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Engaging Cultural Ideologies offers a recontextualization of the effects of Poland’s cultural practices, especially those concerning issues such as nationalism, elitism, and race, on the genesis and performance of contemporary Polish compositions from 1918 to 1956. Based on extensive archival research that includes the first comprehensive examination of concert programs in Poland as well as a series of case studies focused on composers’ challenges in the midst of nearly constant turmoil, Bylander brings fresh insights into the public and private power struggles concerning artistic freedom that were animated by similar points of contention across seemingly diverse historical eras.

This long awaited collection brings together in one volume the definitive essays on Anton Chekhov by renowned Chekhov scholar Robert Louis Jackson, including work that has never appeared in English as well as brand new essays published here for the first time. The volume offers a series of “slow” readings that yield insight after exquisite insight. They also model fruitful ways of discerning the rich complexity of Chekhov’s deceptively simple work. The volume’s introduction by Robin Feuer Miller captures beautifully what Jackson undertakes in his careful scrutiny of Chekhov’s text. The editor’s afterword by Cathy Popkin includes passages from the editorial correspondence in which Jackson reflects on his work and articulates his aspirations; the authorial voice thus resounds in the section Jackson expected to write himself. The editor also outlines the arguments and insights of Jackson’s remarkable unfinished essays. Finally, an appendix provides the full text of his virtually complete but still open-ended treatment of “On Official Business,” the story Jackson returned to repeatedly for decades, the previously unpublished culmination of his life’s work on Chekhov. Essays on Anton P. Chekhov: Close Readings is fully accessible to readers without knowledge of Russian while also providing complete documentation for scholars in the field.

The connection of Judaism to music has been a lively discourse topic in recent years, and the musical awakening in religious circles is one expression of it. This book is the first comprehensive research project on the encounter of music and Judaism in the theological and philosophical realms, tracing the historical evolution of the music motif in Jewish thought. It describes the course of music as a tool serving religious, psychological, and instrumental goals until it developed into an independent aesthetic experience. Discussions also encompass various assessments of music in Jewish thought and the special connection of the Jewish people to music.

Israel and the Nations: The Bible, The Rabbis, and Jewish-Gentile Relations explores the Jewish theology and law (Halakhah) relating to non-Jews. It analyzes biblical, talmudic, medieval, and contemporary Jewish writings about gentiles and their religions.

The Bible challenges the Jewish people to be “a blessing for all the families of the earth.” Yet throughout history, Jewish experience with gentiles was complex. In the biblical and talmudic eras most gentiles were assumed to be idolators. In the Middle Ages most rabbis considered their Christian neighbors idolators, and Christian enmity sharpened the otherness Jews felt toward their Christian hosts. Muslims were monotheists, but Jewish-Muslim relations were sometimes positive and at other times difficult. With the advent secular tolerance in modernity, Jews found themselves in a new relationship with their gentile neighbors. How should Jews relate to gentiles today, and what are the bounds of Jewish tolerance and religious pluralism?

The book will interest both Jewish laypersons familiar with Jewish tradition as well as scholars of theology and interfaith relations

Patriots without a Homeland dissects an important underexplored theme in Hungarian Jewry: Modern Orthodoxy. 

This study clearly demonstrates that beginning from the late nineteenth century, a strong modernizing trend developed within Orthodoxy based on the adoption of Hungarian national identity alongside the preservation of tradition. Modern Orthodoxy was receptive to the Hungarian language, culture, and religion. However, the attempt to integrate failed.

The book traces the journey of Hungarian Jews from Emancipation to the Holocaust and seeks to understand the reasons for the Jews’ complete trust in Hungarian integrity. For instance, why did they believe until the very last moment that the Holocaust would not affect them? How could they fail to notice the impending disaster?

This is the story of a community that felt rooted in the land and contributed greatly to its well-being, but was eventually rejected: the story of patriots without a homeland.

Translated for the first time in English, Lev Levanda's brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia's best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration. 

“[A] gripping mix of stories and poems… interwoven with moments of quiet, affecting beauty… This remarkable work rescues an important 20th-century Israeli voice from obscurity.” — Publishers Weekly

This book represents an anthology of Avigdor Hameiri’s ten most compelling war stories and poetry. His war stories are unique, and different from his Hebrew writer contemporaries in that they mix the supernatural and macabre with war, pogroms, and antisemitism. These stories and poems reflect like no other the unique complexity of the Jewish soldier’s experience of the most vicious and shocking war the world had witnessed to date — the battles, the agony, the dilemmas faced by the Jewish soldier, bravery versus cowardice, the notion of imminent death, breaking the sixth commandment (Thou Shalt Not Murder), elements of pacifism (particularly involving camaraderie between the common soldiers on both sides of the battlefield and their shared hatred for rank), and more.

