Poetry

Mountain Interval (1916) is a collection of poems by American poet Robert Frost. Having gained success with his first two collections, both published in London, Frost returned home to New Hampshire and completed his third volume, Mountain Interval. The book opens with “The Road Not Taken,” and though this would become Frost’s most famous poem, the collection is not defined by it. Here we find the hallmarks of Frost’s work: rural landscapes, dramatic monologues, and subtle meditations on the meanings of life and art. This is Frost at the height of his power, a poetry that speaks as much and as often as it listens.

“The Road Not Taken” is a meditation on fate and free will that follows a traveler in an autumn landscape, unsure of which path to take, but certain he cannot stand still. Often summarized using only its final two lines—“I took the one less traveled by, / And that has made all the difference”—Frost’s poem refuses such neat categorization. Far from simple praise of independence, “The Road Not Taken” examines the anxiety of choice, the psychic response to the uncertainty that precedes even the simplest decision. In “Birches,” Frost recalls his childhood fondness for climbing trees, raising himself from the ground “To the top branches,” only to fling himself “outward, feet first” back to earth. Against the backdrop of adulthood, in which “life is too much like a pathless wood,” the poet recalls the simplicity and wonder of being a child in nature, no more and no less than “a swinger of birches.”.

This edition of Robert Frost’s Mountain Interval is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Canadian Born (1895) is a collection of poems by E. Pauline Johnson. Revered as one the foremost indigenous Canadian poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. Canadian Born captures Johnson’s range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Introducing her collection with a brief inscription, the poet lays out the political purpose of her work addressed to all “Canadian born” individuals, “whether he be [her] paleface compatriot who has given to [her] his right hand of good fellowship,” or “that dear Red brother of whatsoever tribe or Province.” No matter the identity of her reader, Johnson hopes to show them that “White Race and Red are one if they are but Canadian born.” Whether or not she succeeds in her mission is up to the reader to decide, and yet the beauty and power of her poetry cannot be denied. Personal and political, patriotic and critical of colonial misdeeds, Johnson captures as much as she can of the Canadian experience, paying equal regard to a mariner longing to return to “the sea, the hungry sea” and an Indian corn husker with “Age in her fingers, hunger in her face, / Her shoulders stooped with weight of work and years.” This edition of E. Pauline Johnson’s Canadian Born is a classic of Canadian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age.” –Michel de Montaigne

Remedia Amoris; or, The Remedy of Love (2 AD) is an instructional poem by Ovid. A sequel to his three book poem Ars Amatoria; or, The Art of Love (2 AD), Remedia Amoris; or, The Remedy of Love was immensely popular—if a little controversial—in its time, and has survived numerous charges of indecency over the centuries. For the modern reader, it should prove a surprisingly relatable work on intimacy and relationships from an author of the ancient world.

While Ars Amatoria; or, The Art of Love offers salient advice on such topics as etiquette, remembering birthdays, avoiding unhealthy jealousy, being open to older and younger lovers, and nurturing honesty, Remedia Amoris; or, The Remedy of Love takes as its subject the unfortunate—yet common—experience of love gone bad. Perhaps concerned for eager readers of his first work on romance, Ovid provides suggestions to novice lovers on how to escape a bad relationship and on what to do in the event of incurable unhappiness. In order to avoid the tragic fates of Dido or Medea, both of whom were led to early graves by unfaithful lovers, Ovid suggests such healthy behaviors as staying busy, seeing the world, abstaining from alcohol, and trying not to ruminate on the love one has left behind. Remedia Amoris; or, The Remedy of Love, although frequently tongue-in-cheek, is an earnest and effective attempt to caution the overeager romantic and console those unlucky in love.

This edition of Ovid’s Remedia Amoris; or, The Remedy of Love is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Not a Man, and Yet a Man (1877) is a collection of poems by A.A. Whitman. A former slave, Whitman worked as a laborer before finding employment as a financial agent and fundraiser for Wilberforce University, the first historically black college owned and operated by African Americans. In these poems, Whitman depicts the story of the nation on an epic scale, weaving history and personal experience into a compelling narrative of hope, promise, and betrayal. Intended to promote the mission of Wilberforce, Not a Man, and Yet a Man has been praised for its scope and Romantic style since its publication. “My pen appeals to right and common sense. / The black man has a cause, deny who dares, / And him to vindicate my muse prepares.” Freed from slavery during the Civil War, A.A. Whitman worked and obtained an education in the early days of Reconstruction, a period of immense progress that nevertheless proved the dire need to change the hearts and minds of white Americans. Although they had been freed by law, many African Americans, whether born free or formerly enslaved, suffered violence and prejudice as they attempted to enter the workforce, build their families, and establish themselves as property owners around the country. For Whitman, it had to be made clear how their “sweat has poured to swell our ample stores, / [their] blood run freely to defend our shores; / And prayers ascended to the Lord of all, / To save the nation of a direful fall.” Not only had African Americans built the nation, they joined the Union Army by the thousands to protect it—in one way or another, the debt had to be repaid. Not a Man, and Yet a Man is a brilliant debut from a pioneering voice in nineteenth century American poetry. This edition of A.A. Whitman’s Not a Man, and Yet a Man is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Fruit-Gathering (1916) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, Fruit-Gathering is a powerful collection of prose poems by a master of Indian literature. “Bid me and I shall gather my fruits to bring them in full baskets into your courtyard, though some are lost and some not ripe. For the season grows heavy with its fulness, and there is a plaintive shepherd’s pipe in the shade. Bid me and I shall set sail on the river.” In these poems of love, nature, faith, and dreams, Tagore is at the height of his creative powers. In one passage, he is a lovesick youth, in another, an illiterate man with a letter he cannot read. He longs to be a poet of the night, a singer of “fathomless silence.” Filled with visions of saints and kings, celebrations of beauty, and powerful evocations of the natural world, Fruit-Gathering is one of his most original works. This edition of Rabindranath Tagore’s Fruit-Gathering is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay’s collections to appear in the United States. As a committed leftist, McKay—who grew up in Jamaica—captures the life of African Americans from a realist’s point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot’s The Waste Land (1922) and William Carlos Williams’ Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In “Spring in New Hampshire,” the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: “Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors.” A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In “The Lynching,” he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: “[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue…” As children dance around the victim’s body, “lynchers that were to be,” McKay raises a terrible, timeless question: how long will such violence endure? This edition of Claude McKay’s Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

