Poetry

“He was a poet of the first order, a humorist, a philosopher, a man of affairs. He achieved fame as an English-Indian dialect writer and journalist. He was the leading man of the Creeks and the one great man produced by the Confederacy known as the Five Civilized Tribes.”

Published posthumously in 1910, The Poems of Lawrence Alexander Posey both a collection of poetry and short memoir by one of the late nineteenth century’s leading Native American voices, Alexander Posey. Born near Eufaula, Posey was the eldest of twelve children who were raised within the Creek Nation but incorporated into European culture. Being fluent in the Muscogee language, Posey would be encouraged by his father to learn English, ultimately leading to his love of the written word and his exposure to the Indian Journal where he would go on to submit his poetry.

Professionally typeset with a beautifully designed cover, this edition of The Poems of Alexander Lawrence Posey is a classic of Native American literature reimagined for the modern reader.

Originally written during his two year imprisonment in Atlanta, The Tragedy of White Injustice and Other Meditations is a collection of short thoughts or, impromptu poetry, from one of the Fathers of Black Nationalism, Marcus Garvey.

In 1925, Garvey was tried and sentenced for the crime of mail fraud in relation to his business with the Black Star Line. Left to the mercy of the United States Federal Penitentiary of Atlanta, Garvey had not much to do except write—to his wife, to the U.N.I.A, and to anyone who could help spread his message of total and complete independence for Black people across the world. With the support of his wife, Amy Jacques Garvey, he was able to publish, The Philosophy and Opinions of Marcus Garvey in 1925, and The Meditations of Marcus Garvey in 1927.

Beginning with the lines, “Lying and stealing is the white man’s game / For rights of God nor man he has no shame / (A practice of his throughout the whole world) / At all, great thunderbolts he has hurled,” Garvey penned “The Tragedy of White Injustice,” a cry for the people of the world to wake up to the atrocities of colonialism and racism. Described by Garvey as neither verse nor orthodox prose, “The Tragedy of White Injustice” as well as his other meditations, showcased his never-ending pursuit of worldwide Black independence and his everlasting Black pride even in the face of the harshest of circumstances.

Including such pieces as, “Keep Cool,” “The Black Woman,” and “Hail! United States of Africa!,” The Tragedy of White Injustice and Other Meditations is an essential piece of Black history, professionally typeset and reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Seen and Unseen: Or, Monologues of a Homeless Snail (1897) is a collection of poems by Yone Noguchi. Written only three years after his arrival in San Francisco, these poems capture the emotions of a young man far from home. Fluent in English and adept with the open, flowing style of free verse, Noguchi remains unique in his vision of earthly life.

Noguchi’s poems are songs of light and shadow, in tune with animals, seasons, spirits, and complex emotions. His words are leaves, his thoughts are curtains knocking “with their shadowy hands” upon his door. His “[p]oetry begins with the tireless songs of the cricket, on the lean gray haired hill, in sober-faced evening. / And the next page is Stillness.” Alone in a foreign country, he finds solace in the strange music of nature, hope in the words he can make of it. He envisions himself asleep in the depths of a canyon, writing letters that will never arrive, longing for the crickets to sing. “The homeless snail climbing up the pillow, stares upon the silvered star-tears on my eyes! […] Oh, I am alone! Who knows my to-night’s feeling!” He asks, the homeless snail asks, and his reader longs to answer.

This edition of Yone Noguchi’s Seen and Unseen: Or, Monologues of a Homeless Snail is a classic of Japanese American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Rajani: Songs of the Night (1916) is a poetry collection by Dhan Gopal Mukerji. Published while Mukerji was a young student in California, Rajani: Songs of the Night is the debut collection of poems from the first Indian writer to gain a popular audience in the United States. Lyrical and romantic, Mukerji’s poems capture his commitment to beauty while maintaining his sense of isolation and exile as a young man living far from home. In “Bhikshu’s Song,” the collection’s opening poem, the poet greets a Buddhist monk at the door, returning in memory to his native Bengal. Repeating the Bhikshu’s mantra throughout—“Om Moni Padme Om!”—Mukerji allows himself to “drift with the stream / To [his] destination of dream.” An exile, Mukerji can only reach his homeland through memory and song, by infusing English meter with the sights and sounds of Bengal. “A singer that sings of sorrow; / Whose night knows no tomorrow; / [His] song finds its source / In its moonless immensity.” Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence. This edition of Dhan Gopal Mukerji’s Rajani: Songs of the Night is a classic of Indian American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Sandhya, or Songs of Twilight (1917) is a poetry collection by Dhan Gopal Mukerji. Published while Mukerji was a young student in California, Sandhya, or Songs of Twilight is the second collection of poems from the first Indian writer to gain a popular audience in the United States. Lyrical and romantic, Mukerji’s poems capture his commitment to beauty while maintaining his sense of isolation and exile as a young man living far from home. In “Symbolism,” the collection’s opening poem, Mukerji is a poet in search of a song: “Tongueless the bell! / Lute without a song! / It is not night / It is God’s dawn, / Silence its unending song.” Desperate for the beauty and truth of the world outside “pain’s window,” he finds “Faith’s candle lit,” lighting “Eternity’s scroll” for the soul to read at last. Lyrically gifted and profoundly mysterious, Mukerji presents his creative process as a struggle with human emotions. Later, he grounds his feeling in the country he left behind: “O, frail, faint call which I seek to echo! / O, breath of love laden with the aroma of my soul! / Why seek I ever without, O guest at my door?” In “After a Bengali Song,” he provides a powerful image of isolation and longing from a heart that remains “without” for as long as his exile continues. Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence. This edition of Dhan Gopal Mukerji’s Sandhya, or Songs of Twilight is a classic of Indian American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

On a Grey Thread is the groundbreaking poetry collection of Elsa Gidlow – the first in North American history to openly express lesbian desire.

Both personal and political, Gidlow’s poems express the poet’s complex feelings as a young woman whose political ideology and sexual identity ran counter to the traditional values of her time.

Opening her collection with “The Grey Thread,” Gidlow expresses herself with ornamental imagery, decorating her drab existence with the colorful beads of her personal identity. Employing the double meaning of “gay,” offering a brief erotic “moan” on the precipice of enjambment, Gidlow stretches her stanza to its sinful conclusion, recalling Eve’s temptation in the Garden of Eden.

This edition of Elsa Gidlow’s On a Grey Thread is a classic work of lesbian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Bird of Time (1912) is a poetry collection by Sarojini Naidu. Naidu’s second book of English verse is steeped in the Romantic tradition while entirely conscious of the present political strife of her native India. From songs of love to portraits of urban life, Naidu’s poems reflect her commitment to feeling, both for herself and for others. Traditional and modern, The Bird of Time is a powerful collection from a young poet on the brink of an impassioned life in politics. “O Bird of Time on your fruitful bough / What are the songs you sing? . . . / Songs of the glory and gladness of life, / Of poignant sorrow and passionate strife, / And the lilting joy of the spring…” In this mysterious ode, Naidu addresses the themes of her own multitudinous poems—life, love, grief, and nature, among countless others. Is the Bird of Time her muse, or a symbol for poetry itself? How can a poem express “the pride of a soul that has conquered fate?” As in much of Naidu’s poetry, the symbolic maintains its distance in order to reflect a deeper, perhaps even personal truth. To describe the poem, to assign it meaning, would ultimately negate the need for poetry itself, whose powers must remain at least partially veiled. Elsewhere in the collection, “In the Bazaars of Hyderabad” reflects her commitment to the struggle for Indian independence as it celebrates the homegrown produce and handmade wares of a proud and lively people. Moving along the street, she sings to vendors, goldsmiths, and musicians alike, concluding before a group of flower-girls, whose work serves weddings and funerals. Beneath this vibrant imagery is a call to action for the Swadeshi movement, a boycott of foreign goods designed to strike a blow against British commerce. This edition of Sarojini Naidu’s The Bird of Time is a classic work of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay’s collections to appear in the United States. As a committed leftist, McKay—who grew up in Jamaica—captures the life of African Americans from a realist’s point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot’s The Waste Land (1922) and William Carlos Williams’ Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In “Spring in New Hampshire,” the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: “Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors.” A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In “The Lynching,” he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: “[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue…” As children dance around the victim’s body, “lynchers that were to be,” McKay raises a terrible, timeless question: how long will such violence endure? This edition of Claude McKay’s Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Flowers of Evil (1857) is a collection of poems by Charles Baudelaire. Translated into English by Cyril Scott in 1909, Baudelaire’s poems remain lively and idiosyncratic nearly two centuries after they came into existence. Comprised mostly of sonnets and short lyrics, The Flowers of Evil captures Baudelaire’s sense of the changing role of the poet in modern life. Rather than focus on beauty and other ideals, Baudelaire explores the totality of human experience—the good, bad, and ugly of life on earth. “When by the changeless Power of a Supreme Decree / The poet issues forth upon this sorry sphere, / His mother, horrified, and full of blasphemy, / Uplifts her voice to God, who takes compassion on her.” In his opening benediction, Baudelaire reverses the typical trope of invoking the muses or celebrating poetry as a divine gift. Instead, he depicts the poet as a being cursed, a “hideous Child of Doom.” Childhood for Baudelaire is a subject of particular interest, a time described, in his poem “The Enemy,” as “a ravaging storm, / Enlivened at times by a brilliant sun…” The youthful experience of melancholy clearly informs the poet’s outlook as an adult: “Time devours our lives, / And the enemy black, which consumeth our hearts / On the blood of our bodies, increases and thrives!” While much of Baudelaire’s work deals with darkness and despair, his poems can rise to the heights of celebration and ecstasy, his voice soft and sweet as he invites his sister on a journey to an imagined land of “order and loveliness, / Luxury, calm and voluptuousness.” Ultimately, Baudelaire’s vision—however irreverent—is guided by truth and morality, which drive him on a torturous path from good to evil, beauty to death, and back. This edition of The Flowers of Evil is a classic of French literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Love Songs (1917) is a poetry collection by Sara Teasdale. The poet’s fourth collection, for which she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Love Songs revels in the mystery of existence itself. From despair to elation, confusion to security, Sara Teasdale captures the many emotions at work in the hearts of lovers. In “November,” she explores the strange feeling that accompany a relationship nearing a mutual ending: “The world is tired, the year is old, / The fading leaves are glad to die, / The wind goes shivering with cold / Where the brown reeds are dry.” Beginning her brief verse with an observation of autumn, Teasdale moves into a bittersweet stanza on love grown stagnant, mirroring the world approaching winter: “Our love is dying like the grass, / And we who kissed grow coldly kind, / Half glad to see our old love pass / Like leaves along the wind.” So far from spring, the only thing certain is that these lovers must part ways. Refusing to romanticize love, to portray it as wholly positive or negative, the poet crafts a timeless collection on a timeless theme. For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. This edition of Sara Teasdale’s Love Songs is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Flame and Shadow (1920) is a poetry collection by Sara Teasdale. The poet’s fifth collection, published two years after she won the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, death, and the natural world. Somber and celebratory, symbolic and grounded in experience, Flame and Shadow revels in the mystery of existence itself. “What do I care, in the dreams and the languor of spring, / That my songs do not show me at all?” Content to depict the rhythms of nature, the songs of birds, and “the silver light after a storm,” Teasdale’s poetry dissolves the poet’s ego in order to access a deeper well of creative energy: “For my mind is proud and strong enough to be silent, / It is my heart that makes my songs, not I.” In “There Will Come Soft Rains,” a poem born from a decade of war and widespread disease, Teasdale imagines a posthuman world where beauty and harmony continue despite our disappearance: “Robins will wear their feathery fire / Whistling their whims on a low fence-wire; And not one will know of the war…” For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. This edition of Sara Teasdale’s Flame and Shadow is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Harlem Shadows (1922) is a poetry collection by Claude McKay. Published at the height of the Harlem Renaissance, Harlem Shadows earned praise from legendary poet and political activist Max Eastman for its depictions of urban life and the technical mastery of its author. As a committed leftist, McKay—who grew up in Jamaica—captures the life of Harlem from a realist’s point of view, lamenting the poverty of its African American community while celebrating their resilience and cultural achievement. In “The White City,” McKay observes New York, its “poles and spires and towers vapor-kissed” and “fortressed port through which the great ships pass.” Filled him with a hatred of the inhuman scene of industry and power, forced to “muse [his] life-long hate,” he observes the transformative quality of focused anger: “My being would be a skeleton, a shell, / If this dark Passion that fills my every mood, / And makes my heaven in the white world’s hell, / Did not forever feed me vital blood.” Rather than fall into despair, he channels his hatred into a revolutionary spirit, allowing him to stand tall within “the mighty city.” In “The Tropics in New York,” he walks past a window filled with “Bananas ripe and green, and ginger-root, / Cocoa in pods and alligator pears,” a feast of fresh tropical fruit that brings him back, however briefly, to his island home of Jamaica. Recording his nostalgic response, McKay captures his personal experience as an immigrant in America: “My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept.” This edition of Claude McKay’s Harlem Shadows is a classic of Jamaican literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Heart of a Woman and Other Poems (1918) is a collection of poetry by Georgia Douglas Johnson. Marking Johnson’s debut as one of the leading poets of the Harlem Renaissance, The Heart of a Woman and Other Poems is an invaluable work of African American literature for scholars and poetry enthusiasts alike. Comprised of Johnson’s earliest works as a poet, the collection showcases her sense of the musicality of language while illuminating the experiences of African American women of the early twentieth century. “The heart of a woman goes forth with the dawn, / As a lone bird, soft winging, so restlessly on.” Recalling Paul Laurence Dunbar’s classic poem “Sympathy,” which immortalizes the African American experience with the line “I know why the caged bird sings,” the title poem of Johnson’s collection compares the heart to a bird. Musical and dreamlike, Johnson’s poem envisions “the heart of a woman” as it “enters some alien cage in its plight, / And tries to forget it has dreamed of the stars / While it breaks, breaks, breaks on the sheltering bars.” With each repetition of “breaks,” the reader can feel the restlessness and fear of the bird as it beats its wings against its cage, the heart as it beats against the “sheltering bars” of the ribs. In this poem, and throughout the collection, Johnson shows an efficiency with language uncommon to many poets, let alone one making her debut. This edition of Georgia Douglas Johnson’s The Heart of a Woman and Other Poems is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world. This edition of William Carlos Williams’ Spring and All is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Clouds and Sunshine (1920) is a collection of poems by Sarah Lee Brown Fleming. Published during the Harlem Renaissance, Clouds and Sunshine is a powerful work of poetry exploring themes of faith, racial identity, loss, and love in twentieth century America. Recognized as a leading advocate for the advancement of Black girls and women throughout her life, Fleming is a writer whose voice never falters from the task at hand: telling the story of her people. Separated into three sections, Clouds and Sunshine shows Flemings prowess as a lyric poet of the Romantic persuasion, a dialect poet in the tradition of Paul Laurence Dunbar, and a groundbreaking political writer who observed the experiences of Black Americans while recording and examining her own. In “Tuskegee,” she offers an ode to the iconic institution founded by Booker T. Washington in Alabama: “On thy consecrated ground / Is carved a wondrous story, / Out of chaos, Washington / Raised this place to glory.” In “The Black Man’s Hope,” located in the section titled “Race Poems,” Fleming condemns the politics of the United States, which promises so much to white Americans while betraying time and again a people it never meant to recognize as citizens: “I hear the talk of the white man’s hope / In the ring and at the poll, / But never a word of the black man’s hope / Do I hear as time doth roll. // Bowed with the weight which slavery left / Upon his chattled frame, / No star of hope comes into view / The weight is still the same.” In two brief stanzas, Fleming effectively condemns the emptiness offered with every election cycle. Far from despairing, she makes a powerful case for resistance while telling a terrible truth: prejudice is a manmade thing, and only targeted action can undo it. This edition of Sara Lee Brown Fleming’s Clouds and Sunshine is a classic work of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Selected Poems of Yone Noguchi (1921) is a collection of poems by Yone Noguchi. Although he is widely recognizing as a leading poet in English and Japanese of the modernist period, Noguchi was also a dedicated literary critic who advocated for the cross-pollination of national poetries. Alongside a brilliant introduction, in which he addresses the collective power of world literature, he provides a selection of his best poems from a quarter century of work.

