Three Rooms Press

THIS WAY TO THE END TIMES: Classic Tales of the Apocalypse, gathers 21 compelling, gripping stories of the not-too-distant demise of the earth as we know it. And what a collection. From little-known, brilliant tales by sci-fi legends Jules Vernes and Olaf Stapledon, to intense short works by sci-fi masters Ursula K. Le Guin, Connie Willis, Jack Vance, and Brian W. Aldiss, to haunting works by contemporary authors Dale Bailey, Alvaro Zinos-Amaro, Karen Haber and Megan Arkenberg, THIS WAY TO THE END TIMES paves the road to the fantastical future, alternating humor with grit, and hope with ghastly post apocalyptic visions. Guest editor Robert Silverberg—beloved sci-fi master—hand-picked each story, and offers an introduction to each, as well as an introduction to the anthology as a whole. A unique collection for longtime and new fans of speculative fiction, THIS WAY TO THE END TIMES roars into the future wide-eyed and full speed ahead.

Complete list of authors:
Jules Verne, James Elroy Flecker, Frank Lillie Pollock, G. Peyton Wertenbaker, Philip Latham, Jack Vance, Fritz Leiber, Brian W. Aldiss, Ursula K. Le Guin, Robert Silverberg, James Tiptree, Jr., Malcolm Edwards, Connie Willis, Karen Haber, by Dale Bailey, Megan Artenberg, Alvaro Zinos-Amaro, Olaf Stapledon

Famed detective and mystery writer Lawrence Block (A Walk Among the Tombstones, 8 Million Ways to Die) takes the helm as guest editor for DARK CITY LIGHTS, the fourth edition of the Have a NYC series. Twenty-three thrilling, hilarious and poignant short stories—all based in New York City—written by new and acclaimed fiction masters, including Robert Silverberg (Hugo and Nebula Award multiple winner; grand master of SFWA); Ed Park (author, Personal Days; senior editor, Amazon’s literary imprint, Little A); Jim Fusilli (rock and pop music critic, Wall Street Journal; author, Closing Time and A Well-Known Secret); Parnell Hall (author, Last Puzzle & Testament); SJ Rozan (Edgar, Shamus, Anthony, Nero and Macavity award-wining author); Brian Koppelman (co-writer, Ocean’s 13 and Rounders); Elaine Kagan (author, No Good-Byes; actress, GoodFellas), and more. A brilliant book that redefines the New York of today—and tomorrow.

In the forceful, staggering poetry of César Vallejo, poet and photographer Gerard Malanga discovered a kindred spirit. Driven by a deep sense of spiritual kinship and with the encouragement of Vallejo's widow, Malanga's translations reveal a profound perspective on Vallejo's work that brings into focus the brutal desperation behind his genius. Malanga Chasing Vallejo gathers 82 of Vallejo's poems in a bilingual edition that is marked by the spiritual connection between poet and translator. A work of the heart, these poems are presented from the position of a fellow member of the underclass, providing a street-level entry point for readers who can relate to the hunger feeding every verse and the ache of loneliness that no amount of modern technology can obscure. In addition to the poems, Malanga's heartfelt introduction describes the process of his 45-year commitment to this project. The book also includes a poem about Vallejo by Malanga, rare photos of Vallejo, and transcriptions of several never-before-published letters to Malanga from Vallejo's widow, Georgette de Vallejo, which guided his translation efforts.

Last Boat to Yokohama tells a story of both tragedy and grandeur in the 20th century. It recounts the life and work of Beate Sirota Gordon: the influence of her father, Leo Sirota, one of the greatest pianists of his generation; her secret work ensuring women’s equality while helping to develop the post-WWII Japanese constitution—at the age of 22; her broad influence on hundreds of Western artists such as Robert Wilson, David Byrne and Peter Sellars—who were introduced to leading contemporary Asian music, dance, theater and visual artists through her extraordinary cross-cultural efforts. The book relives Beate's drive, talent, ambition, and influence, with intimate diary excerpts from her mother, an introduction by Beate herself, and an afterword from her daughter, Nicole.
Note: This edition is the Persian translation of the English edition.