America and Other Poems (1853) is a book of poems by J.M. Whitfield. Published while the poet was working as a barber in Buffalo, New York, America and Other Poems captures his sense of poetic form while expressing his belief in the abolition of slavery. In these odes, hymns, and prayers, Whitfield established his reputation as a pioneering African American poet, an impassioned voice for his people who tirelessly sought to change the course of history with his words. “The North Star,” which concludes the collection, was written for Frederick Douglass’ abolitionist newspaper The North Star, that “guard of truth and liberty” for all. “The writer of the following pages is a poor colored man of this city, engaged in the humble, yet honorable and useful occupation of a barber.” In the introduction to his debut book of poems, J.M. Whitfield proudly and directly asserts his identity. Although he does not fit in with the traditional figure of the poet, Whitfield proves his mastery of form while condemning slavery in the strongest terms. “America” opens the collection with a direct address to the nation “from whence has issued many a band / To tear the black man from his soil, / And force him here to delve and toil”: “America, it is to thee, / Thou boasted land of liberty,— / It is to thee I raise my song, / Thou land of blood, and crime, and wrong.” Without fear, Whitfield questions the moral and political promise of a nation built by slaves. He demands through song and prayer the advent of a day when to “north and south, and east and west, / The wrongs we bear shall be redressed.” This edition of J.M Whitfield’s America and Other Poems is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Sonnets from the Portuguese (1850) is a collection of sonnets by English poet Elizabeth Barrett Browning. Written between 1845 and 1846, Sonnets from the Portuguese is a series of love poems written by Browning to her husband, the prominent Victorian poet Robert Browning. Although Elizabeth was initially unsure of the poems, Robert encouraged their publication, suggesting she title them to make readers believe they were translations and not personal declarations of love between the couple. Using the sonnet, Browning adopted a traditional form made famous by Shakespeare while staking a claim for herself as one of nineteenth century England’s premier poets.

Filled with references to the Greek pastoral poet Theocritus and the tragic figure Electra, as well as invocations to God, Sonnets from the Portuguese immerses itself in biblical and classical tradition while remaining deeply personal and authentically romantic. Sonnet “XV” addresses the inherent tragedy of love, the depth of sadness with which a lover beholds another with “Too calm and sad a face,” overwhelmed with the knowledge that with love comes “the end of love, / Hearing oblivion beyond memory.” In sonnet “XXVIII,” Browning reflects on the distance between lovers kept apart: all she has of him are her letters, “all dead paper, mute and white!” And yet, “they seem alive and quivering” in her “tremulous hands,” a living reminder of the man she longs to be with. “XLIII,” the most famous sonnet of the collection, begins “How do I love thee? Let me count the ways,” and records the poet’s confession of a love more powerful than “the passion put to use / In [her] old griefs…” Not only has her lover brought her such joy, he has also given her a love she “seemed to lose / With [her] lost saints,” a love strong enough to transcend religious faith entirely, a love that is destined to last, and to be even “better after death.”

This edition of Elizabeth Barrett Browning’s Sonnets from the Portuguese is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Sandhya, or Songs of Twilight (1917) is a poetry collection by Dhan Gopal Mukerji. Published while Mukerji was a young student in California, Sandhya, or Songs of Twilight is the second collection of poems from the first Indian writer to gain a popular audience in the United States. Lyrical and romantic, Mukerji’s poems capture his commitment to beauty while maintaining his sense of isolation and exile as a young man living far from home. In “Symbolism,” the collection’s opening poem, Mukerji is a poet in search of a song: “Tongueless the bell! / Lute without a song! / It is not night / It is God’s dawn, / Silence its unending song.” Desperate for the beauty and truth of the world outside “pain’s window,” he finds “Faith’s candle lit,” lighting “Eternity’s scroll” for the soul to read at last. Lyrically gifted and profoundly mysterious, Mukerji presents his creative process as a struggle with human emotions. Later, he grounds his feeling in the country he left behind: “O, frail, faint call which I seek to echo! / O, breath of love laden with the aroma of my soul! / Why seek I ever without, O guest at my door?” In “After a Bengali Song,” he provides a powerful image of isolation and longing from a heart that remains “without” for as long as his exile continues. Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence. This edition of Dhan Gopal Mukerji’s Sandhya, or Songs of Twilight is a classic of Indian American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“The old time Negro preacher of parts was above all an orator, and in good measure an actor. He knew the secret of oratory, that at the bottom of it is a progression of rhythmic words more than anything else. …He often possessed a voice that was a marvelous instrument, a voice he could modulate from a sepulchral whisper to a crashing thunder clap. …At such time his language was not prose but poetry. It was from memories of such preachers there grew the idea of this book of poems.”

Featuring seven-free verse biblically inspired poems, God’s Trombones: Seven Negro Sermons in Verse is a brief, yet powerful, critically acclaimed collection that celebrates the oratorical talent of the “old time” Black preacher; the rhythm and lyricism of his words, as well as the heart and soul of his church. Beginning with the preliminary call to prayer “Listen Lord” and ending with “The Judgement Day,” Johnson leads readers on a literary journey that showcases the collision of Black life and Black art within the realm of Christianity.

