PM Press

The title novella, “The Atheist in the Attic,” appearing here in book form for the first time, is a suspenseful and vivid historical narrative, recreating the top-secret meeting between the mathematical genius Leibniz and the philosopher Spinoza caught between the horrors of the cannibalistic Dutch Rampjaar and the brilliant “big bang” of the Enlightenment.

Plus: equal parts history, confession, complaint, gossip, and personal triumph, Delany’s “Racism and Science Fiction” combines scholarly research and personal experience in the unique true story of the first major African American author in the genre. And featuring: a bibliography, an author biography, and our candid, uncompromising, and customary Outspoken Interview.

Rachel Pollack is a sorceress, a wizard with words who spins together the spiritual, the political, and the passionate in her unique, indeed inimitable, tales. An award-winning SF and Fantasy author, she is also an esteemed Tarot Grand Master with devotees and students around the world. A progressive voice in the transgender community and a trusted guide to the ancient traditions of shamanism, she writes of shimmering and dangerous worlds that have never been imagined before—much less explored. Her queer cult favorite “The Beatrix Gates” draws on magic realism, quantum science, memoir, and myth to tell the story of a girl born not in the wrong body but in the wrong universe.

Plus… “Trans Central Station,” written especially for this volume, is Pollack’s personal and penetrating take on the transgender experience then and now—and tomorrow? “Burning Beard” is a fiercely revisionist Old Testament tale of plague and prophecy told through a postmodern prose of, shall we say, many colors. “The Woman Who Didn’t Come Back” is about just what it says it’s about.

And Featuring: Our Outspoken Interview, which tells us all about comics history, the automotive origins of Tarot, the benefits of Nerd celebrity, and why the Sun exists. It will be on the test.

In early 2018, Turkey invaded the autonomous Kurdish region of Afrin in Syria and is currently threatening to ethnically cleanse the region. Between 2012 and 2018, the “Mountain of the Kurds” (Kurd Dagh) as the area has been called for centuries, had been one of the quietest regions in a country otherwise torn by civil war.

After the outbreak of the Syrian civil war in 2011, the Syrian army withdrew from the region in 2012, enabling the Party of Democratic Union (PYD), the Syrian sister party of Abdullah Öcalan’s outlawed Turkish Kurdistan Workers’ Party (PKK) to first introduce a Kurdish self-administration and then, in 2014, to establish the Canton Afrin as one of the three parts of the heavily Kurdish Democratic Federation of Northern Syria, which is better known under the name Rojava.

This self-administration—which had seen multiparty municipal and regionwide elections in the summer and autumn of 2017, which included a far-reaching autonomy for a number of ethnic and religious groups, and which had provided a safe haven for up to 300,000 refugees from other parts of Syria—is now at risk of being annihilated by the Turkish invasion and occupation.

Thomas Schmidinger is one of the very few Europeans to have visited the Canton of Afrin. In this book, he gives an account of the history and the present situation of the region. In a number of interviews, he also gives inhabitants of the region from a variety of ethnicities, religions, political orientations, and walks of life the opportunity to speak for themselves. As things stand now, the book might seem to be in danger of becoming an epitaph for the “Mountain of the Kurds,” but as the author writes, “the battle for the Mountain of the Kurds is far from over yet.”

This unique and unashamedly DIY book follows the runaway success of Banksy Locations and Tours Vol.1 by rounding up the rest of Banksy’s UK graffiti from the last five years. It includes over 100 different locations and 200 color photographs of Banksy’s street art; information, random facts, and idle chit-chat on each location; a full walking tour of his remaining work in Bristol, England; and snippets of graffiti by several other artists.

Visit the locations in-person, or get your slippers on and settle back for an open-top bus ride though some of Banksy’s best public work.

When it comes to art, London is best known for its galleries, not its graffiti. However, not if photographer Martin Bull has anything to say about it. While newspapers and magazines the world over send their critics to review the latest Damien Hirst show at the Tate Modern, Bull, in turn, is out taking photos of the latest street installations by guerilla art icon Banksy.

In three guided tours, Martin Bull documents sixty-five London sites where one can see some of the most important works by the legendary political artist. Boasting over 100 color photos, Banksy Locations and Tours Volume 1 also includes graffiti by many of Banksy's peers, including Eine, Faile, El Chivo, Arofish, Cept, Space Invader, Blek Le Rat, D*face, and Shepherd Fairey.

U.S. edition has locations updated and 25 additional photos.

Following the Zapatista uprising on New Year’s Day 1994, the EZLN communities of Chiapas began the slow process of creating a system of autonomous government that would bring their call for freedom, justice, and democracy from word to reality. Autonomy Is in Our Hearts analyzes this long and arduous process on its own terms, using the conceptual language of Tsotsil, a Mayan language indigenous to the highland Zapatista communities of Chiapas.

The words “Freedom,” “Justice,” and “Democracy” emblazoned on the Zapatista flags are only approximations of the aspirations articulated in the six indigenous languages spoken by the Zapatista communities. They are rough translations of concepts such as ichbail ta muk’ or “mutual recognition and respect among equal persons or peoples,” a’mtel or “collective work done for the good of a community” and lekil kuxlejal or “the life that is good for everyone.” Autonomy Is in Our Hearts provides a fresh perspective on the Zapatistas and a deep engagement with the daily realities of Zapatista autonomous government. Simultaneously an exposition of Tsotsil philosophy and a detailed account of Zapatista governance structures, this book is an indispensable commentary on the Zapatista movement of today.

The Revolution in Rojava captured the imagination of the Left sparking a worldwide interest in the Kurdish Freedom Movement. The Art of Freedom demonstrates that this explosive movement is firmly rooted in several decades of organized struggle.

In 2018, one of the most important spokespersons for the struggle of Kurdish Freedom, Havin Guneser, held three groundbreaking seminars on the historical background and guiding ideology of the movement. Much to the chagrin of career academics, the theoretical foundation of the Kurdish Freedom Movement is far too fluid and dynamic to be neatly stuffed into an ivory-tower filing cabinet. A vital introduction to the Kurdish struggle, The Art of Freedom is the first English-language book to deliver a distillation of the ideas and sensibilities that gave rise to the most important political event of the twenty-first century.

The book is broken into three sections:

• “Critique and Self-Critique: The rise of the Kurdish freedom movement from the rubbles of two world wars” provides an accessible explanation of the origins and theoretical foundation of the movement.
• “The Rebellion of the Oldest Colony: Jineology—the Science of Women” describes the undercurrents and nuance of the Kurdish women’s movement and how they have managed to create the most vibrant and successful feminist movement in the Middle East.
• “Democratic Confederalism and Democratic Nation: Defense of Society Against Societycide” deals with the attacks on the fabric of society and new concepts beyond national liberation to counter it. Centering on notions of “a shared homeland” and “a nation made up of nations,” these rousing ideas find deep international resonation.

