Restless Books

I don't want to leave my home behind; if only I could shrink him with a magic spell and carry him with me! Or what if he was big and strong enough to protect us on our long journey? 

When wars, climate disasters, or dictatorships force people around the world to leave their houses behind, this picture book reminds children that we might still carry within us the wisdom and strength to help us build new homes and new lives.

What begins as a scary almost-accident turns into a road-trip adventure, and then a lasting friendship between a truck driver and the moose who joins him for a ride.

Moose has never left his home in the Maine woods, but when he meets Rus, a long-haul trucker on his way to Florida, the two team up and hit the road together. Moose helps Rus navigate, eats his first slice of pizza, and settles into a bunk bed in the truck’s cab after each day's work. What new discoveries await these unlikely friends?

"Kashiwaba's novel is indeed transporting. . . . Pick up this book and be spirited away." — Gregory Maguire, The New York Times

From the bestselling, Batchelder Award-winning author and translator of Temple Alley Summer and The House of the Lost on the Cape comes the fantastic adventure that first inspired Hayao Miyazaki’s beloved film, Spirited Away.

Lina’s father had suggested she go "someplace different" for the summer, and she's beginning to wish she hadn’t listened. She could be at her grandma’s house in Nagano now, instead of trudging through a forest in search of a town that might not even exist. But when a gust of wind carries off her umbrella, it leads Lina down a secret path between the trees to a strange and incredible world. In the hidden village of Misty Valley, centaurs roam the cobblestone streets and gnomes visit shops stuffed with spellbooks and enchanted desserts. All magic has a dark side, though, and sometimes even sorcerers need a human’s helping hand.

Now, fifty years after its debut and decades of blockbuster success in Japan, Sachiko Kashiwaba’s acclaimed novel is available in English and certain to delight readers of all ages.

A USBBY 2025 Outstanding International Book

Melia is spellbound by the stuffed wildcat in her family’s living room—her cousin swears that it comes to life and roams the streets at night. When she finds a signed note from the animal with secret instructions, a thrilling and dangerous adventure begins.

For Melia and her sister Myrto, summer means a break from Grandfather’s history lessons and weeks of running free at the seaside with their ragtag group of friends. Best of all, cousin Nikos will visit and tell his fabulous stories about the taxidermied wildcat, which opens its blue glass eye when it wants to do good deeds and its black one when it makes trouble. The black eye must be open lately because all the adults have been acting strangely, arguing about politics and fearful of the police. Soon even the children are divided—who can Melia trust? And can the wildcat help keep her family safe?

Set in Greece during the 1930s, when the nation was torn apart by fascism, The Wildcat Behind Glass is an unforgettable tale of family, humanity, and what it means to be free. From its 1963 release to the dozens of international editions and honors that followed including a Mildred L. Batchelder Award, the novel has enchanted generations of young readers. Now, a fresh English translation—the first in over 50 years—breathes new life into the timeless story.

Wake up, Mommy and Daddy! The sun is rising, the stars are shining, and friends all over the universe are jumping out of bed to greet the day.

Snoring aliens, parties on rocket ships, and interstellar bath time—it's a brand-new day in outer space! When Sweetie peeks through a toilet paper tube at the early morning sky, a spectacular world appears through the makeshift telescope—many worlds, in fact. With abundant humor, interactive cutouts, and plenty of Easter eggs for those with a curious eye, Good Morning, Space is a delightful new story from Linda Bondestam, creator of My Life at the Bottom: The Story of a Lonesome Axolotl.

2025 Mildred L. Batchelder Award Winner

2025 Kirkus Prize Finalist

2025 USBBY Outstanding International Book

2022 Bologna Children's Book Fair Illustrators Exhibition winner

2021 The White Ravens catalog

2021 Tartu Prize for Children’s Literature

Everyone deserves a quiet, restful retirement. But for John, a newly retired classroom skeleton, life is just beginning. When John is adopted by Grams and Gramps and leaves the classroom to live on their farm, every day is an exciting new adventure: John rides in the car for the first time, makes a snow angel, scares away crooks, and becomes a source of comfort for Grams, Gramps, and their grandkids. With delightful illustrations and a charming cast of characters, John the Skeleton is a quirky, touching, and unforgettable book. Triinu Laan thoughtfully weaves aging and death into the fabric of life, crafting a tender portrait of what it means to care for one another, grow old together, and appreciate the little things.

From award-winning Nordic author and illustrator Linda Bondestam comes a new kind of climate change story, narrated by an adorable axolotl who is—possibly—the last of its kind.

In a forest of seaweed there was ME, a rare and beautiful little axolotl, going for my first-ever swim.

So graceful, and yet so lonesome—out of 987 eggs, mine was the only one that hatched.

Who knows, maybe I was the last axolotl in these waters?

At the bottom of a lake in Mexico City, our axolotl narrator goes to underwater school, collects treasures tossed away by the big lugs on land, and has dance parties with tiger salamander friends. Life is good!

But as the world gets hotter and hotter, the water gets murkier. Friends become harder to find, and the lonesome axolotl grows even lonelier. Until one day when, out of the blue, a colossal wave carries the axolotl into a surprising new future….

Bittersweet, droll, existential, and hopeful, My Life at the Bottom is a tale from the climate crisis unlike any other. Combining her irresistible visual wit with exquisite aquatic art and rare empathy, Linda Bondestam brings us a story of catastrophe that bursts with life.

A 2024 USBBY Outstanding International Book

From beloved Finland-based children’s author Anna Anisimova comes a heartwarming, beautifully illustrated chapter book about a blind girl who joyfully explores her environment using her senses and vivid imagination, inviting young readers to understand their surroundings in entirely new ways.

For the young, blind heroine of The Invisible Elephant, the world is a thrilling place full of sounds, smells, and sensations. Although she doesn’t see the world outside with her eyes, nothing stops her from encountering her surroundings with joy and an impressively creative imagination. In four charming stories, we go with her to the zoo, the museum, and art class, and get a peek into her wonderfully magical mind where her grandfather's walking stick can transform into a horse and a sled can become a whale. When the time comes for her to learn braille, we watch how her family and friends cheer her on as she discovers how to navigate the world in her own way.

