Sarabande Books

“Ah to be the one for whom the love poems in this sexy, brainy, elegant book were written.”—Linda Gregerson

The Coronary Garden is a collection braiding love and mortality. In “Love Poem, Unwritten,” Townsend identifies a physical abnormality of the poet’s heart as a figure for human love: fragile, vulnerable, our very imperfections opening us to connection and grace. Ann Townsend is the author of Dime Store Erotics (1998). She lives in Granville, Ohio.

"Bingham writes with an austere and unerring knowledge of what it is to be human and—transgressive."—Paula Fox

"These are marvelous stories of experience and have the ripeness of wry, hard-won wisdom."—Phillip Lopate

"Bingham has the eye to see where a story lives, the heart to understand it, and the voice—and craft—to tell it."—Robin Morgan In her wise and sexy new collection, Sallie Bingham examines modern-day "transgressions" in affairs of the heart. She offers up a ménage à trois, an older woman’s affair with a student, a painter who uses his age as an excuse to behave indecorously. But the reader quickly discovers the real transgressions are those of the self against the self.

“[Sallie] Bingham writes with an austere and unerring knowledge of what it is to be human and transgressive.”—Paula Fox

“Restrained and wise, these lovely stories unfold like lavender-scented linens, quieting the fretful mind.”—Joe Ashby Porter

Forty-year veteran of the novel, noted feminist, and author of over ten books, Sallie Bingham returns with Red Car, a collection written in her signature style—discreet, sly prose circling taboo subjects. Her new offering is about love enjoyed, whether alone or with lovers, sensual or familial, comedic or tragic, often with a wry twist.

Sallie Bingham lives in Santa Fe, New Mexico.

“To read this book is to be reminded of how many major poems have their root in prayer.”—Grace Schulman

“The thirty prose poems that make up Epistles are as compellingly modern in their form as they are timeless in their quest for spiritual truths amid radical doubts.”—David Lehman

These are compellingly modern prose poems in the style of Paul’s Letters to the Corinthians.

Mark Jarman’s book The Black Riviera won the 1991 Poets’ Prize. Questions for Ecclesiastes was a finalist for the 1997 National Book Critics Circle Award. Jarman is a professor at Vanderbilt University in Nashville.

“Cleopatra Mathis . . . brandishes the gifts of a talented poet who has hit her stride.”—The New York Times Book Review

“As long as we have Mathis’ clarity of imagination, the intricacy and breadth of her engagement with the world and the depth of her meeting of others, we’ll have the warmth to help us deal with our own centers of cold.”—A.R. Ammons

Strong, unsentimentally emotional sixth collection set on the frigid shores of Provincetown.

"Comer’s rhythms authenticate what she asserts. Page after page, the recognizably real and the imaginative flirt with and complement one another. . . ."—From the Foreword by Stephen Dunn

In The Unrequited Comer takes up and invigorates the line of American poetry called the "lyric surreal." The late poet James Wright was master of this mode, and Comer has a peculiarly American combination of humor and wild invention.

Carrie St. George Comer received her MFA from the University of Massachusetts, where she was awarded the Academy of American Poets prize and taught at Phillips Academy in Andover. She currently lives in Miami, Florida.

These are poems for grownups who believe in life and death. They are chastened by the press of the second part of life, and reading these poems is like walking through a museum of priceless artifacts—at night, alone, in silence—our heels echoing down marble corridors. Gradually we come to see that even these language exhibits, these brilliantly made dioramas, are fading. We know it. The poet knows it. But the fact that she has made them anyway, against that knowledge, means everything.

Aleda Shirley is the author of two collections of poems, Chinese Architecture and Long Distance. She lives in Jackson, Mississippi.

"[Jarman's] poems explore faith in its many manifestations, but there is something here transcendent that speaks to everyone. Highly recommended."—Library Journal

Bone Fires collects work from over thirty years and charts Mark Jarman's spiritual development as he grows from a poet of childhood and nostalgia through adulthood and the struggles of faith. The section of new poems includes work published in American Poetry Review, Georgia Review, The New Republic, Poetry, and in the yearly anthology Best American Poetry. A landmark collection from one of our nation's most distinguished poets.

"Nystrom’s gift as a poet is that she doesn’t stop looking, and her poems make sure it is all still there for us to see."—Eamon Grennan

The landscape of Torn Sky is South Dakota, a place of extremes, where parched land meets frigid air and exiled Native Americans still struggle to live in peace alongside ranchers. Nystrom’s poems weave together the voices of her childhood with ghosts of the last two tumultuous centuries and articulate with such subtle and unsentimental grace that each side is understood.

