The American University in Cairo Press

This book approaches its subject of Arabic writing and composition by looking at the discrete entities, including vocabulary, grammar, and transformations, which together comprise style. Assuming that different areas of writing require different styles, it presents examples of such areas (expressing time, instructions, physical descriptions, and so on), and for each example the relevant stylistic elements—vocabulary, grammar, and transformations—are outlined. The book, entirely in Arabic, is clear and logical, and is aimed at intermediate to advanced levels, although, with the assistance of a teacher, students at elementary levels will also find much of interest.

As one of the first non-European journals to critically address the category of Weltliteratur bilingually from the perspective of the Global South, this special issue of Alif addresses this problem theoretically and empirically. The critical conversation about the problem of the category of Weltliteratur is not only extended beyond the European and North American sphere that has largely dominated and framed the discussion of Weltliteratur, but is juxtaposed formally in a way that permits us to understand that there are other “world literatures” that allow us to reexamine the contending theories, practices, and underlying assumptions of Weltliteratur. Essays in this volume emphasize in different ways the inherent tension between postcolonial studies and “world criticism,” and to that extent open up new realms for the discovery of new knowledges, new epistemes, modes of conversation, and communication.

This issue of Alif: Journal of Comparative Poetics is devoted to the intersection of the imaginary and the documentary, the fictional and the cultural in the three genres of literature (poetry, fiction, and drama), in history, in film (feature and documentary), in photography, in plastic arts, and in architecture. Collage in art, portrait paintings, political poetry, archival footage in films, the historical novel, and the metaphors of historiography are some of the examples that demonstrate the interfacing between the imaginary and the documentary. Subjectivity and ideology of the artist and scholar might be couched in a flight of fantasy or in a rational argument, but in both cases they are joined to a specific worldview that is analyzed and discussed. Contributors: Abdel Rahman El Abnoudy, Emad Abdel Latif, Saeed Alwakil, Tamim El Barghouti, Judith Butler, Safaa Fathy, Tahany El Gebaly, Ahmed Haddad, Sabry Hafez, Chouaib Halifi, Stuart Hall, Barbara Harlow, Ahmed Heakl, Jeffrey Herlihy, Ahmed Abdel Mo‘ty Higazi, Abdullah Ibrahim, Walid El Khachab, Jalal Uddin Khan, Hasna Lebbady, Iman Mersal, Helmi Salem, Stephanie Schwerter, Basheer El Sibaei, Larbi Touaf, John Carlos Rowe, Angela Vaupel, Elizabeth Wickett, Shaaban Yusuf.

This issue of Alif is published on the centennial anniversary of the founding the first Casa dei Bambini, a progressive educational institution for children, which seeks an alternative mode in bringing them up and nurturing their independence. An extract from the writings of the pedagogue of this innovative method, Maria Montessori, is here translated into Arabic for the first time. This collection covers the universe of children through interviews, photo-essays, testimonies, and articles in psychology, philosophy, law, music, fiction, media, poetry, and drama, addressing varied aspects of childhood: from Shakespeare for children to puppet theater in Egypt; from plays for dispossessed camp children to children enlisted in militias; from the affluent and leisurely childhood of Virginia Woolf to the wonders of the early years of a poet like Muhammad Afifi Matar. Essays also explore heroism and ethical values in children’s literature, as well as musical adaptations of children’s literature and the art and craft of making books for children. Alif Volume 27 Contributors: Abdelfattah Abusrour, Saeed Alwakeel, Nasseif Azmy, Mia Carter, Sharif S. Elmusa, Adib Fattal, Stephannie S. Gearhart, Ferial J. Ghazoul, Amanie Fawzi Habashi, Gala El Hadidi, Thomas Hartwell, Sayyid Hegab, Nadia El Kholy, Mohieddin al-Labbad, Muhammad Afifi Matar, Tanya M. Monforte, Maria Montessori, Yasmine Motawy, Naomi Shihab Nye, Michal Oklot, Mounira Soliman, Wiam El-Tamami, Matthew Whoolery.

