Social Science

In Twisted: My Dreadlock Chronicles, professor and author Bert Ashe delivers a witty, fascinating, and unprecedented account of black male identity as seen through our culture's perceptions of hair. It is a deeply personal story that weaves together the cultural and political history of dreadlocks with Ashe's own mid-life journey to lock his hair. Ashe is a fresh, new voice that addresses the importance of black hair in the 20th and 21st centuries through an accessible, humorous, and literary style sure to engage a wide variety of readers.

After leading a far-too-conventional life for forty years, Ashe began a long, arduous, uncertain process of locking his own hair in an attempt to step out of American convention. Black hair, after all, matters. Few Americans are subject to snap judgements like those in the African-American community, and fewer communities face such loaded criticism about their appearances, in particular their hair. Twisted: My Dreadlock Chronicles makes the argument that the story of dreadlocks in America can’t be told except in front of the backdrop of black hair in America.

Ask most Americans about dreadlocks and they immediately conjure a picture of Bob Marley: on stage, mid-song, dreads splayed. When most Americans see dreadlocks, a range of assumptions quickly follow: he's Jamaican, he's Rasta, he plays reggae; he stinks, he smokes, he deals; he's bohemian, he's creative, he's counter-cultural. Few styles in America have more symbolism and generate more conflicting views than dreadlocks. To "read" dreadlocks is to take the cultural pulse of America. To read Twisted: My Dreadlock Chronicles is to understand a larger story about the truths and biases present in how we perceive ourselves and others. Ashe's riveting and intimate work, a genuine first of its kind, will be a seminal work for years to come.

Supplemental educator materials are available from the publisher.

Since 1976, when he was an 18-year-old junior at USC, Leonard Pitts' writing has been winning awards, including the Pulitzer and five National Headliner Awards. This book collects his best newspaper columns, along with select longer pieces. The book is arranged chronologically under three broad subject headings: “Waiting for Someday to Come,” about children and family; “White Men Can’t Jump (and Other Stupid Myths),” about race, gender, sexual orientation, religion, and other fault lines of American culture; and “Forward from this Moment,” about life after the September 11 attacks, spirituality, American identity, and Britney Spears.

Pitts has a readership in the multi-millions across the country, and his columns generate an average of 2500 email responses per week. His enthusiastic fans are certain to embrace this collection of the best of his newspaper and magazine work, published to coincide with the release of his first novel, Before I Forget. Forward from this Moment is an essential collection from one of America’s most important voices.

The fatherless black family is a problem that grows to bigger proportions every year as generations of black children grow up without an adult male in their homes. As this dire pattern grows worse, what can men do who hope to break it, when there are so few models and so little guidance in their own homes and communities? Where can they learn to “become Dad?” When Pulitzer Prize-winning columnist Pitts—who himself grew up with an abusive father whose absences came as a relief—interviewed dozens of men across the country, he found both discouragement and hope, as well as deep insights into his own roles as son and father. An unflinching investigation, both personal and journalistic, of black fatherhood in America, this is the best, most pivotal book on this profoundly important issue.