Havin Guneser has provided an expansive definition of freedom and democracy and a road map to help usher in a new era of struggle against capitalism, imperialism, and the State.

This explosive new volume brings together a lively cast of academics, activists, journalists, artists, and people directly impacted by asylum regimes to explain how current practices of asylum align with the neoliberal moment and to present their transformative visions for alternative systems and processes.

Through essays, artworks, photographs, infographics, and illustrations, Asylum for Sale: Profit and Protest in the Migration Industry regards the global asylum regime as an industry characterized by profit-making activity: brokers who facilitate border crossings for a fee; contractors and firms that erect walls, fences, and watchtowers while lobbying governments for bigger “security” budgets; corporations running private detention centers and “managing” deportations; private lawyers charging exorbitant fees; “expert” witnesses; and NGO staff establishing careers while placing asylum seekers into new regimes of monitored vulnerability.

Asylum for Sale challenges readers to move beyond questions of legal, moral, and humanitarian obligations that dominate popular debates regarding asylum seekers. Digging deeper, the authors focus on processes and actors often overlooked in mainstream analyses and on the trends increasingly rendering asylum available only to people with financial and cultural capital. Probing every aspect of the asylum process from crossings to aftermaths, the book provides an in-depth exploration of complex, international networks, policies, and norms that impact people seeking asylum around the world. In highlighting protest as well as profit, Asylum for Sale presents both critical analyses and proposed solutions for resisting and reshaping current and emerging immigration norms.

Ten years in the making, this magisterial work—the second of a two-volume study—provides a unique perspective on uprisings in nine Asian nations in the past five decades. While the 2011 Arab Spring is well known, the wave of uprisings that swept Asia in the 1980s remain hardly visible. Through a critique of Samuel Huntington’s notion of a “Third Wave” of democratization, the author relates Asian uprisings to predecessors in 1968 and shows their subsequent influence on uprisings in Eastern Europe at the end of the 1980s. By empirically reconstructing the specific history of each Asian uprising, significant insight into major constituencies of change and the trajectories of these societies becomes visible.

This book provides detailed histories of uprisings in nine places—the Philippines, Burma, Tibet, China, Taiwan, Bangladesh, Nepal, Thailand, and Indonesia—as well as introductory and concluding chapters that place them in a global context and analyze them in light of major sociological theories. Profusely illustrated with photographs, tables, graphs, and charts, it is the definitive, and defining, work from the eminent participant-observer scholar of social movements.

Over the course of a long career, Brian Morris has created an impressive body of engaging and insightful writings—from social anthropology and ethnography to politics, history, and philosophy—that have made these subjects accessible to the layperson without sacrificing analytical rigor. But until now, the essays collected here, originally published in obscure journals and political magazines, have been largely unavailable to the broad readership to which they are so naturally suited. The opposite of arcane, specialized writing, Morris’s work takes an interdisciplinary approach that moves seamlessly among topics, offering up coherent and practical connections between his various scholarly interests and his deeply held commitment to anarchist politics and thought.

Approached in this way, anthropology and ecology are largely untapped veins whose relevance for anarchism and other traditions of social thought have only recently begun to be explored and debated. But there is a long history of anarchist writers drawing upon works in those related fields. Morris’s essays both explore past connections and suggest ways that broad currents of anarchist thought will have new and ever-emerging relevance for anthropology and many other ways of understanding social relationships. His writings avoid the constraints of dogma and reach across an impressive array of topics to give readers a lucid orientation within these traditions and point to new ways to confront common challenges.

The Revolution in Rojava captured the imagination of the Left sparking a worldwide interest in the Kurdish Freedom Movement. The Art of Freedom demonstrates that this explosive movement is firmly rooted in several decades of organized struggle.

In 2018, one of the most important spokespersons for the struggle of Kurdish Freedom, Havin Guneser, held three groundbreaking seminars on the historical background and guiding ideology of the movement. Much to the chagrin of career academics, the theoretical foundation of the Kurdish Freedom Movement is far too fluid and dynamic to be neatly stuffed into an ivory-tower filing cabinet. A vital introduction to the Kurdish struggle, The Art of Freedom is the first English-language book to deliver a distillation of the ideas and sensibilities that gave rise to the most important political event of the twenty-first century.

The book is broken into three sections:

• “Critique and Self-Critique: The rise of the Kurdish freedom movement from the rubbles of two world wars” provides an accessible explanation of the origins and theoretical foundation of the movement.
• “The Rebellion of the Oldest Colony: Jineology—the Science of Women” describes the undercurrents and nuance of the Kurdish women’s movement and how they have managed to create the most vibrant and successful feminist movement in the Middle East.
• “Democratic Confederalism and Democratic Nation: Defense of Society Against Societycide” deals with the attacks on the fabric of society and new concepts beyond national liberation to counter it. Centering on notions of “a shared homeland” and “a nation made up of nations,” these rousing ideas find deep international resonation.

Havin Guneser has provided an expansive definition of freedom and democracy and a road map to help usher in a new era of struggle against capitalism, imperialism, and the State.

In the second issue of Arena we aim to provide general insights into the role of the anarchist in fiction, both as protagonist and author.

David Weir’s essay “Anarchist Fiction, Anarchist Sensibilities” focuses on the progenitor of anarchist fiction, William Godwin’s Caleb Williams, published in 1794, that demonstrated the pressing need for the utopian system he described in the first systematic elaboration of anarchist philosophy, Enquiry Concerning Political Justice.

“Epic Pooh” is a newly updated revision of a 1978 article by Michael Moorcock reviewing epic fantasy literature for children, particularly J.R.R. Tolkien’s The Lord of the Rings.

While researching early twentieth-century French anarchist plays translated into Italian, Santo Catanuto discovered interesting information on the literary side of the Communard Louise Michel, indicating that she was the author of Twenty Thousand Leagues Under The Sea.

Stephen Schwartz, a longtime critic of the detective novel, evaluates the arc of French writer Leo Malet from anarchist to arabophobe and in “Between Libel And Hoax,” counters Miguel Mir’s libelous depiction of the Spanish anarchist movement, Entre el roig i el negre.

In his discourse on B. Traven’s The Death Ship, Ernest Larsen looks at the intractable modern problem of identity. Larsen’s short story “Bakunin At The Beach” is about Mr. and Mrs. Bakunin holidaying at Lake Maggiore under the watchful eyes of Inspector Dupin of the Swiss Department of Justice and Police.

Joseph Conrad’s short story “An Anarchist: A Desperate Tale” is republished here from A Set of Six (1908).

“Anarchists in Fiction” is a collection of idiosyncratic reviews of books in which anarchists are portrayed as an eclectic group of villains and criminal degenerates.

Finally, we conclude this second issue of Arena with an article by our cinema editor Richard Porton on Dušan Makavejev’s playful, allusive 1971 film WR: Mysteries of the Organism.

