Stanford University Press

Asian American Art: A History, 1850-1970 is the first comprehensive study of the lives and artistic production of artists of Asian ancestry active in the United States before 1970. The publication features original essays by ten leading scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists.

Aside from a few artists such as Dong Kingman, Yasuo Kuniyoshi, Isamu Noguchi, and Yun Gee, artists of Asian ancestry have received inadequate historical attention, even though many of them received wide critical acclaim during their productive years. This pioneering work recovers the extraordinarily impressive artistic production of numerous Asian Americans, and offers richly informed interpretations of a long-neglected art history. To unravel the complexity of Asian American art expression and its vital place in American art, the texts consider aesthetics, the social structures of art production and criticism, and national and international historical contexts.

Without a doubt, Asian American Art will profoundly influence our understanding of the history of art in America and the Asian American experience for years to come.

A Distant Front in the Cold War reveals West Africa as a significant site of Cold War conflict in the late 1950s and early 1960s. Although the region avoided the extreme tensions of the standoff in Eastern Europe or in the Cuban missile crisis, it nevertheless offers a vivid example of political, economic, and propagandistic rivalry between the U.S. and the USSR.

For Africa, this was a critical period characterized by decolonization and the formation of African countries' first foreign policies. The United States and the Soviet Union both hoped to win the sympathies of the newly established states, and Sergey Mazov's book is the first account of that competition, which the Soviet Union lost, largely through ignorance of the region.

Mazov presents evidence from previously inaccessible or unknown documents in Russian and U.S. archives, as well as an international sampling of recent scholarly works. The rich historical account pays particular attention to the repercussions of Soviet West African experience on future Soviet foreign policy, especially in the Third World.

This book examines the lives of people caught in the dynamics of changing mores, rapid urbanization, and real public health issues in nineteenth-century Buenos Aires. Modernity in the Flesh shows the costs Argentines paid for the establishment of liberal democracy between 1880 and 1910. Modernity raised consciousness of the public good and a commitment to new sciences and a new set of priorities that asserted the precedence of health and security of the social whole. This book shows the ways that the tensions of liberal democracy between individual rights and the social good were tempered by "flesh" and articulated through this word. As the state was pursuing positivist science and government, the flesh held out a type of corrective to the focus on scientific and material progress.

As exploited and colonized people, California farmworkers have attracted such massive, overwhelming photographic scrutiny that today their story cannot be told, studied, or understood without engaging the photographic dimension. Although the work of Dorothea Lange and other photographers from the 1930s often comes to mind, virtually every photographer of consequence at some time, for some reason, photographed in the fields of the Golden State. This includes such unlikely twentieth-century artists as fashion photographer Richard Avedon and commercial photographer Max Yavno, along with the nineteenth-century masters Carleton E. Watkins and Eadweard Muybridge. Their work, however, does not unfold along neat, predictable lines. While it has both obscured the place of field hands in modern agriculture and made a case against the farm labor system as an instrument of poverty and oppression, the best of these photographs goes far beyond advertising and exposé, cutting through layers of ignorance and indifference and raising difficult moral questions that force us to reflect on the extent to which, as a society, we require the subservience of an entire class of people. This volume presents 282 of these important photographs.

The precipitous cliffs, rolling headlands, and rocky inlets of the Big Sur coast of California were alive for Robinson Jeffers, and throughout his long career as a poet, he extolled their wild beauty. His vivid descriptions inspired the best work of other artists who lived nearby, including such noted photographers as Edward Weston, Ansel Adams, and their younger contemporary Morley Baer.

Before he died in 1995, Baer was planning a volume that would bring together a group of his landscape photographs of the Big Sur area with a selection of poems that expressed Jeffers's mystical experience of stone. Jeffers believed that stone is alive, perhaps even conscious in some way. Baer wanted to create a visual and literary meditation on the life-experience of stone. James Karman was invited by Baer to serve as his collaborator, and has brought the project to completion—more than 50 of Baer's photographs paired with poems by Jeffers (some complete, others excerpted).

Stones of the Sur is in five parts, each of which takes its title from a poem. Part I, "Tor House," contains photographs and poems about Jeffers's home, ever the locus of his inspiration. Part II, "Continent's End," begins with a panoramic view of the coastline and is followed by visual and textual images that become progressively narrower in scope as Baer and Jeffers focus on the mountains, cliffs, beaches, boulders, rocks, and pebbles of the Big Sur.

The inward progression continues in Part III, "Oh Lovely Rock," where Baer trains his lens on close surfaces—revealing his sensibilities at their most abstract. From the middle of Part III on, the spiral is reversed and the view begins to open. Part IV, "Credo," expands outwardly from the pebbles and rocks of the Big Sur back to the beaches, cliffs, and mountains. Part V, "The Old Stone-Mason," concludes the book with a return to Tor House.

This pathbreaking study uses the extraordinary life of Meir Macnin, a prosperous Jewish merchant, as a lens for examining the Jewish community of Morocco and its relationship to the Sephardi world in the late eighteenth and early nineteenth centuries. Macnin, a member of one of the most prominent Jewish families in Marrakesh, became the most important merchant for the sultans who ruled Morocco, and was their chief intermediary between Morocco and Europe. He lived in London for about twenty years, and then shuttled between Morocco and England for fifteen years until his death in 1835.

This book challenges accepted views of Muslim-Jewish relations by emphasizing the ambivalence in the relationship. It shows how elite Jews maneuvered themselves into important positions in the Moroccan state by linking themselves to politically powerful Muslims and by establishing key positions in networks of trade. The elite Jews of Morocco were also part of a wider Sephardi world that transcended national boundaries. However, Macnin remained more connected to Morocco, where Jews were, according to Islamic law, protégés of the ruler and still subject to specific legal disabilities. The early-nineteenth-century sultan Mawlay Sulayman confined Jews in a number of Moroccan cities to newly created Jewish quarters as part of a policy of defining boundaries between Muslims and Jews. Yet Macnin remained closely tied to royal power, and in 1822 he became the principal intermediary between Morocco and the European powers for Mawlay Sulayman’s successor, Mawlay ‘Abd al-Rahman.

At the beginning of the period covered in this book, Meir Macnin belonged to a wide, transnational Sephardi world, and moved easily between Morocco and Europe. By the end of his life, however, this Sephardi diaspora had virtually come to an end. Emancipation in Western Europe and the growing identification of European Jews with the nations in which they lived meant that their affinity to their Sephardi heritage no longer transcended their national attachments. The gap between Moroccan and European Jewry grew, and a new kind of division—between “Western” and “Oriental” Jews—now existed within the Jewish world.

Isaac Luria (1534-1572) is one of the most extraordinary and influential mystical figures in the history of Judaism, a visionary teacher who helped shape the course of nearly all subsequent Jewish mysticism. Given his importance, it is remarkable that this is the first scholarly work on him in English.

Most studies of Lurianic Kabbalah focus on Luria’s mythic and speculative ideas or on the ritual and contemplative practices he taught. The central premise of this book is that Lurianic Kabbalah was first and foremost a lived and living phenomenon in an actual social world. Thus the book focuses on Luria the person and on his relationship to his disciples. What attracted Luria’s students to him? How did they react to his inspired and charismatic behavior? And what roles did Luria and his students see themselves playing in their collective quest for repair of the cosmos and messianic redemption?

Leonhart Fuchs's herbal—recognized for more than four centuries as a masterpiece of Renaissance botany and one of the most beautiful books ever printed—now appears for the first time in a facsimile edition, accompanied by a volume of commentary based on three decades of historical and botanical research; the two volumes are published as a handsome boxed set. Only some 150 copies of the herbal are known to survive in rare book collections, and in the antiquarian book market it commands high prices (a copy was sold at Christie's for $17,000 in 1997).

The herbal, a compilation of information on the medicinal properties of plants, had declined in the Middle Ages. This changed in the early sixteenth century with the emergence in Germany of the new form of a printed, illustrated herbal, led by De historia stirpium commentarii insignes by Leonhart Fuchs (1501-1566). The plan and organization of the herbal was entirely original with Fuchs, although the work included a vast amount of material derived from his Classical predecessors.

Fuchs's book is of great splendor, without equal among sixteenth-century herbals. It is illustrated with 511 woodcut figures, all original and depicted from life. These figures established a standard of botanical illustration that has lasted to the present day, and more than 100 species were illustrated for the first time (including 12 New World plants such as maize, kidney bean, chili pepper, cactus, and tobacco). During Fuchs' lifetime, the herbal and its various abridgements went through 39 printings in Latin, German, French, Spanish, and Dutch. The original Latin edition of 1542 is here reprinted in a facsimile only slightly smaller than the original, as the second volume of this set.

The exhaustively detailed commentary will become the standard reference work for Renaissance botany. Of invaluable interest to historians of medicine, pharmacology, philology, art, and printing, it will also appeal to collectors of fine and rare books, gardeners, and proponents of alternative medicine. The commentary contains some 150 illustrations, 100 in color, that include contemporary hand-colored figures from printed copies of the herbal and woodcuts hand-colored under Fuchs' supervision for a projected, unpublished elaboration of the original herbal.

Book References to Fuchs's Herbal

"A folio of breathtaking splendor."

—The Illustrated Herbal

"A botanical masterpiece."

—Herbals: Their Origin and Evolution

"Perhaps the most celebrated and beautiful herbal ever published."

—Printing and the Mind of Man

"Fuchs' woodcuts set a standard for botanical illustration that holds up to this day for clarity and directness."

—The Renaissance Print

"One of the greatest of all herbals."

—100 Books Famous in Medicine

Sustaining Loss explores the uncanny, traumatic weaving together of the living and the dead in art, and the morbid fascination it holds for modern philosophical aesthetics. Beginning with Kant, the author traces how aesthetic theory has been drawn back repeatedly to the moving power of the undead body of the work of art. He locates the most potent expressions of this philosophical compulsion in Hegel's thesis that art is a thing of the past, and in Freud's view that the work of art is the haunting of the present by the endless suffering of what is dead but still has claims over the living.

The book asserts that modern aesthetics holds the key to unlocking the tortured relation of modernity to the past it is perpetually leaving behind. As the capacity to withstand the inescapable force of a past that is dead for us becomes the supreme test for a fully modern, fully secular philosophy, aesthetics moves to the center of philosophical reflection. But, the author argues, this secular philosophical orientation can be sustained only if aesthetic theory remains oriented by intimate contact with modernist works of art.

Sustaining Loss examines not only Kant, Hegel, and Freud, but also the contemporary artists Gerhard Richter and Ilya Kabakov, whose art turns fruitfully against art's own past. To live as a modern, the author asserts, is to live with the dead past that modernist art ceaselessly disgorges. Overall, the book aims to articulate an aesthetic theory suitable to the task of living in a time when, in Flannery O'Connor's words, "The blind don't see and the lame don't walk, and what's dead stays that way."

This challenging book argues that a new way of speaking of mathematics and describing it emerged at the end of the sixteenth century. Leading mathematicians like Hariot, Stevin, Galileo, and Cavalieri began referring to their field in terms drawn from the exploration accounts of Columbus and Magellan. As enterprising explorers in search of treasures of knowledge, these mathematicians described themselves as sailing the treacherous seas of mathematics, facing shipwreck on the shoals of paradox, and seeking shelter and refuge on the shores of geometrical demonstrations. Mathematics, formerly praised for its logic, clarity, and inescapable truths, was for them a hazardous voyage in inhospitable geometrical lands.

Significantly, many of the same practitioners who promoted the vision of mathematics as heroic exploration also played central roles in developing the most important mathematical innovation of the period—the infinitesimal methods. This was no coincidence: the heroic tales of exploration and discovery helped shape a new form of mathematical practice, complete with new questions, new acceptable answers, and new standards of evidence. It was this new vision of mathematics as a grand adventure that allowed for the development of the new techniques that led to the Newtonian calculus.

In demonstrating this, the book moves from real voyages to imaginary ones, from the coasts of the Canadian Arctic to the tropical forests of Guyana, and from the inner structure of matter to the intricacies of the mathematical continuum. Throughout, a common rhetoric and imagery of exploration and discovery run like a thread through these diverse elements and bind them together.