Dovlatov and Surroundings is a literary ode by one of the most consequential late 20th-century Russian writers, Alexander Genis, to another: Sergei Dovlatov. Though the book’s focus is ostensibly the man himself, the text unfolds as a comprehensive look at the Soviet, post-Soviet, and American cultures that shaped him and which he shaped. Dovlatov and Surroundings constantly, but effortlessly shifts its focus from the intimate to the sweeping, as Genis’s reflections on his friendship with Dovlatov organically give way to recollections about diaspora life, which transition smoothly into analyses of language, culture, politics, and literature. Characterized by Genis as an obituary, this book makes plain the significance of Dovlatov to Russian literature and the nuances of the Soviet cultural heritage.

Joseph Shatzmiller’s Collected Studies (Volume 3): Maimonidean Argument in France is a comprehensive compilation of his research on the intellectual and mental history of the Jews in Provence. The central focus of the book is the ongoing conflict between adherents of Maimonidean philosophy and its opponents, which persisted throughout the thirteenth century due to the movement of translations from Arabic to Hebrew. Additionally, the book delves into other important aspects of Provence Jewry, including their attitudes towards the Albigensian heresy and the intellectual contributions of figures such as Kalonymus ben Kalonymus, Jacob ben Eliyahu, and the renowned biblical commentator, astronomer, and philosopher Gersonides. Shatzmiller’s research illuminates the significance of Provence Jewry within the larger framework of Jewish communities in the Mediterranean and western Europe during the Middle Ages.

“The collection of studies that these four volumes offer is the result of more than sixty years of commitment to scholarship. Like many colleagues, I relied in the beginning on printed material in books that dealt with law, religion, and secular literature. Then, as a disciple of George Duby, I discovered the world of archives and hand-written Latin manuscripts. The present collection relies, to a great extent, on previously unknown information discovered during years of search in the archives of Southern France, mostly on those of the county of Provence. They are situated in the cities of Marseille and Aix-en-Provence as well as the town of Digne. The legal registers of the High Middle Ages (1250-1350) as well as those produced by the counties’ administration introduce us to the ordinary people of the region, to their daily life and to their preoccupations; their names are spelled out, the dates are recorded and the localities in which they were active are designated. At times these documents encourage us to endorse information found in contemporary literary sources and to overcome our hesitation and excessive caution concerning their value as historical evidence.”

— Joseph Shatzmiller

Noonomy explores the effect of modern technological shifts on human society. The author shows that technologies are about to undergo qualitative changes which will create new opportunities for personal development and the satisfaction of wants and, simultaneously, engender risks associated with growth opportunities of human interference with nature and technogenic stress on the environment. Based on the study of cutting-edge technologies and resulting socioeconomic shifts, Bodrunov makes the conclusion about the upcoming civilizational crisis. The crisis can be overcome through the formation of a new industrial society of the second generation reliant on knowledge-intensive material production and gradual removal of humans from immediate material production processes. These two trends can fully develop only subject to the transition from the current socioeconomic formation to a non-economic one–the noonomy.

In Collected Studies (Volume 4): Jews in the Medical Profession, Joseph Shatzmiller, the prominent scholar of Provence Jewry, presents a fascinating glimpse into the world of Jewish doctors and medicine in medieval Western Europe. Drawing on a wealth of archival sources and intellectual history, Shatzmiller delves into the lives and experiences of Jewish physicians who played a crucial role in the medical profession during the Middle Ages. From their scientific collaborations with Christian colleagues to their role as leaders within the Jewish community, this book provides a rich portrait of the complex and dynamic world of medieval medicine. The book covers topics such as the Jewish students in the Faculty of Medicine at the University of Montpellier, Jewish women in medicine, doctors’ salaries, pharmacology, and medical books. With its insightful analysis and meticulous research, Jews in the Medical Profession is a valuable contribution to the history of medicine and Jewish studies.

“The collection of studies that these four volumes offer is the result of more than sixty years of commitment to scholarship. Like many colleagues, I relied in the beginning on printed material in books that dealt with law, religion, and secular literature. Then, as a disciple of George Duby, I discovered the world of archives and hand-written Latin manuscripts. The present collection relies, to a great extent, on previously unknown information discovered during years of search in the archives of Southern France, mostly on those of the county of Provence. They are situated in the cities of Marseille and Aix-en-Provence as well as the town of Digne. The legal registers of the High Middle Ages (1250-1350) as well as those produced by the counties’ administration introduce us to the ordinary people of the region, to their daily life and to their preoccupations; their names are spelled out, the dates are recorded and the localities in which they were active are designated. At times these documents encourage us to endorse information found in contemporary literary sources and to overcome our hesitation and excessive caution concerning their value as historical evidence.”

