Photography

From the building of the Brooklyn Bridge to immigrants arriving at Ellis Island, the slums of the Lower East Side to magnificent art deco skyscrapers, New York’s remarkable rise, reinvention, and growth is not just the tale of a city, but the story of a nation. This beautiful book lays out the streets, sidewalks, culture, and crowds of the greatest city in the world—in all the greatness of its extremes, contradictions, energy, and attitude. With vistas of Central Park alongside Coney Island and the sleaze of Times Square, this city portrait champions the complexity and chaos of New York—its architecture, culture, fashion, and ethnic diversity. More than just a tribute to the metropolis and its civic, social, and photographic heritage, New York. Portrait of a City also pays homage to the indomitable spirit of those who call themselves New Yorkers: full of hope and strength, resolute in their determination to succeed among its glass and granite towers.

Many loved The Big Book of Legs but some found it just too darn big, weighing in at nearly seven pounds. True, it was packed with shapely legs spanning six decades, from the first shy emergence of the ankle in the 1910s, through the rolled stockings and rouged knees of the 1920s, to the Betty Grable ’40s, the stockinged and stilettoed ’50s, on into the sexually liberated ’60s and ’70s, but it could still put a dent in your own thighs if you sat reading for too long.

Fortunately here at TASCHEN we listen to your groans of agony as well as your moans of ecstasy; thus, this light and portable new edition, packing over 100 of the choicest photos from the original volume, as well as 38 new photos, into a compact (and frankly adorable) package. From Betty Grable to Bettie Page, the greatest legs of the 20th Century can be found within, shot by Irving Klaw, Bunny Yeager, and the incomparable Elmer Batters, father of leg art. There are silk and nylon stockings, high heels in abundance, curvy calves, taut thighs, playful toes and towering arches—with no bothersome text to get in the way. Could leg love get any sweeter?

From men in bowler hats, floating in the sky, to a painting of a pipe above the caption "this is not a pipe", René Magritte (1898–1967) created an echo chamber of object and image, name and thing, reality and representation.

Like other Surrealist works, Magritte’s paintings combine a precise, mimetic technique with abnormal, alienating configurations which defy the laws of scale, logic, and science: a comb the size of a wardrobe, rocks that float in the sky, clouds that drift through an open door. The result is a direct yet disorientating realm, often witty, often unsettling, and always prompting us to look beyond the visible, to “what is hidden by what we see.”

This introductory book explores Magritte's vast repertoire of visual humor, paradox, and surprise which to this day makes us look and look again, not only at the painting, but at our sense of self and the world.

Avedon and Baldwin’s American Journey

Richard Avedon and James Baldwin’s landmark 1964 book finally back in print

This meticulous reprint of Richard Avedon and James Baldwin’s Nothing Personal explores the complexities and contradictions still at the center of the American experience – especially timely in the age of Donald Trump. Deploying both image and text, Avedon and Baldwin examine the formation of identity, and the bonds that both underlie and undermine human connection. An accompanying 72-page booklet features a fresh essay by Pulitzer Prize-winning critic Hilton Als, and many of Avedon’s unpublished outtakes, correspondence, preliminary layouts and ephemera.

In 1963-64, former high school friends Richard Avedon, at the time one of the world’s most famous photographers, and James Baldwin, best-selling novelist and essayist and a leading literary voice in the American civil rights movement, collaborated on Nothing Personal, a book about the state of life in America.

Avedon’s subjects range from civil rights icons, to intellectuals, politicians, pop singers, patients in a mental institution, and ordinary Americans, all carefully juxtaposed, cropped, and tightly sequenced. Here, the American Nazi Party contends with poet Allen Ginsberg, and a weary General Eisenhower gives way to the sway of Malcolm X. Depleted mental institution patients call out for human warmth, and are followed by the embrace of mother and child.

Baldwin’s four-part essay offers a critique of a society that is disconnected, unjust and divisive, and therefore in the midst of an existential crisis. In a highly personal and pertinent testimony, he writes about his own experience of harassment by a racist police officer in his native New York City. Yet Baldwin, like Avedon, ends his work with the inescapable need for – and power of – love.

Designed by legendary art director Marvin Israel, Nothing Personal is a triumph of minimalism. An oversized book in its own white slipcase, the striking placement of both photographs and text revolutionized the design and packaging of photography books. This is a faithful reprint of the original book, which has been out of print for decades, and was produced with the collaboration of The Richard Avedon Foundation.

Hilton Als, Avedon’s former colleague at The New Yorker, and a scholar of Baldwin’s work, traces the making of Nothing Personal and documents the friendship and creative relationship between Avedon and Baldwin. Als also movingly reflects on how Nothing Personal impacted his own life, as well as his friendship with Avedon.

When first published in 1964, Avedon and Baldwin’s vision of America was controversial, and both men endured harsh criticism for being liberal elites and “Hollywood moralists” who were not representing the true feelings of “real” Americans. Sound familiar?

To coincide with the book’s release, New York’s Pace Gallery will present a comprehensive exploration of Avedon’s photographs and documents from Nothing Personal.

Like hardly any other artist of his generation, Wolfgang Tillmans has shaped our perception of the world. From early portraits of his friends to still lifes, travel shots, nudes, landscape and sky photographs, to his abstract work, Tillmans has created a multitude of iconic works in his unmistakable visual language, opening up new paths and possibilities for both photography and contemporary art. In 2000 he was the first photographer and the first non-British person to receive the renowned Turner Prize.

His first volume for TASCHEN (1995) shows the young generation of the 1990s, of which Tillmans himself was a member, in clubs, at Gay Pride, at fashion events, and in everyday life. His dense, realistic photographs conjure up tangible utopias of community and society and are important documents of their time as well. With the follow-up volume Burg (1998), Tillmans enriches his subject matter with another array of beautiful, now iconic photographs. In truth study center (2005), his images condense into even more subtle compositions and now stand alongside completely abstract works. Finally, Neue Welt (2012) documents Wolfgang Tillmans’ travels around the globe: from London to Tierra del Fuego, India, Papua New Guinea, Saudi Arabia, and Central Africa, we follow his ever-inquisitive eye for the realities of our planet, for social situations with people and markets, technology and architecture, and last but not least, nature and astronomy. For this volume, the artist for the first time made use of the new possibilities of digital photography. This enabled a density of information and incisiveness hardly seen in photographs until then.

This 40th-anniversary publication from TASCHEN combines the best of the four books in one volume. Wolfgang Tillmans himself has compiled this edition, partly redesigned it, added some recent works, and written a new foreword.

Paging through this collection of images, which spans three decades, there are countless moments to delight in, moments that are held not only in our collective memory but in our individual ones too.

Sebastião Salgado’s photo book classic Workers. An Archaeology of the Industrial Age (first published in 1993) pays tribute to the time-honored tradition of manual labor in the new millennium when machines and computers replace human workers throughout the globe. With images of striking beauty and integrity, Salgado composes a visual elegy for the working men and women, whose indomitable spirit has prevailed over the harshest of conditions to achieve a singular grace.

More than those of any other living photographer, Sebastião Salgado’s images of the world’s poor stand in tribute to the human condition. Salgado defines his work as “militant photography”, dedicated to “the best comprehension of human being”; over the decades he has bestowed great dignity on the most isolated and neglected among us — from famine-stricken refugees in the Sahel to the indigenous peoples of South America. 

With Workers, Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization.

Workers presents its subject on several interactive levels: Salgado’s introductory text, written in collaboration with Brazilian author Eric Nepomuceno, expands his passionate photographic iconography; extended captions, also written by Salgado, provide a historical and factual framework. Honoring the timeless and indomitable spirit of the manual laborer, Workers renders the human condition with honesty and respect.

“What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?” – Sebastião Salgado When Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated. After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets—and Sebastião Salgado’s photographs. Color dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached The New York Times Magazine, something extraordinary happened: there was complete silence. “In my entire career at The New York Times,” recalled photo editor Peter Howe, “I never saw editors react to any set of pictures as they did to Serra Pelada.” Today, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images. This book gathers Salgado’s complete Serra Pelada portfolio in museum-quality reproductions, accompanied by a foreword by the photographer and an essay by Alan Riding.Also available in a signed and limited Collector’s Edition

In 1960, photographer William Claxton and noted musicologist Joachim E. Berendt traveled the United States hot on the trail of jazz. Through music halls and marching bands, side streets and subways, they sought to document this living, breathing, beating musical phenomenon that enraptured America across social, economic, and racial lines.

The result of Claxton and Berendt’s collaboration was Jazzlife, much sought after by collectors and now revived in this fresh TASCHEN volume. From coast to coast, from unknown street performers to legends of the genre, this defining jazz journey explores just what made up this most original of American art forms. In New Orleans and New York, in St. Louis, Biloxi, Jackson, and beyond, Claxton’s rapturous yet tender images and accompanying texts examine jazz’s regional diversity as much as its pervasive vitality and soul. They show the music makers and the many spaces and people this music touched, from funeral parades to concert stages, from an elderly trumpet player to kids who hung from windows to catch a glimpse of a passing band.

With portraits of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charles Mingus, Thelonious Monk, John Coltrane, and many more, this is as much a compelling slice of history as it is a loving personal tribute.

Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.

Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.

Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 394 images and a booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

Born in the Brazilian countryside, and nearly six feet tall by the age of 14, Gisele Bündchen grew from humble roots into one of the most successful supermodels in the world. This book celebrates her 20-year milestone in the industry with a unique and spectacular collection of jaw-dropping glamour and intimate, personal insights.

Gisele was just 18 when she made her breakthrough in the S/S 1998 ready-to-wear “Rain” show of Alexander McQueen, who chose “The Body” thanks to her ability to walk in towering heels on a slippery runway. The same year, Gisele secured her first British Vogue cover, and swiftly became the most in-demand cover girl of her generation. The following year, she was chosen for the cover of American Vogue, shot by Steven Meisel, and lauded as “the return of the sexy model” with her bronzed, athletic beauty defying late-’90s grunge. Since then, Gisele has appeared on more than 1,000 covers around the globe, in approximately 450 fashion shows, and in multinational campaigns for the biggest fashion and beauty brands.