This issue of Alif: Journal of Comparative Poetics addresses literary and artistic adaptations comprehensively. It offers articles on adaptations and appropriations of textual and visual material, focusing on adapting works from one genre to another, from one discourse to another, and from one medium to another. Transformation, modification, and ‘writing back’ in the process of adaptation are analyzed and contextualized. The volume covers adaptation of, among other things, novels into films, sacred texts into literary works, rituals into installation art, historical documents into narrative texts, art objects into poetic discourse, folk legends into dramatic works, ideological positions into fables, erotic verses into Sufi lessons, and e-mails and personal diaries into performances. The contributors are from Africa, America, Asia, and Europe. Between them they cover postcolonial adaptations, gendered appropriations, and literary rewriting of the past, as well as theoretical and esthetic dimensions of such artistic adaptations. Examples are given from Egyptian, Iraqi, Kuwaiti, Pakistani, American, British, Andalusian, and sub-Saharan African works. There are also translations related to the topic of adaptation, and testimonies by writers who have adapted works across genres. Alif 28.

This issue of Alif is devoted to travel and travel-writing in the broadest cross-cultural sense and focuses on what Mahmoud Manzalauoui has termed indigenes, visitants, sojourners, and habitants or metics, particularly in Egypt and the Middle East. It is a tribute to Middle East scholar and acclaimed travel writer John Rodenbeck. Essays in this issue take a variety of approaches, ranging from the historical to the analytical and philosophical. Contributors include Sahar Sobhi Abdel-Hakim, Fadwa Adbel Rahman, Michael Haag, JDF Jones, Ceza Kassem, Nabil Matar, Malise Ruthven, Sarah Searight, and Terry Walz.

Studies in this collection treat varied aspects of the relationship between literary discourses and ideas of the sacred in different cultures and epochs. Contributions by established and emerging scholars from the Arab world, South Asia, Europe, and North America examine issues such as the treatment of the sacred in literary texts and traditions, the literary dimensions of sacred texts, the impact of the sacred on literary imagination, the role of the literary in sacred experience, and the contestations between the respective projects of literature and the sacred over the constitution of cultural and social norms. Alif vol. 23 Contributors: English and French sections: Nasr Abu Zaid, Karen Campbell, Angelica DeAngelis, Markus Dressler, Michael Frishkopf, Scott Kugle, Heba Machhour, Olivier Sécardin, Marla Segol. Arabic section: Farid Abu Si’da, Boutros Hallaq, Ahmed Taher Hassanein, Anwar Ibrahim, Richard Jacquemond, Salah Kamel, Ali Mabrook, Sa’id Tawfiq.

This grammar book is intended for intermediate learners of Modern Standard Arabic. It covers the main points that they need to master at this level to prepare them for the next level of proficiency. Each lesson in the book begins with a brief statement and explanation of a grammar rule followed by different types of exercises. The exercise section of the lessons begins with mechanical drills (some of which have illustrations) for practice of the grammar point of the lesson. At the end, there are writing exercises that enable learners to produce the language freely while still requiring them to use the lesson’s grammar. The book is accompanied by a CD with animated PowerPoint presentations illustrating the grammar rules explained in the lessons, and interactive drills. This very practical textbook provides a fine, flexible tool for a grammar-based approach to teaching MSA.

This three-part course in Modern Standard Arabic for non-native speakers approaches the language through a series of themed topics—daily life in the Arab world, politics and governance, literature and the arts, science and medicine, astronomy—concentrates principally on listening and speaking skills. In each section, vocabulary is built up as various linguistic structures and strategies are introduced and practiced in a clear introduction to Arabic grammar. A CD accompanies Volume 1, and a supplementary dictionary, al-Mu‘jam al-musa‘id, gives a complete key to the vocabulary of all three books in four languages: English, French, German, and Spanish. Comprehensive and easily digestible, varied and informative, these books make an ideal basis for a classroom-based course in Arabic anywhere in the world.