— Joseph Shatzmiller

There is something deeply problematic about the ways that Jews, particularly in America, talk about “Jewish identity” as a desired outcome of Jewish education. For many, the idea that the purpose of Jewish education is to strengthen Jewish identity is so obvious that it hardly seems worth disputing—and the only important question is which kinds of Jewish education do that work more effectively or more efficiently. But what does it mean to “strengthen Jewish identity”? Why do Jewish educators, policy-makers and philanthropists talk that way? What do they assume, about Jewish education or about Jewish identity, when they use formulations like “strengthen Jewish identity”? And what are the costs of doing so?

This volume, the first collection to examine critically the relationship between Jewish education and Jewish identity, makes two important interventions. First, it offers a critical assessment of the relationship between education and identity, arguing that the reification of identity has hampered much educational creativity in the pursuit of this goal, and that the nearly ubiquitous employment of the term obscures significant questions about what Jewish education is and ought to be. Second, this volume offers thoughtful responses that are not merely synonymous replacements for “identity,” suggesting new possibilities for how to think about the purposes and desired outcomes of Jewish education, potentially contributing to any number of new conversations about the relationship between Jewish education and Jewish life.

The book explores the effect of modern technological shifts on human society, showing that technologies are undergoing accelerating qualitative changes that open up new opportunities for personal development and satisfaction of wants and, simultaneously, engender risks associated with growing opportunities of human interference with nature and technogenic stress on the environment. Based on the study of cutting-edge technologies and resulting socioeconomic shifts, Bodrunov’s analysis outlines the shape of the civilizational crisis we face. It can only be overcome by founding a new industrial society of the second generation (if we consider the new industrial state described by J. K. Galbraith as the first generation) reliant on knowledge intensive material production and the gradual removal of humans from immediate material production.

The Dream of Social Justice and Bad Moral Luck examines the intertwined lives of five women and three men, Russian Jews in the first half of the twentieth century, as their belief in social transformation unraveled. The book looks at why these eight people bought into the dream, and what they did when things went bad. Under what circumstances did they bow to political pressures antithetical to the ideas they professed, and under what circumstances did they resist, even heroically? Political cowardice is a constant theme, but so is moral resistance that had no point beyond an individual’s conscience.

This book comprises interviews with the last veterans of the Jewish Fighting Organization (ŻOB), accompanied by never previously published photographic “postcards” from ghettos in the Warsaw region, and a reconstruction of the only existing list of the (ŻOB) soldiers.

The first part of the book, a collection of conversations with the last soldiers of the ŻOB, which fought in the Warsaw ghetto uprising, is called “Still Circling”. The first of the interviews was recorded in 1985 with ŻOB commander Marek Edelman, and the last another conversation with him from 2000. Grupińska’s other interlocutors are also ŻOB veterans—rank-and-file soldiers, men and women. They relate the stories of their homes and backgrounds—some were Bundists, others from Zionist or religious families—followed by their recollections of how they experienced and remembered the uprising. This provides several unique perspectives on shared episodes. Images include portraits of Grupińska’s interlocutors, as well as never previously published photographs of the ghetto and its surroundings that are reminiscent of postcards.

The second part of the book, “Rereading the List,” is intended to function like a litany of the names of the ŻOB members who fought in the Warsaw ghetto uprising. This list was compiled by a group of fighters in 1943 and rediscovered by the author in 2000. Each name is accompanied by a short story about the fighter—sometimes only a sentence or two—as well as any available photograph of them. The list is followed by a reconstruction of the ŻOB army, its divisions, and the places they fought.

Roy and Zhores Medvedev, two identical twins with a unique fate, not only lived through a whole century of history, from Stalin to Putin, they wrote and made history. Their research on Stalinism, the first to come out of the Soviet Union in the 1960s-1970s, turned them into famous dissidents overnight, but their criticism of the regime always remained loyal to Soviet power. The story of their lives provides a snapshot into the history of Soviet dissent, from psychiatric hospitalization to forced exile, and from KGB interrogations to collaboration with Western news correspondents. Yet their trajectory was also marred by controversy with fellow dissidents, and in the post-Soviet era active support of authoritarian rulers, including Vladimir Putin. 

“A fascinating, exciting story.” 
— Sylvia Nasar, author of A Beautiful Mind

While still in his early 20s, and under Hitler's shadow, Leonid “Leo” Hurwicz (1917-2008) left his home in Warsaw, Poland, seeking safety and a degree at the London School of Economics.  The following years, while challenging and potentially life-threatening, contained the seeds of a lifelong intellectual adventure.  Leo's story is personal (born a refugee, precarious war years for himself and his Polish-Jewish family, a new life in America), global (revolutions, wars, depressions), ideological  (socialism, capitalism, economic planning, free markets) and professional (a sixty-year career as a professor of economics leading ultimately to a Nobel Prize).  This book tells his story.