With more than 300 photographs, this book is curated and art directed by Giovanni Bianco. From Gisele’s legendary nude portrait by Irving Penn, chosen as the book’s cover, to iconic shots from such industry luminaries as Steven Meisel, Mario Testino, Peter Lindbergh, David LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott, and Corinne Day, it is a unique artistic presentation of the most famous Brazilian export together with Pelé and Senna and the highest-earning model in the world. The breathtaking image collection is accompanied by an introduction by Steven Meisel and tributes from Gisele’s closest friends, family, and fashion leaders, who shed light on how and why she has become one of the greatest models of all time.

Gisele is donating all her proceeds from the book to charity.

During the 1960s, Dennis Hopper carried a camera everywhere—on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade’s cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama.

From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi, this extensive volume, finally back in print in a new edition, distills the essence of Hopper’s prodigious photographic career. Also included are introductory essays by Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography and new afterword by journalist Jessica Hundley. With excerpts from Victor Bockris’s interviews of Hopper’s famous subjects, friends, and family, this volume revives an unprecedented exploration of the life and mind of one of America’s most fascinating personalities.

Ellen von Unwerth was a supermodel before the term was invented, so she knows a thing or two about photographing beautiful women. Now one of the world’s most original and successful fashion photographers, she pays homage to the world’s most delectable females in Fräulein. This celebration of our era’s sexiest female icons includes Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more.

Switching effortlessly between color and immaculate black and white, von Unwerth’s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined.

It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil.

Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed.

With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother’s breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones.

At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado’s own words, to temper our behaviors in a “new regimen of coexistence.”

George Eastman’s career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history.

Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives—among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams.

Home also to 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film, the George Eastman House is a pilgrimage site for researchers, photographers, and collectors from all over the world. This volume curates the most impressive images from the collection in chronological order to offer an incomparable overview of photographic history.

TASCHEN presents Lost + Found and Good News, the latest and final publications from artist David LaChapelle. The books are the fourth and fifth installments of LaChapelle’s five-book anthology, which began with LaChapelle Land (1996), continued with Hotel LaChapelle (1999), and followed by Heaven to Hell (2006).

Lost + Found is a visual recording of the times we live in and the issues we face, expressed through David LaChapelle’s unique and distinctive vision. Featuring a monumental curation of images that have never before been published in book form, it chronicles LaChapelle’s strongest images as a visionary to date while encapsulating our time in history.

This fourth volume also introduces a decade of unseen work from LaChapelle’s creative renaissance, where he offers a bridge into paradise and the sublime, leading viewers into volume two: Good News.

Lost + Found features:
Pamela Anderson, Julian Assange, Isabella Blow, David Bowie, Naomi Campbell, Hillary Clinton, Frances Bean Cobain, Miley Cyrus, Lana Del Rey, Lady Gaga, Sharon Gault, Daphne Guinness, Whitney Houston, Kris Jenner, Kendall Jenner, Bruce Jenner, Kylie Jenner, Dwayne Johnson, Khloe Kardashian, Kim Kardashian, Eartha Kitt, David LaChapelle, Amanda Lepore, Nicki Minaj, Katy Perry, Sergei Polunin, Keith Richards, Rihanna, Chris Rock, Amber Rose, Britney Spears, Uma Thurman, Andy Warhol, Kanye West, Pharrell Williams, Amy Winehouse, and many others...

Lost + Found and Good News are sold separately.

A unique tribute from David Bowie’s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie’s blessing.

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars.

A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972 and 1973, worked as the singer’s photographer and videographer.

This collection brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie’s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.

As sensitive to human suffering as to the simple pleasures of life, Robert Doisneau is one of the most celebrated exponents of the Photographie humaniste that swept through the 1950s. Cherished in particular for his soulful portraits of Paris, Doisneau demonstrated a unique ability to find – and perfectly frame – charismatic characters, entertaining episodes, and fleeting moments of humor and affection.

A summation of a spectacular career, this extensive Doisneau collection includes all his best-loved images from Paris alongside many lesser-known compositions which equally rejoice in “the ordinary gestures of ordinary people in ordinary situations.” The many quotations from the photographer throughout the volume immerse the reader in Doisneau’s thoughts and give verbal expression to the sensitivity, warmth, and wit which characterize his pictures.

Through the images, we are transported to the grim suburbs of Doisneau’s youth; the world of manual labor whose nobility he so admired; and to the studios of the many groundbreaking artists that Doisneau captured in moments of reflection and creativity. A number of color shots of the transformed suburbs of Doisneau’s childhood reveal a different, more critical eye to the master photographer.

For this new monograph on all aspects of the life and oeuvre of Robert Doisneau, his longtime friend and TASCHEN author Jean Claude Gautrand had unlimited access to the extensive photo archive Atelier Robert Doisneau. The preface is by Doisneau’s daughters Francine Deroudille and Annette Doisneau.

Born in Berlin in 1920, Helmut Newton trained as a teenager with legendary photographer Yva, following her lead into the enticing pastures of fashion, portraiture and nudes. Forced to flee the Nazis aged only 18, Newton never left Berlin behind. After his career exploded in Paris in the 1960s, he returned regularly to shoot for magazines like Constanze, Adam, Vogue, Condé Nast's Traveler, ZEITmagazin, Männer Vogue, Max and the Süddeutsche Zeitung Magazin as well as his own magazine Helmut Newton’s Illustrated.

In 1979, the newly relaunched German Vogue commissioned him to retrace the footsteps of his youth to capture the fashion moment. The resulting portfolio, Berlin, Berlin!, inspired the title of the exhibition which celebrates 20 years of the Helmut Newton Foundation.

This collection includes Newton’s most iconic Berlin images, as well as many unknown shots from the 1930s to the 2000s: nightcrawlers in uber-cool clubs and restaurants, nude portraits in the boarding houses he knew from his youth, and the Berlin film scene, featuring Hanna Schygulla and Wim Wenders at the Berlin Wall, John Malkovich and David Bowie.

In October 2003, only months before his death, Newton moved large parts of his archive to his new foundation, housed in the Museum of Photography beside the Zoologischer Garten station—the very station from which he fled Berlin in the winter of 1938. This publication thus closes a circle in the story of his extraordinary life and work.

This is a photographic love story tracing the fifty-five years of collaboration, partnership and history of Helmut and June Newton. First published in 1998, their legendary joint project Us and Them was presented in book form and accompanying exhibitions.
 
The book‘s first part – Us – features personal portraits of each other and self-portraits taken over several decades, revealing affection and intimacy behind each image and bringing forth nostalgia of the time. It is a photographic diary that records the life Helmut and June Newton shared away from the public eye. 
 
The second part of the book – Them – is a sumptuous journey through time, where the lens of the master brings forth images of stunning portraits of an array of jet set, celebrities, important cultural figures, and some of the most famous faces of the time. From Catherine Deneuve, Anjelica Huston, David Hockney, and Timothy Leary to Peter Beard, Yves Saint Laurent, Thierry Mugler, Jane Birkin, and Charlotte Rampling, among others. The portraits taken by Helmut and June Newton in various sittings are presented side by side in pairs, thus revealing two facets of the same personality. This volume unmistakably highlights that the life and work of Helmut and June Newton were inexplicably linked in every way. One was never possible without the other.

The 20th century saw fashion evolve from an exclusive Parisian salon business catering for the wealthy elite into a global industry employing millions, with new trends whisked into stores before the last model has even left the catwalk.

Along the way, the signature silhouettes of each era evolved beyond recognition. For women, House of Worth crinolines gave way to Vionnet’s bias-cut gowns, Dior’s New Look to Quant’s Chelsea Look, Halston’s white suit to Frankie B.’s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts or skinny jeans entered the game.

20th-Century Fashion offers a retrospective of the last hundred years of style via 400 fashion advertisements from the Jim Heimann Collection. The images trace not only the changing trends but also the evolution in their marketing and audience, as fashion was adopted into popular culture and the mass market, decade by decade. An in-depth introduction and illustrated timeline detail the style-makers and trendsetters, and how historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed—then and now.

In 1965, Steve Schapiro started documenting Andy Warhol for LIFE magazine: Warhol was cementing a reputation as an important Pop artist who drew his inspiration from popular culture and commercial objects. With his sunglasses, blond wig, and bland public utterances, Warhol was enigmatic, charismatic, intensely ambitious, and aware that to become a star, you needed the presence of people to document your ascent. Schapiro, also ambitious and hardworking, who in his own words “kept quiet and smiled a lot,” was an ideal witness to Warhol’s relentless rise from cult New York artist to 20th-century icon. Ironically, LIFE never published the story, so many of these images are seen here for the first time, scanned from negatives found deep in Schapiro’s archive.

Between 1965 and 1966, Schapiro busily photographed Warhol and his entourage of superstars, including the legendary Edie Sedgwick and Nico, hanging out art openings,. making his underground movie Camp, working on his silkscreens at the Factory, and roaming the streets of New York. Schapiro was also present at the opening of Warhol’s first museum retrospective at the Institute of Contemporary Art in Philadelphia, attended by a hyped-up crowd of thousands —the night where art’s coolest new king was crowned and Andymania was born. The final stop on the Warhol express train is Los Angeles, where Andy exhibited his ironic Silver Clouds at the Ferus Gallery, stayed at the picturesque Castle, and set up and filmed a performance by cult band the Velvet Underground.

Featuring more than 120 photographs, Schapiro’s images are juxtaposed with tipped-in plates of original Warhol artworks exhibited during the period. The art works include Before and After, 4, 1962, Colored Campbell’s Soup Can, 1965, S&H Green Stamps, 1965, One Dollar Bills (Fronts), 1962, 100 Cans, 1962, Flowers, 1965, Shot Red Marilyn, 1964, Elvis I and II [Elvis Diptych] [Ferus Type], 1963–64, Green Disaster # 2 (Green Disaster Ten Times), 1963, White Disaster (White Car Crash 19 Times), 1963, and many others. Also featuring an interview with Steve Schapiro, who passed away in early 2022, and an essay and extended captions by official Warhol biographer Blake Gopnik. Andy Warhol and Friends 1965–1966 is a definitive portrait of a groundbreaking artist at a transformative period in postwar American culture.