Inspired by both his childhood memories of listening to sermons and a desire to pay tribute to the work of Black preachers, God’s Trombones: Seven Negro Sermons in Verse is James Weldon Johnson’s exciting exploration of African American religious expression and history.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Harlem Shadows (1922) is a poetry collection by Claude McKay. Published at the height of the Harlem Renaissance, Harlem Shadows earned praise from legendary poet and political activist Max Eastman for its depictions of urban life and the technical mastery of its author. As a committed leftist, McKay—who grew up in Jamaica—captures the life of Harlem from a realist’s point of view, lamenting the poverty of its African American community while celebrating their resilience and cultural achievement. In “The White City,” McKay observes New York, its “poles and spires and towers vapor-kissed” and “fortressed port through which the great ships pass.” Filled him with a hatred of the inhuman scene of industry and power, forced to “muse [his] life-long hate,” he observes the transformative quality of focused anger: “My being would be a skeleton, a shell, / If this dark Passion that fills my every mood, / And makes my heaven in the white world’s hell, / Did not forever feed me vital blood.” Rather than fall into despair, he channels his hatred into a revolutionary spirit, allowing him to stand tall within “the mighty city.” In “The Tropics in New York,” he walks past a window filled with “Bananas ripe and green, and ginger-root, / Cocoa in pods and alligator pears,” a feast of fresh tropical fruit that brings him back, however briefly, to his island home of Jamaica. Recording his nostalgic response, McKay captures his personal experience as an immigrant in America: “My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept.” This edition of Claude McKay’s Harlem Shadows is a classic of Jamaican literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Aeneid of Virgil (19 BC) is an epic poem by Roman poet Virgil. Virgil’s legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in an accessible prose translation, The Aeneid of Virgil is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer. Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people. Faithfully but concisely translated into accessible English prose, The Aeneid of Virgil is best read aloud with friends and family, and iconic masterpiece of ancient Rome still relevant for our modern world. This edition of The Aeneid of Virgil is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Complete Poetical Works of Percy Bysshe Shelley Volume III (1914) compiles some of Percy Bysshe Shelley’s best-known works as a leading poet, playwright, and political thinker of the nineteenth century. As a leading figure among the English Romantics, Shelley was a master of poetic form and tradition who recognized the need for radical change in the social order. His work has influenced such writers and intellectuals as Karl Marx, Mahatma Gandhi, W. B. Yeats, and George Bernard Shaw. In this final volume of Shelley’s collected works, the poet’s skill as a translator is on full display. Included within are translations from the Greek of Homer and Plato, from the Latin of Vergil, from the Spanish of Calderon, from the German of Goethe, and from the Italian of Dante, to name only a few. In addition, The Complete Poetical Works of Percy Bysshe Shelley Volume III contains some of Shelley’s earliest works as a poet, such as Original Poetry by Victor and Cazire—written with his sister and originally published in 1810—and other examples of juvenilia. Many of these poems remained unpublished upon Shelley’s death, including “Eyes: A Fragment,” which made its first appearance in an 1870 edition of Shelley’s works published by William Michael Rossetti. In this poem, a deceptively simple lyric, Shelley conflates language and vision to capture the communication made possible only through silence, which allows one “look [to] light a waste of years, / Darting the beam that conquers cares / Through the cold shower of tears.” In these fragments, songs, translations, and youthful verses, Shelley demonstrates his workmanlike ability with language, a tirelessness fueled with a passion as thrilling as it must be rare. This edition of Percy Bysshe Shelley’s The Complete Poetical Works of Percy Bysshe Shelley Volume III is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Bronze (1922) is a collection of poetry by Georgia Douglas Johnson. As Johnson’s second published volume, Bronze is an invaluable work of African American literature for scholars and poetry enthusiasts alike. Comprised of some of Johnson’s best poems, and graced with a foreword by W.E.B. Du Bois, Bronze showcases her sense of the musicality of language while illuminating the experiences of African American women of the early twentieth century.“Don’t knock at my heart, little one, / I cannot bear the pain / Of turning deaf-ear to your call / Time and time again!” This poem, titled “Black Woman,” contains the tragic lament of a woman for whom motherhood would mean exposing her child to the cruelties of a racist world. “You do not know the monster men / Inhabiting the earth. / Be still, be still, my precious child, / I must not give you birth.” Far from denying life, this black woman knows that the life of a black child would be precious only to her, and that she would lack the ability to defend her “little one” from violence and hatred. Despite this bleak vision, Johnson also foresees a time of peace, a world in which “All men as one beneath the sun” will live “In brotherhood forever.” Throughout this collection, Johnson shows an efficiency with language and ear for music that make her an essential, underappreciated artist of the Harlem Renaissance. This edition of Georgia Douglas Johnson’s Bronze is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Magnolia Leaves (1897) is a collection of poems by Mary Weston Fordham. Published toward the end of her life, Fordham’s only collection appeared in print with an introduction by Booker T. Washington, who saw in its author an undeniable gift which could prove “[t]he Negro’s right to be considered worthy of recognition in the field of poetic effort.” Meditating on such themes as morality, labor, maternity, liberty, and faith, Mary Weston Fordham displays not only a mastery of poetic form, but a hard-earned wisdom and talent for observing life in all its forms. “With hands all reddened and sore, / With back and shoulders low bent, / She stands all day, and part of the night / Till her strength is well-nigh spent.” In “The Washerwoman,” Fordham depicts a woman whose life on earth revolves around labor, for whom life after death means the promise of hard-earned rest, to “be found on the other shore.” While many, if not all, of Fordham’s poems revolve around Christian imagery and themes, some, including “Chicago Exposition Ode,” “Stars and Stripes,” and “Alaska,” reflect on the promise of freedom and liberty in the aftermath of the Civil War. Her poems strive to depict the diversity of nineteenth century America, such as in “Atlanta Exposition Ode,” which celebrates the end of war and the coming together of former slaves, Union soldiers, and Confederate forces alike. “Song to Erin” and “Highland Mary” depict the immigrant experience, while “The Cherokee” mourns the murder and displacement of America’s indigenous peoples. In sixty-six poems, Mary Weston Fordham distils the experience of a lifetime and the wisdom of one who has experienced loss and found the strength to move forward. This edition of Mary Weston Fordham’s Magnolia Leaves is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Stray Birds (1916) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, Stray Birds is a powerful collection of short poems by a master of Indian literature. “Stray birds of summer come to my window to sing and fly away. And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.” The poems of Stray Birds are a masterclass in clarity and concision. Like birds themselves, they flutter across the sky of the page before passing beyond the limit of sight. In prayer, in celebration, and in evocations of the natural world, Tagore comes as close to the truth as possible, catching a glimpse before it can fly away forever: “Let me live truly, my Lord, so that death to me become true.” In plainspoken language, Tagore gives voice to the soul. This edition of Rabindranath Tagore’s Stray Birds is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Childe Harold’s Pilgrimage (1812-1818) is a book length poem by British Romantic Lord Byron. Published in cantos, the narrative poem is arranged in four parts, each following the journey of Harold, a character based on Byron himself. Childe Harold’s Pilgrimage established Byron’s reputation as a leading poet of his era, laying the foundation for many of the elements of Romantic poetry—melancholy, sublime and beautiful landscapes, a wandering hero—that would inspire generations of writers, artists, and musicians to come.

