while living with loss. Xiomara Cervantes-Gómez demonstrates how aesthetic representations of sex—namely, bottoming—function as allegorical paradigms, revealing the assemblages of violence that have constituted the social, cultural, and political shifts of Mexico and US Latinx culture from 1950 to the present.

With playful, theoretically nuanced prose, Cervantes-Gómez builds upon queer of color theory and continental philosophy to present the “bottom” as a form of relational performance, which she terms “pasivo ethics.” The argument develops through a series of compelling case studies, including a series of novels by Octavio Paz and Luis Zapata that trace the position of the bottom in Mexican nationalist literature; the forms of exposure, risk, and proximity in the performance work of artist Lechedevirgen Trimegisto; a reading of violence and the erotic in the work of artist Bruno Ramri; and reading artists such as Yosimar Reyes, Yanina Orellana, and Carlos Martiel as they build a framework of sexual inheritance that carries the traumas of Mexicanness into the diaspora.

Through a broad archive rooted in hemispheric Latinx performance, Bottoms Up considers how sexual and political power are bound up with each other in the shaping of Mexicanness. Placing particular emphasis on questions of queer and trans Mexican embodiment, the book explains how Mexicanness is constituted through discourses of exposure.

Introduces key terms, debates, and histories for feminist studies in gender and sexuality

Keywords for Gender and Sexuality Studies introduces readers to a set of terms that will aid them in understanding the central methodological and political stakes currently energizing feminist and queer studies. The volume deepens the analyses of this field by highlighting justice-oriented intersectional movements and foregrounding Black, Indigenous, and women of color feminisms; transnational feminisms; queer of color critique; trans, disability, and fat studies; feminist science studies; and critiques of the state, law, and prisons that emerge from queer and women of color justice movements.

Many of the keywords featured in this publication call attention to the fundamental assumptions of humanism’s political and intellectual debates—from the racialized contours of property and ownership to eugenicist discourses of improvement and development. Interventions to these frameworks arise out of queer, feminist and anti-racist engagements with matter and ecology as well as efforts to imagine forms of relationality beyond settler colonial and imperialist epistemologies

Reflecting the interdisciplinary breadth of the field, this collection of eighty essays by scholars across the social sciences and the humanities weaves together methodologies from science and technology studies, affect theory, and queer historiographies, as well as Black Studies, Latinx Studies, Asian American, and Indigenous Studies. Taken together, these essays move alongside the distinct histories and myriad solidarities of the fields to construct the much awaited Keywords for Gender and Sexuality Studies.

How prisons became economic development strategies for rural Appalachian communities

As the United States began the project of mass incarceration, rural communities turned to building prisons as a strategy for economic development. More than 350 prisons have been built in the U.S. since 1980, with certain regions of the country accounting for large shares of this dramatic growth. Central Appalachia is one such region; there are eight prisons alone in Eastern Kentucky. If Kentucky were its own country, it would have the seventh highest incarceration rate in the world. In Coal, Cages, Crisis, Judah Schept takes a closer look at this stunning phenomenon, providing insight into prison growth, jail expansion and rising incarceration rates in America’s hinterlands.

Drawing on interviews, site visits, and archival research, Schept traces recent prison growth in the region to the rapid decline of its coal industry. He takes us inside this startling transformation occurring in the coalfields, where prisons are often built on top of old coalmines, including mountaintop removal sites, and built into community planning approaches to crises of unemployment, population loss, and declining revenues. By linking prison growth to other sites in this landscape—coal mines, coal waste, landfills, and incinerators—Schept shows that the prison boom has less to do with crime and punishment and much more with the overall extraction, depletion, and waste disposal processes that characterize dominant development strategies for the region.

Schept argues that the future of this area now hangs in the balance, detailing recent efforts to oppose its carceral growth. Coal, Cages, Crisis offers invaluable insight into the complex dynamics of mass incarceration that continue to shape Appalachia and the broader United States.

The complexities and controversies at the nexus of sperm, health, and politics

In Seminal, experts from across the social sciences, humanities, law, and medicine offer a kaleidoscopic view of the relationship between sperm, health, and the intersecting politics of gender, race, and reproduction. Always insightful and often provocative, the essays in this unprecedented collection cover a broad range of issues related to male reproductive and sexual health—including the latest technological developments for creating sperm; the specter of eugenics in contemporary medical markets; emerging approaches to male contraceptive methods, male infertility, and trans healthcare; controversies surrounding sperm donors and sperm banking; disparities in sexual health education for teens—all the while attending to the enormous variation in how individuals and societies understand, embody, and experience sperm.

At a time when the most basic rights of reproductive autonomy are under severe threat, contributors to this volume argue this is precisely the moment to rethink and reimagine sperm from a variety of medical, political, and cultural perspectives. Ultimately, this volume aims to contribute to a more reproductively just society and broaden conversations around bodies, health and equity in the United States.

Winner, Sexuality and Politics Book Award - American Political Science Association

Finalist, PROSE Award - Government and Politics


What the evolving fight for transgender rights reveals about government power, regulations, and the law

Every government agency in the United States, from Homeland Security to Departments of Motor Vehicles, has the authority to make its own rules for sex classification. Many transgender people find themselves in the bizarre situation of having different sex classifications on different documents. Whether you can change your legal sex to “F” or “M” (or more recently “X”) depends on what state you live in, what jurisdiction you were born in, and what government agency you’re dealing with. In Sex Is as Sex Does, noted transgender advocate and scholar Paisley Currah explores this deeply flawed system, showing why it fails transgender and non-binary people.

Providing examples from different states, government agencies, and court cases, Currah explains how transgender people struggle to navigate this confusing and contradictory web of legal rules, definitions, and classifications. Unlike most gender scholars, who are concerned with what the concepts of sex and gender really mean, Currah is more interested in what the category of “sex” does for governments. What does “sex” do on our driver’s licenses, in how we play sports, in how we access health care, or in the bathroom we use? Why do prisons have very different rules than social service agencies? Why is there such resistance to people changing their sex designation? Or to dropping it from identity documents altogether?

In this thought-provoking and original volume, Sex Is as Sex Does reveals the hidden logics that have governed sex classification policies in the United States and shows what the regulation of transgender identity can tell us about society’s approach to sex and gender writ large.Ultimately, Currah demonstrates that, because the difficulties transgender people face are not just the result of transphobia but also stem from larger injustices, an identity-based transgender rights movement will not, by itself, be up to the task of resolving them.