Using social movements as a prism to illuminate the oft-hidden history of 20th-century Korea, this book provides detailed analysis of major uprisings that have patterned that country’s politics and society. From the 1894 Tonghak Uprising through the March 1, 1919, independence movement and anti-Japanese resistance, a direct line is traced to the popular opposition to U.S. division of Korea after World War Two. The overthrow of Syngman Rhee in 1960, resistance to Park Chung-hee, the 1980 Gwangju Uprising, as well as student, labor, and feminist movements are all recounted with attention to their economic and political contexts. South Korean opposition to neoliberalism is portrayed in detail, as is an analysis of neoliberalism’s rise and effects. With a central focus on the Gwangju Uprising (that ultimately proved decisive in South Korea’s democratization), the author uses Korean experiences as a baseboard to extrapolate into the possibilities of global social movements in the 21st century.

Previous English-language sources have emphasized leaders—whether Korean, Japanese, or American. This book emphasizes grassroots crystallization of counter-elite dynamics and notes how the intelligence of ordinary people surpasses that of political and economic leaders holding the reins of power. It is the first volume in a two-part study that concludes by analyzing in rich detail uprisings in nine other places: the Philippines, Burma, Tibet, China, Taiwan, Bangladesh, Nepal, Thailand, and Indonesia. Richly illustrated, with tables, charts, graphs, index, and endnotes.

In the wake of the end of the Cold War and worldwide protests against corporate globalization, anarchism continues to attract new adherents among both aging leftists and new generations of young radicals. Arena aims to tap into this revived interest in libertarian ideas, culture and practice by providing a dynamic focal point: a journal that brings together good, stimulating and provocative writing and scholarship on libertarian culture of all kinds.

Designed for a general, intelligent, popular readership as well as for scholars and aficionados working in the area, the first issue of Arena focuses on film and video—historical and modern—and future issues will cover the entire spectrum of the arts: film, theatre, and art criticism as well as political theory and practice, reportage, letters, reviews, and unpublished fiction and nonfiction.

The Austromarxist era of the 1920s was a unique chapter in socialist history. Trying to carve out a road between reformism and Bolshevism, the Austromarxists embarked on an ambitious journey towards a socialist oasis in the midst of capitalism. Their showpiece, the legendary “Red Vienna,” has worked as a model for socialist urban planning ever since.

At the heart of the Austromarxist experiment was the conviction that a socialist revolution had to entail a cultural one. Numerous workers’ institutions and organizations were founded, from education centers to theaters to hiking associations. With the Fascist threat increasing, the physical aspects of the cultural revolution became ever more central as they were considered mandatory for effective defense. At no other time in socialist history did armed struggle, sports, and sobriety become as intertwined in a proletarian attempt to protect socialist achievements as they did in Austria in the early 1930s. Despite the final defeat of the workers’ militias in the Austrian Civil War of 1934 and subsequent Fascist rule, the Austromarxist struggle holds important lessons for socialist theory and practice.

Antifascism, Sports, Sobriety contains an introductory essay by Gabriel Kuhn and selected writings by Julius Deutsch, leader of the workers’ militias, president of the Socialist Workers’ Sport International, and a prominent spokesperson for the Austrian workers’ temperance movement. Deutsch represented the physical defense of the working class against its enemies like few others. His texts in this book are being made available in English for the first time.

The Earth has reached a tipping point. Runaway climate change, the sixth great extinction of planetary life, the acidification of the oceans—all point toward an era of unprecedented turbulence in humanity’s relationship within the web of life. But just what is that relationship, and how do we make sense of this extraordinary transition?

Anthropocene or Capitalocene? offers answers to these questions from a dynamic group of leading critical scholars. They challenge the theory and history offered by the most significant environmental concept of our times: the Anthropocene. But are we living in the Anthropocene, literally the “Age of Man”? Is a different response more compelling, and better suited to the strange—and often terrifying—times in which we live? The contributors to this book diagnose the problems of Anthropocene thinking and propose an alternative: the global crises of the twenty-first century are rooted in the Capitalocene, the Age of Capital.

Anthropocene or Capitalocene? offers a series of provocative essays on nature and power, humanity, and capitalism. Including both well-established voices and younger scholars, the book challenges the conventional practice of dividing historical change and contemporary reality into “Nature” and “Society,” demonstrating the possibilities offered by a more nuanced and connective view of human environment-making, joined at every step with and within the biosphere. In distinct registers, the authors frame their discussions within a politics of hope that signal the possibilities for transcending capitalism, broadly understood as a “world-ecology” that joins nature, capital, and power as a historically evolving whole.

Contributors include Jason W. Moore, Eileen Crist, Donna J. Haraway, Justin McBrien, Elmar Altvater, Daniel Hartley, and Christian Parenti.

Archive That, Comrade! explores issues of archival theory and practice that arise for any project aspiring to provide an open-access platform for political dialogue and democratic debate. It is informed by the author’s experience of writing a memoir about his involvement in the London underground scene of the 1960s, the London street commune movement, and the occupation of 144 Piccadilly, an event that hit the world’s headlines for ten days in July 1969.

After a brief introduction that sets the contemporary scene of ‘archive fever,’ the book considers what the political legacy of 1960s counter culture reveals about the process of commemoration. The argument then opens out to discuss the notion of historical legacy and its role in the ‘dialectic of generations’. How far can the archive serve as a platform for dialogue and debate between different generations of activists in a culture that fetishises the evanescent present, practices a profound amnesia about its past, and forecloses the sociological imagination of an alternative future? The following section looks at the emergence of a complex apparatus of public fame and celebrity around the spectacle of dissidence and considers whether the Left has subverted or merely mirrored the dominant forms of reputation-making and public recognition. Can the Left establish its own autonomous model of commemoration?

The final section takes up the challenge of outlining a model for the democratic archive as a revisionary project, creating a resource for building collective capacity to sustain struggles of long duration. A postscript examines how archival strategies of the alt-right have intervened at this juncture to elaborate a politics of false memory.

Anarchy, Geography, Modernity is the first comprehensive introduction to the thought of Elisée Reclus, the great anarchist geographer and political theorist. It shows him to be an extraordinary figure for his age. Not only an anarchist but also a radical feminist, anti-racist, ecologist, animal rights advocate, cultural radical, nudist, and vegetarian. Not only a major social thinker but also a dedicated revolutionary.

The work analyzes Reclus’ greatest achievement, a sweeping historical and theoretical synthesis recounting the story of the earth and humanity as an epochal struggle between freedom and domination. It presents his groundbreaking critique of all forms of domination: not only capitalism, the state, and authoritarian religion, but also patriarchy, racism, technological domination, and the domination of nature. His crucial insights on the interrelation between personal and small-group transformation, broader cultural change, and large-scale social organization are explored. Reclus’ ideas are presented both through detailed exposition and analysis, and in extensive translations of key texts, most appearing in English for the first time.

“You can’t reform profit capitalism and inhumanity. Just kick it till it breaks.”
— Angry Brigade, communiqué.