The first English translation of the earliest poetry of brilliant and disruptive Austrian writer Thomas Bernhard, widely considered one of the most innovative and original authors of the twentieth century and often associated with fellow mavericks Beckett, Kafka and Dostoevsky. A master of language, whose body of work was described in a New York Times book review as “the most significant literary achievement since World War II,” Bernhard’s On Earth and in Hell offers a distilled perspective on the essence of his artistry and his theme of death as the only reality. A remarkable achievement by highly-respected translator Peter Waugh.

In photos, drawings and words, Sign Language pays homage to the lost art of urban outdoor sign painting. In a working environment both novel and ambitious, author John S. Paul found success, noting, "No other job gave me such a direct impact on the urban landscape, or such physical engagement. Painting signs over Broadway in 1984 was a rare look down from the elevated height of a heroic messenger." Few books have ever provided such an insider perspective into this unique livelihood of days past. In 40 photos and 30 poems and stories, the author creates an immersion into a rarefied world on danger and beauty, raising the sense of the importance of moments and blurring the boundary between public and private space.

In My Watery Self: An Aquatic Memoir, author/scientist Stephen Spotte traces a fascinating trail through a life that began in West Virgina coal camps, drifted through reckless bohemian times of countercultural indulgence in Beach Haven, New Jersey, and led to a career as a highly-respected marine biologist. Together, these stories form a view not just of one man's life, but that of a generation that often refused to take a direct path to the workplace, insisting instead on a winding unveiling of true self-realization, to achieve previously-unimagined outcomes. For Spotte, the key was water: His years of beach living led to a self-initiated study of literature and the sea. He eventually returned to college and received his training as a marine biologist, and discovered, through his singular voice, a wet and occasionally very weird perspective on the world. His writing is engrossing throughout, the stories he shares--such as his stint as curator of the New York Aquarium at Coney Island at the tail end of the hippie era--are compelling and thoroughly enjoyable as he elevates the people and situations he encounters to mythical levels, blending empirical observation with literary prose.

In Teatrophy: Three More Plays, critically-acclaimed playwright/author/poet Peter Carlaftes offers a trio of brilliant and intense modern plays that inspire on both page and stage. In “Anti,” Carlaftes explores a frightening future—in which government surveillance and data mining is the norm—through the eyes of a theater director on the verge of giving up hope. The chilling psycho-sexual drama “Closure” examines the relationship between a woman whose sister was abused a child, and the rapist-murderer that stalks her outside her therapist’s office. In the tender and humorous “Inside Straight,” characters must confront their lovers’ sudden shift in sexual orientation as a gay man and a lesbian woman discover they are attracted to each other. The San Francisco Bay Guardian praised the play: “Inside Straight is a comedy of eros! . . . A restive heart knows no logic or permanence.” All three plays share a passion for beautifully drawn, full characters and powerful moments that force them to expose the true identity they work so hard to hide. As the SF Weekly raved, “As with Strindberg, Beckett or even Sartre, Carlaftes’ message seems to be something we intuit, like music.”

A provocative collection of personal and political essays by an American writer, Raising Girls in Bohemia chronicles the life of a father raising three perfectly bilingual, culturally bifurcated, Czech-American daughters. While tracing what fatherhood has taught him about the world, Katrovas delves into a range of intricately related yet far-flung subjects including fine dining, sexual epithets, gender identity, racism, poetry, and education, tracing the contours of his ignorance about all things. Through the course of these fine essays, Katrovas unveils what it means to be an American and to be a man, and especially what it means to be a father of three daughters, born in Prague, in what we can only hope is the twilight of patriarchy.