A compelling exploration of materiality and semiotics in Latinx inscriptions

Writers and artists from Cuba, Puerto Rico, and Latinx New York operate under the pressures of inscription: the material and semiotic entanglement of making a mark as a marked artist. By employing layered material tropes and figures, such as stone, dust, viscera, and animality, their works do not represent a singular Latinx experience and instead, must be read at the margin of language and matter.

Matters of Inscription explores feminist and queer inscriptions of Latinidad, encompassing the intersections of materiality and semiotics in art, performance, poetry, plays, and fiction. By delving into these figural matters, Christina A. León highlights how writers and artists such as Zilia Sánchez, Ana Mendieta, Manuel Ramos Otero, María Irene Fornés, Justin Torres, and Roque Salas Rivera forge material inscriptions that transcend individual lives and call for a broader analytical perspective unmoored from biographical anchors.

The book urges readers to reevaluate the notion of difference, which has momentarily sought solace in identitarian terminology. León engages in rhetorical analysis that reassesses how the terms of Latinx studies have been challenged and how they are failing. Rather than categorizing texts based on predetermined taxonomic terms or individual subjects’ lives, the book tracks figures situated at the edges of materiality and semiosis. This approach addresses the continuous marginalization and dispossession that shape the phenomenon of Latinx identity (“latinidad”) by recentering conceptual questions of origin, diaspora, pedagogy, and belonging. The book contends that losses and deprivations should be rendered incommensurate to avoid collapsing the richness of different experiences or scales of ontological debasement.

By focusing on the interplay of materiality and semiotics, Matters of Inscription challenges conventional approaches that seek to homogenize and anticipate what Latinx might mean and instead calls for a more capacious and nuanced analysis that goes beyond individual biographies.

Timeless fables of loyalty and betrayal

Like Aesop’s Fables, Kalīlah and Dimnah is a collection designed not only for moral instruction, but also for the entertainment of readers. The stories, which originated in the Sanskrit Panchatantra and Mahabharata, were adapted, augmented, and translated into Arabic by the scholar and state official Ibn al-Muqaffaʿ in the second/eighth century. The stories are engaging, entertaining, and often funny, from “The Man Who Found a Treasure But Could Not Keep It,” to “The Raven Who Tried To Learn To Walk Like a Partridge” and “How the Wolf, the Raven, and the Jackal Destroyed the Camel.”

Kalīlah and Dimnah is a “mirror for princes,” a book meant to inculcate virtues and discernment in rulers and warn against flattery and deception. Many of the animals who populate the book represent ministers counseling kings, friends advising friends, or wives admonishing husbands. Throughout, Kalīlah and Dimnah offers insight into the moral lessons Ibn al-Muqaffaʿ wished to impart to rulers—and readers.

An English-only edition.

How worldwide plant circulation and new botanical ideas enabled Americans to radically re-envision politics and society

The Garden Politic argues that botanical practices and discourses helped nineteenth-century Americans engage pressing questions of race, gender, settler colonialism, and liberal subjectivity. In the early republic, ideas of biotic distinctiveness helped fuel narratives of American exceptionalism. By the nineteenth century, however, these ideas and narratives were unsettled by the unprecedented scale at which the United States and European empires prospected for valuable plants and exchanged them across the globe. Drawing on ecocriticism, New Materialism, environmental history, and the history of science—and crossing disciplinary and national boundaries—The Garden Politic shows how new ideas about cultivation and plant life could be mobilized to divergent political and social ends.

Reading the work of influential nineteenth-century authors from a botanical perspective, Mary Kuhn recovers how domestic political issues were entangled with the global circulation and science of plants. The diversity of Harriet Beecher Stowe’s own gardens contributed to the evolution of her racial politics and abolitionist strategies. Nathaniel Hawthorne’s struggles in his garden inspired him to write stories in which plants defy human efforts to impose order. Radical scientific ideas about plant intelligence and sociality prompted Emily Dickinson to imagine a human polity that embraces kinship with the natural world. Yet other writers, including Frederick Douglass, cautioned that the most prominent political context for plants remained plantation slavery.

The Garden Politic reveals how the nineteenth century’s extractive political economy of plants contains both the roots of our contemporary environmental crisis and the seeds of alternative political visions.

Twentieth anniversary edition of a landmark book that cataloged a vibrant but disappearing neighborhood in New York City

In the two decades that preceded the original publication of Times Square Red, Times Square Blue, Forty-second Street, then the most infamous street in America, was being remade into a sanitized tourist haven. In the forced disappearance of porn theaters, peep shows, and street hustlers to make room for a Disney store, a children’s theater, and large, neon-lit cafes, Samuel R. Delany saw a disappearance, not only of the old Times Square, but of the complex social relationships that developed there.

Samuel R. Delany bore witness to the dismantling of the institutions that promoted points of contact between people of different classes and races in a public space, and in this hybrid text, argues for the necessity of public restrooms and tree-filled parks to a city's physical and psychological landscape.

This twentieth anniversary edition includes a new foreword by Robert Reid-Pharr that traces the importance and continued resonances of Samuel R. Delany’s groundbreaking Times Square Red, Times Square Blue.

Explores forms of maternal harm stemming from US policies on the US-Mexico border

In El Paso, Texas, the racist undertones of anti-immigrant sentiment have contributed to various forms of violence in the region, including the 2019 mass shooting that was the deadliest attack on Latinos in US history. As the community continued to mourn this tragedy, the COVID-19 pandemic unleashed yet another set of economic, social, and public health catastrophes that were disproportionately felt within the border region.

In Birth in Times of Despair, Carina Heckert traces women’s emotional experiences of pregnancy, birth, and the postpartum period in the midst of a series of longstanding and ongoing crises in the US-Mexico border region. Drawing from interviews, surveys, and medical records of women who gave birth during an intense period of sociopolitical crisis, she examines how limited access to health care, inhumane immigration policies, and exposure to an array of harmful social environmental circumstances serve as sources of intense harm for pregnant and recently pregnant women. In so doing, Heckert reveals how these experiences serve as a profound critique of policies that continue to fail to protect women and their families. She concludes with suggestions for practical, humane, and urgent policy changes to alleviate the needless suffering of this vulnerable group.