With gorgeous, inventive illustrations by Yulia Sidneva and artfully translated by Ruth Ahmedzai Kemp, The Invisible Elephant is a truly special book that helps kids to value all the different ways of seeing the world.

A 2024 Mildred L. Batchelder Award Honoree

A 2024 USBBY Outstanding International Book

One of Kirkus Reviews’ 10 Essential Middle-Grade Books for Fall 2023 — Starred Review

One of Kirkus Reviews’ Best Middle-Grade Family Stories of 2023

A 2023 Cybils Awards Finalist for Speculative Middle Grade Fiction

From the author and translator of the Batchelder Award-winning novel Temple Alley Summer comes the moving story of three generations of women adapting to their new home, and its mythical inhabitants, in the tragic aftermath of the 2011 Tōhoku earthquake disaster.

In the wake of a devastating earthquake and tsunami, Yui, fleeing her violent husband, and Hiyori, a young orphan, are taken in by a strange but kind old lady named Kiwa in the small town of Kitsunezaki​​. The newly formed family finds refuge in a mayoiga, a lost house, perched atop a beautiful cape overlooking the sea. While helping to rebuild Kitsunezaki, the three adapt to their new lives and supernatural new home, slowly healing from their troubled pasts. Kiwa regales Yui and Hiyori with local legends—from the shapeshifting fox-woman who used to roam the mountains, to the demon Agamé and a sea snake who once terrorized the townspeople, preying upon their grief and fears until they trapped the snake and the demon’s claws in an underwater cave.

But when mysterious and sinister events start happening around town, the three fear the worst. Did the earthquake release Agamé and the sea snake into the world again? Kiwa, Yui, and Hiyori join forces with a merry band of kappa river spirits, a bold zashiki warashi house spirit, and flying Jizō guardian statues to save their new family and home and banish Agamé and the snake once and for all. Now a hit anime film, The House of the Lost on the Cape is a heartwarming tale about the strength of family and friendship in the face of natural and mythical forces.

In a lush, sun-dappled forest, animal friends discover the advantages of living slowly, in this soothing picture book from beloved South Korean author and illustrator Yeorim Yoon and Jian Kim.

Little Bird is all aflutter—too many things to do. Elephant cries with frustration when a shoelace breaks. Rabbit tries so hard and loses the race anyway. But what about Slow Lizard?

Just like my name, I live a slow, relaxed life.

And because I live a slow life,

I see many things,

I hear many things,

and I have lots of time to help my friends.

Meandering through a sunny forest, Slow Lizard’s friends learn how wonderful it is to slow down together. Filled with blooming trees and fluffy flower beds, It’s OK, Slow Lizard glows with the beauty of a hidden magic world, where we take the time to help each other enjoy life—even when the rain comes.

A Kirkus Reviews "Best Books of the 21st Century" Pick

Winner of the 2022 Mildred L. Batchelder Award

A July/August 2021 Kids’ Indie Next Pick

A Junior Library Guild Gold Standard Selection

From renowned Japanese children’s author Sachiko Kashiwaba, Temple Alley Summer is a fantastical and mysterious adventure featuring the living dead, a magical pearl, and a suspiciously nosy black cat named Kiriko.

Kazu knows something odd is going on when he sees a girl in a white kimono sneak out of his house in the middle of the night—was he dreaming? Did he see a ghost? Things get even stranger when he shows up to school the next day to see the very same figure sitting in his classroom. No one else thinks it’s weird, and, even though Kazu doesn’t remember ever seeing her before, they all seem convinced that the ghost-girl Akari has been their friend for years!

When Kazu’s summer project to learn about Kimyo Temple draws the meddling attention of his mysterious neighbor Ms. Minakami and his secretive new classmate Akari, Kazu soon learns that not everything is as it seems in his hometown. Kazu discovers that Kimyo Temple is linked to a long forgotten legend about bringing the dead to life, which could explain Akari’s sudden appearance—is she a zombie or a ghost? Kazu and Akari join forces to find and protect the source of the temple's power. An unfinished story in a magazine from Akari’s youth might just hold the key to keeping Akari in the world of the living, and it’s up to them to find the story’s ending and solve the mystery as the adults around them conspire to stop them from finding the truth.

From the savanna to the city to outer space, celebrated Nordic children’s book illustrator Linda Bondestam offers a charming peek at the many ways we settle in for sleep, with gorgeous, dreamlike illustrations full of offbeat humor.

Discover the bedtime routines of animals all over the world through the eyes of an alien family on a faraway planet. Little monkey needs his mama to play at least seventy-three songs on the ukulele to fall asleep. A meerkat family enjoys some stretches together as the sun goes down, while baby sloth is a bedtime expert—she’s already snoozing soundly in the trees. Die-cut pages invite little ones to help new animal friends get cozy under the covers.

With unconventional illustrations full of wit and tenderness, Good Night, Earth is a sweetly silly exploration of how all kinds of creatures find peaceful and playful ways to end the day.

From one of Mexico’s foremost authors comes a wondrous adventure story of a boy who goes to live with his kooky, book-obsessed uncle in a library where books have supernatural powers.

“We walked toward the part of the library where the air smelled as if it had been interred for years….. Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon.”

Thirteen-year-old Juan’s summer is off to a terrible start. First, his parents separate. Then, almost as bad, Juan is sent away to his strange Uncle Tito’s house for the entire break! Who wants to live with an oddball recluse who has zigzag eyebrows, drinks fifteen cups of smoky tea a day, and lives inside a huge, mysterious library?

As Juan adjusts to his new life among teetering, dusty shelves, he notices something odd: the books move on their own! He rushes to tell Uncle Tito, who lets his nephew in on a secret: Juan is a Princeps Reader, which means books respond magically to him, and he’s the only one who can find the elusive, never-before-read Wild Book. But will Juan and his new friend Catalina get to The Wild Book before the wicked, story-stealing Pirate Book does?