Sebastião Salgado’s masterpiece Genesis is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still pristine planet. The Genesis project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.

On over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away. The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra.

In characteristic monochrome, Salgado’s painterly notes are perfectly tuned to these sublime scenes, capturing sweeping aerial panoramas as much as the most intricate details and textures, from a reptilian skin to the fur coat of the Nenet people of northern Siberia. The exquisitely reproduced images are arranged not by theme but rather conceived as a journey around the globe, immersing them in Salgado’s vision of the Earth’s mesmerizing scale, order, and beauty.INSTITUTO TERRAFounded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership.

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when “instant photography” meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography.

Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition “Helmut Newton Polaroids” at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

This platinum tome is the most comprehensive visual history of surfing to date, marking a major cultural event as much as a publication. Following three and a half years of meticulous research, it brings together more than 900 images to chart the evolution of surfing as a sport, a lifestyle, and a philosophy.

The book is arranged into five chronological chapters, tracing surfing culture from the first recorded European contact in 1778 by Captain James Cook to the global and multi-platform phenomenon of today. Utilizing institutions, collections, and photographic archives from around the world, and with accompanying essays by the world’s top surf journalists, it celebrates the sport on and off the water, as a community of 20 million practitioners and countless more devotees, and as a leading influence on fashion, film, art, and music.

An unrivaled tribute to the breadth, complexity, and richness of surfing, this book is a must-have for any serious player on the surfing scene and anybody who aspires to the surfing lifestyle. As one surfing scribe has declared, “There has never been a book like this, and there will never be another one again.”

A unique tribute from David Bowie’s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie’s blessing.

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars.

A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972 and 1973, worked as the singer’s photographer and videographer.

This collection brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. It celebrates Bowie’s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.

Ren Hang, who took his life February 23, 2017, was an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 29-year-old Beijing photographer was nonetheless at the forefront Chinese artists’ battle for creative freedom. Like his champion Ai Weiwei, Ren was controversial in his homeland and wildly popular in the rest of the world. He said, “I don’t really view my work as taboo, because I don’t think so much in cultural context, or political context. I don’t intentionally push boundaries, I just do what I do.”

Why? Because his models, friends, and in his last years, fans, are naked, often outdoors, high in the trees or on the terrifyingly vertiginous rooftops of Beijing, stacked like building blocks, heads wrapped in octopi, body cavities sprouting phone cords and flowers, whatever entered his mind at the moment. He denied his intentions were sexual, and there is a clean detachment about even his most extreme images: the urine, the insertions, the many, many erections. In a 2013 interview VICE magazine asked, “there are a lot of dicks … do you just like dicks?” Ren responded, “It’s not just dicks I’m interested in, I like to portray every organ in a fresh, vivid and emotional way.” True though that may be, the penises Ren photographed were not just fresh and vivid, but unusually large, making one wonder just where he met his friends.

In the same piece, Hang also stated, “Gender isn’t important when I’m taking pictures, it only matters to me when I’m having sex,” making him a pioneer of gender inclusiveness. Young fans still eagerly flock to his website and Facebook, Instagram, and Flickr accounts. His photographs, all produced on film, have been the subject of over 20 solo and 70 group shows in his brief six-year career, in cities as disparate as Tokyo, Athens, Paris, New York, Copenhagen, Frankfurt, Vienna, and yes, even Beijing. He self-published 16 monographs, in tiny print runs, that now sell for up to $ 600. TASCHEN’s Ren Hang is his only international collection, covering his entire career, with well-loved favorites and many never-before-seen photos of men, women, Beijing, and those many, many erections. We take solace remembering Ren’s joy when he first held the book, shared by his long-time partner Jiaqi, featured on the cover.

Vienna combines drama and elegance like no other. For centuries the heart of the Austro-Hungarian Empire, the stately city on the Danube, has been defined by vast palaces and imperial grandeur—but behind the Baroque opulence, Vienna is also a place of genteel coffee house culture, epicurean tradition, and a heritage of both delicate and daring music, art, and design, from Johann Strauss to Egon Schiele, from Gustav Mahler to Josef Hoffmann.

This volume is a treasure trove of photography from the last 175 years, following the evolution of Vienna from imperial capital to modern metropolis. Like a visual walk through time and cityscape, hundreds of carefully curated pictures trace the developments in Vienna’s built environment and the cultural and historical trends they reflect, whether the urban Gesamtkunstwerk of the 19th-century Ringstrasse or the experiments of “Red Vienna” in the 1920s, when the city had a social democrat government for the first time.

Through these remarkable photographs, we discover not only the great landmarks and lesser-known corners of Vienna, but also the ubiquity and the tumult of its history. We see the cultural blossoming of the fin de siècle, when radical innovators such as Gustav Klimt, Egon Schiele, Adolf Loos, and Sigmund Freud turned Vienna into a “laboratory of modernity”; the clashes of 1934; the ascent of Nazi dictatorship; and the horrors writ by the Holocaust in what was once one of the most populous and multi-ethnic cities on earth. More recently, fascinating postwar photographs explore the Vienna of the Third Man, at once a city in ruins and a hub for spies. The book closes with the most recent pictures, celebrating the emergence of today’s Vienna—one of the most attractive cities in Europe, in which rich history once again coexists with international flair and vibrant contemporary culture.

Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century alongside her or his most significant monographs.

From the earliest representatives of classical Modernism right up to the present day, Photographers A–Z celebrates those photographers who have distinguished themselves with important publications or exhibitions, and who have made a significant contribution to the culture of the photographic image. The entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China.

Richly illustrated with facsimiles from books and magazines, the collection also features photographers working in “applied” areas, whose work is regarded as photographic art. Star turns include Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle.

At the turn of the 20th century, the American photographer Edward Sheriff Curtis (1868–1952) started on his 30-year project to produce a monumental study of North American Indians. Using an approach that was both artistically and scientifically ambitious, he recorded, in words and pictures, the traces of the traditional Indian way of life that was already beginning to die out.

With tireless personal commitment Curtis visited 80 American Indian tribes from the Mexican border to the Bering Strait, gaining their confidence through his patience and sensitivity. His work was printed in 20 volumes between 1907 and 1930 as The North American Indian, but with only 272 copies, originals became extremely rare.

This book gathers Curtis’s entire American Indian portfolio into one publication, offering renewed access to and appreciation of his extraordinary achievement, which is as much a precious historical document as a triumph of the photographic form.

"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as surprising. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.

A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including campaigns for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue—encompassing the body of work he made as a "gun for hire."

With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

“We must remember that in the brutality of battle another such apocalypse is always just around the corner.” —Sebastião Salgado

In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein’s troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires, creating one of the worst environmental disasters in living memory.

As the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado’s smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this “huge theater the size of the planet”: the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters.

Salgado’s epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award, recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series. Like Genesis, Exodus, and The Children, it is as much a major document of modern history as an extraordinary body of photographic work.

More than 100 years ago the brothers Adolf ("Adi") and Rudolf Dassler made their first pair of sports shoes. Hundreds of groundbreaking designs, epic moments, and star-studded collabs later, this book presents a visual review of the adidas shoe through almost 200 models.

To further develop and tailor his products to athletes’ specific needs, Dassler asked them to return their worn footwear when no longer needed, with all the shoes eventually ending up in his attic (to this day, many athletes return their shoes to adidas, often as a thank you after winning a title or breaking a world record). This collection now makes up the "adidas archive", one of the largest, if not the largest archive of any sports goods manufacturer in the world—which photographers Christian Habermeier and Sebastian Jäger have been visually documenting in extreme detail for years.

Shot using the highest reproduction techniques, these images reveal the fine details as much as the stains, the tears, the repair tape, the grass smudges, the faded autographs. It’s all here, unmanipulated and captured in extremely high resolution—and with it comes to light the personal stories of each individual wearer. We encounter the shoes worn by West Germany’s football team during its “miraculous” 1954 World Cup win and those worn by Kathrine Switzer when she ran the Boston Marathon in 1967, before women were officially allowed to compete; custom models for stars from Madonna to Lionel Messi; collabs with the likes of Pharrell Williams, Raf Simons, Stella McCartneyor Yohji Yamamoto; as well as the brand’s trailblazing techniques and materials.

Accompanied by expert texts, each picture tells us the why and the how, but also conveys the driving force behind adidas. What we discover goes beyond mere design; in the end, these are just shoes, worn out by their users who have loved them—but they are also first-hand witnesses of our sports, design, and culture history, from the beginnings of the Dassler brothers and the founding of adidas until today.

The Wunderkammer, or “cabinet of curiosities,” saw collectors gathering objects from many strands of artistic, scientific, and intellectual endeavor, in an ambitious attempt to encompass all of humankind’s knowledge in a single room.

From the Grand Duke Francesco I de’ Medici and Holy Roman Emperor Rudolf II to Archduke Ferdinand II of Habsburg, these aristocratic virtuosos acquired, selected, and displayed the objects in real-life catalogues that represented the entire world—spanning architecture, interior design, painting, sculpture, gemology, geology, botany, biology and taxonomy, astrology, alchemy, anthropology, ethnography, and history.

Marvel at the unicorn horns (narwhal tusks), gems, rare coral growths, Murano glasswork, paintings and peculiar mechanical automata. Browse through illustrations of exotic and mythical creatures and discover the famed “Coburg ivories,” an astounding collection of crafted artifacts. These collections are nothing short of a journey through time, from the Renaissance and Age of Discovery, the Mannerist and Baroque periods, up to the present day. Although many of these cabinets of curiosities no longer exist, others have been meticulously reconstructed, and new ones born.

These marvelous cabinets of curiosities can now be explored by all in this XXL collection. To realize this mammoth undertaking, Massimo Listri traveled to seven European countries over several decades; the result is a set of gorgeous photographs, an authoritative yet accessible introduction, and detailed commentary on each of the 19 chambers highlighting the most remarkable items in each collection. Discover how these timeless treasures both describe and defined civilization, the modern concept of the museum, and our very knowledge of the universe.