Harold, a young and deeply unsatisfied man, wanders across a Europe divided by war. In Spain and Portugal, he observes the horrible aftermath of French occupation. While in Greece, though inspired by its classical architecture and immense beauty, he is overcome with grief by the daily realities of life under the control of the Ottoman Empire. Harold makes his way to Belgium, where he visits the battlefield at Waterloo before departing for Switzerland by way of the Rhine. Toward the end of his pilgrimage, Harold travels from Venice throughout Italy, observing its natural wonders and musing on its storied history. Childe Harold’s Pilgrimage—part fictional narrative, part autobiography—is a moving map of a young man’s mind and a continent’s historical experience. It is both a record of Romanticism’s influence on literature and psychology and a testament to the profound influence of trauma and conflict on the individuals and cultures of nineteenth century Europe.

This edition of Lord Byron’s Childe Harold’s Pilgrimage is a classic of English literature and Romanticism reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Azul… (1888) is a book of stories and poems by Rubén Darío. Written while the poet was living in Chile, Azul… has been recognized as a pioneering work of Hispanic Modernism that launched the career of a leading Latin American poet. Both experimental and traditional, Azul… blends Darío’s concern over the sustainability of modern life with his abiding interest in the myths and magic of ancient cultures.

Infused with classical symbolism, inspired by the myth and philosophy of Ancient Greece, Rubén Darío’s Azul… bridges the gap between ancient and modern. Rather than focus on the differences between the two, he envisions the past as a living entity, allowing history and fantasy to coincide with the social realities of his time. In these poems and stories, fairies from the plays of Shakespeare appear alongside the working men and women of Latin America. Dreams coincide with a reality mired in poverty, labor, and passionless social climbing. Poets and port workers sing and die in a city of ghostly beauty. Azul… is less a book than it is an experience, and nearly a century and a half after its publication it remains one worth the taking.

This edition of Rubén Darío’s Azul… is a classic of Nicaraguan literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“So many versions of the Divine Comedy exist in English that a new one might well seem needless. But most of these translations are in verse, and the intellectual temper of our time is impatient of a transmutation in which substance is sacrificed for form’s sake, and the new form is itself different from the original… No poem in any tongue is more informed with rhythmic life than the Divine Comedy. And yet, such is its extraordinary distinction, no poem has an intellectual and emotional substance more independent of its metrical form.”

At the age of thirty-five, Dante is lost. Metaphorically by temptation and the turns of life’s ever-changing path; and literally, in a dark and ominous wood to which there seems no escape. Attacked by three beasts of Hell, Dante has no recourse but to retreat into the hopeless darkness of the wood, saved only by the light of the Roman poet, Virgil sent forth to guide him through the underworld and to salvation by the Divine Symbol of Love, Beatrice. Journeying through the Nine Circles of Satan’s domain, Dante is met by historical figures and acquaintances alike—whose acts of violence, fraud, treachery, and betrayal in life forged chains of nightmares and suffering in death.

Hailed as one of the greatest works of literature ever written, The Divine Comedy is a highly influential poem that has dazzled readers for over five centuries, with its’ first book, The Inferno, being one of the most recognizable pieces of fiction ever published. Revisit the masterfully crafted story of Dante’s descent into Hell, with a beloved translation by revered American scholar Charles Eliot Norton, adapted into prose.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Helen of Troy and Other Poems (1911) is a poetry collection by Sara Teasdale. The poet’s second collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Helen of Troy and Other Poems revels in the mystery of existence itself. “Wild flight on flight against the fading dawn / The flames' red wings soar upward duskily. / This is the funeral pyre and Troy is dead / That sparkled so the day I saw it first, / And darkened slowly after. I am she / Who loves all beauty—yet I wither it.” As Troy burns, Teasdale imagines an impassioned monologue given from the ramparts by the infamous Helen, whose faithlessness in marriage was the catalyst for war in Homer’s Iliad. Although she is often seen as a minor character, more an object of male desire than an autonomous subject in her own right, Teasdale refuses to follow the template passed down by generations of poets—mostly men. Her Helen is meditative and intelligent, capable of immense sorrow and full-throated rage alike: “Men’s lives shall waste with longing after me, / For I shall be the sum of their desire, / The whole of beauty, never seen again.” While acknowledging her role in Troy’s destruction, Helen is a tragic figure in Teasdale’s poem, a woman who never asked for beauty, let alone for the troubles that beauty brought down on the world. Containing monologue poems from such figures as Sappho, Beatrice, and Guenevere, alongside a series of love poems and finely-crafted sonnets, Helen of Troy and Other Poems is a brilliant collection by a gifted American poet. This edition of Sara Teasdale’s Helen of Troy and Other Poems is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values…” –T.S. Eliot

The Aeneid (19 BC) is an epic poem by Roman poet Virgil. Translated by English poet laureate John Dryden in 1697, Virgil’s legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in faithful translation, though rearranged to accommodate Dryden’s rhyming couplets, The Aeneid is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer.