This collection of essays covers a hundred-year history of Russian-language literature in Israel, including the pre-state period. Some of the studies are devoted to an overview of the literary process and the activities of its participants, others—to individual genres and movements. As a result, a complex and multifaceted picture emerges of a not quite fully defined, but very lively and dynamic community that develops in the most difficult conditions. The contributors trace the paths of Russian-Israeli prose, poetry and drama, various waves of avant-garde, fantasy, and critical thought. Today, in Russian-Israeli literature, the voices of writers of various generations and waves of repatriation are intertwined: from the "seventies" to the "war aliyah" of the recent times. Both the Russian-Israeli authors and their critics often hold different opinions of their respective roles in Israel’s historical and literary storms. While disagreeing on the definition of their place on the map of modern culture, Russian-Israeli writers are united by a shared bond with the fate of the Jewish state.

Engaging Cultural Ideologies offers a recontextualization of the effects of Poland’s cultural practices, especially those concerning issues such as nationalism, elitism, and race, on the genesis and performance of contemporary Polish compositions from 1918 to 1956. Based on extensive archival research that includes the first comprehensive examination of concert programs in Poland as well as a series of case studies focused on composers’ challenges in the midst of nearly constant turmoil, Bylander brings fresh insights into the public and private power struggles concerning artistic freedom that were animated by similar points of contention across seemingly diverse historical eras.

Translated for the first time in English, Lev Levanda's brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia's best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration. 

Told through essays, memoirs, and other musings, this is the story of a radical Jew, academic, and educator from his birth in Ukraine during the Holocaust through the radical 60s and 70s, to the present day as he fights anti-Semitism, anti-Zionism, xenophobia, and hate.

Internationally known in Holocaust, genocide, and Jewish studies, Jack Nusan Porter was born in Maniewicz, Ukraine to Jewish Partisans in the 1940s. Through this engaging and thoughtful memoir, we follow Porter as he recounts his personal journey from a DP camp in Linz, Austria to an idyllic childhood in Milwaukee, Wisconsin where he attended Hebrew day school under Reb Twersk. Porter masterfully details his radicalism in the politically and sociologically turbulent 1960s which would later influence his academic work on genocide, Holocaust studies, and international human rights. Constantly re-inventing himself, readers are treated to engaging anecdotes as they navigate through Porter's highs, lows, and in-betweens.

The book presents a broad-scope analysis of piezoelectric electromechanical transducers and the related aspects of practical transducer design for underwater applications. It uses an energy method for analyzing transducer problems that provides the physical insight important for the understanding of electromechanical devices. Application of the method is first illustrated with transducer examples that can be modeled as systems with a single degree of freedom, (such as spheres, short cylinders, bars and flexural disks and plates made of piezoelectric ceramics). Thereupon, transducers are modeled as devices with multiple degrees of freedom. In all these cases, results of modeling are presented in the form of equivalent electromechanical circuits convenient for the calculation of the transducers’ operational characteristics. Special focus is made on the effects of coupled vibrations in mechanical systems on transducer performance. The book also provides extensive coverage of acoustic radiation including acoustic interaction between the transducers.

The book is inherently multidisciplinary. It provides essential background regarding the vibration of elastic passive and piezoelectric bodies, piezoelectricity, acoustic radiation, and transducer characterization. Scientists and engineers working in the field of electroacoustics and those involved in education in the field will find this material useful not only for underwater acoustics, but also for electromechanics, energy conversion and medical ultrasonics.

The Society for Textual Scholarship Richard J. Finneran Award, Honorable Mention, 2023. 

For the best edition or book about editorial theory and/or practice published in the English language during 2021-2022.

Beginning with Tolstoy’s first extant records of his written œuvre, this anthology assembles seventy-seven unabridged texts that cover more than seven decades of his life, from 1835 to 1910. It constitutes the most complete single-volume edition to date of the rich variety of Tolstoy’s philosophical output: apothegmatic sayings, visions, intimate sketchbook and day notes, book reviews, open letters, dialogues, pedagogic talks, public lectures, programs and rules for personal behavior, fictions, and reminiscences. Most of these newly translated and thoroughly annotated texts have never been available in English. Among the four reprinted translations personally checked and authorized by Tolstoy is the text titled “Tolstoy on Venezuela,” an archival restoration of an authentic first publication in English of “Patriotism, or Peace?” (1896) that had been deemed lost. In the inaugural piece, a seven-year-old Tolstoy describes violent but natural animal life in contrast with the lazy life of a peaceful barnyard in the countryside. The last entry in the anthology written by an eighty-year-old Tolstoy for his grandchildren provides a lesson on vegetarianism and non-violence that a hungry wolf teaches a hungry boy during their conversation when both are on their way to lunch.