A flâneur and photographer at once, Eugène Atget (1857–1927) was obsessed with walking the streets. After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called “documents” of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage. Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Révolution Surréaliste, while Ray and much of his artistic circle purchased Atget prints. Atget’s fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget. This fresh TASCHEN edition gathers some 500 photographs from the Atget archives at Musée Carnavalet and the Bibliothèque Historique de la Ville de Paris to celebrate his outstanding eye for the urban environment and evocation of a Paris gone by. Down main streets and side streets, past shops and churches, through courtyards and arcades and the 20 arrondissements, we find a unique portrait of a beloved city and the making of a modern photographic master.

First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 144 of the city’s most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained façades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry.

The collection spans buildings from 1920 to 1970 and showcases the work of some of the city’s most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively shot by Delfino Sisto Legnani, Paola Pansini, and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots—such as stones, door handles, and handrails—with larger architectural views.

The images are accompanied by concise contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brian Kish, and Grazia Signori, together bringing a wealth of architecture, design, and natural stone expertise to guide the reader through the applied materials and fittings as well as the art-historical and social implications of each of the ingressi. As much an architectural city guide as an aesthetic study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction.

In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of inquiry in Milanese modernism. With the rigor of its multifaceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city’s design DNA across high to low architecture.

Mario Testino is one of the world’s most successful fashion and portrait photographers, whose images are noted for their freshness and intimacy. Peruvian by birth, Testino has been fascinated by Rio de Janeiro since his earliest summer vacations. "When I was 14, on holiday, and going from my house to the beach and seeing everyone walk everywhere in their tiny bathing suits—the girls and boys were so sexy and carefree and wild—I just could not believe it."This easy sensuality, sexual freedom and lust for life left a deep impression; Testino has been going back ever since, for work and fun, passion and inspiration. Featuring candid shots of exquisite cariocas baring nubile flesh, including supermodel Gisele Bündchen, MaRIO DE JANEIRO Testino captures the essence of this incomparably seductive city and its sultry citizens. From its breathtaking sunset panoramas, to the throbbing chaos of its world-famous carnival, this is Testino’s love poem to the Brazilian metropolis that captured his teenage heart, and never let go.

The Polaroid Corporation’s photography collection is the greatest portfolio of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes some 23,000 images by hundreds of photographers throughout the world, including pieces by the likes of David Hockney, Andy Warhol, and Jeanloup Sieff.

The Polaroid Book dives into these archives, paying tribute to a medium that continues to defy the digital age. Like an oversized Polaroid film pack, this collection curates works by luminaries and unknowns alike, celebrating the boundless possibilities that develop inside the white borders of the original instant photograph.

Features: more than 250 works from the Polaroid Collections an essay by Polaroid’s Barbara Hitchcock on the beginnings of instant photography and the collection’s history a chapter featuring the various types of Polaroid cameras

Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid–nineteenth century to the present day.

Enjoy eye-catching views of the city’s most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco’s counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city’s most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg, among others.

This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies, from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall, and many local shooters. Also includes introductory essays and captions by Bay Area–based author Richie Unterberger and a “Best of San Francisco” books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, “I left my heart in San Francisco,” and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.

George Eastman’s career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history.

Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives—among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams.

Home also to 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film, the George Eastman House is a pilgrimage site for researchers, photographers, and collectors from all over the world. This volume curates the most impressive images from the collection in chronological order to offer an incomparable overview of photographic history.

In Animals, we discover a different side to the famed photographer who skillfully explores animals’ complex relationship with humans and the environment.

Tenderness abounds, particularly in scenes of unkempt street dogs sleeping contentedly next to a human. But there’s also a kind of essential solitude, with animals belonging to no one and simply wandering through life with only their survival instincts to guide them. We witness camels caught in the crossfire during the first Gulf War; a shepherd from Northern Pakistan tenderly feeding his goats; Beverly Hills designer dogs; race horses on a Hong Kong rooftop; an elephant in Thailand, and more images selected by McCurry from his vast archives.

Through McCurry’s lens, we discover an appreciation for each creature’s beauty and silent dignity. This kaleidoscopic collection is at once a beautiful travelogue and a touching tribute to the creatures who share our planet.

Peter Lindbergh and Azzedine Alaïa, the photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaïa drew on the monochrome of timeless clothes to create veritable sculptures for the body.

In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion.

Despite their geographically opposed origins, Lindbergh and Alaïa pursued similar horizons. At the same time as Lindbergh’s reputation in Germany was growing thanks to his work in Stern magazine, and he set up his studio in Paris in 1978, Alaïa was the couturier shrouded in discretion whose sophisticated techniques were a treasured secret amongst the most important clients of Haute Couture.

Alaïa became the architect of bodies, revealing and unveiling them, while Lindbergh distinguished them by shining a light on their soul and personality. Step by step, they became the creators that dominated their respective disciplines. Both rejected any artifice that distracted from their true subject, and it is with great ease that they came together for a number of powerful collaborations.

Shared inspirations and aesthetic values are visible throughout their work. A beach in Le Touquet and the streets of old Paris reference a mutual love of black and white cinema and vast panoramas. The backdrop of an engine room illustrates the memory of an industrial German landscape for one and references the inordinate passion for functional design and architecture held by the other. Alaïa’s clothes act as pedestals for the smiles and eyes of the women who wear them: Nadja Auermann, Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger, Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi, Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For Lindbergh, who built his notoriety on the images of these supermodels, the authenticity of their traits is all that matters. The result is a potent black and white catalogue that reverberates with truthfulness and beauty.

The book accompanies the exhibition Azzedine Alaïa, Peter Lindbergh at the Fondation Azzedine Alaïa, 18 rue de la verrerie, Paris, France.

With contritutions by Fabrice Hergott, director of the Musée d’Art Moderne de la Ville de Paris, Paolo Roversi, photographer, and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaïa, Paris.

Sebastião Salgado’s photo book classic Workers. An Archaeology of the Industrial Age (first published in 1993) pays tribute to the time-honored tradition of manual labor in the new millennium when machines and computers replace human workers throughout the globe. With images of striking beauty and integrity, Salgado composes a visual elegy for the working men and women, whose indomitable spirit has prevailed over the harshest of conditions to achieve a singular grace.

More than those of any other living photographer, Sebastião Salgado’s images of the world’s poor stand in tribute to the human condition. Salgado defines his work as “militant photography”, dedicated to “the best comprehension of human being”; over the decades he has bestowed great dignity on the most isolated and neglected among us — from famine-stricken refugees in the Sahel to the indigenous peoples of South America. 

With Workers, Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization.

Workers presents its subject on several interactive levels: Salgado’s introductory text, written in collaboration with Brazilian author Eric Nepomuceno, expands his passionate photographic iconography; extended captions, also written by Salgado, provide a historical and factual framework. Honoring the timeless and indomitable spirit of the manual laborer, Workers renders the human condition with honesty and respect.

For six years Sebastião Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region: the rainforest, the rivers, the mountains, the people who live there—this irreplaceable treasure of humanity in which the immense power of nature is felt like nowhere else on earth.

In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.

In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band—Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”

This pocket-sized edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.

The photographer and filmmaker Bruce Weber is associated with a wide array of imagery: humanist portraits of artists, actors, and athletes; fashion spreads charged with emotion, irreverence, and nostalgia; lyrical tributes to eroticism and an arcadian vision of the American landscape. All these things—and golden retrievers, too. Since the very beginning, Weber has been accompanied on his travels by a pack of these benevolent canines, who have populated his photographs for fashion campaigns, prominent magazines, and the pages of his personal scrapbooks in equal measure.

The Golden Retriever Photographic Society is Weber’s first career-spanning collection of these photographs, one he describes as his most personal. In the introduction to the monograph, Weber remarks, “People sometimes say to me, ‘In my next life, I want to come back as one of your dogs.’” Paging through this volume, we understand the sentiment. For five decades, these golden retrievers have been foils for Weber’s imagination, storybook characters in the expansive life he has created with wife, Nan Bush. This book celebrates the human-animal bond, illuminating how connection to one’s pets can fuel creativity, provide companionship, and foster an abundance of joy.

In 1945 Bob Mizer began taking photographs of strapping young men on Muscle Beach in Venice, California. In December of that year he formed the Athletic Model Guild to market his photos, and “physique photography” was born. Before Mizer there were bodybuilders and men who photographed them, but AMG photos, even those of the same men, were different, subtly provocative, discretely aimed at a gay audience. They weren’t nude, but showed as much as the law allowed in 1945.

In 1951 Mizer launched Physique Pictorial, America’s first indisputably gay magazine, bringing his photos of top bodybuilders to grateful readers worldwide. By the late ’50s Mizer had photographed over 1,000 men, moving from the beach to his quirky Los Angeles studio, where he introduced props including Greek columns, Roman headdresses, rear projection, and famously, his mother’s glassware, for theatrical Hollywood effect. In 1957 he published a catalog featuring all his men, titled 1000 Model Directory. In 1968 a second 1000 Model Directory followed, with the men photographed in the intervening years. The little 98-page books became instant collectibles, but the photos were so small, 12 to a page, that they were as frustrating to view as they were titillating.

TASCHEN’s two-volume edition 1000 Model Directory prints from Mizer’s original 4 x 5 negatives to present these handsome hunks in stunning clarity. Editor Dian Hanson trawled through a quarter million male nudes to select this lineup of top models, including movie stars Sammy Jackson, Richard Harrison, and Ed Fury. Glenn Corbett of TV’s 77 Sunset Strip is also here, as well as Nick Adams, star of The Rebel, and top bodybuilders Chris Dickerson, Dick Dubois, Vince Gironda, Bill Grant, Zabo Koszewski, Henry Lenz, Don Peters, Bob Shealy, Charles Stroeder, Armand Tanny, and John Tristram.

An hour-long DVD is also included, containing 18 films made by Bob Mizer between 1954 and 1968, in black and white and color, all edited specifically for this book. They range from simple posing routines by bodybuilding stars Keith Stephan and AMG favorites Forrester Millard, John Davidson, and Steve Buono, to sword and sandal star Ed Fury’s first physique film, to gladiator extravaganzas, wrestling adventures, crime dramas, and—a Bob specialty—humorous morality tales, starring Jim Paris, John Tristram, Monte Hanson, and other models featured in the book. Mizer’s take on Dr. Frankenstein’s monster, in posing straps, is a standout.

