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An exploration of the many depictions of Charlemagne in the Italian tradition of chivalric narratives in verse and prose.

Chivalric tales and narratives concerning Charlemagne were composed and circulated in Italy from the early fourteenth to the mid-sixteenth century (and indeed subsequently flourished in forms of popular theatre which continue today). But are they history or fiction? Myth or fact? Cultural memory or deliberate appropriation? Elite culture or popular entertainment? Oral or written, performed or read? Beginning in the age of Dante with the earliest tales composed for Italians in the hybrid language of Franco-Italian, which draw inspiration from the French tradition of Charlemagne narratives, the volume considers the compositions of anonymous reciters of cantari and the prose versions of the Florentine Andrea da Barberino, before discussing the major literary contributions to the genre by Luigi Pulci, Matteo Maria Boiardo and Ludovico Ariosto. The focus throughout is on the ways in which the portrait of Charlemagne, seen as both Emperor and King of France, is persistently ambiguous, affected by the contemporary political situation and historical events such as invasion and warfare. He emerges through these texts in myriad guises, from positive and admirable to negative and despised.

WINNER: 2025 Beatrice White Prize

A new, materialistic reading of the Alfredian corpus, drawing on diverse approaches from thing theory to Augustinian principles of use and enjoyment to uncover how these works explore the material world.

The Old English prose translations traditionally attributed to Alfred the Great (versions of Gregory's Regula pastoralis, Boethius' De consolatione philosophiae, Augustine's Soliloquia and the first fifty Psalms) urge detachment from the material world; but despite this, its flotsam and jetsam, from costly treasures to everyday objects, abound within them.

This book reads these original and inventive translations from a materialist perspective, drawing on approaches as diverse as thing theory and Augustine's principles of use and enjoyment. By focussing on the material, it offers a fresh interpretation of this group of translations, bringing out their complex, often contradictory, relationship with the material world. It demonstrates that, as in the poetic tradition, wealth in Alfredian literature is not simply a tool to be used, or something to be enjoyed in excess; rather, in moving away from these two static binaries, it shows that wealth is a current, flowing both horizontally, as an exchange of gifts between humans, and vertically, as a salvific current between earth and heaven. The prose translations are situated in the context of Old English poetry, including Beowulf, The Wanderer, The Seafarer, the Exeter Book Riddles and The Dream of the Rood.

112 tax lists for Devon for the period from 1500 to 1650.

Tax lists are a key means of understanding parish life in the 1500s and early 1600s. This collection of 112 records for towns and villages such as Crediton and Dartmouth is published here for the first time. It reveals those individuals who were the bedrock of their societies and helps us in understanding how local society worked in this period. It is through the study of these documents that we can unravel how differently each parish was organised in the sixteenth and early seventeenth centuries and see how people took part in parish life. The name lists also provide rich material for family and local historians.

A multi-disciplinary re-evaluation of the role of women religious in the Middle Ages, both inside and outside the cloister.

Medieval women found diverse ways of expressing their religious aspirations: within the cloister as members of monastic and religious orders, within the world as vowesses, or between the two as anchorites. Via a range of disciplinary approaches, from history, archaeology, literature, and the visual arts, the essays in this volume challenge received scholarly narratives and re-examine the roles of women religious: their authority and agency within their own communities and the wider world; their learning and literacy; place in the landscape; and visual culture. Overall, they highlight the impact of women on the world around them, the significance of their presence in communities, and the experiences and legacies they left behind.

Explores the fundamental role of the military in state-building in francophone postcolonial West Africa and how foreign economic and military aid has influenced it.

How did African armed forces in postcolonial states in francophone West Africa influence decolonization and state-building in African states? How did foreign assistance from ex-colonial powers, the USSR and the US and colonial state structures influence political systems, and sometimes result in weak and unstable governance? This book explores the development of national militaries in Cote d'Ivoire, Dahomey (now Benin), Guinea, Mali, Mauritania, Niger, Senegal, Upper Volta (now Burkina Faso) and Togo during the 1960s and 1970s. Revealing the strength of decision-making power by African political elites, the study also shows the decisive impact of foreign economic and military assistance on countries that did not experience a prolonged armed conflict. The author provides new insights into the way the decisions of African governments in building their national militaries impacted postcolonial states' autonomy, legitimacy, sovereign control and governance.
In West Africa, during the 1960s, France sought to maintain exclusive relations with its former colonies through military assistance, economic aid and close personal relations with African political and military elites. State coercive capacities extended far beyond the strength of political institutions, with soldiers' assumption of political roles linked to the weaknesses of colonial and postcolonial structures. Disagreements between French and American officials, as well as Arab-Israeli and Sino-Russo conflicts, increased African presidents' opportunities to mobilize external resources. Yet in the late 1980s, it became evident that national militaries and police were often the main causes of personal insecurity, rather than providing protection, and that some economies remained weak and political structures unstable.

This book is available as an Open Access ebook under the Creative Commons license CC-BY-NC. The open access version of this publication was funded by the Swiss National Science Foundation.

Examines how Nietzschean ideas influenced the composition of Mahler's first four, so-called Wunderhorn, symphonies.

Gustav Mahler and Friedrich Nietzsche both exercised a tremendous influence over the twentieth century. All the more fascinating, then, is Mahler's intellectual engagement with the writings of Nietzsche.
Given the limited and frequently cryptic nature of the composer's own comments on Nietzsche, Mahler's specific understanding of the elusive thinker is achieved through the examination of Nietzsche's reception amongst the people who introduced composer to philosopher: members of the Pernerstorfer Circle at the University of Vienna.

Mahler's Nietzsche draws on a variety of primary sources to answer two key questions. The first is hermeneutic: what do Mahler's allusions to Nietzsche mean? The second is creative: how can Mahler's own characterization of Nietzsche as an "epoch-making influence" be identified in his compositional techniques? By answering these two questions, the book paints a more accurate picture of the intersections of the arts, philosophy and politics in fin-de-siècle Vienna. Mahler's Nietzsche will be required reading for scholars and students of nineteenth and early twentieth century German music and philosophy.