Poetry

"Poetry at its most satirical and courageous. A tremendous book."—Seamus Heaney

"Few voices in American literature are so honest and daring."—Mark Strand

"One of our most brilliant poets."—Roxanne Dunbar-Ortiz

"I feel the primal grain and temper of the genuine here."—William Heyen

"A lament, a protest, an inextinguishable song."—Sherod Santos

"Among the best and most original poets in America."—Stanley Kunitz

"Nothing short of splendid."—Robert Nazarene

"The kind of energy found in the poems of William Carlos Williams and Gary Snyder."—Joseph Bruchac

These poems tell harsh truths of hopelessness and genocide. The confusion of children whose religion is forbidden; the ironic poverty of a lottery winner; an alternate American history in which Columbus turns and sails away—in deceptively simple language, we hear the protest of survivors. "'Indian' is not a derogatory word. It's what we call ourselves."

AFTER A SERMON AT THE CHURCH OF INFINITE CONFUSION

At ten, Mary Caught-in-Between
came home from sunday school,
told every animal and bird and fish
they couldn't talk anymore,
told her drum it couldn't sing anymore,
told her feet they couldn't dance anymore,
told her words they weren't words anymore,
told Raven and Coyote they weren't gods anymore,
said god was a starving white man
with long hair and blue eyes and a beard
who no one loved enough to save
when they nailed him to a totem pole.

John Smelcer has written over forty books of poetry and prose. He is a member of the Alaskan Ahtna tribe.

"Coe writes about his parents with warmth, insight, and grace . . . with celebration as well as regret. A collection that captures the tenderness and intimacy within the black family. His words construct a path from the innocence of childhood into the winter of aging. His book will outlive much of the poetry being written today."—E. Ethelbert Miller

No relationship is more personal, yet universal, than that of parent and child. These richly detailed poems connect readers with their own experiences in that most fundamental of relationships, and are poignant reminders that the lives of those closest to us sometimes offer the deepest mysteries.

"domesticity"

pampered little girl
no crystal ball to warn you
of dirty laundry mountains.

From "How My Father Learned to Cook":

Because of the tomatoes in a neighbor's garden,
my father learned to cook. Because of late summer
home-grown Indiana tomatoes, drooping on the vine
my father learned to cook. Imagine him at twelve leaning
over the fence of the neighbor's garden curious but shy,
and the neighbor pointing to the open gate.
Imagine father digging in the soil, caught in the rhythm
of the gardener's dance
and later handing his surprised mother
the overstuffed paper bag.

A pretty story, but it never happened; here's what did:

Charles Coe's poetry and prose have appeared in numerous newspapers and magazines, and his poems have been set to music by composers Julia Carey, Beth Denisch, and Robert Moran. Coe also writes feature articles, book reviews, and interviews for Harvard Magazine, Northeastern University Law Review, and the Boston Phoenix. He is also a jazz vocalist, performing and recording throughout New England.

"Beautiful and ambitious….Rooted in the rich haiku tradition and giving us an international sense of place."—Marjory Wentworth, South Carolina Poet Laureate

Six global partners in distant regions create poetry that is immediate, intimate, and modern, in an ancient poetic form. While exploring the richness of seasons, the book metaphorically visits incidents such as the Arab Spring, climate change, and urban violence. With Catherine Aubelle (France), Flor Aguilera Garcia (Mexico), Gabriele Glang (Germany), and Kae Morii (Japan).

What have we humans
done? Tremors shake, roil coastlands.
Irene roars ashore.

Joyce Brinkman, Indiana Poet Laureate 2002–08, is a proponent of poetry as public art.

Carolyn Kreiter-Foronda, Virginia Poet Laureate 2006–08, is the author of six books of poetry.

Well known by readers of gay and lesbian fiction for her award-winning short story collections and novels; notorious in the legal profession as the nation's "foremost authority on lesbians and law" (Village Voice), a professor at the City University of New York, a young mother raising a son, Ruthann Robson's breadth of experience is unique among American poets. With seamless use of poetic craft and ironic wit, Robson tackles subjects as political as they are bizarre: the young woman chained to a radiator by her mother to keep her safe from harm; the teenager who gets herself knocked up because it's less dangerous to be an unwed mother than a lesbian. Affecting, terrifying, but always bathed in a clear hard light, these poems introduce a stunning intelligence and a bold new voice in American poetry.

"Ardent, passionate, and exquisitely queer…Robson's sense of playfulness is wonderful …The poems in Masks are startling not only for their quirky, often whimsical, humanity, but also for their imaginative use of form… There is history in this book. Witch burnings. Concentration camps. Poverty. Robson covers terrifying, white hot terrain with unflinching honesty and a poet's heart… She takes the magnifying glass of poetic language and investigates detail by detail every aspect of the female condition."-Lambda Book Report

"Another excellent book of poetry from 1999, Masks reveals how time and the moment of vision drive the poet to turn upon experience and make language out of it. These impressive poems swallow any distance between maker and reader as they pass from the glories of relationships to the price of loss. Some of Robson's best work is poems about famous women such as Frida Kahlo, Alice B. Toklas, Diane Arbus and Isadora Duncan. This is a truly marvelous collection that haunts the reader and never diminishes the art of the poem."-Bloomsbury Review

"Robson gives you more than you bargained for...Her first collection of poetry is terse yet throbbing, filled with the raw, aggressive energy of someone who can't be bothered with niceties...there is definite craft here: these lines aren't just thrown out but clearly thought and ret