  The female leg is a sexual oddity. Non-genital, and nearly identical in structure to the corresponding male body part, there is no obvious reason why it’s eroticized. Yet, through much of history, across many cultures, the female leg was hidden from sight and treated as such a taboo topic that it became an object of intense sexual obsession. In the Victorian era the word “leg” was so forbidden that it couldn’t be uttered in polite society, lest men be driven wild with lust. Even now, 100 years after women’s legs came out of hiding, their allure remains strong. In this third book of Dian Hanson’s wildly successful body parts series she explores how freeing the female leg became central to women’s liberation, beginning with the post-French Revolution cancan and ending with the 1960’s Sexual Revolution miniskirt. Over 400 photos document the first burlesque “leg shows” of the 1800s, the silk-stockinged flappers of the 1920s, the nylon-mania of the 1940s, the dawn of the stiletto heel in the 1950s, all leading to the golden age of leg magazines in the 1960s. Learn who wore the first high heels, how nylons became a weapon of war, why Betty Grable’s were the million dollar legs, where Elmer Batters got his start, and just what the deal is with feet, while enjoying great vintage photos by Irving Klaw, Batters and other masters of leg art.

TASCHEN is proud to announce Lost + Found, Part I and Good News, Part II, the long-awaited, latest and final publications from artist David LaChapelle. The books are the fourth and fifth installments of LaChapelle’s five-book anthology, which began with LaChapelle Land (1996), continued with Hotel LaChapelle (1999), and followed by Heaven to Hell (2006).Lost + Found, Part I is a visual recording of the times we live in and the issues we face, expressed through David LaChapelle’s unique and distinctive vision. Featuring a monumental curation of images that have never before been published in book form, it chronicles LaChapelle’s strongest images as a visionary to date while encapsulating our time in history. This fourth volume also introduces a decade of unseen work from LaChapelle’s creative renaissance, where he offers a bridge into paradise and the sublime, leading viewers into volume two: Good News, Part II.Lost + Found, Part I features: Pamela Anderson, Julian Assange, Isabella Blow, David Bowie, Naomi Campbell, Hillary Clinton, Frances Bean Cobain, Miley Cyrus, Lana Del Rey, Lady Gaga, Sharon Gault, Daphne Guinness, Whitney Houston, Kris Jenner, Kendall Jenner, Bruce Jenner, Kylie Jenner, Dwayne Johnson, Khloe Kardashian, Kim Kardashian, Eartha Kitt, David LaChapelle, Amanda Lepore, Nicki Minaj, Katy Perry, Sergei Polunin, Keith Richards, Rihanna, Chris Rock, Amber Rose, Britney Spears, Uma Thurman, Andy Warhol, Kanye West, Pharrell Williams, Amy Winehouse, and many others...Lost + Found, Part I and Good News, Part II are sold separately. Also available as a two-volume Art Edition limited to 500 copies and accompanied by three prints signed by David LaChapelle.

From men in bowler hats, floating in the sky, to a painting of a pipe above the caption "this is not a pipe", René Magritte (1898–1967) created an echo chamber of object and image, name and thing, reality and representation.

Like other Surrealist works, Magritte’s paintings combine a precise, mimetic technique with abnormal, alienating configurations which defy the laws of scale, logic, and science: a comb the size of a wardrobe, rocks that float in the sky, clouds that drift through an open door. The result is a direct yet disorientating realm, often witty, often unsettling, and always prompting us to look beyond the visible, to “what is hidden by what we see.”

This introductory book explores Magritte's vast repertoire of visual humor, paradox, and surprise which to this day makes us look and look again, not only at the painting, but at our sense of self and the world.

The idea of climbing a tree for shelter, or just to see the earth from another perspective, is as old as humanity. In this neat TASCHEN edition, take a tour of some of our finest arboreal adventures with 50 of the most beautiful, inventive, and enchanting tree houses around the world. From romantic to contemporary, from famed architects to little-known craftsmen, you’ll scale the heights to visit all manner of treetop structures, from a teahouse, restaurant, hotel, and children’s playhouse to simple perches from which to contemplate life, enjoy the view, and discover that tree houses take as many forms as the imagination can offer. With an abundance of gorgeous photographs and illustrations, this is an ode to alternative living, where playful imagination meets eco-sensitive finesse.

TASCHEN is proud to announce Lost + Found, Part I and Good News, Part II, the long-awaited, latest and final publications from artist David LaChapelle. The books are the fourth and fifth installments of LaChapelle’s five-book anthology, which began with LaChapelle Land (1996), continued with Hotel LaChapelle (1999), and followed by Heaven to Hell (2006).Good News, Part II follows David LaChapelle’s creative renaissance as he surrenders to contemplations of mortality, moving beyond the material world in a quest for paradise. Featuring a monumental curation of images that have never before been published in book form, it is a sublime and arresting new body of work that attempts to photograph that which can’t be photographed. It represents the final chapter to LaChapelle’s narrative in a collection of books that have captivated a generation of viewers across the globe.Good News features: Pamela Anderson, Lana Del Rey, Sharon Gault, Janet Jackson, Michael Jackson, Paris Jackson, David LaChapelle, Amanda Lepore, Miriam Makeba, Sergei Polunin, Tupac Shakur, Elizabeth Taylor, and many more...Lost + Found, Part I and Good News, Part II are sold separately. Also available as a two-volume Art Edition limited to 500 copies and accompanied by three prints signed by David LaChapelle.

In 1970 Barbra Streisand published a story in Life magazine titled “Who Am I Anyway?” It was the very question two leading photojournalists of the day—Steve Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture “the real Barbra.”

Brimming with photographs, stories, and behind-the-scenes shots from Schapiro and Schiller, and previously available only as a limited edition, this is a must-have collection for any Streisand fan. All the best movies of Streisand’s first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat, Up the Sandbox, Funny Lady, and A Star Is Born. So too are her loves, directors, confidants, and costars: Elliott Gould, William Wyler, Sydney Pollack, Vincente Minnelli, Cis Corman, Omar Sharif, Kris Kristofferson, and, of course, Robert Redford.

Through it all a picture emerges not of a singer who could act, but of an actress who could sing, write, direct, dance, and do just about anything she put her mind to.

Since the late 20th century, postcolonial Africa has faced various crises, from political and economic instability to public health and environmental emergencies, to inter-tribal conflicts. Throughout, the camera has remained a constant spectator, participant, and collaborator. With the advent of new media, the camera has become ubiquitous; Closed-Circuit Television (CCTV) cameras in private and public buildings, body cameras worn by the police, and in the hands of journalists, participants, or bystanders. The camera presents multiple narratives and counternarratives, sometimes corroborating or challenging the carefully curated reports offered to the public by governments. Through a combination of anecdotal evidence, case studies, and imagery,

Camera in Times of Crisis thoroughly investigates how the camera has participated in crises across the continent. Edited by communication experts Kehinde Christopher Adewumi, Folasayo Enoch Olalere, Gambo Giles Duniya, this timely work is reinforced by each academics’ unique expertise, covering the practical, historical, and artistic aspects of visual media in crisis.

Camera in Times of Crisis is an essential read for academics and general educated readers alike, discussing the ability of the camera as a tool to document historical events; to verify and legitimise narratives; to represent the other; and act as a beacon of hope, aid, and change.

• Glamorous Parties: A fun visual journey through the most iconic cocktail parties, featuring nostalgic black-and-white vintage shots and vibrant full-color images of celebrities, entertainers, and models in luxurious and earthy settings.

• Classic Themes: With chapters on Destinations, People, Fashion, and Art & Design, this book delves into the world of cocktail culture, showcasing ritzy nightlife, lavish poolside gatherings, and opulent ocean yacht soirées.

• Perfect for Collectors and Entertainers: This upscale, beautifully designed book is an essential piece for collectors, event planners, or anyone who loves the elegance of cocktail parties and luxurious living.

• Including a bonus back section of classic cocktail recipes.

Celebrate the timeless allure of cocktail parties with this lavishly illustrated book, a dazzling tribute to the elegance and excitement of high society gatherings and edgy nightlife gettogethers. From glamorous black-and-white vintage photography to vibrant modern images, the book takes you inside the world of iconic celebrities, entertainers, and models (present and past) as they mingle in ritzy nightclubs, luxurious poolsides, and opulent ocean yachts.

With chapters dedicated to Destinations, People, Fashion, and Art & Design, this volume offers a sophisticated look into the art of entertaining. Perfect for collectors, hosts, or those who appreciate the finer things in life, this book is a must-have for lovers of style and luxury.

With great shots from all over the world, this book is also very relevant to USA cities with inclusions from Hollywood, New York, the Hamptons, DC, New Orleans and more international places.

• Iconic Imagery: A stunning collection of over 200 sharp, high-quality photographs capturing the essence of Grand Prix racing, from vintage black-and-white images to vibrant full-color shots of priceless cars, legendary drivers, and glamorous celebrities.
• Exclusive Insights: A behind-the-scenes look at the world of Grand Prix, featuring rare moments at the racetrack, fashion shows, and extravagant parties that define the glamour and excitement of this elite sport.
• Perfect for Enthusiasts and Collectors: An upscale, visually captivating book that's an essential addition to any car enthusiast's library, offering a unique blend of history, culture, and luxury.

Step into the fast-paced, glamorous world of Grand Prix racing with our latest illustrated book "The stylish life Grand Prix", a visual feast that captures the thrill and elegance of this iconic sport. From the roar of engines to the glitz of racing fashion shows and celebrity-studded parties, this book is a must-have for anyone passionate about racing or the luxury lifestyle. Featuring over 200 sharp photographs, both vintage and contemporary, this collection brings to life the unforgettable moments on and off the track. Whether for a personal library or as a luxurious gift, this book is the ultimate tribute to the allure of Grand Prix racing.

• The first photo book by award-winning designer, art director, Leica ambassador and renowned fashion photographer Mathieu Bitton in a large coffee-table format.