This detailed study examines the social, religious, and institutional conflicts accompanying the Russian Schism of the seventeenth century. By analyzing who opposed the reforms of Patriarch Nikon (1652-58) and under what circumstances, the author presents a complex and multi-faceted world of popular religious resistance that has been hidden from view for centuries.

The documentary records of Russian church and state archives—most studied here for the first time—reveal that the schism evolved in two phases. The first phase began in 1652 and encompassed the activities of Old Believer literati as well as unrelated protests by social outcasts and independent-minded individuals. The second phase began in 1666 with a systematic church campaign to enforce the Nikonian forms of worship. The author argues that the vast majority of ordinary Russians rejected Nikonian symbols such as the three-finger sign of the cross and the new service book because they perceived them as tokens of obedience to church authority, and not because they responded to the teachings of Old Believers. In fact, the book demonstrates that seventeeth-century Old Believers' literary and moralist concerns aroused little interest among contemporaries.

The Russian Schism's central feature was the assertion of religious autonomy by clerics and laymen. Countless small, locally endowed hermitages and a few larger monasteries, having never been integrated into the church's institutional structure, were now in revolt; monks and nuns living outside of official monasteries preached heterodox ideas and violence, or founded alternative communities in the forests; defrocked and unemployed priests, deeply hostile to the church, participated in local uprisings; and a number of parish priests defended themselves with force against attempts to depose them. Manifestations of lay dissent included attacks by peasants and brigands on church representatives in Siberia and at Lake Onega; group suicides; quasi-Protestant quests for religious salvation by individual peasants and artisans; and underground religious networks sponsored by Novgorod and Pskov merchants.

The book provides a thorough reassesment of the Russian Schism, relying primarily on archival documents and thus departing from the traditional focus on Old Believer writings and biographies.

Starting from the minimal principle of generative anthropology—that human culture originates as "the deferral of violence through representation"—the author proposes a new understanding of the fundamental concepts of metaphysics and an explanation of the historical problematic that underlies the postmodern "end of culture."

Part I begins with the paradoxical emergence of the "vertical" sign from the "horizontal" world of appetite. Two persons reaching for the same object are a minimal model of this emergence; their "pragmatic paradox" can be resolved only by substituting the representation of the object for its appropriation. The nature of paradox and the related notion of irony, as well as the fundamental concepts of being, thinking, and signification, are rethought on the basis of this triangular model, leading to an anthropological interpretation of the origin of philosophy and semiotics in Plato's Ideas. Part I concludes with an exploration of the psychoanalytic categories of the unconscious and the erotic.

Part II develops the idea that material exchange originates in the sparagmos or violent rendering of the sacrificial victim from which each participant obtains a roughly equal portion. The dependence of the process on the central victimary figure culminates in the Holocaust, the extermination of the Jews, whose crucial role in Western culture is their rejection of the central image in favor of peripheral exchange. As a result, postmodern dialogue becomes dominated by the rhetoric of victimage, and the culture of centrality gives way to an aesthetic of the marginal.

This monumental work by the world's preeminent authority on Arctic floras—the first comprehensive, up-to-date botanic manual for this region—is the product of the author's more than forty years of study of circumpolar floras. The book describes and illustrates all flowering plants and vascular cryptograms known to occur in Alaska, the Yukon, the Mackenzie District, and the eastern extremity of Siberia.

Some 1,974 taxa, belonging to 1,559 species, occur in this region; all are described. For 1,735 of these, the book provides detailed description, nomenclature, plant drawing, and range maps. In each case, one map gives distribution in the Alaskan region; a second, on circumpolar projection, gives worldwide range. This volume is the first major flora to assemble such comprehensive range data and to provide such maps.

An analytic key to all species described is provided for each genus, and there is an artificial key to families. An Introduction describes the past and present climatic, geologic, and ecologic character of the regions covered, the history of botanical collection in these regions, and the book's treatment of botanical and taxonomic details; and lists the plants of neighboring regions likely to occur. Glossary, plant authors' list, bibliography, and indexes are provided. The superb drawings were prepared by Dagny Tande-Lid, and eight pages of illustration in color are included.

Sefer ha-Zohar (The Book of Radiance) has amazed readers ever since it emerged in medieval Spain over seven hundred years ago. Written in lyrical Aramaic, this masterpiece of Kabbalah exceeds the dimensions of a normal book; it is virtually a body of mystical literature, comprising over twenty discrete sections. The bulk of the Zohar consists of a mystical interpretation of the Torah, from Genesis through Deuteronomy.

This seventh volume of The Zohar: Pritzker Edition consists of commentary on more than half the book of Leviticus. How does the Zohar deal with a biblical text devoted largely to animal sacrifices, cereal offerings, and priestly ritual? Here these ancient laws and procedures are spiritualized, transformed into symbols of God's inner life, now that both the Desert Tabernacle and the Temple in Jerusalem no longer exist. For example, the ascent offering, which was totally consumed on the altar, is known in Hebrew as olah (literally, "that which ascends"). In the Zohar, this symbolizes Shekhinah, last of the ten sefirot (divine potencies), who ascends to unite with Her beloved, the blessed Holy One.

The biblical narrative describes how two of Aaron's sons, Nadab and Abihu, offered alien fire before YHVH and were immediately consumed in a divine blaze. Rabbinic tradition suggested various reasons why they were killed: they lacked the proper priestly garments, or had not washed their hands and feet, or were drunk, or were not married. For the Zohar, marriage enables one to imitate the divine union of male and female energies, and to stimulate that union above. By not marrying, Nadab and Abihu remained incomplete and unfulfilled. According to a related Zoharic passage, their ritual act failed because in their contemplation of the divine qualities they did not include Shekhinah. Without Her, God is incomplete.

This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico—the Nahua, Mixtec, Zapotec, and Mixe—and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica.

Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress, work, roles, sexuality, acts of resistance, and relationships with men and other women. Drawing on a rich collection of archival, textual, and pictorial sources, she traces the shifts in women's economic, political, and social standing to evaluate the influence of Spanish ideologies on native attitudes and practices around sex and gender in the first several generations after contact. Though catastrophic depopulation, economic pressures, and the imposition of Christianity slowly eroded indigenous women's status following the Spanish conquest, Sousa argues that gender relations nevertheless remained more complementary than patriarchal, with women maintaining a unique position across the first two centuries of colonial rule.

The complete second volume of Edwin Cranston's monumental Waka Anthology

Grasses of Remembrance carries forward the story of Japanese court poetry through its Early Classical period, drawing from sources dating from the 890s to the 1080s. These two centuries saw the revival of the prestige of poetry in the native tongue after a century of official preference for versification in Chinese. An anthology of anthologies, bound complete in a single volume for the first time, Grasses of Remembrance draws copiously from the first four imperially ordered collections, Kokinshu, Gosenshu, Shuishu, and Goshuishu, examining the structure and illustrating the content of each. In all, the book contains over 2,600 poems in lively and readable translation, including selections from Shinsen Man'yoshu, a late-ninth-century collection of parallel verses in Chinese and Japanese, and all 795 poems from The Tale of Genji.

This book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics). Within this wartime context, the Romantic aesthetic tradition appears as a response to a crisis in attention caused by demands on both soldiers and civilians to keep watch. Close formal readings of the poetry of Blake, Coleridge, Cowper, Keats, (Charlotte) Smith, and Wordsworth, in conversation with research into Enlightenment philosophy and political and military discourses, suggest the variety of forces competing for—or commanding—attention in the period. This new framework for interpreting Romanticism and its legacy illuminates what turns out to be an ongoing tradition of war literature that, rather than give testimony to or represent warfare, uses rhythm and verse to experiment with how and what we attend to during times of war.

This is the long-awaited second part of the author’s meticulously researched and scrupulously impartial study of the complicated and anguished history of Yugoslavia during the years of World War II. The previous volume dealt with the Chetniks, the resistance movement formed by officers of the defeated Yugoslav army who came to regard the Communist-led Partisans as their chief enemy, and who reached accords with the occupying powers—first with the Italians and then with the Germans. The present volume deals with the rule of the Axis powers in occupied Yugoslavia, along with the role of the other groups that collaborated with them—primarily the extremist Croatian nationalist organization known as the Ustashas.

The book begins by briefly describing the establishment of Yugoslavia in 1918 and its internal history during the interwar period. It then discusses the breakup of the state in April 1941, the annexation or occupation of parts of its territory by its neighbors, and the establishment by the Ustashas of the independent state of Croatia as a German-Italian quasi protectorate, focusing on its governmental policies and its problems with the Bosnian Muslims. The book also examines the role of religion during the occupation, the destruction of the Yugoslav Jewish community, and the economic exploitation of Yugoslav territory by the Axis powers. The work concludes by discussing the wartime population losses of the country and the ultimate fate of the collaborationist forces.

No Japanese writer was more obsessed with desire than Tanizaki Jun'ichiro (1886–1965). Over a career that spanned half a century, he explored, with both joyful fascination and ruthless insight, the dazzling varieties of sexuality, the complementary attractions of exoticism and nostalgia, the human yearning for mastery over others, and the tense relationship between fantasy and the exterior world. His fiction is filled with portrayals of desire in all its violence, irony, pathos, and comedy.

In one of Tanizaki's novels, a young engineer fascinated with the West sets out to transform a Japanese bar girl into his very own version of Mary Pickford. He succeeds to such an extent that the girl, growing tired of his immutable Japaneseness, begins to take foreign lovers. Cuckolded and humiliated though his is, the engineer is unable to leave his fantasy-come-to-life and resigns himself to enslavement.

In another novel, a Westernized Japanese finds himself gradually drawn to the past. Specifically, he is attracted to his father-in-law's companion, a young woman who has been trained and costumed to play the part of an old-fashioned mistress. Though this woman is no more a flesh-and-blood embodiment of tradition than a bunraku doll, the protagonist contemplates a life with someone like her, a life defined by the pursuit of abstract, dehumanized cultural ideals.

Visions of Desire locates such novels in the shifting discourse on cultural identity and cultural aspiration that permeates Japanese life. Ito argues that Tanizaki's novels do not merely end in the reification and contemplation of cultural ideals but rather problematize the desire behind such ideals. He finds in the writer's fiction a subtle understanding of cultural aspiration as a process riddled with subversions, influenced by patterns of mediation, and circumscribed by the lonely efforts of individual subjectivity. He discovers in Tanizaki's fables about the male effort to transform women into cultural icons a clear awareness of the sexual and class hierarchies that make such transformation possible.

Visions of Desire is the first book in English on a writer who is possibly modern Japan's greatest novelist. Ito has written for both the specialist and the general reader, setting his argument in a discussion both of Tanizaki's times and of the life of a writer who believed in living out the fantasies that fueled his fictions.

This is the third volume to appear in an edition that will be the first complete, critical, and annotated English translation of all of Nietzsche's work. Volume 2: Unfashionable Observations, translated by Richard T. Gray, was published in 1995; Volume 3: Human, All Too Human (I), translated by Gary Handwerk, was published in 1997. The edition is a new English translation, by various hands, of the celebrated Colli-Montinari edition, which has been acclaimed as one of the most important works of scholarship in the humanities in the last half century.

The present volume provides for the first time English translations of all of Nietzsche's unpublished notebooks from the summer of 1872 to the end of 1874. The major works published in this period were the first three Unfashionable Observations: "David Strauss the Confessor and the Writer," "On the Utility and Liability of History for Life," and "Schopenhauer as Educator." Translations of the preliminary notes for these pieces are coordinated with the translations of the published texts printed in Volume 2: Unfashionable Observations.

The content of these notebooks goes far beyond the notes and plans for published and unpublished Unfashionable Observations, encompassing numerous sketches related to Nietzsche's major philological project from this period, a book on the pre-Platonic Greek philosophers. The ideas that emerged from Nietzsche's deliberations on these early Greek thinkers are absolutely central to his thought from this period and contribute in significant ways to the development of several of his major themes: the role of the philosopher vis-à-vis his age and the surrounding culture; the relationships among philosophy, art, and culture; the metaphorical nature of language and its relationship to knowledge; the unmasking of the modern drive for absolute "truth" as a palliative against the horror of existence; and Nietzsche's "unfashionable" attack on modern science and modern culture, especially on the Germany of the Bismarck Reich. These notebooks represent important transitional documents in Nietzsche's intellectual development, marking, among other things, the shift away from philological studies toward unabashed cultural criticism.