Debra Nystrom was born in Pierre, South Dakota. She is the author of one previous book, A Quarter Turn. She lives in Charlottesville, Virginia, and teaches at the University of Virginia.

“These are ambitious, moving poems, deft, panged, and stunning.”—Dean Young

“Existential chilliness, mourning, and dread find a uniquely compelling voice in Thomas Heise's poetry. . . .”—Alan Williamson

"Horror Vacui offers an often vertiginous account of how death imposes [an] irresistible fact on minds bent on both accommodating and resisting this one inevitable yet impossible truth. . . . And it's this property of being barely held together that makes Horror Vacui so striking. . . . an extraordinary mood piece."—Ray McDaniel

In his haunting debut collection Horror Vacui, Thomas Heise explores the fear of empty space, a mysterious and abiding absence that is a pronounced presence in this poet's lyrical voice.

Thomas Heise holds an MA in Creative Writing from the University of California at Davis and a PhD from New York University. Currently he teaches at McGill University in Montreal, Quebec.

“Lee’s strange and gemological arrangements are the measure of her gift. . . .”—from the Foreword by Heather McHugh

Ambitious and original, Karen An-hwei Lee’s first book-length poem is in the form of an eccentric dictionary.  In Medias Res brings to mind the long poems of Anne Carson, though Lee is less concerned with ironies than with mysteries.  In compressed and oddly slanted “definitions,” ranging from one line, “A paper bird unopened until marriage” (“Comparison”), to longer, parable-like narratives, Lee’s poem moves through the alphabet to limn the border between language and spirit.  Often playful and slyly humorous, In Medias Res is an investigation into how God hides in language.  Karen Lee has made a brilliant entry into poetry.

[T]here is something utterly in thrall here, honey-slow and fixated. Driven by obsession—in particular, obsession with the legendary French poet, Robert Desnos—Muench’s identification with a true self beyond the self’s known truth is startling.—from the introduction by Carol Muske-Dukes

“Simone’s poems have a confidence and sophistication of what I like to call intentionality. Also wit, grace, poise, and a relationship to writing beyond self-referential feeling.”—Anne Waldman

“Lush, sprouting, sensuous images line-by-line, adopting myth freely, Muench’s poems are volatile explosives, circling beauty.”—James Tate

Simone Muench is poetry editor of ACM and is an assistant professor at Lewis University, as well as a doctoral student at the University of Illinois at Chicago.

"Vogelsang’s poetry is both abrasive and generous."—John Ashbery

"Vogelsang has found an interrogating voice at once dissembling and direct."—Stanley Plumly

The poems in Vogelsang’s fourth collection are events of great pressure, tension, and heat. In a language pitched somewhere just above the vernacular, Vogelsang often connects with the classics and grapples with concerns of our time, offering a singular experience—emotionally affecting and intellectually provocative poetry.

Arthur Vogelsang is the author of A Planet, Twentieth Century Women, and Cities and Towns, which received the Juniper Prize. He is the coeditor of The American Poetry Review and teaches at New England College. He divides his time between Los Angeles and Philadelphia.

“With Stevensian proliferations and Dickinsonian refractive speed, Enter Invisible puzzles without ruse, conveying a lightning-quick mind, always electric, fiercely inventive. The descriptive angularities, formal variance, and musical resources are sassy, tricky, and intriguing, full of razzle-dazzle and enormously beguiling, even as a tragic sense simmers within their marvelous contraptions. Catherine Wing is confident enough to entertain us and skilled enough to leave us haunted by what makes us laugh.”—Dean Young

Catherine Wing grew up in Kentucky. She received her undergraduate degree from Brown University and, most recently, her MFA in poetry at the University of Washington in Seattle.

"A stunning follow-up to Allen’s award-winning New and Selected. Accessible and profound. "No matter how tactile and specific he is, Allen always retains a sense of the greater world. . . . [H]is pristine poems flow like timelines, drawing unexpected connections between happenings both major and minor, and observations both subtle and life changing."—Booklist

Dick Allen has received the Robert Frost Prize for Poetry and The Hart Crane Poetry Prize. His books include Ode to the Cold War, Flight and Pursuit, Overnight in the Guest House of the Mystic, Regions With No Proper Names, and Anon and Various Time Machine Poems. He recently retired from his position as Charles A. Dana Endowed Chair Professor at the University of Bridgeport and lives in Trumbull, Connecticut.

"These beautiful stories freeze the sweep of the hands of the clock, they stop the beat of your heart, with the precision of their language and their generous emotion."—Frederick Busch

Linked stories follow a Jewish-American family across several generations. Clara comes from a restrained, secretive family lending the book a taut narrative tension. The big secret—her husband’s adultery during World War II—is not revealed until the last story. Sandor’s prose is quiet, moving, psychologically acute.