An unforgettable adventure story about books, libraries, and the power of reading, The Wild Book is the young readers’ debut by beloved, prize-winning Mexican author Juan Villoro. It has sold over one million copies in Spanish.

“Rivka Galchen delivers joy and cleverness reminiscent of The Phantom Tollbooth, Alice in Wonderland, and Hayao Miyazaki movies” (NPR, Best Books of 2019) in Rat Rule 79, a brain-twisting adventure story about friendship, growing up, and peanut-butter-pickle sandwiches.

Fred and her math-teacher mom are always on the move, and Fred is getting sick of it. She’s about to have yet another birthday in a new place without friends. On the eve of turning thirteen, Fred sees something strange in the living room: her mother, dressed for a party, standing in front of an enormous paper lantern—which she steps into and disappears.

Fred follows her and finds herself in the Land of Impossibility—a loopily illogical place where time has been outlawed by a mad Rat Queen, along with birthday parties and, most cruelly, peanut butter. Fred meets Downer, a downcast white elephant, and Gogo, a pugnacious mongoose mother of seventeen, who help her in her quest to find her mom. Together they must brave dungeons, Insult Fish, a Know-It-Owl, Fearsome Ferlings, and ultimately the Rat Queen herself—and solve an ageless riddle to escape certain doom.

Gorgeously illustrated and reminiscent of The Phantom Tollbooth and The Wonderful Wizard of Oz, Rivka Galchen’s Rat Rule 79 is an instant classic for curious readers of all ages.

One of the world’s oldest and best-loved tales, now retold and illustrated in thrilling detail for readers of all ages.

Rama pulled the splendid arrow out of his quiver. It had been given to him long ago by the sage Agastya who had told him that he could use it only once and only for a great enemy. The incomparable arrow held the wind in its feathers, the sun and the moon in its shining tip, the earth in its shaft and the power of the doomsday fire in its flight.

Ramayana—an unforgettable tale of love, adventure, flying monkeys and god acting in the world of humans—has been treasured by readers around the world for thousands of years. Now in an authoritative, gripping retelling by the renowned Ramayana scholar Arshia Sattar, readers have a new chance to explore this classic’s riches.

Rama is a brave young prince who is forced into exile. His brother Lakshmana and his wife, the beautiful princess Sita, loyally follow him into the depths of the mysterious forest, where they encounter strange and dangerous creatures. None is as terrifying as Ravana, the ten-headed demon king who kidnaps Sita and takes her to a fortified city in the middle of the ocean. To rescue her, Rama enlists the help of hundreds of thousands of magical monkeys and bears to fight the demon army and win her back. Even the gods gather to witness the harrowing battle. Will Rama and his friends prevail, and will Sita return to him? Only these captivating pages will tell…

The Mermaid in the Bathtub is a charming, gorgeously retro retelling of Hans Christian Andersen’s classic story “The Little Mermaid,” by beloved Israeli author and illustrator duo Nurit Zarchi and Rutu Modan.

One day, a resolutely ordinary young man named Mr. Whatwilltheysay returns home to find Grain-of-Sand, a mermaid, waiting for him in his favorite armchair. Despite his objections, the two embark on a series of very watery adventures as he tries to get rid of her. But ultimately the thought of being seen with half a fish is simply too much for Mr. Whatwilltheysay to bear—what would people say? So broken-hearted Grain-of-Sand returns to the sea in his bathtub, leaving Mr. Whatwilltheysay to resume his pedestrian existence. Mr. Whatwilltheysay soon finds that his beloved landlubber life, however, lacks the splash and shimmer (and bathtub) of his good times with Grain-of-Sand—and acting against all his instincts, he sets off to sea to find her.

An entrancing adventure for today’s troubled planet, The Casket of Time is a fantastical tale of time travel and environmental calamity from celebrated Icelandic author Andri Snær Magnason.

Teenage Sigrun is sick of all the apocalyptic news about the “situation” and, worse, her parents’ obsession with it. Sigrun’s family—along with everyone else—decides to hibernate in their TimeBoxes®, hoping for someone else to fix the world’s problems . But when Sigrun’s TimeBox® opens too early, she discovers an abandoned city overrun by wilderness and joins a band of kids who are helping a researcher named Grace solve the “situation.”

The world, according to Grace, is under an ancient curse. There once was a princess named Obsidiana, who was trapped in time by the greedy king of Pangea. To protect Obsidiana from dark and gloomy days, the king put her in a crystal casket made of spider silk woven so tightly that time itself couldn’t penetrate. The king’s greed for power doomed his kingdom and the trapped princess. Sigrun sees eerie parallels between the tale of Obsidiana and the present-day crisis, and realizes it’s up to her and her friends to break the ancient curse and fix the world.

A 2021 USBBY Outstanding International Book

From the dung-beetle to the blue whale, no creature is too humble or huge for Finnish author and illustrator duo Laura Merz and Aino Järvinen in 1,001 Creatures, a gorgeously illustrated, interactive exploration of the natural world.

Under the sun, the moon, and the stars
all the creatures of the world, big and small,
carry out their own tasks
as part of nature’s great balance.

Have you ever wondered how a crocodile keeps its teeth clean? Or why herons like to sit on the backs of water buffalo? What exactly does a giant blue whale eat to get so big? In 1,001 Creatures, Aino Järvinen and Laura Merz playfully investigate the complex and awe-inspiring world of twenty-six fascinating insects, reptiles, and mammals.

With fun facts and captivating illustrations, 1,001 Creatures explores the diversity of the animal world and its ecosystems. Interactive questions allow readers to take their curiosity and imagination off the page and into the real world with prompts to create their own artwork, imitate a camel’s unique walk, and discover the ways in which all creatures are connected in the world. Järvinen’s humorous style and Merz’s unique watercolor illustrations painted from memory using non-traditional materials, enhance the central message that we’re all in this together—human, squid, and penguin alike.

A touching and profound tale of friendship, differences, and acceptance from renowned Estonian children’s author and illustrator Piret Raud.