Voice from the North resurrects the forgotten historical memory of the people and region in late Choson Korea while also enriching the social history of the country. Sun Joo Kim accomplishes this by examining the life and work of Yi Sihang, a historically obscure person from a hinterland in Korea's northwestern region who was also a member of the literati. Unlike many of his contemporaries, Yi Sihang left numerous writings on his region's history and culture, and on the political and social discrimination that he and others in his region faced from the central elite.

This work explores a regional history and culture through the frames of microhistory and historical memory. Kim criticizes the historiographical problem of "otherizing" the northern region and fills a gap in Korean historiography—the lack of historical study of the northern region from a regional perspective, P'yongan Province in particular. The biographical format of this work engages readers in the investigation of a person's life within the changing world of his time and also creates a space where private and public intersect. Kim places Yi Sihang at the center of the historical stage while describing, analyzing, and reconstructing the world around him through his life story.

Whether from customers, supply-chain partners, policymakers, or regulators, organizations in virtually every industry are facing calls to do more with less. They are feeling compelled to provide higher-quality outcomes, more rapidly, at a lower cost.

This book offers a road-tested approach for delivering these outcomes through positive organizational change. Its message comes just in time, for too many companies have gone the way of low-road strategies, such as cutting pay and perks, and working harder not smarter. Drawing on her path-breaking research, Jody Hoffer Gittell reveals that high performance is fundamentally relational—rooted in both human and social capital.

Based on this insight, she provides a unique model that will help companies to build meaningful relationships among colleagues, develop smarter work processes, and design organizational structures fit for today's pressure test. By following four organizations on their change journeys, she illustrates how "relational coordination" unfolds in real-world settings. Tools for change guide readers as they learn how to implement this new model in their own workplaces.

Trust, but Verify uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The contributors to this volume look at how the "emotional" side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.

Postsecondary institutions for indigenous peoples emerged in the late 1960s, just as other special purpose colleges based on gender or race began to close. What accounts for the emergence of these distinctive institutions? Though indigenous students are among the least populous, the poorest, and the most educationally disadvantaged in the world, they differ from most other racial, ethnic, cultural, and linguistic minorities by virtue of their exceptional claims to sovereignty under international and domestic law.

Uncommon Schools explores the emergence of postsecondary institutions for indigenous peoples worldwide, with a focus on developments in the United States, Canada, Australia, and New Zealand. Providing the opportunity to examine larger social, political, and legal processes, it traces the incorporation of indigenous peoples into nation-states, the rise of a global indigenous rights movement, and the "massification" of postsecondary education while investigating the variety of ways these culturally relevant colleges differ from each other and from other postsecondary institutions.

Linking economic and social historical research methods with special reference to the evolution of the industrial labor force, To Live to Work offers an account of the popular expansion of gender, labor, and political consciousnesses among working women in colonial Korea. While Korea's rapid industrial development throughout the twentieth century is one focus of this work, equal emphasis is given to interpreting the social and cultural consequences of modernization, such as the growth of cities and the rise of male and female labor forces. Special attention is given to the partitions in the labor market along the lines of gender, age, class, and nationality.

Suddenly, the Sight of War is a genealogy of Hebrew poetry written in pre-state Israel between the beginning of World War II and the War of Independence in 1948. In it, renowned literary scholar Hannan Hever sheds light on how the views and poetic practices of poets changed as they became aware of the extreme violence in Europe toward the Jews.

In dealing with the difficult topics of the Shoah, Natan Alterman's 1944 publication of The Poems of the Ten Plagues proved pivotal. His work inspired the next generation of poets like Haim Guri, as well as detractors like Amir Gilboa. Suddenly, the Sight of War also explores the relations between the poetry of the struggle for national independence and the genre of war-reportage, uniquely prevalent at the time. Hever concludes his genealogy with a focus on the feminine reaction to the War of Independence showing how women writers such as Lea Goldberg and Yocheved Bat-Miryam subverted war poetry at the end of the 1940s. Through the work of these remarkable poets, we learn how a culture transcended seemingly unspeakable violence.

Menke's Telegraphic Realism is the first comprehensive reading of Victorian fiction as part of an emerging world of new media technologies and information exchange. The book analyzes the connections between fictional writing, communication technologies, and developing ideas about information, from the postage stamp and electric telegraph to wireless. By placing fiction in dialogue with media history, it argues that Victorian realism was print culture's sophisticated response to the possibilities and dilemmas of a world of media innovations and information flows.

Storytelling can be a lifelong and life sustaining habit of mind, a personal inheritance that connects us to our communities. It can also serve as an organizational inheritance—a management tool that helps businesses to develop and thrive. For more than a decade, award-winning author Janis Forman has been helping executives to tell stories in service of their organizational objectives. In Storytelling in Business: The Authentic and Fluent Organization, she teaches readers everywhere how the craft of storytelling can help them to achieve their professional goals.

Focusing on the role of storytelling at the enterprise level, this book provides a research-driven framework for engaging in organizational storytelling. Forman presents original cases from Chevron, FedEx, Phillips, and Schering-Plough. Organizations like those featured in the book can make use of storytelling for good purposes, such as making sense of their strategy, communicating it, and developing or strengthening culture and brand. These uses of storytelling generate positive consequences that can have a sustained and significant impact on an organization. While large firms employ teams of digital and communication professionals, there's much that any of us can extrapolate from their experience to create stories to further our own objectives.

To show the reach of storytelling, Forman conducted 140 interviews with professionals ranging from CEOs in small and thriving firms, to corporate communication and digital media experts, to filmmakers—arguably the world experts in visual storytelling. She draws out specific lessons learned, and shows how to employ the road-tested strategies demonstrated by these leaders. Although this book focuses on storytelling in the context of business, Forman takes inspiration from narratives in literature and film, philosophical and social thought, and relevant concepts from a variety of other disciplines to instruct the reader on how to develop truly authentic and meaningful tales to drive success. A final chapter brings readers back to square one: the development of their own "signature story."

This book is a pioneering work that guides us beyond the pressure and noise of daily organizational life to influence people in a sustained, powerful way. It teaches us to be fluent storytellers who succeed by mastering this vital skill.

Before Shanghai, there was Suzhou: a city of canals and commerce, gardens and scholars, the largest noncapital city on earth between 1400 and 1850. This book shows how, though Suzhou entered the Ming dynasty defeated and suspect, interactions between the imperial state and local elites gave rise to a network of markets that fostered high-quality local specialization. Population growth and economic expansion followed, as did the acceptance of conspicuous consumption, critical distance from the imperial state, and the dissolution of traditional barriers between scholar-officials and merchants.

These developments shaped Suzhou’s artistic and literary creativity, and made possible the continued success of its sons in the imperial examinations. Thus political success, cultural creativity, and economic centrality, the author argues, enabled Suzhou not just to influence the region, but to reshape the empire.

This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. "Slow print," like "slow food" today, actively resisted industrial production and the commercialization of new domains of life.

Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.

The devotion to Our Lady of Guadalupe is one of the most important elements in the development of a specifically Mexican tradition of religion and nationality over the centuries. The picture of the Virgen morena (Dark Virgin) is to be found everywhere throughout Mexico, and her iconography is varied almost beyond telling. Though innumerable books, both historical and devotional, have been published on the Guadalupan legend in this century alone, it is only recently that its textual sources have been closely studied.

This volume makes available to the English-reading public an easily accessible translation from the original Nahuatl of the story itself and the entire book in which the story is embedded. The study also provides scholars with new perspectives on a text long at the center of Mexican intellectual currents. Through the use of technical philological methods, it indicates that the text may have been authored in the mid-seventeenth century by a Spanish-Mexican priest, based on an earlier text by a colleague of his, and that it was not the product of Nahuatl oral tradition.

The story of the apparition of the Virgin of Guadalupe to a poor indigenous man less than fifteen years after the Spanish conquest of Mexico did not come into prominence until the mid-seventeeth century. The first known telling of the tale appeared in a book published in Spanish in 1648 by the priest Miguel Sánchez. On the heels of the Sánchez version, the story was included in the book Huei tlamahuiçoltica published in 1649 by Luis Laso de la Vega, the vicar of the Guadalupe chapel and a friend of Sánchez. It had little impact initially, but by the twentieth century, with indigenism triumphant, it had become the best known version.

There have been a few translations of Laso de la Vega's apparition story into English but only on a popular or devotional level. The present edition offers a translation and transcription of the complete text of the 1649 edition, together with critical apparatus, including comparisons of the Sánchez and Laso de la Vega texts, and various linguistic, orthographic, and typographical matters that throw light on the date and manner of composition.

In a series of fifteen vivid essays, this book discusses the contributions of great common-law jurists and singular documents—namely the Magna Carta and the Laws and Liberties of Massachusetts—that have shaped common law, from its origins in twelfth-century England to its arrival in the American colonies.

Featured jurists include such widely recognized figures as Glanvill, Francis Bacon, Sir Edward Coke, and John Selden, as well as less known but influential writers like Richard Hooker, Michael Dalton, William Hudson, and Sir Matthew Hale. Across the essays, the jurists' personalities are given voice, the context of time and events made clear, and the continuing impact of the texts emphasized. Taken as a whole, the book offers a simple reverence for the achievements of these men and law books and a deep respect for the role historical events have played in the development of the common law.

It is commonly assumed that there is an enduring link between individuals and their countries of citizenship. Plural citizenship is therefore viewed with skepticism, if not outright suspicion. But the effects of widespread global migration belie common assumptions, and the connection between individuals and the countries in which they live cannot always be so easily mapped.

In The Scramble for Citizens, David Cook-Martín analyzes immigration and nationality laws in Argentina, Italy, and Spain since the mid 19th century to reveal the contextual dynamics that have shaped the quality of legal and affective bonds between nation-states and citizens. He shows how the recent erosion of rights and privileges in Argentina has motivated individuals to seek nationality in ancestral homelands, thinking two nationalities would be more valuable than one. This book details the legal and administrative mechanisms at work, describes the patterns of law and practice, and explores the implications for how we understand the very meaning of citizenship.

While policy makers and scholars have long devoted considerable attention to strategies like deterrence, which threaten others with unacceptable consequences, such threat-based strategies are not always the best option. In some cases, a state may be better off seeking to give others a greater sense of security, rather than by holding their security at risk. The most prominent use of these security assurances has been in conjunction with efforts to prevent the spread of nuclear weapons.

Ongoing concerns about the nuclear activities of countries like Iran and North Korea, and the possible reactions of other states in their regions, have catapulted this topic into high profile. This book represents the first study to explore the overall utility of assurance strategies, to evaluate their effectiveness as a tool for preventing nuclear proliferation, and to identify conditions under which they are more or less likely to be effective.

This book explores the political imagination of Eastern Europe in the 1830s and 1840s, when Polish, Russian, and Ukrainian intellectuals came to identify themselves as belonging to communities known as nations or nationalities. Bilenky approaches this topic from a transnational perspective, revealing the ways in which modern Russian, Polish, and Ukrainian nationalities were formed and refashioned through the challenges they presented to one another, both as neighboring communities and as minorities within a given community. Further, all three nations defined themselves as a result of their interactions with the Russian and Austrian empires. Fueled by the Romantic search for national roots, they developed a number of separate yet often overlapping and inclusive senses of national identity, thereby producing myriad versions of Russianness, Polishness, and Ukrainianness.

As the greatest book of Jewish mysticism, the Zohar is a revered and much-studied work. Yet, surprisingly, scholarship on the Zohar has yet to pay attention to its most unique literary device—the presentation of its insights while its teachers walk on the road. In these pages, rabbi and scholar David Greenstein offers the first examination of the "walking on the road" motif.