Between 1970 and 1972 the Angry Brigade used guns and bombs in a series of symbolic attacks against property. A series of communiqués accompanied the actions, explaining the choice of targets and the Angry Brigade philosophy: autonomous organization and attacks on property alongside other forms of militant working class action. Targets included the embassies of repressive regimes, police stations and army barracks, boutiques and factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police. These attacks on the homes of senior political figures increased the pressure for results and brought an avalanche of police raids. From the start the police were faced with the difficulty of getting to grips with a section of society they found totally alien. And were they facing an organization—or an idea?

This documentary, produced by Gordon Carr for the BBC (and first shown in January 1973, shortly after the trial), covers the roots of the Angry Brigade in the revolutionary ferment of the 1960s, and follows their campaign and the police investigation to its culmination in the “Stoke Newington 8” conspiracy trial at the Old Bailey—the longest criminal trial in British legal history. Produced after extensive research—among both the libertarian opposition and the police—it remains the essential study of Britain’s first urban guerilla group.

Extra: The Persons Unknown (1980, 22 minutes)
The so-called “Persons Unknown” case in which members of the Anarchist Black Cross were tried (and later acquitted) at the Old Bailey on charges of “conspiring with persons unknown, at places unknown, to cause explosions and to overthrow society.” Featuring interviews and footage of Stuart Christie, Nicholas Walter, Crass and many other UK anarchist activists and propagandists of the time.

The Angola 3: Black Panthers and the Last Slave Plantation tells the gripping story of Robert King, Herman Wallace and Albert Woodfox, men who have endured solitary confinement longer than any known living prisoner in the United States. Politicized through contact with the Black Panther Party while inside Louisiana’s prisons, they formed one of the only prison Panther chapters in history and worked to organize other prisoners into a movement for the right to live like human beings. This feature length movie explores their extraordinary struggle for justice while incarcerated in Angola, a former slave plantation where institutionalized rape and murder made it known as one of the most brutal and racist prisons in the United States. The analysis of the Angola 3’s political work, and the criminal cases used to isolate and silence them, occurs within the context of the widespread COINTELPRO being carried out in the 1960’s and 70’s by the FBI and state law enforcement against militant voices for change.

In a partial victory, the courts exonerated Robert King of the original charges and released him in 2001; he continues the fight for the freedom of his two brothers. The ongoing campaign, which includes a civil case soon to come before the Supreme Court, is supported by people and organizations such as Amnesty International, the A.C.L.U., Harry Belafonte, Ben Cohen and Jerry Greenfield of Ben and Jerry’s Ice Cream, Ramsey Clark, Sen. John Conyers, Sister Helen Prejean, (the late) Anita Roddick, Bishop Desmond Tutu and the ANC. Herman Wallace and Albert Woodfox have now endured as political prisoners in solitary confinement for over thirty-five years.

Narrated by Mumia Abu-Jamal, The Angola 3 features interviews with former Panthers, political prisoners and revolutionaries, including the Angola 3 themselves, and Bo Brown, Geronimo (ji Jaga) Pratt, Malik Rahim, Yuri Kochiyama, David Hilliard, Rod Coronado, Noelle Hanrahan, Kiilu Nyasha, Marion Brown, Luis Talamantez, Gail Shaw and many others. Portions of the proceeds go to support the Angola 3. Features the music of Truth Universal written by Tajiri Kamau.

Extras include: ”Angola 3“ music video for a song written and produced by Dave Stewart (of the Eurythmics) in support of the A3 featuring Saul Williams, Nadirah X, Asdru Sierra, Dana Glover, Tina Schlieske and Derrick Ashong. Directed by Robin Davey. Plus a trailer for the film which features outtakes not in the feature.

“You can’t reform profit capitalism and inhumanity. Just kick it till it breaks.”
— Angry Brigade, communiqué.

Between 1970 and 1972, the Angry Brigade used guns and bombs in a series of symbolic attacks against property. A series of communiqués accompanied the actions, explaining the choice of targets and the Angry Brigade philosophy: autonomous organization and attacks on property alongside other forms of militant working class action. Targets included the embassies of repressive regimes, police stations and army barracks, boutiques and factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police. These attacks on the homes of senior political figures increased the pressure for results and brought an avalanche of police raids. From the start the police were faced with the difficulty of getting to grips with a section of society they found totally alien. And were they facing an organization—or an idea?

This book covers the roots of the Angry Brigade in the revolutionary ferment of the 1960s, and follows their campaign and the police investigation to its culmination in the “Stoke Newington 8” conspiracy trial at the Old Bailey—the longest criminal trial in British legal history. Written after extensive research—among both the libertarian opposition and the police—it remains the essential study of Britain’s first urban guerilla group.

This expanded edition contains a comprehensive chronology of the “Angry Decade,” extra illustrations and a police view of the Angry Brigade. Introductions by Stuart Christie and John Barker (two of the “Stoke Newington 8” defendants) discuss the Angry Brigade in the political and social context of its times—and its longer-term significance.

The argument of this book is that an anarchist society, a society which organizes itself without authority, is always in existence, like a seed beneath the snow, buried under the weight of the state and its bureaucracy, capitalism and its waste, privilege and its injustices, nationalism and its suicidal loyalties, religious differences and their superstitious separatism.

Anarchist ideas are so much at variance with ordinary political assumptions and the solutions anarchists offer so remote, that all too often people find it hard to take anarchism seriously. This classic text is an attempt to bridge the gap between the present reality and anarchist aspirations, “between what is and what, according to the anarchists, might be.”

Through a wide-ranging analysis—drawing on examples from education, urban planning, welfare, housing, the environment, the workplace, and the family, to name but a few—Colin Ward demonstrates that the roots of anarchist practice are not so alien or quixotic as they might at first seem but lie precisely in the ways that people have always tended to organize themselves when left alone to do so.

The result is both an accessible introduction for those new to anarchism and pause for thought for those who are too quick to dismiss it.

For more than thirty years, in over thirty books, Colin Ward patiently explained anarchist solutions to everything from vandalism to climate change—and celebrated unofficial uses of the landscape as commons, from holiday camps to squatter communities. Ward was an anarchist journalist and editor for almost sixty years, most famously editing the journal Anarchy. He was also a columnist for New Statesman, New Society, Freedom, and Town and Country Planning.

From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.

Anarchists Never Surrender provides a complete picture of Victor Serge’s relationship to anarchism. The volume contains writings going back to his teenage years in Brussels, where he became influenced by the doctrine of individualist anarchism. At the heart of the anthology are key articles written soon after his arrival in Paris in 1909, when he became editor of the newspaper l’anarchie. In these articles Serge develops and debates his own radical thoughts, arguing the futility of mass action and embracing “illegalism.” Serge's involvement with the notorious French group of anarchist armed robbers, the Bonnot Gang, landed him in prison for the first time in 1912. Anarchists Never Surrender includes both his prison correspondence with his anarchist comrade Émile Armand and articles written immediately after his release.