On the sandy shore of a big sea lived a bird named Ellie who had no voice.

“Everything else has a voice,” Ellie thought sadly. “The trees rustle. The waves crash. Even the rain sings when it falls.”

“I’m the only one who can’t make a sound.”

Ellie felt tears well up in her eyes—that’s how sad she was to be voiceless.

Ellie’s life is turned upside down when she finds a curious instrument on the shore that makes the most amazing sound when she blows into it: Trööömmmpffff! Creatures come from near and far to hear Ellie’s magnificent new voice. But when Ellie learns that the horn actually belongs to Duke Junior who is desperately unhappy without it, she goes on an adventure to return the horn to its rightful owner. After days and nights of searching, she finds Duke Junior on an island in the middle of the water. To her surprise and delight, Duke Junior doesn’t just toot Tröömmmpfff on the horn… he plays the most beautiful music! Ellie is so happy that Duke Junior has his horn back and can produce such lovely sounds that she’s content listening to his tunes and being herself.

Who will rule the Holy Land, and at what cost?

In a near-future Jerusalem, harrowing omens plague the city: a desecrated altar, an unbearable stench, a rampant famine. Shaken but devout, Jonathan, the royal family’s third son, continues to hold services and offer animal sacrifices at the prophesied Third Temple, built to consecrate the founding of the new Kingdom of Judah. His father, Israel’s self-appointed king, has abolished the Supreme Court. The Torah is the law of the land, and only people of the Jewish faith are allowed in. When war breaks out and an angel of God begins to torment Jonathan, warning him of his father’s sacrilege, the foundations of the young priest’s faith—and then his world—begin to give way.

Winner of the prestigious Bernstein Prize, The Third Temple plunges readers into a tempest of fanaticism, betrayal, and destruction. Where does the power of man end and the power of God begin? The answer presented here, as dystopian as it is grounded in history and biblical scripture, raises both theological and political questions, and offers an increasingly realistic vision of the future of the Middle East. With chilling resonance, this vivid novel from one of Israel’s leading authors sounds an unforgettable warning amidst rising extremism.

Winner of the 2022 Restless Books Prize for New Immigrant Writing, Praveen Herat’s gripping international thriller is a breathtaking exploration of power, identity, unconditional love, and the question of how far we’ll go to uncover the truth.

British war photographer Joseph Nightingale, known to his colleagues as Fearless, is haunted by a brutal past and a present that has grown unrecognizable. Besieged by grief over the loss of his partner and unborn child, he travels to Cambodia, where a reunion with an old friend leads him to a young woman named Song. Imprisoned by circumstance, she, too, is longing for a past she can’t reconcile and grappling with the disappearance of her twin sister. Soon after their paths cross, Song vanishes, leaving behind only a mysterious videotape, and Fearless finds himself entangled in a web of transnational sex traffickers, corrupt power brokers, and ruthless arms dealers, where nothing and no one are what they seem.

In a place where human life is cheap and violence is just a means to an end, Fearless and Song must go to new lengths to confront their separate demons. Pulse-pounding and poignant, Between this World and the Next balances devastating cruelty with unexpected redemption. In this arresting page-turner, Praveen Herat blurs the boundaries between good and evil, asking us to reexamine complicity and the consequences of looking the other way.

From award-winning author, editor, and translator Ilan Stavans comes a one-of-a-kind retelling of a legendary Aztec ruler's timeless verses.

A king, a warrior, and a poet, Nezahualcóyotl was a revolutionary ahead of his time. Born in 1402, the ruler—whose name means ‘hungry coyote’ in the Uto-Aztecan language of Nahuatl—led the city-state of Texcoco through its age of enlightenment. His four-decade reign was among the most transformative and prosperous eras of the Aztec Empire. Today he is a hero in Mexico, seen as a mysterious, powerful, anti-colonial figure.

Brimming with longing, this epic collection of songs and poems was composed by Nezahualcóyotl with members of his illustrious court. Six centuries later, in a powerful translation by Ilan Stavans and with new illustrations by Cuauhtémoc Wetzka, twenty-two poems bring to life a young warrior's journey from exile to historical legend. Anguished and unforgettable, Lamentations of Nezahualcóyotl will thrill readers of Latin American literature for years to come.

A gorgeously produced, bilingual edition of Nobel Prize laureate Isaac Bashevis Singer's canonical story—one of the most influential of the 20th century—about a hapless yet charmingly resilient baker named Gimpl, who resists taking revenge on the town that makes him the butt of every joke. Singer's original Yiddish appears alongside his own partial translation, now completed and edited by writer and scholar David Stromberg, and the 1953 translation by fellow Nobel laureate Saul Bellow. With illustrations by Liana Finck and an afterword by David Stromberg.

Isaac Bashevis Singer’s “Gimpl tam” was published on March 30, 1945, in the obscure Yiddish-language journal Idisher kempfer, about a month before the Nazi surrender. A story of bullying and the potential for revenge, it tells the deathbed confession of an orphaned baker who is targeted by his own community for ridicule and practical jokes. Gimpl has come to be seen as a symbol of the Jewish people in the diaspora, and, by synecdoche, minorities in general. Should they be passive in the face of aggression? Or should they defend themselves? What role must the individual of that minority play when the pack behaves badly?

When Irving Howe and Eliezer Greenberg opted to include “Gimpl tam” in their Treasury of Yiddish Tales, Howe asked Saul Bellow to help with the translation. It was finished in a single sitting and published in 1953 in The Partisan Review as “Gimpel the Fool”—the version that has since been canonized as one of the fundamental stories of the twentieth century. Yet, unlike every other major work of Singer’s published in his lifetime, the author had no involvement in the English translation. In 2006, Joseph Landis, editor of Yiddish, published a draft play script titled “Simple Gimpl,” made by Singer directly from the Yiddish original—the closest extant rendition of the story in the author’s own translation. Literary scholar David Stromberg has completed Singer’s translation, allowing readers to see another dimension of the original. This definitive edition, a treat for literature lovers, features Singer’s story in Yiddish along with the two English versions. Having them together shows Gimpl as anything but a fool—but rather someone accepting the complexity of his life and faith.

