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In the world of thirteen-year-old girls, everything’s fine—at least on the surface.

Isabelle Lee is a typical, wisecracking, middle-of-the-pack girl who just happens to be dealing with some big issues. Her father has died and no one—especially her mother—wants to talk about it. Meanwhile, Isabelle’s sister, who “used to be nine and charming,” has messed everything up by ratting Isabelle out to their mom about her eating disorder.

At school, there’s Mr. Minx, the self-important (but really not bad) English teacher; Ashley Barnum, the prettiest girl around; and the lunchroom, where tables are turf in an all-eyes-open battle for social status. Isabelle has measured the distance to being cool and she thinks it’s long shiny hair, a toothpaste smile, and perfectly broken-in size-zero jeans.

Perfect is the story of one girl’s attempt to cope with loss, define true friendship, and figure out the difference between appearances and reality.

Composed in the key of terror, The Tree of the Doves offers an engaging account of Christopher Merrill’s travels to distant parts of the world. From jungle to desert to sea, from cities to ruins, he explores how history is shaped by ceremonies, expeditions, and wars.

He observes the performance of a banned ritual in Malaysia, retraces Saint-John Perse’s epic journey from Beijing to Ulaanbaatar, and tours the Levant in the wake of the American wars in Iraq and Afghanistan. Encountering a wide range of people along the way—artists and politicians, soldiers and refugees—Merrill is as attentive to their individuality as he is attuned to the historical, social, and cultural situations in which they find themselves.

In three extended essays, he poses fundamental but nonetheless provocative questions­­—Where do we come from? Where are we going? What shall we do?—which lead him to conclude that the changes we are witnessing now presage the end of one order and the creation of another.

Lively and insightful, empathetic and illuminating, The Tree of the Doves is an important book, as contemporary as it is timeless.

In My Green Manifesto, David Gessner embarks on a rough-and-tumble journey down Boston’s Charles River, searching for the soul of a new environmentalism.

With a tragically leaky canoe, a broken cell phone, a cooler of beer, and environmental planner Dan Driscoll in tow, Gessner grapples with the stereotype of the environmentalist as an overzealous, puritanical mess. But as Dan recounts his own story of transforming the famously polluted Charles into an urban haven for wildlife and wild people, the vision of a new sort of eco-champion begins to emerge: someone who falls in love with a forgotten space, and then fights like hell for it.

Considering everything from Edward Abbey’s legacy to Jimmy Carter’s sweater, weaving his intellectual quest with real adventure, Gessner points toward a scrappy environmentalism that, despite all odds, just might change the world. “Heartfelt and informed” (Boston Globe), My Green Manifesto is a spirited call to arms by a major figure on the vanguard of a new environmentalism.

“A fast-moving story about small town life with characters that seem to have walked off the pages of Edgar Lee Masters’s Spoon River Anthology.”—The Wall Street Journal

The few hundred souls who inhabit Words, Wisconsin, are an extraordinary cast of characters. The middle-aged couple who zealously guards their farm from a scheming milk cooperative. The lifelong invalid, crippled by conflicting emotions about her sister. A cantankerous retiree, haunted by childhood memories after discovering a cougar in his haymow. The former drifter who forever alters the ties that bind a community. In his first novel in 30 years, David Rhodes offers a vivid and unforgettable look at life in small-town America.

“[Rhodes’s] finest work yet . . . Driftless is the best work of fiction to come out of the Midwest in many years.”—Chicago Tribune

“Set in a rural Wisconsin town, the book presents a series of portraits that resemble Edgar Lee Masters’s ‘Spoon River Anthology’ in their vividness and in the cumulative picture they create of village life.”—The New Yorker

“Encompassing and incisive, comedic and profound, Driftless is a radiant novel of community and courage.”—Booklist (starred review)

“A welcome antidote to overheated urban fiction . . . A quiet novel of depth and simplicity.”—Kirkus Reviews

“It takes a while for all these stories to kick in, but once they do, Rhodes shows he still knows how to keep readers riveted. Add a blizzard, a marauding cougar and some rabble-rousing militiamen, and the result is a novel that is as affecting as it is pleasantly overstuffed.”—Publishers Weekly

In Calli, prize-winning author Jessica Lee Anderson explores the perils of adolescence with the humor and compassion of a writer who knows growing up doesn’t always come with easy answers.

Calli has almost everything she could want in life—two loving moms, a good-looking boyfriend, and a best friend who has always been there for her. As an only child, Calli is excited when her parents announce that they want to foster a girl her own age, but Cherish, her foster sister, is not at all what she expected. Cherish lies, steals, kisses Calli’s boyfriend, and seems to get away with just about everything. Determined to get even, Calli takes matters into her own hands, but her plan for revenge goes horribly awry. Isolated from her friends and family, she looks for ways to undo the damage she’s caused.

Funny, moving, and emotionally rich, Calli is a portrait of an endearing young woman caught between adolescence and adulthood, striving to do the right thing even when all of her options seem wrong.