”The time is coming when, as with international politics where the understanding of the East with the West is already an unmistakable fact, the poetries of these two different worlds will approach of one another and exchange their cordial greetings.” A firm believer in plainspoken language and a practitioner of free verse, Noguchi envisioned his art as a humble contribution to the union of East and West. In his early poems written in California, he reflects on loneliness and the natural world while reveling in the extended lines and celebratory phrases made popular by Whitman. In his third collection, From the Eastern Sea (1903) he settles into a more reserved prosody, characterized by stillness and vibrant imagery. Included in this collection are his prose poems and a series of Japanese Hokkus, whose minimalism and spiritual clarity continue to captivate readers and poets of all languages and nations. “Is there anything new under the sun? / Certainly there is. / See how a bird flies, how flowers smile!” These poems not only teach us to look, but to see the world anew.

This edition of Yone Noguchi’s Selected Poems of Yone Noguchi is a classic of Japanese American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

America and Other Poems (1853) is a book of poems by J.M. Whitfield. Published while the poet was working as a barber in Buffalo, New York, America and Other Poems captures his sense of poetic form while expressing his belief in the abolition of slavery. In these odes, hymns, and prayers, Whitfield established his reputation as a pioneering African American poet, an impassioned voice for his people who tirelessly sought to change the course of history with his words. “The North Star,” which concludes the collection, was written for Frederick Douglass’ abolitionist newspaper The North Star, that “guard of truth and liberty” for all. “The writer of the following pages is a poor colored man of this city, engaged in the humble, yet honorable and useful occupation of a barber.” In the introduction to his debut book of poems, J.M. Whitfield proudly and directly asserts his identity. Although he does not fit in with the traditional figure of the poet, Whitfield proves his mastery of form while condemning slavery in the strongest terms. “America” opens the collection with a direct address to the nation “from whence has issued many a band / To tear the black man from his soil, / And force him here to delve and toil”: “America, it is to thee, / Thou boasted land of liberty,— / It is to thee I raise my song, / Thou land of blood, and crime, and wrong.” Without fear, Whitfield questions the moral and political promise of a nation built by slaves. He demands through song and prayer the advent of a day when to “north and south, and east and west, / The wrongs we bear shall be redressed.” This edition of J.M Whitfield’s America and Other Poems is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Collected Poems and Prose of Jupiter Hammon compiles the works of Jupiter Hammon, America’s first published black writer. When his poem “An Evening Thought: Salvation by Christ, with Penitential Cries” appeared in print as a broadside in 1761, Hammon unknowingly changed American literature for generations to come. Born into slavery, Hammon was a highly talented poet and preacher whose subtle criticism of slavery employed Christian symbolism and promoted a vision of salvation through determination and faith in God. In 1786, Hammon gave “An Address to the Negroes in the State of New York” at the inaugural assembly of the African Society of New York City. In it, he proclaimed that “If we should ever get to Heaven, we shall find nobody to reproach us for being black, or for being slaves.” His message of hope and spiritual uplift employed Christian theology while responding to the needs and desires of enslaved African Americans. In “An Address to Miss Phillis Wheatley,” Hammon harnesses the communicative power of poetry to acknowledge and praise a pioneering young poet: “While thousands muse with earthly toys; / And range about the street, / Dear Phillis, seek for heaven’s joys, / Where we do hope to meet.” Through this shared passion for poetry and belief in life after death, the two poets—who never did meet in life—join in mind and in spirit despite their earthly status as slaves. Through humility and hope, Hammon expresses his solidarity with a kindred soul while igniting and inspiring countless others. This edition of The Collected Poems and Prose of Jupiter Hammon is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values…” –T.S. Eliot

The Georgics (29 BC) is a poem by Roman poet Virgil. Although less prominent than The Aeneid, Virgil’s legendary epic of the Trojan hero Aeneas and his discovery of what would later become the city of Rome, The Georgics have endured as a landmark in the history of poetry. The Georgics were inspired by Lucretius’s De Rerum Natura and Hesiod’s Works and Days, an Ancient Greek poem describing the creation of the cosmos, the history of Earth, and the role of agriculture in human life. The Georgics is considered Virgil’s second major work of three and has inspired generations of poets and scholars interested in the ability of literature to bridge the artificial gap between humanity and the natural world.

“What makes the cornfield smile […] What pains for cattle-keeping, or what proof / Of patient trial serves for thrifty bees; / Such are my themes.” Beginning with these lines, Virgil’s Georgics is a poem about the life of the world and the need for order to ensure humanity’s survival. Surveying such diverse topics as the creation of the universe, the cycles of human history, and the technical processes applied to soil and animals to produce food and sustain life itself, this poem attempts to rekindle in its reader a sense of unity with the world. Written in a time of immense political upheaval following the death of Julius Caesar and the rise of Emperor Augustus, The Georgics is as much a poem of survival as of faith, a falling back on the old ways that sustain and nurture life, a way of preserving a volatile present for a future forever in the making.

This edition of Virgil’s The Georgics is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age.” –Michel de Montaigne

The Lover’s Assistant; or, New Art of Love (1760) is an updated translation of Ovid’s Ars Amatoria; or, The Art of Love (2 AD) by English satirist Henry Fielding. Divided into three books, Ars Amatoria; or, The Art of Love was immensely popular—if a little controversial—in its time, and has survived numerous charges of indecency over the centuries. For the modern reader, it should prove a surprisingly relatable work on intimacy from an author of the ancient world. Fielding’s translation, of the first book alone, remains true to Ovid’s Latin while updating its examples and historical context for the contemporary English reader.

At times serious, at others humorous, The Lover’s Assistant; or, New Art of Love uses a mix of down-to-earth examples and relatable references to mythology in order to offer salient advice for the reader longing for love. Maintaining much of Ovid’s content, Fielding replaces the context of the poem—ancient Rome—with that of his contemporary England. Topics include etiquette, remembering birthdays, avoiding unhealthy jealousy, being open to older and younger lovers, and nurturing honesty. With his wry wit and clear-eyed sense of English aristocratic life, Fielding—who is seen as a pioneer of English literature for his work, including the comic novel Tom Jones (1749)—provides a loyal reinterpretation of Ovid’s classic study of romance between men and women. The Lover’s Assistant; or, New Art of Love, although frequently tongue-in-cheek, is an earnest and effective attempt to enlighten and encourage its readers to partake—responsibly—in one of life’s greatest pleasures.

This edition of Ovid’s The Lover’s Assistant; or, New Art of Love is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The New Life (1294) is a work of verse and prose by Italian poet Dante Alighieri. Composed in the prosimetrum style, The New Life explores the popular medieval theme of courtly love. Made up of alternating commentaries, sonnets, and canzoni, the work is an essential expression of Dante’s poetic gift, and a foundational work for the dolce stil novo literary movement to which Dante was a central figure. Written in the Tuscan vernacular, the poem was influential in establishing a standardized Italian language.

Compiled and published following the death of Beatrice Portinari, whom Dante loved from the age of nine when he saw her on the streets of Florence, The New Life translates his personal grief into a moving and universally recognizable work on the nature of love. Dante, who believed that romantic love could lead to a development of the soul, subsequently bringing one to the love of God—a concept central to The Divine Comedy—divided his work into prose commentaries and poems in verse, a popular style known as prosimetrum. Despite this debt to tradition, however, Dante wrote The New Life in the Tuscan vernacular as opposed to Latin, making his work more accessible to readers. Autobiographical in nature, The New Life portrays Dante coming to terms with his grief, praising the deceased Beatrice, and turning friends and acquaintances into figures populating his poems. From sorrow to salvation, Dante finds the light of God through the darkness of death, testifying to the transformative power of love while proving beyond any doubt the power of a transformative poetry.

This edition of Dante Alighieri’s The New Life is a classic of Italian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values…” –T.S. Eliot

The Eclogues (38 BC), also known as the Bucolics, is a work by Roman poet Virgil. Although less prominent than The Aeneid, Virgil’s legendary epic of the Trojan hero Aeneas and his discovery of what would later become the city of Rome, The Eclogues have endured as a landmark in the history of pastoral poetry. The Eclogues were inspired by the bucolic idylls of Hellenistic poet Theocritus, poems set in the rural region of Arcadia in Ancient Greece. In contrast to Theocritus, whose poems idealized agricultural life for a cosmopolitan audience based in Alexandria, Virgil’s work is grounded in the complex sociopolitical realities of its day, a time of civil war following the assassination of Julius Caesar.

“Some brutal soldier will possess these fields / An alien master. Ah! To what a pass / Has civil discord brought our hapless folk!” Displaced from his land, Meliboeus laments his fate to the farmer Tityrus, who has been fortunate enough to retain his ancestral home. Set amidst civil war, poverty, and cultural upheaval, the Eclogues vary in tone and scope from the tragic dialogue just described to a lonely shepherd crying for lost love and a singing competition held between two gifted men. In emphasizing the connection between poetry, singing, and labor, Virgil recalls the roots of written language in an older, oral tradition, restoring what has been lost—peace, land, possessions, love—in what can never be taken away. “Love conquers all things; yield we too to love!” In a time of widespread uncertainty, Virgil found solace in surrendering to the unknown while remaining certain of one eternal truth: as long as love survives, there will be songs.

This edition of Virgil’s The Eclogues is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Evangeline: A Tale of Acadie (1847) is an epic poem by Henry Wadsworth Longfellow. A master of poetic tradition and form, Longfellow wrote Evangeline: A Tale of Acadie in dactylic hexameter, the meter of such classical epics as Homer’s Iliad and Odyssey as well as Virgil’s Aeneid. Inspired by the experience of the Acadians, a Francophone people living in northern Maine and the Canadian Maritime provinces who were forcefully expelled by British forces during the French and Indian War, Longfellow composed his American epic, a story of faith, romance, and perseverance steeped in tradition and beloved by generations to come.

In the French colony of Acadie, a young woman named Evangeline Bellefontaine marries Gabriel Lajeunesse. They begin their lives together in happiness, surrounded by the beauty of the forests and waters of the Maritimes. When war breaks out between the French and the British, the Acadians are forced out of their homes by the advancing British. Separated from Gabriel, Evangeline makes her way across America in search of safety and her missing husband. After several near misses and years of living on the road, Evangeline settles in Philadelphia, where she joins a convent and cares for the sick as a deadly epidemic sweeps across the land. Evangeline: A Tale of Acadie is an epic of a forgotten history, a tale of hardship and the love that would overcome it.

This edition of Henry Wadsworth Longfellow’s Evangeline: A Tale of Acadie is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Poems on Various Subjects, Religious and Moral (1773) is the first book of poetry published by an African American author. Written while Wheatley was a slave in Boston, the collection was published in England. Regarded for her mastery of classical poetic form, Phillis Wheatley earned praise from Voltaire and George Washington. Poems on Various Subjects, Religious and Moral has long been the subject of scholarly work on the history of African American literature, with some critics arguing that Wheatley’s poems proved detrimental to the struggle of enslaved African Americans. Whether Wheatley made excuses for slavery or, as some have argued, included subtle critiques of the institution in her writing, her talent and importance to the history of African American literature remain undisputed.