It was the insolvable, the “scandalous,” problems of philosophy that never gave Tolstoy any rest: freedom of the will, religious tolerance, gender inequality, the tonal shape of music, the value of healthy life habits, the responsibilities of teaching, forms of social protest, cognitive development, science in society, the relation between body and mind, charity and labor, human dignity and public service, sexual psychology, national war doctrines, suicide, individual sacrifice, the purposes of making art. And always: What are the sources of violence? Why should we engage in politics? Why do we need governments? How can one practice non-violence? What is the meaning of our irrepressible desire to seek and find meaning? Why can't we live without loving? The typeset proofs of his final insights were brought to Tolstoy for approval when he was already on his deathbed. The reader will find all the texts in the exact shape and order of completion as Tolstoy left them. No matter their brevity or the occasion on which they were written, these works exemplify Tolstoy as an artistically inventive and intellectually absorbing thinker.

This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics—Lithuania, Latvia, Poland, and Russia—at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.

Zvi Preigerzon wrote memoirs about his time in the Gulag in 1958, long before Solzhenitsyn and without any knowledge of the other publications on this subject. It was one of the first eyewitness accounts of the harsh reality of Soviet Gulags. Even after the death of Stalin, when the whole Gulag system was largely disbanded, writing about them could be regarded as an act of heroism. Preigerzon attempted to document and analyze his own prison camp experience and portray the Jewish prisoners he encountered in forced labor camps. Among these people, we meet scientists, engineers, famous Jewish writers and poets, young Zionists, a devoted religious man, a horse wagon driver, a Jewish singer of folk songs, and many, many others. As Preigerzon put it, “Each one had his own story, his own soul, and his own tragedy.”

“[A] gripping mix of stories and poems… interwoven with moments of quiet, affecting beauty… This remarkable work rescues an important 20th-century Israeli voice from obscurity.” — Publishers Weekly

This book represents an anthology of Avigdor Hameiri’s ten most compelling war stories and poetry. His war stories are unique, and different from his Hebrew writer contemporaries in that they mix the supernatural and macabre with war, pogroms, and antisemitism. These stories and poems reflect like no other the unique complexity of the Jewish soldier’s experience of the most vicious and shocking war the world had witnessed to date — the battles, the agony, the dilemmas faced by the Jewish soldier, bravery versus cowardice, the notion of imminent death, breaking the sixth commandment (Thou Shalt Not Murder), elements of pacifism (particularly involving camaraderie between the common soldiers on both sides of the battlefield and their shared hatred for rank), and more.

The book presents a broad-scope analysis of piezoelectric electromechanical transducers and the related aspects of practical transducer design for underwater applications. It uses an energy method for analyzing transducer problems that provides the physical insight important for the understanding of electromechanical devices. Application of the method is first illustrated with transducer examples that can be modeled as systems with a single degree of freedom, (such as spheres, short cylinders, bars and flexural disks and plates made of piezoelectric ceramics). Thereupon, transducers are modeled as devices with multiple degrees of freedom. In all these cases, results of modeling are presented in the form of equivalent electromechanical circuits convenient for the calculation of the transducers’ operational characteristics. Special focus is made on the effects of coupled vibrations in mechanical systems on transducer performance. The book also provides extensive coverage of acoustic radiation including acoustic interaction between the transducers.

The book is inherently multidisciplinary. It provides essential background regarding the vibration of elastic passive and piezoelectric bodies, piezoelectricity, acoustic radiation, and transducer characterization. Scientists and engineers working in the field of electroacoustics and those involved in education in the field will find this material useful not only for underwater acoustics, but also for electromechanics, energy conversion and medical ultrasonics.

Part II contains general information on vibration of mechanical systems, electromechanical conversion in the deformed piezoceramic bodies, and acoustic radiation that can be used independently for treatment transducers of different type. 

Dovlatov and Surroundings is a literary ode by one of the most consequential late 20th-century Russian writers, Alexander Genis, to another: Sergei Dovlatov. Though the book’s focus is ostensibly the man himself, the text unfolds as a comprehensive look at the Soviet, post-Soviet, and American cultures that shaped him and which he shaped. Dovlatov and Surroundings constantly, but effortlessly shifts its focus from the intimate to the sweeping, as Genis’s reflections on his friendship with Dovlatov organically give way to recollections about diaspora life, which transition smoothly into analyses of language, culture, politics, and literature. Characterized by Genis as an obituary, this book makes plain the significance of Dovlatov to Russian literature and the nuances of the Soviet cultural heritage.

After more than a century of genocides and in the midst of a global pandemic, this book focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war.

Over a career spanning forty years, David G. Dalin has written extensively about the role of American Jews in public life, from the nation’s founding, to presidential appointments of Jews, to lobbying for the welfare of Jews abroad, to Jewish prominence in government, philanthropy, intellectual life, and sports, and their one-time prominence in the Republican Party. His work on the separation of Church and State and a prescient 1980 essay about the limits of free speech and the goal of Neo-Nazis to stage a march in Skokie, Illinois, are especially noteworthy. Here for the first time are a collection of sixteen of his essays which portray American Jews who have left their mark on American public life and politics.