The book also includes several articles and letters written by Serge after he had left anarchism behind and joined the Russian Bolsheviks in 1919. Here Serge analyzed anarchism and the ways in which he hoped anarchism would leaven the harshness and dictatorial tendencies of Bolshevism. Included here are writings on anarchist theory and history, Bakunin, the Spanish revolution, and the Kronstadt uprising.

Anarchists Never Surrender anthologizes Victor Serge’s previously unavailable texts on anarchism and fleshes out the portrait of this brilliant writer and thinker, a man I.F. Stone called one of the “moral figures of our time.”

Anarchy Comics: The Complete Collection brings together the legendary four issues of Anarchy Comics (1978–1986), the underground comic that melded anarchist politics with a punk sensibility, producing a riveting mix of satire, revolt, and artistic experimentation. This international anthology collects the comic stories of all thirty contributors from the U.S., Great Britain, France, Germany, Netherlands, Spain, and Canada.

In addition to the complete issues of Anarchy Comics, the anthology features previously unpublished work by Jay Kinney and Sharon Rudahl, along with a detailed introduction by Kinney, which traces the history of the comic he founded and provides entertaining anecdotes about the process of herding an international crowd of anarchistic cats.

Contributors include: Jay Kinney, Yves Frémion, Gerhard Seyfried, Sharon Rudahl, Steve Stiles, Donald Rooum, Paul Mavrides, Adam Cornford, Spain Rodriguez, Melinda Gebbie, Gilbert Shelton, Volny, John Burnham, Cliff Harper, Ruby Ray, Peter Pontiac, Marcel Trublin, Albo Helm, Steve Lafler, Gary Panter, Greg Irons, Dave Lester, Marion Lydebrooke, Matt Feazell, Pepe Moreno, Norman Dog, Zorca, R. Diggs (Harry Driggs), Harry Robins, and Byron Werner.

Education is a challenging subject for anarchists. Many are critical about working within a state-run education system that is embedded in hierarchical, standardized, and authoritarian structures. Numerous individuals and collectives envision the creation of counterpublics or alternative educational sites as possible forms of resistance, while other anarchists see themselves as “saboteurs” within the public arena—believing that there is a need to contest dominant forms of power and educational practices from multiple fronts. Of course, if anarchists agree that there are no blueprints for education, the question remains, in what dynamic and creative ways can we construct nonhierarchical, anti-authoritarian, mutual, and voluntary educational spaces?

Contributors to this edited volume engage readers in important and challenging issues in the area of anarchism and education. From Francisco Ferrer’s modern schools in Spain and the Work People’s College in the United States, to contemporary actions in developing “free skools” in the U.K. and Canada, to direct-action education such as learning to work as a “street medic” in the protests against neoliberalism, the contributors illustrate the importance of developing complex connections between educational theories and collective actions. Anarchists, activists, and critical educators should take these educational experiences seriously as they offer invaluable examples for potential teaching and learning environments outside of authoritarian and capitalist structures. Major themes in the volume include: learning from historical anarchist experiments in education, ways that contemporary anarchists create dynamic and situated learning spaces, and finally, critically reflecting on theoretical frameworks and educational practices. Contributors include: David Gabbard, Jeffery Shantz, Isabelle Fremeaux & John Jordan, Abraham P. DeLeon, Elsa Noterman, Andre Pusey, Matthew Weinstein, Alex Khasnabish, and many others.

For Emma Goldman, the “High Priestess of Anarchy,” anarchism was “a living force in the affairs of our life, constantly creating new conditions,” but “the most elemental force in human life” was something still more basic and vital: sex.

“The Sex Question” emerged for Goldman in multiple contexts, and we find her addressing it in writing on subjects as varied as women’s suffrage, “free love,” birth control, the “New Woman,” homosexuality, marriage, love, and literature. It was at once a political question, an economic question, a question of morality, and a question of social relations.

But her analysis of that most elemental force remained fragmentary, scattered across numerous published (and unpublished) works and conditioned by numerous contexts. Anarchy and the Sex Question draws together the most important of those scattered sources, uniting both familiar essays and archival material, in an attempt to recreate the great work on sex that Emma Goldman might have given us. In the process, it sheds light on Goldman’s place in the history of feminism.

Amid the clashes, complexities, and political personalities of world politics in the late nineteenth and early twentieth centuries, Peter Kropotkin stands out. Born a prince in Tsarist Russia and sent to Siberia to learn his militaristic, aristocratic trade, he instead renounced his titles and took up the “beautiful idea” of anarchism. Across a continent he would become known as a passionate advocate of a world without borders, without kings and bosses.

From a Russian cell to France, to London and Brighton, he used his extraordinary mind to dissect the birth of State power and then present a different vision, one in which the human impulse to liberty can be found throughout history, undying even in times of defeat. In the three essays presented here, Kropotkin attempted to distill his many insights into brief but brilliant essays on the state, anarchism, and the ideology for which he became a founding name—anarchist communism.

With a detailed and rich introduction from Brian Morris, and accompanied by bibliographic notes from Iain McKay, this collection contextualises and contemporises three of Kropotkin’s most influential essays.

On October 13, 1909, Francisco Ferrer, the notorious Catalan anarchist educator and founder of the Modern School, was executed by firing squad. The Spanish government accused him of masterminding the Tragic Week rebellion, while the transnational movement that emerged in his defense argued that he was simply the founder of the groundbreaking Modern School of Barcelona. Was Ferrer a ferocious revolutionary, an ardently nonviolent pedagogue, or something else entirely?

Anarchist Education and the Modern School is the first historical reader to gather together Ferrer’s writings on rationalist education, revolutionary violence, and the general strike (most translated into English for the first time) and put them into conversation with the letters, speeches, and articles of his comrades, collaborators, and critics to show that the truth about the founder of the Modern School was far more complex than most of his friends or enemies realized. Francisco Ferrer navigated a tempestuous world of anarchist assassins, radical republican conspirators, anticlerical rioters, and freethinking educators to establish the legendary Escuela Moderna and the Modern School movement that his martyrdom propelled around the globe.

“I want you to look at the recipes presented here and be as excited as a kid with a new toy. I want your heart to race, your mouth to water, and your pots and pans to sing to you as they bring together the elements of a good dining experience....” –From the Introduction

Tofu, seitan, tempeh, tofu, seitan, tempeh.… it seems like so many vegans rely on these products as meat substitutes. Isn’t it time to break out of the mold? Taking a fresh, bold, and alternative approach to vegan cooking without the substitutes, this cookbook showcases more than 100 fully vegan recipes, many of which have South Asian influences. With a jazz-style approach to cooking, it also discusses how to improvise cooking with simple ingredients and how to stock a kitchen to prepare simple and delicious vegan meals quickly. The recipes for mouth-watering dishes include one-pot meals--such as South-Indian Uppama and Chipotle Garlic Risotto along with Pakoras, Flautas, Bajji, Kashmiri Biriyani, Hummus Canapes, and No-Cheese Pizza. With new, improved recipes this updated edition also shows how to cook simply to let the flavor of fresh ingredients shine through.