Despite her status as a slave, Phillis Wheatley seems to have viewed herself as a blessed individual, a woman for whom life itself was a sign of God’s grace, and in whom talent arose in the form of a foreign language. Many of her poems—elegies, odes, and monologues—are aimed at others. Whether in mourning, in praise, or in warning, Wheatley frequently offers her own voice to university students, royalty, God, the muses, and deceased infants. When she does offer glimpses of herself, for instance, in her poem “On Being Brought from Africa to America,” she provides a complex perspective on her status as a slave: “’Twas mercy brought me from my Pagan land, / Taught my benighted soul to understand / That there’s a God, that there’s a Saviour too.” While her words may seem strange to our modern view of the American institution of slavery, they provide an important historical lens onto the adoption of Christianity by African American slaves, who developed a faith grounded in resistance, hope, and redemption.

This edition of Phillis Wheatley’s Poems on Various Subjects, Religious and Moral is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

North of Boston (1914) is a collection of poems by American poet Robert Frost. Following the success of Frost’s debut, A Boy’s Will (1913), North of Boston was published in London to enthusiastic reviews from both Ezra Pound and W.B. Yeats. His success abroad quickly translated to critical acclaim in the United States, and Frost would eventually be recognized as a leading American poet.

“Mending Wall” takes place in spring, as the people emerge from their homes to assess the damage done by the long, dark winter. Observing that parts of the stone wall on the edge of his property have fallen, the poet joins his neighbor “to walk the line / And set the wall between us once again.” Although he feels they “do not need the wall,” his neighbor insists that “’Good fences make good neighbours,’” continuing down the line to reinforce the space between them. A meditation on humanity, civilization, and democracy, “Mending Wall” is an iconic and frequently anthologized poem. In “After Apple-Picking,” as fall gives over to winter, the poet remembers in dreams how the “Magnified apples appear and disappear, / Stem end and blossom end” as he climbs the ladder into the heart of the tree. Both a symbol for life and a metaphor for the poetic act, apple picking leaves the poet “overtired / Of the great harvest [he himself] desired”, awaiting sleep as he describes “its coming on,” wondering what, if anything, it will bring.

This edition of Robert Frost’s North of Boston is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Selected Poems (1923) is a collection of poems by American poet Robert Frost. Dedicated to Edward Thomas, a friend of Frost’s and an important English poet who died toward the end of the First World War, Selected Poems is a wonderful sampling of poems from Frost’s early collections, including A Boy’s Will and North of Boston. Known for his plainspoken language and dedication to the images and rhythms of rural New England, Robert Frost is one of America’s most iconic poets, a voice to whom generations of readers have turned in search of beauty, music, and life.

“Mowing” envisions the poet’s work through the prism of rural labor. “There was never a sound beside the wood but one / And that was my long scythe whispering to the ground. / What was it it whispered?” The speaker does not know, but continues his task, hypnotized by its rhythm and simple music. In “After Apple-Picking,” as fall gives over to winter, the poet remembers in dreams how the “Magnified apples appear and disappear, / Stem end and blossom end” as he climbs the ladder into the heart of the tree. Both a symbol for life and a metaphor for the poetic act, apple picking leaves the poet “overtired / Of the great harvest [he himself] desired”, awaiting sleep as he describes “its coming on,” wondering what, if anything, it will bring. “The Road Not Taken,” perhaps Frost’s most famous poem, is a meditation on fate and free will that follows a traveler in an autumn landscape, unsure of which path to take, but certain he cannot stand still.

This edition of Robert Frost’s Selected Poems is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Boy’s Will (1913) is a collection of poems by American poet Robert Frost. Published in London and dedicated to the poet’s wife, Elinor, A Boy’s Will, which received enthusiastic early reviews from both Ezra Pound and W.B. Yeats, launched Frost’s career as America’s leading poet of the early-twentieth century. Invoking such figures as Henry Wadsworth Longfellow, Emily Dickinson, and Thomas Hardy, Frost ties himself to tradition while establishing his own poetic legacy, grounded in an intuitive sense of rural New England life and the subtleties of the soul.

“Into My Own,” the collection’s opening poem, reveals the poet’s strange wish to “steal away” into “those dark trees, / So old and firm they scarcely show the breeze.” Without fear, he welcomes uncertainty, ventures into it willingly, knowing it is the only way to live. In “Ghost House,” the poet enters a realm of shades and spirits, an underworld of memory where “a lonely house” has left “no trace but the cellar walls.” As he moves through this twilight landscape, encountering the “mute folk…Who share the unlit place” with him, the poet meditates on life and death, their proximity and distance, and his own sense of self within both. “Mowing” envisions the poet’s work through the prism of rural labor. “There was never a sound beside the wood but one / And that was my long scythe whispering to the ground. / What was it it whispered?” The speaker does not know, but continues his task, hypnotized by its rhythm and music.

This edition of Robert Frost’s A Boy’s Will is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Maud, and Other Poems (1850) is a collection of poems by British poet Alfred, Lord Tennyson. The first work Tennyson published after becoming Poet Laureate in 1850, Maud, and Other Poems contains several of the poet’s most celebrated works. “Maud,” the title poem, is a narrative that explores themes of forbidden romance, marriage, death, and mourning. “The Charge of the Light Brigade,” originally published in The Examiner in 1854, was written as a tribute to the British Light Cavalry Brigade, which led an ill-fated charge at the Battle of Balaclava during the Crimean War.

“Maud” follows a young poet who, after the tragic loss of his father, falls in love with the beautiful Maud. Despite his honorable intentions, the narrator is thwarted by Maud’s brother, who wants his sister to marry a wealthy businessman. When the brother takes a brief trip to London, the young poet uses the opportunity to court Maud in earnest. But time is not on his side, and the brother returns to throw a ball in order to introduce the businessman to his sister. As his chance at love erodes, the poet makes a desperate choice and risks losing everything—love, home, and life itself. “The Charge of the Light Brigade” is a tribute to the British casualties at the Battle of Balaclava during the Crimean War. Tennyson’s patriotic narrative poem addresses the controversy surrounding the charge, which took place because of a mistaken order and sent hundreds of British cavalrymen in a doomed head-on assault on a well-fortified Russian line of defense.

This edition of Alfred, Lord Tennyson’s Maud, and Other Poems is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Mountain Interval (1916) is a collection of poems by American poet Robert Frost. Having gained success with his first two collections, both published in London, Frost returned home to New Hampshire and completed his third volume, Mountain Interval. The book opens with “The Road Not Taken,” and though this would become Frost’s most famous poem, the collection is not defined by it. Here we find the hallmarks of Frost’s work: rural landscapes, dramatic monologues, and subtle meditations on the meanings of life and art. This is Frost at the height of his power, a poetry that speaks as much and as often as it listens.

“The Road Not Taken” is a meditation on fate and free will that follows a traveler in an autumn landscape, unsure of which path to take, but certain he cannot stand still. Often summarized using only its final two lines—“I took the one less traveled by, / And that has made all the difference”—Frost’s poem refuses such neat categorization. Far from simple praise of independence, “The Road Not Taken” examines the anxiety of choice, the psychic response to the uncertainty that precedes even the simplest decision. In “Birches,” Frost recalls his childhood fondness for climbing trees, raising himself from the ground “To the top branches,” only to fling himself “outward, feet first” back to earth. Against the backdrop of adulthood, in which “life is too much like a pathless wood,” the poet recalls the simplicity and wonder of being a child in nature, no more and no less than “a swinger of birches.”.

This edition of Robert Frost’s Mountain Interval is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Suffrage Songs and Verses (1911) is a collection of political poems by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman turned to poetry as a means of supporting the cause of suffragists everywhere. Although she is widely recognized for her novels, short stories, and nonfiction, Gilman’s poetry showcases her command of language and fiery passion for the political and social advancement of women.

“She Walketh Veiled and Sleeping” opens the collection with an image of latent power, a woman “[s]low advancing, halting, creeping…to the hour” of her liberation. In “Locked Inside,” Gilman echoes the trope of poetry as a voice imprisoned—explored by such poets as Ovid, Coleridge, and Dickinson—to envision a woman who “beats upon her bolted door, / With faint weak hands,” barred from the life of the world she not only desires, but desperately needs. In “Boys Will Be Boys”—a poem with a message for our contemporary awakening to the violence perpetrated by men against women—Gilman argues that women must turn to “love and truth” rather than “warfare” in order to have their way. Other poems in Suffrage Songs and Verses explore the nature of motherhood, the institution of marriage, and the need to elevate individual identity beyond the confines of gender. Gilman’s work as a poet proves a substantial contribution to both the suffragist cause and the vibrant tradition of political poetry in twentieth century literature.

This edition of Charlotte Perkins Gilman’s Suffrage Songs and Verses is a classic of American literature and poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

While traveling to a wedding, a young man is pulled into the eventful narrative of the Ancient Mariner who is compelled to share his story. It’s a miraculous tale about guilt, humanity and one’s capacity to change.

The Ancient Mariner notices a young man traveling to a nearby wedding. He abruptly interrupts his journey and starts sharing a story about his time at sea. He details its humble beginnings and the tumultuous events that followed. As the young man listens, he’s taken aback by the story and the man’s fight for survival. The Ancient Mariner faced hunger, thirst and eventually death before making a realization that would change the course of his life forever.

Rime of the Ancient Mariner is one of Samuel Taylor Coleridge’s most famous works. Initially published in 1798, it’s had a lasting impact on literature and pop culture, including music and film. It’s a brilliant tale of morality that examines a character’s actions and the inevitable consequences.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Rime of the Ancient Mariner is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Written in the form of biblical prophecy, The Marriage of Heaven and Hell presents philosophical ideas about God, humanity and the complex nature of ethics. It’s a bold yet humorous examination of binary belief systems and their conflicting principles.

The Marriage of Heaven and Hell is a remarkable narrative that explores common religious themes such as good versus evil. The author uses vibrant storytelling to expand on the importance of these contradictory terms. He details how competing ideals are integral to the human experience. Without them, a person may remain stagnant and never reach their full potential. Progress cannot occur without the tension stemming from love and hate, reason and energy, or attraction and repulsion.

William Blake’s The Marriage of Heaven and Hell uses stunning visuals and metaphors to discuss the nuances of man. His unique perspective highlights fundamental differences that embody the human condition. Within the text, Blake investigates the greatness the is often found in struggle.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Marriage of Heaven and Hell is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Poems of Catullus describes the lifestyle of the Latin poet Catullus, his friends, and his lover, Lesbia. Catullus writes about each of his subjects in tones unique to them. With wild stories of the trouble and comradery shared by his friends, Catullus provides insight on more scandalous aspects of high society Roman culture. However, Catullus’ most shocking and compelling subject is his lover, Lesbia, the wife of an aristocrat. The two share a secret and sensual love, taboo not just because of the infidelity, but because Lesbia is many years older than Catullus. Throughout his poems, Catullus depicts their complicated relationship, first in a tender, lustful way, detailing their affairs, then gradually becomes more heated with angst and confusion. In his exploration of their relationship, Catullus embodies the possibility of simultaneously loving and hating someone. With vivid emotion and imagery, The Poems of Catullus provide a clear picture of the poet, his friends, and his lover and invoke a strong impression on its audience.

Because of the deep emotions infused with each word and the visceral depictions of ancient Roman life, this collection of poetry is relatable to a modern-day audience, and is an essential educational source. Catullus paved the way and inspired change in the art of poetry, influencing countless poets and poetry styles. The Poems of Catullus also helped create the idea of poetry as a profession. The Poems of Catullus serves a valuable and educational source, enlightening audiences on the culture of the upper-class of the late Roman Republic. However, because Catullus also explores the complex human emotions regarding friendship, sex, and love, The Poems of Catullus have proven to be a timeless testament to the duality of humankind, embracing emotions that lie between the extremes in the spectrum of feeling.

Catering to a contemporary audience, this edition of The Poems of Catullus features a new, eye-catching cover design and is reprinted in a modern font to accompany the timeless exploration of human emotion and the humorous, exciting life events of the influential poet Catullus.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Sonnets from the Portuguese (1850) is a collection of sonnets by English poet Elizabeth Barrett Browning. Written between 1845 and 1846, Sonnets from the Portuguese is a series of love poems written by Browning to her husband, the prominent Victorian poet Robert Browning. Although Elizabeth was initially unsure of the poems, Robert encouraged their publication, suggesting she title them to make readers believe they were translations and not personal declarations of love between the couple. Using the sonnet, Browning adopted a traditional form made famous by Shakespeare while staking a claim for herself as one of nineteenth century England’s premier poets.

Filled with references to the Greek pastoral poet Theocritus and the tragic figure Electra, as well as invocations to God, Sonnets from the Portuguese immerses itself in biblical and classical tradition while remaining deeply personal and authentically romantic. Sonnet “XV” addresses the inherent tragedy of love, the depth of sadness with which a lover beholds another with “Too calm and sad a face,” overwhelmed with the knowledge that with love comes “the end of love, / Hearing oblivion beyond memory.” In sonnet “XXVIII,” Browning reflects on the distance between lovers kept apart: all she has of him are her letters, “all dead paper, mute and white!” And yet, “they seem alive and quivering” in her “tremulous hands,” a living reminder of the man she longs to be with. “XLIII,” the most famous sonnet of the collection, begins “How do I love thee? Let me count the ways,” and records the poet’s confession of a love more powerful than “the passion put to use / In [her] old griefs…” Not only has her lover brought her such joy, he has also given her a love she “seemed to lose / With [her] lost saints,” a love strong enough to transcend religious faith entirely, a love that is destined to last, and to be even “better after death.”

