Performing Arts

“Chicago's temple of improvisational comedy.” —New York Times

Since opening in 1959, The Second City has transformed the state of comedy as we know it, creating a wickedly funny culture of improvisation and training thousands of artists—who now dominate popular entertainment—in the art of improv-based theater.

This newly revised and expanded edition of The Second City tells the story of the legendary comedy institution and the Emmy-winning sketch comedy classic SCTV, folding new material and commentary in with tales of The Second City’s storied past. The giants who got their start at The Second City in its earlier years—including Alan Arkin, Dan Aykroyd, John Belushi, John Candy, Chris Farley, Eugene Levy, Tim Meadows, Bill Murray, Mike Myers, Catherine O’Hara, Gilda Radner, Joan Rivers, Martin Short, and Fred Willard—are joined in these pages by more recent alumni like Aidy Bryant, Steve Carell, Stephen Colbert, Tina Fey, Keegan-Michael Key, Jack McBrayer, Bob Odenkirk, and Jason Sudeikis.

The real stories of The Second City and its performers will make you see the comedy juggernaut in a whole new light. Did you know John Belushi got his start lifting jokes from The Second City? Or that many cast members—including Stephen Colbert and Nia Vardalos—sold tickets or waited tables at the theater before they made it to the stage?

The Second City takes you behind the scenes of the world’s leading improv theater. Now spanning six decades, the story of The Second City is both funnier and more poignant than anyone could have imagined.

This anthology features six plays by celebrated Chicago playwright Mickle Maher, who has been described by the Houston Chronicle as “one of the most original voices in American theater today,” and by the Chicago Reader as “a master at creating complex, paradoxical works that encompass their own contradictions.” Maher’s plays engage classic literature as a jumping off point for seriously unusual comedic dramas, often dealing with the absurdity, difficulties, and rewards of artistic endeavor. His work has been influenced by or compared to Eugène Ionesco, Maria Irene Fornes, Kenneth Koch, and Edward Albee, among others. This edition is designed to be useful for schools and other organizations that wish to mount productions of Maher’s plays, which generally feature small casts and simple scenery and stagings, and thus can be easy to produce.

Production rights for any of these six plays can be requested from the publisher.

The anthology includes:

An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening
On the night Faustus concludes his bargain with Mephistopheles, he apologizes to a group of random people for his failure to keep a diary of his fabulous life.

The Hunchback Variations
Ludwig von Beethoven and Quasimodo present a panel discussion on their failure to create an impossible sound called for in a stage direction in Chekhov’s The Cherry Orchard.

Spirits to Enforce
Twelve telefundraisers with secret identities work to raise money for a superheroic production of The Tempest in a bid to save Fathomtown from Professor Cannibal and his band of evil doers.
There Is a Happiness That Morning Is
Having engaged the evening before in a highly inappropriate display of public affection on the main lawn of their rural New England campus, two lecturers on the poems of William Blake must now, in class, either apologize for their behavior or effectively justify it to keep their jobs.
Song About Himself
In a dystopian future, a woman made extraordinary by her ability to speak relatively clearly tries to connect with others on a mysterious social media site created by a rogue artificial intelligence.

It Is Magic
Deb and Sandy are auditioning Tim for the role of the Wolf in a production of The Three Little Pigs, but there’s a mysterious haze in the basement of the Mortier Civic Playhouse and that, in addition to interruptions from the director of the Scottish play that’s going on upstairs, is making things difficult. Then, Liz shows up and throws the whole room into (further) chaos. It Is Magic reveals the deep, ancient evil at the heart of the community theater audition process.

“Engaging and insightful.” —Booklist


Educational resources for Much Ado can be found here

Chicago is a bona fide theater town, bursting with an explosive, innovative vitality that’s fed every sector of the entertainment industry—from Hollywood to Broadway to Studio 8H—for as long as it’s delighted adoring local fans.

Ensemble is an in-depth, first-of-its-kind history of Chicago’s internationally celebrated theater scene, spanning 65 years and told through first-person accounts from the people who made it happen.

Among many other topics, this book explores the early days of the fabled Compass Players and the legendary Second City in the ’50s and ’60s; the rise of internationally acclaimed ensembles like Steppenwolf in the ’70s; the explosion of storefront and neighborhood companies that began in earnest in the ’80s; and the enduring global influence of the city as the center of improv training and performance.

Drawing from more than 300 interviews, author Mark Larson has woven a narrative that expresses the spirit of Chicago’s ensemble ethos: the voices of celebrities such as Julia Louis-Dreyfus, Ed Asner, George Wendt, Michael Shannon, and Tracy Letts comingle with stories from designers, composers, and others who have played a crucial role in making Chicago theater so powerful, influential, and unique.