Hello Devilfish! is a first-person (or first-fish) account of a giant blue Japanese movie monster stingray’s attack on contemporary Tokyo and his tragic morph into human form. Using elements of Japanese shock-pop and the infamous Hello Kitty meme, the story is told in comic narrative from the stingray’s point of view as he gleefully creams Tokyo into rubble. The stingray is soon pursued by Squidra, a love-struck giant squid. She demands love; he refuses. In an epic waterfront battle, she traps him in a human-growth hormone bath that changes him into a puny human — a reverse metamorphosis — monster to man. Refusing to accept his humanity, the stingray acts like his former giant self while trying to find food, shelter, romance — and avoid the destructive rampage of his stalker squid love interest. Hello Devilfish! is told in a readable, comic narrative occasionally spiced with Manglish words. Funny and very readable, underneath the outlandish plot is a truly fresh critique of contemporary culture and mainstream literature.

With more than 70 produced plays and many produced screenplays, playwright/director/author Israel Horovitz presents a new dimension to his creative output in Heaven and Other Poems, the 75-year-old author's first-ever authorized poetry collection. A tour-de-force of emotion, empathy and deep, melancholic beauty, Heaven and Other Poems is a stunning collection of work crafted over a lifetime. From the epic poem "Stations of the Cross" with its startling, tenderly crafted images of familial love and loss, to the punchy and pointed aphorisms of the twin "Defining the French Novel" and "Defining the American Novel" Horovitz displays a remarkable range, and—throughout—a deep understanding of humanity. As the most-produced American playwright in French theatre history, Horovitz sets many of his in France, where he often directs French-language productions of his plays. The collection is filled with surprises and special gifts, such as the never-before-published translation of one of his poems by master playwright Samuel Beckett, from whom Horovitz found thematic and stylistic inspiration for his own work. A truly inspired poetry collection, which is, in turn, truly inspiring and fulfilling to its audience.

Welcome to New York City. A place where stories lurk around every corner and linger in the hearts of the millions in these five boroughs. In these pages, tales of the underbelly of ­modern-day New York City hook-up with hilarious and ­poignant stories of love and loss in this annual collection of thrilling short stories by seasoned and fresh writers who know how to tell them. Edited by Peter Carlaftes and Kat Georges, these stories are sharp and concise, each an unusual take on the swirling panorama of the streets of New York, from Hell’s Kitchen to Greenwich Village and Coney Island to Williamsburg, Queens, and beyond. Readers are transported by a modern noir sensibility, populated by a plethora of characters of our times, carving new notches of experience on the city that still fires up the imagination. Authors in this edition include acclaimed crime novelist Lawrence Block (A Walk Among the Tombstones, 8 Million Ways to Die), Liz Axelrod, Gil Fagiani, Bonny Finberg, Michael Gatlin, Kat Georges, Kirpal Gordon, Ron Kolm, Peter Marra, J. Anthony Roman, Angela Sloan, Paul Sohar, Joanie Hieger Fritz Zosike and Nina Zivancevic.

Swing State unveils the generally overlooked decades-long economic downturn in the rural Northeast. With an unflinching eye, novelist Michael T. Founier lays bare the dim dreams and raw existence of the lives of three residents of Armbrister, New Hampshire, who share the same goal: Get out. Faced with grim prospects, the intersection of bullying and terrorism blurs, with disastrous consequences in this deftly woven tale.

The Writers Afterlife is the story of Tom Chillo, a 44-year-old writer on the verge of fame, who suddenly dies of a stroke and finds himself transported to a place where all writers are sent after they die. After mingling with “The Eternals” — including Shakespeare, Wilde, Keats, and Tolstoy — he discovers that his true peers in this new world are all haunted by the same regret: they never achieved the fame they felt they deserved during their lifetime. There’s still a chance, though. Every writer has the opportunity to return to earth for exactly one week and convince someone to set the wheels in motion to give their life’s work widespread notoriety. The trick is to come up with the perfect plan the first time. Failure is not an option. The Writers Afterlife is brimming with warm humor, New York street sensibility, and an underlying commentary about the drive for fame in contemporary culture. With a deft hand, Vetere explores the deceptions that people employ to achieve at all costs. A string of eccentric New York characters fly off the page and make for a striking, memorable book that is a delight to read.