This edition of Elizabeth Barrett Browning’s Sonnets from the Portuguese is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A worldwide best-seller since its date of original publication in 1923, The Prophet has become a token of free thought and intellectual betterment across many generations of readers. This unique and timeless classic is composed of 28 prose poetry fables, each examining a different facet of the human experience. A treasure worth holding close, The Prophet is an unforgettable book of poems worth savoring.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Canadian Born (1895) is a collection of poems by E. Pauline Johnson. Revered as one the foremost indigenous Canadian poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. Canadian Born captures Johnson’s range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Introducing her collection with a brief inscription, the poet lays out the political purpose of her work addressed to all “Canadian born” individuals, “whether he be [her] paleface compatriot who has given to [her] his right hand of good fellowship,” or “that dear Red brother of whatsoever tribe or Province.” No matter the identity of her reader, Johnson hopes to show them that “White Race and Red are one if they are but Canadian born.” Whether or not she succeeds in her mission is up to the reader to decide, and yet the beauty and power of her poetry cannot be denied. Personal and political, patriotic and critical of colonial misdeeds, Johnson captures as much as she can of the Canadian experience, paying equal regard to a mariner longing to return to “the sea, the hungry sea” and an Indian corn husker with “Age in her fingers, hunger in her face, / Her shoulders stooped with weight of work and years.” This edition of E. Pauline Johnson’s Canadian Born is a classic of Canadian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Gardener (1915) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore and dedicated to Irish poet W. B. Yeats, The Gardener is a collection of earlier poems republished following his ascension to international fame with the 1912 Nobel Prize in Literature. When Yeats discovered Tagore’s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. For the Irish poet, Tagore’s poems were at once deeply personal and essentially universal, like a secret kept by all and shared regardless. Whether or not we admit it, his words never fail to remind us: to be human is to be vulnerable. “In the morning I cast my net into the sea. I dragged up from the dark abyss things of strange aspect and strange beauty—some shone like a smile, some glistened like tears, and some were flushed like the cheeks of a bride. […] Then the whole night through I flung them one by one into the street. In the morning travellers came; they picked them up and carried them into far countries.” In his landmark collection Gitanjali, Tagore explored the realm of the spirit, paring down language to its clearest, purest form. In The Gardener, he gives expression to more worldly themes. Here, he is a fisherman, a restless wanderer, a servant and queen, an observer of life in all forms. This edition of Rabindranath Tagore’s The Gardener is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Gitanjali (1912) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore and published with a groundbreaking introduction by Irish poet W. B. Yeats, Gitanjali is the collection that earned Tagore the 1912 Nobel Prize in Literature. When Yeats discovered Tagore’s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. For the Irish poet, Tagore’s poems were at once deeply personal and essentially universal, like a secret kept by all and shared regardless: “I have carried the manuscript of these translations about with me for days, reading it in railway trains, or on the top of omnibuses and in restaurants, and I have often had to close it lest some stranger would see how much it moved me.” Whether or not we admit it, his words never fail to remind us: to be human is to be vulnerable. “Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life. This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.” The essence of Gitanjali is humility. Written following the deaths of his wife and two children, the collection unites poetry and prayer in search of peace. Grounded in Hindu tradition, his poems remain recognizable to readers of all faiths and nations. His subjects are love and loss, life and death, belief and despair. Through them, he approaches truth. This edition of Rabindranath Tagore’s Gitanjali is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Stray Birds (1916) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, Stray Birds is a powerful collection of short poems by a master of Indian literature. “Stray birds of summer come to my window to sing and fly away. And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.” The poems of Stray Birds are a masterclass in clarity and concision. Like birds themselves, they flutter across the sky of the page before passing beyond the limit of sight. In prayer, in celebration, and in evocations of the natural world, Tagore comes as close to the truth as possible, catching a glimpse before it can fly away forever: “Let me live truly, my Lord, so that death to me become true.” In plainspoken language, Tagore gives voice to the soul. This edition of Rabindranath Tagore’s Stray Birds is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A celebration of music from beginning to end, The Weary Blues is the debut poetry collection by the foremost Harlem Renaissance poet, Langston Hughes.

Droning a drowsy syncopated tune, / Rocking back and forth to a mellow croon, / I heard a Negro play. / Down on Lenox Avenue the other night / By the pale dull pallor of an old gas light / He did a lazy sway. . .

With these first lines, Hughes invites the reader into an experimental playground that tells the story of a Black man's life in America. Featuring poems such as, "Dream Variations," "The Negro Speaks of Rivers," and "Our Land," Hughes weaves in and out of verse, highlighting the lows of struggle in the face of segregation and racism, but also the highs of creation from the time when, "the Negroes were in vogue."

Now considered to be an American classic, The Weary Blues embodies the feel of the rhythm, improvisation, and soul of Black classical music, pioneered the genre of "jazz poetry," and left an irreplaceable mark in the African-American literary canon.

Professionally typeset with a beautifully designed cover, this edition of The Weary Blues is a sensational reimagining of a Harlem Renaissance staple for the modern reader.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

Hailed as one of the most influential poems in the English language, Edmund Spenser’s The Faerie Queene is an epic masterpiece of Arthurian romance. Broken into six books, the poem follows the story of seven knights: the Redcrosse Knight, Sir Guyon, Lady-Knight Britomart, Triamond, Cambell, Sir Artegall, and Sir Califore; all on quests in search of virtue.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“The general end, therefore, of all [The Faerie Queene], is to fashion a gentleman or noble person in virtuous and gentle discipline: which for that I conceived should be most plausible and pleasing, being coloured with an historical fiction, the which the most part of men delight to read.”

Hailed as one of the most influential poems in the English language, Edmund Spenser’s The Faerie Queene is an epic masterpiece of Arthurian romance. Broken into six books, the poem follows the story of seven knights: the Redcrosse Knight, Sir Guyon, Lady-Knight Britomart, Triamond, Cambell, Sir Artegall and Sir Califore; all on quests in search of virtue.

Professionally typeset with a beautifully designed cover, this edition of The Faerie Queene is an epic of literary achievement reimagined for the modern reader.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“He was a poet of the first order, a humorist, a philosopher, a man of affairs. He achieved fame as an English-Indian dialect writer and journalist. He was the leading man of the Creeks and the one great man produced by the Confederacy known as the Five Civilized Tribes.”

Published posthumously in 1910, The Poems of Lawrence Alexander Posey both a collection of poetry and short memoir by one of the late nineteenth century’s leading Native American voices, Alexander Posey. Born near Eufaula, Posey was the eldest of twelve children who were raised within the Creek Nation but incorporated into European culture. Being fluent in the Muscogee language, Posey would be encouraged by his father to learn English, ultimately leading to his love of the written word and his exposure to the Indian Journal where he would go on to submit his poetry.

Professionally typeset with a beautifully designed cover, this edition of The Poems of Alexander Lawrence Posey is a classic of Native American literature reimagined for the modern reader.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LARGE PRINT EDITION. On a Grey Thread is the groundbreaking poetry collection of Elsa Gidlow; the first in North American history to openly express lesbian desire.

Both personal and political, Gidlow’s poems express the poet’s complex feelings as a young woman whose political ideology and sexual identity ran counter to the traditional values of her time.

Opening her collection with “The Grey Thread”; Gidlow expresses herself with ornamental imagery, decorating her drab existence with the colorful beads of her personal identity. Employing the double meaning of “gay,” offering a brief erotic “moan”; on the precipice of enjambment, Gidlow stretches her stanza to its sinful conclusion, recalling Eve’s temptation in the Garden of Eden.

This edition of Elsa Gidlow’s On a Grey Thread is a classic work of lesbian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LARGE PRINT EDITION. “What is Africa to me?” In Color, his debut collection, Countee Cullen displays his mastery of traditional English poetry while examining his relationship with Africa, his life in America, and the realities faced by black people living in a hostile nation. His subjects include reflections on childhood, portraits of family, and statements of human and divine love.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LARGE PRINT EDITION. Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. “Quashie to Buccra,” the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: “You tas’e petater an’ you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / ‘Cause you no know how ‘tiff de bush fe cut.” Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica’s black community, McKay warns that “hardship always melt away / Wheneber it comes roun’ to reapin’ day.” This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem “Whe’ fe do?” Addressed to his own people, McKay offers hope for a brighter future to come: “We needn’ fold we han’ an’ cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin’ night: / Den we might conquer by an’ by— / Dat we might do.” This edition of Claude McKay’s Songs of Jamaica is a classic of Jamaican literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LARGE PRINT EDITION. Sonnets from the Portuguese (1850) is a collection of sonnets by English poet Elizabeth Barrett Browning. Written between 1845 and 1846, Sonnets from the Portuguese is a series of love poems written by Browning to her husband, the prominent Victorian poet Robert Browning. Although Elizabeth was initially unsure of the poems, Robert encouraged their publication, suggesting she title them to make readers believe they were translations and not personal declarations of love between the couple. Using the sonnet, Browning adopted a traditional form made famous by Shakespeare while staking a claim for herself as one of nineteenth century England’s premier poets.

Filled with references to the Greek pastoral poet Theocritus and the tragic figure Electra, as well as invocations to God, Sonnets from the Portuguese immerses itself in biblical and classical tradition while remaining deeply personal and authentically romantic. Sonnet “XV” addresses the inherent tragedy of love, the depth of sadness with which a lover beholds another with “Too calm and sad a face,” overwhelmed with the knowledge that with love comes “the end of love, / Hearing oblivion beyond memory.” In sonnet “XXVIII,” Browning reflects on the distance between lovers kept apart: all she has of him are her letters, “all dead paper, mute and white!” And yet, “they seem alive and quivering” in her “tremulous hands,” a living reminder of the man she longs to be with. “XLIII,” the most famous sonnet of the collection, begins “How do I love thee? Let me count the ways,” and records the poet’s confession of a love more powerful than “the passion put to use / In [her] old griefs…” Not only has her lover brought her such joy, he has also given her a love she “seemed to lose / With [her] lost saints,” a love strong enough to transcend religious faith entirely, a love that is destined to last, and to be even “better after death.”

This edition of Elizabeth Barrett Browning’s Sonnets from the Portuguese is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A celebration of music from beginning to end, The Weary Blues is the debut poetry collection by the foremost Harlem Renaissance poet, Langston Hughes.

Droning a drowsy syncopated tune, / Rocking back and forth to a mellow croon, / I heard a Negro play. / Down on Lenox Avenue the other night / By the pale dull pallor of an old gas light / He did a lazy sway. . .

With these first lines, Hughes invites the reader into an experimental playground that tells the story of a Black man's life in America. Featuring poems such as, "Dream Variations," "The Negro Speaks of Rivers," and "Our Land," Hughes weaves in and out of verse, highlighting the lows of struggle in the face of segregation and racism, but also the highs of creation from the time when, "the Negroes were in vogue."

Now considered to be an American classic, The Weary Blues embodies the feel of the rhythm, improvisation, and soul of Black classical music, pioneered the genre of "jazz poetry," and left an irreplaceable mark in the African-American literary canon.

Professionally typeset with a beautifully designed cover, this edition of The Weary Blues is a sensational reimagining of a Harlem Renaissance staple for the modern reader.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LARGE PRINT EDITION. A worldwide best-seller since its date of original publication in 1923, The Prophet has become a token of free thought and intellectual betterment across many generations of readers. This unique and timeless classic is composed of 28 prose poetry fables, each examining a different facet of the human experience. A treasure worth holding close, The Prophet is an unforgettable book of poems worth savoring.