With its comprehensive portrait of the abysmal physical and mental health outcomes pregnant women face within the border region, Birth in Times of Despair expands our understanding of how obstetric violence is enhanced by the structural violence of the state, and unveils the urgency to ameliorate the harm caused by current immigration policies.

Finalist, 37th Annual Lambda Literary Awards in LGBTQ+ Studies

Explores how the institutional management of children’s sexualities in boarding schools affected children’s future social, political, and economic opportunities

Tracing the US’s investment in disciplining minoritarian sexualities since the late nineteenth century, Mary Zaborskis focuses on a ubiquitous but understudied figure: the queer child. Queer Childhoods examines the lived and literary experiences of children who attended reform schools, schools for the blind, African American industrial schools, and Native American boarding schools. In mapping the institutional terrain of queer childhoods in educational settings of the late nineteenth- and twentieth-century, the book offers an original archive of children’s sexual and embodied experiences.

Zaborskis argues that these boarding schools—designed to segregate racialized, criminalized, and disabled children from mainstream culture—produced new forms of childhood. These childhoods have secured American futures in which institutionalized children (and the adults they become) have not been considered full-fledged citizens or participants. By locating this queerness in state archives and institutions, Queer Childhoods exposes a queer social history entangled with genocide, eugenics, and racialized violence.

Where racism and sexism meet—an understanding of anti-Black misogyny

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms.

At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs.

Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.

Category Winner, 2025 PROSE Awards: Psychology and Applied Social Work

How the US asylum process fails to protect against claims of gender-based violence

Through eyewitness accounts of closed-court proceedings and powerful testimony from women who have sought asylum in the United States because of severe assaults and death threats by intimate partners and/or gang members, Private Violence examines how immigration laws and policies shape the lives of Latin American women who seek safety in the United States. Carol Cleaveland and Michele Waslin describe the women’s histories prior to crossing the border, and the legal strategies they use to convince Immigration Judges that rape and other forms of “private violence” should merit asylum – despite laws built on Cold War era assumptions that persecution occurs in the public sphere by state actors.

Private Violence provides much-needed recommendations for incorporating a gender-based lens in the asylum process. The authors demonstrate how policy changes across Presidential administrations have made it difficult for survivors of “private violence” to qualify for asylum. Private Violence paints a damning portrait of America’s broken asylum system. This volume illustrates the difficulties experienced by Latin American women who rely on this broken system for protection in the United States. It also illuminates women’s resilience and the determination of immigration attorneys to reshape asylum law.

Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies
How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women.



Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.

Winner, 2025 Catholic Media Association Book Awards: Inclusion in the Church

Explores the contours of Latinx Catholic environmentalism

Home-based conservationist measures such as cultivating backyard gardens, avoiding consumerism, and limiting waste are widespread among Spanish-speaking Catholics across the United States. Yet these home-based conservationist practices are seldom recognized as “environmental” because they are enacted by working-class immigrant communities and do not conform to the expectations of mainstream environmentalism.

In Falling in Love with Nature, Amanda J. Baugh tells the story of American environmentalism through a focus on Spanish-speaking Catholics, shedding light on environmental actors who have been hidden in plain sight. While dominant narratives about environmental activism include minorities, primarily in the realm of environmental racism and injustice, Baugh demonstrates that minority communities are not merely victims of environmental problems. They can be active agents who express love for nature based on inherited family traditions and close relationships with the land. Baugh shows that Spanish-speaking Catholics have values that have been overlooked in global discourses, grassroots movements, and the highest echelons of the US Catholic Church. By drawing attention to the environmental knowledge that is already abundant within Spanish-speaking Catholic communities, Falling in Love with Nature challenges readers to rethink their assumptions about who can be an environmental leader and what counts as environmentalism.

Shortlisted, 2025 OCM Bocas Prize for Caribbean Literature, Nonfiction

Exposes the global threat of environmental catastrophe and the forms of erasure that structure Caribbean women’s lives in the overlooked nation of Guyana

Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.

Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas—including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking—Global Guyana repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.

Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.

How a grassroots abolitionist project of cultural healing counters the carceral state in a Chicanx community in California

For many, gang involvement can be a guaranteed life sentence, a force which traps them in an inescapable cycle of violence even if it does not lead to actual prison time. Healing Movements explores the work of formerly gang-involved Chicanx men and women in California who draw on the social connections made during their gang-involved years to forge new pathways for cultural healing and countering the carceral system.

Known colloquially as the “movement of healing,” this Chicanx-Indigenous abolitionist project based in Salinas, California, was spurred on by a series of four police homicides of Latino men in 2014. Organizing around such issues as police brutality and mass incarceration, these collectives—two of which are discussed in this book, one mixed-gender, and the other women-only—turned to their often obscured Mesoamerican ancestry to find new resources for building a different future for themselves and subsequent generations.

Drawing on extensive fieldwork conducted in Salinas, Healing Movements reveals how these communities have taken shape in large part through a conscious effort to uplift Chicanx-Indigenous culture and ceremonial practices. By tapping into their Indigeneity, the members of these collectives access a wealth of new resources to shape their future, opening up novel ways to organize and build strong relational ties that are noteworthy to anyone invested in abolitionist work.

HONORABLE MENTION, HARRY SHAW AND KATRINA HAZZARD-DONALD AWARD FOR OUTSTANDING WORK IN AFRICAN-AMERICAN POPULAR CULTURE STUDIES, GIVEN BY THE POP CULTURE ASSOCIATION

A view of transatlantic slavery’s afterlife and modern Blackness through the lens of age

Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression—particularly against Black children— concern the victim “appearing” as a threat. But why and how is the perceived “appearance” of Black persons so completely separated from common perceptions of age and time?

Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age—through nearly four centuries of subjugation— has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.

Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when “all the women”—all the canonically feminized adults—“are white”? How does a “slave” become a “man” when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of “human time.”

**Finalist, PROSE Award in Clinical Medicine**

A rich examination of the history of trans medicine and current day practice

Surfacing in the mid-twentieth century, yet shrouded in social stigma, transgender medicine is now a rapidly growing medical field. In Trans Medicine, stef shuster makes an important intervention in how we understand the development of this field and how it is being used to “treat” gender identity today.