In a searching and powerful debut memoir, award-winning poet and literary translator Ani Gjika tells a different kind of origin story by writing about the ways a woman listens to her own body, intuition, and desire.

Ani Gjika was born in Albania and came of age just after the fall of Communism, a time when everyone had a secret to keep and young women were afraid to walk down the street alone. When her family immigrates to America, Gjika finds herself far from the grandmother who helped raise her, grappling with a new language, and isolated from aging parents who are trying in their own ways to survive. When she meets a young man whose mind leans toward writing, as hers does, Ani falls in love—at least, she thinks it’s love.

Set across Albania, Thailand, India, and the U.S., An Unruled Body is a young woman’s journey to selfhood through the lenses of language, sexuality, and identity, and how she learns to find freedom of expression on her own terms.

Winner of the Polityka Passport Award

Winner of the Kościelski Award

A revelatory oral history of the people who suffered, rebelled, and survived under the secretive dictatorship of Enver Hoxha in Albania, one of the twentieth century’s most brutal and Kafkaesque regimes, from award-winning Polish journalist Margo Rejmer.

For nearly half a century Albania was held captive by one man. A cruel dictator with a deep paranoid streak, Enver Hoxha sealed the country’s borders, severed alliances, and enacted a totalitarian regime of gulags and purges. Many thousands suffered and died in silence, a silence that lingers today: thirty years after the end of Hoxha’s regime, its victims are still waiting for justice.

In Mud Sweeter than Honey, Albanians break the silence. Margo Rejmer spent years in Albania gathering interviews that shed light on the four decades of Hoxha’s rule and virtually every walk of life: teachers and children, imprisoned and exiled writers, nuns and factory workers. She arranges the voices of her interlocutors into a chorus that bears witness to how ordinary people lived and died. We are immersed in desperate border crossings, prison revolts, and everyday struggles to make a living. We meet a writer who finds secret freedom in a tiny village library of banned books, overlooked by censors. We meet a man who still only speaks in a whisper, afraid of being overheard.

While Albanians endured surveillance, imprisonment, and torture under Hoxha, they also read books and fell in love, raised families and found ways to survive. In the tradition of Svetlana Alexievich, Mud Sweeter than Honey is our most vivid, intimate portrait available in English of this little-understood corner of Europe.

Winner of the 2020 Mauricio Achar Award

Does evil lurk in the shadows of the forest or within the human heart? Eduardo Sangarcía’s tale of one woman’s trial opens the door to deeper horrors.

Anna Thalberg is a villager shunned for her red hair and provocative beauty, so when she is dragged from her home and accused of witchcraft, her neighbors do not intervene. Only Klaus, her husband, and Father Friedrich, a priest experiencing a crisis of faith, set out to Würzburg to prove her innocence. There, locked in a prison tower, Anna faces isolation and torture while anxiety builds over strange happenings within the city walls. Can the two men convince the Church inquisitors to release Anna, or will she burn at the stake?

The Trial of Anna Thalberg is a tale of religious persecution, superstition, and suffering during the Protestant Reformation. While mapping the medieval fear of occultism and demons, it delves into enduring human concerns: the oppression of women, the inhumanity of institutions, and the question of God’s existence. Frantic in pace and experimental in form, this is an unforgettable debut from Mexican author Eduardo Sangarcía.

Winner of the Restless Books Prize for New Immigrant Writing, Rajiv Mohabir’s Antiman is an impassioned, genre-blending memoir that navigates the fraught constellations of race, sexuality, and cultural heritage that have shaped his experiences as an Indo-Guyanese queer poet and immigrant to the United States.

Growing up a Guyanese Indian immigrant in Central Florida, Rajiv Mohabir is fascinated by his family’s stifled Hindu history and the legacy of his ancestors, who were indentured laborers on British sugarcane plantations. In Toronto he sits at the feet of Aji, his unlettered grandmother, listening to her stories and songs in her Caribbean Bhojpuri. By now Aji’s eleven children have immigrated to North America and busied themselves with ascension, Christianity, and the erasure of their heritage and Caribbean accents. But Rajiv wants to know more: where did he come from, and why does he feel so out of place?

Embarking on a journey of discovery, he lives for a year in Varanasi, on the banks of the Ganges, perfecting his Hindi and Bhojpuri and tracing the lineage of his Aji’s music. Returning to Florida, the cognitive dissonance of confederate flags, Islamophobia, and his father’s disapproval sends him to New York, where finds community among like-minded brown activists, work as an ESL teacher, and intoxication in the queer nightlife scene. But even in the South Asian paradise of Jackson Heights, Rajiv feels like an outsider: “Coolie” rather than Desi. And then the final hammer of estrangement falls when his cousin outs him as an “antiman”—a Caribbean slur for men who love men—and his father and aunts disown him.

But Rajiv has learned resilience. Emerging from the chrysalis of his ancestral poetics into a new life, he embraces his identity as a poet and reclaims his status as an antiman—forging a new way of being entirely his own. Rapturous, inventive, and devastating in its critique of our own failures of inclusion, Antiman is a hybrid memoir that helps us see ourselves and relationships anew, and announces an exciting new talent in Rajiv Mohabir.

A hilarious, darkly comic graphic retelling of Shakespeare’s Hamlet in radically condensed prose by legendary Swedish children’s author Barbro Lindgren and illustrator Anna Höglund.

Look Hamlet.

Hamlet not happy.

Hamlet’s mommy dumb.

Hamlet’s daddy dead.

So begins this wonderfully strange, dark, and hilarious picture book version of Shakespeare’s greatest tragedy boiled down to its smallest possible size: 100 words, give or take, and fifteen etchings that look like the lovechild of Beatrix Potter and Edward Gorey.

In our despondent antihero, a lop-eared bunny Hamlet with handbag in tow, is somehow embodied all the tremendous pathos of Shakespeare’s Danish Prince. And in legendary Swedish children’s author Barbro Lindgren’s pithy prose resides the poetry of the original, reworked for the era of memes and short attention spans.