The Prophet serves as an intricate examination of the world through the eyes of prophet Almustafa on his way back to his native country after having been in exile for the past twelve years. On the ship carrying him home, Almustafa becomes engulfed in conversation with various passengers on board. Each conversation differs from the last while all providing valuable experiences for Almustafa. Providing insight, clarity, and depth, Almustafa’s musings on each subject make way for the ways in which one can better learn to understand the levels of deep human emotion. From the intricacies of human thought, and circumstance, Gibran’s words have carried with them a certain meditative and instructive examination of what it feels like to be human. With honorable mentions from celebrity authors and poets, the importance of reading The Prophet cannot be overstated. An absolute must-read for anyone seeking emotional enlightenment, guidance, or human insight. With each poem and line varying in length and explanation, The Prophet is as topical today as it was when it was first published.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Emily Dickinson Collection (2021) compiles some of the best-known works of an icon of American poetry. Out of nearly two-thousand poems discovered after her death, less than a dozen appeared in print during Dickinson’s lifetime. Drawn from such influential posthumous volumes as Poems (1902) and The Single Hound (1914), The Emily Dickinson Collection captures the spiritual depths, celebratory heights, and impenetrable mystery of Dickinson’s poetic gift. “Fame is a fickle food / Upon a shifting plate, / Whose table once a Guest, but not / The second time, is set.” Deeply aware of the fleeting nature of fame, Dickinson—whose reputation in life was as a lonely eccentric who rarely, if ever, left home—seems to provide some clarity as to why publication so often eluded her. Having published just ten poems in her lifetime, Dickinson continued to write in solitude until her final years. Her final word on fame is a warning, perhaps, for poets whose fate would differ from her own: “Men eat of it and die.” Despite her admonishing tone, she found space elsewhere to muse on the nature of literary achievement, recognizing that obscurity could incidentally produce the conditions for a poet to produce their most vital work: “Success is counted sweetest / By those who ne’er succeed. / To comprehend a nectar / Requires sorest need.” Throughout her life, Emily Dickinson showed a profound respect for the mysteries of worldly existence. In her poems, this creates an atmosphere of prayer and contemplation, a search for something beyond the simple answers: “Some things that fly there be, — / Birds, hours, the bumble-bee: / Of these no elegy.” Amid such fleeting things, she catches a glimpse of eternity. This edition of The Emily Dickinson Collection is a classic of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Ancient Ballads and Legends of Hindustan (1882) is a collection of poems by Toru Dutt. Compiled after her death and published in London, Ancient Ballads and Legends of Hindustan is an invaluable work of art from a pioneering figure in Indian history and Bengali literature. Born in Calcutta to a family of Bengali Christians, Toru Dutt was raised at the crossroads of English and Indian cultures. In addition to her native Bengali, she became fluent in English, French, and Sanskrit as a young girl, eventually writing novels and poems in each language. Despite her limited body of work, Dutt’s legacy as a groundbreaking writer remains firm in India and around the world. “Savitri was the only child / Of Madra's wise and mighty king; / Stern warriors, when they saw her, smiled, / As mountains smile to see the spring.” In rhyming English verse, Bengali poet Toru Dutt presents some of the oldest and most sacred stories from ancient India. Translated from Sanskrit into the popular ballad form, Dutt introduces an English audience to the story of Savitri, originally from the epic Mahabharata, as well as the tale of Lakshman, which comes from the Hindu epic Ramayana. Alongside these poems appear Dutt’s versions of Bengali folklore—“Joghadhya Uma”—and poems written during her stay in Europe. “Near Hastings” is a particularly beautiful example of her original verse depicting an otherworldly encounter along the English seacoast: “Near Hastings, on the shingle-beach, / We loitered at the time / When ripens on the wall the peach, / The autumn's lovely prime.” This edition of Toru Dutt’s Ancient Ballads and Legends of Hindustan is a classic work of Bengali literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"He was a poet of the first order, a humorist, a philosopher, a man of affairs. He achieved fame as an English-Indian dialect writer and journalist. He was the leading man of the Creeks and the one great man produced by the Confederacy known as the Five Civilized Tribes."

Published posthumously in 1910, The Poems of Lawrence Alexander Posey is both a collection of poetry and a short memoir by one of the late nineteenth century’s leading Native American voices, Alexander Posey. Born near Eufaula, Posey was the eldest of twelve children who were raised within the Creek Nation but incorporated into European culture. Being fluent in the Muscogee language, Posey would be encouraged by his father to learn English, ultimately leading to his love of the written word and his exposure to the Indian Journal where he would go on to submit his poetry.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A celebration of music from beginning to end, The Weary Blues is the debut poetry collection by the foremost Harlem Renaissance poet, Langston Hughes.

Droning a drowsy syncopated tune, / Rocking back and forth to a mellow croon, / I heard a Negro play. / Down on Lenox Avenue the other night / By the pale dull pallor of an old gas light / He did a lazy sway. . .

With these first lines, Hughes invites the reader into an experimental playground that tells the story of a Black man's life in America. Featuring poems such as, "Dream Variations," "The Negro Speaks of Rivers," and "Our Land," Hughes weaves in and out of verse, highlighting the lows of struggle in the face of segregation and racism, but also the highs of creation from the time when, "the Negroes were in vogue."

Now considered to be an American classic, The Weary Blues embodies the feel of the rhythm, improvisation, and soul of Black classical music, pioneered the genre of "jazz poetry," and left an irreplaceable mark in the African-American literary canon.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Magnolia Leaves (1897) is a collection of poems by Mary Weston Fordham. Published toward the end of her life, Fordham’s only collection appeared in print with an introduction by Booker T. Washington, who saw in its author an undeniable gift which could prove “[t]he Negro’s right to be considered worthy of recognition in the field of poetic effort.” Meditating on such themes as morality, labor, maternity, liberty, and faith, Mary Weston Fordham displays not only a mastery of poetic form, but a hard-earned wisdom and talent for observing life in all its forms. “With hands all reddened and sore, / With back and shoulders low bent, / She stands all day, and part of the night / Till her strength is well-nigh spent.” In “The Washerwoman,” Fordham depicts a woman whose life on earth revolves around labor, for whom life after death means the promise of hard-earned rest, to “be found on the other shore.” While many, if not all, of Fordham’s poems revolve around Christian imagery and themes, some, including “Chicago Exposition Ode,” “Stars and Stripes,” and “Alaska,” reflect on the promise of freedom and liberty in the aftermath of the Civil War. Her poems strive to depict the diversity of nineteenth century America, such as in “Atlanta Exposition Ode,” which celebrates the end of war and the coming together of former slaves, Union soldiers, and Confederate forces alike. “Song to Erin” and “Highland Mary” depict the immigrant experience, while “The Cherokee” mourns the murder and displacement of America’s indigenous peoples. In sixty-six poems, Mary Weston Fordham distils the experience of a lifetime and the wisdom of one who has experienced loss and found the strength to move forward. This edition of Mary Weston Fordham’s Magnolia Leaves is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Fugitive (1921) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, The Fugitive is a powerful collection of poems, dialogues, and songs by a master of Indian literature. “Darkly you sweep on, Eternal Fugitive, round whose bodiless rush stagnant space frets into eddying bubbles of light. Is your heart lost to the Lover calling you across his immeasurable loneliness?” The Fugitive is an intoxicating blend of prose poetry, verse dialogue, and songs that investigates themes of faith, love, death, and friendship. Here, Tagore is at the height of his creative powers, providing brilliant original lyrics alongside adaptations from the Hindu epics and his own translations of traditional Bengali songs. Filled with visions of flight, words between lovers torn apart, and powerful evocations of the natural world, The Fugitive is one of his most original works. This edition of Rabindranath Tagore’s The Fugitive is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Fruit-Gathering (1916) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, Fruit-Gathering is a powerful collection of prose poems by a master of Indian literature. “Bid me and I shall gather my fruits to bring them in full baskets into your courtyard, though some are lost and some not ripe. For the season grows heavy with its fulness, and there is a plaintive shepherd’s pipe in the shade. Bid me and I shall set sail on the river.” In these poems of love, nature, faith, and dreams, Tagore is at the height of his creative powers. In one passage, he is a lovesick youth, in another, an illiterate man with a letter he cannot read. He longs to be a poet of the night, a singer of “fathomless silence.” Filled with visions of saints and kings, celebrations of beauty, and powerful evocations of the natural world, Fruit-Gathering is one of his most original works. This edition of Rabindranath Tagore’s Fruit-Gathering is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Masque of Poets (1878) is a poetry collection edited by George Parsons Lathrop. Part of Boston-based publisher Roberts Brothers’ “No Name” series, A Masque of Poets presents the works of little-known writers—including Emily Dickinson—alongside such recognized masters as Christina Rossetti and James Russell Lowell, leaving each poem anonymous to allow the reader to experience the work without thought of reputation. “Sing! Sing of what? The world is full of song; / And all the singing seems but echoed notes / Of the great masters…” Beginning with this playful introductory poem, A Masque of Poets attempts to demystify poetry by removing poets from the equation altogether. Understanding the pressures inherent to making art, especially the kind of art with such a long and storied history as poetry, this collection foregoes reputation and tradition by allowing the poems to speak for themselves, to appear anonymously so that the reader might make a clear judgment regarding each poem’s meaning and quality. Far from mere publishing gimmick, A Masque of Poets is a highly original, challenging, and rewarding collection of poems that happens to include works from some of the nineteenth century’s finest poets. By forcing the reader to trust their interpretive abilities, A Masque of Poets reinvigorates a craft whose worth was never the names of its practitioners, but the words they could produce. “Success,” the final poem before the concluding “novelette in verse” Guy Vernon, just so happens to be one of the only poems published by Emily Dickinson in her lifetime. For its importance to Dickinson scholars, as well as for its genuine originality, A Masque of Poets remains an essential contribution to the history of American literature. This edition of A Masque of Poets is a classic work of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Rivers to the Sea (1915) is a poetry collection by Sara Teasdale. The poet’s third collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Rivers to the Sea revels in the mystery of existence itself. “The park is filled with night and fog, / The veils are drawn about the world, / The drowsy lights along the paths / Are dim and pearled.” “Spring Night,” the collection’s opening poem, begins in quiet reverie, its speaker appreciating the beauty and mystery of a silent world while suffering from heartache and uncertainty: “Oh, is it not enough to be / Here with this beauty over me? / My throat should ache with praise, and I / Should kneel in joy beneath the sky. / Oh, beauty are you not enough?” A lyric poet to her core, Teasdale explores the highs and lows of love in her own life and in the lives of strangers. Personal and communal, public and private, her work is a testament to a life spent in observance. For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. This edition of Sara Teasdale’s Rivers to the Sea is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Helen of Troy and Other Poems (1911) is a poetry collection by Sara Teasdale. The poet’s second collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Helen of Troy and Other Poems revels in the mystery of existence itself. “Wild flight on flight against the fading dawn / The flames' red wings soar upward duskily. / This is the funeral pyre and Troy is dead / That sparkled so the day I saw it first, / And darkened slowly after. I am she / Who loves all beauty—yet I wither it.” As Troy burns, Teasdale imagines an impassioned monologue given from the ramparts by the infamous Helen, whose faithlessness in marriage was the catalyst for war in Homer’s Iliad. Although she is often seen as a minor character, more an object of male desire than an autonomous subject in her own right, Teasdale refuses to follow the template passed down by generations of poets—mostly men. Her Helen is meditative and intelligent, capable of immense sorrow and full-throated rage alike: “Men’s lives shall waste with longing after me, / For I shall be the sum of their desire, / The whole of beauty, never seen again.” While acknowledging her role in Troy’s destruction, Helen is a tragic figure in Teasdale’s poem, a woman who never asked for beauty, let alone for the troubles that beauty brought down on the world. Containing monologue poems from such figures as Sappho, Beatrice, and Guenevere, alongside a series of love poems and finely-crafted sonnets, Helen of Troy and Other Poems is a brilliant collection by a gifted American poet. This edition of Sara Teasdale’s Helen of Troy and Other Poems is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values…” –T.S. Eliot

The Aeneid (19 BC) is an epic poem by Roman poet Virgil. Translated by English poet laureate John Dryden in 1697, Virgil’s legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in faithful translation, though rearranged to accommodate Dryden’s rhyming couplets, The Aeneid is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer.

“Arms, and the man I sing, who, forc’d by fate, / And haughty Juno’s unrelenting hate, / Expell’d and exil’d, left the Trojan shore.” Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people.

This edition of Virgil’s The Aeneid is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age.” –Michel de Montaigne

The Metamorphoses of Ovid (8 AD) is an epic poem by Ovid. Published the same year the poet was sent into exile for the rest of his life, the Metamorphoses are the crowning achievement of the first major poet of the Roman empire. Written in dactylic hexameter, the meter of Homer’s Iliad and Odyssey and of Virgil’s Aeneid, Ovid’s work is an epic poem of transformations, of shape-shifting matter and beings bound to the power of love. Taking as its scope the whole history of the universe from the arrangement of order from chaos to the death of Julius Caesar, the Metamorphoses pays heed to desire’s ability to enact long-lasting and at times irreversible change.

The story begins at the very beginning, with the creation of the cosmos out of nothing, of order out of unimaginable chaos. Gods and goddesses have their moment in the sun, mankind is born only to be wiped out by an immense flood, then to rise again. Amidst countless little-known descriptions of war, romance, and change are the timeless tales of Perseus, Jason and Medea, Theseus and the Minotaur, and the labors of Hercules. Icarus soars too close to the sun. Orpheus tragically condemns Eurydice to the underworld. Troy is built and destroyed, the immortal Achilles is killed, and Aeneas sets sail to save his life and lay the foundations for Rome itself. Throughout these interwoven stories of individual and epochal change, Ovid explores the inescapability of love and death, essential themes both shared by all and constitutive of everything that was or ever will be. The Metamorphoses of Ovid is an intricate masterpiece of world literature that stands the test of time just as much as it defines it.