Drawing on interviews with medical providers as well as ethnographic and archival research, shuster examines how health professionals approach patients who seek gender-affirming care. From genital reconstructions to hormone injections, the practice of trans medicine charts new medical ground, compelling medical professionals to plan treatments without widescale clinical trials to back them up. Relying on cultural norms and gut instincts to inform their treatment plans, shuster shows how medical providers’ lack of clinical experience and scientific research undermines their ability to interact with patients, craft treatment plans, and make medical decisions. This situation defies how providers are trained to work with patients and creates uncertainty. As providers navigate the developing knowledge surrounding the medical care of trans folk, Trans Medicine offers a rare opportunity to understand how providers make decisions while facing challenges to their expertise and, in the process, have acquired authority not only over clinical outcomes, but over gender itself.

Highlights how millennial Jewish stars symbolize national politics in US media

Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars, Jonathan Branfman asks: what makes these explicitly Jewish stars so unexpectedly appealing? And what can their surprising success tell us about race, gender, and antisemitism in America? To answer these questions, Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.

Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity—stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable.

In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world. Likewise, this insight can aid readers to better notice and challenge racial antisemitism in everyday life.

A renowned expert on genocide argues that there is a real risk of violent atrocities happening in the United States

If many people were shocked by Donald Trump’s 2016 election, many more were stunned when, months later, white supremacists took to the streets of Charlottesville, Virginia, chanting “Blood and Soil” and “Jews will not replace us!” Like Trump, the Charlottesville marchers were dismissed as aberrations—crazed extremists who did not represent the real US. It Can Happen Here demonstrates that, rather than being exceptional, such white power extremism and the violent atrocities linked to it are a part of American history. And, alarmingly, they remain a very real threat to the US today.

Alexander Hinton explains how murky politics, structural racism, the promotion of American exceptionalism, and a belief that the US has have achieved a color-blind society have diverted attention from the deep roots of white supremacist violence in the US’s brutal past. Drawing on his years of research and teaching on mass violence, Hinton details the warning signs of impending genocide and atrocity crimes, the tools used by ideologues to fan the flames of hate, the origins of the far-right extremist ideas of white genocide and replacement, and the shocking ways in which “us” versus “them” violence is supported by racist institutions and policies.

It Can Happen Here is an essential new assessment of the dangers of contemporary white power extremism in the United States. While revealing the threat of genocide and atrocity crimes that loom over the country, Hinton offers actions we can take to prevent it from happening, illuminating a hopeful path forward for a nation in crisis.

Charts the development of progressive Christianity’s engagement with modern science, historical criticism, and liberal humanism

Christians who have doubts about the existence of God? Who do not believe in the divinity of Jesus? Who reject the accuracy of the Bible? The New Heretics explores the development of progressive Christianity, a movement of Christians who do not reject their identity as Christians, but who believe Christianity must be updated for today’s times and take into consideration modern science, historical criticism, and liberal humanism.

Drawing on three years of ethnographic fieldwork in North America, Rebekka King focuses on testimonies of deconversion, collective reading practices, and the ways in which religious beliefs and practices are adapted to fit secular lives. King introduces the concept of “lived secularity” as a category with which to examine the ways in which religiosity often is entangled with and subsumed by secular identities over and against religious ones. This theoretical framework provides insight into the study of religious and cultural hybridity, new emerging groups such as “the nones,” atheism, religious apostasy, and multi-religious identities.

The New Heretics pays close attention to the ways that progressive Christians understand themselves vis-à-vis a conservative or fundamentalist Christian “other,” providing context concerning the presumed divide between the religious right and the religious left. King shows that while it might be tempting to think of progressive Christians as atheists, there are religious and moral dimensions to their disbelief. For progressive Christians the act of questioning and rejecting God—alongside other theological tenets—is framed as a moral activity. Ultimately, the book showcases the importance of engaging with the ethics of belief in understanding contemporary Christianity.

How do we represent the experience of being a gender and sexual outlaw?

In Queer Forms, Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation—including consciousness-raising, separatism, and coming out of the closet—were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called “normal” gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments—from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth—and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics.

Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms, including the sequential format of comic strip serials, the stock figures or character-types of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist film, literature, and visual culture including Mart Crowley’s The Boys in the Band (1970), Armistead Maupin’s Tales of the City (1976–1983), Lizzy Borden’s Born in Flames (1983), and Tony Kushner’s Angels in America (1989–1991), Fawaz shows how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern United States.

Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions.​​

Reimagines the field of queer studies by asking “How do we do queer theory?”

Imagining Queer Methods showcases the methodological renaissance unfolding in queer scholarship. This volume brings together emerging and esteemed researchers from all corners of the academy who are defining new directions for the field.

From critical race studies, history, journalism, lesbian feminist studies, literature, media studies, and performance studies to anthropology, education, psychology, sociology, and urban planning, this impressive interdisciplinary collection covers topics such as humanistic approaches to reading, theorizing, and interpreting, as well as scientific appeals to measurement, modeling, sampling, and statistics.

By bringing together these diverse voices into an unprecedented single volume, Amin Ghaziani and Matt Brim inspire us with innovative ways of thinking about methods and methodologies in queer studies.

A history of design that is often overlooked—until we need it

Have you ever hit the big blue button to activate automatic doors? Have you ever used an ergonomic kitchen tool? Have you ever used curb cuts to roll a stroller across an intersection? If you have, then you’ve benefited from accessible design—design for people with physical, sensory, and cognitive disabilities. These ubiquitous touchstones of modern life were once anything but. Disability advocates fought tirelessly to ensure that the needs of people with disabilities became a standard part of public design thinking. That fight took many forms worldwide, but in the United States it became a civil rights issue; activists used design to make an argument about the place of people with disabilities in public life.

In the aftermath of World War II, with injured veterans returning home and the polio epidemic reaching the Oval Office, the needs of people with disabilities came forcibly into the public eye as they never had before. The US became the first country to enact federal accessibility laws, beginning with the Architectural Barriers Act in 1968 and continuing through the landmark Americans with Disabilities Act in 1990, bringing about a wholesale rethinking of our built environment. This progression wasn’t straightforward or easy. Early legislation and design efforts were often haphazard or poorly implemented, with decidedly mixed results. Political resistance to accommodating the needs of people with disabilities was strong; so, too, was resistance among architectural and industrial designers, for whom accessible design wasn’t “real” design.

Bess Williamson provides an extraordinary look at everyday design, marrying accessibility with aesthetic, to provide an insight into a world in which we are all active participants, but often passive onlookers. Richly detailed, with stories of politics and innovation, Williamson’s Accessible America takes us through this important history, showing how American ideas of individualism and rights came to shape the material world, often with unexpected consequences.