Paris Blues is a captivating collection of photographs by award-winning art director, designer and photographer Mathieu Bitton. Born in Paris in 1973, Bitton has photographed some of the world's most famous artists throughout his career, including Quincy Jones, The Rolling Stones, Stevie Wonder and Lady Gaga. A versatile artist, he has designed an extensive portfolio of albums, posters, books and promotional materials for a wide range of musicians and films. 

In Paris Blues, Bitton shows the beauty and charm of the city of Paris, which has a special meaning for him. Through his lens, he captures the essence of Paris, the place of his childhood, which to this day remains a prominent source of inspiration for his artistic work. Bitton is known for his ability to capture the truth of a subject and the authenticity of a moment, which is also reflected in this collection. 

In addition to his stunning photographs, Bitton has received multiple Grammy nominations and won several Grammys.He was also awarded the title “Knight of the Order of Arts and Letters” by the French government. He is also a well-known ambassador for Leica cameras, which further emphasizes his expertise and influence in the world of photography. 

This book is not only a tribute to his hometown, but also a continuation of his successful exhibitions such as Travelogue, Ascension and Darker Than Blue, which have received worldwide acclaim. Bitton's work shows a deep connection to Paris and offers the viewer an intimate view of the city that has had a lasting impact on his memories and artistic work. 

There’s something about the abandoned storefronts, vintage motels, and forgotten restaurants of the 1950s and 60s that evokes a mid-century nostalgia, even for those of us who weren’t alive in those years. Viewing Hours brings together the photography of Ben Geier, who has spent the last decade traveling the United States to capture the images of these once vibrant, and now abandoned treasures.

Organized in sections, including Signs, Theatres, Restaurants, Motels, Roadside, and Storefronts, and featuring an introduction by the photographer, Viewing Hours features over 150 color images from 15 states, including Arizona, California, Indiana, Illinois, Iowa, Kentucky, Michigan, Missouri, New Jersey, New Mexico, Ohio, Oklahoma, Pennsylvania, Texas, and Wisconsin. Evoking a sense of nostalgia and solitude, Geier’s work highlights the modernist architecture, minimalist design, and muted color palette of the mid-century.

With an introduction by Martyn Ware (of Heaven 17 and The Human League)

Tina Turner: singer, trailblazer, icon. One of the best-known and most-beloved performers of all time, Simply Tina documents her life, career, and relationship with celebrated music photographer Paul Cox.

When Paul Cox captured Tina’s legendary 1983 comeback performance with Heaven 17, it was the beginning of a friendship that would last for over two decades. During that time, Paul was commissioned to photograph Tina for numerous video shoots and live performances.

This unique and intimate collection contains a variety of never-before-seen images, telling the story of Tina’s career through a mixture of live photos, video shoots, promo shots, candid images and sessions in the recording studio, as well as photographs with such high-profile friends as David Bowie, Rod Stewart, Bryan Adams and many more.

The Taking of Vimy Ridge explores the life and works of William Ivor Castle, a Canadian official First World War photographer known for staging and manipulating his photographs.

Castle shot more than 1000 photographs during his time as official photographer attached to the Canadian Corps, and his iconic (though sometimes manipulated) scenes of war created a sensation at London’s Grafton Galleries during the war. But the remainder of his wartime oeuvre, and Castle himself, are less well-remembered today.

The Taking of Vimy Ridge analyzes the unique relationship between Castle and the Canadian War Records Office and distinguishes several of Castle’s never-before-identified manipulated works as he attempted to illustrate the Battle of Vimy Ridge—one of Canada’s most mythologized First World War battles—to audiences around the world.

Drawing from Canadian and British archival records, as well as Castle’s complete body of work from the Battle of Vimy Ridge, this richly illustrated book offers a much more expansive understanding of Castle's contribution to both war photography and our understanding of portrayals of the First World War, including a close interpretation of the technical choices he made in framing his images, and the context in which this oeuvre developed.

Through a series of stunning images, readers are invited to explore the city's iconic landmarks, including the Transamerica Pyramid, Coit Tower, the Presidio, the Ferry Terminal, and the iconic Bay and Golden Gate Bridges, as well as lesser-known corners of the city. Above and Across San Francisco features stunning aerial shots that offer a bird's-eye view of the city, capturing its natural scenery and urban landscape in an entirely new light. With its striking visuals and thoughtful commentary, including a foreword by Stacy Williams, Executive Director of The American Institute of Architects - San Francisco, this photography book is a must-have for anyone who loves San Francisco or wants to experience its beauty from a new perspective.

Featured photographers include: Cocu Liu, Diane Bentley Raymond, Howard Kingsnorth, Jack Landau, Jay Huang, Jeffery Xin, John Montoya, Kris Kuganathan, and Lichao Liu.

Trope Chicago: The Loop and Beyond, the eighth volume in the Trope City Editions series, celebrates the architecture, public artwork, and everyday beauty of Chicago.
The collection highlights the photographic images of a group of talented photographers from Chicago and beyond who showcase the city in a new and exciting light.
This carefully curated and bound collection of over 200 previously unpublished photographs offers a new perspective on Chicago. Each chapter is accompanied by a map, along with the locations where the photos were taken. Going beyond the typical tourist attractions, Trope Chicago: The Loop and Beyond is a new exploration of the city that takes readers beyond Chicago's landmarks to give an insider's view of the city, highlighting the neighborhoods, streets, and locations that mark the day-to-day Chicago experience.
Including photographs from all corners of the city, including Logan Square, Uptown, Hyde Park, Pilsen, Bronzeville, Streeterville, and Lincoln Park, these images command a strong point of view: digitally processed, filtered, toned, de-saturated, sharpened, for a very urban sensibility.
Showcasing both the architectural significance and everyday beauty of contemporary Chicago, the images reveal distinctive and dramatic visions of one of the world’s greatest cities.

Cincinnati Dreaming captures the stunning beauty of Cincinnati as seen through the eyes of photographer Mike Poggioli. Having spent four years living in Cincinnati, Poggioli brings a unique point of view to his images. Focusing on Cincinnati's rich history, architectural significance, and natural scenery, the images capture the magic of the city, creating a contemporary and updated portrayal of Cincinnati.

Through a series of breathtaking images, readers are invited to explore the city's iconic landmarks, including Cincinnati Union Terminal, Carew Tower, Roebling Suspension Bridge, and Fountain Square, as well as lesser-known corners of the city that are equally captivating.

Cincinnati Dreaming features stunning shots that offer a new perspective on the city's urban landscape, rolling hills, and picturesque vistas. With striking visuals and thoughtful commentary, this photography book is a must-have for anyone who loves Cincinnati or wants to experience its beauty from a new perspective.

Exploring the Fine Arts Building’s warren of hallways is like stepping into a time machine. It’s not a museum—it’s a place of work. The walls reverberate with timeless music. Sopranos soar up to the high notes as violin bows draw tunes from strings. Someone plays a piano so busily they must have twelve fingers. Dancers’ feet thud against wooden floors. A tuba burps out “Ride of the Valkyries” as the doors of the manually operated elevators provide percussive slams. And more quietly, behind closed doors, painters paint, writers write, and luthiers shave soft ribbons from billets of spruce.

In Chicago's Fine Arts Building, celebrated writer and Fine Arts Building tenant Keir Graff takes readers behind the scenes of this cultural hub. Initially conceived as a space for artists' studios, a home for the city's working artists, the building was an immediate success, but the Great Depression brought a long, slow decline to the building. Graff explores the building's history, its revitalization, and its cultural place in the city of Chicago. Featuring interviews with current tenants and access to the building's archives, including historical photos and artifacts, and a foreword by bestselling author Gillian Flynn, Chicago's Fine Arts Building sheds a new light on this storied building and its long history.

Other Chicago landmarks have more stunning architecture or are more perfectly restored, but none of them has aged so well—because in the Fine Arts Building, it’s the work that has been preserved. Two centuries have turned and its purpose remains the same: to provide artists and artisans space to pursue their callings, and community with other creatives, too, offering a living demonstration that something good happens when so many work so closely to each other. Which is not to say it’s always been easy. Whatever comes easily in the arts?

Discover New York’s poignant memorials through powerful photographs capturing everything from fleeting tributes to enduring monuments

The photographs in Here Down on Dark Earth document the many ways New Yorkers express their intertwined feelings of loss and remembrance. The famous and the unknown, the rich and the poor, meet the same fate, but how they are mourned and remembered varies greatly. New York City’s monuments and memorials are large and small, civic and personal, traditional and vernacular, planned and spontaneous. Some commemorate a significant event such as the terrorist attack on the World Trade Center, others the death of a single child hit by a stray bullet. A memorial of stone and steel dedicated to deceased WWII veterans from a church parish may outlast a painted Rest-In-Peace (RIP) memorial wall for a slain teenager. Still, both grow out of the feeling of loss and a desire to preserve the memory of departed loved ones.

As Racioppo traveled throughout New York City, he became increasingly aware of the impermanence of these memorials. The paint eventually peels, and the image gradually disappears. Sanitation workers remove the rotted toys and flowers. Small and personal, or large and communal, created by professionals or amateurs, the memorials in Here Down on Dark Earth express a powerful sense of loss and connection. Throughout the book, the author’s contextual notes accompany the poignant photographs depicting these expressions of remembrance.

Explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more

Alice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.

When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.

Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality.

Elliott Erwitt: Photography with humor in his last great coffee table book 

When great black and white photography and tongue-in-cheek humor come together, as they did with Elliott Erwitt, the result is a unique coffee table book like "Last Laughs". No one was better than the New York photography legend at observing everyday scenes around the world with heart and humor through the lens of his camera. Shortly before his death in 2023, he curated this wonderful selection of amusing, tongue-in-cheek snapshots for his last major photo book, which are also tinged with a touch of wistful nostalgia from today's perspective. 

A unique coffee table book between nostalgia and contemporary history 

Elliott Erwitt mastered the art of capturing special moments in seemingly casual everyday scenes with his camera. Whether stars or unknown faces in the streets, whether people or dogs, when the photography legend Erwitt observed the world through the lens of his camera, his sense of humor was always his companion. It is the unmistakable signature of his photography in black and white that turned these tongue-in-cheek glances at the lives of others into impressive documents of contemporary history: a wonderful, sometimes melancholy book of hand-picked photographic moments full of nostalgia and humor. 