This edition of The Metamorphoses of Ovid is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Complete Poetical Works of Percy Bysshe Shelley Volume I (1914) compiles some of Percy Bysshe Shelley’s best-known works as a leading poet, playwright, and political thinker of the nineteenth century. As a leading figure among the English Romantics, Shelley was a master of poetic form and tradition who recognized the need for radical change in the social order. His work has influenced such writers and intellectuals as Karl Marx, Mahatma Gandhi, W. B. Yeats, and George Bernard Shaw. In Prometheus Unbound, a lyrical drama, Shelley explores the story of Prometheus, a figure from Greek mythology who stole the power of fire in defiance of the gods. Giving fire to the human race, he sacrifices himself to an eternity of torture. For Shelley, Prometheus represented the power of revolutionary action, important to the poet as a follower of radical anarchist William Godwin. The Masque of Anarchy is a political poem written in response to the Peterloo Massacre of 1819, when a British cavalry unit attacked a group of protestors in Manchester, injuring hundreds and killing eighteen. Adonais is an elegy commemorating the life of Romantic poet John Keats, whose death from tuberculosis at the age of 25 inspired Shelley to compose one of his finest literary works. A pastoral elegy in the tradition of John Milton’s Lycidas, the poem declares “‘With me / Died Adonais; till the Future dares / Forget the Past, his fate and fame shall be / An echo and a light unto eternity!’” Immortalizing Keats, Shelley chillingly foreshadows his own tragic death, which ended his promising career only a year later. This edition of Percy Bysshe Shelley’s The Complete Poetical Works of Percy Bysshe Shelley Volume I is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Aeneid of Virgil (19 BC) is an epic poem by Roman poet Virgil. Virgil’s legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in an accessible prose translation, The Aeneid of Virgil is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer. Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people. Faithfully but concisely translated into accessible English prose, The Aeneid of Virgil is best read aloud with friends and family, and iconic masterpiece of ancient Rome still relevant for our modern world. This edition of The Aeneid of Virgil is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Not a Man, and Yet a Man (1877) is a collection of poems by A.A. Whitman. A former slave, Whitman worked as a laborer before finding employment as a financial agent and fundraiser for Wilberforce University, the first historically black college owned and operated by African Americans. In these poems, Whitman depicts the story of the nation on an epic scale, weaving history and personal experience into a compelling narrative of hope, promise, and betrayal. Intended to promote the mission of Wilberforce, Not a Man, and Yet a Man has been praised for its scope and Romantic style since its publication. “My pen appeals to right and common sense. / The black man has a cause, deny who dares, / And him to vindicate my muse prepares.” Freed from slavery during the Civil War, A.A. Whitman worked and obtained an education in the early days of Reconstruction, a period of immense progress that nevertheless proved the dire need to change the hearts and minds of white Americans. Although they had been freed by law, many African Americans, whether born free or formerly enslaved, suffered violence and prejudice as they attempted to enter the workforce, build their families, and establish themselves as property owners around the country. For Whitman, it had to be made clear how their “sweat has poured to swell our ample stores, / [their] blood run freely to defend our shores; / And prayers ascended to the Lord of all, / To save the nation of a direful fall.” Not only had African Americans built the nation, they joined the Union Army by the thousands to protect it—in one way or another, the debt had to be repaid. Not a Man, and Yet a Man is a brilliant debut from a pioneering voice in nineteenth century American poetry. This edition of A.A. Whitman’s Not a Man, and Yet a Man is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Book of American Negro Poetry (1922) is an anthology by James Weldon Johnson. Alongside some of his own poems, Johnson includes the work of such legendary artists as Paul Laurence Dunbar, W. E. B. Du Bois, Jessie Fauset, and Georgia Douglas Johnson. Carefully selected and supported with a masterful preface by Johnson, the poems herein reflect a range of voices, styles, and subjects drawn from tradition and experience alike. In his preface, Johnson justifies his anthology by identifying its vital purpose: “The public, generally speaking, does not know that there are American Negro poets—to supply this lack of information is, alone, a work worthy of somebody's effort.” And the effort was his. In his poem “O Black and Unknown Bards,” he asks “O black and unknown bards of long ago, / How came your lips to touch the sacred fire?” Recognizing the need for a reconciliation between the long tradition of black culture and the overwhelming erasure of his own contemporary artists, Johnson highlights the efforts of those poets who “Within [their] dark-kept soul[s], burst into song.” Like Johnson himself, many of the poets included in The Book of American Negro Poetry work in a variety of voices, moving expertly from dialect to the traditional lyric in poems that harness the spirit of song and sermon alike. To borrow the words of Joseph S. Cotter Jr., a poet included in this anthology, these poems are elemental in their power to rejuvenate an exclusive national culture, and they “Rise and fall triumphant / Over every thing.” This edition of James Weldon Johnson’s The Book of American Negro Poetry is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Martín Fierro: An Epic of the Argentine (1923) is an epic poem and accompanying scholarship by José Hernández and Henry A. Holmes. Originally published in two parts, the poem has been praised as a defining work of Argentine literature for its depiction of national identity in relation to the gaucho culture, which was used to consolidate the historical and political image of the country against European influence. Unlike many of his contemporaries, Hernández was a writer who grew up in a ranching family, who knew firsthand the prowess of a people who helped Argentina free itself from Spanish control.ín Fierro is a gaucho living on the Argentine pampas, a fertile plain sprawling across thousands of miles of lowland country. Although he is poor, Fierro is proud of his life as a rancher, and hopes to pass down his land through his family for generations to come. Praised by Leopoldo Lugones, Jorge Luis Borges, and Roberto Bolaño, Martín Fierro is a masterpiece of Spanish-language literature that continues to define and inform Argentine culture today. In this text, scholar Henry A. Holmes translates parts of the poem while contextualizing it alongside works of Hernández’s predecessors. In addition, Holmes provides invaluable information on the poet’s life, discusses the significance of the gaucho in Argentine literature, and investigates the portrayal of the indigenous peoples of Argentina in the poem. This edition of José Hernández and Henry A. Holmes’ Martín Fierro: An Epic of the Argentine is a classic of Argentine literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Heart of a Woman and Other Poems (1918) is a collection of poetry by Georgia Douglas Johnson. Marking Johnson’s debut as one of the leading poets of the Harlem Renaissance, The Heart of a Woman and Other Poems is an invaluable work of African American literature for scholars and poetry enthusiasts alike. Comprised of Johnson’s earliest works as a poet, the collection showcases her sense of the musicality of language while illuminating the experiences of African American women of the early twentieth century. “The heart of a woman goes forth with the dawn, / As a lone bird, soft winging, so restlessly on.” Recalling Paul Laurence Dunbar’s classic poem “Sympathy,” which immortalizes the African American experience with the line “I know why the caged bird sings,” the title poem of Johnson’s collection compares the heart to a bird. Musical and dreamlike, Johnson’s poem envisions “the heart of a woman” as it “enters some alien cage in its plight, / And tries to forget it has dreamed of the stars / While it breaks, breaks, breaks on the sheltering bars.” With each repetition of “breaks,” the reader can feel the restlessness and fear of the bird as it beats its wings against its cage, the heart as it beats against the “sheltering bars” of the ribs. In this poem, and throughout the collection, Johnson shows an efficiency with language uncommon to many poets, let alone one making her debut.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Magnolia Leaves (1897) is a collection of poems by Mary Weston Fordham. Published toward the end of her life, Fordham’s only collection appeared in print with an introduction by Booker T. Washington, who saw in its author an undeniable gift which could prove “[t]he Negro’s right to be considered worthy of recognition in the field of poetic effort.” Meditating on such themes as morality, labor, maternity, liberty, and faith, Mary Weston Fordham displays not only a mastery of poetic form, but a hard-earned wisdom and talent for observing life in all its forms. “With hands all reddened and sore, / With back and shoulders low bent, / She stands all day, and part of the night / Till her strength is well-nigh spent.” In “The Washerwoman,” Fordham depicts a woman whose life on earth revolves around labor, for whom life after death means the promise of hard-earned rest, to “be found on the other shore.” While many, if not all, of Fordham’s poems revolve around Christian imagery and themes, some, including “Chicago Exposition Ode,” “Stars and Stripes,” and “Alaska,” reflect on the promise of freedom and liberty in the aftermath of the Civil War. Her poems strive to depict the diversity of nineteenth century America, such as in “Atlanta Exposition Ode,” which celebrates the end of war and the coming together of former slaves, Union soldiers, and Confederate forces alike. “Song to Erin” and “Highland Mary” depict the immigrant experience, while “The Cherokee” mourns the murder and displacement of America’s indigenous peoples. In sixty-six poems, Mary Weston Fordham distils the experience of a lifetime and the wisdom of one who has experienced loss and found the strength to move forward.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Fugitive (1921) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, The Fugitive is a powerful collection of poems, dialogues, and songs by a master of Indian literature. “Darkly you sweep on, Eternal Fugitive, round whose bodiless rush stagnant space frets into eddying bubbles of light. Is your heart lost to the Lover calling you across his immeasurable loneliness?” The Fugitive is an intoxicating blend of prose poetry, verse dialogue, and songs that investigates themes of faith, love, death, and friendship. Here, Tagore is at the height of his creative powers, providing brilliant original lyrics alongside adaptations from the Hindu epics and his own translations of traditional Bengali songs. Filled with visions of flight, words between lovers torn apart, and powerful evocations of the natural world, The Fugitive is one of his most original works. This edition of Rabindranath Tagore’s The Fugitive is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Fruit-Gathering (1916) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, Fruit-Gathering is a powerful collection of prose poems by a master of Indian literature. “Bid me and I shall gather my fruits to bring them in full baskets into your courtyard, though some are lost and some not ripe. For the season grows heavy with its fulness, and there is a plaintive shepherd’s pipe in the shade. Bid me and I shall set sail on the river.” In these poems of love, nature, faith, and dreams, Tagore is at the height of his creative powers. In one passage, he is a lovesick youth, in another, an illiterate man with a letter he cannot read. He longs to be a poet of the night, a singer of “fathomless silence.” Filled with visions of saints and kings, celebrations of beauty, and powerful evocations of the natural world, Fruit-Gathering is one of his most original works. This edition of Rabindranath Tagore’s Fruit-Gathering is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Gardener (1915) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore and dedicated to Irish poet W. B. Yeats, The Gardener is a collection of earlier poems republished following his ascension to international fame with the 1912 Nobel Prize in Literature. When Yeats discovered Tagore’s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. For the Irish poet, Tagore’s poems were at once deeply personal and essentially universal, like a secret kept by all and shared regardless. Whether or not we admit it, his words never fail to remind us: to be human is to be vulnerable. “In the morning I cast my net into the sea. I dragged up from the dark abyss things of strange aspect and strange beauty—some shone like a smile, some glistened like tears, and some were flushed like the cheeks of a bride. […] Then the whole night through I flung them one by one into the street. In the morning travellers came; they picked them up and carried them into far countries.” In his landmark collection Gitanjali, Tagore explored the realm of the spirit, paring down language to its clearest, purest form. In The Gardener, he gives expression to more worldly themes. Here, he is a fisherman, a restless wanderer, a servant and queen, an observer of life in all forms. This edition of Rabindranath Tagore’s The Gardener is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Ancient Ballads and Legends of Hindustan (1882) is a collection of poems by Toru Dutt. Compiled after her death and published in London, Ancient Ballads and Legends of Hindustan is an invaluable work of art from a pioneering figure in Indian history and Bengali literature. Born in Calcutta to a family of Bengali Christians, Toru Dutt was raised at the crossroads of English and Indian cultures. In addition to her native Bengali, she became fluent in English, French, and Sanskrit as a young girl, eventually writing novels and poems in each language. Despite her limited body of work, Dutt’s legacy as a groundbreaking writer remains firm in India and around the world. “Savitri was the only child / Of Madra's wise and mighty king; / Stern warriors, when they saw her, smiled, / As mountains smile to see the spring.” In rhyming English verse, Bengali poet Toru Dutt presents some of the oldest and most sacred stories from ancient India. Translated from Sanskrit into the popular ballad form, Dutt introduces an English audience to the story of Savitri, originally from the epic Mahabharata, as well as the tale of Lakshman, which comes from the Hindu epic Ramayana. Alongside these poems appear Dutt’s versions of Bengali folklore—“Joghadhya Uma”—and poems written during her stay in Europe. “Near Hastings” is a particularly beautiful example of her original verse depicting an otherworldly encounter along the English seacoast: “Near Hastings, on the shingle-beach, / We loitered at the time / When ripens on the wall the peach, / The autumn's lovely prime.” This edition of Toru Dutt’s Ancient Ballads and Legends of Hindustan is a classic work of Bengali literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Canadian Born (1895) is a collection of poems by E. Pauline Johnson. Revered as one the foremost indigenous Canadian poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. Canadian Born captures Johnson’s range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Introducing her collection with a brief inscription, the poet lays out the political purpose of her work addressed to all “Canadian born” individuals, “whether he be [her] paleface compatriot who has given to [her] his right hand of good fellowship,” or “that dear Red brother of whatsoever tribe or Province.” No matter the identity of her reader, Johnson hopes to show them that “White Race and Red are one if they are but Canadian born.” Whether or not she succeeds in her mission is up to the reader to decide, and yet the beauty and power of her poetry cannot be denied. Personal and political, patriotic and critical of colonial misdeeds, Johnson captures as much as she can of the Canadian experience, paying equal regard to a mariner longing to return to “the sea, the hungry sea” and an Indian corn husker with “Age in her fingers, hunger in her face, / Her shoulders stooped with weight of work and years.” This edition of E. Pauline Johnson’s Canadian Born is a classic of Canadian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Rivers to the Sea (1915) is a poetry collection by Sara Teasdale. The poet’s third collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Rivers to the Sea revels in the mystery of existence itself. “The park is filled with night and fog, / The veils are drawn about the world, / The drowsy lights along the paths / Are dim and pearled.” “Spring Night,” the collection’s opening poem, begins in quiet reverie, its speaker appreciating the beauty and mystery of a silent world while suffering from heartache and uncertainty: “Oh, is it not enough to be / Here with this beauty over me? / My throat should ache with praise, and I / Should kneel in joy beneath the sky. / Oh, beauty are you not enough?” A lyric poet to her core, Teasdale explores the highs and lows of love in her own life and in the lives of strangers. Personal and communal, public and private, her work is a testament to a life spent in observance. For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. This edition of Sara Teasdale’s Rivers to the Sea is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The White Wampum (1895) is the debut poetry collection of E. Pauline Johnson. Originally published in London, The White Wampum launched her career as one of Canada’s most distinguished artists. Revered as one the foremost indigenous poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. The White Wampum captures Johnson’s range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Choosing to emphasize the former, Johnson, who also went by Tekahionwake, her great-grandfather’s name, adopts the persona of a Mohawk wife devoted to her husband, a powerful warrior: “I am Ojistoh, I am she, the wife / Of him whose name breathes bravery and life / And courage to the tribe that calls him chief. / I am Ojistoh, his white star, and he / Is land, and lake, and sky—and soul to me.” When members of the rival Huron tribe capture Ojistoh, their plan for retribution fails to account for her own strength and willpower. Outnumbered and unarmed, she remains certain she will return to her husband alive. In “The Camper,” Johnson invokes the beauty and simplicity of life on the plains, erasing for a moment all distinction between man and god, heaven and earth: “Night neath the northern skies, lone, black, and grim: / Nought but the starlight lies twixt heaven, and him. / Of man no need has he, of God, no prayer; / He and his Deity are brothers there.” This edition of E. Pauline Johnson’s The White Wampum is a classic of Canadian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Gitanjali (1912) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore and published with a groundbreaking introduction by Irish poet W. B. Yeats, Gitanjali is the collection that earned Tagore the 1912 Nobel Prize in Literature. When Yeats discovered Tagore’s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. For the Irish poet, Tagore’s poems were at once deeply personal and essentially universal, like a secret kept by all and shared regardless: “I have carried the manuscript of these translations about with me for days, reading it in railway trains, or on the top of omnibuses and in restaurants, and I have often had to close it lest some stranger would see how much it moved me.” Whether or not we admit it, his words never fail to remind us: to be human is to be vulnerable. “Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life. This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.” The essence of Gitanjali is humility. Written following the deaths of his wife and two children, the collection unites poetry and prayer in search of peace. Grounded in Hindu tradition, his poems remain recognizable to readers of all faiths and nations. His subjects are love and loss, life and death, belief and despair. Through them, he approaches truth. This edition of Rabindranath Tagore’s Gitanjali is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay’s collections to appear in the United States. As a committed leftist, McKay—who grew up in Jamaica—captures the life of African Americans from a realist’s point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot’s The Waste Land (1922) and William Carlos Williams’ Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In “Spring in New Hampshire,” the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: “Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors.” A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In “The Lynching,” he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: “[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue…” As children dance around the victim’s body, “lynchers that were to be,” McKay raises a terrible, timeless question: how long will such violence endure?