Winner of the 2014 Anna Julia Cooper-CLR James Book Award presented by the National Council of Black Studies

Winner of the 2014 PEN Oakland-Josephine Miles Award for Excellence in Literature

A bold and exciting historical narrative of the armed resistance of Black soldiers of the Mississippi Freedom Movement

In We Will Shoot Back: Armed Resistance in the Mississippi Freedom Movement, Akinyele Omowale Umoja argues that armed resistance was critical to the Southern freedom struggle and the dismantling of segregation and Black disenfranchisement. Intimidation and fear were central to the system of oppression in most of the Deep South. To overcome the system of segregation, Black people had to overcome fear to present a significant challenge to White domination. As the civil rights movement developed, armed self-defense and resistance became a significant means by which the descendants of enslaved Africans overturned fear and intimidation and developed different political and social relationships between Black and White Mississippians.

This riveting historical narrative reconstructs the armed resistance of Black activists, their challenge of racist terrorism, and their fight for human rights.

Takes seriously youths’ ownership of their sexual choices within purity culture

Gaining mass popularity in the mid-1990s with the True Love Waits rally on the Washington Mall, purity culture began as an urge from evangelical conservatives for Christian adolescents to publicly commit to practicing abstinence until marriage. Throughout this decade and the next, millions of evangelical teenagers performed their commitment to sexual purity by signing pledges and wearing purity rings.

This book examines the shaping of purity culture in the United States, looking specifically at the experiences of white youth. It shows that white girls and white queer youth were vulnerable to the purity movement, but that they were also complicit in its white supremacist oppressive structure. It makes the case that purity culture follows in the footsteps of other purity movements in the United States, and is very much tied to centuries of anti-Black racism and xenophobia in US social history, seeing white youth as in need of protection, usually from a racialized, sexualized other.

While other works have focused on the ways in which purity culture has victimized young people, Sawyer argues that their perceived status as victims lets them too easily off the hook. White youth have been afforded the privilege of participating in purity culture’s harmful behaviors without being called to account. Closely reading adolescents’ stories of growing up in purity culture, she uncovers youth as agents, participants, and beneficiaries of its white supremacist framing, even as they were still vulnerable to its harmful teachings.

How universities can navigate affirmative action bans to protect diversity in student admissions

Diversity in higher education is under attack as the Supreme Court considers the future of affirmative action, or race-conscious admissions practices, at American colleges and universities. In On the Basis of Race, Lauren S. Foley sheds light on our current crisis, exploring the past, present, and future of this contentious policy.

From Brown v. Board of Education in the mid-twentieth century to the current Students for Fair Admissions v. Harvard and University of North Carolina, Chapel Hill, Foley explores how organizations have resisted and complied with public policies regarding race. She examines how admissions officers, who have played an important role in the long fight to protect racial diversity in higher education, work around the law to maintain diversity after affirmative action is banned. Foley takes us behind the curtain of student admissions, shedding light on how multiple universities, including the University of Michigan, have creatively responded to affirmative action bans. On the Basis of Race traces the history of a controversial idea and policy, and provides insight into its uncertain future.

Introduces key concepts and debates in health humanities and the health professions.

Keywords for Health Humanities provides a rich, interdisciplinary vocabulary for the burgeoning field of health humanities and, more broadly, for the study of medicine and health. Sixty-five entries by leading international scholars examine current practices, ideas, histories, and debates around health and illness, revealing the social, cultural, and political factors that structure health conditions and shape health outcomes.

Presenting possibilities for health justice and social change, this volume exposes readers—from curious beginners to cultural analysts, from medical students to health care practitioners of all fields—to lively debates about the complexities of health and illness and their ethical and political implications. A study of the vocabulary that comprises and shapes a broad understanding of health and the practices of healthcare, Keywords for Health Humanities guides readers toward ways to communicate accurately and effectively while engaging in creative analytical thinking about health and healthcare in an increasingly complex world—one in which seemingly straightforward beliefs and decisions about individual and communal health represent increasingly contested terrain.

The online essays for all Keywords titles can be found here: keywords.nyupress.org

Provides an illuminating look at the diverse world of Black religious life in North America, focusing particularly outside of mainstream Christian churches

From the Moorish Science Temple to the Peace Mission Movement of Father Divine to the Commandment Keepers sect of Black Judaism, myriad Black new religious movements developed during the time of the Great Migration. Many of these stood outside of Christianity, but some remained at least partially within the Christian fold. The Black Coptic Church is one of these.

Black Coptics combined elements of Black Protestant and Black Hebrew traditions with Ethiopianism as a way of constructing a divine racial identity that embraced the idea of a royal Egyptian heritage for its African American followers, a heroic identity that was in stark contrast to the racial identity imposed on African Americans by the white dominant culture. This embrace of a royal Blackness—what McKinnis calls an act of “fugitive spirituality”—illuminates how the Black Coptic tradition in Chicago and beyond uniquely employs a religio-performative imagination.

McKinnis asks, ‘What does it mean to imagine Blackness?’ Drawing on ten years of archival research and interviews with current members of the church, The Black Coptic Church offers a look at a group that insisted on its own understanding of its divine Blackness. In the process, it provides a more complex look at the diverse world of Black religious life in North America, particularly within non-mainstream Christian churches.

Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University)
2024 College Language Association Book Award Winner
2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change)
Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize
Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society)
Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association.
Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR)
Finalist, ATHE Outstanding Book Award

A bold rethinking of the Civil Rights Movement through the lens of Black theater

“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation.

In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.

Winner of the 2024 Senior Book Prize from the Association of Feminist Anthropology

A compelling analysis of social inequality through the perspective of pregnant, low-wage service workers

The low-wage service industry is one of the fastest-growing employment sectors in the US economy. Its workers disproportionately tend to be low-income and minority women. Service sector work entails rigid forms of temporal discipline manifested in work requirements for flexible, last-minute, and round-the-clock availability, as well as limited to no eligibility for sick and parental leaves, all of which impact workers’ ability to care for themselves and their dependents.

Pregnant at Work examines the experiences of pregnant service sector workers in New York City as they try to navigate the time conflicts between precarious low-wage service labor and safety net prenatal care. Through interviews and fieldwork in a prenatal clinic of a public hospital, Elise Andaya vividly describes workers’ struggles to maintain expected tempos of labor as their pregnancies progress as well as their efforts to schedule and attend prenatal care, where waiting is a constant factor—a reflection of the pervasive belief that poor people’s time is less valuable than that of other people.