Explore your inner chef and get cooking with Dino!

This is the first critical, in-depth study of the anarchist movement in Cuba in the three decades after the republic’s independence from Spain in 1898. Kirwin Shaffer shows that anarchists played a significant—until now little-known—role among Cuban leftists in shaping issues of health, education, immigration, the environment, and working-class internationalism. They also criticized the state of racial politics, cultural practices, and the conditions of children and women on the island.

In the chaotic new country, members of the anarchist movement reinterpreted the War for Independence and the revolutionary ideas of patriot José Martí, embarking on a nationwide debate with the larger Cuban establishment about what it meant to be “Cuban.” To counter the dominant culture, the anarchists created their own initiatives—schools, health institutes, vegetarian restaurants, theater and fiction writing groups, and occasional calls for nudism—and as a result they challenged both the existing elite and the occupying U.S. military forces.

Shaffer also focuses on what anarchists did to prepare the masses for a social revolution. While many of the Cuban anarchists' ideals flowed from Europe, their programs, criticisms, and literature reflected the specifics of Cuban reality and appealed to Cuba’s popular classes. Using theories of working-class internationalism, countercultures, popular culture, and social movements, Shaffer analyzes archival records, pamphlets, newspapers, and novels, showing how the anarchist movement in republican Cuba helped shape the country’s early leftist revolutionary agenda.

Shaffer’s portrait of the conflict between anarchists and their enemies illuminates the multiple forces that pervaded life on the island in the twentieth century, until the rise of the Gerardo Machado dictatorship in the 1920s. This important book places anarchism in its rightful historical role as a vital current within Cuban radical political culture.

After demolishing the myth of the rock star architect with his book Against Architecture, Franco La Cecla now explores the decisive challenges that cities are going to have to confront in the near future. Urban planning and development has become increasingly inadequate in response to the daily realities of life in our cities. Human, economic, ethnic, and environmental factors are systematically overlooked in city planning and housing development, and anachronistic, sterile, and formalistic architecture almost invariably prevails. Meanwhile, our cities grow out of internal impulses, not only in slums and favelas but through the pressing needs for public spaces which have sprung forth in great events and movements such as Istanbul’s Gezi Park and Occupy Wall Street. Never more than today has democracy played itself out in public spaces, sidewalks, and streets. Urban planners and developers, however, are still prisoners of an obsolete vision of passivity which betrays actual city needs and demands. A new urban science is required which can, first of all, guarantee a civil, dignified life for all—urban development which ensures the right to a humane mode of daily living, which has been and still is completely ignored.

“Accustomed as we are to thinking that changes take place online or on a global scale, we sense that they are not made of human bodies in urban spaces and that the mere presence in the square of people claiming their right to the city is a political fact, explosive in nature.” —Franco La Cecla (from Against Urbanism)

On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack.

This book seeks to show where al-Mutanabbi Street starts in all of us: personally, in our communities, and in our nations. It seeks to show the commonality between this small street in Baghdad and our own cultural centers, and why this attack was an attack on us all. This anthology sees al-Mutanabbi Street as a place for the free exchange of ideas; a place that has long offered its sanctuary to the complete spectrum of Iraqi voices. This is where the roots of democracy (in the best sense of that word) took hold many hundreds of years ago. This anthology looks toward al-Mutanabbi Street as an affirmation of all that we hope for in a more just society.

Contributors include: Beau Beausoleil, Musa al-Musawi, Anthony Shadid, Mousa al-Naseri, Naomi Shihab Nye, Deena Metzger, Sam Hamod, Lutfiya Al-Dulaimi, Zaid Shlah, Persis Karim, Ayub Nuri, Marian Haddad, Sarah Browning, Eileen Grace O’Malley Callahan, Roger Sederat, Elline Lipkin, Esther Kamkar, Robert Perry, Gloria Collins, Brian Turner, Gloria Frym, Owen Hill, Abd al-Rahim, Salih al-Rahim, Yassin “The Narcicyst” Alsalman, Jose Luis Gutierrez, Sargon Boulus, Peter Money, Sinan Antoon, Muhammad al-Hamrani, Livia Soto, Janet Sternburg, Sam Hamill, Salah Al-Hamdani, Gail Sher, Dunya Mikhail, Irada Al Jabbouri, Dilara Cirit, Niamh MacFionnlaoich, Erica Goss, Daisy Zamora, George Evans, Steve Dickison, Maysoon Pachachi, Summer Brenner, Jen Hofer, Rijin Sahakian, Badr Shakir al-Sayyab, Jane Hirshfield, Jack Marshall, Susan Moon, Diana di Prima, Evelyn So, Nahrain Al-Mousawi, Ko Un, Joe Lamb, Katrina Rodabaugh, Mohammed Hayawi, Nazik Al-Malaika, Raya Asee, Gazar Hantoosh, Mark Abley, Majid Naficy, Lewis Buzbee, Ibn al-Utri, Thomas Christensen, Amy Gerstler, Genny Lim, Saadi Youssef, Judith Lyn Suttton, Josh Kun, Dana Teen Lomax, Etel Adnan, Bushra Al-Bustani, Marilyn Hacker, Richard Harrison, Fady Joudah, Philip Metres, Hayan Charara, Annie Finch, Kazim Ali, Deema K. Shehabi, Kenneth Wong, Elmaz Abinader, Habib Tengour, Khaled Mattawa, Rachida Madani, Amina Said, Alise Alousi, Sita Carboni, Fran Bourassa, Jabez W. Churchill, Daniela Elza, Linda Norton, Fred Norman, Bonnie Nish, Janet Rodney, Adrienne Rich, Cornelius Eady, Julie Bruck, Kwame Dawes, Ralph Angel, B.H. Fairchild, Terese Svoboda, Mahmoud Darwish, Amir el-Chidiac, Aram Saroyan, Sholeh Wolpe, Nathalie Handal, Azar Nafisi, Dima Hilal, Tony Kranz, Jordan Elgrably, devorah major, Suzy Malcolm, Ibrahim Nasrallah, Rick London, Sarah Menefee, Roberto Harrison, Fadhil Al-Azzawi, Amaranth Borsuk, Lamees Al-Ethari, Shayma’ al-Saqr, Meena Alexander, and Jim Natal.

The German Revolution erupted out of the ashes of World War I, triggered by mutinying sailors refusing to be sacrificed in the final carnage of the war. While the Social Democrats grabbed power, radicals across the country rallied to establish a communist society under the slogan “All Power to the Councils!” The Spartacus League launched an uprising in Berlin, council republics were proclaimed in Bremen and Bavaria, and workers' revolts shook numerous German towns. Yet in an act that would tragically shape the course of history, the Social Democratic government crushed the rebellions with the help of right-wing militias, paving the way for the ill-fated Weimar Republic—and ultimately the ascension of the Nazis.