Light of the Diddicoy is the riveting and immersive saga of Irish gangs on the Brooklyn waterfront in the early part of the 20th century, told through the eyes of young newcomer Liam Garrity. Forced at age 14 to travel alone to America after money grew scarce in Ireland, Garrity stumbles directly into the hard-knock streets of the Irish-run waterfront and falls in with a Bridge District gang called the White Hand. Through a series of increasingly tense and brutal scenes, he has no choice but to use any means necessary to survive and carve out his place in a no-holds-barred community living outside the law. The book is the first of Irish-American author Eamon Loingsigh's Auld Irishtown trilogy, which delves into the stories and lore of the gangs and families growing up in this under-documented area of Brooklyn’s Irish underworld.

Tales from the Eternal Cafe, author Janet Hamill’s debut short story collection, offers a thrilling, unwinding trail of tales that excite and mystify; drift then deliver a powerful punch that readers will devour. Like Karen Russell, George Saunders, José Luis Borges and Isabel Allende, Janet Hamill’s writing lures readers willingly into a labyrinth of surprise and suspense, with humor lurking just on the other side of pathos; a tear just moments away from bright, well-deserved laughter.

The seventeen crisp stories included in Tales from the Eternal Cafe offer a plethora of fascinating characters and scenarios: a brief memoir from Baudelaire’s publisher; a letter from a writer who knows he is going mad; an exasperated Italian film director unable to inspire Europe’s most famous actor during the shooting of a brothel scene.

The book includes an introduction by the author’s lifelong friend, singer-songwriter-poet-author Patti Smith, whose book Just Kids, received the National Book Award for Nonfiction in 2010.

The New Yorker calls it “unusual and beautiful.” The LA Weekly raves, “the photos are strikingly inventive, revealing yet another side of this modern-day Renaissance man.” MTV calls it “a charming, well-shot document of a the legendary punk rocker’s photographic dabbling.” Detroit Metrotimes: “A unique insight into Watt’s mind.”

“Mike Watt: On and Off Bass” is getting a lot of buzz. And for good reason, considering the author and photographer is the legendary punk bassist himself.

Mike Watt got his musical start thumping the bass with legendary San Pedro punk trio, The Minutemen in 1980 and he has been at it ever since. Over the years, he’s toured with Dos, fIREHOSE, his own The Black Gang, The Secondmen, The Missingmen, and others, and he has worked bass as a sideman for Porno for Pyros, J Mascis and the Fog, as well as punk godfathers The Stooges.

Off the road, at his beloved San Pedro, CA home base, Watt developed a deep interest in photography. In Spring 2010, Track 16 Gallery in Santa Monica, CA hosted an exhibit of his photos: “Mike Watt: Eye-Gifts from Pedro.” According to Track 16 executive director Laurie Steelink, who curated the exhibit, “He has this knack for finding the early morning sweet spots when venturing out alone on his bike or kayak. The resulting photographs never seem to dry: light, flight, salt, rust, and tide commingle in fiery sunrises, endless heavens, roiling waves and fog.” The photos offer another side of Watt that fans of his punk rock music may not be familiar with: While seemingly serene, many have an underlying tension and that often shows the sharp contrast between industry and nature.

In “Mike Watt: On and Off Bass,” photographs that appeared in the exhibit are punctuated by Watt’s poetry and snippets selected from 10 years of his diaries. Watt’s writing is insightful, funny, intimate and honest, as he explores topics like John Coltrane, long hauls and overcoming performance fears. “Mike Watt: On and Off Bass” exposes Watt’s vision as a photographer, diarist and poet, taking its readers on a trip. And when you stop turning the pages of Watt’s story, you start turning the pages of yours, re-ignited.