Bold and brilliant, irreverent and humane, Look Hamlet is the perfect irreverent gift for Shakespeare readers of all ages. As the Bard himself wrote: “brevity is the soul of wit.”

From the author of The Memory Monster, a New York Times Notable Book of 2020, comes a gripping examination of the complexities of military service as experienced by Abigail, a psychologist who becomes implicated in the dilemmas soldiers encounter both on and off the battlefield.

The tenacious narrator of Yishai Sarid’s Victorious is Abigail, a military psychologist and single mother who has spent her career in the Israeli Army. A leading expert in the psychology of combat, Abigail helps soldiers negotiate the trauma of war while instructing commanders on best practices for killing with resilience and efficacy. 

As her son Shauli approaches the age for military service, Abigail becomes increasingly involved in the lives of the army’s Chief of Staff and those of her patients, and the lines between her personal beliefs and her profession begin to blur. Meanwhile, Abigail’s deeply moral father, a clinical psychologist himself, openly condemns her choice to aid Israel's military machine. Yet for Abigail, it’s a patriotic duty. Only when gentle-hearted Shauli enlists in the elite and dangerous paratroopers unit are Abigail’s own mental defenses finally breached.  

As he did in his acclaimed novel The Memory Monster, Yishai Sarid unmasks the contradictions at the heart of patriotism, national identity, and the ongoing conflicts in the Middle East. Victorious is a riveting, provocative inquiry into modern warfare that forces us to ask: what price are we willing to pay for victory?

Award-winning journalist Javier Sinay investigates a series of murders from the nineteenth century, unearthing the complex history and legacy of Moisés Ville, the “Jerusalem of South America,” and his personal connection to a defining period of Jewish history in Argentina.When Argentine journalist Javier Sinay discovers an article from 1947 by his great-grandfather detailing twenty-two murders that had occurred in Moisés Ville at the end of the nineteenth century, he launches into his own investigation that soon turns into something deeper: an exploration of the history of Moisés Ville, one of the first Jewish agricultural communities in Argentina, and Sinay’s own connection to this historically thriving Jewish epicenter.

Seeking refuge from the pogroms of Czarist Russia, a group of Jewish immigrants founded Moisés Ville in the late 1880s. Like their town’s prophetic namesake, these immigrants fled one form of persecution only to encounter a different set of hardships: exploitative land prices, starvation, illness, language barriers, and a series of murders perpetrated by roving gauchos who preyed upon their vulnerability. Sinay, though a descendant of these immigrants, is unfamiliar with this turbulent history, and his research into the spate of violence plunges him into his family’s past and their link to Moisés Ville. He combs through libraries and archives in search of documents about the murders and hires a book detective to track down issues of Der Viderkol, the first Yiddish newspaper in Argentina started by his great-grandfather. He even enrolls in Yiddish classes so he can read the newspaper and other contemporaneous records for himself. Through interviews with his family members, current residents of Moisés Ville, historians, and archivists, Sinay compiles moving portraits of the victims of these heinous murders and reveals the fascinating and complex history of the town once known as the “Jerusalem of South America.”

“Sinay acknowledges the impossibility of fully separating legends from facts. . . but his diligence has produced as definitive an account as possible of what actually happened during this bloody period. This nuanced search for truth should have broad appeal.”
—Publishers Weekly, starred review

"I greatly admire Javier Sinay's enlightening and humane account of his sleuthing—the disinterment of a violent episode of buried history—now no longer forgotten. Its implications resonate far beyond the borders of Argentina."
—Paul Theroux, author of The Mosquito Coast and Under the Wave at Waimea

"Part detective story, part family history, The Murders of Moisés Ville: The Rise and Fall of the Jerusalem of South America — by Buenos Aires journalist Javier Sinay— offers a compelling path to learn more."

—Howard Freedman, Jewish News of Northern California

“In the pursuit to understand his own past, while unraveling the mysteries surrounding Moisés Ville, Javier Sinay has created an unflinching portrait of the first Jewish community in Argentina, who, despite enormous challenges, life-threatening privations, and demeaning persecution, endured to pave the way for others seeking a new life in Argentina…Sinay has demonstrated once again, that history must be preserved no matter the cost – for ourselves, as well as for future generations.”

—Stephen Newton, Litro Magazine

“ What begins as an exercise in historical sleuthing evolves into a more ambitious exploration of Argentine Jewish history and identity…Sinay doesn’t need to create a direct connection to this tragic present. It is more than enough that he refuses to flatten the Moisés Ville murders to fit a totalizing narrative of antisemitic violence in Argentina. In so doing, he not only rejects facile conceptions of Jewish victimhood, but also defies the Zionist idea that, by virtue of having suffered in one country, Jews are automatically entitled to land in another.”

—Lily Meyer, Jewish Currents

The magnum opus from Alejandro Jodorowsky—director of The Holy Mountain, star of Jodorowsky’s Dune, spiritual guru behind Psychomagic and The Way of Tarot, innovator behind classic comics The Incal and Metabarons, and legend of Latin American literature.

There has never been an artist like the polymathic Chilean director, author, and mystic Alejandro Jodorowsky. For eight decades, he has blazed new trails across a dazzling variety of creative fields. While his psychedelic, visionary films have been celebrated by the likes of John Lennon, Marina Abramovic, and Kanye West, his novels—praised throughout Latin America in the same breath as those of Gabriel García Márquez—have remained largely unknown in the English-speaking world. Until now.

Where the Bird Sings Best tells the fantastic story of the Jodorowskys’ emigration from Ukraine to Chile amidst the political and cultural upheavals of the 19th and 20th centuries. Like One Hundred Years of Solitude, Jodorowsky’s book transforms family history into heroic legend: incestuous beekeepers hide their crime with a living cloak of bees, a czar fakes his own death to live as a hermit amongst the animals, a devout grandfather confides only in the ghost of a wise rabbi, a transgender ballerina with a voracious sexual appetite holds a would-be saint in thrall. Kaleidoscopic, exhilarating, and erotic, Where the Bird Sings Best expands the classic immigration story to mythic proportions.