Pregnant at Work is a compelling examination of the ways in which power and inequalities of race, class, gender, and immigration status are produced and reproduced in the US, including in individual pregnant bodies. The stories of the pregnant workers featured in this book underscore the urgency of movements towards temporal justice and a new politics of care in the twenty-first century.

Winner, 2025 ISA LGBTQA Caucus Book Prize
Winner, 2025 Sage/CQ Press Award, given by the American Political Science Association
Winner, 2025 Donald Haider-Markel Best Book Award, given by the APSA Sexuality and Politics Section
Winner, 2025 Best Book Award, given by the APSA Human Rights Section
Silver Medal, 2025 Independent Publisher Book Awards: LGBTQ+ Non-Fiction

An in-depth look at the global movement to curtail LGBTI rights—and how the LGBTI movement responds to it

In the past three decades, remarkable progress has been made in numerous countries for the rights of individuals marginalized due to their sexual orientation and gender identity. The advancements in LGBTI rights can largely be attributed to the tireless efforts of the transnational LGBTI-rights movement, forward-thinking governments in pioneering nations, and the evolving human rights frameworks of international organizations. However, this journey towards equality has been met with formidable opposition. An increasingly interconnected and globally networked resistance, backed by religious-nationalist elements and conservative governments, has emerged to challenge LGBTI and women's rights, even seeking to reinterpret and co-opt international human rights law.

In The Global Fight Against LGBTI Rights, authors Phillip M. Ayoub and Kristina Stoeckl investigate this complex landscape, drawing from over a decade of in-depth fieldwork and over 240 interviews with LGBTI activists, anti-LGBTI proponents, and various state and international organization actors. The authors explore the mechanisms and strategies employed by the conservative transnational movement, seeking to understand its composition and the construction of its agenda.

With a wealth of empirical evidence and insightful analysis, this book is a valuable resource for scholars, policymakers, activists, and anyone interested in understanding the ongoing global battle for LGBTI rights.

Shortlist, 2025 Best First Book in the History of Religions, given by the American Academy of Religion

Reframes religion’s role in twentieth-century American public education

The processes of secularization and desegregation were among the two most radical transformations of the American public school system in all its history. Many regard the 1962 and 1963 US Supreme Court rulings against school prayer and Bible-reading as the end of religion in public schools. Likewise, the 1954 Brown v. Board of Education case is seen as the dawn of school racial equality. Yet, these two major twentieth-century American educational movements are often perceived as having no bearing on one another.

Without a Prayer redefines secularization and desegregation as intrinsically linked. Using New York City as a window into a national story, the volume argues that these rulings failed to successfully remove religion from public schools, because it was worked into the foundation of the public education structure, especially how public schools treated race and moral formation. Moreover, even public schools that were not legally segregated nonetheless remained racially segregated in part because public schools rooted moral lessons in an invented tradition—Judeo-Christianity—and in whiteness.

The book illuminates how both secularization and desegregation took the form of inculcating students into white Christian norms as part of their project of shaping them into citizens. Schools and religious and civic constituents worked together to promote programs such as juvenile delinquency prevention, moral and spiritual values curricula, and racial integration advocacy. At the same time, religiously and racially diverse community members drew on, resisted, and reimagined public school morality.

Drawing on research from a number of archival repositories, newspaper and legal databases, and visual and material culture, Without a Prayer shows how religion and racial discrimination were woven into the very fabric of public schools, continuing to inform public education’s everyday practices even after the Supreme Court rulings.

The story of white masculinity in geek culture through a history of hobby gaming

Geek culture has never been more mainstream than it is now, with the ever-increasing popularity of events like Comic Con, transmedia franchising of the Marvel Cinematic Universe, market dominance of video and computer games, and the resurgence of board games such as Settlers of Catan and role-playing games like Dungeons & Dragons. Yet even while the comic book and hobby shops where the above are consumed today are seeing an influx of BIPOC gamers, they remain overwhelmingly white, male, and heterosexual.

The Privilege of Play contends that in order to understand geek identity’s exclusionary tendencies, we need to know the history of the overwhelmingly white communities of tabletop gaming hobbyists that preceded it. It begins by looking at how the privileged networks of model railroad hobbyists in the early twentieth century laid a cultural foundation for the scenes that would grow up around war games, role-playing games, and board games in the decades ahead. These early networks of hobbyists were able to thrive because of how their leisure interests and professional ambitions overlapped. Yet despite the personal and professional strides made by individuals in these networks, the networks themselves remained cloistered and homogeneous—the secret playgrounds of white men.

Aaron Trammell catalogs how gaming clubs composed of lonely white men living in segregated suburbia in the sixties, seventies and eighties developed strong networks through hobbyist publications and eventually broke into the mainstream. He shows us how early hobbyists considered themselves outsiders, and how the denial of white male privilege they established continues to define the socio-technical space of geek culture today. By considering the historical role of hobbyists in the development of computer technology, game design, and popular media, The Privilege of Play charts a path toward understanding the deeply rooted structural obstacles that have stymied a more inclusive community. The Privilege of Play concludes by considering how digital technology has created the conditions for a new and more diverse generation of geeks to take center stage.

PROSE Award- Music and Performing Arts Category Winner

A framework for understanding the deep archive of Black performance in the digital era

In an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams’s 1916 silent film short “A Natural Born Gambler” or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.

While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital.

Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world.

Finalist for the 2021 National Jewish Book Award in American Jewish Studies

Honorable Mention, 2021 Saul Viener Book Prize, given by the American Jewish Historical Society

Reveals nostalgia as a new way of maintaining Jewish continuity

In 2007, the Museum at Eldridge Street opened at the site of a restored nineteenth-century synagogue originally built by some of the first Eastern European Jewish immigrants in New York City. Visitors to the museum are invited to stand along indentations on the floor where footprints of congregants past have worn down the soft pinewood. Here, many feel a palpable connection to the history surrounding them.

Beyond the Synagogue argues that nostalgic activities such as visiting the Museum at Eldridge Street or eating traditional Jewish foods should be understood as American Jewish religious practices. In making the case that these practices are not just cultural, but are actually religious, Rachel B. Gross asserts that many prominent sociologists and historians have mistakenly concluded that American Judaism is in decline, and she contends that they are looking in the wrong places for Jewish religious activity. If they looked outside of traditional institutions and practices, such as attendance at synagogue or membership in Jewish Community Centers, they would see that the embrace of nostalgia provides evidence of an alternative, under-appreciated way of being Jewish and of maintaining Jewish continuity.