Greenstein's original approach hones in on how this motif expresses the struggles with spatiality and the everyday presented in the Zohar. He argues that the walking theme is not a metaphor for realms to be collapsed into or transcended by the holy, as conventional interpretations would have it. Rather, it conveys us into those quotidian spaces that are obdurately present alongside the realm of the sacred. By embracing the reality of mundane existence, and recognizing the prosaic dimensions of the worldly path, the Zohar is an especially exceptional mystical treatise. In this volume, Greenstein makes visible a singular, though previously unstudied, achievement of the Zohar.

This ground-breaking documentary history contains over 150 primary sources originally written in 15 languages by or about Sephardi Jews—descendants of Jews who fled medieval Spain and Portugal settling in the western portions of the Ottoman Empire, including the Balkans, Anatolia, and Palestine. Reflecting Sephardi history in all its diversity, from the courtyard to the courthouse, spheres intimate, political, commercial, familial, and religious, these documents show life within these distinctive Jewish communities as well as between Jews, Muslims, and Christians.

Sephardi Lives offer readers an intimate view of how Sephardim experienced the major regional and world events of the modern era—natural disasters, violence and wars, the transition from empire to nation-states, and the Holocaust. This collection also provides a vivid exploration of the day-to-day lives of Sephardi women, men, boys, and girls in the Judeo-Spanish heartland of the Ottoman Balkans and Middle East, as well as the émigré centers Sephardim settled throughout the twentieth century, including North and South America, Africa, Asia, and Europe. The selections are of a vast range, including private letters from family collections, rabbinical writings, documents of state, memoirs and diaries, court records, selections from the popular press, and scholarship.

In a single volume, Sephardi Lives preserves the cultural richness and historical complexity of a Sephardi world that is no more.

The history of Asian American literature reveals the ongoing attempt to work through the fraught relationship between identity politics and literary representation. This relationship is especially evident in literary works which claim that their content represents the socio-historical world. The Semblance of Identityargues that the reframing of the field as a critical, rather than identity-based, project nonetheless continues to rely on the logics of identity.

Drawing on the writings of philosopher and literary critic Georg Lukacs, Christopher Lee identifies a persistent composite figure that he calls the "idealized critical subject," which provides coherence to oppositional knowledge projects and political practices. He reframes identity as an aesthetic figure that tries to articulate the subjective conditions for knowledge. Harnessing Theodor Adorno's notion of aesthetic semblance, Lee offers an alternative account of identity as a figure akin to modern artwork. Like art, Lee argues, identity provides access to imagined worlds that in turn wage a critique of ongoing histories and realities of racialization.

This book assembles a transnational archive of literary texts by Eileen Chang, Frank Chin, Maxine Hong Kingston, Chang-rae Lee, Michael Ondaatje, and Jose Garcia Villa, revealing the intersections of subjectivity and representation, and drawing our attention to their limits.

The genealogy and function of epigenesis—the theory that organisms generate themselves under the guidance of a formative drive—provides a unique means of understanding the profound changes in philosophy, philosophy of language, and literature at the turn of the nineteenth century.

The book begins by describing how and why epigenesis came to replace the reigning model of biological origination, preformation—the theory that all organisms were preformed at the creation of the world. Contemporary with these developments, Kant used the figures of epigenesis and self-formation to illustrate his concepts of the origin of the categories, the possible success of practical reason, and the validity of aesthetic and teleological judgments. The author shows how Kant's figurative use of self-generation was turned into an indispensable determination by Fichte and his successors: philosophical knowledge can claim absolute certainty only if it can prove that it generates itself in logically accountable procedures.

This self-generating philosophy—also known as Idealism—was in turn accompanied by a revaluation of the origin of language, notably by Herder and by Humboldt, who attempted to formulate self-generation as the philosophical foundation for a future Science of Language. The book concludes by demonstrating that the biological, philosophical, and linguistic problematic of self-generation is at the heart of Goethe's novel Elective Affinities and Beaumarchais's The Marriage of Figaro.

Robinson Jeffers and the American Sublime is the most comprehensive and most substantial critical work ever devoted to the major American poet Robinson Jeffers (1887–1962). Jeffers, the best known poet of California and the American West, particularly valorized the Big Sur region, making it his own as Frost did New England and Faulkner, Mississippi, and connecting it to the wider tradition of the American sublime in Emerson, Thoreau, and John Muir. The book also links Jeffers to a Puritan sublime in early American verse and explores his response to the Darwinian and Freudian revolutions and his engagement with modern astronomy. This discussion leads to a broad consideration of Jeffers' focus on the figure of Christ as emblematic of the human aspiration toward God—a God whom Jeffers defines not in Christian terms but in those of an older materialist pantheism and of modern science. The later sections of the book develop a conspectus of the democratic sublime that addresses American exceptionalism through the prism of Jeffers' Jeffersonian ethos. A final chapter places Jeffers' poetic thought in the larger cosmological perspective he sought in his late works.

A Stanford University Press classic.

The Scenic Imagination argues that the uniquely human phenomenon of representation, as manifested in language, art, and ritual, is a scenic event focused on a central object designated by a sign. The originary hypothesis posits the necessity of conceiving the origin of the human as such an event. In traditional societies, the scenic imagination through which this scene of origin is conceived manifests itself in sacred creation narratives. Modern thought is defined by the independent use of the scenic imagination to create anthropological models of the origin of human institutions, beginning with the social contract scene in Hobbes's Leviathan that puts an end to the reciprocal violence of the state of nature. Eric Gans follows the work of the scenic imagination in selected writings of twenty thinkers including Locke, Rousseau, Kant, Hegel, Marx, Nietzsche, Durkheim, Boas, and Freud and concludes his book with a critical examination of contemporary writing on the origins of religion and language. In the process, he demonstrates that the originary hypothesis offers the most cohesive explanation of the origin and function of these fundamental institutions.

Rise of the Red Engineers explains the tumultuous origins of the class of technocratic officials who rule China today. In a fascinating account, author Joel Andreas chronicles how two mutually hostile groups—the poorly educated peasant revolutionaries who seized power in 1949 and China's old educated elite—coalesced to form a new dominant class. After dispossessing the country's propertied classes, Mao and the Communist Party took radical measures to eliminate class distinctions based on education, aggravating antagonisms between the new political and old cultural elites. Ultimately, however, Mao's attacks on both groups during the Cultural Revolution spurred inter-elite unity, paving the way—after his death—for the consolidation of a new class that combined their political and cultural resources. This story is told through a case study of Tsinghua University, which—as China's premier school of technology—was at the epicenter of these conflicts and became the party's preferred training ground for technocrats, including many of China's current leaders.

Eighteenth-century Europe, preoccupied with both the origins and the defense of reason, was naturally concerned with what might be the root of all error. A topic any systematic account of knowledge must grapple with, error became a frequent point of debate in new scientific, aesthetic, and philosophical investigations. Taking John Locke's Essay Concerning Human Understanding as his point of departure, Sng examines a number of such debates, focusing on literary and philosophical accounts of the relationship between language and thought. Rather than approaching its topic conceptually or historically, he takes on canonical texts of the Enlightenment and Romanticism and engages with their rhetorical strategies. In so doing, Sng elucidates how people wrote about error and how texts claimed to produce reliable and error-free modes of knowledge. The range of authors addressed—Leibniz, Adam Smith, Coleridge, Kant, and Goethe—demonstrates the diversity and heterogeneity underlying the textual production of the age.

Through the voice of the narrator of Remembrance of Things Past, Proust observes of the painter Elstir that the paintings are bolder than the artist; Elstir the painter is bolder than Elstir the theorist. This book applies the same distinction Proust; the Proustian novel is bolder than Proust the theorist.

By this the author means that the novel is philosophically bolder, that it pursues further the task Proust identifies as the writer's work: to explain life, to elucidate what has been lived in obscurity and confusion. In this, the novelist and the philosopher share a common goal: to clarify the obscure in order to arrive at the truth. It follows that Proust's real philosophy of the novel is to be found not in the speculative passages of Remembrance, which merely echo the philosophical commonplaces of his time, but in the truly novelistic or narrative portions of his text.

In Against Sainte-Beuve, Proust sets forth his ideas about literature in the form of a critique of the method of Sainte-Beuve. Scholars who have studied Proust's notebooks describe the way in which this essay was taken over by bits of narrative originally intended as illustration supporting its theses. The philosophical portions of Remembrance were not added to the narrative as an afterthought, designed to bring out its meaning. What happened was the reverse: the novel was born of a desire to illustrate the propositions of the essay.

Why then should we not find the novel more philosophically advanced than the essay? Reversing the usual order followed by literary critics, the author interprets the novel as an elucidation, and not as a simple transposition, of the essay. The book is not only a general interpretation of Proust's novel and its construction; it includes detailed discussions of such topics as literature and philosophy, the nature of the literary genres, the poetics of the novel, the definition of art, modernity and postmodernity, and the sociology of literature.

When Art Spiegelman's Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year.

Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites—indeed requires—readers to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural.

Preventing a Biochemical Arms Race responds to a growing concern that changes in the life sciences and the nature of warfare could lead to a resurgent interest in chemical and biological weapons (CBW) capabilities. By bringing together a wide range of historical material and current literature in the field of CBW arms control, the book reveals how these two disparate fields might be integrated to precipitate a biochemical arms race among major powers, rogue states, or even non-state actors.

It seeks to raise awareness among policy practitioners, the academic community, and the media that such an arms race may be looming if developments are left unattended, and to provide policy options on how it—and it's devastating consequences—could be avoided. After identifying weaknesses in the international regime structures revolving around the Biological Weapons and Chemical Weapons Conventions, it provides policy proposals to deal with gaps and shortcomings in each prohibition regime individually, and then addresses the widening gap between them.

The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars—from physicians to farmers to bureaucrats—known as Shōhyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify "photography" in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study.

This book is an exploration of the process by which the Shōhyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten.

This is a broad-ranging and ambitious attempt to rethink aesthetic and literary studies in terms of an “anthropology” of symbolic media generally. Central to the author’s argument is the proposition that the idea of literature—at least as it has been understood in the West since the eighteenth century—as the paradigm for artistic experience is both limited and limiting. In its place, the author offers a more general theory of aesthetic experience appropriate to a wide range of media (in the term’s broadest sense) and geared toward performativity and bodily experience.

The author develops the idea of the “protoliterary” as a cultural-aesthetic discourse prior to and external to the “literary” as traditionally conceived in Western aesthetics. Manifestations of the protoliterary tend to occur within forms of multimedia theatricalization in which suggestive images of the body loom large. The appeal of the protoliterary lies in its ability to function on both cognitive and somatic levels, thereby neutralizing such distinctions as self/society and reality/fiction.

The author’s argument is indebted to John Dewey’s belief in a basic human need for aesthetic experience, a need that can be met in a variety of ways, from tattoos and scarification, through sports, parades, and cosmetics, to literature, opera, and film. From this basis the book theorizes a history of the development of separate, hierarchical arts in the West while suggesting that independent histories of single arts and artistic experience are no longer desirable or even possible. Although the genesis of particular forms of media are inextricably linked to specific historical, sociological, and technological conditions, their potential functions and effects are not tied to those conditions, nor should they be.

This book explores the emergence of the fundamental political concepts of medieval Jewish thought, arguing that alongside the well known theocratic elements of the Bible there exists a vital tradition that conceives of politics as a necessary and legitimate domain of worldly activity that preceded religious law in the ordering of society.

Since the Enlightenment, the separation of religion and state has been a central theme in Western political history and thought, a separation that upholds the freedom of conscience of the individual. In medieval political thought, however, the doctrine of the separation of religion and state played a much different role. On the one hand, it served to maintain the integrity of religious law versus the monarch, whether canon law, Islamic law, or Jewish law. On the other hand, it upheld the autonomy of the monarch and the autonomy of human political agency against theocratic claims of divine sovereignty and clerical authority.

Postulating the realm of secular politics leads the author to construct a theory of the precedence of politics over religious law in the organization of social life. He argues that the attempts of medieval philosophers to understand religion and the polity provide new perspectives on the viability of an accommodation between revelation and legislation, the holy and the profane, the divine and the temporal.