“Arms, and the man I sing, who, forc’d by fate, / And haughty Juno’s unrelenting hate, / Expell’d and exil’d, left the Trojan shore.” Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people.

This edition of Virgil’s The Aeneid is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Lyrics of Lowly Life (1896) is a collection of poems by African American author Paul Laurence Dunbar. Published while Dunbar was at a turning point in his career as one of the nation’s leading black poets, Lyrics of Lowly Life combined his hugely successful volumes Oak and Ivy (1892) and Majors and Minors (1896), establishing his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. In “The Poet and His Song,” Dunbar compares the art of poetry to tilling the soil, a slow and painstaking process requiring full commitment, body and soul, to the task at hand: “My days are never days of ease; / I till my ground and prune my trees. / When ripened gold is all the plain, / I put my sickle to the grain. / I labor hard, and toil and sweat, / While others dream within the dell; / But even while my brow is wet, / I sing my song, and all is well.” For Dunbar, the reward is the song itself, both an act of labor and a celebration of life, emphasizing the role of the poet as not just a dreamer, but a doer. Throughout this collection, Dunbar explores the role of the poet in society, grounding each poem within his identity as a black man in America. In “Frederick Douglass,” an elegy written for the occasion of the great man’s passing, Dunbar makes clear the consequences of pride and defiance in a nation built by slaves: “He dared the lightning in the lightning’s track, / And answered thunder with his thunder back.” This edition of Paul Laurence Dunbar’s Lyrics of Lowly Life is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

On a Grey Thread is the groundbreaking poetry collection of Elsa Gidlow – the first in North American history to openly express lesbian desire.

Both personal and political, Gidlow’s poems express the poet’s complex feelings as a young woman whose political ideology and sexual identity ran counter to the traditional values of her time.

Opening her collection with “The Grey Thread,” Gidlow expresses herself with ornamental imagery, decorating her drab existence with the colorful beads of her personal identity. Employing the double meaning of “gay,” offering a brief erotic “moan” on the precipice of enjambment, Gidlow stretches her stanza to its sinful conclusion, recalling Eve’s temptation in the Garden of Eden.

This edition of Elsa Gidlow’s On a Grey Thread is a classic work of lesbian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Song of Hiawatha (1855) is an epic poem by Henry Wadsworth Longfellow. A master of poetic tradition and form, Longfellow wrote The Song of Hiawatha in trochaic tetrameter, the meter of such classical epics as the Finnish Kalevala. Inspired by stories from Ojibwe oral tradition, for which he consulted Ojibwe chief Kahge-ga-gah-bowh and other indigenous sources, Longfellow composed his American epic, a story of romance and perseverance steeped in legend and beloved by generations to come.

Along the shores of Lake Superior, an Ojibwe leader prophesies the arrival of Hiawatha, a great and noble hero. Before he can be born, however, Mudjekeewis must father the Four Winds by killing the Great Bear. His sons grow to be wild, fearless warriors, defending their land and feuding endlessly with one another. Although Nokomis, a woman who fell from the moon, warns her daughter not to fall for the West Wind, Wenonah is seduced by him, bringing about the birth of Hiawatha. Powerful and adventurous from a young age, Hiawatha grows into a legendary figure responsible for the discovery of corn and the invention of a written language for his people. When he meets the beautiful Minnehaha, a young Dakota woman, he struggles to balance his responsibilities as a leader and protector with a love that overwhelms him. The Song of Hiawatha is a romance of epic proportions that pays tribute to the stories of America’s first peoples.

This edition of Henry Wadsworth Longfellow’s The Song of Hiawatha is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Flowers of Evil (1857) is a collection of poems by Charles Baudelaire. Translated into English by Cyril Scott in 1909, Baudelaire’s poems remain lively and idiosyncratic nearly two centuries after they came into existence. Comprised mostly of sonnets and short lyrics, The Flowers of Evil captures Baudelaire’s sense of the changing role of the poet in modern life. Rather than focus on beauty and other ideals, Baudelaire explores the totality of human experience—the good, bad, and ugly of life on earth. “When by the changeless Power of a Supreme Decree / The poet issues forth upon this sorry sphere, / His mother, horrified, and full of blasphemy, / Uplifts her voice to God, who takes compassion on her.” In his opening benediction, Baudelaire reverses the typical trope of invoking the muses or celebrating poetry as a divine gift. Instead, he depicts the poet as a being cursed, a “hideous Child of Doom.” Childhood for Baudelaire is a subject of particular interest, a time described, in his poem “The Enemy,” as “a ravaging storm, / Enlivened at times by a brilliant sun…” The youthful experience of melancholy clearly informs the poet’s outlook as an adult: “Time devours our lives, / And the enemy black, which consumeth our hearts / On the blood of our bodies, increases and thrives!” While much of Baudelaire’s work deals with darkness and despair, his poems can rise to the heights of celebration and ecstasy, his voice soft and sweet as he invites his sister on a journey to an imagined land of “order and loveliness, / Luxury, calm and voluptuousness.” Ultimately, Baudelaire’s vision—however irreverent—is guided by truth and morality, which drive him on a torturous path from good to evil, beauty to death, and back. This edition of The Flowers of Evil is a classic of French literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Evangeline: A Tale of Acadie (1847) is an epic poem by Henry Wadsworth Longfellow. A master of poetic tradition and form, Longfellow wrote Evangeline: A Tale of Acadie in dactylic hexameter, the meter of such classical epics as Homer’s Iliad and Odyssey as well as Virgil’s Aeneid. Inspired by the experience of the Acadians, a Francophone people living in northern Maine and the Canadian Maritime provinces who were forcefully expelled by British forces during the French and Indian War, Longfellow composed his American epic, a story of faith, romance, and perseverance steeped in tradition and beloved by generations to come.