From Alejandro Jodorowsky—the legendary director of The Holy Mountain, spiritual guru behind Psychomagic and The Way of Tarot, and author of Where the Bird Sings Best—comes another autobiographical tour-de-force: a mythopoetic portrait of the artist as a young man in Chile in the tumultuous 1930s.

In Where the Bird Sings Best, Alejandro Jodorowsky’s visionary autobiographical novel that NPR compared to One Hundred Years of Solitude and called “a genius’s surreal vision brought to life,” we followed Jodorowsky’s predecessors as they fled to Chile amid a fantastical array of circuses, Tarot, Catholic and Jewish mysticism, sexual extravagance, political violence, and the ghost of a wise rabbi serving as advisor. Now, in The Son of Black Thursday, Jodorowsky himself takes the stage as we’re introduced to the unforgettable cast of his early years in Chile in the 1930s.

We follow his father, Jaime, who’s obsessed with assassinating the dictator he ends up serving; his mother, Sarah, a giantess who never speaks but communicates through operatic singing; his grandparents, Ukrainian Jewish exiles fleeing persecution in the Ukraine; his twin sister, who is made to suckle a mannequin until she is ten in order to silence her delirious speeches; among other creatures of every description as they struggle against the misery and oppression of the copper mines of the Chilean desert.

As he’s done across media from film to comics to mystic philosophy to fiction, Jodorowsky once again demonstrates his boundless capacity for creating a universe of wonder, horror, humor, magic, and cosmic truth beyond our wildest imaginings. The Son of Black Thursday is a gripping novel from one of our most treasured masters.

Is it possible to conceive of the American diet without bagels? Or Star Trek without Mr. Spock? Are the creatures in Maurice Sendak’s Where the Wild Things Are based on Holocaust survivors? And how has Yiddish, a language without a country, influenced Hollywood? These and other questions are explored in this stunning and rich anthology of the interplay of Yiddish and American culture, edited by award-winning authors and scholars Ilan Stavans and Josh Lambert.

It starts with the arrival of Ashkenazi immigrants to New York City’s Lower East Side and follows Yiddish as it moves into Hollywood, Broadway, literature, politics, and resistance. We take deep dives into cuisine, language, popular culture, and even Yiddish in the other Americas, including Canada, Argentina, Cuba, Mexico, and Colombia. The book presents a bountiful menu of genres: essays, memoir, song, letters, poems, recipes, cartoons, conversations, and much more. Authors include Nobel Prize–winner Isaac Bashevis Singer and luminaries such as Grace Paley, Cynthia Ozick, Chaim Grade, Michael Chabon, Abraham Cahan, Sophie Tucker, Blume Lempel, Irving Howe, Art Spiegelman, Alfred Kazin, Harvey Pekar, Ben Katchor, Paula Vogel, and Liana Finck.

Readers will laugh and cry as they delve into personal stories of assimilation and learn about people from a diverse variety of backgrounds, Jewish and not, who have made the language their own. The Yiddish saying states: Der mentsh trakht un got lakht. Man plans and God laughs. How Yiddish Changed America and How America Changed Yiddish illustrates how those plans are full of zest, dignity, and tremendous humanity.

The epic bestseller and winner of the prestigious Aegon Literary Award in Hungary, Captivity is an enthralling and illuminating historical saga set in the time of Jesus about a Roman Jew on a quest to the Holy Land.

A literary sensation in Hungary, György Spiró’s Captivity is both a highly sophisticated historical novel and a gripping page-turner. Set in the tumultuous first century A.D., between the year of Christ’s death and the outbreak of the Jewish War, Captivity recounts the adventures of the feeble-bodied, bookish Uri, a young Roman Jew.

Frustrated with his hapless son, Uri’s father sends the young man to the Holy Land to regain the family’s prestige. In Jerusalem, Uri is imprisoned by Herod and meets two thieves and (perhaps) Jesus before their crucifixion. Later, in cosmopolitan Alexandria, he undergoes a scholarly and sexual awakening—but must also escape a pogrom. Returning to Rome at last, he finds an entirely unexpected inheritance.

Equal parts Homeric epic, brilliantly researched Jewish history, and picaresque adventure, Captivity is a dramatic tale of family, fate, and fortitude. In its weak-yet-valiant hero, fans will be reminded of Robert Graves’ classics of Ancient Rome, I, Claudius and Claudius the God.

The final literary testament of “one of the most innovative, brilliant novelists in the Western World” (New York Times), Between Life and Death is a startlingly brave, funny, poetic, and moving autobiographical novel about the four months Yoram Kaniuk spent in a coma near the end of his life.

In Between Life and Death, famed Israeli writer Yoram Kaniuk describes the four months during which he lay unconscious in a Tel Aviv hospital, hovering between the world of the living and that of the dead. Told in an arresting, dreamlike style that blends playfulness with fearless honesty, Kaniuk attempts to penetrate his own lost consciousness and understand what led him to fight for his life with such tenacity.

Shifting between memory and illusion, imagination and testimony, Kaniuk inquires into the place of death in society, the lust for life, and the force of human relationships. He also writes movingly about the Holocaust survivors of his childhood neighborhood, and the battles of the 1948 War of Independence, in which he fought. Full of renewed vitality at the age of seventy-four, Kaniuk announced his rebirth in Between Life and Death, and left us a treasure of world literature that is sure to become a classic.

Winner of The Restless Books Prize for New Immigrant Writing, Grace Talusan’s critically acclaimed memoir The Body Papers, a New York Times Editors’ Choice selection, powerfully explores the fraught contours of her own life as a Filipino immigrant and survivor of cancer and childhood abuse.

Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns to build a protective wall of silence that maps onto the larger silence practiced by her Catholic Filipino family. Talusan learns as a teenager that her family’s legal status in the country has always hung by a thread—for a time, they were “illegal.” Family, she’s told, must be put first.

