Photography

FEATURED IN THE NEW YORKER: The Faces of Americans Living in Debt

Finalist for the Dorothea Lange/Paul Taylor Prize in Documentary.

Featured on Politico, in the Washington Post, the Daily Mail, and the Huffington Post, USA Today, Business Insider, Refinery29, and Fast Company.

Based on the popular online photo series and now published in print for the first time, The Debt Project collects 99 portraits of debt across the United States, featuring people of all different backgrounds and stories, to recontextualize an often stigmatized experience.

In 2013, Brittany Powell made the difficult decision to file for bankruptcy for her photography business. In the years following the 2008 economic collapse, she found herself in a significant amount of debt, a position many Americans across the country still share, a common yet isolating and private experience often steeped in shame.

Her personal experience, bolstered by the We Are the 99% slogan that came out of the Occupy movement, brought her to start The Debt Project, an exploration of the role debt and finance plays in our personal identity and social structure. This book presents an intimate look into 99 different lives: each shares an arrestingly honest portrait in the person’s home, surrounded by all their belongings, accompanied by a handwritten note of the amount of debt that person is in and the story behind the numbers.

The Debt Project, with a foreword by writer and filmmaker Astra Taylor plus resources at the back of the book to support people in debt, examines the social and personal hold financial debt has on us and invites others into a private world, while at the same empowering people to share their stories and overcome the shame they may feel.

This book chronicles the great state of California through 100 powerful, evocative color photographs with scenes from north to south.

From the fruitful cornucopia of the Central Valley and the solitary ancient pillars of redwood old-growth forests; the soaring granite cliffs of Yosemite Valley and Death Valley's heat-blasted wastes; the sun-drenched meadows of the High Sierra and breathtaking sunsets and coastal mists. Master photographer David Muench and his son, David apply their decades of on-location photographic skills to the making of interpretive views embracing all aspects of the great state.