The author of the acclaimed Montana 1948 “spins charm and melancholy” in this novel of youth and romantic rivalry in 1960s rural Minnesota (Denver Post).

Willow Falls, Minnesota, 1962. The shooting of a young woman on Thanksgiving Day sets off a chain of unsettling events in the life of seventeen-year-old Matthew Garth. A close friend of the prosperous Dunbar family, Matthew is present in Dr. Dunbar’s home office when the victim is brought in. The sight of Louisa Lindahl—beautiful and mortally wounded—makes an indelible impression on the young man.

Fueled by his feverish desire for this mysterious woman and a deep longing for the comfort and affluence that appears to surround the Dunbars, Matthew finds himself drawn into a vortex of greed, manipulation, and ultimately betrayal. Larry Watson’s tale heart-breaking tale “resonates with language as clear and images as crisp as the spare, flat prairie of its Minnesota setting” (Kirkus Reviews).

An Esquire Best Book of 2011

WINNER OF THE PHILLIP D. REED MEMORIAL AWARD FOR OUTSTANDING WRITING ON THE SOUTHERN ENVIRONMENT

Beyond the oil-soaked pelican, beyond the oil-soaked beach, beyond the Deepwater Horizon oil spill entirely, there is a deeper story of sacrifice unfolding in the Gulf of Mexico. Reporters and government officials focused on the smallest part of it: oil gushed into the water for 153 days, then, on September 19, 2010, the well was capped. The story was over. But for David Gessner the unimaginable amount of oil spilled into the ocean was only the beginning.

In The Tarball Chronicles, Gessner eats, drinks, and talks his way into the heart of Gulf country—exploring the region’s birds, sea life, and ecosystems with the oceanographers, activists, and subsistence fishermen who call it home. Just how much, he asks, are we willing to sacrifice to keep living the way we do? Part absurdist travelogue, part manifesto, The Tarball Chronicles is a love song for the Gulf from an author who has “redefined what it means to write about the natural world” (Washington Post).

WINNER OF THE AMERICAN BOOK AWARD

In her stunning debut poetry collection, What have you done to our ears to make us hear echoes?, Arlene Kim confronts the ways in which language mythologizes memory and thus exiles us from our own true histories. Juxtaposing formal choices and dreamlike details, Kim explores the entangled myths that accompany the experience of immigration—the abandoned country known only through stories, the new country into which the immigrant family must wander ever deeper, and the forked paths where these narratives meet and diverge.

Sharing ground with Randall Jarrell’s later poems, and drawing on a dizzying array of sources—including Grimm’s Fairy Tales, Korean folklore, Turkish proverbs, Paul Celan, Anna Akhmatova, Antonin Dvorak’s letters, and the numerous fictions we script across the inscrutabilities of the natural world—Kim reveals how a homesickness for the self is universal. It is this persistent and incurable longing that drives us as we make our way through the dark woods of our lives, following what might or might not be a trail of breadcrumbs, discovering, finally, that “we are the only path.”

This tale of two Iowa brothers trying to escape the long shadow of their notorious father is “an almost impossible book to put down” (The Plain Dealer).

This gripping novel tells the tale of the Easter family of Ontarion, Iowa. Ansel Easter was a favored minister until he rescued a grotesque creature from a carnival sideshow. His sons, C and Sam, suffer in the shadow of their outcast father until his violent death. C and Sam leave the home their father built for a new beginning, and find fortune building a lucrative business called the Associates — but when a rash of deaths has the townspeople looking at C and Sam as suspects, they find their father’s legacy reaches further than they expect.

Taut, dark, and engrossing, The Easter House is a brilliant work of fiction by the acclaimed author of Driftless and Jewelweed.

“David Rhodes’s writing is smooth and wry, combining Richard Russo’s genius for the details of small-town thinking and Flannery O’Connor’s flair for shading things toward the weird side of normal.” —Mpls.St. Paul Magazine

From the author of A Cure for Suicide and Census comes a philosophical recasting of myth and legend, folklore and popular culture: a fabulist’s compendium of poetry and prose.

Jesse Ball—long-listed for the National Book Award, a finalist for the New York Public Library’s Young Lions Fiction Award, and named one of Granta’s best young American novelists—is one of the most interesting, lyrical, fanciful, and “disturbingly original” (Chicago Tribune) writers working today. And The Village on Horseback is one of his most dazzling and varied works. These experimental pieces—including the Paris Review’s Plimpton Prize–winning novella “The Early Deaths of Lubeck, Brennan, Harp & Carr”—ask the reader not to imagine the world for what it is, but for what it could be: a blank tableau on which a spirited imagination can conjure tales out of, seemingly, nothing.

The Village on Horseback is an unmissable treat, a book of voyages to be taken on journeys far and wide.

A wealthy man’s bitter decline takes a sinister turn in this “slow-burn noir” of love, greed, and deceit in 1970s New York (Washington Post Book World).