The abuse and trauma Talusan suffers as a child affects all her relationships, her mental health, and her relationship with her own body. Later, she learns that her family history is threaded with violence and abuse. And she discovers another devastating family thread: cancer. In her thirties, Talusan must decide whether to undergo preventive surgeries to remove her breasts and ovaries. Despite all this, she finds love, and success as a teacher. On a fellowship, Talusan and her husband return to the Philippines, where she revisits her family’s ancestral home and tries to reclaim a lost piece of herself.

Not every family legacy is destructive. From her parents, Talusan has learned to tell stories in order to continue. The generosity of spirit and literary acuity of this debut memoir are a testament to her determination and resilience. In excavating such abuse and trauma, and supplementing her story with government documents, medical records, and family photos, Talusan gives voice to unspeakable experience, and shines a light of hope into the darkness.

An inspired and urgent prose retelling of the Maya myth of creation by acclaimed Latin American author and scholar Ilan Stavans, gorgeously illustrated by Salvadoran folk artist Gabriela Larios and introduced by renowned author, diplomat, and environmental activist Homero Aridjis.

The archetypal creation story of Latin America, the Popol Vuh began as a Maya oral tradition millennia ago. In the mid-sixteenth century, as indigenous cultures across the continent were being threatened with destruction by European conquest and Christianity, it was written down in verse by members of the K’iche’ nobility in what is today Guatemala. In 1701, that text was translated into Spanish by a Dominican friar and ethnographer before vanishing mysteriously.

Cosmic in scope and yet intimately human, the Popol Vuh offers invaluable insight into the Maya way of life before being decimated by colonization—their code of ethics, their views on death and the afterlife, and their devotion to passion, courage, and the natural world. It tells the story of how the world was created in a series of rehearsals that included wooden dummies, demi-gods, and eventually humans. It describes the underworld, Xibalba—a place as harrowing as Dante’s hell—and relates the legend of the ultimate king, who, in the face of tragedy, became a spirit that accompanies his people in their struggle for survival.

Popol Vuh: A Retelling is a one-of-a-kind prose rendition of this sacred text that is as seminal as the Bible and the Qur'an, the Ramayana and the Odyssey. Award-winning scholar of Latin American literature Ilan Stavans brings a fresh creative energy to the Popol Vuh, giving a new generation of readers the opportunity to connect with this timeless story and with the plight of the indigenous people of the Americas.

“A brilliant short novel that serves as a brave, sharp-toothed brief against letting the past devour the present” (The New York Times Book Review Editors’ Choice), Yishai Sarid’s The Memory Monster is a harrowing parable of a young historian who becomes consumed by the memory of the Holocaust.

A NEW YORK TIMES BOOK REVIEW 100 NOTABLE BOOKS OF 2020 SELECTION

Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives.

The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill.

With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?

Kirkus Reviews Best Nonfiction of 2020

From the daring Peruvian essayist and provocateur behind Sexographies comes a fierce and funny exploration of sex, pregnancy, and motherhood that delves headlong into our fraught fascination with human reproduction.

Women play all the time with the great power that’s been conferred upon us: it’s fun to think about reproducing. Or not reproducing. Or walking around in a sweet little dress with a round belly underneath that will turn into a baby to cuddle and spoil. When you’re fifteen, the idea is fascinating, it attracts you like a piece of chocolate cake. When you’re thirty, the possibility attracts you like an abyss.

Gabriela Wiener is not one to shy away from unpleasant truths or to balk at a challenge. She began her writing career by infiltrating Peru’s most dangerous prison, going all in at swingers clubs, ingesting ayahuasca in the Amazon jungle. So at 30, when she gets unexpectedly pregnant, she looks forward to the experience the way a mountain climber approaches a precipitous peak.

With a scientist’s curiosity and a libertine’s unbridled imagination, Wiener hungrily devours every scrap of information and misinformation she encounters during the nine months of her pregnancy. She ponders how pleasure and pain always have something to do with things entering or exiting your body. She laments that manuals for pregnant women don’t prepare you for ambushes of lust or that morning sickness is like waking up with a hangover and a guilty conscience all at once. And she tries to navigate the infinity of choices and contradictory demands a pregnant woman confronts, each one amplified to a life-and-death decision.

While pregnant women are still placed on pedestals, or used as political battlegrounds, or made into passive objects of study, Gabriela Wiener defies definition. With unguarded humor and breathtaking directness, Nine Moons questions the dogmas, upends the stereotypes, and embraces all the terror, beauty, and paradoxes of the propagation of the species.

Winner of the Restless Books Prize for New Immigrant Writing

Shortlisted for the Center for Fiction First Novel Prize

Priyanka Champaneri’s transcendent, prize-winning debut novel brings us inside India’s holy city of Banaras, where the manager of a death hostel shepherds the dying who seek the release of a good death, while his own past refuses to let him go.

As the dutiful manager of a death hostel in Banaras on the banks of the Ganges, Pramesh Prasad administers to dying Hindu pilgrims who hope to be released from earthly reincarnation. He lives and works contentedly with his wife, Shobha, their young daughter, Rani, the hostel priests, his hapless but winning assistant Mohan, and the constant flow of families with their dying kin. But one day the past arrives in the form of a body pulled from the river—a man with an uncanny resemblance to Pramesh.

Called “twins” in their childhood village, he and his cousin Sagar are inseparable until Pramesh leaves to see the outside world and Sagar stays to tend the land. After Pramesh marries Shobha, defying his family’s wishes, a rift opens between the cousins that he has willed himself to forget. Yet for Shobha, Sagar’s reemergence casts a shadow over the life she’s built for her family. Soon, an unwelcome guest takes up residence in the death hostel, the dying mysteriously continue to live, and Pramesh is forced to confront his own ideas about death, rebirth, and redemption.

Told in lush, vivid detail and with an unforgettable cast of characters, The City of Good Death is a remarkable debut novel of family and love, memory and ritual, and the ways in which we honor the living and the dead.