The book shows that in spite of the long exile of the Jewish people, there is, unquestionably, a tradition of Jewish political discourse based on the canonical sources of Jewish law. In addition to providing a fresh analysis of Maimonides, it analyzes works of Nahmanides, Solomon ibn Adret, and Nissim Gerondi that are largely unknown to the English-speaking reader. Finally, it suggests that the historical corpus of Jewish political writing remains vital today, with much to contribute to the ongoing debates over church-state relations and theocratic societies.

In this book of brilliantly erudite and precise discussions, Pierre Hadot explains that for the Ancients philosophy was not reducible to the building of a theoretical system: it was above all a choice about how to live one's life.

One of the most influential historians of ancient philosophy in the world today, Hadot is adept at using ancient philosophers to illuminate the relevance of their ideas to contemporary life. In this book, which is an ideal introduction to Hadot's more scholarly What is Ancient Philosophy?, we learn that to be an Epicurean is not merely to think like one; it is to adopt a way of living where limiting desires is the condition for happiness. Being an Aristotelian, similarly, is to choose a life that involves contemplation, and being a Cynic is to follow Diogenes in his refusal of quotidian convention and the mentality of ordinary people. If so many Ancient philosophers founded schools, Hadot explains, it was precisely because they were proposing how to live life on a daily basis. We learn here that the history of philosophy has been something more than just that of a discourse. The founding texts of Greek philosophy, after all, were notes taken from oral exercises undertaken in concrete circumstances and contexts, most often a dialogue between students and specific interlocutors who meant to shed light on their students' real existence. The immense contribution of this book, which also traces Hadot's own personal itinerary in a touching manner, is to remind us, through direct language and numerous examples, what the theoretical aspect of philosophy often masks: its vital and existential dimensions.

The environmental justice literature convincingly shows that poor people and minorities live in more polluted neighborhoods than do other groups. These findings have sparked a broad activist movement, numerous local lawsuits, and several federal policy reforms.

Despite the importance of environmental justice, the topic has received little attention from economists. And yet, economists have much to contribute, as several explanations for the correlation between pollution and marginalized citizens rely on market mechanisms. Understanding the role of these mechanisms is crucial to designing policy remedies, for each lends itself to a different interpretation to the locus of injustices. Moreover, the different mechanisms have varied implications for the efficacy of policy responses—and who gains and loses from them.

In the first book-length examination of environmental justice from the perspective of economics, a cast of top contributors evaluates why underprivileged citizens are overexposed to toxic environments and what policy can do to help. While the text engages economic methods, it is written for an interdisciplinary audience.

The relationship between business and politics is crucial to understanding Mexican history, and Pesos and Politics explores this relationship from the mid-nineteenth century dictatorship of Porfirio Diaz through the Mexican Revolution (1876–1940). Historian Mark Wasserman argues that throughout this era, over the course of successive regimes, there was an evolving enterprise system that had to balance the interests of the Mexican national elite, state and local governments, large foreign corporations, and individual foreign entrepreneurs. During and after the Revolution these groups were joined by organized labor and organized peasants.

Contrary to past assessments, Wasserman argues that no one of these groups was ever powerful enough to dominate another. Because Mexican governments and elites committed themselves to economic models that relied on foreign investment and technology, they had to reach a balance that simultaneously attracted foreign entrepreneurs, but did not allow them to become too powerful or too privileged.

Concentrating on the three most important sectors of the Mexican economy: mining, agriculture, and railroads, and employing a series of case studies of the careers of prominent Mexican business people and the operations of large U.S.-owned ranching and mining companies, Wasserman effectively demonstrates that Mexicans in fact controlled their economy from the 1880s through 1940; foreigners did not exploit the country; and, Mexicans established, sometimes shakily, sometimes unplanned, a system of relations between foreigners, elite and government (and later unions and peasant organizations) that maintained checks and balances on all parties.

In Poetry and Apocalypse, Franke seeks to find the premises for dialogue between cultures, especially religious fundamentalisms—including Islamic fundamentalism—and modern Western secularism. He argues that in order to be genuinely open, dialogue needs to accept possibilities such as religious apocalypse in ways that can be best understood through the experience of poetry. Franke reads Christian epic and prophetic tradition as a secularization of religious revelation that preserves an understanding of the essentially apocalyptic character of truth and its disclosure in history. The usually neglected negative theology that undergirds this apocalyptic tradition provides the key to a radically new view of apocalypse as at once religious and poetic.

For over half a century, the history of the Abraham Lincoln brigade—the 2,800 young Americans who volunteered to fight for the Spanish Republic against General Francisco Franco's rebellion in 1936—has been shrouded in myth, legend, and controversy. Now, for the fist time, we have a comprehensive, objective, and deeply researched account of the brigade's experience in Spain and what happened to the survivors when they returned to the United States. (About one-third of the volunteers died in Spain). The book is largely based on previously unused sources, including the newly opened Russian archives, and more than 100 oral histories.

The author charts the volunteers' motivations for enlisting in the fight against Spanish fascism and places their actions in the context of the Depression era. The battleground experiences of the brigade have never before been depicted in such vivid detail, and such battles as Jarama, Belchite, and the Ebro come alive in the participants' words. The author uses the military aspects of the war to illuminate such related issues as the influence of political ideology on military events and the psychology of a volunteer army. He also closely examines the role of the Communist party in the conduct of the war, including the "Orwell question"—allegations of a Communist reign of terror in Spain—and investigates the alleged racial problems within the brigade, the first fully integrated military unit in American history.

The book continues the saga of the brigade by relating the problems of the surviving volunteers with the U.S. Army during World War II; their opposition to the Cold War, the Vietnam war, and U.S. intervention in Central America; the persecution during the Red Scare of the 1950s; and their involvement with the civil rights movement.

"Characters" are those fictive beings in novels whose coherent patterns of behavior make them credible as people. "Character" is also used to refer to the capacity—or incapacity—of individuals to sustain core principles. When characters are inconsistent, they risk coming across as dangerous or immoral, not to mention unconvincing. But what is behind our culture's esteem for unwavering consistency? Out of Character examines literary characters who defy our culture's models of personal integrity. It argues that modernist writers Henry James, Gertrude Stein, and T. S. Eliot drew inspiration from vitalism as a way of reinventing the means of depicting people in fiction and poetry. Rather than regarding a rigid character as something that inoculates us against the shifting tides of circumstance, these writers insist on the ethical necessity of forming improvisational, dynamic social relationships. Charting the literary impact of William James, Charles Darwin, Friedrich Nietzsche, and, in particular, Henri Bergson, this book contends that vitalist understandings of psychology, affect, and perception led to new situational and relational definitions of selfhood. As Moses demonstrates, the modernists stirred by these vital life lessons give us a sense of what psychic life looks like at its most intricate, complex, and unpredictable.

Networks in Tropical Medicine explores how European doctors and scientists worked together across borders to establish the new field of tropical medicine in the late nineteenth and early twentieth centuries. The book shows that this transnational collaboration in a context of European colonialism, scientific discovery, and internationalism shaped the character of the new medical specialty. Even in an era of intense competition among European states, practitioners of tropical medicine created a transnational scientific community through which they influenced each other and the health care that was introduced to the tropical world. One of the most important developments in the shaping of tropical medicine as a specialty was the major sleeping sickness epidemic that spread across sub-Saharan Africa at the turn of the century. The book describes how scientists and doctors collaborated across borders to control, contain, and find a treatment for the disease. It demonstrates that these medical specialists' shared notions of "Europeanness," rooted in common beliefs about scientific, technological, and racial superiority, led them to establish a colonial medical practice in Africa that sometimes oppressed the same people it was created to help.

This book explores the life and thought of one of the most important but least known figures in early Zionism, Nathan Birnbaum. Now remembered mainly for his coinage of the word "Zionism," Birnbaum was a towering figure in early Jewish nationalism. Because of his unusual intellectual trajectory, however, he has been written out of Jewish history. In the middle of his life, in the depth of World War I, Birnbaum left his venerable position as a secular Jewish nationalist for religious Orthodoxy, an unheard of decision in his time. To the dismay of his former colleagues, he adopted a life of strict religiosity and was embraced as a leader in the young, growing world of Orthodox political activism in the interwar period, one of the most successful and powerful movements in interwar central and eastern Europe.

Jess Olson brings to light documents from one of the most complete archives of Jewish nationalism, the Nathan and Solomon Birnbaum Family Archives, including materials previously unknown in the study of Zionism, Yiddish-based Jewish nationalism, and the history of Orthodoxy. This book is an important meditation on the complexities of Jewish political and intellectual life in the most tumultuous period of European Jewish history, especially of the interplay of national, political, and religious identity in the life of one of its most fascinating figures.

We can often learn as much from political movements that failed as from those that achieved their goals. Nationalists Who Feared the Nation looks at one such frustrated movement: a group of community leaders and writers in Venice, Trieste, and Dalmatia during the 1830s, 40s, and 50s who proposed the creation of a multinational zone surrounding the Adriatic Sea. At the time, the lands of the Adriatic formed a maritime community whose people spoke different languages and practiced different faiths but identified themselves as belonging to a single region of the Hapsburg Empire. While these activists hoped that nationhood could be used to strengthen cultural bonds, they also feared nationalism's homogenizing effects and its potential for violence. This book demonstrates that not all nationalisms attempted to create homogeneous, single-language, -religion, or -ethnicity nations. Moreover, in treating the Adriatic lands as one unit, this book serves as a correction to "national" histories that impose our modern view of nationhood on what was a multinational region.

Descartes's notion of subjectivity changed the way characters would be written, performed by actors, and received by audiences. His coordinate system reshaped how theatrical space would be conceived and built. His theory of the passions revolutionized our understanding of the emotional exchange between spectacle and spectators. Yet theater scholars have not seen Descartes's transformational impact on theater history. Nor have philosophers looked to this history to understand his reception and impact. After Descartes, playwrights put Cartesian characters on the stage and thematized their rational workings. Actors adapted their performances to account for new models of subjectivity and physiology. Critics theorized the theater's emotional and ethical benefits in Cartesian terms. Architects fostered these benefits by altering their designs.

The Mind-Body Stage provides a dazzlingly original picture of one of the most consequential and confusing periods in the histories of modern theater and philosophy. Interdisciplinary and comparatist in scope, it uses methodological techniques from literary study, philosophy, theater history, and performance studies and draws on scores of documents (including letters, libretti, religious jeremiads, aesthetic treatises, and architectural plans) from several countries.

It has often been claimed that Jews have a penchant for capitalism and capitalist economic activity. With this book, Adam Teller challenges that assumption. Examining how Jews achieved their extraordinary success within the late feudal economy of the eighteenth-century Polish-Lithuanian Commonwealth, he shows that economic success did not necessarily come through any innate entrepreneurial skills, but through identifying and exploiting economic niches in the pre-modern economy—in particular, the monopoly on the sale of grain alcohol.

Jewish economic activity was a key factor in the development of the Polish-Lithuanian Commonwealth, and it greatly enhanced the incomes, and thereby the social and political status, of the noble magnates, including the powerful Radziwiłł family. In turn, with the magnate's backing, Jews were able to leverage their own economic success into high status in estate society. Over time, relations within Jewish society began to change, putting less value on learning and pedigree and more on wealth and connections with the estate owners.

This groundbreaking book exemplifies how the study of Jewish economic history can shed light on a crucial mechanism of Jewish social integration. In the Polish-Lithuanian setting, Jews were simultaneously a despised religious minority and key economic players, with a consequent standing that few could afford to ignore.

This book analyzes the emergence of ethnic consciousness among Hakka-speaking people in late imperial China in the context of their migrations in search of economic opportunities. It poses three central questions: What determined the temporal and geographic pattern of Hakka and Pengmin (a largely Hakka-speaking people) migration in this era? In what circumstances and over what issues did ethnic conflict emerge? How did the Chinese state react to the phenomena of migration and ethnic conflict?