Tracing American Jews’ involvement in a broad array of ostensibly nonreligious activities, including conducting Jewish genealogical research, visiting Jewish historic sites, purchasing books and toys that teach Jewish nostalgia to children, and seeking out traditional Jewish foods, Gross argues that these practices illuminate how many American Jews are finding and making meaning within American Judaism today.

Winner, 2022 Children's Literature Association Book Award, given by the Children's Literature Association

Winner, 2020 World Fantasy Awards

Winner, 2020 British Fantasy Awards, Nonfiction

Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction

Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter.

The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world.

In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

Winner, 2019 ATHE Outstanding Book Award, given by the Association for Theatre in Higher Education

Winner, 2018 Errol Hill Award in African American theater, drama, and/or performance studies, presented by the American Society for Theatre Research

A new manifesto for performance studies on the art of queer of color worldmaking.

After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, and with additional appearances by Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban Muñoz alongside prominent scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, Joshua Chambers-Letson maps a portrait of performance’s capacity to produce what he calls a communism of incommensurability, a practice of being together in difference.

Describing performance as a rehearsal for new ways of living together, After the Party moves between slavery, the Civil Rights Movement, the first wave of the AIDS crisis, the Vietnam War, and the catastrophe-riddled horizon of the early twenty-first century to consider this worldmaking practice as it is born of the tension between freedom and its negation. With urgency and pathos, Chambers-Letson argues that it is through minoritarian performance that we keep our dead alive and with us as we struggle to survive an increasingly precarious present.

How Coptic Christian migrants reshape religious identity through the imagination of US empire

Coptic Orthodox Christians comprise the largest Christian community in the Middle East and are among the oldest Christian communities in the world. While once the objects of American missionary efforts, in recent years Copts have been in the spotlight for their Christianity. A spate of ISIS-related bombings and attacks have garnered worldwide attention, leading to a series of efforts from US politicians, think tanks, and NGOs to re-channel their efforts into “saving” these Middle Eastern Christians from Muslims. The increased targeting of Copts has also contributed to the moral imaginary of the “Persecuted Church,” particularly among American evangelicals, which embraces the idea that Christians around the globe are currently being persecuted more than any other time in history.

Drawing on years of extensive fieldwork among Coptic migrants between Egypt and the United States, Martyrs and Migrants examines how American religious imaginaries of global Christian persecution have remapped Coptic collective memory of martyrdom. Transnational Copts have navigated the sociopolitical conditions in Egypt and the global consequences of the US “war on terror” by translating their suffering into the ambiguous forms of religious and political visibility. Candace Lukasik argues that the commingling of American conservatives and Copts has shaped a new kind of Christian kinship in blood, operating through a double movement between glorification and racialization. Occupying a position between threat and victim, Copts from the Middle East have been subject to anti-terror surveillance in the US even as they have leveraged their roles as “persecuted Christians.” Through Lukasik’s careful examination of the everyday processes shaping Coptic communal formation, Martyrs and Migrants broadly reveals how ideologies of spiritual kinship are forged through theological histories of martyrdom and of blood, demonstrating the global dynamics and imperial politics of contemporary Christianity.

Winner, 2025 Diamond Anniversary Book Award, given by the National Communication Association

Highlights the importance of considering contemporary public culture through the lens of fan studies

The Gamergate harassment campaign of women in video games, the “Unite the Right” rally where hundreds of Confederate monument supporters cried out racist and antisemitic slurs in Charlottesville, and the targeted racist and sexist harassment of Star Wars’ Asian American actress Kelly Marie Tran all have one thing in common: they demonstrate the collective power and underlying ugliness of fandoms. These fans might feel victimized or betrayed by the content they’ve intertwined with their own identities, or they may simply feel that they’re speaking truth to power. Regardless, by connecting via social media, they can unleash enormous amounts of hate, which often results in severe real-world consequences.

Fandom Is Ugly argues that reactionary politics and media fandoms go hand in hand, and to understand one, we need to understand the other. Mel Stanfill pushes back on two mainstream assumptions: that media and the pleasure of consumption are frivolous and unworthy of study, and that fandoms are inherently progressive. Drawing on a corpus of angry social media posts, Fandom Is Ugly finds that ugly moments happen when deep emotional attachments collide with social structures and situations that have been misunderstood. By holistically examining the forms of ugly fandom in cases that touch upon race, gender, and sexuality, Fandom Is Ugly produces a comprehensive theory of the negative sides of fan attachments.

An intimate look at gay and bisexual daddies and their younger partners

Over the past several years the term “daddy” has increased in popularity. Although the term has existed for centuries, its meaning has changed over time, and today can refer to desirable older men. In the Western world, same-sex male couples are far more likely to have large age gaps than other types of partnerships, and Daddies of a Different Kind analyzes the stories of gay and bisexual daddies and asks why younger men are interested in older men for sex and relationships.

Based on interviews with self-described daddies and young adult men in relationships with older men, Tony Silva uncovers why it is more common for gay and bisexual men to have large age gaps in relationships than heterosexuals or LGBTQ women. These stories reveal that queer relationships with large age gaps are not consistent with a sugar daddy/gold digger stereotype. Instead, daddies mentor younger adult men and transmit knowledge intergenerationally, including how to navigate homophobia, access gay communities, and have fulfilling sex. Silva shows that demographic research understates the commonality of age-gap pairings among gay and bisexual men, and illustrates how daddies shape gay and bisexual communities both culturally and sexually. A fascinating read, Daddies of a Different Kind breaks many commonly held stereotypes about gay and bisexual life.

Winner, 2024 Greg Tate Prize, given by the International Association for the Study of Popular Music-US Branch

Winner, 2024 International Association for the Study of Popular Music Canada Book Prize

Honorable Mention, 2024 Alan Merriam Prize, given by the Society for Ethnomusicology

What does sovereignty sound like?

Sonic Sovereignty considers how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of “sonic sovereignty” connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Liz Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks.

Przybylski documents and reflects on shifts in both the music industry and political landscape over the course of a decade: as the ways in which people listen to, consume, and interact with popular music have radically changed, extensive public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures.