This long awaited collection brings together in one volume the definitive essays on Anton Chekhov by renowned Chekhov scholar Robert Louis Jackson, including work that has never appeared in English as well as brand new essays published here for the first time. The volume offers a series of “slow” readings that yield insight after exquisite insight. They also model fruitful ways of discerning the rich complexity of Chekhov’s deceptively simple work. The volume’s introduction by Robin Feuer Miller captures beautifully what Jackson undertakes in his careful scrutiny of Chekhov’s text. The editor’s afterword by Cathy Popkin includes passages from the editorial correspondence in which Jackson reflects on his work and articulates his aspirations; the authorial voice thus resounds in the section Jackson expected to write himself. The editor also outlines the arguments and insights of Jackson’s remarkable unfinished essays. Finally, an appendix provides the full text of his virtually complete but still open-ended treatment of “On Official Business,” the story Jackson returned to repeatedly for decades, the previously unpublished culmination of his life’s work on Chekhov. Essays on Anton P. Chekhov: Close Readings is fully accessible to readers without knowledge of Russian while also providing complete documentation for scholars in the field.

It would not be an overstatement to say that Cemal Kafadar has transformed the field of Ottoman history. As a result of his pathbreaking books and articles, the field is experiencing a turn within itself as well as recasting its relationship with world history. This volume acts as a tribute to Kafadar and the important interdisciplinary work he has both done and inspired in the field. In line with the intellectual pluralism that Kafadar has cultivated over his career, readers will find a number of articles engaging with a wide range of questions, approaches, perspectives, and sources across Ottoman history. Kafadar's students and friends, individually or in pairs, researched and crafted contributions to this volume with a variety of conceptual premises, theoretical approaches, and interpretive tools to celebrate his thirty years of teaching, research, and mentorship, in addition to the overwhelming generosity of his intellectual and personal engagement.

Diane Tuckman and Cecile Spiegel fled religious persecution with WWII conflicts at their heels. Separately, from Egypt and from Germany, each leaped continents, cultures, and languages as a refugee before finding a new home in the United States. Hiding in plain sight in France, Cecile eluded capture by the Nazis, but lost many dear to her. Diane came of age there, far from the Mediterranean idyll of her childhood in Egypt. They relied on family, faith, and resilience to overcome the otherness felt by displaced peoples. As they dictated their memoirs to one another, Diane and Cecile discovered the anatomy of their friendship in their parallel odysseys and the optimism of 20th-century American womanhood.

A Kirkus Best Indie Book of the Year & a Library Journal Best World Literature read, from Pulitzer Prize-winning AP Journalist and Director/Producer/Writer of the Academy Award-winning documentary 20 Days in Mariupol

“[A] book for our times—vivid enough to grab us and not let go.” — Kirkus Reviews (starred review)

"A powerful psychological thriller about borderline situations in life, hopes and dreams. Written against the backdrop of the war, before Russia's full-scale invasion of Ukraine, the story acquires an additional passionate and humanistic significance." — Andrey Kurkov, author of Grey Bees

“[T]his timely novel from a Ukrainian author excels at examining the connection between reality and dreams and exploring the effects of war on the human psyche.” — Library Journal

The Dreamtime is a fusion of documentary and military fiction inspired by the author’s experience as an award-winning war correspondent that offers a unique and gritty point of view on the horrors of war through four intertwining narratives. Parallel storylines from a guilt-ridden doctor trying to exorcise his demons by exposing himself to war; a young woman tending to her ailing father as the bombs fall around them in Russian-occupied Slovyansk; a mysterious sociopath playing a cat-and-mouse game; and a forensic expert solving a murder case while trying to save her marriage with a discharged soldier bring a raw intensity and a deeply personal connection to the effects of war. As the threads of their stories unfurl, through harrowing scenes of personal and collective trauma, an enigmatic pattern emerges.

Shifting from Ukraine's war-torn Donbas to southern Europe and southeast Asia, The Dreamtime ties together themes of existential conflict, the blurred line between reality and dreams, and how easily the boundary dissolves between waking life and nightmare. Originally published in Kyiv in 2020, The Dreamtime has been well received by critics around the world and praised for its realism in depicting war, for its creative literary depiction of how dreams reflect the psyche, and for its masterly prose.

The connection of Judaism to music has been a lively discourse topic in recent years, and the musical awakening in religious circles is one expression of it. This book is the first comprehensive research project on the encounter of music and Judaism in the theological and philosophical realms, tracing the historical evolution of the music motif in Jewish thought. It describes the course of music as a tool serving religious, psychological, and instrumental goals until it developed into an independent aesthetic experience. Discussions also encompass various assessments of music in Jewish thought and the special connection of the Jewish people to music.