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Stray Birds (1916) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, Stray Birds is a powerful collection of short poems by a master of Indian literature. “Stray birds of summer come to my window to sing and fly away. And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.” The poems of Stray Birds are a masterclass in clarity and concision. Like birds themselves, they flutter across the sky of the page before passing beyond the limit of sight. In prayer, in celebration, and in evocations of the natural world, Tagore comes as close to the truth as possible, catching a glimpse before it can fly away forever: “Let me live truly, my Lord, so that death to me become true.” In plainspoken language, Tagore gives voice to the soul. This edition of Rabindranath Tagore’s Stray Birds is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Masque of Poets (1878) is a poetry collection edited by George Parsons Lathrop. Part of Boston-based publisher Roberts Brothers’ “No Name” series, A Masque of Poets presents the works of little-known writers—including Emily Dickinson—alongside such recognized masters as Christina Rossetti and James Russell Lowell, leaving each poem anonymous to allow the reader to experience the work without thought of reputation. “Sing! Sing of what? The world is full of song; / And all the singing seems but echoed notes / Of the great masters…” Beginning with this playful introductory poem, A Masque of Poets attempts to demystify poetry by removing poets from the equation altogether. Understanding the pressures inherent to making art, especially the kind of art with such a long and storied history as poetry, this collection foregoes reputation and tradition by allowing the poems to speak for themselves, to appear anonymously so that the reader might make a clear judgment regarding each poem’s meaning and quality. Far from mere publishing gimmick, A Masque of Poets is a highly original, challenging, and rewarding collection of poems that happens to include works from some of the nineteenth century’s finest poets. By forcing the reader to trust their interpretive abilities, A Masque of Poets reinvigorates a craft whose worth was never the names of its practitioners, but the words they could produce. “Success,” the final poem before the concluding “novelette in verse” Guy Vernon, just so happens to be one of the only poems published by Emily Dickinson in her lifetime. For its importance to Dickinson scholars, as well as for its genuine originality, A Masque of Poets remains an essential contribution to the history of American literature.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Helen of Troy and Other Poems (1911) is a poetry collection by Sara Teasdale. The poet’s second collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Helen of Troy and Other Poems revels in the mystery of existence itself. “Wild flight on flight against the fading dawn / The flames' red wings soar upward duskily. / This is the funeral pyre and Troy is dead / That sparkled so the day I saw it first, / And darkened slowly after. I am she / Who loves all beauty—yet I wither it.” As Troy burns, Teasdale imagines an impassioned monologue given from the ramparts by the infamous Helen, whose faithlessness in marriage was the catalyst for war in Homer’s Iliad. Although she is often seen as a minor character, more an object of male desire than an autonomous subject in her own right, Teasdale refuses to follow the template passed down by generations of poets—mostly men. Her Helen is meditative and intelligent, capable of immense sorrow and full-throated rage alike: “Men’s lives shall waste with longing after me, / For I shall be the sum of their desire, / The whole of beauty, never seen again.” While acknowledging her role in Troy’s destruction, Helen is a tragic figure in Teasdale’s poem, a woman who never asked for beauty, let alone for the troubles that beauty brought down on the world. Containing monologue poems from such figures as Sappho, Beatrice, and Guenevere, alongside a series of love poems and finely-crafted sonnets, Helen of Troy and Other Poems is a brilliant collection by a gifted American poet. This edition of Sara Teasdale’s Helen of Troy and Other Poems is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Love Songs (1917) is a poetry collection by Sara Teasdale. The poet’s fourth collection, for which she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Love Songs revels in the mystery of existence itself. From despair to elation, confusion to security, Sara Teasdale captures the many emotions at work in the hearts of lovers. In “November,” she explores the strange feeling that accompany a relationship nearing a mutual ending: “The world is tired, the year is old, / The fading leaves are glad to die, / The wind goes shivering with cold / Where the brown reeds are dry.” Beginning her brief verse with an observation of autumn, Teasdale moves into a bittersweet stanza on love grown stagnant, mirroring the world approaching winter: “Our love is dying like the grass, / And we who kissed grow coldly kind, / Half glad to see our old love pass / Like leaves along the wind.” So far from spring, the only thing certain is that these lovers must part ways. Refusing to romanticize love, to portray it as wholly positive or negative, the poet crafts a timeless collection on a timeless theme. For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. This edition of Sara Teasdale’s Love Songs is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Sandhya, or Songs of Twilight (1917) is a poetry collection by Dhan Gopal Mukerji. Published while Mukerji was a young student in California, Sandhya, or Songs of Twilight is the second collection of poems from the first Indian writer to gain a popular audience in the United States. Lyrical and romantic, Mukerji’s poems capture his commitment to beauty while maintaining his sense of isolation and exile as a young man living far from home. In “Symbolism,” the collection’s opening poem, Mukerji is a poet in search of a song: “Tongueless the bell! / Lute without a song! / It is not night / It is God’s dawn, / Silence its unending song.” Desperate for the beauty and truth of the world outside “pain’s window,” he finds “Faith’s candle lit,” lighting “Eternity’s scroll” for the soul to read at last. Lyrically gifted and profoundly mysterious, Mukerji presents his creative process as a struggle with human emotions. Later, he grounds his feeling in the country he left behind: “O, frail, faint call which I seek to echo! / O, breath of love laden with the aroma of my soul! / Why seek I ever without, O guest at my door?” In “After a Bengali Song,” he provides a powerful image of isolation and longing from a heart that remains “without” for as long as his exile continues. Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Flame and Shadow (1920) is a poetry collection by Sara Teasdale. The poet’s fifth collection, published two years after she won the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, death, and the natural world. Somber and celebratory, symbolic and grounded in experience, Flame and Shadow revels in the mystery of existence itself. “What do I care, in the dreams and the languor of spring, / That my songs do not show me at all?” Content to depict the rhythms of nature, the songs of birds, and “the silver light after a storm,” Teasdale’s poetry dissolves the poet’s ego in order to access a deeper well of creative energy: “For my mind is proud and strong enough to be silent, / It is my heart that makes my songs, not I.” In “There Will Come Soft Rains,” a poem born from a decade of war and widespread disease, Teasdale imagines a posthuman world where beauty and harmony continue despite our disappearance: “Robins will wear their feathery fire / Whistling their whims on a low fence-wire; And not one will know of the war…” For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. This edition of Sara Teasdale’s Flame and Shadow is a classic work of American poetry reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Rajani: Songs of the Night (1916) is a poetry collection by Dhan Gopal Mukerji. Published while Mukerji was a young student in California, Rajani: Songs of the Night is the debut collection of poems from the first Indian writer to gain a popular audience in the United States. Lyrical and romantic, Mukerji’s poems capture his commitment to beauty while maintaining his sense of isolation and exile as a young man living far from home. In “Bhikshu’s Song,” the collection’s opening poem, the poet greets a Buddhist monk at the door, returning in memory to his native Bengal. Repeating the Bhikshu’s mantra throughout—“Om Moni Padme Om!”—Mukerji allows himself to “drift with the stream / To [his] destination of dream.” An exile, Mukerji can only reach his homeland through memory and song, by infusing English meter with the sights and sounds of Bengal. “A singer that sings of sorrow; / Whose night knows no tomorrow; / [His] song finds its source / In its moonless immensity.” Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Harlem Shadows (1922) is a poetry collection by Claude McKay. Published at the height of the Harlem Renaissance, Harlem Shadows earned praise from legendary poet and political activist Max Eastman for its depictions of urban life and the technical mastery of its author. As a committed leftist, McKay—who grew up in Jamaica—captures the life of Harlem from a realist’s point of view, lamenting the poverty of its African American community while celebrating their resilience and cultural achievement. In “The White City,” McKay observes New York, its “poles and spires and towers vapor-kissed” and “fortressed port through which the great ships pass.” Filled him with a hatred of the inhuman scene of industry and power, forced to “muse [his] life-long hate,” he observes the transformative quality of focused anger: “My being would be a skeleton, a shell, / If this dark Passion that fills my every mood, / And makes my heaven in the white world’s hell, / Did not forever feed me vital blood.” Rather than fall into despair, he channels his hatred into a revolutionary spirit, allowing him to stand tall within “the mighty city.” In “The Tropics in New York,” he walks past a window filled with “Bananas ripe and green, and ginger-root, / Cocoa in pods and alligator pears,” a feast of fresh tropical fruit that brings him back, however briefly, to his island home of Jamaica. Recording his nostalgic response, McKay captures his personal experience as an immigrant in America: “My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept.” This edition of Claude McKay’s Harlem Shadows is a classic of Jamaican literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Bird of Time (1912) is a poetry collection by Sarojini Naidu. Naidu’s second book of English verse is steeped in the Romantic tradition while entirely conscious of the present political strife of her native India. From songs of love to portraits of urban life, Naidu’s poems reflect her commitment to feeling, both for herself and for others. Traditional and modern, The Bird of Time is a powerful collection from a young poet on the brink of an impassioned life in politics. “O Bird of Time on your fruitful bough / What are the songs you sing? . . . / Songs of the glory and gladness of life, / Of poignant sorrow and passionate strife, / And the lilting joy of the spring…” In this mysterious ode, Naidu addresses the themes of her own multitudinous poems—life, love, grief, and nature, among countless others. Is the Bird of Time her muse, or a symbol for poetry itself? How can a poem express “the pride of a soul that has conquered fate?” As in much of Naidu’s poetry, the symbolic maintains its distance in order to reflect a deeper, perhaps even personal truth. To describe the poem, to assign it meaning, would ultimately negate the need for poetry itself, whose powers must remain at least partially veiled. Elsewhere in the collection, “In the Bazaars of Hyderabad” reflects her commitment to the struggle for Indian independence as it celebrates the homegrown produce and handmade wares of a proud and lively people. Moving along the street, she sings to vendors, goldsmiths, and musicians alike, concluding before a group of flower-girls, whose work serves weddings and funerals. Beneath this vibrant imagery is a call to action for the Swadeshi movement, a boycott of foreign goods designed to strike a blow against British commerce. This edition of Sarojini Naidu’s The Bird of Time is a classic work of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. “Quashie to Buccra,” the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: “You tas’e petater an’ you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / ‘Cause you no know how ‘tiff de bush fe cut.” Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica’s black community, McKay warns that “hardship always melt away / Wheneber it comes roun’ to reapin’ day.” This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem “Whe’ fe do?” Addressed to his own people, McKay offers hope for a brighter future to come: “We needn’ fold we han’ an’ cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin’ night: / Den we might conquer by an’ by— / Dat we might do.” This edition of Claude McKay’s Songs of Jamaica is a classic of Jamaican literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Not a Man, and Yet a Man (1877) is a collection of poems by A.A. Whitman. A former slave, Whitman worked as a laborer before finding employment as a financial agent and fundraiser for Wilberforce University, the first historically black college owned and operated by African Americans. In these poems, Whitman depicts the story of the nation on an epic scale, weaving history and personal experience into a compelling narrative of hope, promise, and betrayal. Intended to promote the mission of Wilberforce, Not a Man, and Yet a Man has been praised for its scope and Romantic style since its publication. “My pen appeals to right and common sense. / The black man has a cause, deny who dares, / And him to vindicate my muse prepares.” Freed from slavery during the Civil War, A.A. Whitman worked and obtained an education in the early days of Reconstruction, a period of immense progress that nevertheless proved the dire need to change the hearts and minds of white Americans. Although they had been freed by law, many African Americans, whether born free or formerly enslaved, suffered violence and prejudice as they attempted to enter the workforce, build their families, and establish themselves as property owners around the country. For Whitman, it had to be made clear how their “sweat has poured to swell our ample stores, / [their] blood run freely to defend our shores; / And prayers ascended to the Lord of all, / To save the nation of a direful fall.” Not only had African Americans built the nation, they joined the Union Army by the thousands to protect it—in one way or another, the debt had to be repaid. Not a Man, and Yet a Man is a brilliant debut from a pioneering voice in nineteenth century American poetry. This edition of A.A. Whitman’s Not a Man, and Yet a Man is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. “Quashie to Buccra,” the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: “You tas’e petater an’ you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / ‘Cause you no know how ‘tiff de bush fe cut.” Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica’s black community, McKay warns that “hardship always melt away / Wheneber it comes roun’ to reapin’ day.” This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem “Whe’ fe do?” Addressed to his own people, McKay offers hope for a brighter future to come: “We needn’ fold we han’ an’ cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin’ night: / Den we might conquer by an’ by— / Dat we might do.”