In the French colony of Acadie, a young woman named Evangeline Bellefontaine marries Gabriel Lajeunesse. They begin their lives together in happiness, surrounded by the beauty of the forests and waters of the Maritimes. When war breaks out between the French and the British, the Acadians are forced out of their homes by the advancing British. Separated from Gabriel, Evangeline makes her way across America in search of safety and her missing husband. After several near misses and years of living on the road, Evangeline settles in Philadelphia, where she joins a convent and cares for the sick as a deadly epidemic sweeps across the land. Evangeline: A Tale of Acadie is an epic of a forgotten history, a tale of hardship and the love that would overcome it.

This edition of Henry Wadsworth Longfellow’s Evangeline: A Tale of Acadie is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Seen and Unseen: Or, Monologues of a Homeless Snail (1897) is a collection of poems by Yone Noguchi. Written only three years after his arrival in San Francisco, these poems capture the emotions of a young man far from home. Fluent in English and adept with the open, flowing style of free verse, Noguchi remains unique in his vision of earthly life.

Noguchi’s poems are songs of light and shadow, in tune with animals, seasons, spirits, and complex emotions. His words are leaves, his thoughts are curtains knocking “with their shadowy hands” upon his door. His “[p]oetry begins with the tireless songs of the cricket, on the lean gray haired hill, in sober-faced evening. / And the next page is Stillness.” Alone in a foreign country, he finds solace in the strange music of nature, hope in the words he can make of it. He envisions himself asleep in the depths of a canyon, writing letters that will never arrive, longing for the crickets to sing. “The homeless snail climbing up the pillow, stares upon the silvered star-tears on my eyes! […] Oh, I am alone! Who knows my to-night’s feeling!” He asks, the homeless snail asks, and his reader longs to answer.

This edition of Yone Noguchi’s Seen and Unseen: Or, Monologues of a Homeless Snail is a classic of Japanese American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Flint and Feather (1913) is a collection of the complete poems of E. Pauline Johnson. Revered as one the foremost Canadian poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America.

“The lyrical verse herein is as a ‘Skyward floating feather, / Sailing on summer air.’ And yet that feather may be the eagle plume that crests the head of a warrior chief; so both flint and feather bear the hall-mark of my Mohawk blood.” So states Johnson in the foreword to her complete poems, Flint and Feather, a collection that captures not only her range as a poet in tune with the Romantic tradition, but her dualistic sense of identity as a woman of Mohawk and English heritage. Choosing to emphasize the former, Johnson, who also went by Tekahionwake, her great-grandfather’s name, adopts the persona of an Indian wife who, watching her love depart, wonders what he will “suffer from the white man’s hand.” In fear, in anger, in desperation, she proclaims “By right, by birth we Indians own these lands, / Though starved, crushed, plundered, lies our nation low…” In the face of defeat, she offers a poetry in tune with the “ghost upon the shore,” the voices one hears “when the Northern candles light the Northern sky.” Johnson’s voice is thus both one of resistance and mourning, her song one of a land of plains and rivers, of fields that await the harvest despite the “prying pilot crow” whose “thieving raids” descend “[a]t husking time.”

This edition of E. Pauline Johnson’s Flint and Feather is a classic of Canadian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Clouds and Sunshine (1920) is a collection of poems by Sarah Lee Brown Fleming. Published during the Harlem Renaissance, Clouds and Sunshine is a powerful work of poetry exploring themes of faith, racial identity, loss, and love in twentieth century America. Recognized as a leading advocate for the advancement of Black girls and women throughout her life, Fleming is a writer whose voice never falters from the task at hand: telling the story of her people. Separated into three sections, Clouds and Sunshine shows Flemings prowess as a lyric poet of the Romantic persuasion, a dialect poet in the tradition of Paul Laurence Dunbar, and a groundbreaking political writer who observed the experiences of Black Americans while recording and examining her own. In “Tuskegee,” she offers an ode to the iconic institution founded by Booker T. Washington in Alabama: “On thy consecrated ground / Is carved a wondrous story, / Out of chaos, Washington / Raised this place to glory.” In “The Black Man’s Hope,” located in the section titled “Race Poems,” Fleming condemns the politics of the United States, which promises so much to white Americans while betraying time and again a people it never meant to recognize as citizens: “I hear the talk of the white man’s hope / In the ring and at the poll, / But never a word of the black man’s hope / Do I hear as time doth roll. // Bowed with the weight which slavery left / Upon his chattled frame, / No star of hope comes into view / The weight is still the same.” In two brief stanzas, Fleming effectively condemns the emptiness offered with every election cycle. Far from despairing, she makes a powerful case for resistance while telling a terrible truth: prejudice is a manmade thing, and only targeted action can undo it. This edition of Sara Lee Brown Fleming’s Clouds and Sunshine is a classic work of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Princess (1847) is a poem by British poet Alfred, Lord Tennyson. Written before Tennyson was named Poet Laureate, the poem addresses accusations from critics that the poet refused to write on serious subjects, as well as the founding of Queen’s College, London, the first college for women in Britain. Despite its comedic tone and somewhat critical outlook, the poem is seen as an important early work dedicated to exploring the concerns of the burgeoning feminist movement.

Unable to find the princess Ida, a young prince seeks the council of her father, King Gama, in order to locate his young fiancée. The king tells him that Ida has fled to a distant retreat, where she has founded a university for women and forsaken the ways of men. Joined by his friends Cyril and Florian, the prince disguises himself as a woman and journeys in search of Ida. The three enroll as students at her university, learning its lessons and absorbing its goals for equality between men and women. As the prince grows close to Ida, he struggles to hide his true identity from her, and is eventually forced to flee. Captured, he is held by the princess while King Gama and his father threaten to go to war over his release. As Ida prepares for battle, the prince and Florian manage to escape, returning home to prepare for conflict with Ida and her brothers. The Princess is a serio-comic poem which dramatizes the goals of the early feminist movement while examining the institution of marriage and the highly gendered nature of education and opportunity in Britain.