The legacy of the photography legend: A coffee table book with wistful humor 

Elliott Erwitt was the grand seigneur of magazine photography, a long-standing member of the famous Magnum Photos agency and also served as its vice-president. The widely travelled photojournalist knew how to document contemporary history and snapshots of life like no other. Whether celebrities such as Marylin Monroe and Jackie Kennedy, ordinary people on the streets of New York or his favourite animal subject, dogs, he was able to capture the humor in everyday scenes in an incomparable way. Erwitt passed away in 2023, but the legacy of the photography legend lives on - with a wink in black and white and this, his last self-curated photo book "Last Laughs".

Immerse yourself in the world of fishing with the first coffee-table book on the subject in our successful Ultimate Book series. This illustrated book presents not only the history and basic knowledge of fishing, but also the wide range of equipment from rods to reels, from hooks to lures.

Learn about different techniques such as spin fishing, fly fishing and float and bottom fishing, all illustrated with stunning photography. Embark on a journey to the most popular target fish such as the Atlantic salmon, the brown trout or the (European) perch, while being enchanted by dream destinations for anglers. Explore the pristine lakes and rivers that make every angler's heart beat faster. Of course, the obligatory angler's tales are also included, bringing the stories of the biggest catches and unforgettable experiences on the water to life.

All in all, this illustrated book is not just a book, but a way of life that captures the passion and magic of fishing in every line. An absolute must-have and the ideal gift for anyone who has fallen for the fascinating world of fishing. 

• Masterpieces from the Natural World

"Creation" is an impressive testament to the beauty and uniqueness of our planet and its inhabitants. Young photographic artist Harry Skeggs passionately dedicates himself to documenting the diversity of life on Earth. This visually stunning coffee table book, featuring over 100 photographs, movingly showcases the biodiversity of our planet.

Skeggs aims to raise urgent awareness about the necessity of conservation and preserving the natural habitats of animals through his images. And he accomplishes this masterfully. In a time of increasing extinction of numerous species, Skeggs, through his creative work, provides an especially emotional connection to this issue.

As one flips through the pages of this extraordinary book, the viewer is inevitably filled with profound respect for the power of nature, life, and its simultaneous vulnerability. That's why, it bears the title "Creation".

The high-caliber photographs directly reflect the passion they were captured with. Skeggs invested months, and sometimes even years, in the preparation and effort for each shot. Capturing animals in their natural environment with such freedom and immediacy requires exact planning. The resulting photographs are flawless, and among connoisseurs, they are considered masterful and iconic.

The visually stunning coffee table book "Creations" is a monumental manifesto about sustainability, conservation, and love for animals. Anyone willing to immerse themselves in the wild beauty of our planet will undoubtedly be captivated by this photographic masterpiece.

In his oeuvre-spanning show, the renowned Danish photographer provides examples from the last twenty years of his unique ability to stage seemingly private and intimate moments in the lives of his subjects in creative and unexpected ways. This makes Re-Framed a retrospective that brings both his work and photography in general, with its layered contemporary meanings, into a new dimension, allowing viewers to explore captivating images in their own way. Immerse yourself in a groundbreaking exhibition in the Fenimore Art Museum, preserved in this art-quality volume, either after visiting the exhibit in person or as a completely standalone experience. To quote Marc Hom himself: it is “the beauty of the unexpected” that awaits you in this book. 

Re-Framed is a work of art in its own right, thanks to the excellent reproduction of Hom’s iconic portraits of Samuel L. Jackson, Rafael Nadal, Taylor Swift, and Miley Cyrus, among other legendary personalities. It also makes an unforgettable impression with its unique cover design and interior layout that exudes its own special style, just like the exhibit itself. 

Vincent Lagrange developed his love for photography at an early age in his father's photo studio; where he practically spent his entire childhood. There; he practiced capturing the grace and dignity of his feline companion; Dwiezel; through photography. For this; he employs techniques that are typically used in human portraiture. The results he achieves with this approach are remarkable.

The photographer considers it important to emphasize the social nature; emotions; and connections of animals. And he succeeds like no other. In 2022; Lagrange's work received international recognition with one of his images being featured on the cover of National Geographic magazine; which is one of the greatest honors for any animal and nature photographer. Through an ongoing portrait series called "The Human Animal Project"; he aims to raise awareness about the concerns of animals and uses the proceeds to support animal and species conservation.

The outstanding coffee table book "Between Us" offers readers deep insights into Lagrange's photographic art and shines with touching and poignant photographs. Page after page; detailed animal photographs await discovery by the readers.

For those looking for a photo book that showcases animals from their human side; "Between Us" is exactly what you're looking for.

Sports stars, titles, lifestyle and legends: Everything a basketball coffee table book needs!

Immerse yourself in the captivating world of basketball with our comprehensive coffee table book “Basketball - The Ultimate Book” by Peter Feierabend and Torben Rosenbohm. This rich coffee table book takes you on an exciting journey through the history of one of the world's most popular sports and allows you to experience the energy and lifestyle of basketball up close. From NBA icons like Michael Jordan and Dirk Nowitzki to contemporary stars like LeBron James, we pay tribute to the most outstanding talents and teams that have shaped this iconic global sport.

Our Coffee Table Book offers you a visual feast, showcasing stunning shots of spectacular dunks, legendary arenas and iconic basketball locations. Discover the evolution of basketball from the NBA to Europe and the successes of German players in the world's most prestigious league. The illustrated book is rich in stories about the origins of the game, cultural phenomena such as the basketball cappy and tattoos.

The sport has not only produced numerous talented players, but has also had an impressive influence on various cultures and global lifestyles. This is particularly evident in the international presence of basketball superstars such as Michael Jordan and LeBron James, who have not only impressed with their sporting prowess but have also been recognized as cultural icons around the world.

Written by respected authors Peter Feierabend and Torben Rosenbohm, this illustrated book combines profound knowledge with aesthetic beauty. It is an absolute must-have for every fan of the sport and a symbol of the passion and dedication to basketball. Become part of the basketball community and let yourself be inspired by the fascination of this sport. Make “Basketball - The Ultimate Book” a highlight in your book collection and experience the exciting world of ball sports that fascinates millions of people. With our coffee table book, you can celebrate the lifestyle of basketball on your own bookshelf.

• Visually stunning nature/wildlife photo book beginning in Africa and moving through all continents. A modern classic of nature photography, now available once again.
  
  
• Masterful images from the only photographer to date to have been named “Wildlife Photographer of the Year,” “International Nature Photographer of the Year,” and “Travel Photographer of the Year”.
  
  
• For lovers of spectacular nature photography.

 
This visually stunning volume begins with photographs from Africa before moving through all the continents. The alternations between landscapes and close-ups, colour and black-and white photographs, create a stunning, emotive journey across the planet we call home.
Text in English and German.

The Most Iconic Photos

Big New York - a visually stunning coffee table book in mega format 

New York City is the city that captivates everyone at first glance - even more so when that glance is through the lens of a camera! In this opulent and visually stunning coffee table book, fourteen outstanding icons of photography reveal their very personal perspectives on the city that never sleeps: an opulent, in many ways outstanding coffee table book that, like New York itself, is a melting pot of creativity and diversity! 

Magical moments from the perspective of 14 icons of photography 

A coffee table book that celebrates New York City life with its legendary motifs and magical moments, captured in magnificent images by fourteen camera artists as diverse as they are expressive: photography icon Elliott Erwitt with his legendary black and white shots, photojournalist Thomas Hoepker, who creates captivating testimonies with his emotional view of everyday life, or Phil Penman, who reveals the vulnerability of the Big Apple in intimate moments. Christophe Jacrot, often praised as a "bad weather" photographer, creates atmospheric visual worlds of the mega-city. A kaleidoscope of fascinating moments and diverse photographic styles - what all these camera icons have in common is their love for the city of a thousand faces.  

Outstanding as an illustrated book, coveted as a collector's item 

Just like the Big Apple itself, this outstanding New York coffee table book in XXL format catches the eye with its impressive dimensions: over 500 pages of stunning images and an opulent design with avant-garde colour edging, elegant embossing and a luxuriously crafted decorative slipcase make this attractive coffee table book a sought-after collector's item. A breathtaking illustrated book that captures life in New York in the fascination of the moment and turns it into an iconic document of time and history. 

The world's most fascinating places

Deserts - the fascination of deserts in a magnificent coffee table book 

Mysterious, unique and sometimes seemingly from another planet, the deserts of the earth are revealed to us in this extraordinary coffee table book. The breathtaking landscape photography in this opulent coffee table book takes us across all continents. The Sahara with its barren rocky deserts and sandy deserts, gigantic dunes that wind elegantly and majestically into the far distance, the harsh ice deserts of the Antarctic, endless steppes and the vastness of salt deserts and high-altitude deserts in America: this marvellous coffee table book reveals the diversity of the world's deserts in an impressive way. 

The deserts of the earth in a captivating interplay of light, colour and endless expanse 

Only at first glance does the world of steppe, salt lake, savannah and tundra appear barren: this fascinating coffee table book is a masterpiece of nature photography, capturing the vibrancy of deserts around the globe.
Philippe Bourseiller has created a fascinating portrait of the earth with this extravagant travel photo book, travelling through Africa, Arabia, America, the Arctic and Antarctica: Majestic like the Gobi Desert, mystical like the Sahara with its sweeping dunes and fertile oases, archaic like the Namib, the "Great Void", species-rich and picturesque like the Kalahari or the Colorado desert - the variety and colourfulness of the landscape photography in this coffee table book is always remarkable. 

Impressive coffee table book by the award-winning nature photographer  

Philippe Bourseiller is a landscape photographer with a mission: for over four decades, he has been documenting the beauty of the wilderness with his camera and campaigning for the preservation of (still) unspoilt natural areas. Honoured with the World Press Award and the Visa d'Òr, his extraordinary photography has already filled over 25 books. With this coffee table book about the world's most marvellous deserts, he has created a fascinating portrait of the world's deserts - perfect as a gift for all lovers of landscape photography!