To answer these questions, a model is developed that brings together three ideas and types of data: the analytical concept of ethnicity; the history of internal migration in China; and the regional systems methodology of G. William Skinner, which has been both a breakthrough in the study of Chinese society and an approach of broad social-scientific application. Professor Skinner has also prepared eleven maps for the book, as well as the Introduction.

The book is in two parts. Part I describes the spread of the Hakka throughout the Lingnan, and to a lesser extent the Southeast Coast, macroregions. It argues that this migration occurred because of upswings in the macroregional economies in the sixteenth century and in the late seventeenth and early eighteenth centuries. As long as economic opportunities were expanding, ethnic antagonisms were held in check. When, however, the macroregional economies declined, in the mid-seventeenth and late eighteenth centuries, ethnic tensions came to the fore, notably in the Hakka-Punti War of the mid-nineteenth century.

Part II broadens the analysis to take into account other Hakka-speaking people, notably the Pengmin, or “shack people.” When new economic opportunities opened up, the Pengmin moved to the peripheries of most of the macroregions along the Yangzi valley, particularly to the highland areas close to major trading centers. As with the Hakka, ethnic antagonisms, albeit differently expressed, emerged as a result of a declining economy and increased competition for limited resources in the main areas of Pengmin concentration.

The Mediterranean port of Livorno was home to one of the most prominent and privileged Jewish enclaves of early modern Europe. Focusing on Livornese Jewry, this book offers an alternative perspective on Jewish acculturation during the eighteenth century, and reassesses common assumptions about the interactions of Jews with outside culture and the impact of state reforms on the corporate Jewish community. Working from a vast array of previously untapped archival and literary sources, Francesca Bregoli combines cultural analysis with a study of institutional developments to investigate Jewish responses to Enlightenment thought and politics, as well as non-Jewish perceptions of Jews, through an exploration of Jewish-Christian cultural exchange, sites of sociability, and reformist policies. Mediterranean Enlightenment shows that Livornese Jewish scholars engaged with Enlightenment ideals and aspired to contribute to society at large without weakening the boundaries of traditional Jewish life. By arguing that the privileged status of Livorno Jewry had conservative rather than liberalizing effects, it also challenges the notion that economic utility facilitates Jewish integration, nuancing received wisdom about processes of emancipation in Europe.

This book explores the political emergence of the Imperial Japanese Navy between 1868 and 1922. It fundamentally challenges the popular notion that the navy was a 'silent,' apolitical service. Politics, particularly budgetary politics, became the primary domestic focus—if not the overriding preoccupation—of Japan's admirals in the prewar period. This study convincingly demonstrates that as the Japanese polity broadened after 1890, navy leaders expanded their political activities to secure appropriations commensurate with the creation of a world-class blue-water fleet.

The navy's sophisticated political efforts included lobbying oligarchs, coercing cabinet ministers, forging alliances with political parties, occupying overseas territories, conducting well-orchestrated naval pageants, and launching spirited propaganda campaigns. These efforts succeeded: by 1921 naval expenditures equaled nearly 32 percent of the country's total budget, making Japan the world's third-largest maritime power. The navy, as this book details, made waves at sea and on shore, and in doing so significantly altered the state, society, politics, and empire in prewar Japan.

Iranian history was long told through a variety of stories and legend, tribal lore and genealogies, and tales of the prophets. But in the late nineteenth century, new institutions emerged to produce and circulate a coherent history that fundamentally reshaped these fragmented narratives and dynastic storylines. Farzin Vejdani investigates this transformation to show how cultural institutions and a growing public-sphere affected history-writing, and how in turn this writing defined Iranian nationalism. Interactions between the state and a cross-section of Iranian society—scholars, schoolteachers, students, intellectuals, feminists, and poets—were crucial in shaping a new understanding of nation and history.

This enlightening book draws on previously unexamined primary sources—including histories, school curricula, pedagogical materials, periodicals, and memoirs—to demonstrate how the social locations of historians writ broadly influenced their interpretations of the past. The relative autonomy of these historians had a direct bearing on whether history upheld the status quo or became an instrument for radical change, and the writing of history became central to debates on social and political reform, the role of women in society, and the criteria for citizenship and nationality. Ultimately, this book traces how contending visions of Iranian history were increasingly unified as a centralized Iranian state emerged in the early twentieth century.

Law and the Utopian Imagination seeks to explore and resuscitate the notion of utopianism within current legal discourse. The idea of utopia has fascinated the imaginations of important thinkers for ages. And yet—who writes seriously on the idea of utopia today?

The mid-century critique appears to have carried the day, and a belief in the very possibility of utopian achievements appears to have flagged in the face of a world marked by political instability, social upheaval, and dreary market realities. Instead of mapping out the contours of a familiar terrain, this book seeks to explore the possibilities of a productive engagement between the utopian and the legal imagination. The book asks: is it possible to re-imagine or revitalize the concept of utopia such that it can survive the terms of the mid-century liberal critique? Alternatively, is it possible to re-imagine the concept of utopia and the theory of liberal legality so as to dissolve the apparent antagonism between the two? In charting possible answers to these questions, the present volume hopes to revive interest in a vital topic of inquiry too long neglected by both social thinkers and legal scholars.

In Listening on All Sides, Richard Deming finds an intersection of literature and philosophy in the poetics of Ralph Waldo Emerson, Herman Melville, Nathanial Hawthorne, Wallace Stevens, and William Carlos Williams that offers aesthetic models for the construction of community. Building on the work of Stanley Cavell, Ludwig Wittgenstein, and J. L. Austin, Deming challenges current trends in American literary studies and advances the newly developing field of ordinary language criticism. Continental literary theory and Anglo-American philosophy work together in this book to uncover the role literary texts play in the way that language use creates and defines culture.

The possibility of law in the absence of a nation would seem to strip law from its source of meaning and value. At the same time, law divorced from nations would clear the ground for a cosmopolitan vision in which the prejudices or idiosyncrasies of distinctive national traditions would give way to more universalist groundings for law. These alternately dystopian and utopian viewpoints inspire this original collection of essays on law without nations.

This book examines the ways in which the growing internationalization of law affects domestic national law, the relationship between cosmopolitan legal ideas and understandings of national identity, and the intersections of identity and law based on the liberal tradition of jurisprudence and transnational influences. Ultimately, Law without Nations offers sharp analyses of the fraught relationship between the nation and the state—and the legal forms and practices that they require, constitute, and violently contest.

Examining local politics in three Japanese domains (Yonezawa, Tokushima, and Hirosaki), this book shows how warlords (daimyo) and their samurai adapted the theory and practice of warrior rule to the peacetime challenges of demographic change and rapid economic growth in the mid-Tokugawa period.

The author has a dual purpose. The first is to examine the impact of shogunate/domain relations on warlord legitimacy. Although the shogunate had supreme power in foreign and military affairs, it left much of civil law in the hands of warlords. In this civil realm, Japan resembled a federal union (or “compound state”), with the warlords as semi-independent sovereigns, rather than a unified kingdom with the shogunate as sovereign. The warlords were thus both vassals of the shogun and independent lords. In the process of his analysis, the author puts forward a new theory of warlord legitimacy in order to explain the persistence of their autonomy in civil affairs.

The second purpose is to examine the quantitative dimension of warlord rule. Daimyo, the author argues, struggled against both economic and demographic pressures. It is in these struggles that domains manifested most clearly their autonomy, developing distinctive regional solutions to the problems of protoindustrialization and peasant depopulation. In formulating strategies to promote and control economic growth and to increase the peasant population, domains drew heavily on their claims to semisovereign authority and developed policies that anticipated practices of the Meiji state.

Julian Bell explores the life of a younger member, and sole poet, of the Bloomsbury Group, the most important community of British writers and intellectuals in the twentieth century, which includes Virginia Woolf (Julian's aunt), E. M. Forster, the economist John Maynard Keynes, and the art critic Roger Fry. This biography draws upon the expanding archives on Bloomsbury to present Julian's life more completely and more personally than has been done previously. It is an intense and profound exploration of personal, sexual, intellectual, political, and literary life in England between the two world wars. Through Julian, the book provides important insights on Virginia Woolf, his mother Vanessa Bell, and other members of the Bloomsbury Group. Taking us from London to China to Spain during its civil war, the book is also the ultimately heartbreaking story of one young man's life.

The Jews of Pinsk, 1506-1880 is the first part of a major scholarly project about a small city in Eastern Europe where Jews were a majority of the population from the end of the eighteenth century. Pinsk boasted both traditional rabbinic scholars and famous Hasidic figures, and over time became an international trade emporium, a center of the Jewish Enlightenment, a cradle of Zionism and the Jewish Labor movement, and a place where Orthodoxy struggled vigorously with modernity.

The two volumes of Pinsk history were originally part of a literature created by Jews who survived the Holocaust and were determined to keep in memory a vital world that flourished for half a millennium. In this case, the results are extraordinary: no town of Eastern Europe has been described in such fascinating detail, invaluable to Jewish and non-Jewish historians alike.

For the second volume of this two-volume collection, see The Jews of Pinsk, 1881-1941.

What do we know about the Book of Job? Not very much. The hero complains endlessly. He has just lost his children all his livestock. He scratches his ulcers. The misfortunes of which he complains are all duly enumerated in the prologue. They are misfortunes brought on him by Satan with God's permission.

We think we know, but are we sure? Not once in the Dialogues does Job mention either Satan or anything about his misdeeds. Could it be that they are too much on his mind for him to mention them?

Possibly, yet Job mentions everything else, and does much more than mention. He dwells heavily on the cause of his misfortune, which is none of those mentioned in the prologue. The cause is not divine, satanic nor physical, but merely human.

On July 13, 1942, French gendarmes arrested Irène Némirovsky in southern Burgundy. She was deported to Auschwitz where she died on August 19. Who was this woman, author of more than a dozen popular novels and more than thirty short stories, whose posthumous novel, Suite Française, won France's prestigious Renaudot prize in 2004? Born in Russia to wealthy parents, Irène Némirovsky immigrated to Paris in 1919. Although she was Jewish, she consorted with authors and politicians on the extreme right, some of whom were openly anti-Semitic. She was sure that these friends would protect her from deportation after the Nazis invaded France. Instead, they abandoned her. Yet she never lost faith in France, even after she was refused French nationality. In this fascinating biography, Jonathan Weiss analyzes the discrepancy between Némirovsky's real and imagined identities, and explores a literary work that revisits in a unique way Jewish identity, exile, betrayal, and the solidarity of a persecuted people.

This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writers—Christian, secular, and Jewish—based their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to "Jewish literature," arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness.

This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.

We live in a time when the most appalling social injustices and unjust human sufferings no longer seem to generate the moral indignation and the political will needed both to combat them effectively and to create a more just and fair society. If God Were a Human Rights Activist aims to strengthen the organization and the determination of all those who have not given up the struggle for a better society, and specifically those that have done so under the banner of human rights. It discusses the challenges to human rights arising from religious movements and political theologies that claim the presence of religion in the public sphere. Increasingly globalized, such movements and the theologies sustaining them promote discourses of human dignity that rival, and often contradict, the one underlying secular human rights.

Conventional or hegemonic human rights thinking lacks the necessary theoretical and analytical tools to position itself in relation to such movements and theologies; even worse, it does not understand the importance of doing so. It applies the same abstract recipe across the board, hoping that thereby the nature of alternative discourses and ideologies will be reduced to local specificities with no impact on the universal canon of human rights. As this strategy proves increasingly lacking, this book aims to demonstrate that only a counter-hegemonic conception of human rights can adequately face such challenges.

His Hiding Place is Darkness explores the uncertainties of faith and love in a pluralistic age. In keeping with his conviction that studying multiple religious traditions intensifies rather than attenuates religious devotion, Francis Clooney's latest work of comparative theology seeks a way beyond today's religious and interreligious uncertainty by pairing a fresh reading of the absence of the beloved in the Biblical Song of Songs with a pioneering study of the same theme in the Holy Word of Mouth (9th century CE), a classic of Hindu mystical poetry rarely studied in the West.