This edition of Alfred, Lord Tennyson’s The Princess is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Fugitive (1921) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, The Fugitive is a powerful collection of poems, dialogues, and songs by a master of Indian literature. “Darkly you sweep on, Eternal Fugitive, round whose bodiless rush stagnant space frets into eddying bubbles of light. Is your heart lost to the Lover calling you across his immeasurable loneliness?” The Fugitive is an intoxicating blend of prose poetry, verse dialogue, and songs that investigates themes of faith, love, death, and friendship. Here, Tagore is at the height of his creative powers, providing brilliant original lyrics alongside adaptations from the Hindu epics and his own translations of traditional Bengali songs. Filled with visions of flight, words between lovers torn apart, and powerful evocations of the natural world, The Fugitive is one of his most original works. This edition of Rabindranath Tagore’s The Fugitive is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Masque of Poets (1878) is a poetry collection edited by George Parsons Lathrop. Part of Boston-based publisher Roberts Brothers’ “No Name” series, A Masque of Poets presents the works of little-known writers—including Emily Dickinson—alongside such recognized masters as Christina Rossetti and James Russell Lowell, leaving each poem anonymous to allow the reader to experience the work without thought of reputation. “Sing! Sing of what? The world is full of song; / And all the singing seems but echoed notes / Of the great masters…” Beginning with this playful introductory poem, A Masque of Poets attempts to demystify poetry by removing poets from the equation altogether. Understanding the pressures inherent to making art, especially the kind of art with such a long and storied history as poetry, this collection foregoes reputation and tradition by allowing the poems to speak for themselves, to appear anonymously so that the reader might make a clear judgment regarding each poem’s meaning and quality. Far from mere publishing gimmick, A Masque of Poets is a highly original, challenging, and rewarding collection of poems that happens to include works from some of the nineteenth century’s finest poets. By forcing the reader to trust their interpretive abilities, A Masque of Poets reinvigorates a craft whose worth was never the names of its practitioners, but the words they could produce. “Success,” the final poem before the concluding “novelette in verse” Guy Vernon, just so happens to be one of the only poems published by Emily Dickinson in her lifetime. For its importance to Dickinson scholars, as well as for its genuine originality, A Masque of Poets remains an essential contribution to the history of American literature. This edition of A Masque of Poets is a classic work of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Revisit one of the earliest masterpieces of Filipino literature with Francisco Balagtas’ Florante and Laura.

In the Kingdom of Albania, the noble and brave Duke Florante is tied to a tree. Losing hope that he shall ever be rescued, he begins to recount the events that have led to his current predicament: the death of his father, the suffering of his people, and perhaps even, the loss of the woman he loved; and as he takes what he believes to be his final breath, a kindred spirit stumbles upon the scene and together the pair embark on a journey to reunite with their loved ones and bring peace to their kingdoms.

Originally published in 1838, Florante and Laura is an epic story of war, betrayal and romance that has never gone out of print and continues to be celebrated as a significant literary achievement of Filipino literature.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Gitanjali (1912) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore and published with a groundbreaking introduction by Irish poet W. B. Yeats, Gitanjali is the collection that earned Tagore the 1912 Nobel Prize in Literature. When Yeats discovered Tagore’s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. For the Irish poet, Tagore’s poems were at once deeply personal and essentially universal, like a secret kept by all and shared regardless: “I have carried the manuscript of these translations about with me for days, reading it in railway trains, or on the top of omnibuses and in restaurants, and I have often had to close it lest some stranger would see how much it moved me.” Whether or not we admit it, his words never fail to remind us: to be human is to be vulnerable. “Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life. This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.” The essence of Gitanjali is humility. Written following the deaths of his wife and two children, the collection unites poetry and prayer in search of peace. Grounded in Hindu tradition, his poems remain recognizable to readers of all faiths and nations. His subjects are love and loss, life and death, belief and despair. Through them, he approaches truth. This edition of Rabindranath Tagore’s Gitanjali is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Lyrics of Sunshine and Shadow (1905) is a collection of poems by African American author Paul Laurence Dunbar. Published while Dunbar was suffering from tuberculosis, alcoholism, and depression, Lyrics of Sunshine and Shadow builds on his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. In “The Place Where the Rainbow Ends,” Dunbar, perhaps reflecting on his proximity to death, provides a simple song with a cautionary, utopian vision of hope and happiness: “Oh, many have sought it, / And all would have bought it, / With the blood we so recklessly spend; / But none has uncovered, / The gold, nor discovered / The spot at the rainbow’s end.” Meditative and bittersweet, Dunbar rejects wealth and power as a means of achieving fulfillment, looking instead to establish an inner peace for himself that he might “find without motion, / The place where the rainbow ends,” a place “[w]here care shall be quiet, / And love shall run riot, / And [he] shall find wealth in [his] friends.” Whether a vision of heaven or of the possibility of peace on earth, this poem finds echoes across Dunbar’s penultimate volume. Nearing death at such a young age, he prepares himself to lose the life he had fought so hard to achieve, a life devoted to reaching the hearts and minds of others. As we all must, he ends on a question, opening himself to the unknown without losing hope for the possibility of peace and reunion to come: “Where shall we meet, who knows, who knows?” In the reader, his song carries on. This edition of Paul Laurence Dunbar’s Lyrics of Sunshine and Shadow is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“The general end, therefore, of all [The Faerie Queene], is to fashion a gentleman or noble person in virtuous and gentle discipline: which for that I conceived should be most plausible and pleasing, being coloured with an historical fiction, the which the most part of men delight to read.”