The Mediterranean coast of Egypt stretches for 1,000 kilometers from Sallum in the west to Rafah in the east, exhibiting a variety of littoral landscapes—rocky shores and white sand beaches where the Western Desert meets the sea, low-lying wetlands along the edge of the Nile Delta, and rolling dunes in northern Sinai. Along the way are Egypt’s second city, Alexandria, the battlefield of al-Alamein, and the historic town of Rashid. With this new fully revised edition of their popular guide, Jenny Jobbins and Mary Megalli traverse the entire coast, guiding the curious visitor on what to see and what to know, where to swim and where to stay, how to get there and how to get around. The guide is an informative companion for all travelers, whether their interest lies in sightseeing or nostalgia-seeking, archaeology or birdwatching. It offers information on recent excavations, submerged antiquities, places of interest, museums, hotels, and restaurants, as well as a comprehensive history of the coastal region and facts about its geography, wildlife, and natural environment. Detailed route and travel information are included for motorists, as are listings of bus, rail, and air services. Illustrated with detailed maps and 30 color photographs—and now revised with the most up-to-date information and practical advice—this convenient guidebook is an ideal companion for anyone traveling to this multifaceted region of Egypt.

A new coursebook in modern standard Arabic from the authors of kullu tamam!

This sequel to the well-known kullu tamam!, on Egyptian Arabic, by the same authors, focuses on the modern written language used in real life by providing short texts taken from Egyptian newspapers, official statements, and the internet, and introduces personal and business letters, some of them in handwritten form (ruq‘a). For those who have studied kullu tamam!, the first lessons give contrastive word lists and exercises to make the link with Egyptian Colloquial Arabic. Extensive pattern drills, translation exercises in both directions, and writing exercises aid understanding and encourage active use of the language. The key to the exercises, the Arabic –English / English –Arabic glossary, and the audio material containing the texts allow for classroom use as well as for self-study.

While most courses in Egyptian Arabic teach the essentials of syntax, morphology, and vocabulary, this resource book takes the student a step beyond. Intended for the advanced learner of Egyptian Colloquial Arabic who has mastered the basics, this third in a series of three books (following Volume 1, Adjectives and Descriptions, and Volume 2, Proverbs) focuses on colorful expressions used by native speakers. The learner will advance from knowing how to form a good sentence to being able to express his or her thoughts about the ups and downs of daily life using culturally appropriate expressions. Definitions (including connotation) and explanations are given in Egyptian Colloquial Arabic, and expressions taught in the book are used in many of the definitions, thus providing further reinforcement. Organized as a reference work, the book can also be used as a textbook, as it contains exercises.

This collection of essays revisits agrarian transformation in Arab countries in the light of new realities and emerging challenges. Apart from the urgency of the deepening food crisis, such realities include environmental challenges, changes in consumption and life-style choices, and a new set of rules governing the conditions of access to resources. The issue investigates the commonality and diversity in the current processes of agrarian transformation, based on empirical case studies from different Arab countries.

While most courses in Egyptian Arabic teach the essentials of syntax, morphology, and vocabulary, this first in a series of three books takes the student a step beyond and focuses on colorful expressions used by native speakers. The learner will advance from knowing how to form a good sentence to being able to express his or her thoughts about the ups and downs of daily life using culturally appropriate phrases. This first volume, Adjectives and Descriptions, focuses on the many expressions used to describe people, their characteristics, their behaviors, and their attitudes. Each entry is given fully voweled followed by its feminine form and plural, and definitions (including connotation) and explanations are given in Egyptian Colloquial Arabic. Organized as a reference work, the book can also be used as a textbook, as it contains a large number of exercises. Volume 2, forthcoming, will focus on proverbs and Volume 3, forthcoming, on idiomatic expressions.