“Photographer Lawrence Schiller’s images of the icons of Sixties America conjure a time and a place of incomparable cool.” —The Times Magazine, London

During the transformative 1960s, Lawrence Schiller captured the nation’s political and cultural front lines: whenever a headline-making event occurred, he was there.

From Marilyn Monroe in the nude to Muhammad Ali in the boxing ring, Schiller's work features legendary moments, including Paul Newman and Robert Redford playing ping-pong, and a haunting image of Lee Harvey Oswald after the assassination of John F. Kennedy. He documents the powerful advocacy of Martin Luther King Jr. and Robert Kennedy, alongside the private world of LSD experimentation.

Drawing from Schiller's vast archive of portraiture and photojournalism, this book includes 67 of his most iconic photographs, presenting more than just a collection of images; it offers an eclectic and intimate portrait of an era that defined modern America.

Printed in Italy on archival, acid-free paper, this premium hardcover edition is bound in linen and features a tip-in photograph of Tippi Hedren and Alfred Hitchcock taken during the filming of The Birds.

Ideal for photography lovers, history enthusiasts, and anyone fascinated by the cultural icons of the 1960s, this book is a must-have for your collection.

The personalities featured include:

• Muhammad Ali
• Clint Eastwood
• Bette Davis
• Tippi Hedren
• Alfred Hitchcock
• Dennis Hopper
• James Earl Jones
• Buster Keaton
• Robert Kennedy
• Martin Luther King, Jr.
• Sophia Loren
• Dean Martin
• Paul Newman
• Robert Redford
• Barbra Streisand

A masterpiece of visual storytelling for the discerning collector. The Photography 2025 Awards Annual presents an exquisite celebration of light, shadow, and artistic vision—a statement piece for your most cherished spaces.

In the tradition of fine art publishing, the Photography 2025 Awards Annual stands as a testament to contemporary photographic excellence. This luxuriously produced volume transforms your coffee table into a private gallery, showcasing the year's extraordinary photographic achievements.

Each page reveals curated works of unprecedented craft—from the ethereal compositions of Nick Berryman to the bold visual statements of Howard Schatz. Eight Platinum Award winners, chosen by an elite jury of master photographers, present images that transcend mere documentation to become objects of contemplation and conversation.

This collector's edition features:

• Museum-quality reproductions on premium paper stock
• Intimate revelations from celebrated photographers about their creative journey
• A decade retrospective celebrating our illustrious 2015 Platinum winners
• An directory of the world's finest photography museums and galleries
• Personal narratives from Gold and Platinum winners revealing the inspiration behind their vision

The digital edition enriches the experience with 52 pages of exclusive content, while the print volume commands attention in any sophisticated interior—whether gracing a modernist loft or a classic library.

This is more than a book; it's a carefully crafted archive of contemporary photography's finest moments. Every image is selected not only for its technical mastery but for its power to inspire and provoke. From the emerging voices claiming their first Gold to the established masters redefining their craft, each work within these pages contributes to an ongoing dialogue about the nature of photographic art.

A perfect fusion of form and content, this Annual serves both as a definitive record of photographic excellence and as an object of beauty in its own right. It belongs in the collections of serious photographers, directors, educators, and those who understand that great photography books are investments in inspiration.

Available in collector's print edition and digital format. Digital version includes exclusive expanded content.

“Local or visitor, London courses through your body as if its rainbow-coloured system of underground veins is somehow intrinsically linked to your own.” ~ Chris Holmes

Often waking before dawn, photographer Chris Holmes captures rare moments of solitude and calm as the city of London yawns, stretches and begins its day. His high-contrast scenes depict the miniature dramas unfolding all around us, obscured by the hectic pace of metropolitan life. Moving to London as an adult, Chris fell in love with the city in tandem with his development as a photographer and shoots his adopted home as both a romantic insider and an impartial admirer.

Hidden in Chaos pairs Chris’s cinematic images with the words of 18 poets of various backgrounds, adding more layers of texture and meaning to the complex but devoted relationship that London’s residents and visitors have with the city’s many faces. London’s gray and glow, its daily ebb and flow, are celebrated, questioned and contemplated in this visual and poetic tribute.

Includes poems by Elena Ashton, Shez Chung Blake, Troy Cabida, Laura Corns, Paul Cree, Caroline Druitt, George Duggan, Sam El-Bahja, Tom Gill, Bizhan Govindji, Imogen Hudson-Clayton, Danny Martin, Louise McStravick, Aaliyah Orridge, Astra Papachristodoulou, Abdul Patel, Ben See, and Janay Stephenson.

“Photography is documenting life as it happens, it’s capturing the decisive, unexpected and unique. Over the years, my style and work have changed but I’ve always focused on street portraits, with a side of architecture.” ~ Ope Odueyungbo

Although Ope currently shoots for global brands like Audi, Adidas, and American Express, the idea of being a photographer didn’t cross his mind until he was in college. Now, just a few years later, he routinely posts stunning images to his nearly 100,000 Instagram followers. A Londoner from New Cross, Ope less often displays another side of his work – a personal photographic journey that has taken him to nearly every continent on the globe, including Nigeria, where his parents are from and still home to his grandmother and extended family. Ope’s unusual aesthetic sensibility reveals his vision of the world, viewed with eternal optimism and hope.

Printed on high-quality paper with metallic inks and casebound with a ribbon, Monochrome is the perfect gift for the photography, art, or nature lover.

Life as a Cabaret celebrates the vibrancy and diversity of the underground cabaret scene, uplifting and representing those who are typically overlooked. With a focus on Drag Kings, Queens and In-Betweens, Burlesque, Boylesque and Queerlesque, this book showcases this incredibly dynamic and fascinating world for what it really is – glamorous, polished and professional at times, but also intoxicatingly punk, inescapably queer and gloriously messy. It’s a space for experimentation, for pushing and challenging boundaries, for seeking a voice and a platform that’s unavailable in mainstream society, creating a different kind of society, even if it’s just for one night.

Life as a Cabaret is not only a cross-section of the drag world, but also a love letter to it. The photographs showcase each performer’s individuality as works of art in and of themselves, immortalizing the beauty and power of these individuals who are determined to stand out from the crowd, embracing the hustle, oddness, contradictions, differences, and most of all, the unstoppable creativity.

Trope Los Angeles, the seventh volume in the Trope City Edition series, celebrates the architecture and urban and natural landscapes of Los Angeles.

The collection highlights the photographic images of emerging and independent photographers from LA and beyond, who through their passion for the craft, creative development, and social media smarts have attracted impressive followings on Instagram.

This carefully curated and bound collection of photographs offers a new and fresh perspective on Los Angeles. Each chapter is accompanied by a map, along with the locations where the photographs were taken. From the glamour of Beverly Hills and Hollywood to the idyllic beaches of Santa Monica and the urban revitalization of the downtown Arts District, these images command a strong point of view: digitally processed, filtered, toned, de-saturated, sharpened, for a very urban sensibility. Featuring a mix of urban architecture and natural landscapes surrounding Los Angeles, these new images reveal distinctive and dramatic visions of one of the world’s most exciting and dynamic cities.

Featured photographers include: Tiffany Bell, Kelvin Cheng, Daniel Feldman, Matthew Gillespie, David Gonzalez, Greg Goyo Vargas, Ian Kobylanski, Kris Kuganathan, Neal Kumar, Jack Landau, Josh Luten, Alex Pelayo, Alex Ramirez, Rosa Rodriguez, Selene Sarı, Andy Shigekawa, Bryce Way, Matt Weitz, and Jeffery Xin.

Trope London, the second volume in the Trope City Editions series, celebrates the meeting of traditional and modern architecture that colors every view of the city. 

This carefully curated and bound collection of 199 stunning photographs offers a new perspective of London. Each of the nine chapters is accompanied by a map, along with the locations where the photographs were taken. From high above the London Eye to deep within the Underground, these images command a strong point of view: digitally processed, filtered, toned, de-saturated, sharpened, for a very urban sensibility. Showcasing both the moody romanticism and striking modernism of contemporary London, the images reveal distinctive and dramatic visions of one of the world’s greatest cities.

Originally constructed in 1929, the Morton Salt Shed and Warehouse Complex has been a familiar and beloved Chicago landmark along Elston Avenue between Division Street and North Avenue. For decades, the iconic hand-painted sign has captivated people traveling along busy Interstate I-90 and on Elston Avenue at ground level. As times changed, the building was no longer used for salt storage and processing, and eventually lay dormant. Recently, the building has been repurposed and transformed into a stunning music venue. 

The Salt Shed tells the story of the building’s reimagining and transformation. Photographer and writer Sandra Steinbrecher spent nearly two years documenting the deconstruction, reconstruction, and reinvigoration of this classic, industrial Chicago building. Through breathtaking photos and interviews with the people who made the restoration possible--including architects, developers and workers who did the daily labor–The Salt Shed takes the reader behind the scenes in one of Chicago’s most distinctive restoration projects of the 21st century.

“I prefer it when the skies are dramatic and mysterious. When I played the trumpet I used to play a lot of jazz. Jazz can be sad yet beautiful at the same time, and that feeling likes to come through when I shoot with the camera.” ~ Ron Timehin

Ron Timehin is a young photographer from Bromley, in the south side of London. He attended the University of Gloucestershire to study music and traveled the world as a young trumpeter, but could never remember all of the places he visited until he started shooting with his phone. That serendipitous moment launched him on Instagram and the reaction from his followers gave him the confidence to pursue a career in photography. The rigor, training and dedication required of a musician served Ron well in his development as a photographer. He doesn’t think twice about going to the Tower Bridge at 4am to capture the perfect light and moment. London Fog is a compilation of spectacular London images, foggy, moody and atmospheric, seen through Ron’s eyes and influenced by his music.

Award-winning photographer Tobi Shonibare – Tobi Shinobi to his followers – pushes the boundaries of symmetry and balance in his first book, Equilibrium. From his native London to his current Chicago home, and in far-flung locales around the world, Tobi’s photographs explore and deconstruct architecture and nature until they appear as optical illusions. His vertigo-inducing perspectives turn familiar vistas into abstractions, reality into a fantasyland of line and shape. More than 164,000 followers on Instagram experience Tobi’s obsessive attention to detail and fascination with the geometry of our world.