Marjorie Sandor is the author of The Night Gardener (Lyons) and A Night of Music (Ecco). Her fiction has been anthologized in Best American Short Stories, The Pushcart Prize XIII, and The Best of Beacon. She teaches at Oregon State University in Corvallis.

From Farinelli, the eighteenth century castrato who brought down opera houses with his high C, to the recording of "Johnny B. Goode" affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean's "BYAH!" and Marlon Brando's "Stella!" and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought's incarnating instrument and Elena Passarello's essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves.

Elena Passarello is an actor and writer originally from Charleston, South Carolina. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, The Normal School, Literary Bird Journal, Ninth Letter, and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang's Mrs. Bob Cratchit's Wild Christmas Binge and David Turkel's Wild Signs and Holler. In 2011 she became the first woman winner of the annual Stella Screaming Contest in New Orleans.

“There isn’t a page in this book that isn’t bracing. . . .”—Marie Howe

Beginning with the word “defeat” and concluding on the word “alive,” Goodbye to the Orchard testifies that we must remain open in the face of loss, because loss is a given; and that our glimpses of the mysteries—whether of dying or living—are all we’re allowed.

Steven Cramer is the author of The Eye that Desires to Look Upward, The World Book, and Dialogue for the Left and Right Hand. He currently lives in Massachusetts.

Paul Praeder—an immensely complex character with the bravado of a Hemingway hero, the literary erudition and despair of Berryman’s Dream Songs persona, and the dark, self-destructive magnetism of Conrad’s Captain Kurtz—is a new and disturbing addition to the pantheon of American literary characters. His story unfolds over his 30-year correspondence with a young poet, and it is a story of lost moral compass, in which artistic integrity is traded for commercial success, and friendship and fidelity fall to lust and greed.

James Baker Hall is currently the Poet Laureate of Kentucky.

Winner of the 2001 Kathryn A. Morton Prize in Poetry.

"Barot’s mature linguistic skills really come down to a metaphorical and musical intelligence that refuses to value one element over another, that will not let the language or the longing take over."—From the Foreword by Stanley Plumly

"This is a book of lyric wonders: wit that turns dark, darkness that blazes up again in music and story."—Eavan Boland Rick Barot is currently Jones Lecturer in Poetry at Stanford University. He was born in the Philippines and grew up in the San Francisco Bay Area. He attended Wesleyan University, the Writers’ Workshop at the University of Iowa, and Stanford, where he was a Wallace E. Stegner Fellow in Poetry.

Praise for Sallie Bingham:

"Sallie Bingham binds her collection together with sheer talent. The title novella is absolutely first-rate—a skillfully suggestive amalgam of Katherine Mansfield and Eudora Welty. This same unblinking gaze is hard at work on the essential weakness and dependence of men ('The Banks of the Ohio' and 'The Ice Party'), the illusion of freedom that comes with divorce ('Bare Bones'), and the desperate terror of adolescent love ('Winter Term')."—James R. Frakes, The New York Times Book Review

"Sallie Bingham's characters scrutinize their relationships with children, lovers, and their own treacherous souls. . . . Nearly every one of these flinty stories is a tiny masterpiece."—Entertainment Weekly

"Hardened but not compromised by adult life, these luminous stories . . . feature narrators who find mature, often solitary forms of reckoning, and even happiness. . . . There is not a false note in Bingham's striking collection."—Publishers Weekly, starred review

"These engaging tales span landscape, gender, and age, and readers will treasure Bingham's strikingly perceptive composition and refined, clever flashes of detail and clarity."—Booklist

Sallie Bingham published her first novel with Houghton Mifflin in 1961. Since then she has published four collections of short stories, four novels, and a memoir. She was book editor for The Courier-Journal in Louisville, Kentucky, and has been a director of the National Book Critics Circle. She is the founder of The Kentucky Foundation for Women.

“Singer of stories, lyric raconteur, Sydney Lea has evolved—through a long, rich career—into one of America’s most harrowing and honest poets. Ghost Pain is his most eloquent and wrenching book.”—T.R. Hummer

“Ghost Pain is a remarkable book, which takes his work to a new level.”—Stephen Dunn

The eighth poetry collection by the founder of New England Review explores addiction, alcoholism, violence and the uses and inadequacies of art.

Elena Passarello is an actor, a writer, and recipient of a 2015 Whiting Fellowship in nonfiction. Her first collection with Sarabande Books, Let Me Clear My Throat, won the gold medal for nonfiction at the 2013 Independent Publisher Awards. She lives in Corvallis, Oregon.