Another hilarious adventure for children with Mr. Mummific, the mummy with attitude. Having described his death and long mummification process in his last book, How I Became a Mummy, he now tells the story of his mishaps, misunderstandings, and misadventures as he leaves his tomb through the False Door to embark on the complicated and hazardous journey to the Afterlife aboard the magnificent Ship of Millions. The dangers he faces along the way (and desperately hopes to avoid) include being left hanging upside-down from the cavern ceiling, being swallowed (and vomited out again) by a giant serpent, or becoming a tasty morsel for the hideous Eater of the Dead. Once again, the pompous and frequently perplexed former pharaoh is our entertaining guide to some of the traditions and beliefs of the ancient Egyptians. Illustrated with eighty colorful scenes from the deathly existence of the funniest mummy you’ll ever meet, Mummies, Monsters, and the Ship of Millions is a further ghastly treat for children and Egyptologists of all ages.

Winner of the 2017 SATW Lowell Thomas Award for Best Travel Book

They say that Arabic takes seven years to learn and a lifetime to master. O’Neill had put in her time. Steeped in grammar tomes and outdated textbooks, she faced an increasing certainty that she was not only failing to master Arabic, but also driving herself crazy. She took a decade-long hiatus, but couldn’t shake her fascination with the language or the cultures it had opened up to her. So she decided to jump back in—this time with a new approach.

Join O’Neill for a grand tour through the Middle East. You will laugh with her in Egypt, delight in the stories she passes on from the United Arab Emirates, and find yourself transformed by her experiences in Lebanon and Morocco. She’s packed her dictionaries, her unsinkable sense of humor, and her talent for making fast friends of strangers. From quiet, bougainvillea-lined streets to the lively buzz of crowded medinas, from families’ homes to local hotspots, she brings a part of the world that is thousands of miles away right to your door.

A natural storyteller with an eye for the deeply absurd and the deeply human, Zora O’Neill explores the indelible links between culture and communication. A powerful testament to the dynamism of language, All Strangers Are Kin reminds us that learning another tongue leaves you rich with so much more than words.

The articles in Alif 37 address the intersection of literature and journalism, in a wide variety of Arabophone, Francophone, Anglophone, and Latin American contexts, analyzing the literary in relation to an array of journalistic genres and forums, including the interview, investigative journalism, the questionnaire, the blogosphere, creative non-fiction and reportage, literary websites, cultural periodicals, the autobiographical essay, and writers’ opinion articles. Complemented by the testimonies of two journalist–littérateurs and an interview with an artist–poet–art critic, the studies present fresh aspects of Arab literary modernity, littérature engagée, the politics of reception and translation in cultural journalism, canon-formation in relation to journalism, the journalistic delineation of a literary generation’s profile, gender and censorship of creative writers, and revolution and civil strife.

A prolific film industry has flourished on the banks of the Nile since the earliest days of cinema, producing movies that have been hugely popular and immensely influential not only in Egypt but across the Arab world. Concentrating on productions written and produced entirely in Egypt, Sameh Fathy—a film critic with an encyclopedic knowledge of the history of Egyptian cinema—here selects the 101 most important movies to come out of Cairo’s famous studios over the last eighty years. From classic comedies like Salam Is Fine to social dramas like The Second Wife, and from literary adaptations like Call of the Curlew to masterpieces of the cinematic art like The Night of Counting the Years, the author introduces us to each film’s writers, producers, directors, and stars, and explains the movie’s particular historical, cultural, or artistic significance. Illustrated throughout with posters and stills from all the movies covered.

The point of departure for this special issue of Alif is that knowledge is 'produced' rather than 'discovered,' and that translation is a core mechanism for the production and circulation of all forms of knowledge. This topic has received relatively limited attention in translation studies to date, and even less in related disciplines such as cultural studies and the history of ideas. This issue aims to encourage sustained engagement with the role played by translation in the production of knowledges across the entire spectrum of human activities. Contributors offer theoretical, empirical, and historical accounts of the impact of translation on the production, renegotiation, and reification of knowledge.