“ Mike Watt’s photos are the poetry of San Pedro...every time he goes out on that kayak he comes back with gold. These gorgeous images paired with the raw reflections of three decades on the road are sure to blow the minds of all who love punk rock and our beloved vision questing troubadour.” - Jack Black

“ Here is the last stand of the fruited earth and the ship-freighted sea. How lovely America was. God bless San Pedro and Mike Watt.” - Iggy Pop

" The heart and mind and EYES of Michael Watt, half-brother of us all, in black/white and color. No blue-eyed beatnik Buddhist ever breathed such humility; no jackleg science-fictioneer ever oozed such enchantment. That's right!" - Richard Meltzer

"Watt covers the waterfront." - Raymond Pettibon

" Susan Sontag wrote that photographs of people are haunted by death. There aren't many people in Mike Watt's photographs so maybe that's why they seem haunted rather by life — the large operations of man around the harbor and the smaller scale activity of wildlife that puts up with them. Mike is out at sun-up and getting to see SoCal's lands end from his kayak is an unearned privilege, the best kind a book can deliver. Paired with excerpts from his journal which catch him rolling across the continents as a working musician gives a ­precise idea what besides exercise Mike gets out of it." - Joe Carducci

" Mike Watt is poetry. He's like one half of a metaphor. Watt can only be matched in poetry. When you mix pirate, Pedro pix, music, d. boon forever, hard work, weird sincerity, good will, curiosity, love, and an adult moustache, what do you have? Poetry is the answer. ­Poetry poetry poetry. Watt Watt Watt!" - Richard Hell


Reviews

The LA Review of Books‘ Craig Hubert offers a keen and insightful review of “Mike Watt: On and Off Bass” in this week’s edition. Hubert notes, “[Watt] has a keen eye for capturing unexpected disruptions within seemingly normal, even mundane situations. . . Loss is prevalent throughout “On and Off Bass,” but it is undercut with hope; there is always the sustaining reservoir of inspiration — from Boon, from music, from San Pedro itself — to dip back into. It’s the same reservoir that John Coltrane described in a 1966 interview with Nat Hentoff: ‘There is never any end. There are always new sounds to imagine, new feelings to get at.’”

Rick Moody‘s extensive interview with Mike Watt on TheRumpus.Net is an essential read for fans of the legendary punk rock bass player, photographer, poet and writer. It starts with major props for the Three Rooms Press book “Mike Watt: On and Bass,” which Moody notes, “As with everything that Watt has turned his attention to since he began making art in 1980, On and Off Base is sincere, funny, handmade, beautiful, totally idiosyncratic, and entirely original.”

MTV Hive writer Austin L. Ray is impressed with the econo nature of the new Three Rooms Press book, “Mike Watt: On and Off Bass” by the legendary punk bassist. The book features photos from Watt’s gallery show at Track 16 in Santa Monica, juxtaposed with poetry, reflections and diary snippet from Watt’s massive 1,500 page collection of musings on Hootpage.com. The article features Watt discussing the origins of some of the photos in the book.

The New Yorker loves “Mike Watt: On and Off Bass”, calling it an “unusual and beautiful photographic memoir.”

LA Weekly writer Nicholas Pell interviews Mike Watt, revealing exclusive photos from the new book “Mike Watt: On and Off Bass.” Pell raves, “His skill lies not in classical composition — although photo nerds will nonetheless find plenty to like in the book. Rather, Watt’s strength comes from his ability to capture everyday scenes. His pictures make the mundane into the sublime.”

Rockerzine writer Katy Dang raves about “Mike Watt: On and Off Bass,” noting that through the photos and text, “Watt brings his world and his experiences into focus, sharing them unabashedly with whoever chooses to come on board. He brings the past into the present, never merely resting on his laurels and always missing D. Boon, his missing friend.”

Greg Barbrick, on blogcritics.com says it’s a “collection that rewards repeated viewings and is very well crafted.”

When an art scene takes root in a pop-up colony called Freedom Springs, micro-visionary Ben Wilfork promotes the giant, autobiographical 600 square foot canvases of former chess prodigy and high end dominatrix Rhonda Barrett using his Hidden Wheel as a bridge to the future before pre-Datastrophe history completes itself. It's a book about the scams of the modern age--artistic self-promotion, corporate infiltration of hipsterdom--and it's hilarious. At the same time this is a philosophical literary work that dissects hipsterdom to get at the core of what it's all about. A must-read for art fans, punk fans, anyone who wants to know how the truly original ideas can get subsumed by the corporate machine--and how to save them. Told in an intriguing intersecting point of view style this is a powerful short novel by an emerging talent.