Inspired by seven photographs of WWII refugees in an old album, the author embarked on a quest to uncover the story behind each portrait. Had the refugees been rescued by the diplomat Chiune Sugihara, who saved thousands of Jews from the Holocaust by providing Japanese transit visas? Searching for the identities of the people in the photographs, the author scoured historical records and interviewed numerous fascinating individuals, including Sugihara visa recipients and their descendants. While solving the mystery of the people in the photographs, the author uncovered more hero diplomats and new details about Sugihara visas. This account of the author’s investigation supports the legacy of Chiune Sugihara and highlights other WWII saviors, such as the Dutch diplomat Jan Zwartendijk. 

It is human nature to want to fit in. The lengths people have gone to do so have provided creative minds with material for centuries. This book explores the consequences of being marked an outsider in the Russian-speaking world through a close study of several seminal works of Russian literature. The author combines the fields of literary studies, linguistics, and sociology to illuminate what prompted Christof Ruhl, an economist at the World Bank, to comment, about Russia, “On a very broad scale, it’s a country where people care about their family and friends. Their clan. But not their society.”

Hebrew University Professor Emeritus and Israel Prize recipient Eliezer Schweid (1929-2022) is widely regarded as one of the greatest historians of Jewish thought of our era. In Siddur Hatefillah, he probes the Jewish prayer book as a reflection of Judaism's unity and continuity as a unique spiritual entity; and as the most popular, most uttered, and internalized text of the Jewish people. Schweid explores texts which process religious philosophical teaching into the language of prayer, and/or express philosophical ideas in prayer’s special language – which the worshipper reflects upon in order to direct prayer, and through which flows hoped-for feedback. With the addition of historical, philological, and literary contexts, the study provides the reader with first-time access to the comprehensive meaning of Jewish prayer—filling a vacuum in both the experience and scholarship of Jewish worship.

Companion to Victor Pelevin, a collaborative undertaking by a group of emerging Russianist scholars, focuses on the work of one of the most important and hotly debated post-Soviet writers. It provides a valuable resource to scholars, teachers, and students, including how best to teach Pelevin to university-level students, and which critical debates invite further investigation. The contributors offer new readings of Pelevin texts that cover a broad time span and pay due attention to the philosophical and aesthetic complexities of Pelevin’s oeuvre in its development from the early post-Soviet years to the second decade of the present millennium. Examining all of Pelevin’s major works and all Peleviniana currently available in English, the Companion aims to prompt further inquiry into this author’s intellectually stimulating and socially prescient work.

A Winner of the Association for the Study of the Middle East and Africa 2023 Bernard Lewis Prize

Landes, a medievalist and historian of apocalyptic movements, takes us through the first years of the third millennium (2000-2003), documenting how a radical inability of Westerners to understand the medieval mentality that drove Global Jihad prompted a series of disastrous misinterpretations and misguided reactions that have shaped our so-far unhappy century. These misinterpretations in 2000, 2001, 2002, and 2005, contributed fundamentally to the ever-worsening moral and empirical disorientations of our information elites (journalists, academics, pundits). So while journalists reported Palestinian war propaganda as news (lethal journalism), they were also reporting Jihadi war propaganda as news (own-goal war journalism). These radical disorientations have created our current dilemma of pervasive information distrust, deep splits within the voting public in most democracies, the politicization of science, and the inability of Western elites to defend their civilization, and instead, to stand down before an invasion.

A History of Ottoman Libraries tells the story of the development and the organization of Ottoman libraries from the fourteenth through the twentieth century. In the first part, the book surveys the phases through which the Ottoman libraries evolved from a few shelves of books to sizable, endowed collections housed in free-standing library buildings. Ottoman libraries were mainly established as charitable foundations, that is by endowing the books and steady income for the maintenance of the collection and the library building. The second part of the book focuses on the organization, the personnel, and the day-to-day functioning of Ottoman libraries. This first complete history of Ottoman libraries was written based on hitherto untapped archival sources.

Israel and the Nations: The Bible, The Rabbis, and Jewish-Gentile Relations explores the Jewish theology and law (Halakhah) relating to non-Jews. It analyzes biblical, talmudic, medieval, and contemporary Jewish writings about gentiles and their religions.

The Bible challenges the Jewish people to be “a blessing for all the families of the earth.” Yet throughout history, Jewish experience with gentiles was complex. In the biblical and talmudic eras most gentiles were assumed to be idolators. In the Middle Ages most rabbis considered their Christian neighbors idolators, and Christian enmity sharpened the otherness Jews felt toward their Christian hosts. Muslims were monotheists, but Jewish-Muslim relations were sometimes positive and at other times difficult. With the advent secular tolerance in modernity, Jews found themselves in a new relationship with their gentile neighbors. How should Jews relate to gentiles today, and what are the bounds of Jewish tolerance and religious pluralism?