This definitive documentary history collects manifestos, speeches, articles, and letters from the German Revolution—Rosa Luxemburg, the Revolutionary Stewards, and Gustav Landauer amongst others—introduced and annotated by the editor. Many documents, such as the anarchist Erich Mühsam's comprehensive account of the Bavarian Council Republic, are presented here in English for the first time. The volume also includes materials from the Red Ruhr Army that repelled the reactionary Kapp Putsch in 1920 and the communist bandits that roamed Eastern Germany until 1921. All Power to the Councils! provides a dynamic and vivid picture of a time of great hope and devastating betrayal.

With women’s anger, empowerment, and the critical importance of intersectional feminism taking center stage in much of the dialogue happening in feminist spaces right now, an anthology like this has never been more important. The voices in this collection of essays and interviews offer perspectives and experiences that help women find common ground, unity, and allyship.

Through personal essays and interviews about what it is like to live as a woman (cis + trans) in this modern world—with all of our love, anger, complexities, and desires for justice—All of Me: Stories of Love, Anger, and the Female Body includes vulnerable, painful truths and bold inspiration.

This anthology is for seasoned feminists and young feminists alike—anyone looking to find inspiration in radical activism, creativity, healing, and more. This book covers topics of social and economic justice, creativity, racism, transgender perspectives, sexuality, sex work, addiction and recovery, reproductive rights, assault, relationship dynamics, families, fitting and not fitting in, radical self-care, witchcraft, and more.

If love and anger are two sides of the same coin, for women there are worlds to be explored with every flip of that coin. Readers will find a glimpse into those worlds in the pages of All of Me.

Contributors include Silvia Federici, Michelle Cruz Gonzales, Ariel Gore, Laurie Penny, Lidia Yuknavitch, Christine No, Kandis Williams, Vatan Doost, Deya, Phoenix LeFae, Anna Silastre, Michel Wing, Bethany Ridenour, Lorelle Saxena, Airial Clark, Patty Stonefish, Nayomi Munaweera, Melissa Madera, Margaret Elysia Garcia, Leilani Clark, Ariel Erskine, Wendy-O Matik, Kara Vernor, Starhawk, adrienne maree brown, Gerri Ravyn Stanfield, Sanam Mahloudji, Melissa Chadburn, Avery Erickson, and Milla Prince.

In Accompanying, Staughton Lynd distinguishes two strategies of social change. The first, characteristic of the 1960s Movement in the United States, is “organizing.” The second, articulated by Archbishop Oscar Romero of El Salvador, is “accompaniment.” The critical difference is that in accompanying one another the promoter of social change and his or her oppressed colleague view themselves as two experts, each bringing indispensable experience to a shared project. Together, as equals, they seek to create what the Zapatistas call “another world.”

Staughton Lynd applies the distinction between organizing and accompaniment to five social movements in which he has taken part: the labor and civil rights movements, the antiwar movement, prisoner insurgencies, and the movement sparked by Occupy Wall Street. His wife Alice Lynd, a partner in these efforts, contributes her experience as a draft counselor and advocate for prisoners in maximum-security confinement.

Advertising Shits in Your Head calls adverts what they are—a powerful means of control through manipulation—and highlights how people across the world are fighting back. It diagnoses the problem and offers practical tips for a DIY remedy. Faced with an ad-saturated world, activists are fighting back, equipped with stencils, printers, high-visibility vests, and utility tools. Their aim is to subvert the adverts that control us.

With case studies from both sides of the Atlantic, this book showcases the ways in which small groups of activists are taking on corporations and states at their own game: propaganda. This international edition includes an illustrated introduction from Josh MacPhee, case studies and interviews with Art in Ad Places, Public Ad Campaign, Resistance Is Female, Brandalism, and Special Patrol Group, plus photography from Luna Park and Jordan Seiler.

This is a call-to-arts for a generation raised on adverts. Beginning with a rich and detailed analysis of the pernicious hold advertising has on our lives, the book then moves on to offer practical solutions and guidance on how to subvert the ads. Using a combination of ethnographic research and theoretical analysis, Advertising Shits in Your Head investigates the claims made by subvertising practitioners and shows how they impact their practice.

First published in 2008, (as Contro l’architettura), Against Architecture has been translated into French and Greek, with editions forthcoming in Polish and Portuguese. The book is a passionate and erudite charge against the celebrities of the current architectural world, the “archistars.” According to Franco La Cecla, architecture has lost its way and its true function, as the archistars use the cityscape to build their brand, putting their stamp on the built environment with no regard for the public good.

More than a diatribe against the trade for which he trained, Franco La Cecla issues a call to rethink urban space, to take our cities back from what he calls Casino Capitalism, which has left a string of failed urban projects, from the Sagrera of Barcelona to the expansion of Columbia University in New York City. He finds hope and some surprising answers in the 2006 uprisings in the Parisian suburbs and in wandering the streets of San Francisco. La Cecla recounts his peregrinations, whether as a consultant to urban planners or as an incorrigible flaneur, all the while giving insights into how we might find a way to resist the tyranny of the planners and find the spirit of place. As he comments throughout on the works of past and present masters of urban and landscape writing, including Robert Byron, Mike Davis, and Rebecca Solnit, Franco La Cecla has given us a book that will take an important place in our public discourse.

Julia is an American medical doctor fleeing her own privileged background to find a new life delivering health care to African villages, where her skills can make a difference. Carl is also an American, whose very different experiences as a black man in the United States have driven him into exile in West Africa, where he is an international NGO expat. The two come together as colleagues (and then more) as Liberia is gripped in a brutal civil war. Child soldiers kidnap Julia on a remote jungle road, and Carl is evacuated against his will by U.S. Marines. Back in the United States he finds Julia’s mentor, Levin, a Rhode Island MD whose Sixties idealism has been hijacked by history. Then they meet the thief. Then they meet the smuggler. And the dangerous work of finding and rescuing Julia begins.

An unforgettable thriller grounded in real events.

A 60-page illustrated guide to the daily misery, stress, boredom, and alienation of restaurant work, as well as the ways restaurant workers fight against it. Drawing on a range of anticapitalist ideas as well as a heaping plate of personal experience, it is part analysis and part call-to-arms.

Today the word “anarchism” inspires both fear and fascination. But few people understand what anarchists believe, what anarchists want, and what anarchists do. This incisive book puts forward the case for anarchism as a pragmatic philosophy.

Originally written in 1969 and updated for the twenty-first century, About Anarchism is an uncluttered, precise, and urgently necessary expression of practical anarchism. Crafted in deliberately simple prose and without constant reference to other writers or past events, it can be understood without difficulty and without any prior knowledge of political ideology.