Neil Fox has made a fortune off the “head we win / tails you lose” venture capital deals negotiated by his brother, costing him almost everything but money. His ex-wife and daughter spurn him, and he lost his young son years ago. Now he spends his days working as a lawyer at a small investment-banking firm and his nights at home with a drink.

When the affable Bud Younger moves in next door—on a parcel that Neil had sold off—Neil takes an almost instant dislike to him. Bud is nearly everything Neil is not—a gregarious, energetic striver loved by his family. When Bud asks Neil to fund a new business venture, it sets in motion events that hurtle to a startling and haunting conclusion.

Named a Booklist Top 10 First Novel of 2011, The Arriviste delves into the psyche of avarice and envy, presenting a portrait of a man both ordinary and monstrous.

FINALIST FOR THE WILLIAM CARLOS WILLIAMS AWARD

A breakout collection that showcases the voice of a young poet striking out, dramatically, emphatically, to stake his claim on “the City”—an unnamed, crowded place filled with gunmen, lovers, children, neighbors, builders, soldiers, professors, bouncers, and widowers.

In this series of semi-mythologized, symbolic narratives interspersed with dramatic monologues, Wayne Miller presents a city laden with “kisses in doorways, weapons / and sculptures, concerts / and fistfights, sex toys and votives, / engines and metaphors.” And yet the City, both unidentifiable and readily familiar, is also a place where the human questions and observations found in almost any city—past, present, and future—ring out with urgency.

These poems—in turn elegiac, celebratory, haunting, grave, and joyful—give hum to our modern experience, to all those caught up in the City’s immensity.

Stately oaks, ivy-covered walls, the opposite sex—these are the things that likely come to mind for most Americans when they think about the "nature" of college. But the real nature of college is hidden in plain sight: it’s flowing out of the keg, it’s woven into the mascots on our T-shirts.

Engaging in a deep and richly entertaining study of "campus ecology," The Nature of College explores one day in the life of the average student, questioning what "natural" is and what "common sense" is really good for and weighing the collective impacts of the everyday. In the end, this fascinating, highly original book rediscovers and repurposes the great and timeless opportunity presented by college: to study the American way of life, and to develop a more sustainable, better way to live.

From African American to Asian American, indigenous to immigrant, “multiracial” to “mixedblood,” the diversity of cultures in today’s world is reflected in our richly various stories—stories of creation and destruction, displacement and heartbreak, hope and mystery. For centuries, this richness has been widely overlooked by readers of environmental literature.

Featuring work from more than thirty contributors of widely diverse backgrounds—including Jamaica Kincaid on the fallacies of national myths; Robin Wall Kimmerer on the language of the natural world; Yusef Komunyakaa connecting the toxic legacy of his Louisiana hometown to a blind faith in capitalism; and bell hooks relating the quashing of multiculturalism to the destruction of “unpredictable” nature—The Colors of Nature works against the grain of this traditional blind spot by exploring the relationship between culture and place, emphasizing the lasting value of cultural heritage, and revealing how this wealth of perspectives is essential to building a livable future.

Bracing, provocative, and profoundly illuminating, The Colors of Nature provides an antidote to the despair so often accompanying the intersection of cultural diversity and ecological awareness.

The acclaimed short story and novella collection by “a virtuoso of the dismal comedy of Soviet life”—and the basis for the HBO film PU-239 (The New York Times). A PEN/Faulkner Award Finalist.

Ken Kalfus traverses a century of Russian history in tales that range from hair-raising to comic to fabulous. The astonishing title story follows a doomed nuclear power plant worker as he attempts to hawk plutonium in Moscow’s black market. In “Budyonnovsk,” a young man hopes that the takeover of his town by Chechen rebels will somehow save his marriage. "Salt" is an economic fairy tale, featuring kings, princesses, and swiftly melting currencies. 

Set in the 1920s, “Birobidzhan” is the bittersweet story of a Jewish couple journeying to the Soviet Far East, where they intend to establish the modern world’s first Jewish state. The novella, “Peredelkino,” which closes the book, traces the fortunes of a 1960s literary apparatchik whose romantic intrigues inadvertently become political.

Together, these works of fiction capture the famously enigmatic Russian psyche. They display Kalfus’ ability to imagine a variety of believable yet wholly singular characters whose lives percolate against a backdrop of momentous events.

In these exquisitely crafted prose poems, Melissa Kwasny examines the world around her with the quiet and profound attention of a poet at the height of her powers.

The questions that have informed much of Kwasny’s previous work—how does one have a relationship with the natural world in our time? What can we learn about being human from non-human forms of life?—find a new urgency in The Nine Senses, as image collides with image to produce a singular ecological and poetic vision, one that is often dire and surreal. “Perhaps the extra four senses contribute to the surreal in the sense that Breton defined it—as resolution of the real and the dream,” Kwasny writes in the title poem.

Thematically rich and varied, touching on mortality, temporality, and eternity, this collection puts Kwasny on the forefront of American poetry, and asks the reader: how do we tie ourselves to the world when our minds are always someplace other than where we are?