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Clouds and Sunshine (1920) is a collection of poems by Sarah Lee Brown Fleming. Published during the Harlem Renaissance, Clouds and Sunshine is a powerful work of poetry exploring themes of faith, racial identity, loss, and love in twentieth century America. Recognized as a leading advocate for the advancement of Black girls and women throughout her life, Fleming is a writer whose voice never falters from the task at hand: telling the story of her people. Separated into three sections, Clouds and Sunshine shows Flemings prowess as a lyric poet of the Romantic persuasion, a dialect poet in the tradition of Paul Laurence Dunbar, and a groundbreaking political writer who observed the experiences of Black Americans while recording and examining her own. In “Tuskegee,” she offers an ode to the iconic institution founded by Booker T. Washington in Alabama: “On thy consecrated ground / Is carved a wondrous story, / Out of chaos, Washington / Raised this place to glory.” In “The Black Man’s Hope,” located in the section titled “Race Poems,” Fleming condemns the politics of the United States, which promises so much to white Americans while betraying time and again a people it never meant to recognize as citizens: “I hear the talk of the white man’s hope / In the ring and at the poll, / But never a word of the black man’s hope / Do I hear as time doth roll. // Bowed with the weight which slavery left / Upon his chattled frame, / No star of hope comes into view / The weight is still the same.” In two brief stanzas, Fleming effectively condemns the emptiness offered with every election cycle. Far from despairing, she makes a powerful case for resistance while telling a terrible truth: prejudice is a manmade thing, and only targeted action can undo it. This edition of Sara Lee Brown Fleming’s Clouds and Sunshine is a classic work of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Collected Poems and Prose of Jupiter Hammon compiles the works of Jupiter Hammon, America’s first published black writer. When his poem “An Evening Thought: Salvation by Christ, with Penitential Cries” appeared in print as a broadside in 1761, Hammon unknowingly changed American literature for generations to come. Born into slavery, Hammon was a highly talented poet and preacher whose subtle criticism of slavery employed Christian symbolism and promoted a vision of salvation through determination and faith in God. In 1786, Hammon gave “An Address to the Negroes in the State of New York” at the inaugural assembly of the African Society of New York City. In it, he proclaimed that “If we should ever get to Heaven, we shall find nobody to reproach us for being black, or for being slaves.” His message of hope and spiritual uplift employed Christian theology while responding to the needs and desires of enslaved African Americans. In “An Address to Miss Phillis Wheatley,” Hammon harnesses the communicative power of poetry to acknowledge and praise a pioneering young poet: “While thousands muse with earthly toys; / And range about the street, / Dear Phillis, seek for heaven’s joys, / Where we do hope to meet.” Through this shared passion for poetry and belief in life after death, the two poets—who never did meet in life—join in mind and in spirit despite their earthly status as slaves. Through humility and hope, Hammon expresses his solidarity with a kindred soul while igniting and inspiring countless others. This edition of The Collected Poems and Prose of Jupiter Hammon is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

America and Other Poems (1853) is a book of poems by J.M. Whitfield. Published while the poet was working as a barber in Buffalo, New York, America and Other Poems captures his sense of poetic form while expressing his belief in the abolition of slavery. In these odes, hymns, and prayers, Whitfield established his reputation as a pioneering African American poet, an impassioned voice for his people who tirelessly sought to change the course of history with his words. “The North Star,” which concludes the collection, was written for Frederick Douglass’ abolitionist newspaper The North Star, that “guard of truth and liberty” for all. “The writer of the following pages is a poor colored man of this city, engaged in the humble, yet honorable and useful occupation of a barber.” In the introduction to his debut book of poems, J.M. Whitfield proudly and directly asserts his identity. Although he does not fit in with the traditional figure of the poet, Whitfield proves his mastery of form while condemning slavery in the strongest terms. “America” opens the collection with a direct address to the nation “from whence has issued many a band / To tear the black man from his soil, / And force him here to delve and toil”: “America, it is to thee, / Thou boasted land of liberty,— / It is to thee I raise my song, / Thou land of blood, and crime, and wrong.” Without fear, Whitfield questions the moral and political promise of a nation built by slaves. He demands through song and prayer the advent of a day when to “north and south, and east and west, / The wrongs we bear shall be redressed.”

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Martín Fierro: An Epic of the Argentine (1923) is an epic poem and accompanying scholarship by José Hernández and Henry A. Holmes. Originally published in two parts, the poem has been praised as a defining work of Argentine literature for its depiction of national identity in relation to the gaucho culture, which was used to consolidate the historical and political image of the country against European influence. Unlike many of his contemporaries, Hernández was a writer who grew up in a ranching family, who knew firsthand the prowess of a people who helped Argentina free itself from Spanish control. Martín Fierro is a masterpiece of Spanish-language literature that continues to define and inform Argentine culture today. In this text, scholar Henry A. Holmes translates parts of the poem while contextualizing it alongside works of Hernández’s predecessors. In addition, Holmes provides invaluable information on the poet’s life, discusses the significance of the gaucho in Argentine literature, and investigates the portrayal of the indigenous peoples of Argentina in the poem. 

This edition of José Hernández and Henry A. Holmes’ Martín Fierro: An Epic of the Argentine is a classic of Argentine literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Book of American Negro Poetry (1922) is an anthology by James Weldon Johnson. Alongside some of his own poems, Johnson includes the work of such legendary artists as Paul Laurence Dunbar, W. E. B. Du Bois, Jessie Fauset, and Georgia Douglas Johnson. Carefully selected and supported with a masterful preface by Johnson, the poems herein reflect a range of voices, styles, and subjects drawn from tradition and experience alike. In his preface, Johnson justifies his anthology by identifying its vital purpose: “The public, generally speaking, does not know that there are American Negro poets—to supply this lack of information is, alone, a work worthy of somebody's effort.” And the effort was his. In his poem “O Black and Unknown Bards,” he asks “O black and unknown bards of long ago, / How came your lips to touch the sacred fire?” Recognizing the need for a reconciliation between the long tradition of black culture and the overwhelming erasure of his own contemporary artists, Johnson highlights the efforts of those poets who “Within [their] dark-kept soul[s], burst into song.” Like Johnson himself, many of the poets included in The Book of American Negro Poetry work in a variety of voices, moving expertly from dialect to the traditional lyric in poems that harness the spirit of song and sermon alike. To borrow the words of Joseph S. Cotter Jr., a poet included in this anthology, these poems are elemental in their power to rejuvenate an exclusive national culture, and they “Rise and fall triumphant / Over every thing.”

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Aeneid of Virgil (19 BC) is an epic poem by Roman poet Virgil. Virgil’s legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in an accessible prose translation, The Aeneid of Virgil is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer. Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people. Faithfully but concisely translated into accessible English prose, The Aeneid of Virgil is best read aloud with friends and family, and iconic masterpiece of ancient Rome still relevant for our modern world. This edition of The Aeneid of Virgil is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When Lord Marmion, a favorite of the king, becomes enamored by Clara, a rich noble woman, he is willing to stop at nothing to get her attention. Though Clara is engaged to the heroic Sir Ralph De Wilton, and he already has a mistress, Lord Marmion views these issues as minor, and has a plan to overcome them. With the help of his mistress, a nun named Constance, Lord Marmion forges a letter than implicates Sir Wilton in the heinous crime of treason. When the letter is assumed to be legitimate, Sir Wilton is exiled from the kingdom, subsequently breaking off his engagement to Clara. Heartbroken and disgusted by Lord Marmion’s advances, Clara decides to join the convent, where Constance is also committed. Also heartbroken by Lord Marmion’s actions, Constance faces serious consequences at the convent, for she had broken her vows of celibacy. As she is severely punished, Constance decides to get revenge on behalf of Clara and Sir Wilton, as she had only helped her ex-lover to win back his affection. When the secret of the forgery is revealed, Lord Marmion must face Sir Wilton, who is determined to restore his reputation and win back Clara’s love. Consisting of six cantos, Sir Walter Scott’s Marmion: A Tale of Flodden Field is elegant and features extraordinary detail. Set in the 16th century, this historical romance depicts themes of romance, chivalry, and honor. With surprise twists, epic battles, and passionate romances, Marmion: A Tale of Flodden Field continues to amaze its readers, and allows a fascinating perspective on the 16th century culture of England and Scotland. This edition of Marmion: A Tale of Flodden Field by Sir Walter Scott now features a stunning new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of Marmion: A Tale of Flodden Field crafts an accessible and pleasant reading experience for modern audiences while restoring the original mastery of Sir Walter Scott’s literature.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Complete Poetical Works of Percy Bysshe Shelley Volume III (1914) compiles some of Percy Bysshe Shelley’s best-known works as a leading poet, playwright, and political thinker of the nineteenth century. As a leading figure among the English Romantics, Shelley was a master of poetic form and tradition who recognized the need for radical change in the social order. His work has influenced such writers and intellectuals as Karl Marx, Mahatma Gandhi, W. B. Yeats, and George Bernard Shaw. In this final volume of Shelley’s collected works, the poet’s skill as a translator is on full display. Included within are translations from the Greek of Homer and Plato, from the Latin of Vergil, from the Spanish of Calderon, from the German of Goethe, and from the Italian of Dante, to name only a few. In addition, The Complete Poetical Works of Percy Bysshe Shelley Volume III contains some of Shelley’s earliest works as a poet, such as Original Poetry by Victor and Cazire—written with his sister and originally published in 1810—and other examples of juvenilia. Many of these poems remained unpublished upon Shelley’s death, including “Eyes: A Fragment,” which made its first appearance in an 1870 edition of Shelley’s works published by William Michael Rossetti. In this poem, a deceptively simple lyric, Shelley conflates language and vision to capture the communication made possible only through silence, which allows one “look [to] light a waste of years, / Darting the beam that conquers cares / Through the cold shower of tears.” In these fragments, songs, translations, and youthful verses, Shelley demonstrates his workmanlike ability with language, a tirelessness fueled with a passion as thrilling as it must be rare. This edition of Percy Bysshe Shelley’s The Complete Poetical Works of Percy Bysshe Shelley Volume III is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Complete Poetical Works of Percy Bysshe Shelley Volume II (1914) compiles some of Percy Bysshe Shelley’s best-known works as a leading poet, playwright, and political thinker of the nineteenth century. As a leading figure among the English Romantics, Shelley was a master of poetic form and tradition who recognized the need for radical change in the social order. His work has influenced such writers and intellectuals as Karl Marx, Mahatma Gandhi, W. B. Yeats, and George Bernard Shaw. In “Ozymandias,” Shelley employs the language of archaeology to mask one of the greatest political poems of all time. The sonnet depicts a statue of an ancient king discovered in the Egyptian desert. Barely visible above the shifting sand, its pedestal reads “‘My name is Ozymandias, king of kings: / Look on my works, ye Mighty, and despair!’” Juxtaposed with this language of bluster, the three remaining lines dispel the myth of power with expert precision: “Nothing beside remains. Round the decay / Of that colossal wreck, boundless and bare / The lone and level sands stretch far away.” For Shelley, who identifies with the knowing, mischievous sculptor, the dominion of kings is nothing but hubris, a grain of sand in the vast expanse of time. In “To a Skylark,” Shelley immortalizes the song of a bird heard once and remembered forever: “The blue deep thou wingest, / And singing still dost soar, and soaring ever singest.” As he longs to know the bird in order to mimic the celebratory nature of its song, Shelley reaches an understanding of the human condition, the tragic temperament of those who “look before and after, / And pine for what is not.” Unlike the poet, who must struggle to achieve his song, the skylark soars and sings and remains above the world of men, whose “sweetest songs are those that tell of saddest thought."

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Lyrics of Lowly Life (1896) is a collection of poems by African American author Paul Laurence Dunbar. Published while Dunbar was at a turning point in his career as one of the nation’s leading black poets, Lyrics of Lowly Life combined his hugely successful volumes Oak and Ivy (1892) and Majors and Minors (1896), establishing his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. In “The Poet and His Song,” Dunbar compares the art of poetry to tilling the soil, a slow and painstaking process requiring full commitment, body and soul, to the task at hand: “My days are never days of ease; / I till my ground and prune my trees. / When ripened gold is all the plain, / I put my sickle to the grain. / I labor hard, and toil and sweat, / While others dream within the dell; / But even while my brow is wet, / I sing my song, and all is well.” For Dunbar, the reward is the song itself, both an act of labor and a celebration of life, emphasizing the role of the poet as not just a dreamer, but a doer. Throughout this collection, Dunbar explores the role of the poet in society, grounding each poem within his identity as a black man in America. In “Frederick Douglass,” an elegy written for the occasion of the great man’s passing, Dunbar makes clear the consequences of pride and defiance in a nation built by slaves: “He dared the lightning in the lightning’s track, / And answered thunder with his thunder back.” This edition of Paul Laurence Dunbar’s Lyrics of Lowly Life is a classic of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.