Hailed as one of the most influential poems in the English language, Edmund Spenser’s The Faerie Queene is an epic masterpiece of Arthurian romance. Broken into six books, the poem follows the story of seven knights: the Redcrosse Knight, Sir Guyon, Lady-Knight Britomart, Triamond, Cambell, Sir Artegall and Sir Califore; all on quests in search of virtue.

Professionally typeset with a beautifully designed cover, this edition of The Faerie Queene is an epic of literary achievement reimagined for the modern reader.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Women Are People! (1917) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling and frequently hilarious case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In “Liberty,” she lampoons the hypocrisy of men who praise the goddess of Liberty while denying women access to basic human rights: “O Liberty, how many men there are / Who do you honour in a flowing phrase, / In martial measures and in patriot lays, / Invoking you as a goddess and as star/ […] / But when you first approach them, when you turn / On their pale eyes your eyes’ unwavering light, / […] / They fly before you, crying in their fright: / ‘Arrest this wild-eyed jade! Police! Police!’” In these lighthearted lines, Miller satirizes the exclusion of women from American democracy. Succinctly and convincingly, with humor and with lyric grace, Miller makes her case for suffrage and the rights of women very clear. As she expresses in her ironic title, women are indeed people—despite the lengths to which they must repeatedly go to prove it. This edition of Alice Duer Miller’s Women Are People! is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Men, Women, and Ghosts is an agile and promising work from a pioneering poet of the early twentieth century. In “Patterns,” the collection’s opening poem, Lowell displays an economy of language and clarity of vision that would define the imagist school, in which she would prove an essential figure: “I walk down garden paths, / And all the daffodils / Are blowing, and the bright blue squills. / […] / I too am a rare / Pattern. As I wander down / The garden paths.” As the speaker of the poem laments the loss of her lover, she remarks: “the man who should loose me is dead, / Fighting with the Duke in Flanders, / In a pattern called a war. / Christ! What are patterns for?” As a poet indebted to tradition and yet interested in the prospect of a modern poetry, as a lesbian and bohemian figure from a prominent Boston family, Lowell was keenly aware of the dangers inherent to “patterns.” Her poems, unique and experimental, are an essential contribution to one of humanity’s oldest art forms. Men, Women, and Ghosts is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. This edition Amy Lowell’s Men, Women, and Ghosts is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Are Women People? (1915) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women’s suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In “Representation,” she lampoons the notion that men’s votes and voices are capable of representing the viewpoints of the women in their lives: “My present wife’s a suffragist, and counts on my support, / […] / One grandmother is on the fence, the other much opposed, / And my sister lives in Oregon, and thinks the question’s closed; / Each one is counting on my vote to represent her view. / Now what should you think proper for a gentleman to do?” In these lighthearted lines, Miller satirizes the exclusion of women from American democracy, which inherently supposes that womanhood is monolithic, containing no opposing points of view. In “To President Wilson,” Miller excoriates the President for his focus on militarism and foreign policy, asking “How can you plead so earnestly for men / Who fight their own fight with a bloody hand; / […] and then / Forget the women of your native land?” Succinctly and convincingly, Miller makes her case for women’s suffrage. This edition of Alice Duer Miller’s Are Women People? is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Published seven years after her debut collection A Dome of Many-Coloured Glasses, Pictures of the Floating World (1919), is another dazzling volume of poetry from the Pulitzer Prize winning poet, Amy Lowell.

Divided into two sections; Pictures of the Floating World finds inspiration from both Japanese and Chinese poetry, with Lowell trying her hand at the hokku and Chinoiserie. In poems like “Reflections” and “Falling Snow,” Lowell paints delicate pictures of experiencing nature, with stanzas such as, “When I looked into your eyes / I saw a garden / With peonies, and tinkling pagodas / And round-arched bridges,” and, “The snow whispers about me / And my wooden clogs / Leave holes behind me in the snow / But no one will pass this way.” And in the second section, “Planes of Personality,” Lowell treads familiar ground with over a dozen lyrical poems, written just after the publication of her second collection, Sword Blades and Poppy Seed and up to April 1919.

This edition Amy Lowell’s Pictures of the Floating World is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Sword Blades and Poppy Seed (1914) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Sword Blades and Poppy Seed is an agile and promising work from a pioneering poet of the early twentieth century. The title poem of Lowell’s collection is an imaginative voyage into the mind of a poet struggling with writer’s block, who scans the city for “the slightest tinge of gold” to no avail: “From time to time I wrote a word / Which lines and circles overscored. / My table seemed a graveyard, full / Of coffins waiting burial.” Disgusted with her inability to write anything meaningful, she takes the streets, encountering a strange old man—part poppy dealer, part devil—who offers success in exchange for the poet’s soul. Personal and public, keenly engaged with tradition—the Faustian legend, in particular—while maintaining her own private voice, Lowell’s poems are an essential contribution to one of humanity’s oldest art forms. Sword Blades and Poppy Seed is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. This edition Amy Lowell’s Sword Blades and Poppy Seed is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Dome of Many-Coloured Glass (1912) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, A Dome of Many-Coloured Glass is an agile and promising work from a pioneering poet of the early twentieth century. Containing lyric poems, sonnets, verses for children, and a masterful long poem, A Dome of Many-Coloured Glass is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. In poems like “Azure and Gold,” Lowell displays natural imagery intertwined with the play of words, producing such stanzas as “April had covered the hills / With flickering yellows and reds, / The sparkle and coolness of snow / Was blown from the mountain beds.” From the drama inherent to seasonal change, she extracts a revelation from “the song of birds, / Who, swinging unseen under leaves, / Made music more eager than words.” In “The Boston Athenaeum,” a masterful long poem on one of the oldest libraries in the United States, she recalls “Long, peaceful hours seated on the floor / Of some retired nook, all lined with books, / Where reverie and quiet reign supreme!” Personal and public, keenly engaged with tradition while maintaining her own private voice, Lowell’s poems are an essential contribution to one of humanity’s oldest art forms. This edition Amy Lowell’s A Dome of Many-Coloured Glass is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.