TCG Books

Contains previously uncollected writings, including articles about Witkacy's doubles, historical and medical simulations, the Battleship Potemkin, comédie rosse at the Grand Guignol, Polish theater, Grotowski and Kantor, Mrozek and Rózewicz, Polish and Russian symbolists, and erotic French puppets.

For over ten years, the annual Prelude Festival has been a force in New York theatre and performance: a free, three-day festival that celebrates artistic and academic exchange in the heart of the city. This book celebrates ten years (2003–2013) of unlimited creativity and discourse within an academic setting.

Barcelona’s theater has experienced a remarkable renaissance in the years since the end of the Franco dictatorship. Soon the Catalan language, suppressed for more than three decades, became a vehicle of expression for new playwrights who challenged performance groups. This collection represents outstanding Catalan playwrights from three generations.

The first English-language anthology of post-1989 Czech plays exploring once-taboo subjects and new realities. Includes plays by David Drábek, Lenka Lagronová, Jirí Pokorny, Ivana Ruzicková, Egon Tobiáš, Iva Volánková, and Petr Zelenka.

The first anthology of new Romanian Drama published in the United States, roMANIA after 2000 introduces American readers to compelling playwrights and plays that address resonant issues of a post-totalitarian society on its way toward democracy and a new European identity. Includes Stop the Tempo, Romania. Kiss Me, Vitamins, Romania 21, and Waxing West.

This volume contains four representative French comedies of the period from the death of Molière to the French Revolution: Jean-François Regnard’s The Absent-Minded Lover, Philippe Néricault Destouches’s The Conceited Count, Pierre Nivelle De La Chaussée’s The Fashionable Prejudice, and Jean-Louis Laya’s The Friend of the Laws.

An exciting collection of Jean-François Ducis' radical reworkings of William Shakespeare's most famous tragedies, penned on the eve of the French Revolution. Following the rules of French neoclassicism, the result is a trio of almost totally different works. Plays included are Hamlet, Romeo and Juliette, and King Lear.

One of Poland’s most important artists and writers of the 20th Century, this collection includes: The Pragmatists, Tumor Brainiowicz, Gyubal Wahazar, The Anonymous Work, The Cuttlefish, Dainty Shapes and Hairy Apes, and The Beelzebub Sonata. Also included is “A Few Words about the Role of the Actor in the Theatre of Pure Form,” a key section of his major theoretical treatise.

The first multi-author international anthology of Eastern European plays to deal with the fall of Communism. Includes: Portrait by Slawomir Mrozek (Poland); Chickenhead by György Spiró (Hungary); Military Secret by Dušan Jovanovic (Slovenia); Horses at the Window by Matei Visniec (Romania); and Sorrow, Sorrow, Fear, the Rope, and the Pit by Karel Steigerwald (Czechoslovakia).

Claudio Tolcachir's Timbre 4 is one of the most exciting companies to emerge from Buenos Aires's vibrant contemporary theater scene. The Coleman Family's Omission and Third Wing, the two plays that put Timbre 4 on the international map, are translated here into English for the first time, accompanied by Jean Graham-Jones' introductory study.

Fleeting, a disturbing “tragedy within a play,” and Stages, with its monolithic recall of a dead actress, rank among Josep Benet i Jornet’s most important works. They provide an introduction to a playwright whose experiments in dramatic form and treatment of provocative themes have made him a major figure in contemporary European theater.

This volume contains four of Pixérécourt’s most important melodramas: The Ruins of Babylon, or Jafar and Zaida; The Dog of Montargis, or The Forest of Bondy;

Lillian Hellman's The Children’s Hour opened on Broadway in 1934. This drama about two schoolteachers falsely accused of having a lesbian affair was a popular and critical success—but the subject matter caused authorities to ban the play in many locations. This new work combines excerpts from Hellman’s controversial play and material from the 1936 case which sought to have the play banned.