As one of the finest short introductions to the basic concepts, theories, and applications of anarchism, About Anarchism has been translated into many languages, including French, Spanish, Japanese, Chinese, Polish, and Russian. This new edition includes an updated introduction from Natasha Walter and an expanded biographical sketch of the author, Nicolas Walter, who was a respected writer, journalist, and an active protester against the powers of both the church and the state.

Finally available for the first time in a single book format, Abolish Work combines two influential and well-circulated pamphlets written from the frontlines of the class war. The texts from the anonymous workers at Prole.info offer cutting-edge class analysis and critiques of daily life accompanied by uncensored, innovative illustrations.

Moving from personal thoughts and interactions to large-scale political and economic forces, Abolish Work reads alternately like a worker’s diary, a short story, a psychology of everyday life, a historical account, and an angry flyer someone would pass you on the street.

The classic “Abolish Restaurants” is an illustrated guide to the daily misery, stress, boredom, and alienation of restaurant work, as well as the ways in which restaurant workers fight against it. Drawing on a range of anti-capitalist ideas as well as a heaping plate of personal experience, it is part analysis and part call-to-arms. An additional piece, “Work, Community, Politics, War” is a comic book introduction to modern society, identifying both the oppressive and subversive tendencies that exist today in order to completely remake society.

The 5th Inning is poet and literary activist E. Ethelbert Miller’s second memoir. Coming after Fathering Words: The Making of an African American Writer (published in 2000), this book finds Miller returning to baseball, the game of his youth, in order to find the metaphor that will provide the measurement of his life. At 60, he ponders whether his life can now be entered into the official record books as a success or failure.

The 5th Inning is one man’s examination of personal relationships, depression, love and loss. This is a story of the individual alone on the pitching mound or in the batters box. It’s a box score filled with remembrance. It’s a combination of baseball and the blues. The paperback has an additional chapter.

How does a young person who volunteers to serve in the U.S. military become a war-resister who risks ostracism, humiliation, and prison rather than fight? Although it is not well publicized, the long tradition of refusing to fight in unjust wars continues today within the American military.

In this book, resisters describe in their own words the process they went through, from raw recruits to brave refusers. They speak about the brutality and appalling violence of war; the constant dehumanizing of the enemy—and of our own soldiers—that begins in Basic Training; the demands that they ignore their own consciences and simply follow orders. They describe how their ideas about the justification for the current wars changed and how they came to oppose the policies and practices of the U.S. empire, and even war itself. Some of the refusers in this book served one or more tours of duty in Iraq and Afghanistan, and returned with serious problems resulting from Post-Traumatic Stress Disorder. Others heard such disturbing stories of violence from returning vets that they vowed not to go themselves. Still others were mistreated in one way or another and decided they’d had enough. Every one of them had the courage to say a resounding “NO!” The stories in this book provide an intimate, honest look at the personal transformation of each of these young people and at the same time constitute a powerful argument against militarization and endless war.

Also featured are exclusive interviews with Noam Chomsky and Daniel Ellsberg. Chomsky looks at the U.S.-led wars in Iraq and Afghanistan and the potential of GI resistance to play a role in bringing the troops home. Ellsberg relates his own act of resistance in leaking the Pentagon Papers in 1971 to the current WikiLeaks revelations of U.S. military secrets.

23 Shades of Black is socially conscious crime fiction. It takes place in New York City in the early 1980s, i.e., the Reagan years, and was written partly in response to the reactionary discourse of the time, when the current thirty-year assault on the rights of working people began in earnest, and the divide between rich and poor deepened with the blessing of the political and corporate elites. But it is not a political tract, it’s a kick-ass novel that was nominated for the Edgar and the Anthony Awards, and made Booklist’s Best First Mysteries of the Year.

The heroine, Filomena Buscarsela, is an immigrant who experienced tremendous poverty and injustice in her native Ecuador, and who grew up determined to devote her life to helping others. She tells us that she really should have been a priest, but since that avenue was closed to her, she chose to become a cop instead. The problem is that as one of the first Latinas on the NYPD, she is not just a woman in a man’s world, she is a woman of color in a white man’s world. And it’s hell. Filomena is mistreated and betrayed by her fellow officers, which leads her to pursue a case independently in the hopes of being promoted to detective for the Rape Crisis Unit.

Along the way, she is required to enforce unjust drug laws that she disagrees with, and to betray her own community (which ostracizes her as a result) in an undercover operation to round up undocumented immigrants. Several scenes are set in the East Village art and punk rock scene of the time, and the murder case eventually turns into an investigation of corporate environmental crime from a working class perspective that is all-too-rare in the genre.

And yet this thing is damn funny, too.

This is the history of the most significant translator, publisher, and distributor of left-wing literature in the United States. Based in Chicago and still publishing, Charles H. Kerr & Company began in 1886 as a publisher of Unitarian tracts. The company's focus changed after its founder, the son of abolitionist activists, became a socialist at the turn of the century.

Tracing Kerr's political development and commitment to radical social change, "We Called Each Other Comrade" also tells the story of the difficulties of exercising the First Amendment in an often hostile business and political climate. A fascinating exploration in left-wing culture, this revealing chronicle of Charles H. Kerr and his revolutionary publishing company looks at the remarkable list of books, periodicals, and pamphlets that the firm produced and traces the strands of a rich tradition of dissent in America.

The history of the colonization of the Americas by Europeans is often portrayed as a mutually beneficial process, in which ”civilization” was brought to the Natives, who in return shared their land and cultures. A more critical history might present it as a genocide in which Indigenous peoples were helpless victims, overwhelmed and awed by European military power. In reality, neither of these views is correct.

500 Years of Indigenous Resistance is more than a history of European colonization of the Americas. In this slim volume, Gord Hill chronicles the resistance by Indigenous peoples, which limited and shaped the forms and extent of colonialism. This history encompasses North and South America, the development of nation-states, and the resurgence of Indigenous resistance in the post-WW2 era.

Glyph Award winner Juliana “Jewels” Smith and illustrator Ronald Nelson have created an unflinching visual and literary tour-de-force on the most pressing issues of the day— including gentrification, police violence, and the housing crisis—with humor and biting satire. (H)afrocentric tackles racism, patriarchy, and popular culture head-on. Unapologetic and unabashed, (H)afrocentric introduces us to strong yet vulnerable students of color, as well as an aesthetic that connects current Black pop culture to an organic reappropriation of hip hop fashion circa the early 90s.

We start the journey when gentrification strikes the neighborhood surrounding Ronald Reagan University. Naima Pepper recruits a group of disgruntled undergrads of color to combat the onslaught by creating and launching the first and only anti-gentrification social networking site, mydiaspora.com. The motley crew is poised to fight back against expensive avocado toast, muted Prius cars, exorbitant rent, and cultural appropriation.

Whether Naima and the gang are transforming social media, leading protests, fighting rent hikes, or working as “Racial Translators,” the students at Ronald Reagan University take movements to a new level by combining their tech-savvy, Black Millennial sensibilities with their individual backgrounds, goals, and aspirations.