The book will interest both Jewish laypersons familiar with Jewish tradition as well as scholars of theology and interfaith relations

As a scientist, philosopher and scholar in Jewish thought, Yeshayahu Leibowitz was one of the most noteworthy thinkers in the twentieth century. He was endowed with a remarkable intellect and was knowledgeable across a variety of fields. 

Born in Riga (Latvia) in 1903, he later immigrated to Israel, where he taught organic chemistry, biochemistry, neurology, biology, neurophysiology, philosophy and Jewish thought at Haifa and Jerusalem University. He was Chief Editor of the Hebrew encyclopedia, where he wrote about scientific, philosophical, historical and religious topics. 

Leibowitz was an orthodox Jew, but rejected the notion of divine intervention in nature or history. So what was actually Leibowitz’ belief? This volume explores his belief system.

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s’ Seattle and helping smash the communist system in 1980s’ Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead. The story is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elżbieta Janicka. It is illustrated with scores of photographs and documents.

This monograph is nothing less than a bold attempt at solving the riddle of Gogol’s novel Dead Souls that even inspired a staging of Dead Souls at Schauspiel Stuttgart. Heftrich gives a comprehensive, coherent answer to the question of the novel’s meaning by meticulously laying bare its structure. The first part of the monograph is dedicated to one section of Gogol’s novel that has been neglected by virtually all critics - a clue that leads to a strictly ethical reading of Gogol’s epic. Gogol, as it emerges, constructed Dead Souls strictly according to a moral pattern. It is amazing to discover how flawlessly Dead Souls is built in this regard. The novel thus proves to be a true descendant of medieval romance with its inseparable interrelation between ethics and epics.

The book presents a broad-scope analysis of piezoelectric electromechanical transducers and the related aspects of practical transducer design for underwater applications. 

It uses an energy method for analyzing transducer problems that provides the physical insight important for the understanding of electromechanical devices. Application of the method is first illustrated with transducer examples that can be modeled as systems with a single degree of freedom, (such as spheres, short cylinders, bars and flexural disks and plates made of piezoelectric ceramics). Thereupon, transducers are modeled as devices with multiple degrees of freedom. In all these cases, results of modeling are presented in the form of equivalent electromechanical circuits convenient for the calculation of the transducers’ operational characteristics. Special focus is made on the effects of coupled vibrations in mechanical systems on transducer performance. 

The book also provides extensive coverage of acoustic radiation including acoustic interaction between the transducers. The book is inherently multidisciplinary. It provides essential background regarding the vibration of elastic passive and piezoelectric bodies, piezoelectricity, acoustic radiation, and transducer characterization. Scientists and engineers working in the field of electroacoustics and those involved in education in the field will find this material useful not only for underwater acoustics, but also for electromechanics, energy conversion and medical ultrasonics.

Part I contains an introduction to the energy method illustrated with examples of one degree of freedom transducers. It is self-sufficient and can be read independently.

Patriots without a Homeland dissects an important underexplored theme in Hungarian Jewry: Modern Orthodoxy. 

This study clearly demonstrates that beginning from the late nineteenth century, a strong modernizing trend developed within Orthodoxy based on the adoption of Hungarian national identity alongside the preservation of tradition. Modern Orthodoxy was receptive to the Hungarian language, culture, and religion. However, the attempt to integrate failed.

The book traces the journey of Hungarian Jews from Emancipation to the Holocaust and seeks to understand the reasons for the Jews’ complete trust in Hungarian integrity. For instance, why did they believe until the very last moment that the Holocaust would not affect them? How could they fail to notice the impending disaster?

This is the story of a community that felt rooted in the land and contributed greatly to its well-being, but was eventually rejected: the story of patriots without a homeland.

The focus of this study in comparative criticism is close analysis of Dostoevsky’s first literary publication—his 1844 translation of the first edition of Balzac’s Eugе́nie Grandet (1834)—and the stylistic choices that he made as a young writer while working on Balzac’s novel. Through the prism of close reading, the author analyzes Dostoevsky’s literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, this book focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky’s free translation of Eugénie Grandet predicts the creation of his own literary characters, themes, and other aspects of his literary output that are now recognized as Dostoevsky’s signature style. It investigates the changes that Dostoevsky made while working on Balzac’s text and analyzes the complex transplantation of Balzac’s imagery, motifs, and character portraiture from Eugénie Grandet into Dostoevsky’s own writing later on.

By examining Jewish experiences between the American Civil War and the African American Civil Rights Revolution, this book focuses on citizens who usually spent their daily lives in Black and white “peoplehoods.” Some of the white ones, commanding the nation’s “public square,” structured a segregated republic and capitalist economy that would experience WWII and the news about the Holocaust that murdered millions of Jews. This political economy sustained a hierarchy of privatized ethnic groups whose race and religion, in their norms of “ethnicking,” was used to deprive them of legal and equal collective standing. This Was America is a book about those privatized identities that the years of the Civil Rights Revolution would bring into the republic’s public square.