Remarkably, the pairing of these texts is grounded not in a general theory of religion, but in an engagement with two unexpected sources: the theopoetics, theodramatics, and theology of the 20th-century Catholic theologian Hans Urs von Balthasar, and the intensely perceived and written poetry of Pulitzer Prize winner Jorie Graham. How we read and write on religious matters is transformed by this rare combination of voices in what is surely a unique and important contribution to comparative studies and religious hermeneutics.

When World War I began, Karnig Panian was only five years old, living among his fellow Armenians in the Anatolian village of Gurin. Four years later, American aid workers found him at an orphanage in Antoura, Lebanon. He was among nearly 1,000 Armenian and 400 Kurdish children who had been abandoned by the Turkish administrators, left to survive at the orphanage without adult care.

This memoir offers the extraordinary story of what he endured in those years—as his people were deported from their Armenian community, as his family died in a refugee camp in the deserts of Syria, as he survived hunger and mistreatment in the orphanage. The Antoura orphanage was another project of the Armenian genocide: its administrators, some benign and some cruel, sought to transform the children into Turks by changing their Armenian names, forcing them to speak Turkish, and erasing their history.

Panian's memoir is a full-throated story of loss, resistance, and survival, but told without bitterness or sentimentality. His story shows us how even young children recognize injustice and can organize against it, how they can form a sense of identity that they will fight to maintain. He paints a painfully rich and detailed picture of the lives and agency of Armenian orphans during the darkest days of World War I. Ultimately, Karnig Panian survived the Armenian genocide and the deprivations that followed. Goodbye, Antoura assures us of how humanity, once denied, can be again reclaimed.

Hasidism Incarnate contends that much of modern Judaism in the West developed in reaction to Christianity and in defense of Judaism as a unique tradition. Ironically enough, this occurred even as modern Judaism increasingly dovetailed with Christianity with regard to its ethos, aesthetics, and attitude toward ritual and faith. Shaul Magid argues that the Hasidic movement in Eastern Europe constitutes an alternative "modernity," one that opens a new window on Jewish theological history. Unlike Judaism in German lands, Hasidism did not develop under a "Christian gaze" and had no need to be apologetic of its positions. Unburdened by an apologetic agenda (at least toward Christianity), it offered a particular reading of medieval Jewish Kabbalah filtered through a focus on the charismatic leader that resulted in a religious worldview that has much in common with Christianity. It is not that Hasidic masters knew about Christianity; rather, the basic tenets of Christianity remained present, albeit often in veiled form, in much kabbalistic teaching that Hasidism took up in its portrayal of the charismatic figure of the zaddik, whom it often described in supernatural terms.

In the 1950s, ninety-five percent of patients with Hodgkin's disease, a cancer of lymph tissue which afflicts young adults, died. Today most are cured, due mainly to the efforts of Dr. Henry Kaplan. Henry Kaplan and the Story of Hodgkin's Disease explores the life of this multifaceted, internationally known radiation oncologist, called a "saint" by some, a "malignant son of a bitch" by others. Kaplan's passion to cure cancer dominated his life and helped him weather the controversy that marked each of his innovations, but it extracted a high price, leaving casualties along the way. Most never knew of his family struggles, his ill-fated love affair with Stanford University, or the humanitarian efforts that imperiled him.

Today, Kaplan ranks as one of the foremost physician-scientists in the history of cancer medicine. In this book Charlotte Jacobs gives us the first account of a remarkable man who changed the face of cancer therapy and the history of a once fatal, now curable, cancer. She presents a dual drama —the biography of this renowned man who called cancer his "Moby Dick" and the history of Hodgkin's disease, the malignancy he set out to annihilate. The book recounts the history of Hodgkin's disease, first described in 1832: the key figures, the serendipitous discoveries of radiation and chemotherapy, the improving cure rates, the unanticipated toxicities. The lives of individual patients, bold enough to undergo experimental therapies, lend poignancy to the successes and failures.

Please visit the author's website at www.charlottejacobs.net.

The primary native language of central Mexico before and after the Spanish conquest, Nahuatl was used from the mid-sixteenth century forward in an astounding array of alphabetic written documents. James Lockhart, an eminent historian of early Latin America, is the leading interpreter of Nahuatl texts. One of his main tools of instruction has been Horacio Carochi's monumental 1645 Arte de la lengua mexicana, the most influential work ever published on Nahuatl grammar. This new edition includes the original Spanish and an English translation on facing pages. The corpus of examples, source of much of our knowledge about vowel quality and glottal stop in Nahuatl, is presented once in its original form, once in a rationalized manner. Copious footnotes provide explanatory commentary and more literal translations of some of Carochi's examples. The volume is an indispensable pedagogical tool and the first critical edition of the premier monument of Nahuatl grammatical literature.

For the most part, Brazil's forests were not harvested, but annihilated, and relatively little was extracted for the benefit of Brazilians, a tragedy perhaps worse than deforestation alone. Fruitless Trees aims to make sense of what at first glance appears to be the senseless destruction of Brazil's incomparable timber.

The forests have always been Brazil's most striking natural resource, and the Portuguese colonists anticipated enormous returns from its harvest, since Brazilian timber was more abundant and superior in quality to anything known in Europe, North America, or even Portugal's East Indian possessions. This work investigates the relationship between Portugal's colonial forest policies and the successes of the colonial venture, showing how forest law shaped the fortunes of the timber sector and promoted or obstructed colonial development. Timber was the steel, oil, coal, and plastic of the early modern period, and the effectiveness of its extraction affected nearly every branch of the colonial economy.

Challenging previous scholarship that simply ascribed the destruction of Brazil's remarkable forests to the Europeans' voracious greed and inherent hostility to the forest, the author argues that we must delineate the extent to which tropical timber was put to advantageous ends, and explore precisely why so large a proportion of Brazil's timber was incinerated rather than converted to colonial wealth.

Although Brazil exported substantial quantities of timber to Europe, the total amount fell far below expectations. The author attributes this in part to several ecological and geographical factors including the lack of common stands, the preponderance of timbers too dense to be floated inexpensively downstream, and the dearth of safe ports and navigable rivers. But the most significant factor in timber's unexpectedly poor showing was the Crown's effort from 1652 to monopolize Brazil's best timbers. The Portuguese king's declaration that Brazil's best timbers belonged to him exclusively resulted in vast tracts of timber being resentfully set afire by Brazilians who had no incentive to harvest them.

Dali is a small region on a high plateau in Southeast Asia. Its main deity, Baijie, has assumed several gendered forms throughout the area's history: Buddhist goddess, the mother of Dali's founder, a widowed martyr, and a village divinity. What accounts for so many different incarnations of a local deity?

Goddess on the Frontier argues that Dali's encounters with forces beyond region and nation have influenced the goddess's transformations. Dali sits at the cultural crossroads of Southeast Asia, India, and Tibet; it has been claimed by different countries but is currently part of Yunnan Province in Southwest China. Megan Bryson incorporates historical-textual studies, art history, and ethnography in her book to argue that Baijie provided a regional identity that enabled Dali to position itself geopolitically and historically. In doing so, Bryson provides a case study of how people craft local identities out of disparate cultural elements and how these local identities transform over time in relation to larger historical changes—including the increasing presence of the Chinese state.

Foundations for Inquiry, a philosophy of social science book, is both a primer and a resource for anyone interested in social and behavioral research. As a "reader" with excerpts from classic and soon-to-be classic writings on research in the organizational sciences, the book shows the myriad choices facing researchers—including assumptions they make about ways of creating knowledge, beliefs and values they hold regarding reality, and philosophical and managerial allegiances they form. This book will give readers the information they need to select among these choices, appreciate the tradeoffs involved, and understand how they affect the ways in which data is collected, analyzed, and interpreted, and in which "truth" is ultimately created.

Most books about research address the "how to" of inquiry rather than the "why." Foundations for Inquiry enlightens readers about the variety of philosophical assumptions regarding inquiry and organizational phenomena, demonstrates how these assumptions shape subsequent choices about theories, and shows how theoretical and philosophical choices consequently shape and guide the research process. Awareness of these choices and tradeoffs enables readers to be more discriminating consumers of, and adept contributors to, research-based knowledge.

Dan Miron—widely recognized as one of the world's leading experts on modern Jewish literatures—begins this study by surveying and critiquing previous attempts to define a common denominator unifying the various modern Jewish literatures. He argues that these prior efforts have all been trapped by the need to see these literatures as a continuum. Miron seeks to break through this impasse by acknowledging discontinuity as the staple characteristic of modern Jewish writing. These literatures instead form a complex of independent, yet touching, components related through contiguity. From Continuity to Contiguity offers original insights into modern Hebrew, Yiddish, and other Jewish literatures, including a new interpretation of Franz Kafka's place within them and discussions of Sholem Aleichem, Sh. Y. Abramovitsh, Akhad ha'am, M. Y. Berditshevsky, Kh. N. Bialik, and Y. L. Peretz.

This book argues that the British government's repression of the 1790s rivals the French Revolution as the most important historical event for our understanding the development of Romantic literature. Romanticism has long been associated with both rebellion and escapism, and much Romantic historicism traces an arc from the outburst of democratic energy in British culture triggered by the French Revolution to a dwindling of enthusiasm later in the 1790s, when things in France turned violent. Writers such as Wordsworth and Coleridge can then be seen as "apostates" who turned from radical politics to a poetics of transcendence. Bugg argues instead for a poetics of silence, and his book is set against the backdrop of the so-called Gagging Acts and other legislation of William Pitt, which in literature manifests itself stylistically as silence, stuttering, fragmentation, and encoding. Mining archives of unpublished documents, including manuscripts, diaries, and letters, where authors were more candid, as well as rereading the work of both major and minor figures, a number of whom were subject to prison sentences, Five Long Winters offers a new way of approaching the literature of the Romantic era.

What makes a work of literature readable? This book asks that question of one of the classics of Japanese literature, the Tsurezuregusa (Essays in Idleness) by Kenko (1283-1352), a collection of brief, fragmentary reflections on a number of subjects. In Japanese literary history the work is classified as one of the first collections of zuihitsu, or informal essay. This first extended critical treatment of Tsurezuregusa goes back to its author and his time to rebuild the discursive world of the early fourteenth century and to examine such matters as whether genre labels assist reading or obscure significant comparisons and contexts.

The book presents compelling arguments against considering Tsurezuregusa as an example of zuihitsu; instead, the text is treated as a deliberate, controlled effort by Kenko to force the reader to confront the impermanent and contingent nature of existence through experiencing the text. The book develops this view by studying the collaborative strategies operating between writers and readers in medieval Japan, the intellectual intent and devices of Kenko's text, and the many kinds of writing on which it draws. We learn how a text with a commitment to shaping responses to the world is simultaneously dedicated to exploding the reader's identification with the presumably unchanging facts of existence.

The aesthetics of impermanence (mujo), central to medieval Japanese thinking, emerges not only as what writing is about but also as a means to demonstrate and to encourage the enactment of aesthetics by readers. Thus, a work that seems formless, to have little structure, is shown to be so in the interest of form, that is, of conveying a clear meaning to its audience. Or, to express it with a more Buddhist inflection amenable to Kenko, although the form that we can perceive is contingent on conditions and is hence formless, the fact of form continues to matter absolutely. Both literature and the nature of existence are readable because of the interplay of provisional and absolute truths, of the writer's and the reader's approaches to texts.

Exemplary Romantic novelists Ann Radcliffe, Sir Walter Scott, and Mary Shelley were likewise keen tourists and influential contributors to the discourse of Romantic tourism. The shaping power of this discourse—already highly developed in poetry, travel literature, and the visual arts by the time they began writing—affected not only what they saw and felt on tour but also how they imagined their greatest novels. Defining both tour and novel as privileged spaces exempt from the boring routines and hampering contingencies of ordinary life, these authors as well as many of their contemporaries and early Romantic predecessors effectively brought the tour into fiction and fiction into the tour.

This is the first extended study of the intimate connections between these two major cultural innovations of the later eighteenth and early nineteenth centuries, and the first to pay close attention to the active commerce, the fluid interplay, within the larger discourse of Romantic tourism, between British Romantic fiction, poetry, tour books, landscape painting, and book illustration (as exemplified by the collaboration between Scott and J. M. W. Turner).