Sonic Sovereignty encourages us to experiment with temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of normative time. Nonlinear storytelling practices from hip hop music and other North American Indigenous sonic practices inform these generative listenings. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities.

Honorable Mention, Rachel Carson Prize, given by the Society for the Social Studies of Science

Finalist, 2023 ASAP Book Award, given by the Association for the Study of the Arts of the Present

Studies the intersections of incarceration, medical science, and race in postwar America

In February 1966, a local newspaper described the medical science program at Holmesburg Prison, Philadelphia, a “golden opportunity to conduct widespread medical tests under perfect control conditions.” Helmed by Albert M. Kligman, a University of Pennsylvania professor, these tests enrolled hundreds of the prison’s predominantly Black population in studies determining the efficacy and safety of a wide variety of substances, from common household products to chemical warfare agents. These experiments at Holmesburg were hardly unique; in the postwar United States, the use of incarcerated test subjects was standard practice among many research institutions and pharmaceutical companies. Skin Theory examines the prison as this space for scientific knowledge production, showing how the “perfect control conditions” of the prison dovetailed into the visual regimes of laboratory work. To that end, Skin Theory offers an important reframing of visual approaches to race in histories of science, medicine, and technology, shifting from issues of scientific racism to the scientific rationality of racism itself.

In this highly original work, Cristina Mejia Visperas approaches science as a fundamentally racial project by analyzing the privileged object and instrument of Kligman’s experiments: the skin. She theorizes the skin as visual technology, as built environment, and as official discourse, developing a compelling framework for understanding the intersections of race, incarceration, and medical science in postwar America.

Introduces key terms, research traditions, debates, and their histories, and offers a sense of the new frontiers and questions emerging in the field of media studies

Keywords for Media Studies introduces and aims to advance the field of critical media studies by tracing, defining, and problematizing its established and emergent terminology. The book historicizes thinking about media and society, whether that means noting a long history of “new media,” or tracing how understandings of media “power” vary across time periods and knowledge formations.

Bringing together an impressive group of established scholars from television studies, film studies, sound studies, games studies, and more, each of the 65 essays in the volume focuses on a critical concept, from “fan” to “industry,” and “celebrity” to “surveillance.” Keywords for Media Studies is an essential tool that introduces key terms, research traditions, debates, and their histories, and offers a sense of the new frontiers and questions emerging in the field of media studies.

Visit keywords.nyupress.org for online essays, teaching resources, and more.

Offers an in-depth exploration of the Iranian diaspora and the negotiation of belonging

With an estimated 5 to 8 million people spread across the globe, the Iranian diaspora has become a visible and dynamic cultural presence—especially in North America and Europe. Faced with shallow or distorted portrayals, diasporic Iranians have responded to persistent misrepresentations and marginalization by turning to culture as a deliberate strategy of inclusion. Reshaping how their stories are told, community organizers, artists, and entrepreneurs are actively challenging public narratives, asserting new cultural imaginaries, and navigating the terms of inclusion and exclusion, putting new visions of Iranian identity into the public eye.

Drawing on transnational ethnographic fieldwork and over 125 semi-structured interviews conducted over the course of 16 years, Culture Beyond Country offers the first comparative ethnography of these cultural strategies of inclusion, examining the distinct practices and experiences of Iranians in three key cities of the diaspora, Los Angeles, Stockholm, and Toronto. Attending to the institutional and ideological forces that come to bear on Iranian cultural organizers in these three diasporic locations, Amy Malek examines how immigrants and their descendants negotiate belonging in response to various and shifting state approaches to cultural citizenship. The volume examines how state multicultural policy influences who is empowered to represent Iranian culture, how local factors shape expressions of Iranian identity across the diaspora, and how these representations are contested within Iranian communities.

Providing a compelling transnational study of immigrant multiculturalism, cultural citizenship, and inclusion across the global Iranian diaspora, Culture Beyond Country showcases not only how the process of representing Iranian culture in the diaspora generates competing views on what it means to be Iranian, but also how competing modes of belonging subvert and reinforce existing power relations across local, national, and transnational scales.

Asks how we can better understand a politics of refusal

Writing a new story of Black politics, Jump emerges from the practice of enslaved Africans jumping overboard off their slavers’ ships. Reading against the narrative that depoliticizes and denigrates the leaps of the enslaved as merely suicidal symptoms of chattel slavery and the Middle Passage, Sam C. Tenorio demonstrates how bringing these jumps to bear on the foundations of Black politics allows us to rethink a politics of refusal.

In a period of increasing political mobilization against police brutality and mass incarceration, Jump attends to the layers of confinement that constitute the racial and gendered hierarchies of the antiblack world. Centering radical acts too often relegated to the periphery of Black politics, Tenorio proposes a Black anarchist politics of refusal that helps us to think dissent anew.

Tracing iterations of the jump through the carceral wake of the slave ship, Tenorio explores the voyages of the Black Star Line in defiance of the bordered authority of the nation state, the Watts Rebellion of 1965 against the property relation of ghettoization, and Assata Shakur’s abscondence from prison to Cuba. Ultimately, Tenorio argues that considering the jump as a progenitor of Black politics deepens and widens our conceptualization of the Black radical tradition and introduces a paradigm-shifting attention to Black anarchism.

Honorable Mention for the 2023 Francis Richardson Keller-Sierra Prize

2023 Judy Grahn Award-Publishing Triangle Finalist

Restores queer suffragists to their rightful place in the history of the struggle for women’s right to vote

The women’s suffrage movement, much like many other civil rights movements, has an important and often unrecognized queer history. In Public Faces, Secret Lives Wendy L. Rouse reveals that, contrary to popular belief, the suffrage movement included a variety of individuals who represented a range of genders and sexualities. However, owing to the constant pressure to present a “respectable” public image, suffrage leaders publicly conformed to gendered views of ideal womanhood in order to make women’s suffrage more palatable to the public.

Rouse argues that queer suffragists did take meaningful action to assert their identities and legacies by challenging traditional concepts of domesticity, family, space, and death in both subtly subversive and radically transformative ways. Queer suffragists also built lasting alliances and developed innovative strategies in order to protect their most intimate relationships, ones that were ultimately crucial to the success of the suffrage movement. Public Faces, Secret Lives is the first work to truly recenter queer figures in the women’s suffrage movement, highlighting their immense contributions as well as their numerous sacrifices.