Anton Pavlovich Chekhov (1860–1904) overturned the dramatic conventions of his day and laid the groundwork for contemporary approaches to directing and acting. Now, for the first time, the full lyricism, humor, and pathos of his greatest plays are available to an English-speaking audience. Marina Brodskaya's new translations of Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard not only surpass in accuracy all previous translations, but also provide the first complete English text of the plays, restoring passages entirely omitted by her predecessors. This much-needed volume renders Chekhov in language that will move readers and theater audiences alike, making accessible his wordplay, unstated implications, and innovations. His characters' vulnerabilities, needs, and neuroses—their humanity—emerge through their genuine, self-absorbed conversations. The plays come to life as never before and will surprise readers with their vivacity, originality, and relevance.

The Fall of a Sparrow is the only full biography in English of the partisan, poet, and patriot Abba Kovner (1918–1987). An unsung and largely unknown hero of the Second World War and Israel's War of Independence, Kovner was born in Vilna, "the Jerusalem of Lithuania." Long before the rest of the world suspected, he was the first person to state that Hitler was planning to kill the Jews of Europe. Kovner and other defenders of the Vilna ghetto, only hours before its destruction, escaped to the forest to join the partisans fighting the Nazis. Returning after the Liberation to find Vilna empty of Jews, he immigrated to Israel, where he devised a fruitless plot to take revenge on the Germans. He then joined the Israeli army and served as the Givati Brigade's Information Officer, writing "Battle Notes," newsletters that inspired the troops defending Tel Aviv. After the war, Kovner settled on a kibbutz and dedicated his life to working the land, writing poetry, and raising a family. He was also the moving force behind such projects as the Diaspora Museum and the Institute for the Translation of Hebrew Literature. The Fall of a Sparrow is based on countless interviews with people who knew Kovner, and letters and archival material that have never been translated before.

Throughout the 20th century, electricity was considered to be the primary vehicle of modernity, as well as its quintessential symbol. In India, electrification was central to how early nationalists and planners conceptualized Indian development, and huge sums were spent on the project from then until now. Yet despite all this, sixty-five years after independence nearly 400 million Indians have no access to electricity. Electrifying India explores the political and historical puzzle of uneven development in India's vital electricity sector.

In some states, nearly all citizens have access to electricity, while in others fewer than half of households have reliable electricity. To help explain this variation, this book offers both a regional and a historical perspective on the politics of electrification of India as it unfolded in New Delhi and three Indian states: Maharashtra, Odisha, and Andhra Pradesh. In those parts of the countryside that were successfully electrified in the decades after independence, the gains were due to neither nationalist idealism nor merely technocratic plans, but rather to the rising political influence and pressure of rural constituencies. In looking at variation in how public utilities expanded over a long period of time, this book argues that the earlier period of an advancing state apparatus from the 1950s to the 1980s conditioned in important ways the manner of the state's retreat during market reforms from the 1990s onward.

For Jews in every corner of the world, the Holy Land has always been central. But that conviction was put to the test in the eighteenth century when Jewish leaders in Palestine and their allies in Istanbul sent rabbinic emissaries on global fundraising missions. From the shores of the Mediterranean to the port cities of the Atlantic seaboard, from the Caribbean to India, these emmissaries solicited donations for the impoverished of Israel's homeland.

Emissaries from the Holy Land explores how this eighteenth century philanthropic network was organized and how relations of trust and solidarity were built across vast geographic differences. It looks at how the emissaries and their supporters understood the relationship between the Jewish Diaspora and the Land of Israel, and it shows how cross-cultural encounters and competing claims for financial support involving Sephardic, Ashkenazi, and North African emissaries and communities contributed to the transformation of Jewish identity from 1720 to 1820.

Solidarity among Jews and the centrality of the Holy Land in traditional Jewish society are often taken for granted. Lehmann challenges such assumptions and provides a critical, historical perspective on the question of how Jews in the early modern period encountered one another, how they related to Jerusalem and the land of Israel, and how the early modern period changed perceptions of Jewish unity and solidarity. Based on original archival research as well as multiple little-known and rarely studied sources, Emissaries from the Holy Land offers a fresh perspective on early modern Jewish society and culture and the relationship between the Jewish Diaspora and Palestine in the eighteenth century.

No nation is free from the charge that it has a less-than-complete view of the past. History is not simply about recording past events—it is often contested, negotiated, and reshaped over time. Debate over the history of World War II in Asia remains surprisingly intense, and Divergent Memories examines the opinions of powerful individuals to pinpoint the sources of conflict: from Japanese colonialism in Korea and atrocities in China to the American decision to use atomic weapons against Japan.

Rather than labeling others' views as "distorted" or ignoring dissenting voices to create a monolithic historical account, Gi-Wook Shin and Daniel Sneider pursue a more fruitful approach: analyzing how historical memory has developed, been formulated, and even been challenged in each country. By identifying key factors responsible for these differences, Divergent Memories provides the tools for readers to both approach their own national histories with reflection and to be more understanding of others.

For decades, the market, asset, and income approaches to business valuation have taken center stage in the assessment of the firm. This book brings to light an expanded valuation toolkit, consisting of nine well-defined valuation principles hailing from the fields of economics, finance, accounting, taxation, and management. It ultimately argues that the "value functional" approach to business valuation avoids most of the shortcomings of its competitors, and more correctly matches the actual motivations and information set held by stakeholders.

Much of what we know about corporate finance and mathematical finance derives from a narrow subset of firms: publicly traded corporations. The value functional approach can be readily applied to both large firms and companies that do not issue publicly traded stocks and bonds, cannot borrow without constraints, and often rely upon entrepreneurs to both finance and manage their operations. With historical side notes from an international set of sources and real-world exemplars that run throughout the text, this book is a future-facing resource for scholars in economics and finance, as well as the academically minded valuation practitioner.

The Spanish Empire is famous for being, at its height, the realm upon which "the sun never set." It stretched from the Philippines to Europe by way of the Americas. And yet we know relatively little about how Spain managed to move that crucial currency of governance—paper—over such enormous distances. Moreover, we know even less about how those distances were perceived and understood by people living in the empire. This book takes up these unknowns and proposes that by examining how documents operated in the Spanish empire, we can better understand how the empire was built and, most importantly, how knowledge was created. The author argues that even in such a vast realm, knowledge was built locally by people who existed at the peripheries of empire. Organized along routes and centralized into local nodes, peripheral knowledge accumulated in regional centers before moving on to the heart of the empire in Spain.

The study takes the Kingdom of Guatemala as its departure point and examines the related aspects of documents and distance in three sections: part one looks at document genre, and how the creation of documents was shaped by distance; part two looks at the movement of documents and the workings of the mail system; part three looks at document storage and how archives played an essential part in the flow of paper.

Dialectic of Enlightenment is undoubtedly the most influential publication of the Frankfurt School of Critical Theory. Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947. "What we had set out to do," the authors write in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."

Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle against natural forces, as represented in myths, are connected in a wide arch to the most threatening experiences of the present.

The book consists in five chapters, at first glance unconnected, together with a number of shorter notes. The various analyses concern such phenomena as the detachment of science from practical life, formalized morality, the manipulative nature of entertainment culture, and a paranoid behavioral structure, expressed in aggressive anti-Semitism, that marks the limits of enlightenment. The authors perceive a common element in these phenomena, the tendency toward self-destruction of the guiding criteria inherent in enlightenment thought from the beginning. Using historical analyses to elucidate the present, they show, against the background of a prehistory of subjectivity, why the National Socialist terror was not an aberration of modern history but was rooted deeply in the fundamental characteristics of Western civilization.

Adorno and Horkheimer see the self-destruction of Western reason as grounded in a historical and fateful dialectic between the domination of external nature and society. They trace enlightenment, which split these spheres apart, back to its mythical roots. Enlightenment and myth, therefore, are not irreconcilable opposites, but dialectically mediated qualities of both real and intellectual life. "Myth is already enlightenment, and enlightenment reverts to mythology." This paradox is the fundamental thesis of the book.

This new translation, based on the text in the complete edition of the works of Max Horkheimer, contains textual variants, commentary upon them, and an editorial discussion of the position of this work in the development of Critical Theory.

Dead Hands traces the fascinating career of a curious imaginative device: the wandering, disembodied, or ghostly hand. The author situates this familiar gothic convention in its richer literary and intellectual contexts, from early modern English drama through American fiction. Dexterously threading historical, theoretical, and formalist questions through readings of the plays of Shakespeare and Webster and the haunted tales of Maupassant, Le Fanu, and Twain, the book illuminates the complex social fictions invested in the faculties of the hand and tested by this evocative device.

The book brings together a broad and eclectic array of "manual" iconography: from sixteenth-century religious imagery, medical anatomies, emblem books, witchcraft and folklore, to the popular metaphors of nineteenth-century industrialism, contemporary labor movements, and forensic science. Literary "dead hands" draw on and elaborate these varied traditions, to sometimes humorous and sometimes chilling effect.

Across such disparate fields, the author argues, the figure of the "dead hand" represents a specific set of ideas about human agency: particularly, concerns about the fraught relationship between intentions (individual and collective) and meaningful action in the world. Severed and wandering, fictional dead hands challenge prevailing assumptions about bodily autonomy and control, directing us instead to the dependent, disabling, and self-alienating experiences of the acting self. In the process, they illuminate the changing assumptions about bodily experience—that "sense" of acting self—that sustain legal and political definitions of person in these different periods.

Outlining the dynamic history of this device—first as it migrates from visual art onto the Elizabethan and Jacobean stage, and later as it prospers in Anglo-American gothic fiction—Dead Hands advances a comparatist reading of early modern and modern concepts of bodily action and its relation to interiority, authority, and identity.

Whether buried underfoot or strung overhead, electrical lines are omnipresent. Not only are most societies dependent on electrical infrastructure, but this infrastructure actively shapes electrified society. From the wires, poles, and generators themselves to the entrepreneurs, engineers, politicians, and advisors who determine the process of electrification, our electrical grids can create power—and politics—just as they transmit it.

Current Flow examines the history of electrification of British-ruled Palestine in the 1920s, as it marked, affirmed, and produced social, political, and economic difference between Arabs and Jews. Considering the interplay of British colonial interests, the Jewish-Zionist leanings of a commissioned electric company, and Arab opposition within the case of the Jaffa Power House, Ronen Shamir reveals how electrification was central in assembling a material infrastructure of ethno-national separation in Palestine long before "political partition plans" had ever been envisioned. Ultimately, Current Flow sheds new light on the history of Jewish-Arab relations and offers broader sociological insights into what happens when people are transformed from users into elements of networks.

Friedrich Hölderlin (1770-1843) has long been recognized as one of the greatest poets of the German language, but his importance to philosophy has surfaced only comparatively recently. Although Schelling and Hegel acknowledged Hölderlin early on as their equal, for a long time his philosophical thought remained unknown outside the small circle of his friends.

Among the most prominent figures in the rediscovery of Hölderlin's thought is Dieter Henrich, who, in a series of highly influential studies over the last thirty years, has shown that Hölderlin played a decisive role in the development of philosophy from Kant to Hegel, and hence in the formation of German Idealism. Among other things, Henrich demonstrated that Hölderlin, while still a student, launched a powerful critique of Fichte's Wissenschaftslehre and outlined an alternative to the dominant view of the foundation of philosophy. This alternative proved pathbreaking for his philosophical friends, forcing Hegel, for example, to abandon his own Kantianism and, eventually, to give systematic articulation to a position that went even beyond Hölderlin's.

This volume includes six of Henrich's most important essays on Hölderlin's philosophical significance. Among the topics discussed are Hölderlin's motivation and methodological orientation in his work on German Idealism, the intellectual atmosphere of Hölderlin's student years and the philosophical problems that occupied him, Hölderlin's attitude toward any first-principle philosophy, and the complex personal and philosophical relationships between Hegel and Hölderlin. The last essay is a long, detailed interpretation of one of Hölderlin's greatest poems, "Remembrance." In elucidating its lyric composition and structure, Henrich also seeks to show how it incorporates and develops Hölderlin's philosophical thought.